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Someone should do a PhD thesis on how K-Pop is weaponized misandry. Angry and confrontational facial expressions and choreography (stomping, sneering, etc.), lyrical themes of domination, dismissal of men, and emotional detachment. Stylized aggression of the 'girlboss' aesthetic. K-Pop at its root is theatricalized hostility, often aimed at a... show more
87,069 views • 1 year ago •via X (Twitter)
12 Comments

As far as I’ve seen Korea has been one of the only places with even stranger social programming and symbology programmed into its pop music than America, for quite some time

If you promote "smashing the patriarchy" you want to destroy what you see in this picture. We can respect women & respect family values at the same time. @iodcompany Source:

This wasn't always the case. Still isn't when it comes to making mini albums for the Japanese market. Day and night difference. YG started the nog worship trend with BLACKPINK (front for modeling / escort service), which is how the "worldwide" (3rd world) audience was gained over night. Compare this to BTS who had to conform to the "worldwide" market and dumb down everything about their music (the one thing that made South Korean media itself worldwide popular in the first place). Nog worship came with instant worldwide fame for girls doing prostitute dance on nog tunes but also "diversity" hires which brought consequences. Most recently nog hire in kpop leaked tons of private unreleased music, videos, personal information because she got fired. It's the same motto. Big payout, quick release, low effort, nog worship.

“K-Pop is becoming a ritualized combat display: like war dances in tribal societies (e.g., haka).” 💯

this isnt kpop

>k pop >look inside >13% ???

Just looks like global negrolatry to me.

that's a more recent phenom since getting popular outside of asia. definitely not true of earlier/average group

Yeah I think it's a 4th gen thing. But regardless the trend is strong in this direction

same detached misandry with current wave of american sexpop; swift, eilish, sabrina carpenter, chappell roan, addison rae, tate mcrae, olivia rodrigo, etc

This is an american group.

Isn't it managed by Hybe? My thesis holds true for other groups too. Le Serrafim, ITZY, GIDLE, etc. It's a broad trend.
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