Shocking! Another accidental #slingshot #NipSlip that devastated the poor, shy, blonde girl; she posted it to warn us! Also brought shame to her village! Full pop! #nipslip #accident #hot #sexy #teen #tits #boobs #underboob #nsfw #flashing #nude #sexyblonde #sexy #blonde #sexycostume #hotblonde #model #sexycleavage
1,023,779 次观看 • 1 年前 •via X (Twitter)
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Shocking! One falls out of a Rollercoaster and survives! Another accidental Nip Slip that left the girl devastated - this is why she posted it; - the world we need to be careful! Adam Barfy #nipslip #accident #hot #sexy #teen #tits #boobs #underboob #nsfw #flashing #nude
El Greco
406,020 次观看 • 1 年前
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Oh man, this teen hottie's clearly in the mood! She's doing a live feed sitting in her gamer chair, and a ciggie immediately goes between her sexy lips for a massive double pump inhale and a huge exhale, blowing a thick cloud of smoke straight at us. And just look at her rocking away. "Sex, drugs, alcohol; you can have me to them all" instantly makes it clear what's rocking her boat. She immediately takes another deep inhale while her eyes become hazy from that intense nicotine rush, followed by yet another massive double exhale. And look at that stare. She's completely jacked up to eleven; it really seems that those drugs aren't just in the song. No wonder that she needs a smoke to relax; you can only imagine how much forbidden fun she's already hoovered up into that sexy body. Which guy can resist enjoying himself with this incredible party girl? She's quite simply a dream come true. #smoking #smokingfetish #sexysmoker #sexysmoking #cigarette #girlsmoke #smokingwoman #smokinggirl #smokingbabe #smokingbeauty #cig #chainsmoker #heavysmoker #girlswhosmokecigarette #chainsmoking #girlswhosmoke #smokingmodel #smokinghot #smoker #smokergirl #cigarette #addicted #smokingaddiction #livesmoking #deepinhale #openmouthexhale #hazyeyes #partygirl #partysmoker #teensmoking #teensmoker #smokingteen #cutegirl #coolgirl #hotgirl #sexygirl
Smoking girl lover
33,291 次观看 • 2 个月前
![In Remembrance of Carole Lombard Born | October 6, 1908 in Fort Wayne, Indiana, USA Died | January 16, 1942 aged 33 at Potosi Mountain, Nevada, USA Video | Carole Lombard Tribute Carole Lombard was born Jane Alice Peters in Fort Wayne, Indiana, on October 6, 1908. Her parents divorced in 1916 and her mother took the family on a trip out West. While there they decided to settle down in the Los Angeles area. After being spotted playing baseball in the street with the neighborhood boys by a film director, Carole was signed to a one-picture contract in 1921 when she was 12. The film in question was A Perfect Crime (1921). Although she tried for other acting jobs, she would not be seen onscreen again for four years. She returned to a normal life, going to school and participating in athletics, excelling in track and field. By age 15 she had had enough of school, though, and quit. She joined a theatre troupe and played in several stage shows, which were for the most part nothing to write home about. In 1925 she passed a screen test and was signed to a contract with Fox Films. Her first role as a Fox player was Hearts and Spurs (1925), in which she had the lead. Right after that film she appeared in a western called Durand of the Bad Lands (1925). She rounded out 1925 in the comedy Marriage in Transit (1925) (she also appeared in a number of two-reel shorts). In 1926 Carole was seriously injured in an automobile accident that resulted in the left side of her face being scarred. Once she had recovered, Fox canceled her contract. She did find work in a number of shorts during 1928 (13 of them, many for slapstick comedy director Mack Sennett), but did go back for a one-time shot with Fox called Me, Gangster (1928). By now the film industry was moving from the silent era to “talkies”. While some stars' careers ended because of heavy accents, poor diction or a voice unsuitable to sound, Carole's light, breezy, sexy voice enabled her to transition smoothly during this period. Her first sound film was High Voltage (1929) at Pathe (her new studio) in 1929. In 1931 she was teamed with William Powell in Man of the World (1931). She and Powell hit it off and soon married, but the marriage didn't work out and they divorced in 1933. No Man of Her Own (1932) put Carole opposite Clark Gable for the first and only time (they married seven years later in 1939). By now she was with Paramount Pictures and was one of its top stars. However, it was Twentieth Century (1934) that showed her true comedic talents and proved to the world what a fine actress she really was. In 1936 Carole received her only Oscar nomination for Best Actress for My Man Godfrey (1936). She was superb as ditzy heiress Irene Bullock. Unfortunately, the coveted award went to Luise Rainer in The Great Ziegfeld (1936), which also won for Best Picture. Carole was now putting out about one film a year of her own choosing, because she wanted whatever role she picked to be a good one. She was adept at picking just the right part, which wasn't surprising as she was smart enough to see through the good-ol'-boy syndrome of the studio moguls. She commanded and received what was one of the top salaries in the business ― at one time it was reported she was making $35,000 a week. She made but one film in 1941, Mr. & Mrs. Smith (1941). Her last film was in 1942, when she played Maria Tura opposite Jack Benny in To Be or Not to Be (1942). Tragically, she didn't live to see its release. The film was completed in 1941 just at the time the US entered World War II, and was subsequently held back for release until 1942. Meanwhile, Carole went home to Indiana for a war bond rally. On January 16, 1942, Carole, her mother, and 20 other people were flying back to California when the plane went down outside of Las Vegas, Nevada. All aboard perished. The highly acclaimed actress was dead at the age of 33 and few have been able to match her talents since. ― IMDb mini biography by: Denny Jackson Video footage courtesy of Saxon Brack Music | Dances with Wolves [1990] ― “The John Dunbar Theme”](https://image.24vids.com/tw-2012109697332191538/amplify_video_thumb/2012108904159981568/img/I7szcnYiTFXw7aWT.jpg)
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"When I married, I was a virgin, I promise you, and sex has never interested me much. I don’t understand how people can waste so much time over sex: sex is for kids, for movies, a great bore." --- Alfred Hitchcock Full Excerpt: "Hitchcock: I’m sixty-four now, and I can swear that I’ve never known any woman other than my wife—neither before nor since our marriage. When I married, I was a virgin, I promise you, and sex has never interested me much. I don’t understand how people can waste so much time over sex: sex is for kids, for movies, a great bore. And since I’ve always avoided anything boring.. [remember the day I had to write the screenplay for the movie 'Woman to Woman' (1923): the story of a man who has a mistress in Paris who bangs his head, loses his memory, and starts going with another woman, who gives him a child. Well, I was twenty-three years old, I’d never been with a woman, and I didn’t have the slightest idea what a woman did to have a child. I had even less idea what a man did when he was with his mistress in Paris or when he was with another woman who was giving him a child. And so... Interviewer: Now you know, Mr. Hitchcock? Hitchcock: Now I know. I have a daughter of thirty-five and three little grandchildren. Between you and me, I’m a grandfather. Still, when I think that my daughter was born when I was nearly thirty, and it was only then that I realized that babies aren’t found under gooseberry bushes. You won’t believe it—no one ever believes it, they say it’s an act to make myself a character—but until I was twenty-four, I had never tasted a drop of alcohol; until I was twenty- five, I had never smoked a cigar. I was very shy, more shy than I am today. If people told dirty stories, I used to blush like a rose. So my friends would always tell them when I wasn’t there, and if I arrived, they’d say, “Silence, Hitchcock’s coming.” As for my wife, I married her because she asked me to. We’d been traveling around and working together for years, and I’d never so much as touched her little finger. Interviewer: But why on earth? Don’t you like women, Mr. Hitchcock? Hitchcock: Indeed I like them, more than men. In point of fact, I feel less shy with them than with men. For example, I could never talk like this to a man. But I like them to talk to, to dine with, not for sexual reasons. When people ask me, “Mr. Hitchcock, why are the stars in your movies always blondes? Is it because you have a weakness for blondes?” I tell them I don’t know, it must be coincidence or the fact that they are ladies; I’ve thought since I was a child that ladies are blonde, my wife is blonde. I don’t have a weakness for anyone, neither for blondes nor redheads nor brunettes nor sexy women... You know who are the sexiest women, I mean the most wrapped up in sex? Nordic women. Evidently the cold makes them hot. Consider Englishwomen: they all look like schoolmistresses, but heaven help the poor fellow who finds himself in a taxi with one. At best he’ll get out of it minus his clothes. Interviewer: Forgive my asking, but how do you know these things, Mr. Hitchcock? Hitchcock: What a question! I listen to what people say, I find out about things. Obviously the information is secondhand. Scientists know that if you mix one powder with another powder, you'll be blown up. But they don’t have to be blown up in order to know it." (Alfred Hitchcock's interview with Oriana Fallaci, 1963) Clip from: North by Northwest (1959) Director: Alfred Hitchcock
DepressedBergman
3,557,458 次观看 • 6 个月前