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So while I'm still posting Ace Combat related things, here have this. Waaaaaay the hell back in 2019, right before Ace Combat 7: Skies Unknown released, I was particularly enthused and needed something for my stream "pre-show." Basically the waiting room as most people would call it now, I...

57,058 görüntüleme • 6 ay önce •via X (Twitter)

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This part breaks and heals my heart at the same time 💔Mingi’s words are full of wisdom, as always🥺 🐥 I was full of arrogance in the beginning, but after I made my debut, I felt so small. From then on, I lost a lot of my mental strength. As soon as I made my debut, I thought I was the best and I thought I was in first place. That’s why those aspirations, that tenacity, and that something about me - my self-worth - was so high. But after that, it was destroyed in an instant. 🐥 I lost a lot of my self-worth, and I started to feel like I was worth nothing. I started to doubt if there was any reason for me to be in this group. When I feel that kind of self-disgust, I think it’s important how I overcome those thoughts. In my early days of my debut, I think I only had a pretty packaging on me. I used to think, ‘I’m doing well, what more can I do?’ But after that pretty packaging came off, I had nothing inside. So I think it took me a long time to fill myself up. Now, even if I break down once in a while, I just go back to the human Song Mingi, and I look for the things I like one by one, and then I think, ‘People will like me a bit now, right?’ Since we’re celebrities, we need to satisfy the people to a certain degree. But I think we still have to satisfy ourselves in the process as well. I think I try to find a harmony between the two in my head. 🐥 It took me a long time to build this up, but I think the process of building myself up, unlike building a sand castle, you build it up little by little. So I feel like, internally, I have become more resilient, compare to before.

Irene | AhgaTiny

35,998 görüntüleme • 9 ay önce

I know this post might not make sense to MOST of you here but i post it anyway, with A LOT of happiness and nostalgia in me. Something triggered the love of FOOTBALL in all of us. This video here did for me, as a toddler. The SEOUL 1988 Olympics Theme Song. The determination of the athletes, the DRUMBEATS by those Korean mascots near the end of the video, the beauty of the korean calisthenic ladies and the lyrics remind me of how SANE the world was before. How SPORTS was used to hold the world together and bring peoples together in love and harmony, long before betting came in. Long before money and materialism damaged the game. Music was used to teach people how to live and bring the spirit of the game to the fore. I remember as a child, i and my elder brother would sit and watch this video with so much GLEE and rewind the cassette and play over and over again. Until Vheek McArthur was born and he came around with undying love for the red button of the remote control and WIPED OFF this video from the cassette and changed the joy i and my elder brother were enjoying. We never got it back. Lol It is a perfect reminder of how quickly we have retrogressed as a species since then, even with modern development in science and tech. So sad that MOST people here would never be able to relate. It took me 6 days to search for this particular VERSION of this video cos it is even wiped off YouTube. Had to use very deep search modalities and dodgy downloader bots for it. A week spent assiduously looking for it. Nostalgia and The spirit of the game❤️

Maxvayshia™

19,123 görüntüleme • 1 yıl önce

George Lucas on how he had to reluctantly write the screenplay for 'American Graffiti' (1973) & the confidence he gained from the movie's success: "When I was doing 'American Graffiti' (1973) I was still struggling with my ‘I don’t want to be a writer’ syndrome. I had some good friends of mine that I wanted to write the screenplay, but it took me like two years just to get the money to do a screenplay. And I got a little tiny amount of money and—which I had to go actually to the Cannes Film Festival to get on my own. So finally I got this money. I called back and I said, you know, “I got the money. We can start working on the screenplay.” And they said, “Oh, we don’t want to do that now. We’ve got our own low-budget picture off the ground and we can’t write it.” I said, “Oh no.” I said, “What am I going to do? I am in Europe and I’m not going to be back for like three months and I want to get this thing off the ground.” So they recommended another student from school that I knew pretty well. I had a story treatment that laid out the entire story scene by scene, so I called him over the phone from London and I said, “Do you want to do this?” And he said, “Okay.” The person I was working with at that time as a producer made a deal with him for the whole money because there wasn’t very much. It was so tiny that he could only get him to do it for the whole amount of money. When I came back from England, the screenplay was a completely different screenplay from the story treatment. It was more like 'Hot Rods to Hell' (1967). It was very fantasy-like, with playing chicken and things that kids didn’t really do. I wanted something that was more like the way I grew up. So I took that and I said, “Okay. Now here I am. I’ve got a deal to turn in a screenplay. I’ve got a screenplay that is just not the kind of screenplay I want at all and I have no money.” And, I spent the very last money I had saved up to go to Europe to make the deal, so I had nothing. That was a very dark period for me so I sat down myself and wrote the screenplay. After I did 'American Graffiti', and it was successful, it was a big moment for me because I really did sit down with myself and say, “Okay, now I am a director. Now I know I can get a job. I can work in this industry, and apply my trade, and express my ideas on things and be creative in a way that I enjoy. Even if I end up doing TV commercials or something, or I fall back into what I really love is documentaries. I’ll be able to do it. I know I can get a job somewhere. I know I can raise money somewhere. I know I can do what I want to do.” That was a very good feeling. At that point, I’d made it. There wasn’t anything in my life that was going to stop me from making movies." ('‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence', Sven Mikulec, Cinephilia & Beyond)

DepressedBergman

56,916 görüntüleme • 6 ay önce