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After graduating from a performing arts school in 1991, Dave Chappelle moved to NYC to pursue his dream of being a comedian. During his first performance at the Apollo Theater, he was booed off stage. “And that was the best thing that ever happened to me,” he said, “because… Before that time, I had never bombed, let alone got booed off stage. And bombing was horrifying—nobody wants to bomb. Nobody. So that night was liberating because… I failed so far beyond my wildest nightmares of failing. And it was like…‘hey…this is not that bad.’ And after that, I was fearless.” Takeaway 1: In experiencing the worst case scenario for a stand-up comedian, Chappelle realized that the thing he had long been afraid of really wasn’t scary at all. In psychology, this is known as “exposure therapy.” It’s an ancient practice. The first century philosopher Seneca wrote about why he would routinely “practice poverty”—his worst case scenario: “Set aside a certain number of days, during which you shall be content with the scantiest and cheapest fare, with coarse and rough dress, saying to yourself the while: ‘Is this the condition that I feared?’” When you experience the worst case scenario, Seneca wrote, you often find… “We suffer more in imagination than in reality.” Takeaway 2: A little while back, the comedians Mike Birbiglia and Hasan Minhaj were talking about how Dave Chappelle became one of the great comedians of all time. “The most successful people fail the most,” Birbiglia said. “Chappelle is on stage, bombing, so much. I’ve watched him at The Comedy Cellar a lot, and for hours, he’s up there with no laughs.” As the great screenwriter, director, and novelist Peter Farrelly likes to say… Everybody starts with shit: “When you read a book or a screenplay and you think, ‘Wow, I could never do this.’ Well don’t forget: that person didn’t start with that. They started with shit—that they fixed and fixed and fixed and fixed and fixed and fixed and fixed and fixed and fixed and fixed and fixed and fixed…” - - - “Early on, all of our movies suck…I choose that phrasing because saying it in a softer way fails to convey how bad the first versions of our films really are…Pixar films are not good at first, and our job is to make them go, as I say, ‘from suck to not-suck.’” — Ed Catmull Follow Billy Oppenheimer for more content like this!

Billy Oppenheimer

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