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Snow White deleted scene 😂 It’s so refreshing that you can now generate a video for up to 20 seconds using Flux 3! Prompt: Handheld shaky camera, 20 seconds, dark comedy tone. Snow White in classic dress stands in the forest cottage, smiling sweetly as she hands poisoned red...

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MrDejie

10,614 subscribers

13,820 次观看 • 2 个月前 •via X (Twitter)

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20 条评论

__SWFX__ 的头像
__SWFX__2 个月前

@bfl_ai Looks cool but for the rest of us waiting for access. We don't want some heavily nerfed useless model which is what always happens when big IP is used in these early stages for testing

MrDejie 的头像
MrDejie2 个月前

@bfl_ai Haha fair, the wait is painful. Hoping they don’t gut the model once wider access drops. Early versions with big IP always feel like a tease 😭

__SWFX__ 的头像
__SWFX__2 个月前

@bfl_ai Luckily no Tom cruise or Brad Pitt fighting on Epstien island yet 😂

MrDejie 的头像
MrDejie2 个月前

@bfl_ai you’re not sure with that haha

ص 的头像
ص2 个月前

@bfl_ai Please can you do this “old black man ranting about ai in Kuwaiti arabic dialect” 🙏

MrDejie 的头像
MrDejie2 个月前

@bfl_ai here

Anissa 的头像
Anissa2 个月前

@bfl_ai You have done a great job

MrDejie 的头像
MrDejie2 个月前

@bfl_ai thanks anissa.

Angelo | 的头像
Angelo |2 个月前

@bfl_ai

MrDejie 的头像
MrDejie2 个月前

@bfl_ai lol 😂

Frank 🐧 的头像
Frank 🐧2 个月前

@bfl_ai wtf haha

Magica 的头像
Magica2 个月前

@bfl_ai testing this on Magica rn no questions

Wilzap 的头像
Wilzap2 个月前

@bfl_ai That's more like it 🤣

ص 的头像
ص2 个月前

"a recently found color interview with a English man in 1957, he speaks Saudi and predicts every major technological event with accuracy, up until 2025, no text or shot cuts, just the serious interview of a man that's had a profound vision, the interviewer doesn't speak but looks at him with contempt as if he was mad" Appreciate this too please 😇

Flenzy24 的头像
Flenzy242 个月前

@bfl_ai The real Snow White

In Her Gushy 的头像
In Her Gushy2 个月前

@bfl_ai This is the kind of thing that got Seedance 2 nerfed. Infringing on copyright and celebrities likeness. Please make original content.

SamDirector 的头像
SamDirector2 个月前

@bfl_ai Lol it ignored all camera input

MrDejie 的头像
MrDejie2 个月前

@bfl_ai Yes, there are a lot of lapses, but it’s understandable since it’s still in the testing stage.

Philosopher_Kato 的头像
Philosopher_Kato2 个月前

@bfl_ai That's the face I want to punch.

MrDejie 的头像
MrDejie2 个月前

@bfl_ai

相关视频

Wan 3.0 vs Seedance 2.5 - same viral video There is only one ruler and it's clear who prompt: Raw vertical phone video (UGC), handheld throughout, filmed by a friend who walks with the group, casual sway, natural night lighting, wide-angle lens, deep focus. Characters The hero is a young woman with long dark hair in a deep-purple one-shoulder dress with a small shoulder bag. Her three friends: one in a dark brown dress, a blonde in a black wrap dress, a blonde in a white mini dress — party dresses and sandals. Laughing, spontaneous night-out energy. Setting A luxury marina at night — a stone quay along a narrow water slip flanked on both sides by large moored luxury yachts, big white hulls rising on either side, masts and rigging above, fenders on the hulls. Warm orange street lamps, palm trees, distant city lights. The yachts glow with blue-turquoise underwater LED lights spilling into the water; a yellow mooring line runs to the stone. Shot list 0.0s–4.0s — Wide tracking shot, eye level, camera moving backward The camera walks backward ahead of the four women as they stroll toward it down the marina promenade, framed head-to-toe, laughing and chatting in French; warm lamplight and palm trees behind, slight handheld bob. 4.0s–6.0s — Medium shot, eye level, backward track + quick left pan The woman in the purple dress surges ahead of the group toward the lens, one arm raised, hair flying; the camera, on their left, keeps tracking back and pans to hold her. 6.0s–8.0s — Medium-wide, camera tilts down-left to follow, whip motion She reaches the quay edge between the moored luxury yachts and launches headfirst over the edge; the handheld camera whips left and tilts down to chase her off the stone. 8.0s–10.0s — High-angle wide, looking down at the water, slight jolt From up on the quay the camera looks down as she plunges headfirst into the blue-turquoise water in the slip between the big yacht hulls — a big splash, the underwater lights glowing around the impact; the handheld frame jolts slightly with the motion. 10.0s–13.0s — High-angle medium, looking down, small handheld drift She surfaces in the teal water, gasping and laughing up at the camera, hair slicked back, treading water. 13.0s–16.0s — Handheld tilt up and back down, slight zoom The camera lifts off the water and tilts up to a person leaning on the deck railing of one of the moored luxury yachts, watching her in the water, then tilts back down and zooms slightly in on her still treading and laughing. 16.0s–20.0s — High-angle medium, tilting to follow her up She swims to the stone quay wall, reaches up and grabs a thick dark mooring pole, and hauls herself out; the camera tilts upward with her as she rises from the water, legs braced on the stone. 20.0s–23.0s — Low/close medium at the quay edge, static handheld She climbs onto the stone lip, rolls onto her side, soaked dress clinging, then pushes up to her feet; the camera holds close, catching the water running off her. 23.0s–27.0s — Medium shot, eye level, loose handheld reframe Back on the promenade, dripping wet, she flips her long wet hair forward and wrings it out, laughing, as her friends and passing pedestrians move behind her. 27.0s–30.0s — Medium shot, eye level, camera settles Still dripping, she straightens up and strikes a confident, playful pose for the camera — hand on hip, tossing her wet hair back with a big smile — her friends laughing around her; the camera holds on the pose to end. Audio Live sync sound — friends laughing and shouting excitedly in French, a scream at the leap, a big water splash, water sloshing against the yacht hulls, wet footsteps on stone, ambient night marina sounds. No music. Style Raw amateur vertical phone footage, natural night lighting, warm street lamps mixing with the turquoise underwater yacht glow, authentic handheld motion.
0:30

Wan 3.0 vs Seedance 2.5 - same viral video There is only one ruler and it's clear who prompt: Raw vertical phone video (UGC), handheld throughout, filmed by a friend who walks with the group, casual sway, natural night lighting, wide-angle lens, deep focus. Characters The hero is a young woman with long dark hair in a deep-purple one-shoulder dress with a small shoulder bag. Her three friends: one in a dark brown dress, a blonde in a black wrap dress, a blonde in a white mini dress — party dresses and sandals. Laughing, spontaneous night-out energy. Setting A luxury marina at night — a stone quay along a narrow water slip flanked on both sides by large moored luxury yachts, big white hulls rising on either side, masts and rigging above, fenders on the hulls. Warm orange street lamps, palm trees, distant city lights. The yachts glow with blue-turquoise underwater LED lights spilling into the water; a yellow mooring line runs to the stone. Shot list 0.0s–4.0s — Wide tracking shot, eye level, camera moving backward The camera walks backward ahead of the four women as they stroll toward it down the marina promenade, framed head-to-toe, laughing and chatting in French; warm lamplight and palm trees behind, slight handheld bob. 4.0s–6.0s — Medium shot, eye level, backward track + quick left pan The woman in the purple dress surges ahead of the group toward the lens, one arm raised, hair flying; the camera, on their left, keeps tracking back and pans to hold her. 6.0s–8.0s — Medium-wide, camera tilts down-left to follow, whip motion She reaches the quay edge between the moored luxury yachts and launches headfirst over the edge; the handheld camera whips left and tilts down to chase her off the stone. 8.0s–10.0s — High-angle wide, looking down at the water, slight jolt From up on the quay the camera looks down as she plunges headfirst into the blue-turquoise water in the slip between the big yacht hulls — a big splash, the underwater lights glowing around the impact; the handheld frame jolts slightly with the motion. 10.0s–13.0s — High-angle medium, looking down, small handheld drift She surfaces in the teal water, gasping and laughing up at the camera, hair slicked back, treading water. 13.0s–16.0s — Handheld tilt up and back down, slight zoom The camera lifts off the water and tilts up to a person leaning on the deck railing of one of the moored luxury yachts, watching her in the water, then tilts back down and zooms slightly in on her still treading and laughing. 16.0s–20.0s — High-angle medium, tilting to follow her up She swims to the stone quay wall, reaches up and grabs a thick dark mooring pole, and hauls herself out; the camera tilts upward with her as she rises from the water, legs braced on the stone. 20.0s–23.0s — Low/close medium at the quay edge, static handheld She climbs onto the stone lip, rolls onto her side, soaked dress clinging, then pushes up to her feet; the camera holds close, catching the water running off her. 23.0s–27.0s — Medium shot, eye level, loose handheld reframe Back on the promenade, dripping wet, she flips her long wet hair forward and wrings it out, laughing, as her friends and passing pedestrians move behind her. 27.0s–30.0s — Medium shot, eye level, camera settles Still dripping, she straightens up and strikes a confident, playful pose for the camera — hand on hip, tossing her wet hair back with a big smile — her friends laughing around her; the camera holds on the pose to end. Audio Live sync sound — friends laughing and shouting excitedly in French, a scream at the leap, a big water splash, water sloshing against the yacht hulls, wet footsteps on stone, ambient night marina sounds. No music. Style Raw amateur vertical phone footage, natural night lighting, warm street lamps mixing with the turquoise underwater yacht glow, authentic handheld motion.

Stav Zilbershtein

190,802 次观看 • 1 个月前

Some people still think AI does't look real - This video just ended the argument Made with Seedance 2.5 1080p on maxfusion Full prompt: Raw vertical phone video (UGC), handheld throughout, filmed by a friend who walks with the group, casual sway, natural night lighting, wide-angle lens, deep focus. Characters: The hero is a young woman with long dark hair in a deep-purple one-shoulder dress with a small shoulder bag. Her three friends: one in a dark brown dress, a blonde in a black wrap dress, a blonde in a white mini dress — party dresses and sandals. Laughing, spontaneous night-out energy. Setting: A luxury marina at night — a stone quay along a narrow water slip flanked on both sides by large moored luxury yachts, big white hulls rising on either side, masts and rigging above, fenders on the hulls. Warm orange street lamps, palm trees, distant city lights. The yachts glow with blue-turquoise underwater LED lights spilling into the water; a yellow mooring line runs to the stone. [0.0s–4.0s] — Wide tracking shot, eye level, camera moving backward. The camera walks backward ahead of the four women as they stroll toward it down the marina promenade, framed head-to-toe, laughing and chatting in French; warm lamplight and palm trees behind, slight handheld bob. [4.0s–6.0s] — Medium shot, eye level, backward track + quick left pan. The woman in the purple dress surges ahead of the group toward the lens, one arm raised, hair flying; the camera, on their left, keeps tracking back and pans to hold her. [6.0s–8.0s] — Medium-wide, camera tilts down-left to follow, whip motion. She reaches the quay edge between the moored luxury yachts and launches headfirst over the edge; the handheld camera whips left and tilts down to chase her off the stone. [8.0s–10.0s] — High-angle wide, looking down at the water, slight jolt. From up on the quay the camera looks down as she plunges headfirst into the blue-turquoise water in the slip between the big yacht hulls — a big splash, the underwater lights glowing around the impact; the handheld frame jolts slightly with the motion. [10.0s–13.0s] — High-angle medium, looking down, small handheld drift. She surfaces in the teal water, gasping and laughing up at the camera, hair slicked back, treading water. [13.0s–16.0s] — Handheld tilt up and back down, slight zoom. The camera lifts off the water and tilts up to a person leaning on the deck railing of one of the moored luxury yachts, watching her in the water, then tilts back down and zooms slightly in on her still treading and laughing. [16.0s–20.0s] — High-angle medium, tilting to follow her up. She swims to the stone quay wall, reaches up and grabs a thick dark mooring pole, and hauls herself out; the camera tilts upward with her as she rises from the water, legs braced on the stone. [20.0s–23.0s] — Low/close medium at the quay edge, static handheld. She climbs onto the stone lip, rolls onto her side, soaked dress clinging, then pushes up to her feet; the camera holds close, catching the water running off her. [23.0s–27.0s] — Medium shot, eye level, loose handheld reframe. Back on the promenade, dripping wet, she flips her long wet hair forward and wrings it out, laughing, as her friends and passing pedestrians move behind her. [27.0s–30.0s] — Medium shot, eye level, camera settles. Still dripping, she straightens up and strikes a confident, playful pose for the camera — hand on hip, tossing her wet hair back with a big smile — her friends laughing around her; the camera holds on the pose to end. Audio: Live sync sound — friends laughing and shouting excitedly in French, a scream at the leap, a big water splash, water sloshing against the yacht hulls, wet footsteps on stone, ambient night marina sounds. No music. Style: Raw amateur vertical phone footage, natural night lighting, warm street lamps mixing with the turquoise underwater yacht glow, authentic handheld motion.
0:30

Some people still think AI does't look real - This video just ended the argument Made with Seedance 2.5 1080p on maxfusion Full prompt: Raw vertical phone video (UGC), handheld throughout, filmed by a friend who walks with the group, casual sway, natural night lighting, wide-angle lens, deep focus. Characters: The hero is a young woman with long dark hair in a deep-purple one-shoulder dress with a small shoulder bag. Her three friends: one in a dark brown dress, a blonde in a black wrap dress, a blonde in a white mini dress — party dresses and sandals. Laughing, spontaneous night-out energy. Setting: A luxury marina at night — a stone quay along a narrow water slip flanked on both sides by large moored luxury yachts, big white hulls rising on either side, masts and rigging above, fenders on the hulls. Warm orange street lamps, palm trees, distant city lights. The yachts glow with blue-turquoise underwater LED lights spilling into the water; a yellow mooring line runs to the stone. [0.0s–4.0s] — Wide tracking shot, eye level, camera moving backward. The camera walks backward ahead of the four women as they stroll toward it down the marina promenade, framed head-to-toe, laughing and chatting in French; warm lamplight and palm trees behind, slight handheld bob. [4.0s–6.0s] — Medium shot, eye level, backward track + quick left pan. The woman in the purple dress surges ahead of the group toward the lens, one arm raised, hair flying; the camera, on their left, keeps tracking back and pans to hold her. [6.0s–8.0s] — Medium-wide, camera tilts down-left to follow, whip motion. She reaches the quay edge between the moored luxury yachts and launches headfirst over the edge; the handheld camera whips left and tilts down to chase her off the stone. [8.0s–10.0s] — High-angle wide, looking down at the water, slight jolt. From up on the quay the camera looks down as she plunges headfirst into the blue-turquoise water in the slip between the big yacht hulls — a big splash, the underwater lights glowing around the impact; the handheld frame jolts slightly with the motion. [10.0s–13.0s] — High-angle medium, looking down, small handheld drift. She surfaces in the teal water, gasping and laughing up at the camera, hair slicked back, treading water. [13.0s–16.0s] — Handheld tilt up and back down, slight zoom. The camera lifts off the water and tilts up to a person leaning on the deck railing of one of the moored luxury yachts, watching her in the water, then tilts back down and zooms slightly in on her still treading and laughing. [16.0s–20.0s] — High-angle medium, tilting to follow her up. She swims to the stone quay wall, reaches up and grabs a thick dark mooring pole, and hauls herself out; the camera tilts upward with her as she rises from the water, legs braced on the stone. [20.0s–23.0s] — Low/close medium at the quay edge, static handheld. She climbs onto the stone lip, rolls onto her side, soaked dress clinging, then pushes up to her feet; the camera holds close, catching the water running off her. [23.0s–27.0s] — Medium shot, eye level, loose handheld reframe. Back on the promenade, dripping wet, she flips her long wet hair forward and wrings it out, laughing, as her friends and passing pedestrians move behind her. [27.0s–30.0s] — Medium shot, eye level, camera settles. Still dripping, she straightens up and strikes a confident, playful pose for the camera — hand on hip, tossing her wet hair back with a big smile — her friends laughing around her; the camera holds on the pose to end. Audio: Live sync sound — friends laughing and shouting excitedly in French, a scream at the leap, a big water splash, water sloshing against the yacht hulls, wet footsteps on stone, ambient night marina sounds. No music. Style: Raw amateur vertical phone footage, natural night lighting, warm street lamps mixing with the turquoise underwater yacht glow, authentic handheld motion.

Stav Zilbershtein

422,329 次观看 • 1 个月前

Seedance 2.5 is good at looking upstaged🤯 generated on arcads full prompt: Single unbroken handheld take throughout, 30 seconds total. Young Caucasian woman, long wavy platinum-blonde hair, blue eyes, wearing an oversized red and white vintage football jersey, black denim shorts, white crew socks, and white sneakers, sitting pensively on a sofa inside a large bright suburban Parisian house, summer daytime, sunlight through the windows, young adults dancing and laughing around her holding drinks, loud music implied by energetic crowd movement. 0-4s: She rises from the sofa empty-handed, walks toward a kitchen table lined with alcohol bottles and glasses. Handheld camera follows close behind her shoulder, slightly shaky. 4-8s: She pours herself a glass of champagne, sips it. Camera holds behind her, shaky, close distance. 8-13s: She weaves through the dancing, laughing crowd, some standing, some in groups laughing on sofas, toward a large glass bay window. Camera continues following close behind her, no cut. 13-16s: She steps outside into the garden, a big pool comes into view with young adults swimming and laughing inside it. Camera smoothly rotates from following behind her to facing her. She looks toward the pool with amusement, smiles, sets her champagne glass down on a small table beside a lounge chair. 16-20s: She removes her oversized football jersey, places it on the back of the lounge chair, then removes her black denim shorts, places them on the lounge chair, revealing a simple black swimsuit underneath. Camera holds a medium shot facing her, slight handheld sway. 20-24s: She walks toward the pool, camera repositions behind her as she walks, then she breaks into a run. Handheld camera follows close, shaky, matching her pace. 24-27s: She dives into the pool shouting “take care”, landing in the water among other laughing young adults. Camera dives in with her, briefly submerged underwater alongside the swimmers. 27-30s: She resurfaces laughing, joins the laughing adults nearby. Camera is up in the air, revealing a wide aerial view of the house, garden and pool. Bright natural summer daylight, warm sunlit color palette, candid documentary energy, slight handheld lens wobble throughout. Maintain her exact long wavy platinum-blonde hairstyle, blue eyes, oversized red and white vintage football jersey, black denim shorts, white crew socks, and white sneakers until she undresses, then maintain the same simple black swimsuit for the remainder. Background party guests and swimmers generic, unnamed. No text overlays, no flickering, no ghosting, no morphing artifacts, natural skin tones, stable continuous handheld motion, no hard cuts at any point.
0:30

Seedance 2.5 is good at looking upstaged🤯 generated on arcads full prompt: Single unbroken handheld take throughout, 30 seconds total. Young Caucasian woman, long wavy platinum-blonde hair, blue eyes, wearing an oversized red and white vintage football jersey, black denim shorts, white crew socks, and white sneakers, sitting pensively on a sofa inside a large bright suburban Parisian house, summer daytime, sunlight through the windows, young adults dancing and laughing around her holding drinks, loud music implied by energetic crowd movement. 0-4s: She rises from the sofa empty-handed, walks toward a kitchen table lined with alcohol bottles and glasses. Handheld camera follows close behind her shoulder, slightly shaky. 4-8s: She pours herself a glass of champagne, sips it. Camera holds behind her, shaky, close distance. 8-13s: She weaves through the dancing, laughing crowd, some standing, some in groups laughing on sofas, toward a large glass bay window. Camera continues following close behind her, no cut. 13-16s: She steps outside into the garden, a big pool comes into view with young adults swimming and laughing inside it. Camera smoothly rotates from following behind her to facing her. She looks toward the pool with amusement, smiles, sets her champagne glass down on a small table beside a lounge chair. 16-20s: She removes her oversized football jersey, places it on the back of the lounge chair, then removes her black denim shorts, places them on the lounge chair, revealing a simple black swimsuit underneath. Camera holds a medium shot facing her, slight handheld sway. 20-24s: She walks toward the pool, camera repositions behind her as she walks, then she breaks into a run. Handheld camera follows close, shaky, matching her pace. 24-27s: She dives into the pool shouting “take care”, landing in the water among other laughing young adults. Camera dives in with her, briefly submerged underwater alongside the swimmers. 27-30s: She resurfaces laughing, joins the laughing adults nearby. Camera is up in the air, revealing a wide aerial view of the house, garden and pool. Bright natural summer daylight, warm sunlit color palette, candid documentary energy, slight handheld lens wobble throughout. Maintain her exact long wavy platinum-blonde hairstyle, blue eyes, oversized red and white vintage football jersey, black denim shorts, white crew socks, and white sneakers until she undresses, then maintain the same simple black swimsuit for the remainder. Background party guests and swimmers generic, unnamed. No text overlays, no flickering, no ghosting, no morphing artifacts, natural skin tones, stable continuous handheld motion, no hard cuts at any point.

Romain Torres

28,982 次观看 • 1 个月前

Looks real 😲 No B - I made it using Seedance 2.5 Prompt 👇 Young adult woman with long dark brown hair, green eyes, wearing a fitted white crop top, light-blue denim shorts and white sneakers, sitting casually on a sofa inside a luxurious modern beach house, bright summer afternoon, huge glass windows overlooking the ocean, friends laughing and moving around in the background, upbeat party atmosphere. She suddenly gets up from the sofa and walks toward the open glass doors. Handheld camera follows closely behind her shoulder, natural shaky movement and slight autofocus shifts. She grabs a pair of sunglasses from a table, puts them on while continuing to walk. She steps onto the wooden deck overlooking the beach, pauses for a moment and looks toward the ocean. She kicks off her sneakers, runs down the wooden stairs toward the sand. Camera follows behind her at running pace, slightly shaky and energetic. She reaches the shoreline, turns toward the camera laughing, then runs directly into the shallow waves. Camera follows her into the water, briefly dipping below the surface as she splashes through the waves. She comes back up laughing, pushes her wet hair away from her face and looks toward the horizon. Bright natural sunlight, warm coastal color palette, realistic water physics, candid documentary energy, subtle handheld lens wobble, natural motion blur, photorealistic cinematic quality.
0:27

Looks real 😲 No B - I made it using Seedance 2.5 Prompt 👇 Young adult woman with long dark brown hair, green eyes, wearing a fitted white crop top, light-blue denim shorts and white sneakers, sitting casually on a sofa inside a luxurious modern beach house, bright summer afternoon, huge glass windows overlooking the ocean, friends laughing and moving around in the background, upbeat party atmosphere. She suddenly gets up from the sofa and walks toward the open glass doors. Handheld camera follows closely behind her shoulder, natural shaky movement and slight autofocus shifts. She grabs a pair of sunglasses from a table, puts them on while continuing to walk. She steps onto the wooden deck overlooking the beach, pauses for a moment and looks toward the ocean. She kicks off her sneakers, runs down the wooden stairs toward the sand. Camera follows behind her at running pace, slightly shaky and energetic. She reaches the shoreline, turns toward the camera laughing, then runs directly into the shallow waves. Camera follows her into the water, briefly dipping below the surface as she splashes through the waves. She comes back up laughing, pushes her wet hair away from her face and looks toward the horizon. Bright natural sunlight, warm coastal color palette, realistic water physics, candid documentary energy, subtle handheld lens wobble, natural motion blur, photorealistic cinematic quality.

Smiling Khan

49,220 次观看 • 1 个月前

Wow 😳 .. Believe me it is AI Seedance 2.5 Prompt 👇 Young Caucasian woman, chin-length auburn bob haircut, green eyes, wearing a pink short top and white denim shorts, sitting pensively on a sofa inside a large bright suburban Parisian house, summer daytime, sunlight through the windows, young adults dancing and laughing around her holding drinks, loud music implied by energetic crowd movement. She rises from the sofa empty-handed, walks toward a kitchen table lined with alcohol bottles and glasses. Handheld camera follows close behind her shoulder, slightly shaky. She pours herself a glass of champagne, sips it. Camera holds behind her, shaky, close distance. She weaves through the dancing, laughing crowd, some standing, some in groups laughing on sofas, toward a large glass bay window. Camera continues following close behind her, no cut. She steps outside into the garden, a big pool comes into view with young adults swimming and laughing inside it. Camera smoothly rotates from following behind her to facing her. She looks toward the pool with amusement, smiles, sets her champagne glass down on a small table beside a lounge chair. She removes her jersey, places it on the back of the lounge chair, then removes her white denim shorts, places them on the lounge chair, revealing a swimsuit underneath. Camera holds a medium shot facing her, slight handheld sway. She walks toward the pool, camera repositions behind her as she walks, then she breaks into a run. Handheld camera follows close, shaky, matching her pace. She dives into the pool shouting "take care", landing in the water among other laughing young adults. Camera dives in with her, briefly submerged underwater alongside the swimmers. She resurfaces laughing, joins the laughing adults nearby. Camera is up in the air, revealing a wide aerial view of the house, garden and pool. Bright natural summer daylight, warm sunlit color palette, candid documentary energy, slight handheld lens wobble throughout.
0:30

Sensitive content

Wow 😳 .. Believe me it is AI Seedance 2.5 Prompt 👇 Young Caucasian woman, chin-length auburn bob haircut, green eyes, wearing a pink short top and white denim shorts, sitting pensively on a sofa inside a large bright suburban Parisian house, summer daytime, sunlight through the windows, young adults dancing and laughing around her holding drinks, loud music implied by energetic crowd movement. She rises from the sofa empty-handed, walks toward a kitchen table lined with alcohol bottles and glasses. Handheld camera follows close behind her shoulder, slightly shaky. She pours herself a glass of champagne, sips it. Camera holds behind her, shaky, close distance. She weaves through the dancing, laughing crowd, some standing, some in groups laughing on sofas, toward a large glass bay window. Camera continues following close behind her, no cut. She steps outside into the garden, a big pool comes into view with young adults swimming and laughing inside it. Camera smoothly rotates from following behind her to facing her. She looks toward the pool with amusement, smiles, sets her champagne glass down on a small table beside a lounge chair. She removes her jersey, places it on the back of the lounge chair, then removes her white denim shorts, places them on the lounge chair, revealing a swimsuit underneath. Camera holds a medium shot facing her, slight handheld sway. She walks toward the pool, camera repositions behind her as she walks, then she breaks into a run. Handheld camera follows close, shaky, matching her pace. She dives into the pool shouting "take care", landing in the water among other laughing young adults. Camera dives in with her, briefly submerged underwater alongside the swimmers. She resurfaces laughing, joins the laughing adults nearby. Camera is up in the air, revealing a wide aerial view of the house, garden and pool. Bright natural summer daylight, warm sunlit color palette, candid documentary energy, slight handheld lens wobble throughout.

Smiling Khan

96,092 次观看 • 1 个月前

Made with seedance 2.5 A spontaneous nostalgic winter memory filmed on an old consumer MiniDV camcorder. Handheld POV operated casually by a friend/family member, with occasional imperfect framing, hand shake, delayed autofocus, exposure pumping, awkward zooms, slight motion blur, tape grain and soft DV image quality. No polished cinematic look. CHARACTER: Korean woman in her 20s, long slightly messy straight black hair, realistic dewy skin, minimal makeup, expressive eyes. Oversized cream sweater, loose pants and socks indoors; dark winter coat, scarf and winter shoes outside. Keep identical face, hair, body and wardrobe continuity. 0–5s: She sits lazily on her bed scrolling on her phone. Notices snow outside, pauses and says softly, “Wait... is it actually snowing?” 5–10s: She rushes to the window and opens the curtain. Snow is falling outside. Exposure shifts naturally. She smiles in disbelief as autofocus briefly switches between her face and snowy background. 10–16s: Excited, she grabs her coat, puts it on, wraps a scarf and hurriedly puts on shoes. Camera follows imperfectly as she gestures toward the door like “Come on.” 16–21s: She opens the apartment door and rushes outside. Cool daylight enters, exposure adjusts, and the sound changes from quiet room tone to footsteps, traffic and winter wind. 21–26s: She stops on the snowy sidewalk, looks upward and catches snowflakes in her palm. Her breath is subtly visible and snow moves naturally around her. 26–30s: Close handheld shot. Snow lands on her hair and coat. One flake hits the camera lens, creating a soft blur. She turns toward the camera and smiles warmly, saying, “I haven't seen the first snow in so long.” Camera remains shaky as snowfall continues. AUDIO: Only natural room tone, phone handling, curtain, footsteps, coat fabric, door, wind, traffic, city ambience and intimate camcorder-recorded dialogue. No music. REALISM LOCK: Authentic MiniDV imperfections, realistic snow physics, natural hair/fabric movement, believable lighting and exposure. No CGI, plastic skin, face drift, duplicated people, distorted hands, fantasy snowfall, beauty filters, subtitles, logos or watermark.
0:30

Made with seedance 2.5 A spontaneous nostalgic winter memory filmed on an old consumer MiniDV camcorder. Handheld POV operated casually by a friend/family member, with occasional imperfect framing, hand shake, delayed autofocus, exposure pumping, awkward zooms, slight motion blur, tape grain and soft DV image quality. No polished cinematic look. CHARACTER: Korean woman in her 20s, long slightly messy straight black hair, realistic dewy skin, minimal makeup, expressive eyes. Oversized cream sweater, loose pants and socks indoors; dark winter coat, scarf and winter shoes outside. Keep identical face, hair, body and wardrobe continuity. 0–5s: She sits lazily on her bed scrolling on her phone. Notices snow outside, pauses and says softly, “Wait... is it actually snowing?” 5–10s: She rushes to the window and opens the curtain. Snow is falling outside. Exposure shifts naturally. She smiles in disbelief as autofocus briefly switches between her face and snowy background. 10–16s: Excited, she grabs her coat, puts it on, wraps a scarf and hurriedly puts on shoes. Camera follows imperfectly as she gestures toward the door like “Come on.” 16–21s: She opens the apartment door and rushes outside. Cool daylight enters, exposure adjusts, and the sound changes from quiet room tone to footsteps, traffic and winter wind. 21–26s: She stops on the snowy sidewalk, looks upward and catches snowflakes in her palm. Her breath is subtly visible and snow moves naturally around her. 26–30s: Close handheld shot. Snow lands on her hair and coat. One flake hits the camera lens, creating a soft blur. She turns toward the camera and smiles warmly, saying, “I haven't seen the first snow in so long.” Camera remains shaky as snowfall continues. AUDIO: Only natural room tone, phone handling, curtain, footsteps, coat fabric, door, wind, traffic, city ambience and intimate camcorder-recorded dialogue. No music. REALISM LOCK: Authentic MiniDV imperfections, realistic snow physics, natural hair/fabric movement, believable lighting and exposure. No CGI, plastic skin, face drift, duplicated people, distorted hands, fantasy snowfall, beauty filters, subtitles, logos or watermark.

Anissa

37,495 次观看 • 1 个月前

Can't get enough of Seedance 2.5. The best part is it can generate 30s video in one single prompt, and the result is so realistic! So, here's another one that I made using CapCut. Prompt: [STYLE + CAMERA + ATMOSPHERE] Gritty, raw handheld 35mm film aesthetic with natural film grain. Harsh direct sunlight creating high-contrast shadows over a dramatic coastal cliff and open ocean. Continuous single-take handheld tracking shot (3rd-person / over-the-shoulder) with no cuts. Atmosphere: high-altitude wind, realistic coastal cliff and ocean physics, sudden wingsuit deployment. Audio: heavy rhythmic breathing, intense wind howl, fabric snap of wingsuit opening, high-speed air rush over open water, near-miss whooshes past yachts, soft landing roll on sand, distant ocean waves and beach ambient noise, final bite sounds. [IMAGE REFERENCES] Use the provided Hoshino character sheet as the single strict visual reference for the male character. Exact face, black hair, dark brown eyes, lean athletic build (178 cm), gold earrings, and overall facial structure locked from the reference. Outfit: modern high-performance cliff-jumping wingsuit — sleek, form-fitting design in matte charcoal black with sharp white paneling and subtle gold zipper accents (matching his minimalist aesthetic). The wingsuit is worn from the start with a matching technical backpack. Body proportions, posture, and face remain fully locked to the Hoshino reference. [TIMELINE SECOND BY SECOND] 0-3s: [Handheld medium] Hoshino stands on the edge of a high rocky cliff overlooking the open ocean, wearing his charcoal-and-white wingsuit and technical backpack. He looks straight into the camera with calm, confident intensity, then turns and launches into a clear, controlled forward somersault in slow motion as he leaves the cliff edge. 3-5s: [Continuous freefall] He completes the somersault and falls head-first toward the sea. At exactly 1.5 seconds into the fall he fully deploys the wingsuit with a sharp snap. The wing membranes inflate and he levels out into a smooth glide. 5-12s: [High-speed tracking] Camera stays locked behind him as he rockets at full speed just above the ocean surface along the coastline. He weaves tightly past sheer cliff faces, banking hard left and right, turquoise water and rocky walls streaking past at extreme velocity. 12-18s: [Low-level chaos] He drops lower, flying just above the water. He almost collides with a large luxury yacht that suddenly turns, banks hard to avoid it, then narrowly misses a smaller motor yacht. He dips under a yacht’s outstretched boom and threads between two more vessels. 18-23s: [Water-level action] Still flying extremely low over the sea, he dodges a startled seabird that dives across his path, skims past a group of people on a nearby yacht who scatter in surprise, and banks sharply to avoid an open yacht swim platform. The camera stays locked behind him through every near-miss. 23-26s: [Landing] He flares the wingsuit hard, touches down with both feet on the soft beach sand and immediately rolls forward to kill the speed. He stands up, peels off the wingsuit in one fluid motion and drops it on the sand beside him, revealing a clean fitted white undershirt underneath. 26-28s: [Beach level] He walks a few steps still wearing the backpack and stops right in front of a classic beachside hot-dog cart. The vendor hands him a steaming hot dog fresh off the grill. 28-30s: [Close continuous] He turns, looks directly into the camera, takes a big bite of the hot dog and chews with a calm, satisfied expression as the shot holds. [STYLE & QUALITY BOOSTERS] Photorealistic 8K, ultra-detailed textures, cinematic lighting, perfect motion blur, high dynamic range, coherent physics (fabric, air, wingsuit membranes, impact, roll, near-misses with yachts, water spray), stable character locked to the Hoshino reference, realistic ocean reflections, cliff rock textures and wind, no artifacts, movie-level stability, pure single continuous take.
0:30

Can't get enough of Seedance 2.5. The best part is it can generate 30s video in one single prompt, and the result is so realistic! So, here's another one that I made using CapCut. Prompt: [STYLE + CAMERA + ATMOSPHERE] Gritty, raw handheld 35mm film aesthetic with natural film grain. Harsh direct sunlight creating high-contrast shadows over a dramatic coastal cliff and open ocean. Continuous single-take handheld tracking shot (3rd-person / over-the-shoulder) with no cuts. Atmosphere: high-altitude wind, realistic coastal cliff and ocean physics, sudden wingsuit deployment. Audio: heavy rhythmic breathing, intense wind howl, fabric snap of wingsuit opening, high-speed air rush over open water, near-miss whooshes past yachts, soft landing roll on sand, distant ocean waves and beach ambient noise, final bite sounds. [IMAGE REFERENCES] Use the provided Hoshino character sheet as the single strict visual reference for the male character. Exact face, black hair, dark brown eyes, lean athletic build (178 cm), gold earrings, and overall facial structure locked from the reference. Outfit: modern high-performance cliff-jumping wingsuit — sleek, form-fitting design in matte charcoal black with sharp white paneling and subtle gold zipper accents (matching his minimalist aesthetic). The wingsuit is worn from the start with a matching technical backpack. Body proportions, posture, and face remain fully locked to the Hoshino reference. [TIMELINE SECOND BY SECOND] 0-3s: [Handheld medium] Hoshino stands on the edge of a high rocky cliff overlooking the open ocean, wearing his charcoal-and-white wingsuit and technical backpack. He looks straight into the camera with calm, confident intensity, then turns and launches into a clear, controlled forward somersault in slow motion as he leaves the cliff edge. 3-5s: [Continuous freefall] He completes the somersault and falls head-first toward the sea. At exactly 1.5 seconds into the fall he fully deploys the wingsuit with a sharp snap. The wing membranes inflate and he levels out into a smooth glide. 5-12s: [High-speed tracking] Camera stays locked behind him as he rockets at full speed just above the ocean surface along the coastline. He weaves tightly past sheer cliff faces, banking hard left and right, turquoise water and rocky walls streaking past at extreme velocity. 12-18s: [Low-level chaos] He drops lower, flying just above the water. He almost collides with a large luxury yacht that suddenly turns, banks hard to avoid it, then narrowly misses a smaller motor yacht. He dips under a yacht’s outstretched boom and threads between two more vessels. 18-23s: [Water-level action] Still flying extremely low over the sea, he dodges a startled seabird that dives across his path, skims past a group of people on a nearby yacht who scatter in surprise, and banks sharply to avoid an open yacht swim platform. The camera stays locked behind him through every near-miss. 23-26s: [Landing] He flares the wingsuit hard, touches down with both feet on the soft beach sand and immediately rolls forward to kill the speed. He stands up, peels off the wingsuit in one fluid motion and drops it on the sand beside him, revealing a clean fitted white undershirt underneath. 26-28s: [Beach level] He walks a few steps still wearing the backpack and stops right in front of a classic beachside hot-dog cart. The vendor hands him a steaming hot dog fresh off the grill. 28-30s: [Close continuous] He turns, looks directly into the camera, takes a big bite of the hot dog and chews with a calm, satisfied expression as the shot holds. [STYLE & QUALITY BOOSTERS] Photorealistic 8K, ultra-detailed textures, cinematic lighting, perfect motion blur, high dynamic range, coherent physics (fabric, air, wingsuit membranes, impact, roll, near-misses with yachts, water spray), stable character locked to the Hoshino reference, realistic ocean reflections, cliff rock textures and wind, no artifacts, movie-level stability, pure single continuous take.

MrDejie

198,144 次观看 • 1 个月前

20 shots in 30seconds. Yes! you can do that much with Seedance 2.5! Made on LovartAI Prompt 👇 Create a 30-second cinematic continuous one-shot where both the world and the character are constantly moving. The transformation must never feel like a girl simply walking while backgrounds change. Her body, momentum, balance, position, and reactions should actively cause or motivate each transition. No cuts, no fades, no dissolves. The camera may whip, orbit, dive, roll, pass behind objects, move overhead, go low to the ground, rush toward her, or briefly lose sight of her behind foreground elements, but it must remain one physically continuous shot. Character: A realistic Japanese girl in her early 20s. Natural features, long dark hair, athletic and expressive. Casual modern clothes that stay readable as they get wet, dusty, torn, and transformed by each world. Photoreal, not anime. Start in a bright Candy World. Giant lollipops, frosting hills, candy-cane trees, and sugar dust in the air. The girl hears a rumble and spins around. The camera rushes backward in front of her as she runs toward a gigantic painting of a lava cake. She skids to a stop. Molten chocolate lava suddenly explodes out of the canvas. She dives sideways as real lava-cake flood crashes across the candy floor. The camera drops almost to floor level with the rushing chocolate. She grabs a giant candy bench to stop herself. The bench stretches beneath her hands and becomes a fallen log. The camera swings around her. She is suddenly in the Year of the Dinosaurs, hanging from a tree as a massive dinosaur charges past. She pulls herself up, runs, jumps over a sliding boulder, ducks beneath a swinging vine, then grabs a giant leaf. The camera rises with the leaf. The leaf wraps around her. She tears through it and tumbles onto a paper world. The same leaf is now a huge sheet of folded paper. She rolls across paper mountains, pushes herself up, and immediately begins running as paper buildings unfold around her. The camera races sideways with her. Paper edges whip past the lens and transform into glass. The paper city becomes a modern skyscraper corridor. She runs across glossy floors as windows race past. She loses her footing near an open shaft and falls. The camera dives with her. The glass walls become rough stone. She lands hard inside a prehistoric BC cave. Torches flicker. She crawls forward, then sprints as the cave opens onto an ancient battlefield. Spears and banners rush past. She drops flat as riders leap over her. From ground level a giant war banner falls toward the lens. She grabs its edge. The wind yanks her upward. For a moment she is lifted completely off the ground. As the camera rotates with her, the banner becomes the feathers of a gigantic bird. She is suddenly riding on the big bird’s back high in the sky. She holds on as it banks through clouds. The bird dives. She slips, grabs a talon, then drops. The camera falls with her. She plunges into an underground river. Now underwater, her momentum continues naturally. She swims with the current through a dark cavern, then breaks the surface onto an abandoned island. Skeletons lie scattered across the sand and rocks. She stands, panting, then steps on a glass shard. The island shrinks around her. The camera pulls back as the whole island is revealed inside a giant glass bottle. She is trapped inside the bottle. The bottle tips. She slides, slams against the glass, and the glass becomes a dusty window. She crashes through it into a creepy house. Creaking floors, peeling wallpaper, long hallways. She runs. A door slams open. The house corridors fill with a zombie world. She dodges reaching hands, leaps over fallen furniture, and bursts through a classroom door. She is suddenly in a school classroom. Desks scatter as she sprints across them and jumps through an open window. The camera follows her through the window. She does not land in a yard. She lands on the top of a building. Wind slams her. She runs across the rooftop, then slips off the edge. The camera dives beside her. She hits water. Now underwater again. She swims upward toward a bright shape. When she breaks the surface, she is pulling herself into a pilot’s cockpit of a flying plane. Instruments shake. She grabs the controls, then the plane punches through clouds into a dense forest. The cockpit becomes tree branches. She tumbles through leaves, rolls across moss, and slams onto a mattress. Instantly she is sitting upright in bed. Morning. Silence. The camera is now extremely close to her face. She gasps awake. For the first time in the entire film, everything becomes completely still. Her bedroom is ordinary. She looks around. She touches the mattress. Checks her hands. Relieved, she lies back down. Then something drips onto her forehead. She looks up. The ceiling above her bed is gently rippling like candy glaze mixed with water. A large shadow slowly moves across it. Her expression changes from relief to disbelief. Then the entire bed suddenly tilts. She grabs the mattress as her alarm clock, pillow, lamp, and furniture begin sliding toward one side of the room. End exactly as she begins sliding out of bed, suggesting that waking up was only another stage of the transformation. The action should feel choreographed like a physical adventure. The girl must run, sprint, skid, dive, fall, climb, hang, swing, crawl, jump, roll, swim, land, sit, get thrown through spaces, and briefly become weightless. Her position within the frame should constantly change: close-up, full-body, profile, silhouette, overhead, low-angle, behind her, directly in front of her, underwater, upside down, falling beside her, and orbiting around her. Transitions should be triggered by her actions. When she grabs something, it becomes something else. When she falls, the next world catches her. When she jumps through an opening, that opening becomes another location. When an object crosses the camera, it transforms while hiding part of the environment. Use physical match transitions such as: candy bench → dinosaur-era log giant leaf → paper sheet paper edges → skyscraper glass falling shaft → BC cave stone war banner → giant bird feathers bird dive → underground river island sand → bottle glass bottle glass → creepy house window house door → zombie world zombie corridor → classroom classroom window → rooftop rooftop fall → underwater water surface → pilot cockpit cockpit / clouds → forest branches forest ground → bedroom mattress The camera movement itself should help generate transitions. A whip-pan can turn one moving object into another. A 360-degree orbit can reveal a completely transformed environment by the time it completes. Passing behind fabric, pillars, people, waves, vehicles, doors, or the girl’s body can briefly obscure parts of the frame while the transformation happens continuously. Despite the speed, every transformation must remain visually understandable. The result should feel less like a transformation montage and more like one impossible 30-second physical journey in which the girl is being chased, thrown, carried, dropped, and pulled through realities that continuously grow out of one another. Tone: exhilarating, mysterious, playful, cinematic, photoreal, large-scale, dreamlike, and full of wonder.
0:30

20 shots in 30seconds. Yes! you can do that much with Seedance 2.5! Made on LovartAI Prompt 👇 Create a 30-second cinematic continuous one-shot where both the world and the character are constantly moving. The transformation must never feel like a girl simply walking while backgrounds change. Her body, momentum, balance, position, and reactions should actively cause or motivate each transition. No cuts, no fades, no dissolves. The camera may whip, orbit, dive, roll, pass behind objects, move overhead, go low to the ground, rush toward her, or briefly lose sight of her behind foreground elements, but it must remain one physically continuous shot. Character: A realistic Japanese girl in her early 20s. Natural features, long dark hair, athletic and expressive. Casual modern clothes that stay readable as they get wet, dusty, torn, and transformed by each world. Photoreal, not anime. Start in a bright Candy World. Giant lollipops, frosting hills, candy-cane trees, and sugar dust in the air. The girl hears a rumble and spins around. The camera rushes backward in front of her as she runs toward a gigantic painting of a lava cake. She skids to a stop. Molten chocolate lava suddenly explodes out of the canvas. She dives sideways as real lava-cake flood crashes across the candy floor. The camera drops almost to floor level with the rushing chocolate. She grabs a giant candy bench to stop herself. The bench stretches beneath her hands and becomes a fallen log. The camera swings around her. She is suddenly in the Year of the Dinosaurs, hanging from a tree as a massive dinosaur charges past. She pulls herself up, runs, jumps over a sliding boulder, ducks beneath a swinging vine, then grabs a giant leaf. The camera rises with the leaf. The leaf wraps around her. She tears through it and tumbles onto a paper world. The same leaf is now a huge sheet of folded paper. She rolls across paper mountains, pushes herself up, and immediately begins running as paper buildings unfold around her. The camera races sideways with her. Paper edges whip past the lens and transform into glass. The paper city becomes a modern skyscraper corridor. She runs across glossy floors as windows race past. She loses her footing near an open shaft and falls. The camera dives with her. The glass walls become rough stone. She lands hard inside a prehistoric BC cave. Torches flicker. She crawls forward, then sprints as the cave opens onto an ancient battlefield. Spears and banners rush past. She drops flat as riders leap over her. From ground level a giant war banner falls toward the lens. She grabs its edge. The wind yanks her upward. For a moment she is lifted completely off the ground. As the camera rotates with her, the banner becomes the feathers of a gigantic bird. She is suddenly riding on the big bird’s back high in the sky. She holds on as it banks through clouds. The bird dives. She slips, grabs a talon, then drops. The camera falls with her. She plunges into an underground river. Now underwater, her momentum continues naturally. She swims with the current through a dark cavern, then breaks the surface onto an abandoned island. Skeletons lie scattered across the sand and rocks. She stands, panting, then steps on a glass shard. The island shrinks around her. The camera pulls back as the whole island is revealed inside a giant glass bottle. She is trapped inside the bottle. The bottle tips. She slides, slams against the glass, and the glass becomes a dusty window. She crashes through it into a creepy house. Creaking floors, peeling wallpaper, long hallways. She runs. A door slams open. The house corridors fill with a zombie world. She dodges reaching hands, leaps over fallen furniture, and bursts through a classroom door. She is suddenly in a school classroom. Desks scatter as she sprints across them and jumps through an open window. The camera follows her through the window. She does not land in a yard. She lands on the top of a building. Wind slams her. She runs across the rooftop, then slips off the edge. The camera dives beside her. She hits water. Now underwater again. She swims upward toward a bright shape. When she breaks the surface, she is pulling herself into a pilot’s cockpit of a flying plane. Instruments shake. She grabs the controls, then the plane punches through clouds into a dense forest. The cockpit becomes tree branches. She tumbles through leaves, rolls across moss, and slams onto a mattress. Instantly she is sitting upright in bed. Morning. Silence. The camera is now extremely close to her face. She gasps awake. For the first time in the entire film, everything becomes completely still. Her bedroom is ordinary. She looks around. She touches the mattress. Checks her hands. Relieved, she lies back down. Then something drips onto her forehead. She looks up. The ceiling above her bed is gently rippling like candy glaze mixed with water. A large shadow slowly moves across it. Her expression changes from relief to disbelief. Then the entire bed suddenly tilts. She grabs the mattress as her alarm clock, pillow, lamp, and furniture begin sliding toward one side of the room. End exactly as she begins sliding out of bed, suggesting that waking up was only another stage of the transformation. The action should feel choreographed like a physical adventure. The girl must run, sprint, skid, dive, fall, climb, hang, swing, crawl, jump, roll, swim, land, sit, get thrown through spaces, and briefly become weightless. Her position within the frame should constantly change: close-up, full-body, profile, silhouette, overhead, low-angle, behind her, directly in front of her, underwater, upside down, falling beside her, and orbiting around her. Transitions should be triggered by her actions. When she grabs something, it becomes something else. When she falls, the next world catches her. When she jumps through an opening, that opening becomes another location. When an object crosses the camera, it transforms while hiding part of the environment. Use physical match transitions such as: candy bench → dinosaur-era log giant leaf → paper sheet paper edges → skyscraper glass falling shaft → BC cave stone war banner → giant bird feathers bird dive → underground river island sand → bottle glass bottle glass → creepy house window house door → zombie world zombie corridor → classroom classroom window → rooftop rooftop fall → underwater water surface → pilot cockpit cockpit / clouds → forest branches forest ground → bedroom mattress The camera movement itself should help generate transitions. A whip-pan can turn one moving object into another. A 360-degree orbit can reveal a completely transformed environment by the time it completes. Passing behind fabric, pillars, people, waves, vehicles, doors, or the girl’s body can briefly obscure parts of the frame while the transformation happens continuously. Despite the speed, every transformation must remain visually understandable. The result should feel less like a transformation montage and more like one impossible 30-second physical journey in which the girl is being chased, thrown, carried, dropped, and pulled through realities that continuously grow out of one another. Tone: exhilarating, mysterious, playful, cinematic, photoreal, large-scale, dreamlike, and full of wonder.

MrDejie

33,788 次观看 • 1 个月前

Seedance 2.5 vs WAN 3.0 - same viral video One of them is dead in the water - You judge Prompt: Handheld digital camcorder aesthetic, landscape framing. A gorgeous fitness and food influencer films herself by hand in selfie-cam and first-person style while cooking a late-night high-protein meal after training and a shower. Keep realistic hand shake, slightly crooked framing, autofocus briefly hunting between her face and the food, awkward zoom-ins onto the pan, occasional motion blur, brief lens steam-up over the hot pan that clears naturally, and small framing mistakes where her face or the pan edge slips out of frame. Mix handheld selfie footage with a few fixed external shots. Important: never show her placing, adjusting, or setting up a camera. When switching from handheld footage to a fixed external angle, use a clean jump cut as if the camera had already been positioned before the shot began. The camera itself must never appear on screen or in the window reflection. LOOK: Warm late-night kitchen light. A single warm pendant over the counter, cool blue night visible through the window behind her, under-cabinet strip light glowing on the backsplash. Slight camcorder softness, faint noise in the shadows, mild bloom on the pendant. Food realism is the core of the look: real sizzle with fine oil spatter, steam rising and curling from the pan, honest food textures with sear marks and glistening surfaces, knife cuts that separate cleanly, droplets on rinsed vegetables. Realistic skin texture, fresh-from-the-shower glow, clean dewy skin, realistic skin tones. STYLE: A realistic late-night what-I-eat-after-training vlog. The tone is relaxed, hungry, funny, quietly confident, and natural, talking to the lens like a friend while her hands keep working. She is clearly attractive and charismatic, but the video must feel like a believable self-recorded kitchen vlog, not a food commercial. Fast clean jump cuts, strong continuity, natural body language, real kitchen sounds, sizzle, chopping, no awkward dead moments. CHARACTER: The woman in the reference image. Her face, features, skin tone, body, and clothing must match the reference image exactly in every shot — she wears exactly what she is wearing in the reference image. Do not restyle, beautify, or alter her in any way beyond the reference. The one addition: a soft white towel wrapped around her head like a turban, as if she just stepped out of the shower. The towel stays neatly wrapped for the whole video. A few small damp strands of hair may peek out at the hairline and neck. Minimal or no makeup, fresh clean post-shower look. A small kitchen towel over one shoulder for most of the video. SETTING: A small warm real apartment kitchen at night. Wooden counter with knife marks, a gas hob with one cast-iron pan, a cutting board with chicken breast and vegetables, a bowl of cooked rice, a bottle of olive oil, salt in a small dish, a fridge with magnets and photos, dishes drying on a rack, dark window over the sink reflecting the warm kitchen. Lived-in and slightly cluttered. No other people, no pets. IMPORTANT CONTINUITY RULES: The same woman from the reference image must remain fully consistent in every shot. No face changes, no outfit changes, no body changes. The head towel stays wrapped in the same position in every shot — it never unwraps, falls, changes color, or disappears. The meal progresses in one direction only: raw ingredients, then chopping, then searing, then plating, then eating, and never reverses or regenerates. Food already cooked never becomes raw again. Hands and knife are the top priority: five fingers always, correct knife grip with curled guiding fingers, clean cuts, the knife never bends and never passes through her hand. The pan, board, oil bottle and rice bowl stay in the same positions. Steam and sizzle must behave with real physics. No extra people, including in the dark window reflection, and the reflection never shows a camera. No duplicated limbs. No camera visible. No camera setup shown. Keep her matching the reference image, warm, and photogenic in every shot. STORYBOARD: 30 seconds total, 10 cuts. (~3s, arm's-length selfie) She leans on the counter, towel wrapped on her head, clearly fresh from the shower after training, and grins tiredly at the lens. Dialogue: "Trained late. Showered. Starving. Let's cook." (~3s, handheld pan across the counter and back to her) The camera drifts across the board with raw chicken and vegetables, the pan, the rice bowl, then back up to her face. Dialogue: "Ten minute meal. Watch." (~3s, fixed external medium shot from across the counter) Jump cut. She is already chopping a red pepper with quick confident cuts, guiding fingers curled, pieces falling evenly. No camera setup shown. No dialogue, just the knife on the board. (~3s, same fixed shot) She slices the chicken breast into strips, seasons it from the salt dish with a high pinch, and rubs it in with her fingertips. Dialogue: "Protein first. Always." (~3s, tight handheld first-person shot over the pan) Oil shimmering, she lays the chicken strips in one by one and they hit with a loud real sizzle, fine spatter, steam rising into the lens which fogs for a beat and clears. No dialogue, just the sizzle. (~3s, handheld selfie while the pan sizzles behind her) She turns the camera on herself, fanning steam away from her face, laughing, one hand briefly steadying the head towel. Dialogue: "The smell. You have no idea." (~3s, tight handheld close-up of the pan) She flips the strips with tongs, showing deep golden sear marks, tosses in the peppers, and shakes the pan once so everything jumps and resettles. Dialogue: "That colour? That's the whole point." (~3s, fixed external shot) Jump cut. She plates it: rice pressed from the bowl, chicken and peppers over the top, a last drizzle of olive oil in a thin ribbon, and she wipes the plate rim with the towel like a chef, then smirks at her own seriousness. Dialogue: "Yes, I wiped the rim. Let me live." (~3s, tight handheld close-up) First fork bite, steam still coming off it, she chews, closes her eyes for a beat and nods slowly. Dialogue: "Ten minutes. That's it. Ridiculous." (~3s, arm's-length selfie ending) Plate in one hand, camera in the other, she backs out of the kitchen toward the sofa, flicking the kitchen light off with her elbow. Dialogue: "Okay. Eating. Good night." FINAL INSTRUCTION: The result must feel like a real self-recorded late-night cooking vlog by an athlete who actually cooks, filmed right after her shower. The highest priorities are matching the reference image exactly, correct hands and knife work at close range, one-directional cooking progression that never reverses, real sizzle, steam and food texture, the head towel staying consistently wrapped, honest warm kitchen light against the dark window, and subtle imperfection. Keep it warm, hungry, and real. Not a food commercial, not overhead recipe content, not stiff.
0:30

Seedance 2.5 vs WAN 3.0 - same viral video One of them is dead in the water - You judge Prompt: Handheld digital camcorder aesthetic, landscape framing. A gorgeous fitness and food influencer films herself by hand in selfie-cam and first-person style while cooking a late-night high-protein meal after training and a shower. Keep realistic hand shake, slightly crooked framing, autofocus briefly hunting between her face and the food, awkward zoom-ins onto the pan, occasional motion blur, brief lens steam-up over the hot pan that clears naturally, and small framing mistakes where her face or the pan edge slips out of frame. Mix handheld selfie footage with a few fixed external shots. Important: never show her placing, adjusting, or setting up a camera. When switching from handheld footage to a fixed external angle, use a clean jump cut as if the camera had already been positioned before the shot began. The camera itself must never appear on screen or in the window reflection. LOOK: Warm late-night kitchen light. A single warm pendant over the counter, cool blue night visible through the window behind her, under-cabinet strip light glowing on the backsplash. Slight camcorder softness, faint noise in the shadows, mild bloom on the pendant. Food realism is the core of the look: real sizzle with fine oil spatter, steam rising and curling from the pan, honest food textures with sear marks and glistening surfaces, knife cuts that separate cleanly, droplets on rinsed vegetables. Realistic skin texture, fresh-from-the-shower glow, clean dewy skin, realistic skin tones. STYLE: A realistic late-night what-I-eat-after-training vlog. The tone is relaxed, hungry, funny, quietly confident, and natural, talking to the lens like a friend while her hands keep working. She is clearly attractive and charismatic, but the video must feel like a believable self-recorded kitchen vlog, not a food commercial. Fast clean jump cuts, strong continuity, natural body language, real kitchen sounds, sizzle, chopping, no awkward dead moments. CHARACTER: The woman in the reference image. Her face, features, skin tone, body, and clothing must match the reference image exactly in every shot — she wears exactly what she is wearing in the reference image. Do not restyle, beautify, or alter her in any way beyond the reference. The one addition: a soft white towel wrapped around her head like a turban, as if she just stepped out of the shower. The towel stays neatly wrapped for the whole video. A few small damp strands of hair may peek out at the hairline and neck. Minimal or no makeup, fresh clean post-shower look. A small kitchen towel over one shoulder for most of the video. SETTING: A small warm real apartment kitchen at night. Wooden counter with knife marks, a gas hob with one cast-iron pan, a cutting board with chicken breast and vegetables, a bowl of cooked rice, a bottle of olive oil, salt in a small dish, a fridge with magnets and photos, dishes drying on a rack, dark window over the sink reflecting the warm kitchen. Lived-in and slightly cluttered. No other people, no pets. IMPORTANT CONTINUITY RULES: The same woman from the reference image must remain fully consistent in every shot. No face changes, no outfit changes, no body changes. The head towel stays wrapped in the same position in every shot — it never unwraps, falls, changes color, or disappears. The meal progresses in one direction only: raw ingredients, then chopping, then searing, then plating, then eating, and never reverses or regenerates. Food already cooked never becomes raw again. Hands and knife are the top priority: five fingers always, correct knife grip with curled guiding fingers, clean cuts, the knife never bends and never passes through her hand. The pan, board, oil bottle and rice bowl stay in the same positions. Steam and sizzle must behave with real physics. No extra people, including in the dark window reflection, and the reflection never shows a camera. No duplicated limbs. No camera visible. No camera setup shown. Keep her matching the reference image, warm, and photogenic in every shot. STORYBOARD: 30 seconds total, 10 cuts. (~3s, arm's-length selfie) She leans on the counter, towel wrapped on her head, clearly fresh from the shower after training, and grins tiredly at the lens. Dialogue: "Trained late. Showered. Starving. Let's cook." (~3s, handheld pan across the counter and back to her) The camera drifts across the board with raw chicken and vegetables, the pan, the rice bowl, then back up to her face. Dialogue: "Ten minute meal. Watch." (~3s, fixed external medium shot from across the counter) Jump cut. She is already chopping a red pepper with quick confident cuts, guiding fingers curled, pieces falling evenly. No camera setup shown. No dialogue, just the knife on the board. (~3s, same fixed shot) She slices the chicken breast into strips, seasons it from the salt dish with a high pinch, and rubs it in with her fingertips. Dialogue: "Protein first. Always." (~3s, tight handheld first-person shot over the pan) Oil shimmering, she lays the chicken strips in one by one and they hit with a loud real sizzle, fine spatter, steam rising into the lens which fogs for a beat and clears. No dialogue, just the sizzle. (~3s, handheld selfie while the pan sizzles behind her) She turns the camera on herself, fanning steam away from her face, laughing, one hand briefly steadying the head towel. Dialogue: "The smell. You have no idea." (~3s, tight handheld close-up of the pan) She flips the strips with tongs, showing deep golden sear marks, tosses in the peppers, and shakes the pan once so everything jumps and resettles. Dialogue: "That colour? That's the whole point." (~3s, fixed external shot) Jump cut. She plates it: rice pressed from the bowl, chicken and peppers over the top, a last drizzle of olive oil in a thin ribbon, and she wipes the plate rim with the towel like a chef, then smirks at her own seriousness. Dialogue: "Yes, I wiped the rim. Let me live." (~3s, tight handheld close-up) First fork bite, steam still coming off it, she chews, closes her eyes for a beat and nods slowly. Dialogue: "Ten minutes. That's it. Ridiculous." (~3s, arm's-length selfie ending) Plate in one hand, camera in the other, she backs out of the kitchen toward the sofa, flicking the kitchen light off with her elbow. Dialogue: "Okay. Eating. Good night." FINAL INSTRUCTION: The result must feel like a real self-recorded late-night cooking vlog by an athlete who actually cooks, filmed right after her shower. The highest priorities are matching the reference image exactly, correct hands and knife work at close range, one-directional cooking progression that never reverses, real sizzle, steam and food texture, the head towel staying consistently wrapped, honest warm kitchen light against the dark window, and subtle imperfection. Keep it warm, hungry, and real. Not a food commercial, not overhead recipe content, not stiff.

Stav Zilbershtein

29,730 次观看 • 1 个月前

One drop of blood, and the classroom became a battlefield Seedance 2.5 on Pollo AI Prompt: Cinematic horror-action short film set in a Japanese high school classroom, natural realistic pacing, grounded practical-effects style, no over-acting. Classroom filled with wooden desks, students in uniforms, a chalkboard, fluorescent lights, windows with afternoon light. Natural handheld camera work, muted authentic color grading, all sound fully natural and diegetic — no music, no artificial sound design, just real classroom, fight, and impact sounds throughout. > > **[0-3s]** Extreme close-up on the teacher's (GIVEN IN REFRANCE IMAGE) chalk squeaking sharply across the board mid-sentence, then a sudden beat of dead silence in the room, all eyes subtly shifting upward — an unsettling stillness before anything happens. > > **[3-4s]** Close-up: a single drop of dark blood falls from the ceiling, landing directly on a student's open notebook, the soft wet sound of impact clearly audible. > > **[4-5s]** SLOW MOTION: the student's eyes widen in shock, head tilting slowly upward to look at the ceiling above him. > > **[5-7s]** The ceiling cracks violently, plaster and dust raining down with a loud crash as a zombie bursts through, crashing onto a desk, wood splintering audibly. > > **[7-9s]** It lunges immediately, sinking into the neck of the nearest student — a sharp, natural cry of pain, desks scraping as others recoil. > > **[9-11s]** Within seconds, the bitten student rises again — eyes milky white, veins dark across his face — now a zombie himself, guttural groaning as he lunges at the student beside him. > > **[11-13s]** Chaos erupts: students scream and scramble out of their seats, chairs toppling loudly, rushing toward the classroom door in a panicked crowd, footsteps and shouting overlapping naturally. > > **[13-15s]** The teacher turns sharply, grabbing a wooden bench, the scrape of it dragging off the floor audible, her breathing intensifying. > > **[15-17s]** She swings the bench hard into the first zombie — a solid, heavy impact thud, it crashes back into a row of desks with a loud clatter. > > **[17-19s]** She swings again, striking a second zombie down, papers flying with a soft rustle, another hard impact sound. > > **[19-21s]** A few students grab chairs and desk legs, joining her — wood scraping, natural grunts of effort as they strike newly turned zombies near the door. > > **[21-23s]** Quick intercut shots: a chair slams onto a zombie's back with a crack, another shoved into the chalkboard with a loud bang, teacher sweeping a third off its feet with a scrape and thud. > > **[23-25s]** The group fights back-to-back in the center of the room, desperate breathing, grunts, wood-on-body impacts, zombies falling one by one with heavy thuds around them. > > **[25-27s]** Final zombie lunges at the teacher; she sidesteps and slams the bench down hard — one final heavy impact, it collapses to the floor motionless. > > **[27-29s]** Wide shot: the classroom wrecked — desks overturned, papers scattered, zombies down on the floor. Heavy breathing fills the silence as the teacher and surviving students stand together, blood on their clothes and hands. > > **[29-30s]** Final shot: the teacher lowers the bench slowly, exhausted, natural exhale audible, dust settling in the sunlight through the windows. Cut to black. > > All sound fully natural and diegetic throughout — chalk on board, blood drip, ceiling crack, zombie groans, screaming, wood impacts, heavy breathing. No music, no text overlay, no watermark. Natural handheld camera with realistic shake during the action, muted desolate color grading16:9, 30 seconds, Add a very small watermark namely 'AUQIB' at bottom right in whole video as creators name.
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One drop of blood, and the classroom became a battlefield Seedance 2.5 on Pollo AI Prompt: Cinematic horror-action short film set in a Japanese high school classroom, natural realistic pacing, grounded practical-effects style, no over-acting. Classroom filled with wooden desks, students in uniforms, a chalkboard, fluorescent lights, windows with afternoon light. Natural handheld camera work, muted authentic color grading, all sound fully natural and diegetic — no music, no artificial sound design, just real classroom, fight, and impact sounds throughout. > > **[0-3s]** Extreme close-up on the teacher's (GIVEN IN REFRANCE IMAGE) chalk squeaking sharply across the board mid-sentence, then a sudden beat of dead silence in the room, all eyes subtly shifting upward — an unsettling stillness before anything happens. > > **[3-4s]** Close-up: a single drop of dark blood falls from the ceiling, landing directly on a student's open notebook, the soft wet sound of impact clearly audible. > > **[4-5s]** SLOW MOTION: the student's eyes widen in shock, head tilting slowly upward to look at the ceiling above him. > > **[5-7s]** The ceiling cracks violently, plaster and dust raining down with a loud crash as a zombie bursts through, crashing onto a desk, wood splintering audibly. > > **[7-9s]** It lunges immediately, sinking into the neck of the nearest student — a sharp, natural cry of pain, desks scraping as others recoil. > > **[9-11s]** Within seconds, the bitten student rises again — eyes milky white, veins dark across his face — now a zombie himself, guttural groaning as he lunges at the student beside him. > > **[11-13s]** Chaos erupts: students scream and scramble out of their seats, chairs toppling loudly, rushing toward the classroom door in a panicked crowd, footsteps and shouting overlapping naturally. > > **[13-15s]** The teacher turns sharply, grabbing a wooden bench, the scrape of it dragging off the floor audible, her breathing intensifying. > > **[15-17s]** She swings the bench hard into the first zombie — a solid, heavy impact thud, it crashes back into a row of desks with a loud clatter. > > **[17-19s]** She swings again, striking a second zombie down, papers flying with a soft rustle, another hard impact sound. > > **[19-21s]** A few students grab chairs and desk legs, joining her — wood scraping, natural grunts of effort as they strike newly turned zombies near the door. > > **[21-23s]** Quick intercut shots: a chair slams onto a zombie's back with a crack, another shoved into the chalkboard with a loud bang, teacher sweeping a third off its feet with a scrape and thud. > > **[23-25s]** The group fights back-to-back in the center of the room, desperate breathing, grunts, wood-on-body impacts, zombies falling one by one with heavy thuds around them. > > **[25-27s]** Final zombie lunges at the teacher; she sidesteps and slams the bench down hard — one final heavy impact, it collapses to the floor motionless. > > **[27-29s]** Wide shot: the classroom wrecked — desks overturned, papers scattered, zombies down on the floor. Heavy breathing fills the silence as the teacher and surviving students stand together, blood on their clothes and hands. > > **[29-30s]** Final shot: the teacher lowers the bench slowly, exhausted, natural exhale audible, dust settling in the sunlight through the windows. Cut to black. > > All sound fully natural and diegetic throughout — chalk on board, blood drip, ceiling crack, zombie groans, screaming, wood impacts, heavy breathing. No music, no text overlay, no watermark. Natural handheld camera with realistic shake during the action, muted desolate color grading16:9, 30 seconds, Add a very small watermark namely 'AUQIB' at bottom right in whole video as creators name.

auqib

42,496 次观看 • 24 天前

POV - Korean baddie met her boyfriend in US Seedance 2.5 realism 😳 Prompt : Use the uploaded reference image as the exact character reference. Preserve her facial identity, hairstyle, eye color, skin tone, makeup, body proportions, Style: Early-2000s MiniDV home-video aesthetic, photorealistic live-action, shaky handheld camera, slight autofocus hunting, natural exposure shifts, motion blur, imperfect framing, warm afternoon light, authentic everyday atmosphere. A young woman from Korea wearing a fitted pastel tshirt spends a casual afternoon with her boyfriend in a quiet neighborhood. She films herself walking down the street, smiling at the camera while her boyfriend walks beside her. They stop at a small street-food stall, share a snack, laugh together, and continue walking. She playfully steals his sunglasses and puts them on, making him laugh. They sit together on a low wall, talk and tease each other, then walk through a small park while she records little moments on the handheld camera. As the sun begins to set, they stop under a streetlight. She turns the camera toward him, they exchange a warm smile, move closer, and share a brief natural kiss on the lips. The camera stays handheld and slightly imperfect as they laugh afterward and walk away together. Audio: Natural street ambience, footsteps, distant traffic, birds, casual conversation and laughter. No music. Negative prompt: No subtitles, text, logos, watermarks, identity changes, outfit changes, duplicate people, distorted hands, unnatural movements, or AI artifacts.
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POV - Korean baddie met her boyfriend in US Seedance 2.5 realism 😳 Prompt : Use the uploaded reference image as the exact character reference. Preserve her facial identity, hairstyle, eye color, skin tone, makeup, body proportions, Style: Early-2000s MiniDV home-video aesthetic, photorealistic live-action, shaky handheld camera, slight autofocus hunting, natural exposure shifts, motion blur, imperfect framing, warm afternoon light, authentic everyday atmosphere. A young woman from Korea wearing a fitted pastel tshirt spends a casual afternoon with her boyfriend in a quiet neighborhood. She films herself walking down the street, smiling at the camera while her boyfriend walks beside her. They stop at a small street-food stall, share a snack, laugh together, and continue walking. She playfully steals his sunglasses and puts them on, making him laugh. They sit together on a low wall, talk and tease each other, then walk through a small park while she records little moments on the handheld camera. As the sun begins to set, they stop under a streetlight. She turns the camera toward him, they exchange a warm smile, move closer, and share a brief natural kiss on the lips. The camera stays handheld and slightly imperfect as they laugh afterward and walk away together. Audio: Natural street ambience, footsteps, distant traffic, birds, casual conversation and laughter. No music. Negative prompt: No subtitles, text, logos, watermarks, identity changes, outfit changes, duplicate people, distorted hands, unnatural movements, or AI artifacts.

Smiling Khan

123,784 次观看 • 1 个月前

WoW 😳 This one looks real as if filmed from a camera Seedance 2.5 Prompt : GIRL = MAIN CHARACTER: Young Korean woman in her early 20s, natural appearance, black wavy hair loosely tied into a messy side ponytail, fitted light-yellow short top, loose white pants, black sneakers and simple silver necklace. Realistic skin texture, minimal makeup, authentic expressions and consistent identity. LOCATION: Quiet Korean residential lane on a hot summer afternoon. Small homes, narrow concrete road, potted plants, bicycles, parked scooters, old walls, utility poles and overhead wires. CAMERA / LOOK Early-2000s handheld DV camcorder operated by a friend. Strong camera shake, imperfect framing, autofocus hunting, faded colors, exposure shifts and accidental zooms. SEQUENCE: She brings a small scooter outside her home and starts wiping dust from it. She carefully cleans the mirrors. Then the handlebars. Then the seat. She notices a particularly dirty spot near the wheel and crouches down to clean it. A neighbor appears at the window above. She looks up and waves. The neighbor smiles and waves back. She continues cleaning. The heat starts wearing her down. She wipes sweat from her forehead. She looks at the camera as if asking for sympathy. Then she notices an outdoor water tap. She walks over, turns it on and splashes cool water over her face. She drinks some water directly from her cupped hands. She stands there for a moment enjoying the cool water. Her friend zooms in. She smiles and says: “Now I can finish it.” She walks back toward the scooter. The camera follows her down the lane. AUDIO: Water running, cloth rubbing against scooter, birds, distant children, bicycle bells, footsteps and neighborhood ambience. No music, no narration. Warm summer sunlight, nostalgic DV colors, realistic materials and water, authentic handheld imperfections and photorealistic Seedance 2.5 quality.
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WoW 😳 This one looks real as if filmed from a camera Seedance 2.5 Prompt : GIRL = MAIN CHARACTER: Young Korean woman in her early 20s, natural appearance, black wavy hair loosely tied into a messy side ponytail, fitted light-yellow short top, loose white pants, black sneakers and simple silver necklace. Realistic skin texture, minimal makeup, authentic expressions and consistent identity. LOCATION: Quiet Korean residential lane on a hot summer afternoon. Small homes, narrow concrete road, potted plants, bicycles, parked scooters, old walls, utility poles and overhead wires. CAMERA / LOOK Early-2000s handheld DV camcorder operated by a friend. Strong camera shake, imperfect framing, autofocus hunting, faded colors, exposure shifts and accidental zooms. SEQUENCE: She brings a small scooter outside her home and starts wiping dust from it. She carefully cleans the mirrors. Then the handlebars. Then the seat. She notices a particularly dirty spot near the wheel and crouches down to clean it. A neighbor appears at the window above. She looks up and waves. The neighbor smiles and waves back. She continues cleaning. The heat starts wearing her down. She wipes sweat from her forehead. She looks at the camera as if asking for sympathy. Then she notices an outdoor water tap. She walks over, turns it on and splashes cool water over her face. She drinks some water directly from her cupped hands. She stands there for a moment enjoying the cool water. Her friend zooms in. She smiles and says: “Now I can finish it.” She walks back toward the scooter. The camera follows her down the lane. AUDIO: Water running, cloth rubbing against scooter, birds, distant children, bicycle bells, footsteps and neighborhood ambience. No music, no narration. Warm summer sunlight, nostalgic DV colors, realistic materials and water, authentic handheld imperfections and photorealistic Seedance 2.5 quality.

Synthia

13,581 次观看 • 1 个月前

Made with GPT image 2.5 + seedance 2.5 Prompt: 16:9 widescreen, 30 seconds, Dola Continuous Engine. STYLE LOCK: Inspired by classic late-1960s Irwin Allen television production "Land of the Giants". Authentic 1968 television aesthetic. Practical miniature sets. Optical compositing. Slight matte-line separation between actress and background. Rear-projection feel. Eastmancolor television colors: warm skin, saturated red and yellow, slightly cyan shadows. Soft image sharpness. Mild film grain. Analog broadcast texture. Vintage studio lighting: one hard key from upper left, warm fill from the right, no rim light. Camera: static wide shots and slow television zoom lens only. No handheld. No modern lens flare. CHARACTER LOCK: @[Image 1](image_1) is the only person. She remains identical in every frame: 1960s Korean mini dress with [sleeve and neckline classic 1960s makeup with winged liner and pale pink lips, white heels. Dress, hair, makeup and shoes never change . SETTING LOCK: an enormous 1960s dining table seen from her scale; she is the size of a salt shaker. White tablecloth hanging from the edge to the floor in long vertical folds. On the tabletop from left to right: a tall glass of milk with condensation beads, a giant slice of chocolate layer cake with thick frosting and a single lit birthday candle, a large silver spoon and fork crossed beside it, a bowl of vanilla ice cream with one huge cherry on top, a folded white napkin. Warm wooden tabletop. Pale yellow wall in the background. Props are practical scale with slightly soft edges. 0–4 seconds: Static wide from floor level. The tiny woman climbs the hanging tablecloth, gripping the folds with both hands, one heel finding a fold below her. The cloth sways slightly under her weight. She looks up toward the table edge. 4–7 seconds: Slow zoom in as she pulls herself over the edge, kneels, then stands upright on the tabletop. Her eyes widen and her mouth opens, gaze drawn toward the flickering candle flame on the cake. Her hands stay half raised. 7–11 seconds: Static wide from behind her at her eye level. The dessert spread stretches across the table like a city skyline: the cake slice looms like a frosted mountain, the candle flame taller than she is, the milk glass glowing like a white tower, the spoon lying across the foreground like a bridge. 11–15 seconds: She walks toward the cake, heels tapping the tabletop. Thick ridges of frosting drip down its side. The lit candle flickers above, casting warm moving light across her face. She touches the frosting edge with one hand and looks up along the flame. 15–19 seconds: She climbs onto the cake's bottom layer, sits, scoops a bit of frosting with both hands, smiles, tastes it, licks her fingers, and looks left and right. Medium shot, slow zoom in to her face, candlelight flickering warmly on her skin. 19–23 seconds: She stands and walks farther across the tabletop, stepping around the giant cherry from the ice cream bowl, passing between the spoon and the napkin. Static wide, then a slow pan following her. 23–26 seconds: She stops beside the milk glass, looks up along the tall glass, and laughs with one hand resting on it. Condensation beads glisten and catch the light on her face. 26–28 seconds: A massive shadow sweeps across the tabletop from the right and covers the milk glass and the cake. Her laugh stops. She lowers her hand and turns to face the right side of frame. 28–30 seconds: HOLD. Camera fully static medium-wide shot. She stands facing screen right, feet together, right hand half raised at chest height, left hand at her side. The milk glass directly at her left, the cake slice behind her, the shadow across the whole tabletop. Her face is turned to the right, not yet tilted upward. Nothing moves for two full seconds. Audio Cheerful 1960s adventure television music, playful brass and strings. At 26 seconds the music thins to one held string note that continues to the end, with a faint fading birthday-music-box
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Made with GPT image 2.5 + seedance 2.5 Prompt: 16:9 widescreen, 30 seconds, Dola Continuous Engine. STYLE LOCK: Inspired by classic late-1960s Irwin Allen television production "Land of the Giants". Authentic 1968 television aesthetic. Practical miniature sets. Optical compositing. Slight matte-line separation between actress and background. Rear-projection feel. Eastmancolor television colors: warm skin, saturated red and yellow, slightly cyan shadows. Soft image sharpness. Mild film grain. Analog broadcast texture. Vintage studio lighting: one hard key from upper left, warm fill from the right, no rim light. Camera: static wide shots and slow television zoom lens only. No handheld. No modern lens flare. CHARACTER LOCK: @[Image 1](image_1) is the only person. She remains identical in every frame: 1960s Korean mini dress with [sleeve and neckline classic 1960s makeup with winged liner and pale pink lips, white heels. Dress, hair, makeup and shoes never change . SETTING LOCK: an enormous 1960s dining table seen from her scale; she is the size of a salt shaker. White tablecloth hanging from the edge to the floor in long vertical folds. On the tabletop from left to right: a tall glass of milk with condensation beads, a giant slice of chocolate layer cake with thick frosting and a single lit birthday candle, a large silver spoon and fork crossed beside it, a bowl of vanilla ice cream with one huge cherry on top, a folded white napkin. Warm wooden tabletop. Pale yellow wall in the background. Props are practical scale with slightly soft edges. 0–4 seconds: Static wide from floor level. The tiny woman climbs the hanging tablecloth, gripping the folds with both hands, one heel finding a fold below her. The cloth sways slightly under her weight. She looks up toward the table edge. 4–7 seconds: Slow zoom in as she pulls herself over the edge, kneels, then stands upright on the tabletop. Her eyes widen and her mouth opens, gaze drawn toward the flickering candle flame on the cake. Her hands stay half raised. 7–11 seconds: Static wide from behind her at her eye level. The dessert spread stretches across the table like a city skyline: the cake slice looms like a frosted mountain, the candle flame taller than she is, the milk glass glowing like a white tower, the spoon lying across the foreground like a bridge. 11–15 seconds: She walks toward the cake, heels tapping the tabletop. Thick ridges of frosting drip down its side. The lit candle flickers above, casting warm moving light across her face. She touches the frosting edge with one hand and looks up along the flame. 15–19 seconds: She climbs onto the cake's bottom layer, sits, scoops a bit of frosting with both hands, smiles, tastes it, licks her fingers, and looks left and right. Medium shot, slow zoom in to her face, candlelight flickering warmly on her skin. 19–23 seconds: She stands and walks farther across the tabletop, stepping around the giant cherry from the ice cream bowl, passing between the spoon and the napkin. Static wide, then a slow pan following her. 23–26 seconds: She stops beside the milk glass, looks up along the tall glass, and laughs with one hand resting on it. Condensation beads glisten and catch the light on her face. 26–28 seconds: A massive shadow sweeps across the tabletop from the right and covers the milk glass and the cake. Her laugh stops. She lowers her hand and turns to face the right side of frame. 28–30 seconds: HOLD. Camera fully static medium-wide shot. She stands facing screen right, feet together, right hand half raised at chest height, left hand at her side. The milk glass directly at her left, the cake slice behind her, the shadow across the whole tabletop. Her face is turned to the right, not yet tilted upward. Nothing moves for two full seconds. Audio Cheerful 1960s adventure television music, playful brass and strings. At 26 seconds the music thins to one held string note that continues to the end, with a faint fading birthday-music-box

Oogie

54,185 次观看 • 19 天前

The goal wasn’t to make something cinematic. Just make an ordinary day feel real. Made with Seedance 2.5. Prompt: Create a 30-second, 1080p ultra-realistic personal home-video of a young Korean woman confidently claiming she can sing, only to completely fall apart mid-song in a noraebang (karaoke room). No reference image. MAIN SUBJECT Young Korean woman in her early 20s, casual and confident energy, natural makeup that's slightly smudged from a night out, expressive face that goes from cocky to distressed in seconds. Long black hair in loose waves, a claw clip half-holding it up, small hoop earrings catching the disco light. Wearing an oversized denim jacket over a graphic tee, black mini skirt, ankle boots, holding a wireless karaoke mic like it's a real microphone. Maintain the same face, hairstyle, clothing, body proportions, and appearance throughout the entire video. SETTING A small, slightly worn private noraebang room late at night. Neon-colored wall lighting cycling through pink, blue, and purple, a low vinyl couch, a coffee table with empty snack bags and soju/beer cans, a big screen playing a lyrics video with over-the-top visuals, a disco ball casting light spots, a tambourine on the table, a song-selection remote, and mirrored wall panels reflecting the room. Slightly tacky, glowing, chaotic in the best way. CAMERA / VISUAL AESTHETIC Raw personal footage filmed by her friend on a phone, strong handheld vlog shake throughout. Lighting shifts constantly with the neon cycle, causing exposure and color shifts across her face. Autofocus hunts between her face and the flashing screen behind her. Camera swings and dips with the friend's own laughter, mild motion blur during her more dramatic mic-swinging moments, visible digital noise in the dim room, colors slightly oversaturated from the neon wash. No stabilization, no cinematic polish — it should feel like real footage that'll end up in a group chat. 00:00–00:05 — THE CONFIDENT INTRO She grabs the mic with both hands, striking a mock-serious pop-star pose as the intro music starts. She looks dead into the camera, completely deadpan and confident. "Okay watch this. I'm actually good." 00:05–00:10 — STRONG START The first line of the song hits and she nails it — eyes closed, hand on chest, fully committed to the performance. The camera pushes in slightly, genuinely impressed, catching her hitting the note clean. Her friend's voice off-camera: "Okay wait—?!" 00:10–00:15 — THE CRACK The song hits a higher note and her voice visibly strains, cracking halfway through. Her eyes snap open in panic mid-note. She tries to recover by belting harder, which makes it worse. The camera shakes as the friend starts laughing, frame briefly clipping the ceiling. 00:15–00:20 — FULL COLLAPSE She completely loses the melody, mumbling half the lyrics she doesn't know, gesturing wildly with the mic to compensate. She turns away from the camera in embarrassment mid-line, then spins back in for a dramatic (bad) finish, hair flying. The frame overshoots trying to follow her spin, briefly blurring. 00:20–00:25 — GIVING UP She drops onto the couch mid-song, still holding the mic up weakly, mumbling the last few lines into the cushion instead of singing them. The score screen pops up on the TV behind her with a visibly low number. She peeks at the score, winces hard, and covers her face with a couch pillow. 00:25–00:30 — FINAL MOMENT She lowers the pillow slowly, mic still limp in her other hand, and stares into the camera in mock devastation. "...We're never speaking about this again." Her friend, still laughing off-camera, zooms in too close on her defeated face — she weakly swats the lens away — and the footage cuts abruptly to black. AUDIO Natural location sound only: Karaoke backing track playing from the room's speaker (muffled, roomy), her actual singing — strong at first, then cracking and falling apart — her friend's genuine off-camera laughter throughout, mic feedback crackle, couch cushion thud, tambourine jingling faintly when knocked, and handheld camera noise. No added music. No narration. No artificial sound effects. Spoken lines: "Okay watch this. I'm actually good." / "Okay wait—?!" (friend, off-camera) / "...We're never speaking about this again." FINAL FEEL Chaotic, glowing, late-night noraebang energy — the universal experience of confidently starting a karaoke song and immediately regretting every choice that led to that moment. Funny, cringe-in-a-good-way, genuinely unscripted. No polished performance. No actual singing talent required — the comedy comes from the real vocal crack, real panic, and the gap between her confidence and her execution.
0:30

The goal wasn’t to make something cinematic. Just make an ordinary day feel real. Made with Seedance 2.5. Prompt: Create a 30-second, 1080p ultra-realistic personal home-video of a young Korean woman confidently claiming she can sing, only to completely fall apart mid-song in a noraebang (karaoke room). No reference image. MAIN SUBJECT Young Korean woman in her early 20s, casual and confident energy, natural makeup that's slightly smudged from a night out, expressive face that goes from cocky to distressed in seconds. Long black hair in loose waves, a claw clip half-holding it up, small hoop earrings catching the disco light. Wearing an oversized denim jacket over a graphic tee, black mini skirt, ankle boots, holding a wireless karaoke mic like it's a real microphone. Maintain the same face, hairstyle, clothing, body proportions, and appearance throughout the entire video. SETTING A small, slightly worn private noraebang room late at night. Neon-colored wall lighting cycling through pink, blue, and purple, a low vinyl couch, a coffee table with empty snack bags and soju/beer cans, a big screen playing a lyrics video with over-the-top visuals, a disco ball casting light spots, a tambourine on the table, a song-selection remote, and mirrored wall panels reflecting the room. Slightly tacky, glowing, chaotic in the best way. CAMERA / VISUAL AESTHETIC Raw personal footage filmed by her friend on a phone, strong handheld vlog shake throughout. Lighting shifts constantly with the neon cycle, causing exposure and color shifts across her face. Autofocus hunts between her face and the flashing screen behind her. Camera swings and dips with the friend's own laughter, mild motion blur during her more dramatic mic-swinging moments, visible digital noise in the dim room, colors slightly oversaturated from the neon wash. No stabilization, no cinematic polish — it should feel like real footage that'll end up in a group chat. 00:00–00:05 — THE CONFIDENT INTRO She grabs the mic with both hands, striking a mock-serious pop-star pose as the intro music starts. She looks dead into the camera, completely deadpan and confident. "Okay watch this. I'm actually good." 00:05–00:10 — STRONG START The first line of the song hits and she nails it — eyes closed, hand on chest, fully committed to the performance. The camera pushes in slightly, genuinely impressed, catching her hitting the note clean. Her friend's voice off-camera: "Okay wait—?!" 00:10–00:15 — THE CRACK The song hits a higher note and her voice visibly strains, cracking halfway through. Her eyes snap open in panic mid-note. She tries to recover by belting harder, which makes it worse. The camera shakes as the friend starts laughing, frame briefly clipping the ceiling. 00:15–00:20 — FULL COLLAPSE She completely loses the melody, mumbling half the lyrics she doesn't know, gesturing wildly with the mic to compensate. She turns away from the camera in embarrassment mid-line, then spins back in for a dramatic (bad) finish, hair flying. The frame overshoots trying to follow her spin, briefly blurring. 00:20–00:25 — GIVING UP She drops onto the couch mid-song, still holding the mic up weakly, mumbling the last few lines into the cushion instead of singing them. The score screen pops up on the TV behind her with a visibly low number. She peeks at the score, winces hard, and covers her face with a couch pillow. 00:25–00:30 — FINAL MOMENT She lowers the pillow slowly, mic still limp in her other hand, and stares into the camera in mock devastation. "...We're never speaking about this again." Her friend, still laughing off-camera, zooms in too close on her defeated face — she weakly swats the lens away — and the footage cuts abruptly to black. AUDIO Natural location sound only: Karaoke backing track playing from the room's speaker (muffled, roomy), her actual singing — strong at first, then cracking and falling apart — her friend's genuine off-camera laughter throughout, mic feedback crackle, couch cushion thud, tambourine jingling faintly when knocked, and handheld camera noise. No added music. No narration. No artificial sound effects. Spoken lines: "Okay watch this. I'm actually good." / "Okay wait—?!" (friend, off-camera) / "...We're never speaking about this again." FINAL FEEL Chaotic, glowing, late-night noraebang energy — the universal experience of confidently starting a karaoke song and immediately regretting every choice that led to that moment. Funny, cringe-in-a-good-way, genuinely unscripted. No polished performance. No actual singing talent required — the comedy comes from the real vocal crack, real panic, and the gap between her confidence and her execution.

Oogie

28,167 次观看 • 1 个月前

A simple day at a Korean village market Selling fresh veggies, meeting customers, and enjoying the little moments of daily life. Created with AI, inspired by real countryside vibes. Created on seedance 2.0 Prompt: Create a realistic 30-second cinematic vlog-style video featuring a young Korean girl working as a vegetable seller at a small countryside village market in Korea. She looks natural and friendly, wearing a simple cream knitted sweater, dark brown apron, comfortable rural clothing, and her brown hair tied in a loose messy bun with soft bangs. The video should feel like a real person's daily-life vlog, not like a commercial or polished AI advertisement. Start with a wide handheld shot of the girl walking toward her small vegetable stall in the morning. The stall is surrounded by fresh leafy greens, radishes, carrots, tomatoes, potatoes, green onions, and other locally grown vegetables. Show a peaceful Korean countryside in the background with small houses, mountains, trees, and a few village market stalls. At around 3 seconds, move into a natural medium close-up as she smiles at the camera and casually greets the viewers. She then starts arranging fresh vegetables on the wooden counter. At 6 seconds, a local customer approaches the stall and asks for some vegetables. Show the girl smiling, selecting fresh vegetables by hand, checking their quality, and placing them into a small reusable bag. Around 10–14 seconds, show detailed close-up shots of her hands weighing the vegetables on an old-fashioned market scale and packing them carefully. Keep realistic hand movements and natural facial expressions. At 14–17 seconds, the customer pays her, and she politely accepts the money with a warm smile and thanks the customer. From 17–20 seconds, show a wider view of the busy village market, with several customers walking around while she continues arranging vegetables and serving people. At 20–23 seconds, she picks up a fresh bunch of leafy greens, holds them toward the camera and briefly talks to the viewer as if filming a casual daily vlog, saying something natural like “These are fresh today!” From 23–26 seconds, show the stall becoming slightly busier, with another customer arriving while she continues working naturally. At 26–28 seconds, cut to a close-up of her smiling face. She looks directly into the camera with a warm, genuine expression and gives a small friendly wave. End with a peaceful wide shot of the vegetable stall, the Korean countryside and mountains in the background, while she continues working. Add a subtle natural ending feeling, like a real day-in-the-life vlog. Visual style: photorealistic Korean countryside, authentic village market atmosphere, natural skin texture, realistic facial expressions, realistic hands, fresh vegetables, soft morning sunlight, subtle shadows, shallow depth of field, cinematic but not overly polished, warm natural colors, documentary-style realism. Camera style: handheld smartphone/vlog camera, gentle camera shake, occasional close-ups, medium shots and wide establishing shots, natural focus transitions, slight imperfect framing, realistic movement, no excessive camera effects. Important: Keep the same Korean girl, same face, hairstyle, outfit and apron throughout the entire video. Maintain strong character consistency between every shot. Make the customers and background people look natural and realistic. Avoid artificial-looking faces, distorted hands, extra fingers, floating objects, unnatural body movements, sudden outfit changes, excessive beauty filters, or an overly cinematic commercial appearance. The overall feeling should be wholesome, peaceful, authentic and intimate — like watching a Korean girl documenting an ordinary day while helping her family run a small countryside vegetable stall.
0:33

A simple day at a Korean village market Selling fresh veggies, meeting customers, and enjoying the little moments of daily life. Created with AI, inspired by real countryside vibes. Created on seedance 2.0 Prompt: Create a realistic 30-second cinematic vlog-style video featuring a young Korean girl working as a vegetable seller at a small countryside village market in Korea. She looks natural and friendly, wearing a simple cream knitted sweater, dark brown apron, comfortable rural clothing, and her brown hair tied in a loose messy bun with soft bangs. The video should feel like a real person's daily-life vlog, not like a commercial or polished AI advertisement. Start with a wide handheld shot of the girl walking toward her small vegetable stall in the morning. The stall is surrounded by fresh leafy greens, radishes, carrots, tomatoes, potatoes, green onions, and other locally grown vegetables. Show a peaceful Korean countryside in the background with small houses, mountains, trees, and a few village market stalls. At around 3 seconds, move into a natural medium close-up as she smiles at the camera and casually greets the viewers. She then starts arranging fresh vegetables on the wooden counter. At 6 seconds, a local customer approaches the stall and asks for some vegetables. Show the girl smiling, selecting fresh vegetables by hand, checking their quality, and placing them into a small reusable bag. Around 10–14 seconds, show detailed close-up shots of her hands weighing the vegetables on an old-fashioned market scale and packing them carefully. Keep realistic hand movements and natural facial expressions. At 14–17 seconds, the customer pays her, and she politely accepts the money with a warm smile and thanks the customer. From 17–20 seconds, show a wider view of the busy village market, with several customers walking around while she continues arranging vegetables and serving people. At 20–23 seconds, she picks up a fresh bunch of leafy greens, holds them toward the camera and briefly talks to the viewer as if filming a casual daily vlog, saying something natural like “These are fresh today!” From 23–26 seconds, show the stall becoming slightly busier, with another customer arriving while she continues working naturally. At 26–28 seconds, cut to a close-up of her smiling face. She looks directly into the camera with a warm, genuine expression and gives a small friendly wave. End with a peaceful wide shot of the vegetable stall, the Korean countryside and mountains in the background, while she continues working. Add a subtle natural ending feeling, like a real day-in-the-life vlog. Visual style: photorealistic Korean countryside, authentic village market atmosphere, natural skin texture, realistic facial expressions, realistic hands, fresh vegetables, soft morning sunlight, subtle shadows, shallow depth of field, cinematic but not overly polished, warm natural colors, documentary-style realism. Camera style: handheld smartphone/vlog camera, gentle camera shake, occasional close-ups, medium shots and wide establishing shots, natural focus transitions, slight imperfect framing, realistic movement, no excessive camera effects. Important: Keep the same Korean girl, same face, hairstyle, outfit and apron throughout the entire video. Maintain strong character consistency between every shot. Make the customers and background people look natural and realistic. Avoid artificial-looking faces, distorted hands, extra fingers, floating objects, unnatural body movements, sudden outfit changes, excessive beauty filters, or an overly cinematic commercial appearance. The overall feeling should be wholesome, peaceful, authentic and intimate — like watching a Korean girl documenting an ordinary day while helping her family run a small countryside vegetable stall.

ayzalnoor

13,597 次观看 • 10 天前

Made with seedance 2.5 Prompt: Create a 30-second, 1080p ultra-realistic personal home-video of a young Korean woman confidently attempting to learn a viral TikTok dance trend in her tiny apartment, with her furniture and coordination working against her the entire time. No reference image. **MAIN SUBJECT** Young Korean woman in her early 20s, casual and determined energy, natural makeup, expression that shifts from focused confidence to flustered embarrassment. Hair in a messy half-up bun, a few strands sticking to her face as she gets more flustered, small stud earrings. Wearing an oversized band t-shirt tucked loosely into biker shorts, white ankle socks, no shoes, phone propped up against a stack of books on the floor to "record for practice." Maintain the same face, hairstyle, clothing, body proportions, and appearance throughout the entire video. **SETTING** A small, cluttered studio apartment living room, evening, warm lamp light mixed with the cool glow of a laptop screen playing the dance tutorial video. A coffee table pushed slightly out of the way but not far enough, a floor lamp standing a little too close to her "stage area," a pile of laundry on the couch, a half-full water glass on the side table, string lights on the wall, and a roommate's bike leaning against the wall in the background. Cramped, real, an apartment clearly not built for dancing. **CAMERA / VISUAL AESTHETIC** Raw personal footage, filmed by her roommate on a phone propped up at first, then grabbed handheld once things go wrong — strong handheld vlog shake for the second half. Static, slightly low-angle framing for the "practice" shots, mimicking a phone-on-a-stack-of-books setup. Frame is imperfectly centered, cutting off the top of her head slightly. Once the roommate grabs the phone, autofocus hunts, motion blur kicks in during the collision moment, exposure shifts as she moves between lamp light and shadow, visible digital noise in the dim room. No stabilization, no gimbal smoothness, no cinematic camera moves — it should feel like a real phone recording that was never meant to be watched by anyone but her. --- **00:00–00:05 — THE CONFIDENT SETUP** She props her phone against a stack of books, steps back into frame, and shakes out her arms like an athlete warming up. She points at the laptop screen playing the dance tutorial, then back at herself, deadly serious. *"Okay. I've watched this like twenty times. I got this."* **00:05–00:10 — FIRST EIGHT-COUNT** The music starts. She nails the first few moves surprisingly well, sharp and confident, clearly proud of herself mid-move. Roommate's voice from off-screen, genuinely impressed: *"Wait, okay—?!"* The camera stays static, catching her in full frame, a rare clean moment. **00:10–00:15 — THE FIRST WOBBLE** A quick turn in the choreography catches her off guard — she spins a half-second late, arms flailing to catch up, and clips the edge of the coffee table with her shin. She yelps, hopping on one foot, still trying to keep the rhythm going through gritted teeth. *"I'm fine — I'm fine, keep going—"* **00:15–00:20 — LAMP INCIDENT** Recovering, she throws herself into the next big arm movement — her hand clips the floor lamp, sending it tilting dangerously. Her roommate lunges into frame to catch it, grabbing the phone off the books in the process, camera suddenly handheld and shaking. *"THE LAMP—"* **00:20–00:25 — FULL CHAOS** With the lamp saved but the camera now shaky and handheld, she tries to pick the choreography back up from memory, increasingly out of sync with the music, arms going in directions the dance never intended. She knocks the water glass off the side table with her elbow, doesn't even stop, just grimaces and keeps dancing through the spill. Roommate, laughing hysterically behind the now-unsteady camera: *"You're literally destroying the apartment—"* **00:25–00:30 — FINAL MOMENT** The song ends. She strikes a triumphant final pose — chest heaving, one hand on her hip, completely out of breath, water pooling near her sock. She looks into the camera, dead serious despite the disaster around her. *"...Post it. That was clean."* Her roommate, still laughing, pans the camera slowly down to the spilled water and tipped lamp before swinging back to her unbothered face — and the footage cuts abruptly to black. --- **AUDIO** Natural location sound only: The tutorial/dance track playing tinny from the laptop speakers, her footsteps and fabric movement, the thud of her shin hitting the table, the lamp wobbling and roommate's scramble to catch it, glass tipping and water spilling, her roommate's genuine off-camera laughter throughout, and handheld camera noise once it's picked up. No added music beyond the in-scene laptop track. No narration. No artificial sound effects. Spoken lines: *"Okay. I've watched this like twenty times. I got this."* / *"Wait, okay—?!"* (roommate) / *"I'm fine — I'm fine, keep going—"* / *"THE LAMP—"* (roommate) / *"You're literally destroying the apartment—"* (roommate) / *"...Post it. That was clean."* **FINAL FEEL** Chaotic, cramped-apartment energy — the universal experience of confidently trying a viral dance and immediately losing a fight with your own furniture. Funny, physical, unscripted-feeling, with a deadpan ending that lands harder because she genuinely doesn't acknowledge the destruction around her. No exaggerated slapstick beyond real physical missteps. No professional dance skill required — the comedy comes from real momentum, real near-misses, and her total refusal to admit defeat.
0:30

Made with seedance 2.5 Prompt: Create a 30-second, 1080p ultra-realistic personal home-video of a young Korean woman confidently attempting to learn a viral TikTok dance trend in her tiny apartment, with her furniture and coordination working against her the entire time. No reference image. **MAIN SUBJECT** Young Korean woman in her early 20s, casual and determined energy, natural makeup, expression that shifts from focused confidence to flustered embarrassment. Hair in a messy half-up bun, a few strands sticking to her face as she gets more flustered, small stud earrings. Wearing an oversized band t-shirt tucked loosely into biker shorts, white ankle socks, no shoes, phone propped up against a stack of books on the floor to "record for practice." Maintain the same face, hairstyle, clothing, body proportions, and appearance throughout the entire video. **SETTING** A small, cluttered studio apartment living room, evening, warm lamp light mixed with the cool glow of a laptop screen playing the dance tutorial video. A coffee table pushed slightly out of the way but not far enough, a floor lamp standing a little too close to her "stage area," a pile of laundry on the couch, a half-full water glass on the side table, string lights on the wall, and a roommate's bike leaning against the wall in the background. Cramped, real, an apartment clearly not built for dancing. **CAMERA / VISUAL AESTHETIC** Raw personal footage, filmed by her roommate on a phone propped up at first, then grabbed handheld once things go wrong — strong handheld vlog shake for the second half. Static, slightly low-angle framing for the "practice" shots, mimicking a phone-on-a-stack-of-books setup. Frame is imperfectly centered, cutting off the top of her head slightly. Once the roommate grabs the phone, autofocus hunts, motion blur kicks in during the collision moment, exposure shifts as she moves between lamp light and shadow, visible digital noise in the dim room. No stabilization, no gimbal smoothness, no cinematic camera moves — it should feel like a real phone recording that was never meant to be watched by anyone but her. --- **00:00–00:05 — THE CONFIDENT SETUP** She props her phone against a stack of books, steps back into frame, and shakes out her arms like an athlete warming up. She points at the laptop screen playing the dance tutorial, then back at herself, deadly serious. *"Okay. I've watched this like twenty times. I got this."* **00:05–00:10 — FIRST EIGHT-COUNT** The music starts. She nails the first few moves surprisingly well, sharp and confident, clearly proud of herself mid-move. Roommate's voice from off-screen, genuinely impressed: *"Wait, okay—?!"* The camera stays static, catching her in full frame, a rare clean moment. **00:10–00:15 — THE FIRST WOBBLE** A quick turn in the choreography catches her off guard — she spins a half-second late, arms flailing to catch up, and clips the edge of the coffee table with her shin. She yelps, hopping on one foot, still trying to keep the rhythm going through gritted teeth. *"I'm fine — I'm fine, keep going—"* **00:15–00:20 — LAMP INCIDENT** Recovering, she throws herself into the next big arm movement — her hand clips the floor lamp, sending it tilting dangerously. Her roommate lunges into frame to catch it, grabbing the phone off the books in the process, camera suddenly handheld and shaking. *"THE LAMP—"* **00:20–00:25 — FULL CHAOS** With the lamp saved but the camera now shaky and handheld, she tries to pick the choreography back up from memory, increasingly out of sync with the music, arms going in directions the dance never intended. She knocks the water glass off the side table with her elbow, doesn't even stop, just grimaces and keeps dancing through the spill. Roommate, laughing hysterically behind the now-unsteady camera: *"You're literally destroying the apartment—"* **00:25–00:30 — FINAL MOMENT** The song ends. She strikes a triumphant final pose — chest heaving, one hand on her hip, completely out of breath, water pooling near her sock. She looks into the camera, dead serious despite the disaster around her. *"...Post it. That was clean."* Her roommate, still laughing, pans the camera slowly down to the spilled water and tipped lamp before swinging back to her unbothered face — and the footage cuts abruptly to black. --- **AUDIO** Natural location sound only: The tutorial/dance track playing tinny from the laptop speakers, her footsteps and fabric movement, the thud of her shin hitting the table, the lamp wobbling and roommate's scramble to catch it, glass tipping and water spilling, her roommate's genuine off-camera laughter throughout, and handheld camera noise once it's picked up. No added music beyond the in-scene laptop track. No narration. No artificial sound effects. Spoken lines: *"Okay. I've watched this like twenty times. I got this."* / *"Wait, okay—?!"* (roommate) / *"I'm fine — I'm fine, keep going—"* / *"THE LAMP—"* (roommate) / *"You're literally destroying the apartment—"* (roommate) / *"...Post it. That was clean."* **FINAL FEEL** Chaotic, cramped-apartment energy — the universal experience of confidently trying a viral dance and immediately losing a fight with your own furniture. Funny, physical, unscripted-feeling, with a deadpan ending that lands harder because she genuinely doesn't acknowledge the destruction around her. No exaggerated slapstick beyond real physical missteps. No professional dance skill required — the comedy comes from real momentum, real near-misses, and her total refusal to admit defeat.

Ciri

27,675 次观看 • 1 个月前

OK! this is a series. Prompt: You can also check it here: ---prompt--- Single unbroken handheld boyfriend vlog take throughout, 30 seconds total. A realistic personal travel vlog filmed by a boyfriend following his girlfriend during a normal day in Tokyo. Use the woman from the reference image as the main character. Maintain her exact facial identity, hairstyle, facial features, body proportions, and overall appearance throughout the entire video. She must remain the same person in every shot. The camera feels like a real boyfriend holding a small mirrorless camera or phone, not a professional production. Natural handheld movement, imperfect framing, occasional camera shake, spontaneous reactions, authentic everyday moments. The woman does not pose for the camera. She behaves naturally, sometimes forgetting the camera is there. 0-5s: Morning at a small Tokyo apartment. The camera starts recording as the boyfriend casually walks into the room. Soft morning sunlight enters through the window. The woman is sitting near the bed, fixing her hair and preparing for the day. She notices the camera, smiles naturally, laughs, and playfully tells him to stop filming. The camera stays close, slightly shaky, capturing a private everyday moment. 5-10s: Walking through Tokyo neighborhood streets. The boyfriend follows behind her as they leave the apartment. She walks through a quiet Tokyo street, carrying a small bag. Morning shops are opening, bicycles pass by, locals walk along the street. She stops at a convenience store. The camera follows her inside. She looks at different drinks and snacks, turns around and asks the person behind the camera which one she should choose. Natural interaction, casual conversation, realistic body language. 10-18s: Local food experience. The camera follows her through a small Tokyo alley to a cozy local restaurant. She sits down and tries a bowl of ramen or a local dish. The camera captures close handheld moments: her picking up chopsticks, tasting the food, reacting naturally, laughing when the food is hotter than expected. The boyfriend laughs behind the camera. The moment feels unplanned and authentic. 18-25s: Tokyo afternoon exploration. The couple walks through a lively neighborhood. She browses small shops, looks at interesting objects, takes photos, and occasionally looks back at the camera. The camera moves naturally between her face, her hands, the street atmosphere, and small details of daily life. Crowds pass naturally around them. The city feels alive and real. 25-30s: Tokyo night ending. Night falls. The camera follows her through illuminated Tokyo streets. She walks slightly ahead, then turns back and smiles at the camera. They ride a train home. She sits beside the window, watching city lights pass outside. The camera slowly moves closer as she rests quietly, ending like a real personal memory. Visual style: Authentic boyfriend travel vlog footage. Realistic handheld camera movement. Natural lighting. Casual documentary realism. Unplanned everyday moments. Real human expressions and interactions. Slight motion blur, natural exposure changes, realistic camera autofocus adjustments. No commercial advertisement style. No dramatic posing. No perfect cinematic composition. No text overlays. No logos. No face changes. No identity changes. No artificial transitions. No CGI feeling. Stable character consistency throughout.
0:30

OK! this is a series. Prompt: You can also check it here: ---prompt--- Single unbroken handheld boyfriend vlog take throughout, 30 seconds total. A realistic personal travel vlog filmed by a boyfriend following his girlfriend during a normal day in Tokyo. Use the woman from the reference image as the main character. Maintain her exact facial identity, hairstyle, facial features, body proportions, and overall appearance throughout the entire video. She must remain the same person in every shot. The camera feels like a real boyfriend holding a small mirrorless camera or phone, not a professional production. Natural handheld movement, imperfect framing, occasional camera shake, spontaneous reactions, authentic everyday moments. The woman does not pose for the camera. She behaves naturally, sometimes forgetting the camera is there. 0-5s: Morning at a small Tokyo apartment. The camera starts recording as the boyfriend casually walks into the room. Soft morning sunlight enters through the window. The woman is sitting near the bed, fixing her hair and preparing for the day. She notices the camera, smiles naturally, laughs, and playfully tells him to stop filming. The camera stays close, slightly shaky, capturing a private everyday moment. 5-10s: Walking through Tokyo neighborhood streets. The boyfriend follows behind her as they leave the apartment. She walks through a quiet Tokyo street, carrying a small bag. Morning shops are opening, bicycles pass by, locals walk along the street. She stops at a convenience store. The camera follows her inside. She looks at different drinks and snacks, turns around and asks the person behind the camera which one she should choose. Natural interaction, casual conversation, realistic body language. 10-18s: Local food experience. The camera follows her through a small Tokyo alley to a cozy local restaurant. She sits down and tries a bowl of ramen or a local dish. The camera captures close handheld moments: her picking up chopsticks, tasting the food, reacting naturally, laughing when the food is hotter than expected. The boyfriend laughs behind the camera. The moment feels unplanned and authentic. 18-25s: Tokyo afternoon exploration. The couple walks through a lively neighborhood. She browses small shops, looks at interesting objects, takes photos, and occasionally looks back at the camera. The camera moves naturally between her face, her hands, the street atmosphere, and small details of daily life. Crowds pass naturally around them. The city feels alive and real. 25-30s: Tokyo night ending. Night falls. The camera follows her through illuminated Tokyo streets. She walks slightly ahead, then turns back and smiles at the camera. They ride a train home. She sits beside the window, watching city lights pass outside. The camera slowly moves closer as she rests quietly, ending like a real personal memory. Visual style: Authentic boyfriend travel vlog footage. Realistic handheld camera movement. Natural lighting. Casual documentary realism. Unplanned everyday moments. Real human expressions and interactions. Slight motion blur, natural exposure changes, realistic camera autofocus adjustments. No commercial advertisement style. No dramatic posing. No perfect cinematic composition. No text overlays. No logos. No face changes. No identity changes. No artificial transitions. No CGI feeling. Stable character consistency throughout.

BubbleBrain

308,468 次观看 • 2 个月前

Made with seedance 2.5 Prompt: FORMAT: 30 seconds | 16:9 | Ultra-photorealistic live-action | Continuous handheld vacation vlog Preserve the exact face, hairstyle, identity, skin tone, facial features, and body proportions from >> throughout the entire video. The same woman must appear consistently in every shot. VISUAL STYLE: Authentic late-2000s personal vacation vlog recorded on a cheap handheld flip camera. Extremely raw and imperfect footage. Heavy natural camera shake, awkward handheld framing, occasional partial face crops, sudden reframing, autofocus hunting, exposure fluctuations, blown highlights, slightly soft image quality, warm faded colors, mild digital noise, compression artifacts, and subtle motion blur. No cinematic camera movements, no gimbal stabilization, no polished composition, no modern color grading, no beauty filter, no artificial sharpness. Outfit: oversized grey hooded sweatshirt, black leggings, worn white running shoes, hair pulled back into a low messy ponytail, small silver stud earrings, a canvas tote bag slung over one shoulder. The entire video must feel like one genuine recording captured by a friend on an early-morning trip through a fishing village in Sokcho, South Korea, not a staged commercial or cinematic recreation. 00:00–00:04 — EARLY MORNING ARRIVAL The woman walks along a quiet harbor path as the sun rises, fishing boats bobbing gently in the water behind her, seagulls circling overhead. The camera shakes slightly as it follows her from the side. She says: "It's so early, but I really wanted to see the fish market before it gets busy." 00:04–00:08 — THE FISH MARKET She steps into a covered harbor market filled with tanks of live fish, crabs, and squid, fishermen unloading crates from small boats nearby. The camera zooms unsteadily on a tank of wriggling crabs, focus hunting before snapping back to her face. She reacts with a mix of fascination and mild alarm. 00:08–00:12 — TALKING WITH A FISHERMAN An older fisherman hoists a large fish onto a table for her to see up close. She leans in curiously, asks a question, and he answers while gesturing with his hands. She laughs and says to the camera: "He says this one was caught just an hour ago!" 00:12–00:16 — TRYING RAW SQUID A nearby stall vendor offers her a small plate of freshly sliced raw squid with dipping sauce. She hesitates for a second, then takes a bite, chewing slowly with a surprised expression. She turns to the camera and says: "Okay wow, that's way fresher than I expected." 00:16–00:20 — HELPING SORT THE CATCH A fisherwoman nearby is sorting fish into baskets and waves her over to help. She kneels down and awkwardly tries to sort a few fish, nearly dropping one, laughing at herself. The fisherwoman laughs too and pats her on the back encouragingly. 00:20–00:24 — WALKING THE HARBOR She walks along the docks past rows of moored fishing boats, ropes coiled on the ground, nets drying in the morning sun. A couple of fishermen nod and greet her; she waves back cheerfully. The camera briefly swings toward the boats before swinging back to her. 00:24–00:27 — QUIET MOMENT She stops at the edge of the harbor, looking out over the calm water as the sun fully rises over the horizon. For a moment there's no dialogue — just waves lapping, distant gulls, and the creak of boats. She smiles softly and says: "Mornings like this make the early wake-up worth it." 00:27–00:30 — NATURAL ENDING She turns back toward the camera, gives a small wave, and says: "Okay, harbor adventure done. See you next time!" She laughs, turns, and walks off along the dock. The camera lingers a moment before the footage naturally ends with a slight shake and imperfect cut. AUDIO Natural location sound only: - waves lapping against the dock - seagulls calling - boat engines idling in the distance - fishermen calling out to each other - crates being unloaded - water splashing in fish tanks - footsteps on wet pavement - light morning breeze
0:30

Made with seedance 2.5 Prompt: FORMAT: 30 seconds | 16:9 | Ultra-photorealistic live-action | Continuous handheld vacation vlog Preserve the exact face, hairstyle, identity, skin tone, facial features, and body proportions from >> throughout the entire video. The same woman must appear consistently in every shot. VISUAL STYLE: Authentic late-2000s personal vacation vlog recorded on a cheap handheld flip camera. Extremely raw and imperfect footage. Heavy natural camera shake, awkward handheld framing, occasional partial face crops, sudden reframing, autofocus hunting, exposure fluctuations, blown highlights, slightly soft image quality, warm faded colors, mild digital noise, compression artifacts, and subtle motion blur. No cinematic camera movements, no gimbal stabilization, no polished composition, no modern color grading, no beauty filter, no artificial sharpness. Outfit: oversized grey hooded sweatshirt, black leggings, worn white running shoes, hair pulled back into a low messy ponytail, small silver stud earrings, a canvas tote bag slung over one shoulder. The entire video must feel like one genuine recording captured by a friend on an early-morning trip through a fishing village in Sokcho, South Korea, not a staged commercial or cinematic recreation. 00:00–00:04 — EARLY MORNING ARRIVAL The woman walks along a quiet harbor path as the sun rises, fishing boats bobbing gently in the water behind her, seagulls circling overhead. The camera shakes slightly as it follows her from the side. She says: "It's so early, but I really wanted to see the fish market before it gets busy." 00:04–00:08 — THE FISH MARKET She steps into a covered harbor market filled with tanks of live fish, crabs, and squid, fishermen unloading crates from small boats nearby. The camera zooms unsteadily on a tank of wriggling crabs, focus hunting before snapping back to her face. She reacts with a mix of fascination and mild alarm. 00:08–00:12 — TALKING WITH A FISHERMAN An older fisherman hoists a large fish onto a table for her to see up close. She leans in curiously, asks a question, and he answers while gesturing with his hands. She laughs and says to the camera: "He says this one was caught just an hour ago!" 00:12–00:16 — TRYING RAW SQUID A nearby stall vendor offers her a small plate of freshly sliced raw squid with dipping sauce. She hesitates for a second, then takes a bite, chewing slowly with a surprised expression. She turns to the camera and says: "Okay wow, that's way fresher than I expected." 00:16–00:20 — HELPING SORT THE CATCH A fisherwoman nearby is sorting fish into baskets and waves her over to help. She kneels down and awkwardly tries to sort a few fish, nearly dropping one, laughing at herself. The fisherwoman laughs too and pats her on the back encouragingly. 00:20–00:24 — WALKING THE HARBOR She walks along the docks past rows of moored fishing boats, ropes coiled on the ground, nets drying in the morning sun. A couple of fishermen nod and greet her; she waves back cheerfully. The camera briefly swings toward the boats before swinging back to her. 00:24–00:27 — QUIET MOMENT She stops at the edge of the harbor, looking out over the calm water as the sun fully rises over the horizon. For a moment there's no dialogue — just waves lapping, distant gulls, and the creak of boats. She smiles softly and says: "Mornings like this make the early wake-up worth it." 00:27–00:30 — NATURAL ENDING She turns back toward the camera, gives a small wave, and says: "Okay, harbor adventure done. See you next time!" She laughs, turns, and walks off along the dock. The camera lingers a moment before the footage naturally ends with a slight shake and imperfect cut. AUDIO Natural location sound only: - waves lapping against the dock - seagulls calling - boat engines idling in the distance - fishermen calling out to each other - crates being unloaded - water splashing in fish tanks - footsteps on wet pavement - light morning breeze

Oogie

28,352 次观看 • 1 个月前

Couple goals can't get better than this Seedance 2.5 Prompt 👇 Use the uploaded reference image as the exact character reference. Preserve her facial identity, hairstyle, eye color, skin tone, makeup, body proportions, Style: Early-2000s MiniDV home-video aesthetic, photorealistic live-action, shaky handheld camera, slight autofocus hunting, natural exposure shifts, motion blur, imperfect framing, warm afternoon light, authentic everyday atmosphere. A young woman from Korea wearing a fitted crop pink pastel tshirt spends a casual afternoon with her boyfriend in a quiet neighborhood. She films herself walking down the street, smiling at the camera while her boyfriend walks beside her. They stop at a small street-food stall, share a snack, laugh together, and continue walking. She playfully steals his sunglasses and puts them on, making him laugh. They sit together on a low wall, talk and tease each other, then walk through a small park while she records little moments on the handheld camera. As the sun begins to set, they stop under a streetlight. She turns the camera toward him, they exchange a warm smile, move closer, and share a brief natural kiss on the lips. The camera stays handheld and slightly imperfect as they laugh afterward and walk away together. Audio: Natural street ambience, footsteps, distant traffic, birds, casual conversation and laughter. No music. Negative prompt: No subtitles, text, logos, watermarks, identity changes, outfit changes, duplicate people, distorted hands, unnatural movements, or AI artifacts.
0:27

Couple goals can't get better than this Seedance 2.5 Prompt 👇 Use the uploaded reference image as the exact character reference. Preserve her facial identity, hairstyle, eye color, skin tone, makeup, body proportions, Style: Early-2000s MiniDV home-video aesthetic, photorealistic live-action, shaky handheld camera, slight autofocus hunting, natural exposure shifts, motion blur, imperfect framing, warm afternoon light, authentic everyday atmosphere. A young woman from Korea wearing a fitted crop pink pastel tshirt spends a casual afternoon with her boyfriend in a quiet neighborhood. She films herself walking down the street, smiling at the camera while her boyfriend walks beside her. They stop at a small street-food stall, share a snack, laugh together, and continue walking. She playfully steals his sunglasses and puts them on, making him laugh. They sit together on a low wall, talk and tease each other, then walk through a small park while she records little moments on the handheld camera. As the sun begins to set, they stop under a streetlight. She turns the camera toward him, they exchange a warm smile, move closer, and share a brief natural kiss on the lips. The camera stays handheld and slightly imperfect as they laugh afterward and walk away together. Audio: Natural street ambience, footsteps, distant traffic, birds, casual conversation and laughter. No music. Negative prompt: No subtitles, text, logos, watermarks, identity changes, outfit changes, duplicate people, distorted hands, unnatural movements, or AI artifacts.

Synthia

13,295 次观看 • 1 个月前

POV : Korean baddie spends a spontaneous day with her boyfriend in Seoul 🇰🇷 Create a 30-second, 16:9 ultra-realistic live-action POV vlog using the uploaded reference image as the exact character reference. Preserve her face, hairstyle, eye color, skin tone, makeup, body proportions, and appearance throughout. Style: Authentic Korean lifestyle vlog, early-2000s MiniDV/home-video aesthetic, handheld POV, imperfect framing, slight autofocus breathing, natural motion blur and exposure changes, overcast daylight transitioning into neon evening. Spontaneous, unstaged chemistry. 0–3s: She exits a Seoul apartment in a white baby tee, loose dark-blue jeans, white sneakers and tiny shoulder bag. Playfully films herself, then her boyfriend waiting by a scooter. 3–6s: They walk through a Korean residential alley. She films him while walking backward; he playfully blocks the camera and she laughs. 6–9s: Inside a coin photo booth, they make silly poses. He suddenly makes a serious face and she bursts out laughing. 9–12s: Outside, she teases him with the printed photo strip while he tries to steal it. 12–15s: In a Korean convenience store, she chooses a drink while he secretly adds another to her basket. She gives him a suspicious look; he smiles innocently. 15–18s: They sit outside, sharing drinks and snacks. He offers her a bite, then she steals another. Natural laughter and chemistry. 18–21s: Evening underground shopping street. She films their hands; he intertwines his fingers with hers and smiles at the camera. 21–24s: At an arcade, they play basketball. She misses, laughs, and playfully pushes him after he celebrates. 24–27s: Under Seoul neon lights, he gently fixes her hair. They exchange a quiet affectionate look. 27–30s: They walk away laughing. He waves back at the camera; she grabs his hand. They disappear into the crowd. End with a naturally shaky handheld frame and soft city-light bloom. Audio: Natural location sound only—Korean street ambience, footsteps, conversations, laughter, photo booth, convenience store, arcade and traffic. No music, narration or artificial SFX. Continuity/realism: Same woman and boyfriend throughout; consistent wardrobe and appearance, believable Korean environments, realistic physics and movement, natural couple chemistry. No teleportation, duplicates, distorted faces/hands, exaggerated acting, subtitles, captions, logos or watermarks.
0:30

POV : Korean baddie spends a spontaneous day with her boyfriend in Seoul 🇰🇷 Create a 30-second, 16:9 ultra-realistic live-action POV vlog using the uploaded reference image as the exact character reference. Preserve her face, hairstyle, eye color, skin tone, makeup, body proportions, and appearance throughout. Style: Authentic Korean lifestyle vlog, early-2000s MiniDV/home-video aesthetic, handheld POV, imperfect framing, slight autofocus breathing, natural motion blur and exposure changes, overcast daylight transitioning into neon evening. Spontaneous, unstaged chemistry. 0–3s: She exits a Seoul apartment in a white baby tee, loose dark-blue jeans, white sneakers and tiny shoulder bag. Playfully films herself, then her boyfriend waiting by a scooter. 3–6s: They walk through a Korean residential alley. She films him while walking backward; he playfully blocks the camera and she laughs. 6–9s: Inside a coin photo booth, they make silly poses. He suddenly makes a serious face and she bursts out laughing. 9–12s: Outside, she teases him with the printed photo strip while he tries to steal it. 12–15s: In a Korean convenience store, she chooses a drink while he secretly adds another to her basket. She gives him a suspicious look; he smiles innocently. 15–18s: They sit outside, sharing drinks and snacks. He offers her a bite, then she steals another. Natural laughter and chemistry. 18–21s: Evening underground shopping street. She films their hands; he intertwines his fingers with hers and smiles at the camera. 21–24s: At an arcade, they play basketball. She misses, laughs, and playfully pushes him after he celebrates. 24–27s: Under Seoul neon lights, he gently fixes her hair. They exchange a quiet affectionate look. 27–30s: They walk away laughing. He waves back at the camera; she grabs his hand. They disappear into the crowd. End with a naturally shaky handheld frame and soft city-light bloom. Audio: Natural location sound only—Korean street ambience, footsteps, conversations, laughter, photo booth, convenience store, arcade and traffic. No music, narration or artificial SFX. Continuity/realism: Same woman and boyfriend throughout; consistent wardrobe and appearance, believable Korean environments, realistic physics and movement, natural couple chemistry. No teleportation, duplicates, distorted faces/hands, exaggerated acting, subtitles, captions, logos or watermarks.

Simply Ray

524,329 次观看 • 1 个月前