Video yükleniyor...

Video Yüklenemedi

Bu video yüklenirken bir sorun oluştu. Bu geçici bir ağ sorunundan kaynaklanıyor olabilir veya video kullanılamıyor olabilir.

Ana Sayfaya Dön

- single with over 350m streams - performed a sold out show at MSG - covered rollingstone, vogue & CR fashion book - performed on the coachella mainstage - grammy nominated - co-signed by several major artists - praised by music critics all before releasing her debut album

໊

3,733 subscribers

139,120 görüntüleme • 1 yıl önce •via X (Twitter)

Anya Rossi• Live Now

Private livecam show

0 Yorum

Yorum bulunmuyor

Orijinal gönderinin yorumları burada görünecek

Benzer Videolar

The second single “A Pale Light Lingers” from our forthcoming album “Death Is Little More” is out now and available on all platforms. Enjoy. Produced, Mixed & Mastered by RandyLeBoeuf Video Directed & Edited by errick x Guest Vocals Performed by Gutter Luxury

The second single “A Pale Light Lingers” from our forthcoming album “Death Is Little More” is out now and available on all platforms. Enjoy. Produced, Mixed & Mastered by RandyLeBoeuf Video Directed & Edited by errick x Guest Vocals Performed by Gutter Luxury

Boundaries

22,354 görüntüleme • 2 yıl önce

After leaving SM Entertainment Taemin received credits for helping write and produce his ETERNAL album In August 2024 Taemin began his first world tour, the Ephemeral Gaze tour which became the 9th most attended tour for a Korean pop solo artist of all time. Taemin reached 311,100 attendees performing 37 concerts in 20 countries with encores in Japan and South Korea's KSPO dome. Taemin’s 100th concert was in Brussels Taemin sold out the KIA Forum Taemin’s Veil Japan (2025) arena tour reached 116,000 attendees with 11 shows. His Veil tour is ranked at number 20 of the most attended concerts for a Korean pop solo artist of all time. Taemin’s Veil tour in the US sold out in under 11 minutes. Taemin along with Baekhyun were the first Korean pop artists to perform at Dolby Live in Las Vegas Created a brand featuring him and his cats Designed his first solo light stick Taemin won 3 Korean Grand Music Awards for Best Artist, Best Solo Artist, and Best Popularity Artists in 2024. Released the Veil single 2025 Released the Finale single 2025 Released the Bones single 2024 Released Poet Artist with SHINee 2025 Taemin worked with Beyonce's dance captain Ashley Everette and Kany who has choreographed for MJ, Beyonce, and Ariana Grande on his song Horizon. They both appeared in a live performance as well as his music video for Horizon. Taemin is the ambassador of Korea Brand & Entertainment Expo 2025 Taemin is the ambassador for AHC Taemin is the ambassador for Mernel Endorsement with Crocs Crocs X Taemin 2025 Performed at multiple Kpop concerts including Water Bomb all around the world Multiple fan meetings Award show performances Taemin performed Veil at the Kelly Clarkson show in 2025 Performed A Long Way Home at the Jennifer Hudson show in 2026 Performed at Grammy Museum at Global Spin Live in 2026 Recently performed at NBA Nightcap and is the first Korean artist to perform on the show Will be performing at Coachella in April and is the first Korean solo male artist to perform there Taemin has recorded 50 songs for his new album and has narrowed it down to 20 The Grammys named his song Crush as one of the best songs of 2024 Pretty sure there is more he has achieved since leaving SM

Toya

60,810 görüntüleme • 5 ay önce

Footage from Christina Grimmie’s final concert shows the man who killed her just hours later at a meet and greet, standing in the crowd. On June 10, 2016, Grimmie performed with Before You Exit at The Plaza Live in Orlando, Florida. After her performance, Grimmie signed autographs inside the venue. At 10:24 p.m., she was approached by 27-year-old Kevin James Loibl. Without saying anything, she opened her arms to give him a hug. Loibl then pulled out his Glock pistol and shot her three times at point-blank range. Loibl then turned the gun on himself.

Footage from Christina Grimmie’s final concert shows the man who killed her just hours later at a meet and greet, standing in the crowd. On June 10, 2016, Grimmie performed with Before You Exit at The Plaza Live in Orlando, Florida. After her performance, Grimmie signed autographs inside the venue. At 10:24 p.m., she was approached by 27-year-old Kevin James Loibl. Without saying anything, she opened her arms to give him a hug. Loibl then pulled out his Glock pistol and shot her three times at point-blank range. Loibl then turned the gun on himself.

Morbid Knowledge

911,993 görüntüleme • 2 yıl önce

Two iconic bands. One unforgettable event. Future Proof Citywide presents The All-American Rejects and The Fray, performing live in Miami Beach. - Multi-platinum sensations The All-American Rejects have sold millions of albums worldwide, delivering iconic hits like “Swing, Swing,” “Dirty Little Secret,” and “Gives You Hell.” Their anthemic sound and chart-topping success defined the 2000s. - Grammy-nominated and globally recognized, The Fray rose to fame with their four-times platinum debut album “How to Save a Life.” With multiple Billboard Top 10 hits and a legacy of award-winning music, they’ve cemented their place in alt-rock history. Don’t miss out – Register by the Feb 19 Deadline:

Two iconic bands. One unforgettable event. Future Proof Citywide presents The All-American Rejects and The Fray, performing live in Miami Beach. - Multi-platinum sensations The All-American Rejects have sold millions of albums worldwide, delivering iconic hits like “Swing, Swing,” “Dirty Little Secret,” and “Gives You Hell.” Their anthemic sound and chart-topping success defined the 2000s. - Grammy-nominated and globally recognized, The Fray rose to fame with their four-times platinum debut album “How to Save a Life.” With multiple Billboard Top 10 hits and a legacy of award-winning music, they’ve cemented their place in alt-rock history. Don’t miss out – Register by the Feb 19 Deadline:

Future Proof

24,356 görüntüleme • 1 yıl önce

Congratulations to Spice 👸🏾🇯🇲 🌋 on having an awesome year. From having her music debut in Netflix twice. Siting with Forbes “New Money” to discuss generational wealth. Being the keynote speaker at FLOW Jamaica business conference “InKnowvation 2023.” A continuation of Flow Business’ ongoing support to Jamaica’s (MSME) business sector. Gracing the covers of Dazed, alongside ‏ً, @rosalia. Dominating Spotify global chart, as the ONLY Jamaican female to make the top 10 most streamed dancehall albums and songs of 2023. Winning “Female Artist of the Year” at caribbeanmusicawards 2023. Extending her record as the most streamed Jamaican female on YouTube Music Global for two years consecutively. Having her Grammy nominated debut album “10”, surpass 270M streams across all credits on Spotify. Becoming the first Jamaican-born female to reach 1 billion views across all credits on YouTube. I can go on and on. Hats off to you Queen, on navigating the many roles you play and different hats you wear. You had an excuse to sit the rest of year out but came back and WORKED. You are an inspiration to many. You’ve managed to dominate in a male dominated industry, not only as a female but as a indie artist. We don’t take you or the sacrifices you make to ensure the world continues to put respect on dancehall and brand Jamaica. I have no doubt that 2024 will greater 👏🏽👏🏽👏🏽👏🏽

Spicestats 🤎

24,935 görüntüleme • 2 yıl önce

Comedian Chelsea Handler shaded Nicki Minaj during the 2026 Critics' Choice Awards monologue. On Sunday (Jan. 4), Handler kicked off the annual awards show with a monologue, where she had jokes for several celebrities. While bigging up the 2025 film Sinners, Handler referenced backlash from Nicki's recent heel turn. "Sinners was a massive blockbuster," Handler told the crowd. "Although I haven't been invited to a Black person's house since. Except Nicki Minaj's, but who wants to go over there?" Nicki Minaj has faced resentment from fans after going full MAGA at a Turning Point USA conference hosted by Erika Kirk last month. There are currently multiple petitions on change[dot]org calling for the rapper's deportation to her native country, Trinidad.

Comedian Chelsea Handler shaded Nicki Minaj during the 2026 Critics' Choice Awards monologue. On Sunday (Jan. 4), Handler kicked off the annual awards show with a monologue, where she had jokes for several celebrities. While bigging up the 2025 film Sinners, Handler referenced backlash from Nicki's recent heel turn. "Sinners was a massive blockbuster," Handler told the crowd. "Although I haven't been invited to a Black person's house since. Except Nicki Minaj's, but who wants to go over there?" Nicki Minaj has faced resentment from fans after going full MAGA at a Turning Point USA conference hosted by Erika Kirk last month. There are currently multiple petitions on change[dot]org calling for the rapper's deportation to her native country, Trinidad.

XXL Magazine

40,154 görüntüleme • 7 ay önce

Pic 1: 🤥 admitted that she loves drama because it's funny, indirectly encouraging her fans to stir up more drama. Pic 2: 🤥 directly commented under a toxic Yobie's post, telling them to keep fighting and "just win." Pic 3: 🤥 laughed updates away with her fans after finding out her fandom was reporting other artists' activities in China. And this very attitude of hers has indirectly fueled Yobies to attack Faye every single day! Yet, FY CPFs turn a blind eye to all of this, constantly putting her on a pedestal and always finding excuses to justify her terrible behavior. In contrast, Faye only interacts under New Year's greeting posts or posts where fans talk about her—and that right there is the difference. But no matter what Faye does, even when she stays silent, all Yobies and CPFs still attack her and find reasons to hate on her daily. Even when the evidence of Yobies reporting Faye's schedule in China was exposed, they didn't stand by Faye for a single second; instead, they claimed it was all fabricated by Fayemily. For over a year now, even when Faye is clearly the victim, they still find a way to blame it on her!

Pic 1: 🤥 admitted that she loves drama because it's funny, indirectly encouraging her fans to stir up more drama. Pic 2: 🤥 directly commented under a toxic Yobie's post, telling them to keep fighting and "just win." Pic 3: 🤥 laughed updates away with her fans after finding out her fandom was reporting other artists' activities in China. And this very attitude of hers has indirectly fueled Yobies to attack Faye every single day! Yet, FY CPFs turn a blind eye to all of this, constantly putting her on a pedestal and always finding excuses to justify her terrible behavior. In contrast, Faye only interacts under New Year's greeting posts or posts where fans talk about her—and that right there is the difference. But no matter what Faye does, even when she stays silent, all Yobies and CPFs still attack her and find reasons to hate on her daily. Even when the evidence of Yobies reporting Faye's schedule in China was exposed, they didn't stand by Faye for a single second; instead, they claimed it was all fabricated by Fayemily. For over a year now, even when Faye is clearly the victim, they still find a way to blame it on her!

ARIES ☀️

14,674 görüntüleme • 2 ay önce

Ready to enter Electric Zoo: Hyperspace this Labor Day weekend?! Inspired by the starry expanse above with a nod to futurism, this year’s Electric Zoo theme taps into an extraordinary world where reality melds into dreamland for an ethereal experience beyond imagination. Our full 2023 lineup, featuring 100+ artists over three days, spans across 5 (yes, 5) all-new stages on Randall’s Island – in the heart of New York City. Here’s a glimpse into your future ↓ 🌌 We're pleased to host the world premiere of Everything Always, an exciting new concept by John Summit and Dom Dolla. 🌌 Kaskade and deadmau5 as Kx5 will make their NYC debut. 🌌 Chris Lake and Fisher will make the worldwide festival debut of their famed Under Construction brand. 🌌 Get ready to experience MegaMirage, an all-new immersive stage in an expanded area of the festival site. 🌌 EZoo is also the only place you'll catch not one or two, but THREE GRiZ sets! He'll perform a “Chasing the Golden Hour” set, a solo performance, and a b2b with EZoo alumni Zeds Dead. 🌌 Prepare for the Wakaan Takeover, which will bring together an incredible lineup of artists at the forefront of bass music, curated by Liquid Stranger. 🌌 We're proud to host our inaugural LGBTQ stage: Dreamland, presented by the esteemed event producer, promoter, and one of Out100's Most Influential LGBTQ People of the Year in 2018, Jake Resnicow. This dedicated stage will celebrate the rich diversity within the dance music world. 🌌 Cityfox and Gray Area will team up to present MegaFox, a festival within a festival. There’s still so much more… swipe to find out → We understand times are tough, and music festivals shouldn’t seem like an unattainable luxury. So, we’re happy to offer our community Single-day passes starting at just $59.99, the lowest price in Electric Zoo history! Tap the link below to start your journey to EZoo!

Electric Zoo Festival

340,932 görüntüleme • 3 yıl önce

ALLEGEDLY 🙄: The truth will be revealed. NineStar has abused its authority over its artists. It intentionally sabotaged work and rejected brand deals that would’ve grown the individual and couple brand. She involved herself in their personal relationship and made it a causality of her ego. 95% of the people who worked with NineStar in the industry have terminated their working relationship and taken Faye’s side. For the Yobies and Yoko, I say this…the makeup artists left, music producers left, production companies, potential new actors and actors previously employed by them left, film/series producers have called them out for the unfair treatment of NineStar’s artists. The news and media in several countries have called attention to their abnormal business practices and the fans response. I say all that to say…if everyone around Wan has abandoned her and the company is it not safe to say the company and Wan are the problem, Yoko? Surely everyone can’t be wrong! I hope you see the light soon. NINESTAR DECEIVE FANS #StopTheLies

The Unsolicited Truth

71,525 görüntüleme • 1 yıl önce

🎉 How D-lightful! 🎉 Chainguard has raised a $356M Series D round co-led by new investor Kleiner Perkins and existing investor IVP, with participation from Salesforce Ventures, Datadog, Inc. Ventures, and every single other existing investor. This brings our total funds raised to over $600M, and puts us at a $3.5 billion valuation. We’re on a mission to be the safe source for open source and build a future where security and innovation can move in lockstep. This new investment allows us to continue creating secure, easy to use products and solutions that enable that future for our users. The momentum we’ve built over the past few years has been incredible to experience, and we’re grateful to all our customers, investors, and community for supporting us and being along for the ride. 🫶 Reach out if you are interested in joining us on this journey—we are hiring in every department! Check out our CEO and co-founder Dan Lorenc's blog:

🎉 How D-lightful! 🎉 Chainguard has raised a $356M Series D round co-led by new investor Kleiner Perkins and existing investor IVP, with participation from Salesforce Ventures, Datadog, Inc. Ventures, and every single other existing investor. This brings our total funds raised to over $600M, and puts us at a $3.5 billion valuation. We’re on a mission to be the safe source for open source and build a future where security and innovation can move in lockstep. This new investment allows us to continue creating secure, easy to use products and solutions that enable that future for our users. The momentum we’ve built over the past few years has been incredible to experience, and we’re grateful to all our customers, investors, and community for supporting us and being along for the ride. 🫶 Reach out if you are interested in joining us on this journey—we are hiring in every department! Check out our CEO and co-founder Dan Lorenc's blog:

Chainguard ⛓️

41,253 görüntüleme • 1 yıl önce

#TBT By early 1973, Randy Bachman had burned through $97,000 of his Guess Who royalties keeping Brave Belt alive. He was paying the band $175 a week while they toured in a drafty van, eating peanut butter sandwiches. Randy flew to New York and Los Angeles, hand-delivering their third album to every major label in America. The responses came back on identical letterhead. 26 rejections. One such note came from from Charlie Fach's desk at Mercury Records: "Dear Randy, I pass on the tape." Not even signed. Randy called a band meeting in Toronto. "We've got 26 refusals. I've sent out four more tape packages. If it doesn't happen, this Friday is the last paycheque." On a final trip to New York to sell the tapes one last time, Fred Turner, who had gone with, went for a walk. He turned a corner and a man was standing there - knife out, hand extended. "Gimme your money, please." The "please" made it more terrifying somehow. Fred handed over his cash and walked straight back to his hotel room, picked up his bass and wrote the whole thing down; a pile-driving rocker with Fred's gritty vocals and Randy's gutty, piercing guitar. They called it "Gimme Your Money Please." It became the first track on the Brave Belt III tape. Randy sent the tape to Charlie Fach at Mercury one more time, via special air messenger. The next morning, Fach called Randy at his hotel, song playing in the background. "I've just put the tape on," Fach said. "You know, if the rest of the album is like this, you've got a deal. We've been looking for a strong rock group." Mercury offered a two-album deal at $50,000 per album. Fach insisted they couldn't be called Brave Belt so Randy suggested Bachman-Turner Overdrive. They signed. Within three months of BTO I hitting stores in May 1973, Mercury had recouped its investment. Edited from Killer Guitar Academy. #rocknroll #music #history #blowthisup MercuryRecords

#TBT By early 1973, Randy Bachman had burned through $97,000 of his Guess Who royalties keeping Brave Belt alive. He was paying the band $175 a week while they toured in a drafty van, eating peanut butter sandwiches. Randy flew to New York and Los Angeles, hand-delivering their third album to every major label in America. The responses came back on identical letterhead. 26 rejections. One such note came from from Charlie Fach's desk at Mercury Records: "Dear Randy, I pass on the tape." Not even signed. Randy called a band meeting in Toronto. "We've got 26 refusals. I've sent out four more tape packages. If it doesn't happen, this Friday is the last paycheque." On a final trip to New York to sell the tapes one last time, Fred Turner, who had gone with, went for a walk. He turned a corner and a man was standing there - knife out, hand extended. "Gimme your money, please." The "please" made it more terrifying somehow. Fred handed over his cash and walked straight back to his hotel room, picked up his bass and wrote the whole thing down; a pile-driving rocker with Fred's gritty vocals and Randy's gutty, piercing guitar. They called it "Gimme Your Money Please." It became the first track on the Brave Belt III tape. Randy sent the tape to Charlie Fach at Mercury one more time, via special air messenger. The next morning, Fach called Randy at his hotel, song playing in the background. "I've just put the tape on," Fach said. "You know, if the rest of the album is like this, you've got a deal. We've been looking for a strong rock group." Mercury offered a two-album deal at $50,000 per album. Fach insisted they couldn't be called Brave Belt so Randy suggested Bachman-Turner Overdrive. They signed. Within three months of BTO I hitting stores in May 1973, Mercury had recouped its investment. Edited from Killer Guitar Academy. #rocknroll #music #history #blowthisup MercuryRecords

Randy Bachman

64,538 görüntüleme • 6 ay önce

Major Lazer’s origin story is a jumbled up mess. it reads more like a villain story. I knew about Dave (Switch) from being the weirdest and hardest dj in london.. I followed him around endlessly trying to get tips on how to produce better he taught me logic and I threw it in the garbage and learned ableton he was Interested in my local scene in philly - spank rock, amanda blank, santigold, plastic little .. and somehow M.I.A. ⊕ II II II got mixed up in the project as me and Dave were summoned by XL Recordings to make beats for her .. I failed miserably but we did make a mixtape “piracy funds terrorism” and eventually made some bangers like paper planes and bucky done gun.. and dave had a few bangers around town. Mia was always the catalyst for our side project .. we made too many beats for her . we decided to go record them in jamaica because the artists were extremely talented. the jamaican music scene at the time was cutting edge and it was cheap to work there.. we made this major lazer album down there .. and started a little movement that ended up having a few billion streams .. it’s cool to put out Where’s The Daddy now because MIA was the third daddy of major lazer

Major Lazer’s origin story is a jumbled up mess. it reads more like a villain story. I knew about Dave (Switch) from being the weirdest and hardest dj in london.. I followed him around endlessly trying to get tips on how to produce better he taught me logic and I threw it in the garbage and learned ableton he was Interested in my local scene in philly - spank rock, amanda blank, santigold, plastic little .. and somehow M.I.A. ⊕ II II II got mixed up in the project as me and Dave were summoned by XL Recordings to make beats for her .. I failed miserably but we did make a mixtape “piracy funds terrorism” and eventually made some bangers like paper planes and bucky done gun.. and dave had a few bangers around town. Mia was always the catalyst for our side project .. we made too many beats for her . we decided to go record them in jamaica because the artists were extremely talented. the jamaican music scene at the time was cutting edge and it was cheap to work there.. we made this major lazer album down there .. and started a little movement that ended up having a few billion streams .. it’s cool to put out Where’s The Daddy now because MIA was the third daddy of major lazer

diplo

134,717 görüntüleme • 1 yıl önce

MY DEBUT ALBUM „HONEYMOON IN A MOTEL“ is yours OCTOBER 3RD!!!!!!!!!! ⭑.ᐟ this is absolutely nuts?!!!! :,) i‘ve never been more proud of anything ever and i can‘t believe that i finally get to share these songs with u. creating this album was so special, beyond magical, healing and truly the best and most fun time ever. solo written by me and solo produced by one of my best friends best music ;,)💒:,)!!🫀 so much has happened since and during the making of this album and i feel incredibly grateful and lucky that i was able to capture all of it in an album. the ups, the downs, the heart-ache, the love, the anger and the humor && everything in between. i‘ve never been more myself and all of these songs have such deep meaning to me. they are me. ✧˖°. i cannot wait to scream all of these songs with u….on TOUR BABY!!!! ❤︎ and if you know me you know - i can’t keep anything to myself ever so lots of songs off the album will be yours sooner than u think. :-) thank you so so much for everything u do and are. cannot wait to finally say EA1 out at midnight in october lolllll <3! feeling like the luckiest girl 💒🪞🪷🖤🧟‍♀️

MY DEBUT ALBUM „HONEYMOON IN A MOTEL“ is yours OCTOBER 3RD!!!!!!!!!! ⭑.ᐟ this is absolutely nuts?!!!! :,) i‘ve never been more proud of anything ever and i can‘t believe that i finally get to share these songs with u. creating this album was so special, beyond magical, healing and truly the best and most fun time ever. solo written by me and solo produced by one of my best friends best music ;,)💒:,)!!🫀 so much has happened since and during the making of this album and i feel incredibly grateful and lucky that i was able to capture all of it in an album. the ups, the downs, the heart-ache, the love, the anger and the humor && everything in between. i‘ve never been more myself and all of these songs have such deep meaning to me. they are me. ✧˖°. i cannot wait to scream all of these songs with u….on TOUR BABY!!!! ❤︎ and if you know me you know - i can’t keep anything to myself ever so lots of songs off the album will be yours sooner than u think. :-) thank you so so much for everything u do and are. cannot wait to finally say EA1 out at midnight in october lolllll <3! feeling like the luckiest girl 💒🪞🪷🖤🧟‍♀️

eileen alister

13,225 görüntüleme • 1 yıl önce

HALLO SPACEBOY VIDEO UPGRADE “It's confusing these days...” Hallo Spaceboy was originally released on the 1995 1. Outside album. This version was going to be the follow up to Strangers When We Meet, even going as far as a video being filmed at the Big Twix concert in Birmingham, released as the No Trendy Réchauffé live album by Parlophone. Hallo Spaceboy was performed twice at the gig, once as part of the main set and again as the last encore. That final version was intended to be the video. Bowie had this to say of that original album version: “I adore that track. In my mind, it was like Jim Morrison meets industrial. When I heard it back, I thought, ‘Fuck me. It’s like metal Doors,’ It’s an extraordinary sound.” In the event, the song was reworked and produced by Pet Shop Boys for the single, giving Bowie a #12 hit in the UK. The chart placing was no doubt helped by a profusion of remixes and various formats (including a pink vinyl 45), not to mention the eventual David Mallet-directed official video, which featured both Bowie and the Pet Shop Boys interspersed with stock footage of all manner of interesting and slightly sinister flavours. View the restored video here: Two live songs from the Birmingham set, Moonage Daydream and Under Pressure, were used as the single’s extra tracks along with the radio edit of The Hearts Filthy Lesson. Various sources have been suggested as possible inspiration for the spoken introduction by Bowie on this version: “If I fall, moondust will cover me”, including Brion Gysin’s* last words and more likely, a line from his 1969 novel The Process: “I look for my guide to find him, too, buried in moondust.” It’s unlikely we’ll ever know for certain, but we can probably rule out the Mike & Bernie Winters 1967 comedy classic, Smother Me With Moondust And Elusive Strawberries. * Gysin was the original inventor of the cut-up method employed by both Bowie and William Burroughs. #HalloSpaceboy #BowiePetShopBoys

HALLO SPACEBOY VIDEO UPGRADE “It's confusing these days...” Hallo Spaceboy was originally released on the 1995 1. Outside album. This version was going to be the follow up to Strangers When We Meet, even going as far as a video being filmed at the Big Twix concert in Birmingham, released as the No Trendy Réchauffé live album by Parlophone. Hallo Spaceboy was performed twice at the gig, once as part of the main set and again as the last encore. That final version was intended to be the video. Bowie had this to say of that original album version: “I adore that track. In my mind, it was like Jim Morrison meets industrial. When I heard it back, I thought, ‘Fuck me. It’s like metal Doors,’ It’s an extraordinary sound.” In the event, the song was reworked and produced by Pet Shop Boys for the single, giving Bowie a #12 hit in the UK. The chart placing was no doubt helped by a profusion of remixes and various formats (including a pink vinyl 45), not to mention the eventual David Mallet-directed official video, which featured both Bowie and the Pet Shop Boys interspersed with stock footage of all manner of interesting and slightly sinister flavours. View the restored video here: Two live songs from the Birmingham set, Moonage Daydream and Under Pressure, were used as the single’s extra tracks along with the radio edit of The Hearts Filthy Lesson. Various sources have been suggested as possible inspiration for the spoken introduction by Bowie on this version: “If I fall, moondust will cover me”, including Brion Gysin’s* last words and more likely, a line from his 1969 novel The Process: “I look for my guide to find him, too, buried in moondust.” It’s unlikely we’ll ever know for certain, but we can probably rule out the Mike & Bernie Winters 1967 comedy classic, Smother Me With Moondust And Elusive Strawberries. * Gysin was the original inventor of the cut-up method employed by both Bowie and William Burroughs. #HalloSpaceboy #BowiePetShopBoys

David Bowie Official

18,827 görüntüleme • 6 ay önce

Epic World Cup 2026 Halftime Show: Madonna, Shakira, Justin Bieber & BTS Deliver Madonna kicked things off in unforgettable fashion, performing her iconic 2000 hit “Music” with roller-skating dancers before dramatically emerging from a tunnel onto the field. The energy soared as it transitioned into the Muppets’ Animal on drums with the White Stripes’ “Seven Nation Army.” Then Shakira shook the stage with those iconic moves, Justin Bieber delivered flawless acoustic vocals on guitar while singing his faith-filled “Everything Hallelujah” — a beautiful expression of praise and gratitude rooted in his Christian journey — and BTS brought high-energy choreography that lit up the crowd! “The FIFA World Cup brings the world together in a way nothing else can.” — Justin Bieber It’s estimated that about 1.8 billion people watched this World Cup final — more than any in history. About 1.4 billion watched in 2022. A true celebration of music, sport, and global impact supporting the FIFA Global Citizen Education Fund for kids worldwide. Incredible! The World Cup halftime show directly benefited children by raising over $60 million to improve access to education and football opportunities for youth worldwide.

Epic World Cup 2026 Halftime Show: Madonna, Shakira, Justin Bieber & BTS Deliver Madonna kicked things off in unforgettable fashion, performing her iconic 2000 hit “Music” with roller-skating dancers before dramatically emerging from a tunnel onto the field. The energy soared as it transitioned into the Muppets’ Animal on drums with the White Stripes’ “Seven Nation Army.” Then Shakira shook the stage with those iconic moves, Justin Bieber delivered flawless acoustic vocals on guitar while singing his faith-filled “Everything Hallelujah” — a beautiful expression of praise and gratitude rooted in his Christian journey — and BTS brought high-energy choreography that lit up the crowd! “The FIFA World Cup brings the world together in a way nothing else can.” — Justin Bieber It’s estimated that about 1.8 billion people watched this World Cup final — more than any in history. About 1.4 billion watched in 2022. A true celebration of music, sport, and global impact supporting the FIFA Global Citizen Education Fund for kids worldwide. Incredible! The World Cup halftime show directly benefited children by raising over $60 million to improve access to education and football opportunities for youth worldwide.

Paul A. Szypula 🇺🇸

318,418 görüntüleme • 1 ay önce

A little fashion vibe for your feed..👠 Seedance 2.0 PROMT 📌 One-sentence story: [A dynamic storm in the backstage before a high fashion show begins: chaos, raw emotion, and aggressive preparation.] Concept: [The "meat grinder" effect. The frame is constantly filled with people. Assistants and makeup artists are blurred by movement (motion blur), while the focus is on the sharp, aggressive movements of the girls. The camera jostles and pushes through the crowd. Maximize macro detail (zippers, reflections of sweat, rough touches).] ---Scene 1 | 00-02 seconds • Location: A narrow, crowded backstage area. Yellow industrial lighting. • Action: Extreme macro: A metal zipper on a leather skirt is roughly and quickly zipped up (someone's hand appears in the frame). A sudden, sharp pullback. The scene is very crowded: three different girls are getting dressed simultaneously. A makeup artist's hand flashes around them. A girl abruptly pushes a powder brush away from her face. The camera recoils due to someone pushing in the crowd (handshake). • Audio (Sound Effects/Music): The loud metallic scraping of a zipper (ZIP-ZIP!). A sudden burst of high-speed, pulsating industrial rhythm (like an adrenaline-pumping heartbeat). A cacophony of hundreds of voices. ---Scene 2 | 02-06 seconds • Location: The makeup area (kaleidoscopic faces). • Action: A series of rapid, swaying shots between three girls. Shot 1: A girl (Asian face, wet bob) is aggressively having blood-red lipstick applied. She looks defiantly at the camera. Shot 2: Sway -> Another girl (Black, with perfectly textured skin glistening with sweat) suddenly pulls her corset tight, her chest heaving. Shot 3: Sway -> The third girl rips off her industrial hairnet, letting her perfect curls fall loose. • Audio (Sound Effects/Music): The sound of skin rubbing (SQUEAK). A deep breath (GASP). The whooshing sound of air driven by the camera (WHOOSH). Background camera flash sound (CLICK-FLASH). ---Scene 3 | 06-10 seconds • Location: Narrow corridor leading to the stage. • Action: Tracking shot. The camera moves quickly backward. A girl in a heavy, metallic dress walks straight towards us with a "power runway walk" (a very confident, predatory gait). She forcefully pushes aside a metal coat rack blocking her path. The rack flies to the side with a thud. Several other girls follow behind her, forming an aggressive wedge formation. • Audio (sound effects/music): The rhythmic click of heavy high heels on concrete (CLACK-CLACK) perfectly timed. The deafening clang of the metal coat rack (CLANG!). ---Scene 4 | 10-13 seconds • Location: Dark area in front of the runway. Heavy black curtain. • Action: Medium shot, side view. The girl approaches the curtain. Blinding white light and the flashing strobe lights of the runway shine through the gaps at the bottom. She turns her head, looks over her shoulder at the camera, a defiant, slightly manic smile on her face, clutching the fabric tightly. • Audio (Sound Effects/Music): Bass builds to a crescendo. A huge roar of a crowd comes from the other side (ROAR). The rustling of heavy velvet (SWISH). ---Scene 5 | 13-15 seconds • Location: Walking towards the light. • Action: The girl rips the curtain in half with a clean motion and steps into the blinding white light of the runway. The camera tries to follow her, but the black fabric of the curtain falls directly onto the lens, completely obscuring the view (plunging into darkness). • Audio (Sound Effects/Music): Explosions of flashes (FLASH-FLASH-FLASH). The dull thud of fabric hitting the microphone (THUD). The music cuts off abruptly at its climax. • Narration/Text: None. Final Shot: Packshot – Black screen. The signature sound (Brand Recall) is the lonely, echoing single click of a high heel (CLACK).

Ivanna | AI Art & Prompts

24,649 görüntüleme • 4 ay önce

i think it’s been enough time & we can finally address this particular discourse, and i think there’s a healthy discussion we can have about it. i genuinely think a fully traditional rendition in 2026, by artists operating at a global pop level, would have changed how the project was received internationally. there’s a very real possibility it would’ve been boxed into “world music,” treated more like cultural exhibition than a modern musical statement, keeping in mind that Arirang Album is not for 'aesthetics' nor is it a history lesson. using 808s, trap production, pop structures, and english hooks while still centering Arirang was actually a significant artistic choice. historically, Arirang was the song of ordinary people. in today’s world, pop culture/pop music is the common language. using contemporary pop to carry that sentiment to millions of listeners across countries feels very aligned with the spirit of what Arirang represented in its own time. and ‘unapologetically korean’ does not have to mean “only in korean” or “frozen in tradition.” it can also mean Korean artists having full control over how their culture is presented, modernized, exported, and understood. i also think if they had leaned entirely into historical styling and traditional presentation, western media may have reduced it to a “cultural curiosity” instead of engaging with it as a current, competitive pop release. critics likely would’ve framed it as heritage performance before artistry. i am glad they chose this route for the album.

i think it’s been enough time & we can finally address this particular discourse, and i think there’s a healthy discussion we can have about it. i genuinely think a fully traditional rendition in 2026, by artists operating at a global pop level, would have changed how the project was received internationally. there’s a very real possibility it would’ve been boxed into “world music,” treated more like cultural exhibition than a modern musical statement, keeping in mind that Arirang Album is not for 'aesthetics' nor is it a history lesson. using 808s, trap production, pop structures, and english hooks while still centering Arirang was actually a significant artistic choice. historically, Arirang was the song of ordinary people. in today’s world, pop culture/pop music is the common language. using contemporary pop to carry that sentiment to millions of listeners across countries feels very aligned with the spirit of what Arirang represented in its own time. and ‘unapologetically korean’ does not have to mean “only in korean” or “frozen in tradition.” it can also mean Korean artists having full control over how their culture is presented, modernized, exported, and understood. i also think if they had leaned entirely into historical styling and traditional presentation, western media may have reduced it to a “cultural curiosity” instead of engaging with it as a current, competitive pop release. critics likely would’ve framed it as heritage performance before artistry. i am glad they chose this route for the album.

ruz 𓍯

26,131 görüntüleme • 3 ay önce

i think it’s also worth mentioning, since everybody keeps asking “Why join the show NOW, Shamea?” & acting like she had a secret agenda by S16, #RHOA was no longer a marriage-focused show. most of the women were single or divorced, couples trips were gone, the literal plot & direction of the show had changed, making it the perfect time for Shamea & Gerald bc their marriage was no longer the focus. plus Porsha had changed her mind abt Shamea joining, but that’s when she thought it was gonna be all abt HER, not expecting what would happen next… Bravo was preparing this HUGE comeback for Porsha Stewart-Williams-McKinley-Guobadia, then the Simon marriage imploded, her storyline tanked & suddenly Shamea was positioned as CENTER peach, a huge BLOW to Porsha’s ego, like damn, i lost my man AND my status on RHOA? which made Porsha feel overshadowed & highlighted her ORIGINAL reservations for not wanting Shamea on the show to begin with but by then, the girl had already officially signed on. So the off camera tension & resentment btw the two grew to where it translated ON CAMERA bc Porsha was passive aggressively taking it out on Shamea by distancing herself & talking shit abt her, regretting ever vouching for Shamea cus she only wanted her there if it meant Shamea was beneath her. So ppl keep tryna make it like Shamea always planned to come on & expose Porsha, baby no…. What Shamea thought was gonna be her first Peach holding season w/ her bestie, aint how it panned out. they werent rly filming solo scenes together bc Porsha doesnt do good with REAL, VULNERABLE confrontations so she avoided it just like she used Drew to deflect from the Simon divorce. Shamea OVER compensated for the distance by tryna prove her loyalty to Porsha by taking on ALL her beefs & Shamea grew tired of faking it for TV & Social media, like their friendship wasnt falling apart IRL. but thats just it. Porsha wasnt willing to talk abt ANY real life issues on camera like Simon n Shamea unless she got an extra check for it. Which is why Shamea ran her mouth n vented to the other cast mates in the first place & THEY brought it onto camera as getback at Shamea being a lapdog. So NO, there was never no “Takedown Porsha Plot”, it was Porsha switching up when her life threw curve balls, Shamea having to pay for it, while still tryna please her & plead for their declining friendship, which ultimately lead to her doing a full audit of everything, completely reassessing their entire friendship, & THAT is why old issues started coming up.

i think it’s also worth mentioning, since everybody keeps asking “Why join the show NOW, Shamea?” & acting like she had a secret agenda by S16, #RHOA was no longer a marriage-focused show. most of the women were single or divorced, couples trips were gone, the literal plot & direction of the show had changed, making it the perfect time for Shamea & Gerald bc their marriage was no longer the focus. plus Porsha had changed her mind abt Shamea joining, but that’s when she thought it was gonna be all abt HER, not expecting what would happen next… Bravo was preparing this HUGE comeback for Porsha Stewart-Williams-McKinley-Guobadia, then the Simon marriage imploded, her storyline tanked & suddenly Shamea was positioned as CENTER peach, a huge BLOW to Porsha’s ego, like damn, i lost my man AND my status on RHOA? which made Porsha feel overshadowed & highlighted her ORIGINAL reservations for not wanting Shamea on the show to begin with but by then, the girl had already officially signed on. So the off camera tension & resentment btw the two grew to where it translated ON CAMERA bc Porsha was passive aggressively taking it out on Shamea by distancing herself & talking shit abt her, regretting ever vouching for Shamea cus she only wanted her there if it meant Shamea was beneath her. So ppl keep tryna make it like Shamea always planned to come on & expose Porsha, baby no…. What Shamea thought was gonna be her first Peach holding season w/ her bestie, aint how it panned out. they werent rly filming solo scenes together bc Porsha doesnt do good with REAL, VULNERABLE confrontations so she avoided it just like she used Drew to deflect from the Simon divorce. Shamea OVER compensated for the distance by tryna prove her loyalty to Porsha by taking on ALL her beefs & Shamea grew tired of faking it for TV & Social media, like their friendship wasnt falling apart IRL. but thats just it. Porsha wasnt willing to talk abt ANY real life issues on camera like Simon n Shamea unless she got an extra check for it. Which is why Shamea ran her mouth n vented to the other cast mates in the first place & THEY brought it onto camera as getback at Shamea being a lapdog. So NO, there was never no “Takedown Porsha Plot”, it was Porsha switching up when her life threw curve balls, Shamea having to pay for it, while still tryna please her & plead for their declining friendship, which ultimately lead to her doing a full audit of everything, completely reassessing their entire friendship, & THAT is why old issues started coming up.

Sky Santana

111,080 görüntüleme • 1 ay önce

🚨 A few months back, Rory from the Rory & Mal podcast exposed Charlamagne tha God for allegedly being on retainer with Atlantic Records for over 15 years 👀. For context, that’s the same label Cardi B is signed to. Fast forward to today Charlamagne gave Nicki Minaj “Donkey of the Day” for her back and forth with Atlantic Records rap artist, Cardi B. Here’s the issue: •Charlamagne has spent years heavily promoting the W.A.P rapper Cardi B. He’s even often bragged about having her perform at his daughter’s Sweet 16. •During today’s segment, he went directly at Nicki Minaj while ignoring all of Cardi’s history of disrespect toward Nicki not just recently, but over the years. •He also skipped over the fact that this whole situation started with Cardi bragging on X/Twitter Spaces about outselling her “opps” … only for her album sales to not reach that mark. 🤯 What’s surprising is Charlamagne, a Black man from South Carolina, continues to uplift a non Black artist who has repeatedly used Anti Black slurs, even calling Black women and their children “monkeys” and “roaches.” Cardi B herself admitted on The Breakfast Club she was working in a hood strip which sets the scene as an urban black venue. She says how she was jealous of those women making more money than her and she called them “Monkey Faced B words”. ( video below) 📌 Lastly, For those wondering what it means for a radio host to be “on retainer” by a label: It’s basically payola an under the table arrangement where a label pays a radio host (or promoter) to give their artists constant airplay and (Positive coverage). This isn’t disclosed to the public, creating a fake sense that an artist’s popularity is organic.

🚨 A few months back, Rory from the Rory & Mal podcast exposed Charlamagne tha God for allegedly being on retainer with Atlantic Records for over 15 years 👀. For context, that’s the same label Cardi B is signed to. Fast forward to today Charlamagne gave Nicki Minaj “Donkey of the Day” for her back and forth with Atlantic Records rap artist, Cardi B. Here’s the issue: •Charlamagne has spent years heavily promoting the W.A.P rapper Cardi B. He’s even often bragged about having her perform at his daughter’s Sweet 16. •During today’s segment, he went directly at Nicki Minaj while ignoring all of Cardi’s history of disrespect toward Nicki not just recently, but over the years. •He also skipped over the fact that this whole situation started with Cardi bragging on X/Twitter Spaces about outselling her “opps” … only for her album sales to not reach that mark. 🤯 What’s surprising is Charlamagne, a Black man from South Carolina, continues to uplift a non Black artist who has repeatedly used Anti Black slurs, even calling Black women and their children “monkeys” and “roaches.” Cardi B herself admitted on The Breakfast Club she was working in a hood strip which sets the scene as an urban black venue. She says how she was jealous of those women making more money than her and she called them “Monkey Faced B words”. ( video below) 📌 Lastly, For those wondering what it means for a radio host to be “on retainer” by a label: It’s basically payola an under the table arrangement where a label pays a radio host (or promoter) to give their artists constant airplay and (Positive coverage). This isn’t disclosed to the public, creating a fake sense that an artist’s popularity is organic.

Cousin Tino ™️

55,736 görüntüleme • 10 ay önce