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So both D&E were lying down while waiting for AB line performance, they seemed really exhausted 🥹🫳 #DONGHAE #EUNHYUK #동해 #은혁 #은해 #EUNHAE Cr __chsuannn be4haru

byeol_별

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11,416 views • 3 months ago •via X (Twitter)

#DONGHAE #EUNHYUK #동해 #은혁 #은해 #EUNHAE

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byeol_별

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P'𝐘𝐨𝐟𝐚𝐧 (real)

42,275 views • 1 year ago

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Mortdog

154,840 views • 1 year ago

I thought a lot in these days to write about what happened in the past days, but because i saw them already lying (looks like to be liar is their inner nature) i will talk about the bad behavior and disrespect of cpf fans aka #bjyx or #yizhan during the days of mfw. I think everyone can stay outside the shows to see their favorite celebrities but respect should be the main value to follow, you are there for Xiao Zhan, he is doing his work, why are you bringing irrelevant people into HIS JOB EVENT?! Why do you want to push your fanfictions into his face? Why have you to disturb the common order of everyone there? Even people from other fandoms were shocked by their behavior! I will divide everything into 3 chapters - - 25th G show. They found a spot and attach a dirty banner and even G brand staff came out from the event asking to the removal of their disgusting banner and brought it away. I add also video of the fact. The cpf tried also to disguise herself wearing a red jacket, but she was not happy, the moment G brand staff went away with the banner, instead to be ashamed, she brought out new banners, with the visible surname of another person and their yellow colors! She also argued for long with a poor security guy who was really done So are you there for what? To see someone you claim to be fan or just for a selfish pleasure being disrespectful towards xz?!? - 27th we organized a loch special screening in a cinema, we were us xfx + some passerby we invited, the hall was private booked and it was totally filled. But some of them came to the cinema and argued even with the cinema staff! They tried to snatch into a private event and threaten the cinema staff 😱 - 28th T brand even was the worst day. They tried to pick fights since 3 am in between the street 😱 they stole one of our stool, they started to play loud wuji AT 5AM IN THE MIDDLE OF A CITY!!! wth?! This is a disturbance for everyone, it’s not allowed! I had a small group of 4/5 behind me and they screamed to my ears every fk 10/15 min, trying to pick fights with us (we ignored them 95% of the time) and continue to push their luggage toward my friend who wasn’t even allowed to sit down for this! They were so chaotic and such a disturbance that after a while even the security guard in our zone noticed they were weird and started to monitored them closer. At certain time they exploded again and even the security guard was able to contain the she brought out new banners, with the visible surname of another person and their yellow colors! She also argued for long with a poor security guy who was really done So are you there for what? To see someone you claim to be fan or just for a selfish pleasure being disrespectful towards xz?!? - 27th we organized a loch special screening in a cinema, we were us xfx and invited some passerby, the hall was private booked by us and it was totally filled. But some of them came to the cinema and argued even with the cinema staff! They tried to snatch into a private event and threatened the cinema staff 😱 - 28th T brand even was the worst day. They tried to pick fights since 3 am in between the street 😱 they stole one of our stool, they started to play loud wuji AT 5AM IN THE MIDDLE OF A CITY!!! wth?! This is a disturbance for everyone, it’s not allowed! Some of us were on site already at 2am, they came later and tried anyway the steal the front row 😡 I had a small group of 4/5 behind me and they screamed to my ears every fk 10/15 min, trying to pick fights with us (we ignored them 95% of the time) and continue to push their luggage toward my friend who wasn’t even allowed to sit down for this! They were so chaotic and such a disturbance that after a while even the security guard in our zone noticed they were weird and started to monitored them closer. At certain time they exploded again and even the security guard was able to contain them and he exclaimed ‘i can see you don’t like him (xz) very much’ (in italian). …continue

♥️🥀..::*𝓛𝓲𝓵𝓲𝓮*::..🥀♥️

89,277 views • 1 year ago

Ray had been trying to act casual at the vet’s front desk, filling out one last form while Milo pressed his body against his jeans like he didn’t want even an inch of space between them. They had only been together for three weeks, but the dog already followed him from room to room, waited outside the bathroom door, and slept with one paw touching the side of Ray’s bed. The rescue had told Ray that Milo was sweet, but scared of being left behind. His last family hadn’t been cruel. They just couldn’t keep him after a move, and the handoff had happened in a place that smelled a lot like this one. Bright lights. Hard floors. A counter. Paperwork. People talking over his head while his whole world changed without warning. Milo had done fine in the exam room at first. He let the vet check his ears, stood still for the scale, and only tucked his tail when someone closed a door too loudly down the hall. Ray kept one hand near his collar the whole time, telling him he was doing good, and for a while that seemed to be enough. Then they walked back to the front desk. Ray reached for his wallet. The receptionist asked a question about follow-up care. A jar of dog treats sat on the counter, and someone’s printer started humming behind the desk. Milo looked around, saw Ray facing away from him, and something in him changed. He sat down behind Ray’s leg and wrapped both front paws around it. Ray felt the weight first. Then he heard the small whine, so quiet it almost got lost under the clinic noise. When he looked down, Milo was staring up at him with those worried eyes, holding on like the floor might open if he let go. For a second, Ray didn’t say anything. Then he put his hand on Milo’s head and rubbed him gently, right there in the middle of the lobby. The dog leaned harder into his leg, still holding on, still not sure what was happening. Ray turned a little toward the person filming and smiled, but his eyes had already softened. “I sure do love this boy,” he said. Milo didn’t understand vet bills or follow-up appointments. He didn’t know they were only there for a checkup, or that Ray had already bought his food, washed his blanket, and made room for him at home. All he knew was that they were standing at another counter, and counters had taken people away before. This time, the hand on his head stayed. Ray kept petting him until Milo’s breathing slowed, then looked back down at him and gave the smallest shake of his head, the kind people do when something gets them more than they expected. That dog wasn’t trying to be cute. He was asking, in the only way he knew how, not to be left behind again.

Ray had been trying to act casual at the vet’s front desk, filling out one last form while Milo pressed his body against his jeans like he didn’t want even an inch of space between them. They had only been together for three weeks, but the dog already followed him from room to room, waited outside the bathroom door, and slept with one paw touching the side of Ray’s bed. The rescue had told Ray that Milo was sweet, but scared of being left behind. His last family hadn’t been cruel. They just couldn’t keep him after a move, and the handoff had happened in a place that smelled a lot like this one. Bright lights. Hard floors. A counter. Paperwork. People talking over his head while his whole world changed without warning. Milo had done fine in the exam room at first. He let the vet check his ears, stood still for the scale, and only tucked his tail when someone closed a door too loudly down the hall. Ray kept one hand near his collar the whole time, telling him he was doing good, and for a while that seemed to be enough. Then they walked back to the front desk. Ray reached for his wallet. The receptionist asked a question about follow-up care. A jar of dog treats sat on the counter, and someone’s printer started humming behind the desk. Milo looked around, saw Ray facing away from him, and something in him changed. He sat down behind Ray’s leg and wrapped both front paws around it. Ray felt the weight first. Then he heard the small whine, so quiet it almost got lost under the clinic noise. When he looked down, Milo was staring up at him with those worried eyes, holding on like the floor might open if he let go. For a second, Ray didn’t say anything. Then he put his hand on Milo’s head and rubbed him gently, right there in the middle of the lobby. The dog leaned harder into his leg, still holding on, still not sure what was happening. Ray turned a little toward the person filming and smiled, but his eyes had already softened. “I sure do love this boy,” he said. Milo didn’t understand vet bills or follow-up appointments. He didn’t know they were only there for a checkup, or that Ray had already bought his food, washed his blanket, and made room for him at home. All he knew was that they were standing at another counter, and counters had taken people away before. This time, the hand on his head stayed. Ray kept petting him until Milo’s breathing slowed, then looked back down at him and gave the smallest shake of his head, the kind people do when something gets them more than they expected. That dog wasn’t trying to be cute. He was asking, in the only way he knew how, not to be left behind again.

Crazy Moments

19,917 views • 21 days ago

"This was filmed three weeks ago at Cedarwood Animal Rescue in Richmond, Virginia. The adult dog lying in the corner is Hazel. She's approximately three years old, a Beagle mix with a soft tricolor coat and quiet, gentle eyes. Hazel came to Cedarwood six weeks ago a stray pickup, clearly a nursing mother, brought in without her puppies. Staff searched the area where she'd been found for three days. Nothing. Hazel settled into the shelter the way a dog does when it doesn't have a choice. She ate. She accepted affection. But staff noted she was consistently subdued - not depressed in a clinical sense, just carrying something. She'd often lie with her nose pressed to the base of the kennel door. Shelter director Fran said: "We see it sometimes with mothers who come in separated. There's a quality to how they hold themselves that's different from other surrenders. Hazel was looking for something constantly." Two weeks after Hazel arrived, a family in the same neighborhood where she'd been found contacted Cedarwood. They'd discovered two small puppies in their garage clearly newborns, eyes still closed when found. The family had bottle-fed them for two weeks and brought them in once they were stable enough to be moved. The vet examined all three. The DNA profile and the puppies' age were consistent. These were Hazel's. Volunteer Theresa carried the puppies in a small transport crate into Hazel's kennel room on a Thursday morning. The footage shows Hazel lying in the corner, head down, the way she always rested. Theresa set the crate on the floor and opened the door. The two puppies - round and clumsy, about five weeks old tumbled out and wobbled toward the center of the room. Hazel's head came up. She was on her feet before the puppies had taken three steps. She crossed the kennel and pressed her nose to both of them, one then the other, then began licking them with the focused urgency of a mother accounting for every inch of her children. Her tail was going so fast it seemed to move her whole back end. The puppies pushed back into her. Hazel circled them, licking and pressing and circling again. Theresa stood at the kennel door and cried. Fran told us: "We've been doing this for eleven years. Reuniting a mother with her puppies after separation is one of the things that never gets routine. Hazel had been carrying that loss quietly for two weeks. The moment those puppies were on the ground, something in her just unlocked." All three were placed together in a foster home the following week. They'll be listed for adoption once the puppies are old enough - as a group, Fran said firmly. "They're not being separated again." Some things that go missing find their way back. And when they do, the relief is written all over a body that was never fully at rest without them

Crazy Moments

104,538 views • 17 days ago

$They discovered Rosie beside a quiet stretch of railway tracks — a place no animal should ever have been left to suffer. Her small body lay pressed into the dirt, broken and exhausted, crying from pain that had lasted far longer than anyone could imagine. For two full days, she had remained there. Two days of cold. Two days of unbearable pain. Two days waiting for someone who might never come. When rescuers finally arrived, she managed to raise her head just slightly, as if begging them not to leave her behind the way others had. At the veterinary clinic, the truth about her condition emerged piece by piece — and it was even worse than the scene where they found her. Her spine was fractured. Her hind legs were paralyzed. Her body was dangerously cold, severely dehydrated, and so weak it seemed close to shutting down. Then came another devastating discovery: a vaginal hemorrhage caused by a transmissible venereal tumor. It became clear that her suffering hadn’t started with the train. It had begun long before. Still, the team chose to fight for her life. Treatment began slowly — hour by hour, step by step — even though the odds were not in her favor. They couldn’t accept that she had endured so much only to die beside a railway. By Day 45, a small sign of hope appeared. Her cytostatic treatments were completed. A tiny wheelchair had been prepared for her — designed for dogs whose bodies refuse to give up even when their legs can no longer support them. Hydrotherapy followed, offering gentle rehabilitation and a small chance that she might regain movement someday. Nothing was guaranteed. The rest depended on her determination. And she had plenty of it. By Day 70, another heartbreaking piece of her past came to light. The dog — now named Rosie — once had a family. But they gave her away. She was passed from person to person until she eventually fell into the hands of someone who used her for breeding. She was forced to produce litter after litter. When illness struck — when the tumor and infections appeared — she was no longer useful. So she was abandoned. That is how she ended up beside the railway tracks: injured, bleeding, and completely alone. Not everyone supported the rescuers’ decision to continue fighting for her. Some people criticized them harshly. “You should have euthanized her,” they said. “You’re wasting resources.” “You’re only prolonging her suffering.” In those early days, even the rescuers questioned themselves. Every surgery, every treatment, and every night spent moving her between clinics drained them emotionally and financially. But they kept going because Rosie never stopped trying to live. And eventually, the moment they had hoped for finally arrived. Their effort had not been wasted. Rosie was flown to Germany, where a family welcomed her with open arms. They understood her past, her limitations, and the long road ahead. They didn’t care whether she would walk again. They simply saw her spirit — the way she continued to try, to trust, and to fight — and they chose her. Her recovery continued there. The wheelchair helped her move around. Hydrotherapy gave her the chance to strengthen her legs again. And because her spinal cord had not been completely destroyed, there remained a small but precious possibility that she might walk one day. Slowly, Rosie began adapting to a new life. A life where people cared for her. A life where she was safe. A life where she was no longer used and discarded. A life where she mattered. By Day 90, everything had changed. She could move again — perhaps not exactly as before, but with freedom, determination, and joy. Rosie survived not because of luck, but because people refused to give up on her. She is a fighter. And the family who adopted her continues to stand beside her every step of the way, giving her the life she was denied for so long. If you’d like to see Rosie today — how bright her eyes are now and how happily her tail wags$

They discovered Rosie beside a quiet stretch of railway tracks — a place no animal should ever have been left to suffer. Her small body lay pressed into the dirt, broken and exhausted, crying from pain that had lasted far longer than anyone could imagine. For two full days, she had remained there. Two days of cold. Two days of unbearable pain. Two days waiting for someone who might never come. When rescuers finally arrived, she managed to raise her head just slightly, as if begging them not to leave her behind the way others had. At the veterinary clinic, the truth about her condition emerged piece by piece — and it was even worse than the scene where they found her. Her spine was fractured. Her hind legs were paralyzed. Her body was dangerously cold, severely dehydrated, and so weak it seemed close to shutting down. Then came another devastating discovery: a vaginal hemorrhage caused by a transmissible venereal tumor. It became clear that her suffering hadn’t started with the train. It had begun long before. Still, the team chose to fight for her life. Treatment began slowly — hour by hour, step by step — even though the odds were not in her favor. They couldn’t accept that she had endured so much only to die beside a railway. By Day 45, a small sign of hope appeared. Her cytostatic treatments were completed. A tiny wheelchair had been prepared for her — designed for dogs whose bodies refuse to give up even when their legs can no longer support them. Hydrotherapy followed, offering gentle rehabilitation and a small chance that she might regain movement someday. Nothing was guaranteed. The rest depended on her determination. And she had plenty of it. By Day 70, another heartbreaking piece of her past came to light. The dog — now named Rosie — once had a family. But they gave her away. She was passed from person to person until she eventually fell into the hands of someone who used her for breeding. She was forced to produce litter after litter. When illness struck — when the tumor and infections appeared — she was no longer useful. So she was abandoned. That is how she ended up beside the railway tracks: injured, bleeding, and completely alone. Not everyone supported the rescuers’ decision to continue fighting for her. Some people criticized them harshly. “You should have euthanized her,” they said. “You’re wasting resources.” “You’re only prolonging her suffering.” In those early days, even the rescuers questioned themselves. Every surgery, every treatment, and every night spent moving her between clinics drained them emotionally and financially. But they kept going because Rosie never stopped trying to live. And eventually, the moment they had hoped for finally arrived. Their effort had not been wasted. Rosie was flown to Germany, where a family welcomed her with open arms. They understood her past, her limitations, and the long road ahead. They didn’t care whether she would walk again. They simply saw her spirit — the way she continued to try, to trust, and to fight — and they chose her. Her recovery continued there. The wheelchair helped her move around. Hydrotherapy gave her the chance to strengthen her legs again. And because her spinal cord had not been completely destroyed, there remained a small but precious possibility that she might walk one day. Slowly, Rosie began adapting to a new life. A life where people cared for her. A life where she was safe. A life where she was no longer used and discarded. A life where she mattered. By Day 90, everything had changed. She could move again — perhaps not exactly as before, but with freedom, determination, and joy. Rosie survived not because of luck, but because people refused to give up on her. She is a fighter. And the family who adopted her continues to stand beside her every step of the way, giving her the life she was denied for so long. If you’d like to see Rosie today — how bright her eyes are now and how happily her tail wags

Crazy Moments

12,497 views • 20 days ago

Can you really say he deserves this nomination? I doubt it. No doubt, Ronwen Williams isn't just one of the first eleven among the South African AFCON players. He was the best among them. He did not just play at the Africa Cup of Nations (AFCON) 2024; he has redefined what it means to be a custodian between the posts. His performance wasn't merely exceptional; it was a masterclass in goalkeeping that will be talked about for years to come. In the quarterfinals against Cape Verde, Williams didn't just save penalties;he choreographed a dance of rebellion, stopping four out of five shots in the shootout. This wasn't just skill; it was as if he had peered into the future, knowing precisely where each ball would go. This feat alone would have been enough to etch his name in AFCON history, but Williams was just warming up. His journey through the tournament was marked by clean sheets and crucial saves, showcasing a blend of athleticism, intuition, and sheer willpower. Against Morocco, a team riding high on confidence, Williams stood tall, his presence in goal was like that of an immovable fortress. Each save was not just a stop; it was a statement, a declaration that on this day, in this tournament, he was unbeatable. The semifinals against Nigeria, laughs! The clash of the Titans. The real AFCON finals, no offence. A match where the stakes were as high as the tension, saw Williams concede but only after a battle where he seemed to stretch time itself, diving, parrying, and commanding his area with the authority of a seasoned general. His performance in the penalty shootouts wasn't just about stopping the ball; it was about breaking the spirit of the opposition, making them doubt their abilities with every save. When the tournament concluded, and the awards were handed out, there was no surprise when Williams was named the Goalkeeper of the Tournament. This wasn't just an award; it was an acknowledgment of a stellar performance that transcended the ordinary. That's an extraordinary performance. His stats - five clean sheets, six penalties saved, and an array of saves that defied physics - tell a story of dominance, of a goalkeeper who didn't just play the game but owned it. Bosso ke mang? Ke Williams! Oga na master! I celebrate Williams, not just for his individual brilliance but for how he carried an entire nation's hopes on his shoulders. In a tournament where every game was a battle, Williams was South Africa's greatest shield, their beacon of hope, and ultimately, their hero even while bowing to the Super Eagles. His performance at AFCON 2024 will be remembered not just for what he did on the field but for how he inspired a generation of goalkeepers and football fans across Africa. In the Hall of AFCON fame, many names will be remembered, but few will shine as brightly as Williams, whose gloves seemed to have a mind of their own, saving not just goals but etching moments into the hearts of football lovers everywhere. His was not just a performance; it was a phenomenon, a testament to what one individual can achieve when they rise to the occasion, not just as a player, but as a legend in the making. So, I DOUBT that he doesn't just deserve the nomination, especially being the first goalkeeper in history to be nominated for the Yashin Trophy while playing for a club in Africa. He deserves to win it. And I am very proud of him. I mean, watch these 👇🏾 God bless Ronwen Williams God bless South Africa God Bless Africa

Can you really say he deserves this nomination? I doubt it. No doubt, Ronwen Williams isn't just one of the first eleven among the South African AFCON players. He was the best among them. He did not just play at the Africa Cup of Nations (AFCON) 2024; he has redefined what it means to be a custodian between the posts. His performance wasn't merely exceptional; it was a masterclass in goalkeeping that will be talked about for years to come. In the quarterfinals against Cape Verde, Williams didn't just save penalties;he choreographed a dance of rebellion, stopping four out of five shots in the shootout. This wasn't just skill; it was as if he had peered into the future, knowing precisely where each ball would go. This feat alone would have been enough to etch his name in AFCON history, but Williams was just warming up. His journey through the tournament was marked by clean sheets and crucial saves, showcasing a blend of athleticism, intuition, and sheer willpower. Against Morocco, a team riding high on confidence, Williams stood tall, his presence in goal was like that of an immovable fortress. Each save was not just a stop; it was a statement, a declaration that on this day, in this tournament, he was unbeatable. The semifinals against Nigeria, laughs! The clash of the Titans. The real AFCON finals, no offence. A match where the stakes were as high as the tension, saw Williams concede but only after a battle where he seemed to stretch time itself, diving, parrying, and commanding his area with the authority of a seasoned general. His performance in the penalty shootouts wasn't just about stopping the ball; it was about breaking the spirit of the opposition, making them doubt their abilities with every save. When the tournament concluded, and the awards were handed out, there was no surprise when Williams was named the Goalkeeper of the Tournament. This wasn't just an award; it was an acknowledgment of a stellar performance that transcended the ordinary. That's an extraordinary performance. His stats - five clean sheets, six penalties saved, and an array of saves that defied physics - tell a story of dominance, of a goalkeeper who didn't just play the game but owned it. Bosso ke mang? Ke Williams! Oga na master! I celebrate Williams, not just for his individual brilliance but for how he carried an entire nation's hopes on his shoulders. In a tournament where every game was a battle, Williams was South Africa's greatest shield, their beacon of hope, and ultimately, their hero even while bowing to the Super Eagles. His performance at AFCON 2024 will be remembered not just for what he did on the field but for how he inspired a generation of goalkeepers and football fans across Africa. In the Hall of AFCON fame, many names will be remembered, but few will shine as brightly as Williams, whose gloves seemed to have a mind of their own, saving not just goals but etching moments into the hearts of football lovers everywhere. His was not just a performance; it was a phenomenon, a testament to what one individual can achieve when they rise to the occasion, not just as a player, but as a legend in the making. So, I DOUBT that he doesn't just deserve the nomination, especially being the first goalkeeper in history to be nominated for the Yashin Trophy while playing for a club in Africa. He deserves to win it. And I am very proud of him. I mean, watch these 👇🏾 God bless Ronwen Williams God bless South Africa God Bless Africa

🏘️IamEri'Oluwa🇳🇬

67,740 views • 1 year ago

rewatching ep 4 for the nth time and I think this is going to be one of those scenes that stays with me for a very long time😭it isn’t just Pete crying, he completely breaks down like full sobbing, barely holding himself together, curling into a ball of grief hiding himself in the blanket like years of pain finally poured out at once. When you think about everything we know about Pete, he’s just 24, yet he’s been emotionally exhausted for years. His gang is younger than him, meaning he can’t really share anything with them. His sister neglects him, and the way he talks about his relatives makes it obvious that his family life is filled with distance rather than care😔 It’s the first time Pete has ever talked about his past, not running from it but actually saying it out loud while someone quietly listens to him. Niran doesn’t interrupt Pete or try to comfort him. He looks composed the whole time, but I can feel his emotions through the silence, the sigh, the way he listens. He is simply lying there but it’s a safe space for Pete to unravel, which is why Pete later says that people feel at ease around Niran. It’s not cuz Niran is affectionate, it’s cuz he says things as they are and that helps Pete feel like he can be himself around him, even at his most broken moment. The scene before where he was furious with Pete, he’s not judging Pete’s life, he’s just giving him the hard truth. He doesn’t sugarcoat things, but he also doesn’t invalidate Pete’s pain. Instead, he’s trying to make Pete realize that his life has value, but he’s letting anger, recklessness and negative emotions get the best of him. And for someone like Pete, who spent most of his life feeling unwanted and unseen, this kind of brutal honesty is what he needs to turn over a new leaf🥹

rewatching ep 4 for the nth time and I think this is going to be one of those scenes that stays with me for a very long time😭it isn’t just Pete crying, he completely breaks down like full sobbing, barely holding himself together, curling into a ball of grief hiding himself in the blanket like years of pain finally poured out at once. When you think about everything we know about Pete, he’s just 24, yet he’s been emotionally exhausted for years. His gang is younger than him, meaning he can’t really share anything with them. His sister neglects him, and the way he talks about his relatives makes it obvious that his family life is filled with distance rather than care😔 It’s the first time Pete has ever talked about his past, not running from it but actually saying it out loud while someone quietly listens to him. Niran doesn’t interrupt Pete or try to comfort him. He looks composed the whole time, but I can feel his emotions through the silence, the sigh, the way he listens. He is simply lying there but it’s a safe space for Pete to unravel, which is why Pete later says that people feel at ease around Niran. It’s not cuz Niran is affectionate, it’s cuz he says things as they are and that helps Pete feel like he can be himself around him, even at his most broken moment. The scene before where he was furious with Pete, he’s not judging Pete’s life, he’s just giving him the hard truth. He doesn’t sugarcoat things, but he also doesn’t invalidate Pete’s pain. Instead, he’s trying to make Pete realize that his life has value, but he’s letting anger, recklessness and negative emotions get the best of him. And for someone like Pete, who spent most of his life feeling unwanted and unseen, this kind of brutal honesty is what he needs to turn over a new leaf🥹

Mikey😢😉🥑 #WUisREAL

11,892 views • 1 month ago

1️⃣ I did everything I could for Ritual I made all kinds of contributions. For 8 months, I contributed to Ritual, but I am extremely disappointed with their system. I made 181 contributions on X, bought Canva Premium to design infographics, and sent almost 17,000 messages. Despite all this, I have been permanently ignored for 8 months. Two of my friends, Ashish.Base.eth (❖,❖) (230 contributions) and KUNDAN (150 contributions), are facing the same treatment. Because of this unfair and favoritism based system, I decided to post on Twitter to expose it. When we raised our voice after 6 months of hard work and 150+ contributions, the so called Indian community handlers and famous team members labeled it as FUD and continued ignoring us. 2️⃣ When we asked the Indian community handlers why we were not given roles after 8 months, they said: “We can’t do anything, the team decides.” But when we contacted the team or mods, they said: “Go back to the Indian community handlers, they will help you.” If these handlers and big mods really can’t do anything, then why are they even here? They are here to build connections This system has been making fun of me and other hard working contributors. 3️⃣ Now look at the people who received roles based on “quality contributions.” Everything is available with proof. One person (Yaneul) got a role with only 15 very low quality contributions (mostly food and event screenshots). He even got Ritualist with just 25 contributions. This clearly shows either connections were used or it could be a mod’s second account. Another person (placboeffect) got a role with just 9 contributions. Many people received roles at 35, 40, 50, 55, 60 contributions, while I had 181 contributions. This is what they call “quality contributions.” 4️⃣ Now decide yourself: Who contributed more? Who worked harder? People contributing for 8 months to 1 year are ignored, while others get roles at 9 or 25 contributions. Yes, we may have wasted our time, but we did work hard. 5️⃣ I didn’t want to come to X. but after contributing like a mad person and getting ignored, I don’t want to waste my time anymore. 6️⃣ I don’t know if the Josh (❖,❖) admin is aware of how mods and team are damaging this project Claire (❖,❖) she just help her country mates doesn't care about other people. 7️⃣ What’s the worst that can happen? They will ban me, and my 8 months of contributions will be wasted. There was never respect for real contributors anyway. If I had good connections with mods, I wouldn’t have struggled this much. It’s not like Ritual is my life, or Web3 has only Ritual, or they gave me any role to take back. Now I will openly speak on X without fear. 8️⃣ Some fearful people will read this post. They know everything that’s happening, but they won’t comment because they are scared. I understand their fear. --- 9️⃣ Best of luck to those who keep working blindly despite seeing all this. And special luck to those who have roles because of good connections with mods. --- 🔟 Last The so called Indian community handlers are only mods by name. One of them is a paid event manager, doing the job only for money. Another handler sends one message after 10 days. These are the people leading us in Ritual, who don’t even know what they’re doing. Jez ritual/acc (❖,❖) dunken(ritual/acc) (❖,❖) Stefan | Mad Scientist (❖,❖) Hinata Sir W A R D E N you are mod in Donut and Dhillon saab π² you are mod at data haven, Choudhary (Ø,G) ꧁IP꧂ you are mod at Capx and sir Botsan (capx arc) you are Admin of Capx You should learn from ritual mods how to ignore real contributors and how to promote favourtism

1️⃣ I did everything I could for Ritual I made all kinds of contributions. For 8 months, I contributed to Ritual, but I am extremely disappointed with their system. I made 181 contributions on X, bought Canva Premium to design infographics, and sent almost 17,000 messages. Despite all this, I have been permanently ignored for 8 months. Two of my friends, Ashish.Base.eth (❖,❖) (230 contributions) and KUNDAN (150 contributions), are facing the same treatment. Because of this unfair and favoritism based system, I decided to post on Twitter to expose it. When we raised our voice after 6 months of hard work and 150+ contributions, the so called Indian community handlers and famous team members labeled it as FUD and continued ignoring us. 2️⃣ When we asked the Indian community handlers why we were not given roles after 8 months, they said: “We can’t do anything, the team decides.” But when we contacted the team or mods, they said: “Go back to the Indian community handlers, they will help you.” If these handlers and big mods really can’t do anything, then why are they even here? They are here to build connections This system has been making fun of me and other hard working contributors. 3️⃣ Now look at the people who received roles based on “quality contributions.” Everything is available with proof. One person (Yaneul) got a role with only 15 very low quality contributions (mostly food and event screenshots). He even got Ritualist with just 25 contributions. This clearly shows either connections were used or it could be a mod’s second account. Another person (placboeffect) got a role with just 9 contributions. Many people received roles at 35, 40, 50, 55, 60 contributions, while I had 181 contributions. This is what they call “quality contributions.” 4️⃣ Now decide yourself: Who contributed more? Who worked harder? People contributing for 8 months to 1 year are ignored, while others get roles at 9 or 25 contributions. Yes, we may have wasted our time, but we did work hard. 5️⃣ I didn’t want to come to X. but after contributing like a mad person and getting ignored, I don’t want to waste my time anymore. 6️⃣ I don’t know if the Josh (❖,❖) admin is aware of how mods and team are damaging this project Claire (❖,❖) she just help her country mates doesn't care about other people. 7️⃣ What’s the worst that can happen? They will ban me, and my 8 months of contributions will be wasted. There was never respect for real contributors anyway. If I had good connections with mods, I wouldn’t have struggled this much. It’s not like Ritual is my life, or Web3 has only Ritual, or they gave me any role to take back. Now I will openly speak on X without fear. 8️⃣ Some fearful people will read this post. They know everything that’s happening, but they won’t comment because they are scared. I understand their fear. --- 9️⃣ Best of luck to those who keep working blindly despite seeing all this. And special luck to those who have roles because of good connections with mods. --- 🔟 Last The so called Indian community handlers are only mods by name. One of them is a paid event manager, doing the job only for money. Another handler sends one message after 10 days. These are the people leading us in Ritual, who don’t even know what they’re doing. Jez ritual/acc (❖,❖) dunken(ritual/acc) (❖,❖) Stefan | Mad Scientist (❖,❖) Hinata Sir W A R D E N you are mod in Donut and Dhillon saab π² you are mod at data haven, Choudhary (Ø,G) ꧁IP꧂ you are mod at Capx and sir Botsan (capx arc) you are Admin of Capx You should learn from ritual mods how to ignore real contributors and how to promote favourtism

Legend

12,873 views • 5 months ago

This is a statue of the only man in Troy who saw the trap. He tried to warn everyone, and this is what the gods did to him because of it... His name was Laocoön, a Trojan priest. When the Greek army vanished and left a giant wooden horse outside the city gates, all of Troy celebrated. Only Laocoön refused to believe it. He warned his people the horse was a trick and, to prove it was hollow, hurled his spear into its side. In Virgil's telling, he spoke a line that has outlasted almost everything else about Troy: "I fear the Greeks, even when they bring gifts." He was right. The horse was packed with soldiers, and Troy was hours from destruction. This sculpture shows what he got for it. Two enormous sea serpents rise out of the sea and coil around him and his young sons, dragging all three down together. The father's whole body is knotted in the struggle, every muscle straining, his face locked in a scream. The gods wanted Troy to fall, and Laocoön was in the way. The Trojans watched him die in agony and drew exactly the wrong conclusion: they decided the gods were punishing him for attacking a holy gift. So they pulled the horse inside their own walls, and that night, Troy burned... The statue is called Laocoön and His Sons. It is the work of three Greek sculptors from the island of Rhodes, Agesander, Athenodoros, and Polydorus, and dates to the Hellenistic period, making it well over two thousand years old. Buried for more than a thousand years, it was dug out of a Roman vineyard in 1506, and Michelangelo rushed across Rome to see it the day it was found. It has been called the single greatest depiction of human suffering in the history of art, but it endures because of what it is really about: the man who sees the truth, says it out loud, and is destroyed for being right while the crowd watches... It is one of the oldest patterns there is, and it has never stopped repeating. There is nothing new under the sun.

This is a statue of the only man in Troy who saw the trap. He tried to warn everyone, and this is what the gods did to him because of it... His name was Laocoön, a Trojan priest. When the Greek army vanished and left a giant wooden horse outside the city gates, all of Troy celebrated. Only Laocoön refused to believe it. He warned his people the horse was a trick and, to prove it was hollow, hurled his spear into its side. In Virgil's telling, he spoke a line that has outlasted almost everything else about Troy: "I fear the Greeks, even when they bring gifts." He was right. The horse was packed with soldiers, and Troy was hours from destruction. This sculpture shows what he got for it. Two enormous sea serpents rise out of the sea and coil around him and his young sons, dragging all three down together. The father's whole body is knotted in the struggle, every muscle straining, his face locked in a scream. The gods wanted Troy to fall, and Laocoön was in the way. The Trojans watched him die in agony and drew exactly the wrong conclusion: they decided the gods were punishing him for attacking a holy gift. So they pulled the horse inside their own walls, and that night, Troy burned... The statue is called Laocoön and His Sons. It is the work of three Greek sculptors from the island of Rhodes, Agesander, Athenodoros, and Polydorus, and dates to the Hellenistic period, making it well over two thousand years old. Buried for more than a thousand years, it was dug out of a Roman vineyard in 1506, and Michelangelo rushed across Rome to see it the day it was found. It has been called the single greatest depiction of human suffering in the history of art, but it endures because of what it is really about: the man who sees the truth, says it out loud, and is destroyed for being right while the crowd watches... It is one of the oldest patterns there is, and it has never stopped repeating. There is nothing new under the sun.

James Lucas

494,195 views • 10 days ago

2. Teasers / MV / Live presentations We believe all the content should include all members. Not some content, but all of it. We see some people excusing the exclusion of Lee Know in some content because "he will appear in other content", we don't understand why he would be excluded out of any content when the group includes 8 members. There isn't an excuse for this to happen all the time. We will only talk about recent releases and God's Menu to not make this even longer. a) Gods Menu - A title track where they gave him zero lines and screen time (song that they continue to sing, so the company could have made a redistribution of the lines). b) Megaverse - They gave him lines in the initial release, but then they cut his part to 3 seconds, and decided to delete his center part leaving him with half of a line. c) Hall Of Fame - Every live presentation they would cut Lee Know on his own part recording from below all of the other members and only listening to Lee Know's voice without being able to look at him. d) S-Class - They stopped recording the kick he does and instead they record the other members, Lee Know sings there. e) JJAM - When it was dance racha time, Lee Know got almost no time, during the life presentation the moment he goes to the center he says his line "I know..." and while he says it, the screen gets black, so he doesn't have that time on screen, later he is placed at the back covered during the dance break. He is the dance leader. f) Walkin on Water' - During the live presentation, they decided to record everyone on his part, and cut it from his own fancam. g) Recent teasers - He was completely excluded from the first teaser and only included in the second one, he got no solo recording on the MV like the other members. h) Giant - There is a part on the video where all the members are shown, Lee Know is covered and the lights are lowered where he is, making him invisible. During the live presentation, they record other members on his part, they put the dance focus on others, being the only part he has where he sings alone. i) YOUTH - After the release of the MV, the company decided to edit the video causing views to freeze and deleting a very important part where it thanked the people involved. The time from when the video was finished to when it was published was enough to arrange all the details, and the part deleted was so big, it was impossible to miss it. This happened before with his other individual work “Dawn”, which was deleted after some time, and re-uploaded, deleting all the views it had accumulated. This means one of two things, the company puts less interest and effort in Lee Know's work, or the company is purposefully hindering Lee Know's work. Either of the two is unacceptable by a company with so many resources and that claims to be a leader in the industry. This only shows a lack of professionalism and care. j) Dance leader - We know he is the dance leader, and K-stays and the members have talked a lot about how involved he is and how hard he works in that position, but the company refuses to include any footage of him doing it, and even cuts the parts where he gives his all. Just recently K-Stays were raving about how hard Lee Know worked as the dance leader and how much effort it took, One Label cut all of that footage from the Talker. It appears they don't want stays to look at anything he does, or to not give him recognition for anything.

2. Teasers / MV / Live presentations We believe all the content should include all members. Not some content, but all of it. We see some people excusing the exclusion of Lee Know in some content because "he will appear in other content", we don't understand why he would be excluded out of any content when the group includes 8 members. There isn't an excuse for this to happen all the time. We will only talk about recent releases and God's Menu to not make this even longer. a) Gods Menu - A title track where they gave him zero lines and screen time (song that they continue to sing, so the company could have made a redistribution of the lines). b) Megaverse - They gave him lines in the initial release, but then they cut his part to 3 seconds, and decided to delete his center part leaving him with half of a line. c) Hall Of Fame - Every live presentation they would cut Lee Know on his own part recording from below all of the other members and only listening to Lee Know's voice without being able to look at him. d) S-Class - They stopped recording the kick he does and instead they record the other members, Lee Know sings there. e) JJAM - When it was dance racha time, Lee Know got almost no time, during the life presentation the moment he goes to the center he says his line "I know..." and while he says it, the screen gets black, so he doesn't have that time on screen, later he is placed at the back covered during the dance break. He is the dance leader. f) Walkin on Water' - During the live presentation, they decided to record everyone on his part, and cut it from his own fancam. g) Recent teasers - He was completely excluded from the first teaser and only included in the second one, he got no solo recording on the MV like the other members. h) Giant - There is a part on the video where all the members are shown, Lee Know is covered and the lights are lowered where he is, making him invisible. During the live presentation, they record other members on his part, they put the dance focus on others, being the only part he has where he sings alone. i) YOUTH - After the release of the MV, the company decided to edit the video causing views to freeze and deleting a very important part where it thanked the people involved. The time from when the video was finished to when it was published was enough to arrange all the details, and the part deleted was so big, it was impossible to miss it. This happened before with his other individual work “Dawn”, which was deleted after some time, and re-uploaded, deleting all the views it had accumulated. This means one of two things, the company puts less interest and effort in Lee Know's work, or the company is purposefully hindering Lee Know's work. Either of the two is unacceptable by a company with so many resources and that claims to be a leader in the industry. This only shows a lack of professionalism and care. j) Dance leader - We know he is the dance leader, and K-stays and the members have talked a lot about how involved he is and how hard he works in that position, but the company refuses to include any footage of him doing it, and even cuts the parts where he gives his all. Just recently K-Stays were raving about how hard Lee Know worked as the dance leader and how much effort it took, One Label cut all of that footage from the Talker. It appears they don't want stays to look at anything he does, or to not give him recognition for anything.

LEE KNOW 리노 GLOBAL ★

21,011 views • 1 year ago