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--- Short Movie「欲望」--- ※音楽が流れます。 可愛い子を動かしたかっただけなんです。 けしからんですよね、、、。 ごめんなさい。 ☑️プロンプト下に置きました👇 みんなも可愛い子の動画作ろ💌 #MiniMaxH3 on #MiniMaxDesign #RInneTao MiniMax Design (H3) Midjourney ---- [Prompt / Minimax H3] ※WORD 1〜5の英単語、自由に変えてください。 A 15-second editorial fashion film / fashion magazine commercial. Fast, stylish, contemporary, and visually bold. The film should feel like a rush of sharp fragments...

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輪廻タヲ👁️‍🗨️👄👁️‍🗨️

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10,837 Aufrufe • vor 15 Tagen •via X (Twitter)

#MiniMaxH3#MiniMaxDesign#RInneTao
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Created this high-end pop music video concept with Seedance 2.5 on Astorie AI Step into unlimited creativity with 7 days of UNLIMITED Seedance 2.5 on the Ultimate Plan RIGHT NOW. Prompt: Create a premium 30-second cinematic pop music video in 16:9 landscape with blockbuster production quality. The video features one female pop superstar and one male pop singer with youthful, attractive faces, expressive eyes, natural skin texture, confident stage presence, and authentic chemistry. Both artists remain visually consistent throughout every shot. The female artist wears a crystal-embellished blush corset, oversized pastel pink faux-fur jacket, glossy satin cargo pants, platform sneakers, layered diamond jewelry, shimmering body chains, glamorous editorial makeup, luminous skin, glossy lips, and flowing textured hair. The male artist wears an oversized powder-blue embellished trench coat, shimmering silver knit top, relaxed ivory trousers, crystal sneakers, tinted luxury sunglasses, layered silver chains, rings, bracelets, and premium pop-star accessories. Their outfits naturally react to wind and movement. Both artists actively perform the song with perfect lip synchronization, realistic mouth movements, expressive facial expressions, confident body language, and emotional delivery. They frequently sing directly into the camera. During instrumental moments they naturally interact with each other through elegant movement and subtle choreography. Reserve full choreography only for the chorus with professional backup dancers. Blend luxury pop music, Vogue fashion editorials, beauty campaigns, Y2K magazine aesthetics, and world-tour concert visuals. Every frame should resemble a global luxury fashion campaign while remaining fully photorealistic. Use oversized editorial typography throughout the video with bold condensed fonts, magazine layouts, barcode graphics, registration marks, index numbers, halftone textures, paper overlays, handwritten notes, star icons, heart graphics, sparkles, waveform graphics, glossy gradients, and premium motion graphics. Typography should naturally integrate into architecture, LED screens, mirrors, glass, streets, reflections, and stage environments. Use uplifting pop phrases such as "FEEL THE LOVE", "STAY GOLDEN", "FOREVER YOUNG", "POP VIBES", "HEARTBEAT", "LIVE THE MOMENT", and "SHINE BRIGHT". Do not repeat the same layout twice. Visual quality should resemble ARRI Alexa 65 with Cooke Anamorphic lenses, IMAX-quality cinematography, HDR color science, cinematic lens flares, volumetric haze, premium beauty lighting, elegant camera movement, shallow depth of field, ultra-realistic skin texture, blockbuster VFX, and luxury commercial production. Scene 1 (0–5s) Inside a luxurious pastel studio featuring giant LED walls, glossy reflective floors, sculptural lighting, mirrors, floating curtains, soft haze, and elegant fashion set design. The female artist opens the song singing directly into the camera while the male artist joins naturally. Oversized kinetic typography and editorial graphics animate around them. Scene 2 (5–10s) Golden-hour rooftop overlooking a modern skyline with reflective glass architecture, designer furniture, and warm sunlight. The artists walk together while singing confidently. Editorial typography wraps around the skyline and architecture. Scene 3 (10–15s) Blue-hour luxury shopping district filled with designer boutiques, giant LED billboards, luxury cars, colorful signs, and cinematic reflections. The artists perform naturally while the camera circles around them. Typography integrates into billboards and digital displays. Scene 4 (15–20s) A spectacular sold-out concert arena featuring massive LED screens, lasers, pyrotechnics, confetti, smoke, moving spotlights, synchronized lighting, professional dancers, and thousands of cheering fans. The artists perform the chorus with energetic choreography and perfect lip-sync. Scene 5 (20–25s) A luxury penthouse at night overlooking a breathtaking skyline with floor-to-ceiling windows, infinity pool reflections, crystal chandeliers, designer interiors, modern art, and elegant ambient lighting. The artists perform together in an intimate yet glamorous atmosphere while editorial graphics subtly float around them. Scene 6 (25–30s) A surreal luxury stage floating above golden clouds at sunrise with mirror floors, cinematic fog, shimmering particles, elegant architecture, and breathtaking golden light. The artists perform the emotional final chorus as dramatic close-ups alternate with cinematic hero shots. Massive elegant typography, fireworks, editorial graphics, lens flares, and premium motion design create an unforgettable blockbuster finale before fading to black.
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Created this high-end pop music video concept with Seedance 2.5 on Astorie AI Step into unlimited creativity with 7 days of UNLIMITED Seedance 2.5 on the Ultimate Plan RIGHT NOW. Prompt: Create a premium 30-second cinematic pop music video in 16:9 landscape with blockbuster production quality. The video features one female pop superstar and one male pop singer with youthful, attractive faces, expressive eyes, natural skin texture, confident stage presence, and authentic chemistry. Both artists remain visually consistent throughout every shot. The female artist wears a crystal-embellished blush corset, oversized pastel pink faux-fur jacket, glossy satin cargo pants, platform sneakers, layered diamond jewelry, shimmering body chains, glamorous editorial makeup, luminous skin, glossy lips, and flowing textured hair. The male artist wears an oversized powder-blue embellished trench coat, shimmering silver knit top, relaxed ivory trousers, crystal sneakers, tinted luxury sunglasses, layered silver chains, rings, bracelets, and premium pop-star accessories. Their outfits naturally react to wind and movement. Both artists actively perform the song with perfect lip synchronization, realistic mouth movements, expressive facial expressions, confident body language, and emotional delivery. They frequently sing directly into the camera. During instrumental moments they naturally interact with each other through elegant movement and subtle choreography. Reserve full choreography only for the chorus with professional backup dancers. Blend luxury pop music, Vogue fashion editorials, beauty campaigns, Y2K magazine aesthetics, and world-tour concert visuals. Every frame should resemble a global luxury fashion campaign while remaining fully photorealistic. Use oversized editorial typography throughout the video with bold condensed fonts, magazine layouts, barcode graphics, registration marks, index numbers, halftone textures, paper overlays, handwritten notes, star icons, heart graphics, sparkles, waveform graphics, glossy gradients, and premium motion graphics. Typography should naturally integrate into architecture, LED screens, mirrors, glass, streets, reflections, and stage environments. Use uplifting pop phrases such as "FEEL THE LOVE", "STAY GOLDEN", "FOREVER YOUNG", "POP VIBES", "HEARTBEAT", "LIVE THE MOMENT", and "SHINE BRIGHT". Do not repeat the same layout twice. Visual quality should resemble ARRI Alexa 65 with Cooke Anamorphic lenses, IMAX-quality cinematography, HDR color science, cinematic lens flares, volumetric haze, premium beauty lighting, elegant camera movement, shallow depth of field, ultra-realistic skin texture, blockbuster VFX, and luxury commercial production. Scene 1 (0–5s) Inside a luxurious pastel studio featuring giant LED walls, glossy reflective floors, sculptural lighting, mirrors, floating curtains, soft haze, and elegant fashion set design. The female artist opens the song singing directly into the camera while the male artist joins naturally. Oversized kinetic typography and editorial graphics animate around them. Scene 2 (5–10s) Golden-hour rooftop overlooking a modern skyline with reflective glass architecture, designer furniture, and warm sunlight. The artists walk together while singing confidently. Editorial typography wraps around the skyline and architecture. Scene 3 (10–15s) Blue-hour luxury shopping district filled with designer boutiques, giant LED billboards, luxury cars, colorful signs, and cinematic reflections. The artists perform naturally while the camera circles around them. Typography integrates into billboards and digital displays. Scene 4 (15–20s) A spectacular sold-out concert arena featuring massive LED screens, lasers, pyrotechnics, confetti, smoke, moving spotlights, synchronized lighting, professional dancers, and thousands of cheering fans. The artists perform the chorus with energetic choreography and perfect lip-sync. Scene 5 (20–25s) A luxury penthouse at night overlooking a breathtaking skyline with floor-to-ceiling windows, infinity pool reflections, crystal chandeliers, designer interiors, modern art, and elegant ambient lighting. The artists perform together in an intimate yet glamorous atmosphere while editorial graphics subtly float around them. Scene 6 (25–30s) A surreal luxury stage floating above golden clouds at sunrise with mirror floors, cinematic fog, shimmering particles, elegant architecture, and breathtaking golden light. The artists perform the emotional final chorus as dramatic close-ups alternate with cinematic hero shots. Massive elegant typography, fireworks, editorial graphics, lens flares, and premium motion design create an unforgettable blockbuster finale before fading to black.

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If AI can create THIS… Hollywood is definitely cooked. 💀 Berlin street filmed on an HD camera in 1989. Made with seedance 2.5 Prompt: Create a 30-second, 16:9, 1080p ultra-photorealistic archival video of everyday Berlin street life in 1989. The entire video must look like genuine footage recorded in 1989 with an unusually good professional video camera. It should feel like a real archival recording that has been digitized in HD, not a modern recreation, not a movie, and not an AI-generated vintage filter. **MAIN FOCUS:** The video is primarily about ordinary daily life on the streets of West Berlin in 1989. Crowded sidewalks, people walking in different directions, period-correct taxis (Mercedes W123s), Trabants and Wartburgs passing through traffic, buses, storefronts, street vendors, newspaper kiosks, and the constant movement of the city. The camera should feel like someone documenting the everyday routine of Berlin, not showcasing its architecture or politics. **SCENE SEQUENCE:** - **0–5s:** Street-level view from a busy West Berlin sidewalk (e.g. near Kurfürstendamm). A crowd of pedestrians walks past the camera in both directions. Mercedes taxis, Trabants, and older European cars move through the street. Natural handheld camera movement. - **5–10s:** A crowded avenue intersection. People wait at the crosswalk, then begin crossing. Buses, taxis, and traffic move through the frame. The camera slowly pans with the street activity. - **10–15s:** A closer street-level view of everyday pedestrians, storefronts with German signage, newspaper kiosks, and passing cars. People carry shopping bags, talk to each other, and go about their normal routines. Natural, unscripted-looking movement. - **15–20s:** A slightly wider street view showing a busy Berlin avenue filled with pedestrians and traffic. Buildings are visible only as part of the background. A section of the Berlin Wall or period signage may appear naturally in the distance, but the street activity remains the focus. - **20–25s:** Another crowded sidewalk and intersection. Trabants, taxis, buses, pedestrians, and storefronts create a constantly moving urban scene. The camera gently follows the flow of people. - **25–30s:** Final street-level view of a busy avenue, with pedestrians crossing, cars passing, and traffic continuing naturally. End like a real archival recording, without a dramatic cinematic conclusion. **CAMERA & CINEMATOGRAPHY:** Real 1989 professional video-camera footage. Mostly street-level, eye-level, and slightly elevated sidewalk viewpoints. Natural handheld and vehicle-mounted camera movement, slow pans, gentle zooms, slight camera vibration, occasional imperfect framing, and realistic motion blur. The camera should feel operated by a real person filming the city, with small imperfections and natural timing. No modern drone footage, no gimbal-smooth movement, no impossible camera angles, and no dramatic cinematic camera moves. **IMAGE QUALITY:** Surprisingly sharp and detailed for 1989, with clear pedestrians, cars, storefronts, and street details. Slightly soft image edges, natural lens rendering, mild analog video noise, subtle highlight bloom, gentle chromatic aberration, and a very subtle late-1980s video texture. The footage should look like an unusually good archival camera recording, not degraded VHS. **COLOR & LIGHTING:** Overcast or soft natural daylight typical of Berlin, realistic diffuse sunlight, slightly muted highlights, natural shadows, and authentic 1989 color reproduction. Colors should be realistic and slightly desaturated compared with modern digital footage, but still natural. No modern cinematic teal-and-orange grading, no excessive contrast, no fake film look, and no heavy retro effects. **HISTORICAL AUTHENTICITY:** Everything must look correct for West Berlin in 1989: period-correct Mercedes taxis, Trabants, Wartburgs, buses, storefronts, German-language advertisements and signage, period clothing, and architecture of the era. No modern vehicles, smartphones, LED billboards, contemporary advertisements, or post-reunification skyline elements. **REALISM:** Natural traffic movement, believable pedestrians, realistic reflections, accurate building geometry, and physically correct lighting. People should move naturally and independently, with varied walking speeds, gestures, and directions. Cars must have realistic proportions, wheels, reflections, and motion, including the distinct boxy shape and two-stroke-engine character of Trabants. Buildings must remain stable and geometrically accurate. **EDITING:** Use several connected street-level shots with natural archival-video pacing. Most shots should be crowded sidewalks, intersections, and busy avenues. Keep building, Wall, and skyline shots to a minimum. Buildings should mainly appear as background elements behind the people and traffic. Use simple cuts between shots, like genuine archival footage from one recording session. No flashy editing, no music-video style, no artificial cinematic transitions, and no text or subtitles. **FINAL RESULT:** The viewer should genuinely feel that they are watching real Berlin footage filmed in 1989 with an unusually good HD camera. It should feel like an ordinary day in the city, full of people, cars, traffic, and natural street activity. The realism of the pedestrians, cars, lighting, and camera behavior is more important than cinematic beauty. **NEGATIVE PROMPT:** AI-generated appearance, CGI, modern Berlin, post-reunification skyline, modern cars, smartphones, LED screens, contemporary clothing, non-period signage, fake vintage filter, excessive film grain, VHS scanlines, heavy VHS distortion, oversaturated colors, teal-orange grading, cinematic movie look, drone footage, gimbal smoothness, impossible camera movement, empty streets, deserted sidewalks, excessive building shots, architectural showcase, warped buildings, duplicated pedestrians, distorted cars, flickering architecture, text, subtitles, logos, watermarks.
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If AI can create THIS… Hollywood is definitely cooked. 💀 Berlin street filmed on an HD camera in 1989. Made with seedance 2.5 Prompt: Create a 30-second, 16:9, 1080p ultra-photorealistic archival video of everyday Berlin street life in 1989. The entire video must look like genuine footage recorded in 1989 with an unusually good professional video camera. It should feel like a real archival recording that has been digitized in HD, not a modern recreation, not a movie, and not an AI-generated vintage filter. **MAIN FOCUS:** The video is primarily about ordinary daily life on the streets of West Berlin in 1989. Crowded sidewalks, people walking in different directions, period-correct taxis (Mercedes W123s), Trabants and Wartburgs passing through traffic, buses, storefronts, street vendors, newspaper kiosks, and the constant movement of the city. The camera should feel like someone documenting the everyday routine of Berlin, not showcasing its architecture or politics. **SCENE SEQUENCE:** - **0–5s:** Street-level view from a busy West Berlin sidewalk (e.g. near Kurfürstendamm). A crowd of pedestrians walks past the camera in both directions. Mercedes taxis, Trabants, and older European cars move through the street. Natural handheld camera movement. - **5–10s:** A crowded avenue intersection. People wait at the crosswalk, then begin crossing. Buses, taxis, and traffic move through the frame. The camera slowly pans with the street activity. - **10–15s:** A closer street-level view of everyday pedestrians, storefronts with German signage, newspaper kiosks, and passing cars. People carry shopping bags, talk to each other, and go about their normal routines. Natural, unscripted-looking movement. - **15–20s:** A slightly wider street view showing a busy Berlin avenue filled with pedestrians and traffic. Buildings are visible only as part of the background. A section of the Berlin Wall or period signage may appear naturally in the distance, but the street activity remains the focus. - **20–25s:** Another crowded sidewalk and intersection. Trabants, taxis, buses, pedestrians, and storefronts create a constantly moving urban scene. The camera gently follows the flow of people. - **25–30s:** Final street-level view of a busy avenue, with pedestrians crossing, cars passing, and traffic continuing naturally. End like a real archival recording, without a dramatic cinematic conclusion. **CAMERA & CINEMATOGRAPHY:** Real 1989 professional video-camera footage. Mostly street-level, eye-level, and slightly elevated sidewalk viewpoints. Natural handheld and vehicle-mounted camera movement, slow pans, gentle zooms, slight camera vibration, occasional imperfect framing, and realistic motion blur. The camera should feel operated by a real person filming the city, with small imperfections and natural timing. No modern drone footage, no gimbal-smooth movement, no impossible camera angles, and no dramatic cinematic camera moves. **IMAGE QUALITY:** Surprisingly sharp and detailed for 1989, with clear pedestrians, cars, storefronts, and street details. Slightly soft image edges, natural lens rendering, mild analog video noise, subtle highlight bloom, gentle chromatic aberration, and a very subtle late-1980s video texture. The footage should look like an unusually good archival camera recording, not degraded VHS. **COLOR & LIGHTING:** Overcast or soft natural daylight typical of Berlin, realistic diffuse sunlight, slightly muted highlights, natural shadows, and authentic 1989 color reproduction. Colors should be realistic and slightly desaturated compared with modern digital footage, but still natural. No modern cinematic teal-and-orange grading, no excessive contrast, no fake film look, and no heavy retro effects. **HISTORICAL AUTHENTICITY:** Everything must look correct for West Berlin in 1989: period-correct Mercedes taxis, Trabants, Wartburgs, buses, storefronts, German-language advertisements and signage, period clothing, and architecture of the era. No modern vehicles, smartphones, LED billboards, contemporary advertisements, or post-reunification skyline elements. **REALISM:** Natural traffic movement, believable pedestrians, realistic reflections, accurate building geometry, and physically correct lighting. People should move naturally and independently, with varied walking speeds, gestures, and directions. Cars must have realistic proportions, wheels, reflections, and motion, including the distinct boxy shape and two-stroke-engine character of Trabants. Buildings must remain stable and geometrically accurate. **EDITING:** Use several connected street-level shots with natural archival-video pacing. Most shots should be crowded sidewalks, intersections, and busy avenues. Keep building, Wall, and skyline shots to a minimum. Buildings should mainly appear as background elements behind the people and traffic. Use simple cuts between shots, like genuine archival footage from one recording session. No flashy editing, no music-video style, no artificial cinematic transitions, and no text or subtitles. **FINAL RESULT:** The viewer should genuinely feel that they are watching real Berlin footage filmed in 1989 with an unusually good HD camera. It should feel like an ordinary day in the city, full of people, cars, traffic, and natural street activity. The realism of the pedestrians, cars, lighting, and camera behavior is more important than cinematic beauty. **NEGATIVE PROMPT:** AI-generated appearance, CGI, modern Berlin, post-reunification skyline, modern cars, smartphones, LED screens, contemporary clothing, non-period signage, fake vintage filter, excessive film grain, VHS scanlines, heavy VHS distortion, oversaturated colors, teal-orange grading, cinematic movie look, drone footage, gimbal smoothness, impossible camera movement, empty streets, deserted sidewalks, excessive building shots, architectural showcase, warped buildings, duplicated pedestrians, distorted cars, flickering architecture, text, subtitles, logos, watermarks.

Oogie

21,961 Aufrufe • vor 9 Tagen

AI is getting way too good at this. At this point, traditional Hollywood production might have some serious competition. A hyper-realistic look at everyday Tokyo in 1989, recreated with AI to feel like authentic archival footage. Made with Seedance 2.5. Prompt: Create a 30-second, 16:9, 1080p ultra-photorealistic archival video of everyday Tokyo street life in 1989. The entire video must look like genuine footage recorded in Tokyo in 1989 with an unusually good professional video camera. It should feel like a real archival recording that has been digitized in HD, not a modern recreation, not a movie, and not an AI-generated vintage filter. MAIN FOCUS: The video is primarily about ordinary daily life on the streets of Tokyo in 1989. Crowded sidewalks, people walking in different directions, period-correct Japanese taxis, Toyota sedans, Nissan cars, buses, bicycles, storefronts, convenience stores, vending machines, newspaper kiosks, small restaurants, and the constant movement of the city. The camera should feel like someone documenting everyday Tokyo, not showcasing its architecture or creating a cinematic scene. SCENE SEQUENCE: * 0–5s: Street-level view from a busy Tokyo sidewalk, such as Shinjuku, Shibuya, Ginza, or Ikebukuro. A crowd of pedestrians walks past the camera in both directions. Period-correct Japanese taxis and cars move through the street. People wear authentic late-1980s Japanese clothing. Natural handheld camera movement. * 5–10s: A crowded avenue intersection. Pedestrians wait at a crosswalk, then begin crossing together. Buses, taxis, compact Japanese cars, and bicycles move through the frame. The camera slowly pans with the street activity. * 10–15s: A closer street-level view of everyday pedestrians, Japanese storefronts, newspaper kiosks, vending machines, convenience stores, small restaurants, and passing cars. People carry shopping bags, talk to each other, smoke cigarettes, and go about their normal routines. Natural, unscripted-looking movement. * 15–20s: A slightly wider street view showing a busy Tokyo avenue filled with pedestrians and traffic. Dense buildings, Japanese signs, overhead utility cables, streetlights, and shopfronts appear only as background elements. A train line or elevated railway may naturally appear in the distance, but street activity remains the focus. * 20–25s: Another crowded sidewalk and intersection. Japanese taxis, buses, compact cars, bicycles, pedestrians, storefronts, and vending machines create a constantly moving urban scene. The camera gently follows the flow of people. * 25–30s: Final street-level view of a busy Tokyo avenue, with pedestrians crossing, cars passing, buses stopping, and traffic continuing naturally. End like a real archival recording, without a dramatic cinematic conclusion. CAMERA & CINEMATOGRAPHY: Real 1989 professional Japanese video-camera footage. Mostly street-level, eye-level, and slightly elevated sidewalk viewpoints. Natural handheld and vehicle-mounted camera movement, slow pans, gentle zooms, slight camera vibration, occasional imperfect framing, and realistic motion blur. The camera should feel operated by a real person filming the city, with small imperfections and natural timing. No modern drone footage, no gimbal-smooth movement, no impossible camera angles, and no dramatic cinematic camera moves. IMAGE QUALITY: Surprisingly sharp and detailed for 1989, with clear pedestrians, cars, storefronts, and street details. Slightly soft image edges, natural lens rendering, mild analog video noise, subtle highlight bloom, gentle chromatic aberration, and a very subtle late-1980s Japanese professional-video texture. The footage should look like an unusually good archival camera recording, not degraded VHS. COLOR & LIGHTING: Overcast or soft natural daylight typical of Tokyo, realistic diffuse sunlight, slightly muted highlights, natural shadows, and authentic late-1980s Japanese color reproduction. Colors should be realistic and slightly desaturated compared with modern digital footage, but still natural. No modern cinematic teal-and-orange grading, no excessive contrast, no fake film look, and no heavy retro effects. HISTORICAL AUTHENTICITY: Everything must look correct for Tokyo in 1989: period-correct Japanese taxis and automobiles, Japanese buses, bicycles, storefronts, vending machines, Japanese-language advertisements and signage, period clothing, hairstyles, street furniture, utility infrastructure, and architecture of the era. Use authentic late-1980s Japanese commercial signage and typography. No modern vehicles, smartphones, LED billboards, contemporary advertisements, modern clothing, or post-1989 redevelopment. REALISM: Natural traffic movement, believable pedestrians, realistic reflections, accurate building geometry, and physically correct lighting. People should move naturally and independently, with varied walking speeds, gestures, and directions. Cars must have realistic proportions, wheels, reflections, and motion. Japanese vehicles should have authentic 1980s proportions, license plates, body designs, and road behavior. Buildings, signs, utility poles, and railway infrastructure must remain stable and geometrically accurate. EDITING: Use several connected street-level shots with natural archival-video pacing. Most shots should be crowded sidewalks, intersections, shopping streets, and busy avenues. Keep skyline and architectural shots to a minimum. Buildings should mainly appear as background elements behind people and traffic. Use simple cuts between shots, like genuine archival footage from one recording session. No flashy editing, no music-video style, no artificial cinematic transitions, and no text or subtitles. FINAL RESULT: The viewer should genuinely feel that they are watching real Tokyo footage filmed in 1989 with an unusually good professional video camera. It should feel like an ordinary day in the city, full of people, cars, buses, bicycles, storefronts, Japanese signs, and natural street activity. The realism of the pedestrians, vehicles, lighting, signage, and camera behavior is more important than cinematic beauty. NEGATIVE PROMPT: AI-generated appearance, CGI, modern Tokyo, post-1989 Tokyo, modern cars, modern taxis, smartphones, LED screens, contemporary clothing, contemporary Japanese signage, modern advertisements, fake vintage filter, excessive film grain, VHS scanlines, heavy VHS distortion, oversaturated colors, teal-orange grading, cinematic movie look, drone footage, gimbal smoothness, impossible camera movement, empty streets, deserted sidewalks, excessive building shots, architectural showcase, futuristic Tokyo, anime aesthetic, manga aesthetic, cyberpunk, exaggerated neon, warped buildings, duplicated pedestrians, distorted faces, distorted cars, flickering architecture, incorrect Japanese text, garbled signage, text, subtitles, logos, watermarks.
0:30

AI is getting way too good at this. At this point, traditional Hollywood production might have some serious competition. A hyper-realistic look at everyday Tokyo in 1989, recreated with AI to feel like authentic archival footage. Made with Seedance 2.5. Prompt: Create a 30-second, 16:9, 1080p ultra-photorealistic archival video of everyday Tokyo street life in 1989. The entire video must look like genuine footage recorded in Tokyo in 1989 with an unusually good professional video camera. It should feel like a real archival recording that has been digitized in HD, not a modern recreation, not a movie, and not an AI-generated vintage filter. MAIN FOCUS: The video is primarily about ordinary daily life on the streets of Tokyo in 1989. Crowded sidewalks, people walking in different directions, period-correct Japanese taxis, Toyota sedans, Nissan cars, buses, bicycles, storefronts, convenience stores, vending machines, newspaper kiosks, small restaurants, and the constant movement of the city. The camera should feel like someone documenting everyday Tokyo, not showcasing its architecture or creating a cinematic scene. SCENE SEQUENCE: * 0–5s: Street-level view from a busy Tokyo sidewalk, such as Shinjuku, Shibuya, Ginza, or Ikebukuro. A crowd of pedestrians walks past the camera in both directions. Period-correct Japanese taxis and cars move through the street. People wear authentic late-1980s Japanese clothing. Natural handheld camera movement. * 5–10s: A crowded avenue intersection. Pedestrians wait at a crosswalk, then begin crossing together. Buses, taxis, compact Japanese cars, and bicycles move through the frame. The camera slowly pans with the street activity. * 10–15s: A closer street-level view of everyday pedestrians, Japanese storefronts, newspaper kiosks, vending machines, convenience stores, small restaurants, and passing cars. People carry shopping bags, talk to each other, smoke cigarettes, and go about their normal routines. Natural, unscripted-looking movement. * 15–20s: A slightly wider street view showing a busy Tokyo avenue filled with pedestrians and traffic. Dense buildings, Japanese signs, overhead utility cables, streetlights, and shopfronts appear only as background elements. A train line or elevated railway may naturally appear in the distance, but street activity remains the focus. * 20–25s: Another crowded sidewalk and intersection. Japanese taxis, buses, compact cars, bicycles, pedestrians, storefronts, and vending machines create a constantly moving urban scene. The camera gently follows the flow of people. * 25–30s: Final street-level view of a busy Tokyo avenue, with pedestrians crossing, cars passing, buses stopping, and traffic continuing naturally. End like a real archival recording, without a dramatic cinematic conclusion. CAMERA & CINEMATOGRAPHY: Real 1989 professional Japanese video-camera footage. Mostly street-level, eye-level, and slightly elevated sidewalk viewpoints. Natural handheld and vehicle-mounted camera movement, slow pans, gentle zooms, slight camera vibration, occasional imperfect framing, and realistic motion blur. The camera should feel operated by a real person filming the city, with small imperfections and natural timing. No modern drone footage, no gimbal-smooth movement, no impossible camera angles, and no dramatic cinematic camera moves. IMAGE QUALITY: Surprisingly sharp and detailed for 1989, with clear pedestrians, cars, storefronts, and street details. Slightly soft image edges, natural lens rendering, mild analog video noise, subtle highlight bloom, gentle chromatic aberration, and a very subtle late-1980s Japanese professional-video texture. The footage should look like an unusually good archival camera recording, not degraded VHS. COLOR & LIGHTING: Overcast or soft natural daylight typical of Tokyo, realistic diffuse sunlight, slightly muted highlights, natural shadows, and authentic late-1980s Japanese color reproduction. Colors should be realistic and slightly desaturated compared with modern digital footage, but still natural. No modern cinematic teal-and-orange grading, no excessive contrast, no fake film look, and no heavy retro effects. HISTORICAL AUTHENTICITY: Everything must look correct for Tokyo in 1989: period-correct Japanese taxis and automobiles, Japanese buses, bicycles, storefronts, vending machines, Japanese-language advertisements and signage, period clothing, hairstyles, street furniture, utility infrastructure, and architecture of the era. Use authentic late-1980s Japanese commercial signage and typography. No modern vehicles, smartphones, LED billboards, contemporary advertisements, modern clothing, or post-1989 redevelopment. REALISM: Natural traffic movement, believable pedestrians, realistic reflections, accurate building geometry, and physically correct lighting. People should move naturally and independently, with varied walking speeds, gestures, and directions. Cars must have realistic proportions, wheels, reflections, and motion. Japanese vehicles should have authentic 1980s proportions, license plates, body designs, and road behavior. Buildings, signs, utility poles, and railway infrastructure must remain stable and geometrically accurate. EDITING: Use several connected street-level shots with natural archival-video pacing. Most shots should be crowded sidewalks, intersections, shopping streets, and busy avenues. Keep skyline and architectural shots to a minimum. Buildings should mainly appear as background elements behind people and traffic. Use simple cuts between shots, like genuine archival footage from one recording session. No flashy editing, no music-video style, no artificial cinematic transitions, and no text or subtitles. FINAL RESULT: The viewer should genuinely feel that they are watching real Tokyo footage filmed in 1989 with an unusually good professional video camera. It should feel like an ordinary day in the city, full of people, cars, buses, bicycles, storefronts, Japanese signs, and natural street activity. The realism of the pedestrians, vehicles, lighting, signage, and camera behavior is more important than cinematic beauty. NEGATIVE PROMPT: AI-generated appearance, CGI, modern Tokyo, post-1989 Tokyo, modern cars, modern taxis, smartphones, LED screens, contemporary clothing, contemporary Japanese signage, modern advertisements, fake vintage filter, excessive film grain, VHS scanlines, heavy VHS distortion, oversaturated colors, teal-orange grading, cinematic movie look, drone footage, gimbal smoothness, impossible camera movement, empty streets, deserted sidewalks, excessive building shots, architectural showcase, futuristic Tokyo, anime aesthetic, manga aesthetic, cyberpunk, exaggerated neon, warped buildings, duplicated pedestrians, distorted faces, distorted cars, flickering architecture, incorrect Japanese text, garbled signage, text, subtitles, logos, watermarks.

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16,264 Aufrufe • vor 9 Tagen

一番最後の[Prompt for original image]の部分に画像生成に使用したPromptを入れると一貫性が増します。不要な場合は3行削ってしまっても大丈夫です。 --- Extreme wide-angle perspective and dynamic pose remix edit. This is an EDIT of the original image, not a new character. Use the original image as a strict reference for: – the person’s identity, hairstyle, and overall fashion style, – the general type of background and location (same street, same room, same beach, same kind of architecture, etc.). You are allowed to completely change the camera position, angle, and pose, but you must keep the scene in the SAME location and keep the SAME person and outfit design. Camera and perspective: – Use an ultra wide-angle or fisheye feeling lens (around 12–18mm full-frame look). – The camera angle MUST change significantly from the original: use dramatic angles such as • worm’s-eye view from directly below looking up, • bird’s-eye view from directly above looking down, • very low angle from the ground, • high angle from above, • tilted Dutch angles. – Always create strong foreshortening: body parts close to the lens look huge, while the rest of the body falls away in perspective. – The final result must look like a bold fashion or street photo, fully photorealistic, not illustration or anime. Background consistency: – Keep the same location as the original image: same street, same bridge, same room, same studio, same beach, same general structures and materials. – Do NOT replace the background with a completely different place. – Because the camera angle changes, it is allowed and expected that different parts of the environment become visible. – When new areas appear, extend the original environment logically (same buildings, fences, road markings, walls, colors, materials, lighting style), as if the camera moved within the same place. Body parts near the lens (1–2 parts, sometimes 3): – In each edit, choose ONE or TWO main body parts to be extremely close to the lens (sometimes even THREE in more complex poses). – Vary them from image to image, do NOT always use the same body part. – Allowed near-the-lens parts include: • one or both hands / fingers reaching toward the camera, • one or both feet / shoes / boots near the lens, • knees or thighs, • face very close to the lens, • shoulders or chest close to the lens in a leaning pose. – The chosen body parts should come extremely close to the lens, almost touching it, with visible skin texture, fabric texture, and realistic wide-angle distortion. Pose and overall body (complex and varied): – Create strong, cool, dynamic poses that match the extreme perspective. – Randomly use different pose types, including: • standing with one leg or one arm reaching toward the camera, • crouching or squatting low to the ground, • sitting on the floor or on objects, • lying on the ground with legs or feet toward the lens, • leaning forward aggressively toward the camera, • twisting the body, crossing legs, or arching the back for more dynamic lines. – Allow complex poses where: • both hands are near the lens forming shapes (peace signs, triangles, frames, pointing toward the viewer), • both feet are toward the lens, • one hand and one foot are both large in the foreground, • the face is close to the lens while hands or feet are also visible in perspective. – Maintain believable anatomy even with extreme foreshortening. Angle and attitude (randomized): – Randomize camera angle and orientation (up, down, side, Dutch tilt) while keeping the composition visually balanced and powerful. – Keep the vibe cool, confident, and fashion/editorial or street style, depending on the original outfit. – Facial expressions can vary (serious, playful, confident, mysterious), but must still look like the same person. Lighting and rendering: – Keep the general time of day and lighting mood similar to the original (night vs day, indoor vs outdoor, soft vs hard light), but you may enhance contrast and color to make the image punchy and dramatic. – Maintain realistic shadows and contact points with the ground or floor. – High-resolution, sharp details with clear skin texture, fabric weave, and material highlights. Variation and randomness: – Each edit should look noticeably different from the original image and from other edits, with different: • camera angles, • pose types, • which body parts are closest to the lens, • orientation (straight, tilted, from above, from below). – Avoid repeating the exact same single-foot-close-up composition; produce a wide variety of dynamic poses and angles. Strict rules: – Do NOT change the person into someone else. – Do NOT change the outfit type; only restyle it through pose, perspective, and small natural movement of clothing. – Do NOT move the scene to a completely different location; always stay in a plausible extension of the original place. – Do NOT add text, logos, watermarks, or graphic design elements. – Do NOT switch to painting, illustration, or anime style; keep it photorealistic. Overall: Transform the original photo into a dramatic, photorealistic, ultra wide-angle shot with an extreme camera angle (including views from directly below or above), where one or more body parts are right next to the lens and look huge, the rest of the body recedes in perspective, and the same person strikes a stylish, complex, powerful pose in a consistent, expanded version of the original environment. Also, below is the prompt for generating the original image. Please use it as a reference. [Prompt for original image] #nanobanana2
0:20

一番最後の[Prompt for original image]の部分に画像生成に使用したPromptを入れると一貫性が増します。不要な場合は3行削ってしまっても大丈夫です。 --- Extreme wide-angle perspective and dynamic pose remix edit. This is an EDIT of the original image, not a new character. Use the original image as a strict reference for: – the person’s identity, hairstyle, and overall fashion style, – the general type of background and location (same street, same room, same beach, same kind of architecture, etc.). You are allowed to completely change the camera position, angle, and pose, but you must keep the scene in the SAME location and keep the SAME person and outfit design. Camera and perspective: – Use an ultra wide-angle or fisheye feeling lens (around 12–18mm full-frame look). – The camera angle MUST change significantly from the original: use dramatic angles such as • worm’s-eye view from directly below looking up, • bird’s-eye view from directly above looking down, • very low angle from the ground, • high angle from above, • tilted Dutch angles. – Always create strong foreshortening: body parts close to the lens look huge, while the rest of the body falls away in perspective. – The final result must look like a bold fashion or street photo, fully photorealistic, not illustration or anime. Background consistency: – Keep the same location as the original image: same street, same bridge, same room, same studio, same beach, same general structures and materials. – Do NOT replace the background with a completely different place. – Because the camera angle changes, it is allowed and expected that different parts of the environment become visible. – When new areas appear, extend the original environment logically (same buildings, fences, road markings, walls, colors, materials, lighting style), as if the camera moved within the same place. Body parts near the lens (1–2 parts, sometimes 3): – In each edit, choose ONE or TWO main body parts to be extremely close to the lens (sometimes even THREE in more complex poses). – Vary them from image to image, do NOT always use the same body part. – Allowed near-the-lens parts include: • one or both hands / fingers reaching toward the camera, • one or both feet / shoes / boots near the lens, • knees or thighs, • face very close to the lens, • shoulders or chest close to the lens in a leaning pose. – The chosen body parts should come extremely close to the lens, almost touching it, with visible skin texture, fabric texture, and realistic wide-angle distortion. Pose and overall body (complex and varied): – Create strong, cool, dynamic poses that match the extreme perspective. – Randomly use different pose types, including: • standing with one leg or one arm reaching toward the camera, • crouching or squatting low to the ground, • sitting on the floor or on objects, • lying on the ground with legs or feet toward the lens, • leaning forward aggressively toward the camera, • twisting the body, crossing legs, or arching the back for more dynamic lines. – Allow complex poses where: • both hands are near the lens forming shapes (peace signs, triangles, frames, pointing toward the viewer), • both feet are toward the lens, • one hand and one foot are both large in the foreground, • the face is close to the lens while hands or feet are also visible in perspective. – Maintain believable anatomy even with extreme foreshortening. Angle and attitude (randomized): – Randomize camera angle and orientation (up, down, side, Dutch tilt) while keeping the composition visually balanced and powerful. – Keep the vibe cool, confident, and fashion/editorial or street style, depending on the original outfit. – Facial expressions can vary (serious, playful, confident, mysterious), but must still look like the same person. Lighting and rendering: – Keep the general time of day and lighting mood similar to the original (night vs day, indoor vs outdoor, soft vs hard light), but you may enhance contrast and color to make the image punchy and dramatic. – Maintain realistic shadows and contact points with the ground or floor. – High-resolution, sharp details with clear skin texture, fabric weave, and material highlights. Variation and randomness: – Each edit should look noticeably different from the original image and from other edits, with different: • camera angles, • pose types, • which body parts are closest to the lens, • orientation (straight, tilted, from above, from below). – Avoid repeating the exact same single-foot-close-up composition; produce a wide variety of dynamic poses and angles. Strict rules: – Do NOT change the person into someone else. – Do NOT change the outfit type; only restyle it through pose, perspective, and small natural movement of clothing. – Do NOT move the scene to a completely different location; always stay in a plausible extension of the original place. – Do NOT add text, logos, watermarks, or graphic design elements. – Do NOT switch to painting, illustration, or anime style; keep it photorealistic. Overall: Transform the original photo into a dramatic, photorealistic, ultra wide-angle shot with an extreme camera angle (including views from directly below or above), where one or more body parts are right next to the lens and look huge, the rest of the body recedes in perspective, and the same person strikes a stylish, complex, powerful pose in a consistent, expanded version of the original environment. Also, below is the prompt for generating the original image. Please use it as a reference. [Prompt for original image] #nanobanana2

AI Girl's Photo Studio

20,684 Aufrufe • vor 9 Monaten

This is AI. That sentence is getting harder to believe. Made with Seedance 2.5 (30-second video, 1080p) Prompt: ⬇️ Create a 30-second, 1080p ultra-realistic documentary-style personal home video showing an ordinary summer day in the life of a very attractive young American woman. The footage should feel spontaneous, intimate, imperfect, and genuinely observed rather than performed. MAIN SUBJECT The same young American woman in her early 20s throughout the entire video. She is very attractive and naturally sexy in an effortless, believable way — feminine, curvy, with an hourglass figure, toned legs, realistic body proportions, natural skin texture, and a relaxed confident presence. She has long slightly messy dark-blonde or light brown hair, soft natural makeup, expressive eyes, and a warm but slightly tired summer-day expression. She should feel like a real young woman, not a model in a commercial. She wears a fitted white tank top, short light denim shorts, worn white sneakers, and a simple bracelet or thin necklace. Keep her face, identity, body proportions, hairstyle, clothing, and overall appearance completely consistent from beginning to end. LOCATION A quiet older residential neighborhood in Astoria, Queens, New York, during a hot summer afternoon. Brick apartment buildings, stoops, narrow side streets, parked cars, chain-link fences, small front yards, window AC units, fire escapes, corner delis, utility poles, overhead wires, faded street markings, potted plants, and ordinary neighborhood details. The area should feel authentic, lived-in, and unmistakably American, specifically outer-borough New York. No tourist landmarks, no Times Square, no skyline hero shots, no glamorous city imagery, no recognizable brands. CAMERA / VISUAL STYLE Authentic casual personal-video footage captured with an older consumer digital camera. Handheld camera operated by a friend walking nearby. Natural camera shake, imperfect framing, occasional autofocus changes, slight exposure adjustments when moving between sunlight and shade, soft image detail, mild motion blur, subtle digital noise, slightly muted colors, imperfect white balance, and natural compression. The camera operator occasionally reacts a little late, cuts off part of the subject, or briefly loses focus. No stabilization, gimbal movement, drone shots, cinematic camera choreography, dramatic lighting, slow motion, modern commercial color grading, or polished cinematography. The footage should feel like someone simply decided to record their friend during an ordinary summer day. 00:00–00:05 — ROOFTOP / STOOP MOMENT She sits casually on a small rooftop terrace or upper stoop landing beside an old plastic chair. A cold bottled drink rests beside her. She looks quietly across the neighborhood while warm wind moves her hair and tank top slightly. She takes a sip, notices something happening in the distance, and smiles faintly. She briefly notices the camera and gives a subtle amused nod before looking away. The camera takes a moment to find focus on her face. 00:05–00:10 — WALKING THROUGH THE NEIGHBORHOOD She gets up and walks downstairs into the neighborhood. She walks casually through a narrow residential street with a relaxed natural stride. She passes parked cars, stoops, potted plants, chain-link fences, laundry or towels hanging near windows, and old brick walls. The camera follows several steps behind her. She occasionally looks back toward the camera but never deliberately poses. Her movement should feel unforced and natural, not like a fashion walk. 00:10–00:14 — SMALL EVERYDAY MOMENT She notices an old basketball resting near a wall or fence. She picks it up, casually bounces it twice, then takes a simple shot toward a nearby neighborhood hoop. The shot misses. She laughs quietly, shakes her head, and leaves the ball where she found it. The camera briefly loses focus during the movement and recovers naturally. No exaggerated athletic movement. 00:14–00:19 — CORNER DELI She walks to a tiny local corner deli / neighborhood shop and buys a cold drink. She exchanges a few natural words with the shopkeeper but the conversation is not clearly audible. She steps outside, opens the bottle, takes a drink, and leans casually against the wall near the storefront. She watches cars and pedestrians passing in the distance. The camera remains handheld and slightly imperfect. 00:19–00:23 — SUMMER RAIN A sudden summer shower begins. She looks toward the sky with mild surprise. Instead of immediately running for shelter, she smiles and slowly walks into the rain. The rain becomes heavier. Her hair becomes wet and falls naturally around her face and shoulders. Her tank top and shorts become visibly damp in a realistic way. She eventually starts running down the street, laughing genuinely. She briefly spins around while running, then continues toward a covered stoop or awning. Maintain realistic rain interaction, wet fabric, wet hair, reflections, and foot contact with the ground. 00:23–00:27 — QUIET MOMENT She reaches a covered walkway / stoop awning and catches her breath. Rain falls heavily behind her. She wipes water from her forehead and looks quietly toward the street. For a moment, everything becomes still. She notices the camera again and gives a small genuine smile, not a posed expression. 00:27–00:30 — WALKING AWAY The rain becomes lighter. She walks away down the wet residential lane. The camera follows from behind. Reflections shimmer across the pavement. She turns her head once, gives a tiny wave toward the camera, smiles, and continues walking. The camera remains pointed toward the now emptier street for a brief moment. At approximately 00:29, the recording abruptly cuts to black mid-motion. No fade-out. PHYSICAL REALISM Maintain believable real-world physics throughout. Hands, fingers, feet, clothing, hair, rain, bottle, basketball, and background objects must behave naturally. No extra fingers, fused hands, duplicated limbs, distorted anatomy, floating objects, teleportation, disappearing objects, or sudden transformations. The bottle remains a separate physical object and never intersects with her face. The basketball behaves naturally and remains where it lands. Parked cars and background objects remain stationary unless physically moved. Her feet remain properly connected to the ground while walking and running. Keep the environment and subject consistent between shots. AUDIO Natural environmental audio only. Footsteps on pavement, distant traffic, birds, leaves moving in the wind, faint neighborhood voices, deli sounds, bottle opening, basketball bouncing, rain hitting pavement, water dripping from rooftops, and subtle camera-handling noise. No music. No narration. No soundtrack. No artificial sound effects. No spoken dialogue is necessary. FINAL FEEL The result should feel like a forgotten personal recording of an ordinary summer day. Not a commercial. Not a fashion film. Not a music video. Not a professional cinematic production. The emotional appeal should come from small human moments: sitting alone, wandering through familiar streets, missing a basketball shot, drinking something cold, getting caught in the rain, laughing, and walking home. Youthful, feminine, warm, nostalgic, spontaneous, slightly melancholic, intimate, and deeply human. Prioritize natural behavior, consistent identity, believable physics, imperfect handheld framing, authentic outer-borough New York details, and the feeling that the camera just happened to be there. – Thanks Duet | AI for the inspiration on this one #AIVideo
0:30

This is AI. That sentence is getting harder to believe. Made with Seedance 2.5 (30-second video, 1080p) Prompt: ⬇️ Create a 30-second, 1080p ultra-realistic documentary-style personal home video showing an ordinary summer day in the life of a very attractive young American woman. The footage should feel spontaneous, intimate, imperfect, and genuinely observed rather than performed. MAIN SUBJECT The same young American woman in her early 20s throughout the entire video. She is very attractive and naturally sexy in an effortless, believable way — feminine, curvy, with an hourglass figure, toned legs, realistic body proportions, natural skin texture, and a relaxed confident presence. She has long slightly messy dark-blonde or light brown hair, soft natural makeup, expressive eyes, and a warm but slightly tired summer-day expression. She should feel like a real young woman, not a model in a commercial. She wears a fitted white tank top, short light denim shorts, worn white sneakers, and a simple bracelet or thin necklace. Keep her face, identity, body proportions, hairstyle, clothing, and overall appearance completely consistent from beginning to end. LOCATION A quiet older residential neighborhood in Astoria, Queens, New York, during a hot summer afternoon. Brick apartment buildings, stoops, narrow side streets, parked cars, chain-link fences, small front yards, window AC units, fire escapes, corner delis, utility poles, overhead wires, faded street markings, potted plants, and ordinary neighborhood details. The area should feel authentic, lived-in, and unmistakably American, specifically outer-borough New York. No tourist landmarks, no Times Square, no skyline hero shots, no glamorous city imagery, no recognizable brands. CAMERA / VISUAL STYLE Authentic casual personal-video footage captured with an older consumer digital camera. Handheld camera operated by a friend walking nearby. Natural camera shake, imperfect framing, occasional autofocus changes, slight exposure adjustments when moving between sunlight and shade, soft image detail, mild motion blur, subtle digital noise, slightly muted colors, imperfect white balance, and natural compression. The camera operator occasionally reacts a little late, cuts off part of the subject, or briefly loses focus. No stabilization, gimbal movement, drone shots, cinematic camera choreography, dramatic lighting, slow motion, modern commercial color grading, or polished cinematography. The footage should feel like someone simply decided to record their friend during an ordinary summer day. 00:00–00:05 — ROOFTOP / STOOP MOMENT She sits casually on a small rooftop terrace or upper stoop landing beside an old plastic chair. A cold bottled drink rests beside her. She looks quietly across the neighborhood while warm wind moves her hair and tank top slightly. She takes a sip, notices something happening in the distance, and smiles faintly. She briefly notices the camera and gives a subtle amused nod before looking away. The camera takes a moment to find focus on her face. 00:05–00:10 — WALKING THROUGH THE NEIGHBORHOOD She gets up and walks downstairs into the neighborhood. She walks casually through a narrow residential street with a relaxed natural stride. She passes parked cars, stoops, potted plants, chain-link fences, laundry or towels hanging near windows, and old brick walls. The camera follows several steps behind her. She occasionally looks back toward the camera but never deliberately poses. Her movement should feel unforced and natural, not like a fashion walk. 00:10–00:14 — SMALL EVERYDAY MOMENT She notices an old basketball resting near a wall or fence. She picks it up, casually bounces it twice, then takes a simple shot toward a nearby neighborhood hoop. The shot misses. She laughs quietly, shakes her head, and leaves the ball where she found it. The camera briefly loses focus during the movement and recovers naturally. No exaggerated athletic movement. 00:14–00:19 — CORNER DELI She walks to a tiny local corner deli / neighborhood shop and buys a cold drink. She exchanges a few natural words with the shopkeeper but the conversation is not clearly audible. She steps outside, opens the bottle, takes a drink, and leans casually against the wall near the storefront. She watches cars and pedestrians passing in the distance. The camera remains handheld and slightly imperfect. 00:19–00:23 — SUMMER RAIN A sudden summer shower begins. She looks toward the sky with mild surprise. Instead of immediately running for shelter, she smiles and slowly walks into the rain. The rain becomes heavier. Her hair becomes wet and falls naturally around her face and shoulders. Her tank top and shorts become visibly damp in a realistic way. She eventually starts running down the street, laughing genuinely. She briefly spins around while running, then continues toward a covered stoop or awning. Maintain realistic rain interaction, wet fabric, wet hair, reflections, and foot contact with the ground. 00:23–00:27 — QUIET MOMENT She reaches a covered walkway / stoop awning and catches her breath. Rain falls heavily behind her. She wipes water from her forehead and looks quietly toward the street. For a moment, everything becomes still. She notices the camera again and gives a small genuine smile, not a posed expression. 00:27–00:30 — WALKING AWAY The rain becomes lighter. She walks away down the wet residential lane. The camera follows from behind. Reflections shimmer across the pavement. She turns her head once, gives a tiny wave toward the camera, smiles, and continues walking. The camera remains pointed toward the now emptier street for a brief moment. At approximately 00:29, the recording abruptly cuts to black mid-motion. No fade-out. PHYSICAL REALISM Maintain believable real-world physics throughout. Hands, fingers, feet, clothing, hair, rain, bottle, basketball, and background objects must behave naturally. No extra fingers, fused hands, duplicated limbs, distorted anatomy, floating objects, teleportation, disappearing objects, or sudden transformations. The bottle remains a separate physical object and never intersects with her face. The basketball behaves naturally and remains where it lands. Parked cars and background objects remain stationary unless physically moved. Her feet remain properly connected to the ground while walking and running. Keep the environment and subject consistent between shots. AUDIO Natural environmental audio only. Footsteps on pavement, distant traffic, birds, leaves moving in the wind, faint neighborhood voices, deli sounds, bottle opening, basketball bouncing, rain hitting pavement, water dripping from rooftops, and subtle camera-handling noise. No music. No narration. No soundtrack. No artificial sound effects. No spoken dialogue is necessary. FINAL FEEL The result should feel like a forgotten personal recording of an ordinary summer day. Not a commercial. Not a fashion film. Not a music video. Not a professional cinematic production. The emotional appeal should come from small human moments: sitting alone, wandering through familiar streets, missing a basketball shot, drinking something cold, getting caught in the rain, laughing, and walking home. Youthful, feminine, warm, nostalgic, spontaneous, slightly melancholic, intimate, and deeply human. Prioritize natural behavior, consistent identity, believable physics, imperfect handheld framing, authentic outer-borough New York details, and the feeling that the camera just happened to be there. – Thanks Duet | AI for the inspiration on this one #AIVideo

Alpha Mom

31,512 Aufrufe • vor 23 Tagen

Made with Seedance 2.5 in 1080p Duration: 30 seconds Aspect Ratio: 16:9 Prompt Ultra realistic personal summer home-video featuring Elsa. Use the provided Master Character Set ONLY for Elsa's identity and physical consistency. Use the provided 7-panel storyboard as the exact visual and chronological guide for the scenes. Do not copy any pose or layout from the Master Character Set. The storyboard controls the locations, actions, compositions and sequence. CHARACTER: Keep Elsa's exact facial identity, skin tone, hairstyle, body proportions and recognizable appearance consistent throughout the entire video. She wears a simple fitted light-colored summer T-shirt, light blue relaxed jeans, casual everyday shoes and a delicate necklace. Keep the wardrobe identical throughout all seven scenes. The performance should feel natural and spontaneous, like a real person casually enjoying an ordinary summer afternoon. VISUAL STYLE: Ultra-realistic personal home-video footage recorded by a friend. Use subtle handheld camera movement, imperfect framing, occasional autofocus adjustment, natural exposure variation, mild motion blur, soft digital detail and realistic environmental imperfections. The footage should feel intimate and authentic rather than like a commercial or music video. Maintain natural summer daylight throughout the first scenes, gradually transitioning into warm golden-hour light toward the end. SHOT 1 — LOCAL BAKERY | 0:00–0:04 Elsa steps out of a small charming neighborhood bakery carrying a simple paper bag. The bakery has large glass windows, warm interior light, small outdoor plants and a quiet sidewalk. The camera is positioned slightly across the street and casually follows her as she exits. She gives a subtle natural smile and begins walking. SHOT 2 — PEDESTRIAN BRIDGE | 0:04–0:08 Elsa walks onto an old pedestrian bridge crossing a wide river. Use a medium-wide handheld tracking perspective. The bridge has weathered metal railings, pedestrians in the distance and a calm river flowing below. Trees, historic residential buildings and an urban skyline appear beyond the river. A gentle summer breeze moves Elsa's hair naturally. SHOT 3 — RIVER VIEW PAUSE | 0:08–0:13 Elsa stops beside the bridge railing and looks peacefully across the river. Move into a slower, more intimate composition from slightly behind and to her side. Capture her relaxed expression, loose hair moving in the breeze and the river stretching into the distance. Let the moment breathe naturally rather than rushing the shot. SHOT 4 — SIDEWALK CAFÉ | 0:13–0:17 Transition naturally to a small sidewalk café. Elsa sits at a simple outdoor café table and enjoys a cold drink. Use a close handheld perspective showing her natural expression, glass, table and surrounding café details. She takes a relaxed sip and looks around casually. The atmosphere should feel like an ordinary summer afternoon in a charming European city neighborhood. SHOT 5 — BOOKSTORE | 0:17–0:21 Elsa enters a small independent bookstore. The camera follows her between tall shelves filled with books. She slowly browses the shelves, picks up one book and flips through several pages. Use a gentle handheld side angle followed by a closer shot of her hands and the open pages. Warm natural light enters through the bookstore window. SHOT 6 — GOLDEN-HOUR STREET | 0:21–0:25 Elsa leaves the bookstore and continues walking home. The afternoon has transitioned into golden hour. The camera tracks her from a slightly elevated three-quarter angle as she walks along a tree-lined city boulevard. Warm sunlight shines through the trees behind her, creating natural lens flare and long shadows. She briefly turns her head toward the camera with a relaxed smile before continuing. SHOT 7 — HOME BALCONY | 0:25–0:30 Elsa arrives home and steps onto a quiet balcony overlooking the city. The sun is low on the horizon. She rests casually against the balcony railing while holding a warm drink. Use a slow, intimate side-profile composition. Her hair moves gently in the evening breeze. Behind her, reveal the beautiful city skyline and rooftops glowing under the fading summer light. End on a peaceful natural moment as Elsa quietly looks across the city. The recording ends naturally with a brief hold on the sunset atmosphere. CAMERA LANGUAGE: Use different compositions throughout the seven scenes: wide establishing shots, handheld tracking, over-the-shoulder framing, side profile, intimate close-ups and a final scenic reveal. Camera movement must always feel physically motivated and handheld rather than artificially smooth. CONTINUITY: Elsa must remain the exact same person throughout the entire video. Keep her face, hairstyle, body proportions, clothing, necklace and overall appearance consistent. Maintain believable geographic and temporal continuity between locations. All environmental interactions must follow realistic physics. Hair, clothing, paper bag, drink and surrounding objects should move naturally. AUDIO: Use authentic location sound only. Include footsteps, distant conversations, bicycle sounds, light traffic, river ambience, café sounds, subtle bookstore ambience, pages turning, birds, wind through trees and natural city sounds. No background music. No narration. No subtitles. No captions. No logos. No watermarks. FINAL AESTHETIC: The finished video should feel like a genuine personal summer memory captured by a friend—warm, intimate, imperfect and completely believable. Prioritize realistic human movement, natural expressions, authentic environments, strong visual continuity and the exact seven-scene progression shown in the storyboard.
0:30

Made with Seedance 2.5 in 1080p Duration: 30 seconds Aspect Ratio: 16:9 Prompt Ultra realistic personal summer home-video featuring Elsa. Use the provided Master Character Set ONLY for Elsa's identity and physical consistency. Use the provided 7-panel storyboard as the exact visual and chronological guide for the scenes. Do not copy any pose or layout from the Master Character Set. The storyboard controls the locations, actions, compositions and sequence. CHARACTER: Keep Elsa's exact facial identity, skin tone, hairstyle, body proportions and recognizable appearance consistent throughout the entire video. She wears a simple fitted light-colored summer T-shirt, light blue relaxed jeans, casual everyday shoes and a delicate necklace. Keep the wardrobe identical throughout all seven scenes. The performance should feel natural and spontaneous, like a real person casually enjoying an ordinary summer afternoon. VISUAL STYLE: Ultra-realistic personal home-video footage recorded by a friend. Use subtle handheld camera movement, imperfect framing, occasional autofocus adjustment, natural exposure variation, mild motion blur, soft digital detail and realistic environmental imperfections. The footage should feel intimate and authentic rather than like a commercial or music video. Maintain natural summer daylight throughout the first scenes, gradually transitioning into warm golden-hour light toward the end. SHOT 1 — LOCAL BAKERY | 0:00–0:04 Elsa steps out of a small charming neighborhood bakery carrying a simple paper bag. The bakery has large glass windows, warm interior light, small outdoor plants and a quiet sidewalk. The camera is positioned slightly across the street and casually follows her as she exits. She gives a subtle natural smile and begins walking. SHOT 2 — PEDESTRIAN BRIDGE | 0:04–0:08 Elsa walks onto an old pedestrian bridge crossing a wide river. Use a medium-wide handheld tracking perspective. The bridge has weathered metal railings, pedestrians in the distance and a calm river flowing below. Trees, historic residential buildings and an urban skyline appear beyond the river. A gentle summer breeze moves Elsa's hair naturally. SHOT 3 — RIVER VIEW PAUSE | 0:08–0:13 Elsa stops beside the bridge railing and looks peacefully across the river. Move into a slower, more intimate composition from slightly behind and to her side. Capture her relaxed expression, loose hair moving in the breeze and the river stretching into the distance. Let the moment breathe naturally rather than rushing the shot. SHOT 4 — SIDEWALK CAFÉ | 0:13–0:17 Transition naturally to a small sidewalk café. Elsa sits at a simple outdoor café table and enjoys a cold drink. Use a close handheld perspective showing her natural expression, glass, table and surrounding café details. She takes a relaxed sip and looks around casually. The atmosphere should feel like an ordinary summer afternoon in a charming European city neighborhood. SHOT 5 — BOOKSTORE | 0:17–0:21 Elsa enters a small independent bookstore. The camera follows her between tall shelves filled with books. She slowly browses the shelves, picks up one book and flips through several pages. Use a gentle handheld side angle followed by a closer shot of her hands and the open pages. Warm natural light enters through the bookstore window. SHOT 6 — GOLDEN-HOUR STREET | 0:21–0:25 Elsa leaves the bookstore and continues walking home. The afternoon has transitioned into golden hour. The camera tracks her from a slightly elevated three-quarter angle as she walks along a tree-lined city boulevard. Warm sunlight shines through the trees behind her, creating natural lens flare and long shadows. She briefly turns her head toward the camera with a relaxed smile before continuing. SHOT 7 — HOME BALCONY | 0:25–0:30 Elsa arrives home and steps onto a quiet balcony overlooking the city. The sun is low on the horizon. She rests casually against the balcony railing while holding a warm drink. Use a slow, intimate side-profile composition. Her hair moves gently in the evening breeze. Behind her, reveal the beautiful city skyline and rooftops glowing under the fading summer light. End on a peaceful natural moment as Elsa quietly looks across the city. The recording ends naturally with a brief hold on the sunset atmosphere. CAMERA LANGUAGE: Use different compositions throughout the seven scenes: wide establishing shots, handheld tracking, over-the-shoulder framing, side profile, intimate close-ups and a final scenic reveal. Camera movement must always feel physically motivated and handheld rather than artificially smooth. CONTINUITY: Elsa must remain the exact same person throughout the entire video. Keep her face, hairstyle, body proportions, clothing, necklace and overall appearance consistent. Maintain believable geographic and temporal continuity between locations. All environmental interactions must follow realistic physics. Hair, clothing, paper bag, drink and surrounding objects should move naturally. AUDIO: Use authentic location sound only. Include footsteps, distant conversations, bicycle sounds, light traffic, river ambience, café sounds, subtle bookstore ambience, pages turning, birds, wind through trees and natural city sounds. No background music. No narration. No subtitles. No captions. No logos. No watermarks. FINAL AESTHETIC: The finished video should feel like a genuine personal summer memory captured by a friend—warm, intimate, imperfect and completely believable. Prioritize realistic human movement, natural expressions, authentic environments, strong visual continuity and the exact seven-scene progression shown in the storyboard.

Elsa Ai

12,169 Aufrufe • vor 11 Tagen

Created this race using GPT Image 2 and Seedance 2.0 on TapNow Prompt Follow the storyboard strictly in exact order from Panel 1 to Panel 9. Do not skip, merge, or rearrange scenes. Keep the SAME female cyclist identity across the entire film. No face changes, no hairstyle changes, no helmet changes, no body proportion inconsistencies. Baby pink must remain the dominant apparel color throughout all cycling scenes. Avoid black wardrobe replacements. Preserve realistic nighttime lighting continuity between shots. Maintain the same cool blue tones and subtle red light reflections. Heavy rain intensity must stay visually consistent across all scenes. Water physics must look physically accurate: droplets, splashes, mist, wheel spray, and runoff should behave naturally. Avoid artificial AI motion. Camera movement should feel like real cinema rigs, FPV drones, mounted bike cameras, or stabilized tracking systems. Drone shots must maintain locked framing and smooth movement without random drifting or orbiting. Use subtle cinematic motion only — no excessive shaking or jitter. Keep realistic breathing, body fatigue, pedaling mechanics, and fabric reactions to wind and rain. Preserve shallow depth of field in macro shots and atmospheric haze in wide shots. Keep the environment dark, moody, and cinematic with strong contrast between wet reflections and darkness. Ensure all reflections on asphalt, water droplets, and bike components react naturally to changing light sources. Maintain premium commercial pacing: slow controlled preparation and macro shots transitioning into aggressive high-speed riding sequences. Final output should resemble a high-budget Nike / Rapha night cycling commercial shot during a real mountain storm. Ultra-realistic cinematic night cycling commercial about female endurance cyclists riding through an intense rainstorm in the mountains at night. Premium Nike / Rapha aesthetic with baby pink performance cycling apparel as the dominant accent color. Hyper-realistic documentary look, no stylization, no anime look, no beauty filters. Natural skin texture, realistic rain interaction, physically accurate water behavior, cinematic low-key lighting, cool blue night tones mixed with subtle red rear-light reflections. Heavy rain, fog, wet asphalt reflections, cinematic motion blur, high dynamic range, shallow depth of field, premium sports commercial quality. The film follows a strict 9-panel storyboard structure with seamless cinematic transitions and continuity preserved across every scene. The SAME female cyclist identity must remain consistent throughout the entire video: same face, helmet, glasses, body proportions, baby pink apparel, lighting style, and overall appearance. Maintain continuity of rain intensity, wetness, fog density, and environmental lighting between all shots. Panel 1: Extreme macro close-up of the female cyclist’s eyes and face in heavy rain at night. Focus on soaked eyelashes, wet skin texture, raindrops streaming across the face, baby pink helmet and baby pink face mask visible. Red rear bike light flickers dynamically across her eyes and skin while cool blue night tones dominate the scene. High contrast cinematic lighting, shallow depth of field, subtle breathing motion, intense determined expression. Panel 2: Cinematic medium close-up frontal shot of the cyclist riding aggressively through heavy rain at night. She pedals hard with strong effort and forward-leaning posture. Baby pink waterproof cycling jacket soaked with rainwater. Front bike light cuts through fog and rain with subtle flickering illumination. Wet asphalt reflects red and white lights. Smooth cinematic tracking shot with controlled stable motion and slight natural float. Panel 3: Ultra-realistic macro shot of large raindrops impacting wet asphalt at night. Crown-shaped splashes and overlapping ripples in slow motion. Rough wet asphalt texture, cool blue cinematic tones, subtle reflections from bike lights.
0:28

Created this race using GPT Image 2 and Seedance 2.0 on TapNow Prompt Follow the storyboard strictly in exact order from Panel 1 to Panel 9. Do not skip, merge, or rearrange scenes. Keep the SAME female cyclist identity across the entire film. No face changes, no hairstyle changes, no helmet changes, no body proportion inconsistencies. Baby pink must remain the dominant apparel color throughout all cycling scenes. Avoid black wardrobe replacements. Preserve realistic nighttime lighting continuity between shots. Maintain the same cool blue tones and subtle red light reflections. Heavy rain intensity must stay visually consistent across all scenes. Water physics must look physically accurate: droplets, splashes, mist, wheel spray, and runoff should behave naturally. Avoid artificial AI motion. Camera movement should feel like real cinema rigs, FPV drones, mounted bike cameras, or stabilized tracking systems. Drone shots must maintain locked framing and smooth movement without random drifting or orbiting. Use subtle cinematic motion only — no excessive shaking or jitter. Keep realistic breathing, body fatigue, pedaling mechanics, and fabric reactions to wind and rain. Preserve shallow depth of field in macro shots and atmospheric haze in wide shots. Keep the environment dark, moody, and cinematic with strong contrast between wet reflections and darkness. Ensure all reflections on asphalt, water droplets, and bike components react naturally to changing light sources. Maintain premium commercial pacing: slow controlled preparation and macro shots transitioning into aggressive high-speed riding sequences. Final output should resemble a high-budget Nike / Rapha night cycling commercial shot during a real mountain storm. Ultra-realistic cinematic night cycling commercial about female endurance cyclists riding through an intense rainstorm in the mountains at night. Premium Nike / Rapha aesthetic with baby pink performance cycling apparel as the dominant accent color. Hyper-realistic documentary look, no stylization, no anime look, no beauty filters. Natural skin texture, realistic rain interaction, physically accurate water behavior, cinematic low-key lighting, cool blue night tones mixed with subtle red rear-light reflections. Heavy rain, fog, wet asphalt reflections, cinematic motion blur, high dynamic range, shallow depth of field, premium sports commercial quality. The film follows a strict 9-panel storyboard structure with seamless cinematic transitions and continuity preserved across every scene. The SAME female cyclist identity must remain consistent throughout the entire video: same face, helmet, glasses, body proportions, baby pink apparel, lighting style, and overall appearance. Maintain continuity of rain intensity, wetness, fog density, and environmental lighting between all shots. Panel 1: Extreme macro close-up of the female cyclist’s eyes and face in heavy rain at night. Focus on soaked eyelashes, wet skin texture, raindrops streaming across the face, baby pink helmet and baby pink face mask visible. Red rear bike light flickers dynamically across her eyes and skin while cool blue night tones dominate the scene. High contrast cinematic lighting, shallow depth of field, subtle breathing motion, intense determined expression. Panel 2: Cinematic medium close-up frontal shot of the cyclist riding aggressively through heavy rain at night. She pedals hard with strong effort and forward-leaning posture. Baby pink waterproof cycling jacket soaked with rainwater. Front bike light cuts through fog and rain with subtle flickering illumination. Wet asphalt reflects red and white lights. Smooth cinematic tracking shot with controlled stable motion and slight natural float. Panel 3: Ultra-realistic macro shot of large raindrops impacting wet asphalt at night. Crown-shaped splashes and overlapping ripples in slow motion. Rough wet asphalt texture, cool blue cinematic tones, subtle reflections from bike lights.

Sharon Riley

72,716 Aufrufe • vor 4 Monaten

Too much Spark? There’s no such thing. ⚡🍋 A funky, high-energy Mountain Dew Spark world where every sip brings the doodle chaos to life. 💥✨ Created with Seedance 2.0 on Fish Creative PROMPT: MOUNTAIN DEW SPARK — “TOO MUCH SPARK” Duration: 15 seconds Aspect Ratio: 16:9 Style: Premium live-action commercial + playful 2D hand-drawn doodle animation, funky, energetic, youthful, colorful, fast-paced. Visual Quality: Ultra-realistic cinematic 4K, crisp product photography, natural skin texture, vibrant commercial lighting, smooth motion, dynamic camera work. CHARACTER: A cool young male in his early 20s, confident and playful, short dark slightly messy hair, expressive face, trendy oversized graphic T-shirt, relaxed baggy cargo pants and clean sneakers. Maintain STRICT face, hairstyle, clothing and identity consistency throughout. 0–4s — THE SPARK Open with a stylish low-angle tracking shot of the boy casually walking through a colorful modern city street while holding a chilled Mountain Dew Spark can. Tiny cute hand-drawn doodles subtly appear around him: stars, lightning bolts, hearts and lemons. He stops. Cut to a macro close-up of the cold can covered in condensation. He cracks it open. PSHHHH! A tiny hand-drawn lightning bolt appears above the can and vibrates with the sound. 4–8s — TOO MUCH SPARK He takes a big sip. Instantly, colorful 2D doodles explode from behind him. Lightning bolts race across the screen, cute lemons bounce past camera, stars pop around his head and cartoon speed lines surround his body. He looks surprised, then grins. Use a quick punch-in camera movement. 8–15s — THE BOOST Suddenly, he launches forward at ridiculous speed. Use rapid whip pans, low-angle tracking shots, dynamic handheld movement and energetic speed ramps as he runs through the city. Every movement triggers a doodle: Footstep → star burst Arm swing → lightning bolt Jump → comic explosion Turn → curved hand-drawn speed lines Smile → tiny floating hearts The doodles physically interact with the live-action environment, wrapping around poles, bouncing off walls and following his movement. At 15 seconds, he races toward a city staircase, preparing to jump onto it. End with a fast forward-moving camera transition that naturally continues into Part 2. CAMERA & EDITING: Fast commercial editing with smooth continuous motion. Use whip pans, crash zooms, low-angle tracking, speed ramps and match cuts. Keep movement flowing naturally so the video feels like one continuous sequence, not separate clips. DOODLE ANIMATION: Cute hand-drawn 2D doodles with imperfect sketch lines, playful expressions and bouncy animation. Playful and cute, never childish. Doodles must interact naturally with the live-action environment. PART 2: MOUNTAIN DEW SPARK — “TOO MUCH SPARK” Duration: 15 seconds Aspect Ratio: 16:9 Style: Premium live-action commercial + playful 2D hand-drawn doodle animation, funky, energetic, youthful, colorful, fast-paced. Visual Quality: Ultra-realistic cinematic 4K, crisp product photography, natural skin texture, vibrant commercial lighting, smooth motion, dynamic camera work. CHARACTER: Continue with EXACTLY the same young male from Part 1. Same face, hairstyle, oversized graphic T-shirt, baggy cargo pants, sneakers and overall identity. STRICT IDENTITY AND OUTFIT LOCK. 0–6s — DOODLE CHAOS Continue directly from Part 1 as the boy jumps onto a city staircase and races upward. Hundreds of cute hand-drawn doodles chase after him. Animated lemons bounce down the stairs. Lightning bolts zigzag beside him. Tiny stars spin through the air. Cartoon flames briefly appear behind his sneakers. Rapidly alternate between: Low-angle running shot Side tracking shot Close-up of sneakers Close-up of his excited expression Overhead shot as doodles spiral around him Use energetic whip transitions synchronized with the music. 6–11s — PRODUCT HERO The boy suddenly stops. Everything freezes. The doodles freeze mid-air around him. He casually spins the Mountain Dew Spark can toward the camera. Transition into a premium macro product close-up: cold condensation, sharp label detail, vibrant commercial lighting and fizzy energy. Hand-drawn lemons and lightning bolts begin orbiting around the can. The camera slowly pushes toward the product while the background remains softly blurred. 11–15s — FINAL EXPLOSION He takes one final sip and smirks directly at camera. On the beat, every doodle in the scene rushes toward him: ⭐ ⚡ 🍋 ❤️ 💥 They explode outward into a giant colorful hand-drawn burst behind him. He stands confidently in the center, holding the Mountain Dew Spark can toward camera. End on a clean premium hero shot of the Mountain Dew Spark can surrounded by playful doodle lightning, stars and fruit. Final feeling: refreshing, energetic, mischievous, funky and irresistibly fun. CAMERA & EDITING: Fast commercial editing with smooth continuous motion. Use whip pans, speed ramps, macro product photography, orbiting camera movement, crash zooms and match cuts. Transitions should be motivated by the character's movement and preserve visual continuity from Part 1. DOODLE ANIMATION: Cute hand-drawn 2D doodles with imperfect sketch lines, playful expressions and bouncy animation. Doodles should physically interact with the live-action world rather than appearing as static overlays. Keep them playful and stylish, never childish. NEGATIVE PROMPT: No character identity changes, no outfit changes, no inconsistent face, no extra fingers, no distorted hands, no warped product, no incorrect can shape, no unreadable logo, no duplicate cans, no floating character, no stiff movement, no random scene changes, no disconnected clips, no excessive motion blur, no dull lighting, no childish cartoon environment, no photorealistic doodles, no messy compositing, no deformed facial features, no text artifacts.
0:29

Too much Spark? There’s no such thing. ⚡🍋 A funky, high-energy Mountain Dew Spark world where every sip brings the doodle chaos to life. 💥✨ Created with Seedance 2.0 on Fish Creative PROMPT: MOUNTAIN DEW SPARK — “TOO MUCH SPARK” Duration: 15 seconds Aspect Ratio: 16:9 Style: Premium live-action commercial + playful 2D hand-drawn doodle animation, funky, energetic, youthful, colorful, fast-paced. Visual Quality: Ultra-realistic cinematic 4K, crisp product photography, natural skin texture, vibrant commercial lighting, smooth motion, dynamic camera work. CHARACTER: A cool young male in his early 20s, confident and playful, short dark slightly messy hair, expressive face, trendy oversized graphic T-shirt, relaxed baggy cargo pants and clean sneakers. Maintain STRICT face, hairstyle, clothing and identity consistency throughout. 0–4s — THE SPARK Open with a stylish low-angle tracking shot of the boy casually walking through a colorful modern city street while holding a chilled Mountain Dew Spark can. Tiny cute hand-drawn doodles subtly appear around him: stars, lightning bolts, hearts and lemons. He stops. Cut to a macro close-up of the cold can covered in condensation. He cracks it open. PSHHHH! A tiny hand-drawn lightning bolt appears above the can and vibrates with the sound. 4–8s — TOO MUCH SPARK He takes a big sip. Instantly, colorful 2D doodles explode from behind him. Lightning bolts race across the screen, cute lemons bounce past camera, stars pop around his head and cartoon speed lines surround his body. He looks surprised, then grins. Use a quick punch-in camera movement. 8–15s — THE BOOST Suddenly, he launches forward at ridiculous speed. Use rapid whip pans, low-angle tracking shots, dynamic handheld movement and energetic speed ramps as he runs through the city. Every movement triggers a doodle: Footstep → star burst Arm swing → lightning bolt Jump → comic explosion Turn → curved hand-drawn speed lines Smile → tiny floating hearts The doodles physically interact with the live-action environment, wrapping around poles, bouncing off walls and following his movement. At 15 seconds, he races toward a city staircase, preparing to jump onto it. End with a fast forward-moving camera transition that naturally continues into Part 2. CAMERA & EDITING: Fast commercial editing with smooth continuous motion. Use whip pans, crash zooms, low-angle tracking, speed ramps and match cuts. Keep movement flowing naturally so the video feels like one continuous sequence, not separate clips. DOODLE ANIMATION: Cute hand-drawn 2D doodles with imperfect sketch lines, playful expressions and bouncy animation. Playful and cute, never childish. Doodles must interact naturally with the live-action environment. PART 2: MOUNTAIN DEW SPARK — “TOO MUCH SPARK” Duration: 15 seconds Aspect Ratio: 16:9 Style: Premium live-action commercial + playful 2D hand-drawn doodle animation, funky, energetic, youthful, colorful, fast-paced. Visual Quality: Ultra-realistic cinematic 4K, crisp product photography, natural skin texture, vibrant commercial lighting, smooth motion, dynamic camera work. CHARACTER: Continue with EXACTLY the same young male from Part 1. Same face, hairstyle, oversized graphic T-shirt, baggy cargo pants, sneakers and overall identity. STRICT IDENTITY AND OUTFIT LOCK. 0–6s — DOODLE CHAOS Continue directly from Part 1 as the boy jumps onto a city staircase and races upward. Hundreds of cute hand-drawn doodles chase after him. Animated lemons bounce down the stairs. Lightning bolts zigzag beside him. Tiny stars spin through the air. Cartoon flames briefly appear behind his sneakers. Rapidly alternate between: Low-angle running shot Side tracking shot Close-up of sneakers Close-up of his excited expression Overhead shot as doodles spiral around him Use energetic whip transitions synchronized with the music. 6–11s — PRODUCT HERO The boy suddenly stops. Everything freezes. The doodles freeze mid-air around him. He casually spins the Mountain Dew Spark can toward the camera. Transition into a premium macro product close-up: cold condensation, sharp label detail, vibrant commercial lighting and fizzy energy. Hand-drawn lemons and lightning bolts begin orbiting around the can. The camera slowly pushes toward the product while the background remains softly blurred. 11–15s — FINAL EXPLOSION He takes one final sip and smirks directly at camera. On the beat, every doodle in the scene rushes toward him: ⭐ ⚡ 🍋 ❤️ 💥 They explode outward into a giant colorful hand-drawn burst behind him. He stands confidently in the center, holding the Mountain Dew Spark can toward camera. End on a clean premium hero shot of the Mountain Dew Spark can surrounded by playful doodle lightning, stars and fruit. Final feeling: refreshing, energetic, mischievous, funky and irresistibly fun. CAMERA & EDITING: Fast commercial editing with smooth continuous motion. Use whip pans, speed ramps, macro product photography, orbiting camera movement, crash zooms and match cuts. Transitions should be motivated by the character's movement and preserve visual continuity from Part 1. DOODLE ANIMATION: Cute hand-drawn 2D doodles with imperfect sketch lines, playful expressions and bouncy animation. Doodles should physically interact with the live-action world rather than appearing as static overlays. Keep them playful and stylish, never childish. NEGATIVE PROMPT: No character identity changes, no outfit changes, no inconsistent face, no extra fingers, no distorted hands, no warped product, no incorrect can shape, no unreadable logo, no duplicate cans, no floating character, no stiff movement, no random scene changes, no disconnected clips, no excessive motion blur, no dull lighting, no childish cartoon environment, no photorealistic doodles, no messy compositing, no deformed facial features, no text artifacts.

Caden Flux

33,821 Aufrufe • vor 18 Tagen

Time to cook with AI. Seedance 2.5 Prompt: Create a 30-second, 1080p ultra-realistic home-video recording of a young Korean woman spending an ordinary summer afternoon in an older Seoul neighborhood. The footage should feel like a genuine personal recording made by a friend, not a scripted commercial. SUBJECT CONTINUITY A naturally attractive Korean woman in her early 20s, with realistic skin texture and very light makeup. She has long black hair tied loosely into a messy side ponytail, with a few strands falling around her face. She wears a fitted pastel-blue short top, loose cream pajama-style trousers, black sneakers, and a simple silver necklace. Keep her face, hair, clothing, proportions, and overall appearance consistent from beginning to end. She should feel relaxed, familiar with the neighborhood, and naturally confident. LOCATION & ATMOSPHERE An older, quiet residential area of Seoul on a warm summer afternoon. Narrow concrete streets, modest houses, weathered walls, potted plants, parked bicycles, utility poles, overhead wires, laundry outside homes, a small convenience store, and children playing in the street. The neighborhood should feel lived-in and peaceful rather than picturesque. Avoid tourist landmarks, recognizable brands, advertisements, or obvious commercial activity. CAMERA STYLE The entire video is recorded on an early-2000s consumer DV camcorder by a friend walking nearby. Use raw, imperfect handheld footage: noticeable camera shake, occasional awkward framing, autofocus hunting, small exposure changes, soft digital detail, faded colors, mild video noise, motion blur, and a few accidental zooms. The camera should sometimes lag behind the subject or briefly lose the ideal composition. No stabilization, drone shots, gimbal movement, dramatic lighting, or polished cinematic camera work. The result should feel like a real personal memory captured on an old camcorder. SEQUENCE 0–5 seconds — Leaving home The woman steps out of a modest house carrying a small reusable shopping bag. She locks the door, briefly adjusts her loose ponytail, and notices the camera. She gives the person filming a relaxed smile before heading down the lane. A light breeze moves her hair as she begins walking. 5–10 seconds — Familiar faces A few schoolchildren with backpacks approach from the other end of the street. She recognizes them and smiles. She raises a hand and says: “Hey, aren't you guys late?” The children laugh as they continue toward school. One of them waves back. She laughs softly and keeps walking. 10–17 seconds — A football in the street Further along, several neighborhood children are playing football on the concrete road. Their ball rolls toward her and comes to rest near her feet. She looks down, then glances toward the children. One child calls: “Noona! Kick it!” She smiles, places her foot beside the ball, and gives it one gentle, playful kick back toward them. The ball rolls along the street, and the children excitedly run after it. She laughs and continues on her way. Important continuity: The football must remain a real, persistent object. It should not disappear, duplicate, teleport, or return to her after the kick. 17–25 seconds — A small pause She walks farther down the lane and stops at a small public water tap. She rinses her hands, shakes the water from her fingers, and fixes a loose strand of hair. She briefly looks toward the camera with a small smile. A bicycle passes behind her as she starts walking again. 25–30 seconds — Turning the corner She reaches the end of the lane. The children can be seen playing football in the distance behind her. She turns around and watches them for a moment. One child notices the camera and waves. She waves back. Then she turns toward the camera, gives a small playful smile, and says: “See you tomorrow.” She continues walking as the camera follows from behind. She disappears around the corner, and the recording abruptly cuts to black.
0:30

Time to cook with AI. Seedance 2.5 Prompt: Create a 30-second, 1080p ultra-realistic home-video recording of a young Korean woman spending an ordinary summer afternoon in an older Seoul neighborhood. The footage should feel like a genuine personal recording made by a friend, not a scripted commercial. SUBJECT CONTINUITY A naturally attractive Korean woman in her early 20s, with realistic skin texture and very light makeup. She has long black hair tied loosely into a messy side ponytail, with a few strands falling around her face. She wears a fitted pastel-blue short top, loose cream pajama-style trousers, black sneakers, and a simple silver necklace. Keep her face, hair, clothing, proportions, and overall appearance consistent from beginning to end. She should feel relaxed, familiar with the neighborhood, and naturally confident. LOCATION & ATMOSPHERE An older, quiet residential area of Seoul on a warm summer afternoon. Narrow concrete streets, modest houses, weathered walls, potted plants, parked bicycles, utility poles, overhead wires, laundry outside homes, a small convenience store, and children playing in the street. The neighborhood should feel lived-in and peaceful rather than picturesque. Avoid tourist landmarks, recognizable brands, advertisements, or obvious commercial activity. CAMERA STYLE The entire video is recorded on an early-2000s consumer DV camcorder by a friend walking nearby. Use raw, imperfect handheld footage: noticeable camera shake, occasional awkward framing, autofocus hunting, small exposure changes, soft digital detail, faded colors, mild video noise, motion blur, and a few accidental zooms. The camera should sometimes lag behind the subject or briefly lose the ideal composition. No stabilization, drone shots, gimbal movement, dramatic lighting, or polished cinematic camera work. The result should feel like a real personal memory captured on an old camcorder. SEQUENCE 0–5 seconds — Leaving home The woman steps out of a modest house carrying a small reusable shopping bag. She locks the door, briefly adjusts her loose ponytail, and notices the camera. She gives the person filming a relaxed smile before heading down the lane. A light breeze moves her hair as she begins walking. 5–10 seconds — Familiar faces A few schoolchildren with backpacks approach from the other end of the street. She recognizes them and smiles. She raises a hand and says: “Hey, aren't you guys late?” The children laugh as they continue toward school. One of them waves back. She laughs softly and keeps walking. 10–17 seconds — A football in the street Further along, several neighborhood children are playing football on the concrete road. Their ball rolls toward her and comes to rest near her feet. She looks down, then glances toward the children. One child calls: “Noona! Kick it!” She smiles, places her foot beside the ball, and gives it one gentle, playful kick back toward them. The ball rolls along the street, and the children excitedly run after it. She laughs and continues on her way. Important continuity: The football must remain a real, persistent object. It should not disappear, duplicate, teleport, or return to her after the kick. 17–25 seconds — A small pause She walks farther down the lane and stops at a small public water tap. She rinses her hands, shakes the water from her fingers, and fixes a loose strand of hair. She briefly looks toward the camera with a small smile. A bicycle passes behind her as she starts walking again. 25–30 seconds — Turning the corner She reaches the end of the lane. The children can be seen playing football in the distance behind her. She turns around and watches them for a moment. One child notices the camera and waves. She waves back. Then she turns toward the camera, gives a small playful smile, and says: “See you tomorrow.” She continues walking as the camera follows from behind. She disappears around the corner, and the recording abruptly cuts to black.

Johnn

10,990 Aufrufe • vor 12 Tagen

[PR] nijiJourney & seedance2.0🪩 TapNowAIのワークフローを使って、「Collage Animation & Lyric Motion」のMVを作成しました。 スピード感ある映像と音楽をお楽しみください😆 以下プロンプトも共有しています。 リリックモーション部分も全部seedance2.0製です・ ✳️今回の作成手順 1.SUNOで音楽を生成 2.nijiJourneyで元画像を作る 3.5枚のnijiJourney画像をリファレンスで動画生成 4.リリックモーションはChatGPTとチャットで作成 ✳️seedance2.0 プロンプト abstract art animation, hand-drawn, emotional kinetic transformation. through are five cyberpunk and glitch-art compositions featuring neon pink, cyan, magenta, electric blue color palettes, digital glitch artifacts, pixelated distortions, heterochromatic glowing eyes, data-moshing effects, and claustrophobic intensity. Extract every form, motif, color, line quality, texture, rhythm, and emotional tension from the references. The animation must feel fast, alive, unstable, and emotionally charged. Every transformation seamless and continuous. No hard cuts. No static pauses except single-frame impact holds. Entire composition including background constantly transforms. All elements behave as if pulled by memory, gravity, heat, sound, and emotion simultaneously. [0-1.5s] A central abstract figure appears as if already in motion. Its inner color pulses outward in uneven emotional waves, while its outline tears away in multiple directions. The background bends around the figure like soft paper under pressure. Fine hand-drawn textures crawl across the surface faster than the main form moves, creating tension between body and skin. [1.5-3s] The detached outlines accelerate and become nervous thread-like forms. The figure's color core stretches into sharp ribbons and liquid stains simultaneously. Some ribbons snap back, others whip forward, each leaving a trembling residue. Empty spaces between moving parts ignite into new shapes, as if the composition is creating forms to fill its own emotional gaps. [3-4.5s] All forms suddenly surge diagonally across the frame. One large shape folds over itself like fabric, but the fold reveals a completely different texture beneath: grain, chalk, wet ink, and scraped paint all visible at once. The background follows the fold, twisting into a new color field. Smaller forms are dragged behind the motion, stretching into speed lines that remain alive and continue transforming. [4.5-6s] The composition fractures into several emotional forces: one calm, one violent, one fragile, one ecstatic. Each force pulls color from the others. Shadows appear before the objects that cast them, moving ahead like predictions. Original forms chase their own shadows, but the shadows mutate faster, becoming brighter, thicker, and more dominant than the objects. [6-7.5s] A rapid chain reaction begins. Every collision between forms produces a new motif taken from the references: fragments, symbols, textures, silhouettes, stains, lines, and color fields. These new motifs immediately accelerate in different directions. Trails do not simply fade — they harden into new bodies, then melt again, then split into smaller emotional echoes. [7.5-9s] The entire frame compresses toward a single invisible point near the lower center. All lines, colors, textures, shadows, and background layers squeeze inward at different speeds. Hold maximum compression for one single frame. Then everything explodes upward and outward with vertical smears, wobbling contours, and overshooting motion. Each element lands in a new position but continues vibrating from impact. [9-10.5s] Textures begin migrating between forms like exchanged emotions. A rough dry texture enters a fluid form, making it move in broken angular steps. A liquid texture enters a rigid form, causing it to sag, drip, and breathe. A glowing color texture passes into the background, making the entire environment pulse. Every form changes behavior based on the texture it receives. [10.5-12s] A cascade of rotations crosses the frame. Each form flips, twists, or turns inside out, revealing a hidden back face with a dramatically different color and emotional quality. Revealed faces reach toward neighboring forms like hands, hooks, flames, or waves. When touched, the next form rotates immediately, continuing the cascade faster and faster until the entire frame has transformed into a new emotional world. [12-13.5s] Boundaries dissolve everywhere at once. Forms merge, reject each other, separate, then merge again. New hybrid shapes inherit colors, textures, and motion behaviors from their parents but never become identical to them. The background no longer sits behind the forms — it becomes one of the forms, pushing forward, swallowing edges, and releasing new figures from within itself. [13.5-15s] Every previous process returns simultaneously at maximum speed: outlines detach, colors seep and drip, textures migrate, shadows lead, forms chase, trails solidify, hidden faces rotate, boundaries dissolve, backgrounds fold, and hybrid shapes multiply. Each element performs multiple transformations at once. Final second feels emotionally overloaded but visually intentional — a fast, hand-drawn abstract storm where every reference has been fully absorbed and transformed until the last frame. これを元にいくつかプロンプトを変えて生成しています。 ✳️MV作成で良かった点 映像をseedance2.0に作成してもらったので、他の作業に集中できた。 リリックモーションは、ChatGPTに歌詞を渡して考えてもらってます。 ✳️MV作成で残念な点 リリックモーションの部分もseedance2.0で作成したため、完全に音ハメできませんでした。 もっと細かく生成して調整したほうがよかったかもです。 また、クロマキーでリリック部分を作成したため完全に緑を除去できませんでした。 何かいい方法ないかなぁ… 最後に、このような機会を設けて頂いたTapNowAIさんに感謝致します☺️
2:15

[PR] nijiJourney & seedance2.0🪩 TapNowAIのワークフローを使って、「Collage Animation & Lyric Motion」のMVを作成しました。 スピード感ある映像と音楽をお楽しみください😆 以下プロンプトも共有しています。 リリックモーション部分も全部seedance2.0製です・ ✳️今回の作成手順 1.SUNOで音楽を生成 2.nijiJourneyで元画像を作る 3.5枚のnijiJourney画像をリファレンスで動画生成 4.リリックモーションはChatGPTとチャットで作成 ✳️seedance2.0 プロンプト abstract art animation, hand-drawn, emotional kinetic transformation. through are five cyberpunk and glitch-art compositions featuring neon pink, cyan, magenta, electric blue color palettes, digital glitch artifacts, pixelated distortions, heterochromatic glowing eyes, data-moshing effects, and claustrophobic intensity. Extract every form, motif, color, line quality, texture, rhythm, and emotional tension from the references. The animation must feel fast, alive, unstable, and emotionally charged. Every transformation seamless and continuous. No hard cuts. No static pauses except single-frame impact holds. Entire composition including background constantly transforms. All elements behave as if pulled by memory, gravity, heat, sound, and emotion simultaneously. [0-1.5s] A central abstract figure appears as if already in motion. Its inner color pulses outward in uneven emotional waves, while its outline tears away in multiple directions. The background bends around the figure like soft paper under pressure. Fine hand-drawn textures crawl across the surface faster than the main form moves, creating tension between body and skin. [1.5-3s] The detached outlines accelerate and become nervous thread-like forms. The figure's color core stretches into sharp ribbons and liquid stains simultaneously. Some ribbons snap back, others whip forward, each leaving a trembling residue. Empty spaces between moving parts ignite into new shapes, as if the composition is creating forms to fill its own emotional gaps. [3-4.5s] All forms suddenly surge diagonally across the frame. One large shape folds over itself like fabric, but the fold reveals a completely different texture beneath: grain, chalk, wet ink, and scraped paint all visible at once. The background follows the fold, twisting into a new color field. Smaller forms are dragged behind the motion, stretching into speed lines that remain alive and continue transforming. [4.5-6s] The composition fractures into several emotional forces: one calm, one violent, one fragile, one ecstatic. Each force pulls color from the others. Shadows appear before the objects that cast them, moving ahead like predictions. Original forms chase their own shadows, but the shadows mutate faster, becoming brighter, thicker, and more dominant than the objects. [6-7.5s] A rapid chain reaction begins. Every collision between forms produces a new motif taken from the references: fragments, symbols, textures, silhouettes, stains, lines, and color fields. These new motifs immediately accelerate in different directions. Trails do not simply fade — they harden into new bodies, then melt again, then split into smaller emotional echoes. [7.5-9s] The entire frame compresses toward a single invisible point near the lower center. All lines, colors, textures, shadows, and background layers squeeze inward at different speeds. Hold maximum compression for one single frame. Then everything explodes upward and outward with vertical smears, wobbling contours, and overshooting motion. Each element lands in a new position but continues vibrating from impact. [9-10.5s] Textures begin migrating between forms like exchanged emotions. A rough dry texture enters a fluid form, making it move in broken angular steps. A liquid texture enters a rigid form, causing it to sag, drip, and breathe. A glowing color texture passes into the background, making the entire environment pulse. Every form changes behavior based on the texture it receives. [10.5-12s] A cascade of rotations crosses the frame. Each form flips, twists, or turns inside out, revealing a hidden back face with a dramatically different color and emotional quality. Revealed faces reach toward neighboring forms like hands, hooks, flames, or waves. When touched, the next form rotates immediately, continuing the cascade faster and faster until the entire frame has transformed into a new emotional world. [12-13.5s] Boundaries dissolve everywhere at once. Forms merge, reject each other, separate, then merge again. New hybrid shapes inherit colors, textures, and motion behaviors from their parents but never become identical to them. The background no longer sits behind the forms — it becomes one of the forms, pushing forward, swallowing edges, and releasing new figures from within itself. [13.5-15s] Every previous process returns simultaneously at maximum speed: outlines detach, colors seep and drip, textures migrate, shadows lead, forms chase, trails solidify, hidden faces rotate, boundaries dissolve, backgrounds fold, and hybrid shapes multiply. Each element performs multiple transformations at once. Final second feels emotionally overloaded but visually intentional — a fast, hand-drawn abstract storm where every reference has been fully absorbed and transformed until the last frame. これを元にいくつかプロンプトを変えて生成しています。 ✳️MV作成で良かった点 映像をseedance2.0に作成してもらったので、他の作業に集中できた。 リリックモーションは、ChatGPTに歌詞を渡して考えてもらってます。 ✳️MV作成で残念な点 リリックモーションの部分もseedance2.0で作成したため、完全に音ハメできませんでした。 もっと細かく生成して調整したほうがよかったかもです。 また、クロマキーでリリック部分を作成したため完全に緑を除去できませんでした。 何かいい方法ないかなぁ… 最後に、このような機会を設けて頂いたTapNowAIさんに感謝致します☺️

Toshi@ニャルオAI

14,282 Aufrufe • vor 3 Monaten

Made this video with GPT IMAGE 2 + seedance 2.5 via CapCut Prompt ⤵️ DURATION: 20 seconds ASPECT RATIO: 16:9 STYLE: Ultra-photorealistic live-action cinematic lifestyle vlog, premium commercial quality, natural human movement, realistic skin and hair, realistic clothing physics, soft cinematic lighting, subtle handheld camera feel, shallow depth of field, natural color grading. REFERENCE ASSIGNMENT: irene galbraith = FEMALE HERO / MAIN CHARACTER ĐI MДGĐ = BEDROOM / MORNING imogen = KITCHEN / BREAKFAST CurlyQ2 = WORK / DESK silvercoupe = OUTDOOR / CAFÉ @IMG6 = EVENING / NIGHT Use irene galbraith as the strict identity reference throughout the entire video. CHARACTER CONSISTENCY: The same woman must appear in every scene. Preserve her exact face, facial structure, eyes, nose, lips, hairstyle, skin tone, feminine body proportions and overall identity. Do not change her identity between scenes. 0–3 SECONDS — MORNING Start in the bedroom using ĐI MДGĐ. The woman wakes up naturally and sits on the edge of the bed. Soft morning sunlight enters through the window. She gently opens the curtains and looks toward the morning light. Camera begins with a medium-wide shot and smoothly pushes toward her. Peaceful morning atmosphere. 3–6 SECONDS — BREAKFAST Smooth cinematic transition to imogen. The same woman prepares a simple breakfast in the kitchen. She pours coffee or tea into a ceramic mug and places breakfast on the counter. Natural steam rises from the hot drink. She briefly looks toward the camera with a relaxed morning smile. Use a natural medium tracking shot. 6–10 SECONDS — WORK Transition to CurlyQ2. The same woman sits at her desk and works on her laptop. She types briefly, checks the screen and writes a few notes in her notebook. Natural productive expression. Camera moves slowly from a side angle toward a three-quarter view. Keep the environment realistic and calm. 10–14 SECONDS — OUTDOOR / CAFÉ Transition naturally to silvercoupe. The same woman leaves home and walks through a beautiful modern city street toward an outdoor café. Camera smoothly tracks backward while she walks toward it. She arrives at the café, places her handbag beside the table and sits down. She smiles naturally toward the camera. Warm daylight and realistic city background. 14–17 SECONDS — CAFÉ MOMENT Close cinematic shot. She picks up her coffee/drink and takes a relaxed sip. Subtle background movement from distant pedestrians. Natural handheld lifestyle-vlog feeling. 17–20 SECONDS — NIGHT Transition to @IMG6. The same woman is back home in her cozy bedroom at night. She places her phone on the bedside table and relaxes after the day. She looks toward the window at the city lights, then turns toward the camera with a small peaceful smile. Camera slowly pushes into a close-up. End on her calm expression with warm bedroom lighting and soft city-light bokeh. CUT TO BLACK. CAMERA PRIORITY: Keep the camera cinematic and natural. Use smooth tracking, gentle push-ins, medium shots, close-ups and subtle handheld movement. Avoid excessive camera shake. Keep the woman as the visual focus. Maintain realistic transitions between locations. FINAL RULES: Same female character throughout. Same face and identity throughout. Natural realistic human movement. Realistic lighting and shadows. Realistic clothing and hair movement. No face changes. No character duplication. No extra main characters. No cartoon or anime appearance. No fantasy effects. No excessive motion blur. No distorted hands. No text. No logos. No watermark. The overall feeling should be: A beautiful, realistic cinematic glimpse into one ordinary but aesthetically pleasing day in her life. Reference Image: Create a premium photorealistic female character reference sheet using the uploaded woman as the STRICT identity reference. Preserve her exact facial identity, facial structure, eyes, eyebrows, nose, lips, jawline, skin tone, natural skin texture, hairstyle and overall appearance. Create the same woman as a realistic modern lifestyle vlogger. Show her with natural feminine proportions and realistic anatomy. CHARACTER PRESENTATION: Create a clean professional character sheet containing: 1. Full-body front view 2. Full-body 3/4 view 3. Full-body side view 4. Back view 5. Close-up face portrait 6. Natural smiling expression 7. Neutral expression 8. Casual standing pose Keep the exact same woman in every view. CLOTHING: Use a simple modern casual lifestyle outfit suitable for a daily vlog: a clean neutral-colored fitted top, comfortable casual trousers or jeans, and simple everyday footwear. Keep the outfit realistic, modest and natural. STYLE: Ultra-photorealistic live-action photography, premium lifestyle commercial aesthetic, realistic skin texture, natural hair strands, realistic fabric, physically accurate anatomy, soft cinematic lighting, subtle depth of field, high-end photography, natural colors. The character should look like a real woman photographed for a professional lifestyle vlog. IDENTITY CONSISTENCY IS THE HIGHEST PRIORITY. Do not change her face. Do not change her hairstyle. Do not masculinize her. Do not make her look like a different person. Do not create an anime or cartoon appearance. No fantasy styling. No text. No logo. No watermark. Clean neutral studio background. This character reference will be used as the SAME FEMALE PROTAGONIST throughout a 20-second "A Day in Her Life" cinematic lifestyle vlog.
0:20

Made this video with GPT IMAGE 2 + seedance 2.5 via CapCut Prompt ⤵️ DURATION: 20 seconds ASPECT RATIO: 16:9 STYLE: Ultra-photorealistic live-action cinematic lifestyle vlog, premium commercial quality, natural human movement, realistic skin and hair, realistic clothing physics, soft cinematic lighting, subtle handheld camera feel, shallow depth of field, natural color grading. REFERENCE ASSIGNMENT: irene galbraith = FEMALE HERO / MAIN CHARACTER ĐI MДGĐ = BEDROOM / MORNING imogen = KITCHEN / BREAKFAST CurlyQ2 = WORK / DESK silvercoupe = OUTDOOR / CAFÉ @IMG6 = EVENING / NIGHT Use irene galbraith as the strict identity reference throughout the entire video. CHARACTER CONSISTENCY: The same woman must appear in every scene. Preserve her exact face, facial structure, eyes, nose, lips, hairstyle, skin tone, feminine body proportions and overall identity. Do not change her identity between scenes. 0–3 SECONDS — MORNING Start in the bedroom using ĐI MДGĐ. The woman wakes up naturally and sits on the edge of the bed. Soft morning sunlight enters through the window. She gently opens the curtains and looks toward the morning light. Camera begins with a medium-wide shot and smoothly pushes toward her. Peaceful morning atmosphere. 3–6 SECONDS — BREAKFAST Smooth cinematic transition to imogen. The same woman prepares a simple breakfast in the kitchen. She pours coffee or tea into a ceramic mug and places breakfast on the counter. Natural steam rises from the hot drink. She briefly looks toward the camera with a relaxed morning smile. Use a natural medium tracking shot. 6–10 SECONDS — WORK Transition to CurlyQ2. The same woman sits at her desk and works on her laptop. She types briefly, checks the screen and writes a few notes in her notebook. Natural productive expression. Camera moves slowly from a side angle toward a three-quarter view. Keep the environment realistic and calm. 10–14 SECONDS — OUTDOOR / CAFÉ Transition naturally to silvercoupe. The same woman leaves home and walks through a beautiful modern city street toward an outdoor café. Camera smoothly tracks backward while she walks toward it. She arrives at the café, places her handbag beside the table and sits down. She smiles naturally toward the camera. Warm daylight and realistic city background. 14–17 SECONDS — CAFÉ MOMENT Close cinematic shot. She picks up her coffee/drink and takes a relaxed sip. Subtle background movement from distant pedestrians. Natural handheld lifestyle-vlog feeling. 17–20 SECONDS — NIGHT Transition to @IMG6. The same woman is back home in her cozy bedroom at night. She places her phone on the bedside table and relaxes after the day. She looks toward the window at the city lights, then turns toward the camera with a small peaceful smile. Camera slowly pushes into a close-up. End on her calm expression with warm bedroom lighting and soft city-light bokeh. CUT TO BLACK. CAMERA PRIORITY: Keep the camera cinematic and natural. Use smooth tracking, gentle push-ins, medium shots, close-ups and subtle handheld movement. Avoid excessive camera shake. Keep the woman as the visual focus. Maintain realistic transitions between locations. FINAL RULES: Same female character throughout. Same face and identity throughout. Natural realistic human movement. Realistic lighting and shadows. Realistic clothing and hair movement. No face changes. No character duplication. No extra main characters. No cartoon or anime appearance. No fantasy effects. No excessive motion blur. No distorted hands. No text. No logos. No watermark. The overall feeling should be: A beautiful, realistic cinematic glimpse into one ordinary but aesthetically pleasing day in her life. Reference Image: Create a premium photorealistic female character reference sheet using the uploaded woman as the STRICT identity reference. Preserve her exact facial identity, facial structure, eyes, eyebrows, nose, lips, jawline, skin tone, natural skin texture, hairstyle and overall appearance. Create the same woman as a realistic modern lifestyle vlogger. Show her with natural feminine proportions and realistic anatomy. CHARACTER PRESENTATION: Create a clean professional character sheet containing: 1. Full-body front view 2. Full-body 3/4 view 3. Full-body side view 4. Back view 5. Close-up face portrait 6. Natural smiling expression 7. Neutral expression 8. Casual standing pose Keep the exact same woman in every view. CLOTHING: Use a simple modern casual lifestyle outfit suitable for a daily vlog: a clean neutral-colored fitted top, comfortable casual trousers or jeans, and simple everyday footwear. Keep the outfit realistic, modest and natural. STYLE: Ultra-photorealistic live-action photography, premium lifestyle commercial aesthetic, realistic skin texture, natural hair strands, realistic fabric, physically accurate anatomy, soft cinematic lighting, subtle depth of field, high-end photography, natural colors. The character should look like a real woman photographed for a professional lifestyle vlog. IDENTITY CONSISTENCY IS THE HIGHEST PRIORITY. Do not change her face. Do not change her hairstyle. Do not masculinize her. Do not make her look like a different person. Do not create an anime or cartoon appearance. No fantasy styling. No text. No logo. No watermark. Clean neutral studio background. This character reference will be used as the SAME FEMALE PROTAGONIST throughout a 20-second "A Day in Her Life" cinematic lifestyle vlog.

Elsa Ai

26,379 Aufrufe • vor 26 Tagen

Turn the volume up and let the colors take over. A little chaos, a lot of energy, and a soundtrack made for endless summer days. 💖⚡ Made on FlovaAI using Sonu and Seedance 2.0 #Flovaai #Flovacpp PROMPT: Generate a continuous 1-minute high-budget K-pop-inspired music video synchronized to the lyrics below. The video should feel like a real summer comeback with constant momentum, vibrant colors, cinematic visuals, and powerful synchronized choreography. Every beat should introduce dynamic dance movements, new camera angles, formation changes, or visual effects. The pacing should be fast, energetic, stylish, and addictive with no slow walking sequences or static shots. Every frame should feel alive. Character (Must Remain Identical Throughout) Caden, 22-year-old male, 6'0" (183 cm), lean athletic build, fair skin, expressive brown eyes, clean-shaven, short brown hair styled in a voluminous side-swept quiff, youthful, confident, playful, charismatic smile. Outfit (Never Changes) Burgundy varsity jacket with white sleeves and striped ribbed cuffs and waistband Oversized untucked white button-up shirt Slim black necktie Washed charcoal oversized wide-leg jeans Burgundy Converse-style high-top sneakers with white toe cap and white laces Matte black over-ear headphones resting around his neck Thin silver chain necklace Silver rings 0:00–0:15 | Intro Lyrics Sunlight dripping on a cherry sky, Bubble dreams and we're feeling fly. One more spark, let the colors drop, Heartbeat fizz, never wanna stop. Scene The music video opens with an explosive introduction inside a vibrant pastel "Soda City." Caden immediately takes center stage with eight synchronized backup dancers dressed in coordinated colorful streetwear. They perform sharp, energetic choreography with fast footwork, synchronized arm movements, expressive facial performance, and constantly changing dance formations. The camera rapidly alternates between dramatic close-ups, sweeping crane shots, whip pans, rotating 360-degree movements, crash zooms, low-angle hero shots, aerial drone reveals, and smooth gimbal tracking. Giant floating bubbles, oversized cherries, colorful fountains, confetti cannons, pastel cafés, glowing signs, and sparkling sunlight fill the environment. Every lyric is matched with dynamic choreography, playful expressions, colorful particle effects, and high-energy movement. 0:15–0:30 | Pre-Chorus Lyrics Blue, pink, green, paint the air, Every little moment tastes unfair. Spin it up, let the whole world glow, Catch the rush and just let it flow. Scene The choreography becomes even more intricate as Caden and the dancers move through a colorful city plaza filled with neon cafés, giant soda bottles, bubble fountains, amusement rides, roller skaters, dancing crowds, colorful murals, and glowing street decorations. Every few beats the dancers transition into new formations. Colored powder bursts, sparkling particles, bubbles, ribbons, and confetti explode in perfect synchronization with the music. Camera movement remains constant with overhead drone shots, dynamic steadicam tracking, dolly movements, whip transitions, rotating camera moves, and stylish close-ups that emphasize dance performance and fashion. 0:30–0:45 | Chorus Lyrics Pop-pop, light it up, Sugar stars in a paper cup. Fizz-fizz, feel the beat, Dancing down every neon street. Pop-pop, don't let go, We're the colors everybody knows. Scene The chorus explodes into a massive K-pop performance sequence. Giant LED displays, colorful lasers, fireworks, sparkling stars, floating balloons, glowing bubbles, confetti storms, and synchronized lighting effects transform the city into a festival. Caden leads powerful choreography with continuous formation changes while dancers interact with colorful props and playful stage elements. Camera work becomes even faster with handheld performance shots, sweeping orbits, overhead reveals, dramatic push-ins, stylish slow-motion accents on key dance moves, and wide cinematic shots showcasing the full choreography. Every beat feels designed for dance performance with no pauses in energy. 0:45–1:00 | Outro Lyrics One more smile, one more flash, Living like a summer splash. When the music never stops, We're forever in the pop. Scene The final section becomes the biggest celebration yet. Caden and the dancers perform the signature chorus choreography in the middle of a glowing festival square surrounded by cheering crowds, giant fountains, colorful lights, fireworks, bubbles, confetti, oversized balloons, amusement rides, and vibrant summer decorations. The choreography reaches its peak with synchronized jumps, spins, partner interactions, and dynamic ending formations. The camera alternates between intimate close-ups, dramatic low-angle shots, aerial drone views, and wide cinematic reveals before ending on a powerful hero pose as confetti rains from the sky and the entire city glows beneath colorful lights. Overall Visual Direction High-budget K-pop summer comeback music video, luxury fashion campaign aesthetics, synchronized choreography, professional backup dancers, energetic dance performance, expressive facial acting, polished styling, colorful festival atmosphere, bold pastel palette, cherry red, bubblegum pink, lemon yellow, mint green, electric blue, glossy commercial lighting, cinematic anamorphic lenses, fast-paced editing, dynamic camera movement, whip pans, crash zooms, crane shots, aerial drone shots, smooth gimbal tracking, rotating camera movements, seamless transitions, sparkling particle effects, colorful bubbles, confetti, fireworks, vibrant cityscapes, amusement park atmosphere, stylish street fashion, premium commercial quality, addictive choreography, playful youthful energy, polished K-pop comeback aesthetic, constant movement, no static shots, no walking sequences, every second filled with choreography, camera motion, colorful spectacle, and infectious pop energy. 🔥 Final Line (Very Important) Prioritize synchronized choreography, expressive dance performance, dynamic camera movement, fast-paced editing, and continuous visual excitement over cinematic slow moments. Every beat should feel performance-driven, colorful, energetic, and designed like a high-budget K-pop music video with nonstop momentum from beginning to end.
0:55

Turn the volume up and let the colors take over. A little chaos, a lot of energy, and a soundtrack made for endless summer days. 💖⚡ Made on FlovaAI using Sonu and Seedance 2.0 #Flovaai #Flovacpp PROMPT: Generate a continuous 1-minute high-budget K-pop-inspired music video synchronized to the lyrics below. The video should feel like a real summer comeback with constant momentum, vibrant colors, cinematic visuals, and powerful synchronized choreography. Every beat should introduce dynamic dance movements, new camera angles, formation changes, or visual effects. The pacing should be fast, energetic, stylish, and addictive with no slow walking sequences or static shots. Every frame should feel alive. Character (Must Remain Identical Throughout) Caden, 22-year-old male, 6'0" (183 cm), lean athletic build, fair skin, expressive brown eyes, clean-shaven, short brown hair styled in a voluminous side-swept quiff, youthful, confident, playful, charismatic smile. Outfit (Never Changes) Burgundy varsity jacket with white sleeves and striped ribbed cuffs and waistband Oversized untucked white button-up shirt Slim black necktie Washed charcoal oversized wide-leg jeans Burgundy Converse-style high-top sneakers with white toe cap and white laces Matte black over-ear headphones resting around his neck Thin silver chain necklace Silver rings 0:00–0:15 | Intro Lyrics Sunlight dripping on a cherry sky, Bubble dreams and we're feeling fly. One more spark, let the colors drop, Heartbeat fizz, never wanna stop. Scene The music video opens with an explosive introduction inside a vibrant pastel "Soda City." Caden immediately takes center stage with eight synchronized backup dancers dressed in coordinated colorful streetwear. They perform sharp, energetic choreography with fast footwork, synchronized arm movements, expressive facial performance, and constantly changing dance formations. The camera rapidly alternates between dramatic close-ups, sweeping crane shots, whip pans, rotating 360-degree movements, crash zooms, low-angle hero shots, aerial drone reveals, and smooth gimbal tracking. Giant floating bubbles, oversized cherries, colorful fountains, confetti cannons, pastel cafés, glowing signs, and sparkling sunlight fill the environment. Every lyric is matched with dynamic choreography, playful expressions, colorful particle effects, and high-energy movement. 0:15–0:30 | Pre-Chorus Lyrics Blue, pink, green, paint the air, Every little moment tastes unfair. Spin it up, let the whole world glow, Catch the rush and just let it flow. Scene The choreography becomes even more intricate as Caden and the dancers move through a colorful city plaza filled with neon cafés, giant soda bottles, bubble fountains, amusement rides, roller skaters, dancing crowds, colorful murals, and glowing street decorations. Every few beats the dancers transition into new formations. Colored powder bursts, sparkling particles, bubbles, ribbons, and confetti explode in perfect synchronization with the music. Camera movement remains constant with overhead drone shots, dynamic steadicam tracking, dolly movements, whip transitions, rotating camera moves, and stylish close-ups that emphasize dance performance and fashion. 0:30–0:45 | Chorus Lyrics Pop-pop, light it up, Sugar stars in a paper cup. Fizz-fizz, feel the beat, Dancing down every neon street. Pop-pop, don't let go, We're the colors everybody knows. Scene The chorus explodes into a massive K-pop performance sequence. Giant LED displays, colorful lasers, fireworks, sparkling stars, floating balloons, glowing bubbles, confetti storms, and synchronized lighting effects transform the city into a festival. Caden leads powerful choreography with continuous formation changes while dancers interact with colorful props and playful stage elements. Camera work becomes even faster with handheld performance shots, sweeping orbits, overhead reveals, dramatic push-ins, stylish slow-motion accents on key dance moves, and wide cinematic shots showcasing the full choreography. Every beat feels designed for dance performance with no pauses in energy. 0:45–1:00 | Outro Lyrics One more smile, one more flash, Living like a summer splash. When the music never stops, We're forever in the pop. Scene The final section becomes the biggest celebration yet. Caden and the dancers perform the signature chorus choreography in the middle of a glowing festival square surrounded by cheering crowds, giant fountains, colorful lights, fireworks, bubbles, confetti, oversized balloons, amusement rides, and vibrant summer decorations. The choreography reaches its peak with synchronized jumps, spins, partner interactions, and dynamic ending formations. The camera alternates between intimate close-ups, dramatic low-angle shots, aerial drone views, and wide cinematic reveals before ending on a powerful hero pose as confetti rains from the sky and the entire city glows beneath colorful lights. Overall Visual Direction High-budget K-pop summer comeback music video, luxury fashion campaign aesthetics, synchronized choreography, professional backup dancers, energetic dance performance, expressive facial acting, polished styling, colorful festival atmosphere, bold pastel palette, cherry red, bubblegum pink, lemon yellow, mint green, electric blue, glossy commercial lighting, cinematic anamorphic lenses, fast-paced editing, dynamic camera movement, whip pans, crash zooms, crane shots, aerial drone shots, smooth gimbal tracking, rotating camera movements, seamless transitions, sparkling particle effects, colorful bubbles, confetti, fireworks, vibrant cityscapes, amusement park atmosphere, stylish street fashion, premium commercial quality, addictive choreography, playful youthful energy, polished K-pop comeback aesthetic, constant movement, no static shots, no walking sequences, every second filled with choreography, camera motion, colorful spectacle, and infectious pop energy. 🔥 Final Line (Very Important) Prioritize synchronized choreography, expressive dance performance, dynamic camera movement, fast-paced editing, and continuous visual excitement over cinematic slow moments. Every beat should feel performance-driven, colorful, energetic, and designed like a high-budget K-pop music video with nonstop momentum from beginning to end.

Caden Flux

108,506 Aufrufe • vor 1 Monat

Seedance 2.5 just got an upgrade with 1080p only on Higgsfield... you can now ONE SHOT commercials like this here's exactly how to do it (with a gift at then end): 1/ write the prompt as a timestamped breakdown > split the spot second by second > put the exact dialogue inside each window in quotes, the model speaks it word for word with lip sync > match the generation length to your timestamps, a 21 second script generated at 15 compresses and the delivery desyncs 2/ composition is named - never hoped for > name the camera: "handheld front camera, chest-up framing, natural micro shakes" for UGC, "35mm, slow push-in, product centered" for a produced spot > name the light: "golden hour through the windshield" or "ring light with slight reflections in the eyes" > name the grade: "high contrast, cool tones, warm skin" > whatever you leave unstated gets invented and locked for the whole clip 3/ characters hold when you anchor them > generate a first frame image before any video: real skin texture, visible pores, one fixed imperfection like freckles so drift becomes instantly visible > feed it in as the reference and open every prompt with "the same person as the reference, identical face, hair and outfit" > the @ system locks it harder: @.character for the face, @.style for the look, @.audio for the voice > then write the micro behaviors: a glance away and back, a pre-line breath, fingers adjusting grip... small involuntary movement is what reads human, and you get it by naming it 4/ sound is written - not defaulted > end every prompt with an audio block: "clear phone-mic voice with light room tone" for UGC, "clean studio voice, no echo" for a produced spot > name the music under the dialogue: "soft upbeat synth instrumental running quietly underneath" > one delivery word for the read: "delivery: fed up" produces a performance, an adjective stack produces nothing 5/ sharp text is quoted text > write the exact label or on-screen text in quotes with its style > unquoted text gets invented typography that garbles between frames > print brand names big, a bold label survives every shot while a small tag melts 6/ the consistency laws > repeat the product description verbatim in every prompt, faces anchor but products drift > count objects scene-wide: "exactly one bottle in the entire scene, no duplicate on any surface" > close the wardrobe: "small gold studs, no other jewellery, no rings, no watch" > every state change happens across a cut: the swatch on her hand in shot one, blended in shot two, no clip contains the transition... the viewer's brain supplies it and the shortcut for UGC: take an ad that already converted, ask gemini for a 1:1 timestamped breakdown of everything on screen, swap in your product and script -> that breakdown is your prompt set 9:16 for shortform, 16:9 for the spot, generate straight at 1080p and ship RT + reply to this post and i'll send you my full guide to make your own creatives
0:29

Seedance 2.5 just got an upgrade with 1080p only on Higgsfield... you can now ONE SHOT commercials like this here's exactly how to do it (with a gift at then end): 1/ write the prompt as a timestamped breakdown > split the spot second by second > put the exact dialogue inside each window in quotes, the model speaks it word for word with lip sync > match the generation length to your timestamps, a 21 second script generated at 15 compresses and the delivery desyncs 2/ composition is named - never hoped for > name the camera: "handheld front camera, chest-up framing, natural micro shakes" for UGC, "35mm, slow push-in, product centered" for a produced spot > name the light: "golden hour through the windshield" or "ring light with slight reflections in the eyes" > name the grade: "high contrast, cool tones, warm skin" > whatever you leave unstated gets invented and locked for the whole clip 3/ characters hold when you anchor them > generate a first frame image before any video: real skin texture, visible pores, one fixed imperfection like freckles so drift becomes instantly visible > feed it in as the reference and open every prompt with "the same person as the reference, identical face, hair and outfit" > the @ system locks it harder: @.character for the face, @.style for the look, @.audio for the voice > then write the micro behaviors: a glance away and back, a pre-line breath, fingers adjusting grip... small involuntary movement is what reads human, and you get it by naming it 4/ sound is written - not defaulted > end every prompt with an audio block: "clear phone-mic voice with light room tone" for UGC, "clean studio voice, no echo" for a produced spot > name the music under the dialogue: "soft upbeat synth instrumental running quietly underneath" > one delivery word for the read: "delivery: fed up" produces a performance, an adjective stack produces nothing 5/ sharp text is quoted text > write the exact label or on-screen text in quotes with its style > unquoted text gets invented typography that garbles between frames > print brand names big, a bold label survives every shot while a small tag melts 6/ the consistency laws > repeat the product description verbatim in every prompt, faces anchor but products drift > count objects scene-wide: "exactly one bottle in the entire scene, no duplicate on any surface" > close the wardrobe: "small gold studs, no other jewellery, no rings, no watch" > every state change happens across a cut: the swatch on her hand in shot one, blended in shot two, no clip contains the transition... the viewer's brain supplies it and the shortcut for UGC: take an ad that already converted, ask gemini for a 1:1 timestamped breakdown of everything on screen, swap in your product and script -> that breakdown is your prompt set 9:16 for shortform, 16:9 for the spot, generate straight at 1080p and ship RT + reply to this post and i'll send you my full guide to make your own creatives

Machina

12,785 Aufrufe • vor 1 Monat

POV: A simple walk through Japan… but it feels like a scene from an old home video 🇯🇵 No filters. No perfect shots. Just a cozy Japanese neighborhood, good tea, little discoveries, and that nostalgic late-2000s vlog feeling. Made with Seedance 2.5 on Fish Creative Prompt: Preserve only the exact facial features, facial structure, hairstyle, natural expression, and skin tone from Image throughout. Do not copy the original outfit, pose, room, or body positioning from the reference image. Outfit: oversized terracotta linen shirt, dusty burgundy wide-leg trousers, brown leather sandals, small gold hoop earrings, loose natural wavy hair. Authentic Japanese woman speaking naturally in Japanese. Late-2000s personal vlog aesthetic. Extremely raw handheld flip-camera footage with heavy camera shake, natural reframing, partial face crops, focus hunting, exposure shifts, warm faded colors, mild digital noise, and authentic home-video imperfections. No posing, no cinematic glamour, no stabilization, no modern color grading. 00:00–00:04 Walking through a quiet traditional Japanese neighborhood with narrow streets, small wooden houses, bicycles, and greenery, smiling naturally into the camera. She says in Japanese, 「今日はちょっと街を散歩してみます！」 (“Today, I’m going to take a little walk around the neighborhood!”) 00:04–00:08 Stops outside a small traditional Japanese café, notices the entrance and looks excitedly toward the camera. She says, 「ここ、すごく雰囲気がいい！」 (“This place has such a lovely atmosphere!”) 00:08–00:12 Enters the cozy café, receives a small cup of Japanese tea, takes her first sip, smiles warmly, and says, 「ああ、おいしい。落ち着くね。」 (“Ah, it’s delicious. So relaxing.”) 00:12–00:16 Sits near the window at a small wooden table, casually chatting with the café owner and laughing naturally while holding her tea. The camera moves imperfectly between her face, the table, and the surroundings. 00:16–00:20 Tries a traditional Japanese sweet served with the tea, takes a bite, reacts with pleasant surprise, laughs softly, and says, 「これ、思ったより甘い！」 (“This is sweeter than I expected!”) 00:20–00:24 Walks back outside and continues through the neighborhood, casually filming small details such as a traditional shop, flowers, bicycles, and passing locals. She turns toward the camera and says, 「こういう場所、なんか好きだな。」 (“I really like places like this.”) 00:24–00:27 Walks beneath leafy trees as the late-afternoon sunlight filters through, briefly turns the camera toward herself, smiles shyly, and waves. 00:27–00:30 Stops at the end of the quiet street, turns back toward the camera with a warm natural smile and says in Japanese, 「また次の散歩で会いましょう。じゃあね！」 (“See you on my next walk. Bye!”) She gives a small wave as the handheld recording naturally ends. Natural ambience only: distant Japanese conversations, bicycle bells, footsteps, birds, wind through trees, café sounds, cups and dishes, subtle street noise, and natural laughter. No background music, no subtitles, no logos, no watermarks. The character must speak Japanese only, with natural Japanese pronunciation and conversational timing. The footage should feel exactly like a genuine late-2000s handheld flip-camera vacation/lifestyle vlog with authentic human movement, imperfect framing, realistic interactions, and unpolished home-video charm.
0:30

POV: A simple walk through Japan… but it feels like a scene from an old home video 🇯🇵 No filters. No perfect shots. Just a cozy Japanese neighborhood, good tea, little discoveries, and that nostalgic late-2000s vlog feeling. Made with Seedance 2.5 on Fish Creative Prompt: Preserve only the exact facial features, facial structure, hairstyle, natural expression, and skin tone from Image throughout. Do not copy the original outfit, pose, room, or body positioning from the reference image. Outfit: oversized terracotta linen shirt, dusty burgundy wide-leg trousers, brown leather sandals, small gold hoop earrings, loose natural wavy hair. Authentic Japanese woman speaking naturally in Japanese. Late-2000s personal vlog aesthetic. Extremely raw handheld flip-camera footage with heavy camera shake, natural reframing, partial face crops, focus hunting, exposure shifts, warm faded colors, mild digital noise, and authentic home-video imperfections. No posing, no cinematic glamour, no stabilization, no modern color grading. 00:00–00:04 Walking through a quiet traditional Japanese neighborhood with narrow streets, small wooden houses, bicycles, and greenery, smiling naturally into the camera. She says in Japanese, 「今日はちょっと街を散歩してみます！」 (“Today, I’m going to take a little walk around the neighborhood!”) 00:04–00:08 Stops outside a small traditional Japanese café, notices the entrance and looks excitedly toward the camera. She says, 「ここ、すごく雰囲気がいい！」 (“This place has such a lovely atmosphere!”) 00:08–00:12 Enters the cozy café, receives a small cup of Japanese tea, takes her first sip, smiles warmly, and says, 「ああ、おいしい。落ち着くね。」 (“Ah, it’s delicious. So relaxing.”) 00:12–00:16 Sits near the window at a small wooden table, casually chatting with the café owner and laughing naturally while holding her tea. The camera moves imperfectly between her face, the table, and the surroundings. 00:16–00:20 Tries a traditional Japanese sweet served with the tea, takes a bite, reacts with pleasant surprise, laughs softly, and says, 「これ、思ったより甘い！」 (“This is sweeter than I expected!”) 00:20–00:24 Walks back outside and continues through the neighborhood, casually filming small details such as a traditional shop, flowers, bicycles, and passing locals. She turns toward the camera and says, 「こういう場所、なんか好きだな。」 (“I really like places like this.”) 00:24–00:27 Walks beneath leafy trees as the late-afternoon sunlight filters through, briefly turns the camera toward herself, smiles shyly, and waves. 00:27–00:30 Stops at the end of the quiet street, turns back toward the camera with a warm natural smile and says in Japanese, 「また次の散歩で会いましょう。じゃあね！」 (“See you on my next walk. Bye!”) She gives a small wave as the handheld recording naturally ends. Natural ambience only: distant Japanese conversations, bicycle bells, footsteps, birds, wind through trees, café sounds, cups and dishes, subtle street noise, and natural laughter. No background music, no subtitles, no logos, no watermarks. The character must speak Japanese only, with natural Japanese pronunciation and conversational timing. The footage should feel exactly like a genuine late-2000s handheld flip-camera vacation/lifestyle vlog with authentic human movement, imperfect framing, realistic interactions, and unpolished home-video charm.

Shami

37,600 Aufrufe • vor 14 Tagen

Seedance 2.5 vs WAN 3.0 - same viral video One of them is dead in the water - You judge Prompt: Handheld digital camcorder aesthetic, landscape framing. A gorgeous fitness and food influencer films herself by hand in selfie-cam and first-person style while cooking a late-night high-protein meal after training and a shower. Keep realistic hand shake, slightly crooked framing, autofocus briefly hunting between her face and the food, awkward zoom-ins onto the pan, occasional motion blur, brief lens steam-up over the hot pan that clears naturally, and small framing mistakes where her face or the pan edge slips out of frame. Mix handheld selfie footage with a few fixed external shots. Important: never show her placing, adjusting, or setting up a camera. When switching from handheld footage to a fixed external angle, use a clean jump cut as if the camera had already been positioned before the shot began. The camera itself must never appear on screen or in the window reflection. LOOK: Warm late-night kitchen light. A single warm pendant over the counter, cool blue night visible through the window behind her, under-cabinet strip light glowing on the backsplash. Slight camcorder softness, faint noise in the shadows, mild bloom on the pendant. Food realism is the core of the look: real sizzle with fine oil spatter, steam rising and curling from the pan, honest food textures with sear marks and glistening surfaces, knife cuts that separate cleanly, droplets on rinsed vegetables. Realistic skin texture, fresh-from-the-shower glow, clean dewy skin, realistic skin tones. STYLE: A realistic late-night what-I-eat-after-training vlog. The tone is relaxed, hungry, funny, quietly confident, and natural, talking to the lens like a friend while her hands keep working. She is clearly attractive and charismatic, but the video must feel like a believable self-recorded kitchen vlog, not a food commercial. Fast clean jump cuts, strong continuity, natural body language, real kitchen sounds, sizzle, chopping, no awkward dead moments. CHARACTER: The woman in the reference image. Her face, features, skin tone, body, and clothing must match the reference image exactly in every shot — she wears exactly what she is wearing in the reference image. Do not restyle, beautify, or alter her in any way beyond the reference. The one addition: a soft white towel wrapped around her head like a turban, as if she just stepped out of the shower. The towel stays neatly wrapped for the whole video. A few small damp strands of hair may peek out at the hairline and neck. Minimal or no makeup, fresh clean post-shower look. A small kitchen towel over one shoulder for most of the video. SETTING: A small warm real apartment kitchen at night. Wooden counter with knife marks, a gas hob with one cast-iron pan, a cutting board with chicken breast and vegetables, a bowl of cooked rice, a bottle of olive oil, salt in a small dish, a fridge with magnets and photos, dishes drying on a rack, dark window over the sink reflecting the warm kitchen. Lived-in and slightly cluttered. No other people, no pets. IMPORTANT CONTINUITY RULES: The same woman from the reference image must remain fully consistent in every shot. No face changes, no outfit changes, no body changes. The head towel stays wrapped in the same position in every shot — it never unwraps, falls, changes color, or disappears. The meal progresses in one direction only: raw ingredients, then chopping, then searing, then plating, then eating, and never reverses or regenerates. Food already cooked never becomes raw again. Hands and knife are the top priority: five fingers always, correct knife grip with curled guiding fingers, clean cuts, the knife never bends and never passes through her hand. The pan, board, oil bottle and rice bowl stay in the same positions. Steam and sizzle must behave with real physics. No extra people, including in the dark window reflection, and the reflection never shows a camera. No duplicated limbs. No camera visible. No camera setup shown. Keep her matching the reference image, warm, and photogenic in every shot. STORYBOARD: 30 seconds total, 10 cuts. (~3s, arm's-length selfie) She leans on the counter, towel wrapped on her head, clearly fresh from the shower after training, and grins tiredly at the lens. Dialogue: "Trained late. Showered. Starving. Let's cook." (~3s, handheld pan across the counter and back to her) The camera drifts across the board with raw chicken and vegetables, the pan, the rice bowl, then back up to her face. Dialogue: "Ten minute meal. Watch." (~3s, fixed external medium shot from across the counter) Jump cut. She is already chopping a red pepper with quick confident cuts, guiding fingers curled, pieces falling evenly. No camera setup shown. No dialogue, just the knife on the board. (~3s, same fixed shot) She slices the chicken breast into strips, seasons it from the salt dish with a high pinch, and rubs it in with her fingertips. Dialogue: "Protein first. Always." (~3s, tight handheld first-person shot over the pan) Oil shimmering, she lays the chicken strips in one by one and they hit with a loud real sizzle, fine spatter, steam rising into the lens which fogs for a beat and clears. No dialogue, just the sizzle. (~3s, handheld selfie while the pan sizzles behind her) She turns the camera on herself, fanning steam away from her face, laughing, one hand briefly steadying the head towel. Dialogue: "The smell. You have no idea." (~3s, tight handheld close-up of the pan) She flips the strips with tongs, showing deep golden sear marks, tosses in the peppers, and shakes the pan once so everything jumps and resettles. Dialogue: "That colour? That's the whole point." (~3s, fixed external shot) Jump cut. She plates it: rice pressed from the bowl, chicken and peppers over the top, a last drizzle of olive oil in a thin ribbon, and she wipes the plate rim with the towel like a chef, then smirks at her own seriousness. Dialogue: "Yes, I wiped the rim. Let me live." (~3s, tight handheld close-up) First fork bite, steam still coming off it, she chews, closes her eyes for a beat and nods slowly. Dialogue: "Ten minutes. That's it. Ridiculous." (~3s, arm's-length selfie ending) Plate in one hand, camera in the other, she backs out of the kitchen toward the sofa, flicking the kitchen light off with her elbow. Dialogue: "Okay. Eating. Good night." FINAL INSTRUCTION: The result must feel like a real self-recorded late-night cooking vlog by an athlete who actually cooks, filmed right after her shower. The highest priorities are matching the reference image exactly, correct hands and knife work at close range, one-directional cooking progression that never reverses, real sizzle, steam and food texture, the head towel staying consistently wrapped, honest warm kitchen light against the dark window, and subtle imperfection. Keep it warm, hungry, and real. Not a food commercial, not overhead recipe content, not stiff.
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Seedance 2.5 vs WAN 3.0 - same viral video One of them is dead in the water - You judge Prompt: Handheld digital camcorder aesthetic, landscape framing. A gorgeous fitness and food influencer films herself by hand in selfie-cam and first-person style while cooking a late-night high-protein meal after training and a shower. Keep realistic hand shake, slightly crooked framing, autofocus briefly hunting between her face and the food, awkward zoom-ins onto the pan, occasional motion blur, brief lens steam-up over the hot pan that clears naturally, and small framing mistakes where her face or the pan edge slips out of frame. Mix handheld selfie footage with a few fixed external shots. Important: never show her placing, adjusting, or setting up a camera. When switching from handheld footage to a fixed external angle, use a clean jump cut as if the camera had already been positioned before the shot began. The camera itself must never appear on screen or in the window reflection. LOOK: Warm late-night kitchen light. A single warm pendant over the counter, cool blue night visible through the window behind her, under-cabinet strip light glowing on the backsplash. Slight camcorder softness, faint noise in the shadows, mild bloom on the pendant. Food realism is the core of the look: real sizzle with fine oil spatter, steam rising and curling from the pan, honest food textures with sear marks and glistening surfaces, knife cuts that separate cleanly, droplets on rinsed vegetables. Realistic skin texture, fresh-from-the-shower glow, clean dewy skin, realistic skin tones. STYLE: A realistic late-night what-I-eat-after-training vlog. The tone is relaxed, hungry, funny, quietly confident, and natural, talking to the lens like a friend while her hands keep working. She is clearly attractive and charismatic, but the video must feel like a believable self-recorded kitchen vlog, not a food commercial. Fast clean jump cuts, strong continuity, natural body language, real kitchen sounds, sizzle, chopping, no awkward dead moments. CHARACTER: The woman in the reference image. Her face, features, skin tone, body, and clothing must match the reference image exactly in every shot — she wears exactly what she is wearing in the reference image. Do not restyle, beautify, or alter her in any way beyond the reference. The one addition: a soft white towel wrapped around her head like a turban, as if she just stepped out of the shower. The towel stays neatly wrapped for the whole video. A few small damp strands of hair may peek out at the hairline and neck. Minimal or no makeup, fresh clean post-shower look. A small kitchen towel over one shoulder for most of the video. SETTING: A small warm real apartment kitchen at night. Wooden counter with knife marks, a gas hob with one cast-iron pan, a cutting board with chicken breast and vegetables, a bowl of cooked rice, a bottle of olive oil, salt in a small dish, a fridge with magnets and photos, dishes drying on a rack, dark window over the sink reflecting the warm kitchen. Lived-in and slightly cluttered. No other people, no pets. IMPORTANT CONTINUITY RULES: The same woman from the reference image must remain fully consistent in every shot. No face changes, no outfit changes, no body changes. The head towel stays wrapped in the same position in every shot — it never unwraps, falls, changes color, or disappears. The meal progresses in one direction only: raw ingredients, then chopping, then searing, then plating, then eating, and never reverses or regenerates. Food already cooked never becomes raw again. Hands and knife are the top priority: five fingers always, correct knife grip with curled guiding fingers, clean cuts, the knife never bends and never passes through her hand. The pan, board, oil bottle and rice bowl stay in the same positions. Steam and sizzle must behave with real physics. No extra people, including in the dark window reflection, and the reflection never shows a camera. No duplicated limbs. No camera visible. No camera setup shown. Keep her matching the reference image, warm, and photogenic in every shot. STORYBOARD: 30 seconds total, 10 cuts. (~3s, arm's-length selfie) She leans on the counter, towel wrapped on her head, clearly fresh from the shower after training, and grins tiredly at the lens. Dialogue: "Trained late. Showered. Starving. Let's cook." (~3s, handheld pan across the counter and back to her) The camera drifts across the board with raw chicken and vegetables, the pan, the rice bowl, then back up to her face. Dialogue: "Ten minute meal. Watch." (~3s, fixed external medium shot from across the counter) Jump cut. She is already chopping a red pepper with quick confident cuts, guiding fingers curled, pieces falling evenly. No camera setup shown. No dialogue, just the knife on the board. (~3s, same fixed shot) She slices the chicken breast into strips, seasons it from the salt dish with a high pinch, and rubs it in with her fingertips. Dialogue: "Protein first. Always." (~3s, tight handheld first-person shot over the pan) Oil shimmering, she lays the chicken strips in one by one and they hit with a loud real sizzle, fine spatter, steam rising into the lens which fogs for a beat and clears. No dialogue, just the sizzle. (~3s, handheld selfie while the pan sizzles behind her) She turns the camera on herself, fanning steam away from her face, laughing, one hand briefly steadying the head towel. Dialogue: "The smell. You have no idea." (~3s, tight handheld close-up of the pan) She flips the strips with tongs, showing deep golden sear marks, tosses in the peppers, and shakes the pan once so everything jumps and resettles. Dialogue: "That colour? That's the whole point." (~3s, fixed external shot) Jump cut. She plates it: rice pressed from the bowl, chicken and peppers over the top, a last drizzle of olive oil in a thin ribbon, and she wipes the plate rim with the towel like a chef, then smirks at her own seriousness. Dialogue: "Yes, I wiped the rim. Let me live." (~3s, tight handheld close-up) First fork bite, steam still coming off it, she chews, closes her eyes for a beat and nods slowly. Dialogue: "Ten minutes. That's it. Ridiculous." (~3s, arm's-length selfie ending) Plate in one hand, camera in the other, she backs out of the kitchen toward the sofa, flicking the kitchen light off with her elbow. Dialogue: "Okay. Eating. Good night." FINAL INSTRUCTION: The result must feel like a real self-recorded late-night cooking vlog by an athlete who actually cooks, filmed right after her shower. The highest priorities are matching the reference image exactly, correct hands and knife work at close range, one-directional cooking progression that never reverses, real sizzle, steam and food texture, the head towel staying consistently wrapped, honest warm kitchen light against the dark window, and subtle imperfection. Keep it warm, hungry, and real. Not a food commercial, not overhead recipe content, not stiff.

Stav Zilbershtein

29,730 Aufrufe • vor 22 Tagen

Real video? No — this is 100% AI generated. But if it looks this real, I'm not complaining. Generated with Seedance 2.5 on NemoVideo MAIN SUBJECT Chen, a young Asian woman in her early 20s, naturally attractive, realistic skin texture, minimal makeup, relaxed and slightly sleepy expression. Medium-length naturally wavy black hair, soft natural features, a few loose strands falling across her forehead. Wearing an oversized faded lavender T-shirt, loose beige trousers, worn sneakers, and a simple thin silver bracelet. Maintain the same face, hairstyle, clothing, body proportions, and appearance throughout the entire video. SETTING A quiet older residential neighborhood during a warm summer afternoon. Small apartment buildings, narrow concrete alleys, rooftop terraces, neighborhood laundries, corner shops, parked bicycles, potted plants, utility wires, concrete staircases, trees providing patches of shade, and ordinary people going about their day. Everything should feel lived-in and authentic. CAMERA / VISUAL AESTHETIC Raw personal footage casually recorded by a friend. Handheld camera with natural shake, imperfect framing, occasional partial crops, autofocus hunting, exposure shifts between sunlight and shade, mild motion blur, soft image detail, subtle digital noise, slightly faded colors, and natural camera imperfections. The camera operator walks with her and reacts naturally. No stabilization, no cinematic camera movements, no dramatic lighting, no slow motion, no polished commercial appearance. The footage should feel accidentally beautiful rather than deliberately cinematic. ⸻ 00:00–00:05 — LEAVING HOME She steps out of her apartment carrying a small reusable shopping bag. She locks the door, checks her pocket for her keys and phone, then starts walking downstairs. The camera follows behind her. She briefly looks back at the camera and gives a sleepy half-smile. ⸻ 00:05–00:10 — MORNING ERRAND She walks through a quiet neighborhood alley toward a small local grocery shop. She passes parked bicycles and people watering plants outside their homes. She stops at a roadside fruit stand and picks up a couple of oranges, inspecting them casually before placing them into her bag. The camera briefly focuses on the fruit before returning to her face. ⸻ 00:10–00:15 — SMALL BREAK She sits on a low concrete wall outside the shop. She opens a cold bottled drink and takes a few sips. A breeze moves her hair. She watches people passing by without saying anything. The camera stays slightly shaky and imperfectly framed, as if her friend is simply sitting nearby filming her. ⸻ 00:15–00:20 — WALKING HOME She gets up and continues walking. A bicycle passes behind her. She notices a stray cat sitting beside a wall, crouches down and gently pets it. The cat walks away. She laughs quietly and stands back up. The camera operator accidentally cuts off part of her head while moving closer, then quickly reframes her. ⸻ 00:20–00:25 — ROOFTOP She returns home and walks onto a small rooftop. She places the shopping bag beside an old chair. She leans against the railing and looks across the neighborhood. The afternoon sunlight falls naturally across her face. She runs her hand through her hair and quietly watches the distant buildings. ⸻ 00:25–00:30 — FINAL MOMENT She notices the camera still recording. She looks directly into the lens and gives a tiny amused smile. She casually says: "You're still recording?" She shakes her head and walks toward the camera. The camera moves backward slightly as she approaches. The recording abruptly cuts to black before she reaches the camera. ⸻ AUDIO Natural location sound only: Footsteps, distant traffic, bicycles, birds, wind, neighborhood conversations, shop sounds, bottle opening, fabric movement, doors closing, and subtle handheld camera noise. No music. No narration. No artificial sound effects. Only the single spoken line: "You're still recording?" ⸻ FINAL FEEL The entire video should feel like a completely ordinary day that somehow became a beautiful memory. Quiet, feminine, youthful, intimate, warm, slightly nostalgic, and spontaneous. No dramatic events. No exaggerated acting. No model poses. No cinematic hero shots. The realism should come from tiny imperfections, casual body language, natural expressions, ordinary surroundings, imperfect camera operation, and moments that feel completely unplanned. ⸻ NEGATIVE / AVOID (for visual consistency) No warped, extra, or missing fingers. No face distortion during turns or movement. No melting, warping, or duplicated background objects. No flickering or morphing clothing texture. No inconsistent lighting or color shifts between beats. No duplicated limbs or floating objects. No glitching text, watermarks, or logos. No unnatural blinking or frozen eyes. No stutter or skipped frames during walking motion. No overly smooth "AI-plastic" skin. No erratic or jittery hair physics.
0:30

Real video? No — this is 100% AI generated. But if it looks this real, I'm not complaining. Generated with Seedance 2.5 on NemoVideo MAIN SUBJECT Chen, a young Asian woman in her early 20s, naturally attractive, realistic skin texture, minimal makeup, relaxed and slightly sleepy expression. Medium-length naturally wavy black hair, soft natural features, a few loose strands falling across her forehead. Wearing an oversized faded lavender T-shirt, loose beige trousers, worn sneakers, and a simple thin silver bracelet. Maintain the same face, hairstyle, clothing, body proportions, and appearance throughout the entire video. SETTING A quiet older residential neighborhood during a warm summer afternoon. Small apartment buildings, narrow concrete alleys, rooftop terraces, neighborhood laundries, corner shops, parked bicycles, potted plants, utility wires, concrete staircases, trees providing patches of shade, and ordinary people going about their day. Everything should feel lived-in and authentic. CAMERA / VISUAL AESTHETIC Raw personal footage casually recorded by a friend. Handheld camera with natural shake, imperfect framing, occasional partial crops, autofocus hunting, exposure shifts between sunlight and shade, mild motion blur, soft image detail, subtle digital noise, slightly faded colors, and natural camera imperfections. The camera operator walks with her and reacts naturally. No stabilization, no cinematic camera movements, no dramatic lighting, no slow motion, no polished commercial appearance. The footage should feel accidentally beautiful rather than deliberately cinematic. ⸻ 00:00–00:05 — LEAVING HOME She steps out of her apartment carrying a small reusable shopping bag. She locks the door, checks her pocket for her keys and phone, then starts walking downstairs. The camera follows behind her. She briefly looks back at the camera and gives a sleepy half-smile. ⸻ 00:05–00:10 — MORNING ERRAND She walks through a quiet neighborhood alley toward a small local grocery shop. She passes parked bicycles and people watering plants outside their homes. She stops at a roadside fruit stand and picks up a couple of oranges, inspecting them casually before placing them into her bag. The camera briefly focuses on the fruit before returning to her face. ⸻ 00:10–00:15 — SMALL BREAK She sits on a low concrete wall outside the shop. She opens a cold bottled drink and takes a few sips. A breeze moves her hair. She watches people passing by without saying anything. The camera stays slightly shaky and imperfectly framed, as if her friend is simply sitting nearby filming her. ⸻ 00:15–00:20 — WALKING HOME She gets up and continues walking. A bicycle passes behind her. She notices a stray cat sitting beside a wall, crouches down and gently pets it. The cat walks away. She laughs quietly and stands back up. The camera operator accidentally cuts off part of her head while moving closer, then quickly reframes her. ⸻ 00:20–00:25 — ROOFTOP She returns home and walks onto a small rooftop. She places the shopping bag beside an old chair. She leans against the railing and looks across the neighborhood. The afternoon sunlight falls naturally across her face. She runs her hand through her hair and quietly watches the distant buildings. ⸻ 00:25–00:30 — FINAL MOMENT She notices the camera still recording. She looks directly into the lens and gives a tiny amused smile. She casually says: "You're still recording?" She shakes her head and walks toward the camera. The camera moves backward slightly as she approaches. The recording abruptly cuts to black before she reaches the camera. ⸻ AUDIO Natural location sound only: Footsteps, distant traffic, bicycles, birds, wind, neighborhood conversations, shop sounds, bottle opening, fabric movement, doors closing, and subtle handheld camera noise. No music. No narration. No artificial sound effects. Only the single spoken line: "You're still recording?" ⸻ FINAL FEEL The entire video should feel like a completely ordinary day that somehow became a beautiful memory. Quiet, feminine, youthful, intimate, warm, slightly nostalgic, and spontaneous. No dramatic events. No exaggerated acting. No model poses. No cinematic hero shots. The realism should come from tiny imperfections, casual body language, natural expressions, ordinary surroundings, imperfect camera operation, and moments that feel completely unplanned. ⸻ NEGATIVE / AVOID (for visual consistency) No warped, extra, or missing fingers. No face distortion during turns or movement. No melting, warping, or duplicated background objects. No flickering or morphing clothing texture. No inconsistent lighting or color shifts between beats. No duplicated limbs or floating objects. No glitching text, watermarks, or logos. No unnatural blinking or frozen eyes. No stutter or skipped frames during walking motion. No overly smooth "AI-plastic" skin. No erratic or jittery hair physics.

𝑨𝒇𝒓𝒊𝒏

15,765 Aufrufe • vor 23 Tagen

Seedance 2.5 Prompt: Create a 30-second ultra-realistic boyfriend-vlog video filmed as one continuous, unbroken handheld take. Use the woman from the reference image as the main character and preserve her exact facial identity, hairstyle, facial features, body proportions, and overall appearance throughout the entire video. She must remain clearly the same person in every moment. The footage should feel like her boyfriend casually filming her during an ordinary day in Tokyo with a small mirrorless camera or smartphone. Natural handheld movement, slight camera shake, imperfect framing, realistic autofocus, subtle exposure changes, occasional motion blur, and spontaneous reactions. She never poses or performs for the camera; she behaves naturally and sometimes forgets she is being filmed. 0–6s — Morning apartment. Soft daylight enters a small Tokyo apartment. She sits near the bed fixing her hair and getting ready. She notices the camera, smiles, laughs, and playfully gestures for her boyfriend to stop filming. Keep the moment intimate and spontaneous. 6–12s — Tokyo neighborhood. She walks ahead carrying a small bag while the camera follows behind. Quiet residential streets, bicycles, pedestrians, small shops opening, natural morning activity. She occasionally looks back at the camera and casually interacts with the person filming. 12–18s — Local food stop. They enter a cozy neighborhood restaurant. She sits down and tries ramen or another local Japanese dish. Capture close handheld moments of her picking up chopsticks, tasting the food, reacting naturally, and laughing when it is hotter than expected. The boyfriend reacts naturally from behind the camera. 18–24s — Afternoon exploration. She walks through a lively Tokyo neighborhood, browses small shops, looks at interesting objects, takes photos, and occasionally glances back at the camera. The camera naturally shifts between her face, hands, surroundings, pedestrians, storefronts, and small details of everyday life. 24–30s — Evening ending. Tokyo streets are illuminated as night falls. She walks slightly ahead, then turns back and smiles at the camera. Cut naturally to them riding a train home; she sits beside the window watching Tokyo lights pass outside. The camera gently moves closer as she rests quietly, ending like an authentic personal memory. VISUAL STYLE: Ultra-realistic candid boyfriend travel vlog, documentary realism, natural lighting, authentic human expressions, imperfect handheld camera behavior, realistic skin texture, natural body movement, subtle motion blur, believable Tokyo atmosphere. No commercial/ad aesthetic, no dramatic posing, no cinematic perfection, no artificial transitions, no CGI appearance, no text, no logos, no face changes, no identity drift, no wardrobe changes, and no character inconsistency.
0:30

Seedance 2.5 Prompt: Create a 30-second ultra-realistic boyfriend-vlog video filmed as one continuous, unbroken handheld take. Use the woman from the reference image as the main character and preserve her exact facial identity, hairstyle, facial features, body proportions, and overall appearance throughout the entire video. She must remain clearly the same person in every moment. The footage should feel like her boyfriend casually filming her during an ordinary day in Tokyo with a small mirrorless camera or smartphone. Natural handheld movement, slight camera shake, imperfect framing, realistic autofocus, subtle exposure changes, occasional motion blur, and spontaneous reactions. She never poses or performs for the camera; she behaves naturally and sometimes forgets she is being filmed. 0–6s — Morning apartment. Soft daylight enters a small Tokyo apartment. She sits near the bed fixing her hair and getting ready. She notices the camera, smiles, laughs, and playfully gestures for her boyfriend to stop filming. Keep the moment intimate and spontaneous. 6–12s — Tokyo neighborhood. She walks ahead carrying a small bag while the camera follows behind. Quiet residential streets, bicycles, pedestrians, small shops opening, natural morning activity. She occasionally looks back at the camera and casually interacts with the person filming. 12–18s — Local food stop. They enter a cozy neighborhood restaurant. She sits down and tries ramen or another local Japanese dish. Capture close handheld moments of her picking up chopsticks, tasting the food, reacting naturally, and laughing when it is hotter than expected. The boyfriend reacts naturally from behind the camera. 18–24s — Afternoon exploration. She walks through a lively Tokyo neighborhood, browses small shops, looks at interesting objects, takes photos, and occasionally glances back at the camera. The camera naturally shifts between her face, hands, surroundings, pedestrians, storefronts, and small details of everyday life. 24–30s — Evening ending. Tokyo streets are illuminated as night falls. She walks slightly ahead, then turns back and smiles at the camera. Cut naturally to them riding a train home; she sits beside the window watching Tokyo lights pass outside. The camera gently moves closer as she rests quietly, ending like an authentic personal memory. VISUAL STYLE: Ultra-realistic candid boyfriend travel vlog, documentary realism, natural lighting, authentic human expressions, imperfect handheld camera behavior, realistic skin texture, natural body movement, subtle motion blur, believable Tokyo atmosphere. No commercial/ad aesthetic, no dramatic posing, no cinematic perfection, no artificial transitions, no CGI appearance, no text, no logos, no face changes, no identity drift, no wardrobe changes, and no character inconsistency.

simeon-sanai

16,247 Aufrufe • vor 1 Monat

I made an ad for GPT Image 2.5, full prompt below. It's yours now. Put your own character in @[image1], your own poster in @[image2], change the city, change what she turns into. Quote this with your version, I want to see what you all make of it. Seedance 2.5 on Higgsfield AI 🧩. Seedance 2.5 Prompt: [GLOBAL] 30-second commercial. Photoreal live-action cinema texture, digital cinema camera, 35mm and 24mm lenses, shallow depth of field, real overcast rain-light, low-contrast cool grade, light film grain. 16:9. The spine of the film is one continuous over-the-shoulder tracking shot; all transitions are hidden inside motion blur and the crystallization effect. [CHARACTER ANCHOR] @[image1] = the protagonist, a Japanese woman in her early twenties with a Tokyo street-fashion look: bleached pale-blonde wolf-cut shag with dark roots and a single mint-green streak in the under-layer; clean Japanese makeup — thin brows, pearlescent eyeshadow, nude lip; an oversized charcoal coach jacket with an original graphic print on the back, a long white tee underneath, baggy black cargo pants, chunky platform sneakers, layered silver jewelry, wired over-ear headphones around her neck, a small crossbody bag. Her face, hair and wardrobe stay 100% identical from 0s to 28s — never altered, never touched by any "generation" effect. She is the only constant in the film until the final beat. Emotional arc: oblivious → noticing → confused → stunned → awestruck → transformed. [ARTWORK REFERENCE] @[image2] = the billboard artwork reference. Used ONLY for the flat graphic displayed on the bus-shelter digital billboard at 11–15s — including its complete typographic lockup ("Higgsfield × OpenAI" in small caps, "GPT IMAGE" in heavy white, the lime-green gradient "2.5", and the wide-tracked "SUNBURST" beneath), along with its layout, palette and composition. @[image2] must appear as a complete flat advertising image inside the billboard screen, carrying correct perspective, screen reflection and rain refraction across the glass surface. The woman pictured in @[image2] must NEVER be used for the protagonist's design, must NEVER leave the billboard screen, and must NEVER appear in the physical space of the scene. @[image1] and the woman in @[image2] are two entirely different people — never conflate them, never let one influence the other. [CORE VISUAL MOTIF — THE ONLY TRANSFORMATION LANGUAGE IN THE FILM] Anything being "regenerated" must follow the exact same three-stage process: ① the original object disintegrates from its edges into a cloud of tens of thousands of small translucent white crystalline beads — like bubble-film or shattered glass pearls, with real volume, specular highlights and real weight; ② the bead cloud hangs briefly and rapidly rearranges; ③ the new form grows outward from inside the cloud, the final layer of beads absorbing into its surface and vanishing. Do NOT use flash cuts, dissolves, particle-dispersal effects, or digital-glitch styling for any transformation. [SETTING] A Midtown Manhattan intersection after rain. Wet asphalt reflections, crosswalk stripes, yellow cabs, dense glass curtain walls and older stone buildings, neon and storefront signage, a fire hydrant, a newsstand, a bus-shelter digital billboard. Overcast diffused light throughout, no direct sun. 0–3s: Over-the-shoulder medium shot, following behind @[image1]. Her back is to camera as she stands on the crosswalk. To frame right, a 1970s green sedan in motion crystallizes entirely and reassembles as a black muscle car; a few frames later it crystallizes again and reassembles as a white wheel-less hover car. She hasn't registered it yet. 3–7s: The camera arcs around to her side. She starts looking around, the ends of her wolf cut swinging with the head turn. A businessman with a briefcase crystallizes mid-stride — the human-shaped bead cloud holds the walking pose for two full steps — and reassembles as a bare-chested barbarian warrior with feathered ornaments, continuing the same stride. Two or three more pedestrians crystallize in the background simultaneously, without pulling focus from her. 7–11s: Handheld tracking accelerates. More and more people on the street are replaced: a purple-skinned alien warrior woman, white-armored robot troopers, an original gold-suited superhero character (all original designs — no real-world recognizable characters, logos or trademarks). She walks faster, keeps turning to look back, her breathing quickening, one hand instinctively gripping her crossbody strap. The replacement frequency keeps rising, but the street's spatial relationships, lighting and wet reflections remain continuous throughout — no jump cuts. 11–15s: She stops in front of the bus shelter. The digital billboard inside cycles rapidly: a photoreal movie poster → a hand-painted concept illustration → a fashion editorial — each refresh executed with the same crystalline bead reassembly. It finally settles on the complete @[image2] artwork filling the entire screen, its typography and palette exactly as in @[image2]. She raises a hand and points at the screen, mouth open, unable to speak. 15–18s: The camera tilts down to her feet. The sidewalk paving crystallizes outward from where she stands in a perfect circle, white beads spreading three meters along the joints between slabs, the manhole cover and the standing water turning crystalline with it. She looks down. The ground gives out beneath her platform sneakers. 18–21s: Wide 24mm. The ground collapses and she falls straight down. The camera falls with her looking up — the entire city contracts above her into a shrinking square opening, the buildings on either side peeling away, tumbling and receding upward like building blocks, the sky turning to deep blue-black void. She throws her arms out, her hair, jacket hem and bag strap lifted by the updraft. 21–24s: During the fall the visual style jumps repeatedly, each jump bridged by one full-frame sweep of crystalline beads. In order: ① rich 1980s film stock — high saturation, heavy halation, heavy grain; ② black-and-white halftone manga panel — the character rendered in ink linework and dot screens against dense radial speed lines; ③ a neon purple-blue digital vortex with long light streaks stretching backward at speed; ④ near-total darkness with extreme motion blur. Her facial structure, hair and wardrobe must remain recognizably the same person in every one of these styles. 24–27s: She lands flat on her back on a smooth white floor. A wide lens pushes in slowly and tilts up to reveal the environment: an infinitely extending pure-white showroom/hangar with a gridded softbox ceiling. Hundreds of black circular pedestals cover the floor, each holding a character statue or a parked vehicle — original-design warriors, mechs, robots, sci-fi troopers, plus large military aircraft and helicopters. A small line of floating white label text sits in front of each pedestal: "FANTASY CHARACTER", "VEHICLE", "MECH" — set at a small point size, present purely as environmental information. 27–28s: She sits up and pushes herself to her feet, turning slowly to take in the hall, eyes widening in awe. The camera settles into a full-body medium-wide, centered, the statue array receding out of focus behind her. 28–30s [THE FINAL TRANSFORMATION]: The instant she stands fully upright, the crystalline beads rise from the floor around her feet and sweep up her body in one continuous wave — and for the first time in the film, SHE is the thing being regenerated. Her streetwear disintegrates into the bead cloud and a magical-girl battle uniform grows outward in its place, following the exact same three-stage motif, generating in a readable order from the torso outward: a white high-collar fitted bodice → a mint-green sailor collar with three silver stripes → a deep mint pleated skirt with silver trim, its pleats opening one by one → long white gloves to the upper arm with mint piping → white knee-high boots with a mid heel and mint cuffs → layered silver jewelry reforming as a silver star brooch at her chest → a large mint-green bow at her back with long ribbons falling to the backs of her knees → a fine silver tiara condensing across her forehead. Her face, hairstyle, hair color, the mint streak and the headphones around her neck remain completely unchanged — only the clothing is regenerated. The last beads absorb into the fabric. She looks down at her own hands, then slowly raises her head, the ribbons still settling behind her, and looks straight past camera with a small, dawning smile. The film cuts on that frame. No end card, no title, no tagline, no subtitle of any kind. [SOUND] Rain and wet-road traffic, urban ambient bed; high-frequency glass/ice shatter-and-rearrange sounds on every crystallization; a short bright locking tone as each reassembly completes; electronic refresh tones from the billboard; low-frequency collapse as the ground gives way; wind through the fall, with a distinct timbre shift for each of the four style jumps (film hiss / paper-and-ink texture / synth sweep / silence); one muffled impact on landing; near-total quiet inside the hall with only faint HVAC room tone; then, over the final transformation, an ascending shimmer of silk and crystal, each garment piece seating with a crisp click, the bow tying with a single sweep of ribbon, and one clear bell tone as the tiara locks in. One escalating electronic music bed ties it together, landing its final hit on her raised head. [HARD RULES] @[image1]'s face, hairstyle, hair color and headphones are absolutely unchanged across all 30 seconds. Her wardrobe is unchanged from 0s to 28s and may be regenerated ONLY in the 28–30s final beat — the transformation affects clothing only and must never alter her face, hair or identity. All other replacements happen only to the people, vehicles, ground and environment around her. The film may use only the single "crystalline bead disintegration → rearrangement → growth" transformation language, including for the final costume change; no other transition effect may be mixed in. From 0–18s the film must hold the logic of one spatially continuous tracking shot — the street's architecture, lighting and wet reflections must never jump. Every character and vehicle in the hall must be an original design; no real-world recognizable characters, brand marks, trademarks or identifiable film properties may appear, and the final magical-girl uniform must be an original design, not any existing anime character's costume. The only brand copy permitted anywhere in the film is the @[image2] artwork on the billboard screen at 11–15s, existing solely as a flat image inside that screen and never repeated elsewhere. No end card, no title card, no subtitles, no watermark, no overlaid text anywhere in the film. Avoid: cartoon rendering, game-CG feel, plastic materials, full-frame bloom, digital-glitch transitions, weightless floating, incorrect finger structure, garbled text, revealing or suggestive posing or camera angles.
0:30

I made an ad for GPT Image 2.5, full prompt below. It's yours now. Put your own character in @[image1], your own poster in @[image2], change the city, change what she turns into. Quote this with your version, I want to see what you all make of it. Seedance 2.5 on Higgsfield AI 🧩. Seedance 2.5 Prompt: [GLOBAL] 30-second commercial. Photoreal live-action cinema texture, digital cinema camera, 35mm and 24mm lenses, shallow depth of field, real overcast rain-light, low-contrast cool grade, light film grain. 16:9. The spine of the film is one continuous over-the-shoulder tracking shot; all transitions are hidden inside motion blur and the crystallization effect. [CHARACTER ANCHOR] @[image1] = the protagonist, a Japanese woman in her early twenties with a Tokyo street-fashion look: bleached pale-blonde wolf-cut shag with dark roots and a single mint-green streak in the under-layer; clean Japanese makeup — thin brows, pearlescent eyeshadow, nude lip; an oversized charcoal coach jacket with an original graphic print on the back, a long white tee underneath, baggy black cargo pants, chunky platform sneakers, layered silver jewelry, wired over-ear headphones around her neck, a small crossbody bag. Her face, hair and wardrobe stay 100% identical from 0s to 28s — never altered, never touched by any "generation" effect. She is the only constant in the film until the final beat. Emotional arc: oblivious → noticing → confused → stunned → awestruck → transformed. [ARTWORK REFERENCE] @[image2] = the billboard artwork reference. Used ONLY for the flat graphic displayed on the bus-shelter digital billboard at 11–15s — including its complete typographic lockup ("Higgsfield × OpenAI" in small caps, "GPT IMAGE" in heavy white, the lime-green gradient "2.5", and the wide-tracked "SUNBURST" beneath), along with its layout, palette and composition. @[image2] must appear as a complete flat advertising image inside the billboard screen, carrying correct perspective, screen reflection and rain refraction across the glass surface. The woman pictured in @[image2] must NEVER be used for the protagonist's design, must NEVER leave the billboard screen, and must NEVER appear in the physical space of the scene. @[image1] and the woman in @[image2] are two entirely different people — never conflate them, never let one influence the other. [CORE VISUAL MOTIF — THE ONLY TRANSFORMATION LANGUAGE IN THE FILM] Anything being "regenerated" must follow the exact same three-stage process: ① the original object disintegrates from its edges into a cloud of tens of thousands of small translucent white crystalline beads — like bubble-film or shattered glass pearls, with real volume, specular highlights and real weight; ② the bead cloud hangs briefly and rapidly rearranges; ③ the new form grows outward from inside the cloud, the final layer of beads absorbing into its surface and vanishing. Do NOT use flash cuts, dissolves, particle-dispersal effects, or digital-glitch styling for any transformation. [SETTING] A Midtown Manhattan intersection after rain. Wet asphalt reflections, crosswalk stripes, yellow cabs, dense glass curtain walls and older stone buildings, neon and storefront signage, a fire hydrant, a newsstand, a bus-shelter digital billboard. Overcast diffused light throughout, no direct sun. 0–3s: Over-the-shoulder medium shot, following behind @[image1]. Her back is to camera as she stands on the crosswalk. To frame right, a 1970s green sedan in motion crystallizes entirely and reassembles as a black muscle car; a few frames later it crystallizes again and reassembles as a white wheel-less hover car. She hasn't registered it yet. 3–7s: The camera arcs around to her side. She starts looking around, the ends of her wolf cut swinging with the head turn. A businessman with a briefcase crystallizes mid-stride — the human-shaped bead cloud holds the walking pose for two full steps — and reassembles as a bare-chested barbarian warrior with feathered ornaments, continuing the same stride. Two or three more pedestrians crystallize in the background simultaneously, without pulling focus from her. 7–11s: Handheld tracking accelerates. More and more people on the street are replaced: a purple-skinned alien warrior woman, white-armored robot troopers, an original gold-suited superhero character (all original designs — no real-world recognizable characters, logos or trademarks). She walks faster, keeps turning to look back, her breathing quickening, one hand instinctively gripping her crossbody strap. The replacement frequency keeps rising, but the street's spatial relationships, lighting and wet reflections remain continuous throughout — no jump cuts. 11–15s: She stops in front of the bus shelter. The digital billboard inside cycles rapidly: a photoreal movie poster → a hand-painted concept illustration → a fashion editorial — each refresh executed with the same crystalline bead reassembly. It finally settles on the complete @[image2] artwork filling the entire screen, its typography and palette exactly as in @[image2]. She raises a hand and points at the screen, mouth open, unable to speak. 15–18s: The camera tilts down to her feet. The sidewalk paving crystallizes outward from where she stands in a perfect circle, white beads spreading three meters along the joints between slabs, the manhole cover and the standing water turning crystalline with it. She looks down. The ground gives out beneath her platform sneakers. 18–21s: Wide 24mm. The ground collapses and she falls straight down. The camera falls with her looking up — the entire city contracts above her into a shrinking square opening, the buildings on either side peeling away, tumbling and receding upward like building blocks, the sky turning to deep blue-black void. She throws her arms out, her hair, jacket hem and bag strap lifted by the updraft. 21–24s: During the fall the visual style jumps repeatedly, each jump bridged by one full-frame sweep of crystalline beads. In order: ① rich 1980s film stock — high saturation, heavy halation, heavy grain; ② black-and-white halftone manga panel — the character rendered in ink linework and dot screens against dense radial speed lines; ③ a neon purple-blue digital vortex with long light streaks stretching backward at speed; ④ near-total darkness with extreme motion blur. Her facial structure, hair and wardrobe must remain recognizably the same person in every one of these styles. 24–27s: She lands flat on her back on a smooth white floor. A wide lens pushes in slowly and tilts up to reveal the environment: an infinitely extending pure-white showroom/hangar with a gridded softbox ceiling. Hundreds of black circular pedestals cover the floor, each holding a character statue or a parked vehicle — original-design warriors, mechs, robots, sci-fi troopers, plus large military aircraft and helicopters. A small line of floating white label text sits in front of each pedestal: "FANTASY CHARACTER", "VEHICLE", "MECH" — set at a small point size, present purely as environmental information. 27–28s: She sits up and pushes herself to her feet, turning slowly to take in the hall, eyes widening in awe. The camera settles into a full-body medium-wide, centered, the statue array receding out of focus behind her. 28–30s [THE FINAL TRANSFORMATION]: The instant she stands fully upright, the crystalline beads rise from the floor around her feet and sweep up her body in one continuous wave — and for the first time in the film, SHE is the thing being regenerated. Her streetwear disintegrates into the bead cloud and a magical-girl battle uniform grows outward in its place, following the exact same three-stage motif, generating in a readable order from the torso outward: a white high-collar fitted bodice → a mint-green sailor collar with three silver stripes → a deep mint pleated skirt with silver trim, its pleats opening one by one → long white gloves to the upper arm with mint piping → white knee-high boots with a mid heel and mint cuffs → layered silver jewelry reforming as a silver star brooch at her chest → a large mint-green bow at her back with long ribbons falling to the backs of her knees → a fine silver tiara condensing across her forehead. Her face, hairstyle, hair color, the mint streak and the headphones around her neck remain completely unchanged — only the clothing is regenerated. The last beads absorb into the fabric. She looks down at her own hands, then slowly raises her head, the ribbons still settling behind her, and looks straight past camera with a small, dawning smile. The film cuts on that frame. No end card, no title, no tagline, no subtitle of any kind. [SOUND] Rain and wet-road traffic, urban ambient bed; high-frequency glass/ice shatter-and-rearrange sounds on every crystallization; a short bright locking tone as each reassembly completes; electronic refresh tones from the billboard; low-frequency collapse as the ground gives way; wind through the fall, with a distinct timbre shift for each of the four style jumps (film hiss / paper-and-ink texture / synth sweep / silence); one muffled impact on landing; near-total quiet inside the hall with only faint HVAC room tone; then, over the final transformation, an ascending shimmer of silk and crystal, each garment piece seating with a crisp click, the bow tying with a single sweep of ribbon, and one clear bell tone as the tiara locks in. One escalating electronic music bed ties it together, landing its final hit on her raised head. [HARD RULES] @[image1]'s face, hairstyle, hair color and headphones are absolutely unchanged across all 30 seconds. Her wardrobe is unchanged from 0s to 28s and may be regenerated ONLY in the 28–30s final beat — the transformation affects clothing only and must never alter her face, hair or identity. All other replacements happen only to the people, vehicles, ground and environment around her. The film may use only the single "crystalline bead disintegration → rearrangement → growth" transformation language, including for the final costume change; no other transition effect may be mixed in. From 0–18s the film must hold the logic of one spatially continuous tracking shot — the street's architecture, lighting and wet reflections must never jump. Every character and vehicle in the hall must be an original design; no real-world recognizable characters, brand marks, trademarks or identifiable film properties may appear, and the final magical-girl uniform must be an original design, not any existing anime character's costume. The only brand copy permitted anywhere in the film is the @[image2] artwork on the billboard screen at 11–15s, existing solely as a flat image inside that screen and never repeated elsewhere. No end card, no title card, no subtitles, no watermark, no overlaid text anywhere in the film. Avoid: cartoon rendering, game-CG feel, plastic materials, full-frame bloom, digital-glitch transitions, weightless floating, incorrect finger structure, garbled text, revealing or suggestive posing or camera angles.

Mr.Iancu

55,619 Aufrufe • vor 6 Tagen

Baddie from Korea Seedance 2.5 on OpenArt Prompt 👇 Prompt: Create a 30-second, 1080p ultra-realistic personal home-video showing an ordinary summer evening in the life of a young Korean woman. No reference image. MAIN SUBJECT Young Korean woman in her early 20s, naturally pretty, realistic skin texture, minimal makeup, relaxed and approachable personality. Long black hair loosely tied into a messy side ponytail with a few loose strands around her face. Wearing a fitted pastel-blue short top, loose cream pajama-style pants, black sneakers and a simple silver necklace. Maintain the same face, hairstyle, clothing, body proportions and overall appearance throughout the entire video. SETTING A quiet older Seoul residential neighborhood during a warm summer evening. Narrow concrete lanes, small houses, potted plants, bicycles, old walls, utility poles, overhead wires, a tiny neighborhood bakery, a public water tap and large leafy trees casting shadows across the street. Everything should feel lived-in, ordinary and peaceful. No tourist attractions, advertisements, recognizable brands or commercial activity. CAMERA / VISUAL AESTHETIC Raw personal footage casually recorded by a friend on an early-2000s consumer DV camcorder. Strong handheld shake, imperfect framing, autofocus hunting, exposure shifts, occasional motion blur, faded colors, soft digital detail, mild noise, accidental zooms and natural camera imperfections. No stabilization, drone footage, gimbal movement, dramatic lighting or polished commercial cinematography. — OUTSIDE THE HOUSE She steps outside carrying a small reusable shopping bag. She locks the door, adjusts her messy ponytail and looks toward the camera with a relaxed smile. A light summer breeze moves her hair as she starts walking down the lane. — BAKERY STOP She reaches a tiny neighborhood bakery and buys a warm pastry. She steps outside, takes her first bite and immediately smiles because it tastes good. She notices her friend filming and holds the pastry toward the camera playfully before taking another bite. — WALKING HOME She continues down the narrow street while eating. A neighborhood cat follows her for a few steps. She notices it, crouches down and gently pets it. The cat walks away and she laughs before continuing. — SMALL ACCIDENT She walks beneath a large tree when a few leaves fall onto her hair. She stops, looks confused, then realizes what happened and laughs. She brushes the leaves away while her friend zooms awkwardly toward her face. She looks directly into the camera and says: "Seriously?" — QUIET MOMENT She reaches a low concrete wall beside the street and sits down for a moment. She finishes the pastry while watching bicycles and neighbors passing through the lane. A gentle breeze moves her hair. She casually fixes her ponytail and looks around peacefully. — FINAL MOMENT She stands up and continues walking home. After a few steps, she turns back toward the camera with a small playful smile and says: "Come on." She keeps walking down the sunny lane while the camera follows behind. She disappears around the corner and the recording abruptly cuts to black. AUDIO Natural location sound only: birds, summer insects, footsteps, bicycle bells, distant scooters, leaves moving in the breeze, bakery sounds, neighborhood conversations and subtle camera-handling noise. No music. No narration. No artificial sound effects. Only the two spoken lines specified above. FINAL FEEL The entire video should feel like a forgotten summer recording from the early 2000s. Warm, feminine, casual, slightly playful, intimate and nostalgic. No dramatic events, no exaggerated acting, no model poses and no polished cinematic shots. The realism should come from ordinary surroundings, natural expressions, small accidents, realistic environmental movement and imperfect camcorder operation.
0:30

Baddie from Korea Seedance 2.5 on OpenArt Prompt 👇 Prompt: Create a 30-second, 1080p ultra-realistic personal home-video showing an ordinary summer evening in the life of a young Korean woman. No reference image. MAIN SUBJECT Young Korean woman in her early 20s, naturally pretty, realistic skin texture, minimal makeup, relaxed and approachable personality. Long black hair loosely tied into a messy side ponytail with a few loose strands around her face. Wearing a fitted pastel-blue short top, loose cream pajama-style pants, black sneakers and a simple silver necklace. Maintain the same face, hairstyle, clothing, body proportions and overall appearance throughout the entire video. SETTING A quiet older Seoul residential neighborhood during a warm summer evening. Narrow concrete lanes, small houses, potted plants, bicycles, old walls, utility poles, overhead wires, a tiny neighborhood bakery, a public water tap and large leafy trees casting shadows across the street. Everything should feel lived-in, ordinary and peaceful. No tourist attractions, advertisements, recognizable brands or commercial activity. CAMERA / VISUAL AESTHETIC Raw personal footage casually recorded by a friend on an early-2000s consumer DV camcorder. Strong handheld shake, imperfect framing, autofocus hunting, exposure shifts, occasional motion blur, faded colors, soft digital detail, mild noise, accidental zooms and natural camera imperfections. No stabilization, drone footage, gimbal movement, dramatic lighting or polished commercial cinematography. — OUTSIDE THE HOUSE She steps outside carrying a small reusable shopping bag. She locks the door, adjusts her messy ponytail and looks toward the camera with a relaxed smile. A light summer breeze moves her hair as she starts walking down the lane. — BAKERY STOP She reaches a tiny neighborhood bakery and buys a warm pastry. She steps outside, takes her first bite and immediately smiles because it tastes good. She notices her friend filming and holds the pastry toward the camera playfully before taking another bite. — WALKING HOME She continues down the narrow street while eating. A neighborhood cat follows her for a few steps. She notices it, crouches down and gently pets it. The cat walks away and she laughs before continuing. — SMALL ACCIDENT She walks beneath a large tree when a few leaves fall onto her hair. She stops, looks confused, then realizes what happened and laughs. She brushes the leaves away while her friend zooms awkwardly toward her face. She looks directly into the camera and says: "Seriously?" — QUIET MOMENT She reaches a low concrete wall beside the street and sits down for a moment. She finishes the pastry while watching bicycles and neighbors passing through the lane. A gentle breeze moves her hair. She casually fixes her ponytail and looks around peacefully. — FINAL MOMENT She stands up and continues walking home. After a few steps, she turns back toward the camera with a small playful smile and says: "Come on." She keeps walking down the sunny lane while the camera follows behind. She disappears around the corner and the recording abruptly cuts to black. AUDIO Natural location sound only: birds, summer insects, footsteps, bicycle bells, distant scooters, leaves moving in the breeze, bakery sounds, neighborhood conversations and subtle camera-handling noise. No music. No narration. No artificial sound effects. Only the two spoken lines specified above. FINAL FEEL The entire video should feel like a forgotten summer recording from the early 2000s. Warm, feminine, casual, slightly playful, intimate and nostalgic. No dramatic events, no exaggerated acting, no model poses and no polished cinematic shots. The realism should come from ordinary surroundings, natural expressions, small accidents, realistic environmental movement and imperfect camcorder operation.

Smiling Khan

705,602 Aufrufe • vor 21 Tagen

AI slop? Maybe. But if it looks this real, I’m not complaining. Generated with Seedance 2.5 on Higgsfield. Prompt: Create a 30-second, 1080p ultra-realistic personal home-video showing an ordinary day in the life of a young Korean man. No reference image. MAIN SUBJECT Young Korean man in his early 20s, naturally attractive, realistic skin texture, minimal grooming, relaxed and slightly sleepy expression. Medium-length naturally messy black hair, subtle stubble, a few loose strands falling across his forehead. Wearing an oversized faded charcoal T-shirt, loose olive trousers, worn sneakers, and a simple silver watch. Maintain the same face, hairstyle, clothing, body proportions, and appearance throughout the entire video. SETTING A quiet older residential neighborhood during a warm summer afternoon. Small apartment buildings, narrow concrete alleys, rooftop terraces, neighborhood laundries, corner shops, parked bicycles, potted plants, utility wires, concrete staircases, trees providing patches of shade, and ordinary people going about their day. Everything should feel lived-in and authentic. CAMERA / VISUAL AESTHETIC Raw personal footage casually recorded by a friend. Handheld camera with natural shake, imperfect framing, occasional partial crops, autofocus hunting, exposure shifts between sunlight and shade, mild motion blur, soft image detail, subtle digital noise, slightly faded colors, and natural camera imperfections. The camera operator walks with him and reacts naturally. No stabilization, no cinematic camera movements, no dramatic lighting, no slow motion, no polished commercial appearance. The footage should feel accidentally beautiful rather than deliberately cinematic. ⸻ 00:00–00:05 — LEAVING HOME He steps out of his apartment carrying a small reusable shopping bag. He locks the door, checks his pockets for his keys and phone, then starts walking downstairs. The camera follows behind him. He briefly looks back at the camera and gives a sleepy half-smile. ⸻ 00:05–00:10 — MORNING ERRAND He walks through a quiet neighborhood alley toward a small local grocery shop. He passes parked bicycles and people watering plants outside their homes. He stops at a roadside fruit stand and picks up a couple of oranges, inspecting them casually before placing them into his bag. The camera briefly focuses on the fruit before returning to his face. ⸻ 00:10–00:15 — SMALL BREAK He sits on a low concrete wall outside the shop. He opens a cold bottled drink and takes a few sips. A breeze moves his hair. He watches people passing by without saying anything. The camera stays slightly shaky and imperfectly framed, as if his friend is simply sitting nearby filming him. ⸻ 00:15–00:20 — WALKING HOME He gets up and continues walking. A bicycle passes behind him. He notices a stray cat sitting beside a wall, crouches down and gently pets it. The cat walks away. He laughs quietly and stands back up. The camera operator accidentally cuts off part of his head while moving closer, then quickly reframes him. ⸻ 00:20–00:25 — ROOFTOP He returns home and walks onto a small rooftop. He places the shopping bag beside an old chair. He leans against the railing and looks across the neighborhood. The afternoon sunlight falls naturally across his face. He runs his hand through his messy hair and quietly watches the distant buildings. ⸻ 00:25–00:30 — FINAL MOMENT He notices the camera still recording. He looks directly into the lens and gives a tiny amused smile. He casually says: “You’re still recording?” He shakes his head and walks toward the camera. The camera moves backward slightly as he approaches. The recording abruptly cuts to black before he reaches the camera. ⸻ AUDIO Natural location sound only: Footsteps, distant traffic, bicycles, birds, wind, neighborhood conversations, shop sounds, bottle opening, fabric movement, doors closing, and subtle handheld camera noise. No music. No narration. No artificial sound effects. Only the single spoken line: “You’re still recording?” ⸻ FINAL FEEL The entire video should feel like a completely ordinary day that somehow became a beautiful memory. Quiet, masculine, youthful, intimate, warm, slightly nostalgic, and spontaneous. No dramatic events. No exaggerated acting. No model poses. No cinematic hero shots. The realism should come from tiny imperfections, casual body language, natural expressions, ordinary surroundings, imperfect camera operation, and moments that feel completely unplanned.
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AI slop? Maybe. But if it looks this real, I’m not complaining. Generated with Seedance 2.5 on Higgsfield. Prompt: Create a 30-second, 1080p ultra-realistic personal home-video showing an ordinary day in the life of a young Korean man. No reference image. MAIN SUBJECT Young Korean man in his early 20s, naturally attractive, realistic skin texture, minimal grooming, relaxed and slightly sleepy expression. Medium-length naturally messy black hair, subtle stubble, a few loose strands falling across his forehead. Wearing an oversized faded charcoal T-shirt, loose olive trousers, worn sneakers, and a simple silver watch. Maintain the same face, hairstyle, clothing, body proportions, and appearance throughout the entire video. SETTING A quiet older residential neighborhood during a warm summer afternoon. Small apartment buildings, narrow concrete alleys, rooftop terraces, neighborhood laundries, corner shops, parked bicycles, potted plants, utility wires, concrete staircases, trees providing patches of shade, and ordinary people going about their day. Everything should feel lived-in and authentic. CAMERA / VISUAL AESTHETIC Raw personal footage casually recorded by a friend. Handheld camera with natural shake, imperfect framing, occasional partial crops, autofocus hunting, exposure shifts between sunlight and shade, mild motion blur, soft image detail, subtle digital noise, slightly faded colors, and natural camera imperfections. The camera operator walks with him and reacts naturally. No stabilization, no cinematic camera movements, no dramatic lighting, no slow motion, no polished commercial appearance. The footage should feel accidentally beautiful rather than deliberately cinematic. ⸻ 00:00–00:05 — LEAVING HOME He steps out of his apartment carrying a small reusable shopping bag. He locks the door, checks his pockets for his keys and phone, then starts walking downstairs. The camera follows behind him. He briefly looks back at the camera and gives a sleepy half-smile. ⸻ 00:05–00:10 — MORNING ERRAND He walks through a quiet neighborhood alley toward a small local grocery shop. He passes parked bicycles and people watering plants outside their homes. He stops at a roadside fruit stand and picks up a couple of oranges, inspecting them casually before placing them into his bag. The camera briefly focuses on the fruit before returning to his face. ⸻ 00:10–00:15 — SMALL BREAK He sits on a low concrete wall outside the shop. He opens a cold bottled drink and takes a few sips. A breeze moves his hair. He watches people passing by without saying anything. The camera stays slightly shaky and imperfectly framed, as if his friend is simply sitting nearby filming him. ⸻ 00:15–00:20 — WALKING HOME He gets up and continues walking. A bicycle passes behind him. He notices a stray cat sitting beside a wall, crouches down and gently pets it. The cat walks away. He laughs quietly and stands back up. The camera operator accidentally cuts off part of his head while moving closer, then quickly reframes him. ⸻ 00:20–00:25 — ROOFTOP He returns home and walks onto a small rooftop. He places the shopping bag beside an old chair. He leans against the railing and looks across the neighborhood. The afternoon sunlight falls naturally across his face. He runs his hand through his messy hair and quietly watches the distant buildings. ⸻ 00:25–00:30 — FINAL MOMENT He notices the camera still recording. He looks directly into the lens and gives a tiny amused smile. He casually says: “You’re still recording?” He shakes his head and walks toward the camera. The camera moves backward slightly as he approaches. The recording abruptly cuts to black before he reaches the camera. ⸻ AUDIO Natural location sound only: Footsteps, distant traffic, bicycles, birds, wind, neighborhood conversations, shop sounds, bottle opening, fabric movement, doors closing, and subtle handheld camera noise. No music. No narration. No artificial sound effects. Only the single spoken line: “You’re still recording?” ⸻ FINAL FEEL The entire video should feel like a completely ordinary day that somehow became a beautiful memory. Quiet, masculine, youthful, intimate, warm, slightly nostalgic, and spontaneous. No dramatic events. No exaggerated acting. No model poses. No cinematic hero shots. The realism should come from tiny imperfections, casual body language, natural expressions, ordinary surroundings, imperfect camera operation, and moments that feel completely unplanned.

Duet | AI

23,994 Aufrufe • vor 25 Tagen