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So, back in the day, there were no sampling laws, white artists could sample black artists without crediting. Up until black artists started sampling white artists. Then came sampling laws. It looks like Miss Americana thinks we are back in the segregation era 😂😂

IChooseViolence

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1,347,738 views • 10 months ago •via X (Twitter)

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Michael did 'eras' before Madonna debuted. He had concepts in his shows before her. HE put all elements together & created the modern pop star. Stop crediting her just cause your music history is limited to white artists. It all traces back to MJ & other Black artists

Michael did 'eras' before Madonna debuted. He had concepts in his shows before her. HE put all elements together & created the modern pop star. Stop crediting her just cause your music history is limited to white artists. It all traces back to MJ & other Black artists

vi ☆ fan

104,696 views • 2 months ago

we don’t get high quality music videos like this today, PERIOD. 😭 ☝🏽🙂‍↕️ the artists really used to put in the work and the money to make sure the visuals were nothing less than top notch, especially the black artists.

we don’t get high quality music videos like this today, PERIOD. 😭 ☝🏽🙂‍↕️ the artists really used to put in the work and the money to make sure the visuals were nothing less than top notch, especially the black artists.

DE'RON 🌞

18,300 views • 2 months ago

Reason says that the Revenge of the Dreamers 3 sessions were the most fun he’s ever had and talks about J. Cole making some smart moves for his artists: “Cole had a Dreamville studio where only Dreamville artists could be…When bigger artists came in, he’s also pulling them into the room to work with Dreamville artists. So now you setting up your Dreamville artists that may never get in proximity with [those larger artists] to have features for their albums and future work…As a CEO of a label, that’s genius.” REASON New Rory & MAL

Reason says that the Revenge of the Dreamers 3 sessions were the most fun he’s ever had and talks about J. Cole making some smart moves for his artists: “Cole had a Dreamville studio where only Dreamville artists could be…When bigger artists came in, he’s also pulling them into the room to work with Dreamville artists. So now you setting up your Dreamville artists that may never get in proximity with [those larger artists] to have features for their albums and future work…As a CEO of a label, that’s genius.” REASON New Rory & MAL

Joey

105,442 views • 3 months ago

Regarding the conversation surrounding ‘Napoleon having no CGI’. Below are the VFX credits. The film has some amazing VFX, stunt and practical FXs, including exploding body parts, exploding horses, exploding boats, crowd duplication, full CG boats, full CG environments all burning, water simulations, ice simulations, matte paintings, bullet hits, and much more. There are 15 VFX companies and 369 artists involved, but since some companies are only referenced by name, I suspect this number is much higher. Anyway, congratulations to: mon petit coin (153 artists) Industrial Light & Magic (80 artists) BlueBolt (50 artists) Outpost VFX (20 artists) Light VFX (12 artists) One of Us (8 artists) FPX (4 artists) @freefolkstudios (4 artists) Ghost VFX (no artists credited) Cheap Shot (no artists credited) Argon (4 artists) THE THIRD FLOOR, INC. (no artists credited) The Imaginarium Studios (4 artists) Visualskies (4 artists) The Magic Camera Company (26 artists) I hope everyone on Twitter understands that if you don't see the CGI, it doesn’t mean it’s not there. Also, never believe a marketing piece about a movie; they are filled with out-of-context statements and misunderstandings. We all need to be better a policing this nonsense, so join me in spreading the word that Napoleon has a shit tonne of CGI and VFX. #CGI #VFX #Napoleon #RidleyScott

Regarding the conversation surrounding ‘Napoleon having no CGI’. Below are the VFX credits. The film has some amazing VFX, stunt and practical FXs, including exploding body parts, exploding horses, exploding boats, crowd duplication, full CG boats, full CG environments all burning, water simulations, ice simulations, matte paintings, bullet hits, and much more. There are 15 VFX companies and 369 artists involved, but since some companies are only referenced by name, I suspect this number is much higher. Anyway, congratulations to: mon petit coin (153 artists) Industrial Light & Magic (80 artists) BlueBolt (50 artists) Outpost VFX (20 artists) Light VFX (12 artists) One of Us (8 artists) FPX (4 artists) @freefolkstudios (4 artists) Ghost VFX (no artists credited) Cheap Shot (no artists credited) Argon (4 artists) THE THIRD FLOOR, INC. (no artists credited) The Imaginarium Studios (4 artists) Visualskies (4 artists) The Magic Camera Company (26 artists) I hope everyone on Twitter understands that if you don't see the CGI, it doesn’t mean it’s not there. Also, never believe a marketing piece about a movie; they are filled with out-of-context statements and misunderstandings. We all need to be better a policing this nonsense, so join me in spreading the word that Napoleon has a shit tonne of CGI and VFX. #CGI #VFX #Napoleon #RidleyScott

Hugo Guerra

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there were so many attempts to box black artists in at this time, grouping all their genres and attaching race to them in order to demonize it. but michael’s message was always the same

there were so many attempts to box black artists in at this time, grouping all their genres and attaching race to them in order to demonize it. but michael’s message was always the same

charmie ☆

27,690 views • 2 months ago

Bringing this video back because of the anti-Black MJ fan discourse. And a reminder that non-Black fans of Black artists will always be guests in Black spaces and no amount of ‘expertise’ will ever change that.

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King Green of Rap Latte speaks on the Vince Staples ‘Cry Baby’ reactions: “We’re still uncomfortable seeing Black people in spaces we culturally coded as white. And the craziest part is that most of those spaces were created or influenced by Black artists and Black culture.” King Green

King Green of Rap Latte speaks on the Vince Staples ‘Cry Baby’ reactions: “We’re still uncomfortable seeing Black people in spaces we culturally coded as white. And the craziest part is that most of those spaces were created or influenced by Black artists and Black culture.” King Green

Joey

95,043 views • 2 months ago

Rock music has Black roots, so why is there still a stigma that Black people don’t belong in the genre? 🎸 I spoke with ALEMEDA about Black artists reclaiming their space in rock and a new generation pushing that representation back to the forefront. Watch our full conversation here:

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Monie | Chilling With Monie.🌹

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So NOTA is saying Ricky Rick was used by White stakeholders to secure Black artists for Cotton Fest without payment? 😳😳😳 Wait… who actually owns Cotton Fest? 😭 Every day it feels like we’re learning things about Makhado that are difficult to process. 🥺💔

So NOTA is saying Ricky Rick was used by White stakeholders to secure Black artists for Cotton Fest without payment? 😳😳😳 Wait… who actually owns Cotton Fest? 😭 Every day it feels like we’re learning things about Makhado that are difficult to process. 🥺💔

YaseBlock B 🇸🇿

90,384 views • 8 months ago

It’s fine to prefer GMMTV’s approach to the industry, but claiming DMD “forces” artists into roles ignores what the artists themselves have said. DMD’s Friendship project let artists build connections and choose compatible partners. Many have described feeling accepted, supported, and more confident there. Femininity and fanservice aren’t inherently negative or inauthentic. "While many places might not be so open to this, in this world many places won't accept who we really are. But here ever since i came here, i have been able to be myself" - Kim There are many artists in dmd who have said they have felt so much acceptance and comfort while being there other than Kim. Dmd isn't the best out there but one thing we know is that they truly let the artists be themselves.

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dia is seeing khem4

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Make it make sense. If Beyoncé and other Black artists like Teyana Taylor ‘sold their souls,’ why did it take them so long to reach the same level of commercial success as their white counterparts with less talent?

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IChooseViolence

23,770 views • 4 months ago

“I think there are certain groups in the black community, and black artists in the industry who would rather sacrifice us being represented in the mainstream media, if it meant humbling Beyoncé. If it means Beyoncé not being as big as she is” Whew, he went there 🤭💁🏽‍♂️😮‍💨

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NotBeyoncebutViolence

22,794 views • 8 months ago

Max has indefinitely pushed back the label tryouts, but the posts will stay up so artists can keep submitting their music for when he decides to run them in the future. He also tells all artists he didn’t like not to quit, to keep going, and that his opinion shouldn’t matter to them.

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PlaqueBoyMaxUpdates

23,842 views • 1 year ago

Rap, hip hop, and R&B copyright terminations will be one of the largest transfers of wealth to Black and brown people in the history of the music business. Yet nobody in Black media is talking about it. None of these podcasts, none of these radio shows that profit off the music every day are telling artists to hire an attorney, terminate your publishing, and take it back. This is exactly what I mean when I say Black media doesn’t inform us, it just repeats gossip. Not one conversation about Black artists reclaiming their copyrights and publishing to put money back into their own pockets. That silence is costing our community billions. If Black media won’t say it, then I will, find an attorney, file your terminations, and take your publishing back! And I’ll even do you one better. I bet none of those Black media sites will even post this video to let artists know that they can terminate their publishing. And it will literally prove how Black media does not inform.

Rap, hip hop, and R&B copyright terminations will be one of the largest transfers of wealth to Black and brown people in the history of the music business. Yet nobody in Black media is talking about it. None of these podcasts, none of these radio shows that profit off the music every day are telling artists to hire an attorney, terminate your publishing, and take it back. This is exactly what I mean when I say Black media doesn’t inform us, it just repeats gossip. Not one conversation about Black artists reclaiming their copyrights and publishing to put money back into their own pockets. That silence is costing our community billions. If Black media won’t say it, then I will, find an attorney, file your terminations, and take your publishing back! And I’ll even do you one better. I bet none of those Black media sites will even post this video to let artists know that they can terminate their publishing. And it will literally prove how Black media does not inform.

Isaac Hayes III

14,246 views • 11 months ago

DJ Hed brought up Joe going live on BlogTV back in the day while on tour without telling others on the bus. Here's Glasses Malone 🏴‍☠️ arguing with Joe. The full convo caused many issues with several artists #JBTVClips 🎥

DJ Hed brought up Joe going live on BlogTV back in the day while on tour without telling others on the bus. Here's Glasses Malone 🏴‍☠️ arguing with Joe. The full convo caused many issues with several artists #JBTVClips 🎥

JBTV Community

57,887 views • 9 months ago

Taking you back to the late 50s. This '59 hit had Neil Sedaka on piano, can you guess the artist and the song? Ever wonder what it was like in the ’50s, were artists were polished and professional looking?

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🇺🇸Hot Pepper

34,972 views • 6 months ago

Michael made Sammy Davis cry. He delivered a performance that remains unmatched to this day. In extreme physical pain, he gave his idol Sammy the honor he deserved, having opened the door for so many Black artists who came after him.

Michael made Sammy Davis cry. He delivered a performance that remains unmatched to this day. In extreme physical pain, he gave his idol Sammy the honor he deserved, having opened the door for so many Black artists who came after him.

LiberianGirl 🍉

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