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himejofries 👩‍❤️‍💋‍👩 🐈 🍟

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62,447 görüntüleme • 3 gün önce •via X (Twitter)

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// BIG CARAMELLDANSEN YCH // €30 per slot with only (16) of them available! Everyone who orders a slot will receive: -a looped gif/video of their character doing the dance, -an inclusion in a YouTube video, -and a Free Hug! ❤ DM me on Discord for more info!: dot_isthereal
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// BIG CARAMELLDANSEN YCH // €30 per slot with only (16) of them available! Everyone who orders a slot will receive: -a looped gif/video of their character doing the dance, -an inclusion in a YouTube video, -and a Free Hug! ❤ DM me on Discord for more info!: dot_isthereal

dot

13,455 görüntüleme • 1 yıl önce

Private markets have been closed to everyday investors for too long. Robinhood Ventures Fund I is changing that by expanding access to private companies at the frontiers of their industries. Tune in live in the app, on X and YouTube for the unveiling, followed by a live Q&A with Vlad and the Robinhood Ventures management team. 2/17 at 10:00AM PT/ 1:00PM ET:
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Private markets have been closed to everyday investors for too long. Robinhood Ventures Fund I is changing that by expanding access to private companies at the frontiers of their industries. Tune in live in the app, on X and YouTube for the unveiling, followed by a live Q&A with Vlad and the Robinhood Ventures management team. 2/17 at 10:00AM PT/ 1:00PM ET:

Robinhood

5,635,265 görüntüleme • 7 ay önce

[INFO] 260629 ENHYPEN’s “We’ll Be Fine” music video featuring ENCHIN incorporates experiences that left a lasting impression on the members during their time in Japan, as well as things they hope to try in the future. In addition, the choreography featured in the MV was created by the members themselves to convey the song’s message and emotions. 🔗: ENHYPEN ENHYPEN OFFICIAL #ENHYPEN #엔하이픈
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[INFO] 260629 ENHYPEN’s “We’ll Be Fine” music video featuring ENCHIN incorporates experiences that left a lasting impression on the members during their time in Japan, as well as things they hope to try in the future. In addition, the choreography featured in the MV was created by the members themselves to convey the song’s message and emotions. 🔗: ENHYPEN ENHYPEN OFFICIAL #ENHYPEN #엔하이픈

ENHYPEN UPDATES

83,506 görüntüleme • 3 ay önce

004/100 Buttons. A bit of the process on building an animation. When looking at a finished animation or in this example a finished button, it can look quite complex inside the CSS. But when building it, it’s more like a lot of simple steps, one after another. Here I had the idea to make some kind of text animation like the footer logo on the Osmo site. I try to add the base animation with no complex easing, for example transition: translate 0.4s ease. Starting with just moving the one text from bottom to top and the other text to top. Adding a stagger, play around with it. Searching for a way to make it more circular. On the research I found the sin() function inside CSS which can build a more smooth non linear curve for the stagger which creates this circular effect. And step by step adding more complexity like, different easing for hover/hover-out, opacity, 3D transform and more. I use also the sin() function to rotate the letters, so the middle ones are getting more rotated than the outer ones. Another thing which helps is to add a small delay on hover, for example 0.05s or 0.1s, you don’t really see the difference, but when you hover pretty fast on and out it doesn’t get that jumpy. I’m using here GSAP’s SplitText to split every char into spans. And then I’m adding a CSS index variable to every span, starting from the center. SplitText can provide CSS index variables, but you cannot tell it from which direction. For the sin() it’s also important to have a max length, so I add another CSS variable with the max char number on it. Crafting 100 Buttons with Osmo ⏳ Total time: 63h
0:17

004/100 Buttons. A bit of the process on building an animation. When looking at a finished animation or in this example a finished button, it can look quite complex inside the CSS. But when building it, it’s more like a lot of simple steps, one after another. Here I had the idea to make some kind of text animation like the footer logo on the Osmo site. I try to add the base animation with no complex easing, for example transition: translate 0.4s ease. Starting with just moving the one text from bottom to top and the other text to top. Adding a stagger, play around with it. Searching for a way to make it more circular. On the research I found the sin() function inside CSS which can build a more smooth non linear curve for the stagger which creates this circular effect. And step by step adding more complexity like, different easing for hover/hover-out, opacity, 3D transform and more. I use also the sin() function to rotate the letters, so the middle ones are getting more rotated than the outer ones. Another thing which helps is to add a small delay on hover, for example 0.05s or 0.1s, you don’t really see the difference, but when you hover pretty fast on and out it doesn’t get that jumpy. I’m using here GSAP’s SplitText to split every char into spans. And then I’m adding a CSS index variable to every span, starting from the center. SplitText can provide CSS index variables, but you cannot tell it from which direction. For the sin() it’s also important to have a max length, so I add another CSS variable with the max char number on it. Crafting 100 Buttons with Osmo ⏳ Total time: 63h

Eduard Bodak

166,023 görüntüleme • 4 ay önce

The cheetah cubs have been going on adventures around the zoo to get used to new spaces. They are doing great, running around with energy & then all cuddle in a puddle! The cubs are currently not on public view. This great video is brought to you by Great American Insurance Group
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The cheetah cubs have been going on adventures around the zoo to get used to new spaces. They are doing great, running around with energy & then all cuddle in a puddle! The cubs are currently not on public view. This great video is brought to you by Great American Insurance Group

Cincinnati Zoo

59,822 görüntüleme • 1 yıl önce

Feel the Breeze Contest The winner will receive a special Midnight Breeze NFT. To enter 1. Submit a Breezy video edit using mixed media. To keep with the spirits of V2, try to recreate an IRL Breeze scene with sound effects, music, VFX, photos, characters and animation. The more fun the better . Go crazy 2. To officially qualify post submission on X and tag Midnight夏季Breeze as well as post in the IRLBREEZE channel on the dutchtide discord. 3. Deadline 15:00 CET Sunday the 19th. Bonus points for Dope AHH content. Keep it brainrotty, be creative, mix things up. Be inspired by above example. Lets get breezy
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Feel the Breeze Contest The winner will receive a special Midnight Breeze NFT. To enter 1. Submit a Breezy video edit using mixed media. To keep with the spirits of V2, try to recreate an IRL Breeze scene with sound effects, music, VFX, photos, characters and animation. The more fun the better . Go crazy 2. To officially qualify post submission on X and tag Midnight夏季Breeze as well as post in the IRLBREEZE channel on the dutchtide discord. 3. Deadline 15:00 CET Sunday the 19th. Bonus points for Dope AHH content. Keep it brainrotty, be creative, mix things up. Be inspired by above example. Lets get breezy

Midnight夏季Breeze

18,628 görüntüleme • 11 ay önce

There’s been two papers released in the past couple months, one by Google and one by NVIDIA, that argue that ordering the documents retrieved by RAG systems can enhance performance. However, they both give two different strategies on HOW these documents should be ordered 🤔 Both papers agree on two main points: 1️⃣ There’s a fundamental issue in RAG - as more documents are retrieved, more irrelevant context (e.g., hard negatives) are introduced, which leads to confusion for the LLM and eventually degrades the quality of the generated output. This is called an inverted-U performance curve. 2️⃣ Ordering the retrieved documents is a key lever for optimizing RAG performance. Google Cloud researchers proposed ordering results based on relevance scores: The authors in this paper argue for relevance-based reordering, or ordering the retrieved chunks based on their similarity scores, so the most relevant documents are at the beginning and the end of the inputs to counter the “lost in the middle” effect. NVIDIA researchers proposed ordering results based on the original sequence of document chunks: The authors of this paper argue for Order-Preserving Reordering, or Order-Preserve RAG (OP-RAG), to maintain the logically coherent content flow of the document. So they preserved the original order of retrieved document chunks in the source text, instead of ranking them by relevance scores. So which one is right? It probably depends on the specific use case and dataset - relevance-based reordering could perform better in tasks where you need fast access to the most critical information (e.g., fact retrieval, QA systems), while order-preserving RAG might be better where you need to understand the sequential structure of information (e.g., narrative or legal documents). There are still so many uncertainties in AI - we don’t actually know what we’re doing, and it takes awhile to figure out the best strategies for most things! Excited to see more research about this.
0:20

There’s been two papers released in the past couple months, one by Google and one by NVIDIA, that argue that ordering the documents retrieved by RAG systems can enhance performance. However, they both give two different strategies on HOW these documents should be ordered 🤔 Both papers agree on two main points: 1️⃣ There’s a fundamental issue in RAG - as more documents are retrieved, more irrelevant context (e.g., hard negatives) are introduced, which leads to confusion for the LLM and eventually degrades the quality of the generated output. This is called an inverted-U performance curve. 2️⃣ Ordering the retrieved documents is a key lever for optimizing RAG performance. Google Cloud researchers proposed ordering results based on relevance scores: The authors in this paper argue for relevance-based reordering, or ordering the retrieved chunks based on their similarity scores, so the most relevant documents are at the beginning and the end of the inputs to counter the “lost in the middle” effect. NVIDIA researchers proposed ordering results based on the original sequence of document chunks: The authors of this paper argue for Order-Preserving Reordering, or Order-Preserve RAG (OP-RAG), to maintain the logically coherent content flow of the document. So they preserved the original order of retrieved document chunks in the source text, instead of ranking them by relevance scores. So which one is right? It probably depends on the specific use case and dataset - relevance-based reordering could perform better in tasks where you need fast access to the most critical information (e.g., fact retrieval, QA systems), while order-preserving RAG might be better where you need to understand the sequential structure of information (e.g., narrative or legal documents). There are still so many uncertainties in AI - we don’t actually know what we’re doing, and it takes awhile to figure out the best strategies for most things! Excited to see more research about this.

Victoria Slocum

15,333 görüntüleme • 1 yıl önce

I have some questions: 1) Your video "Can You Fool a Self-Driving Car?" uses Luminar’s latest tech but not Tesla’s latest FSD software. Why? 2) Autopilot was turned on at 42 MPH in your YouTube video but you turned it on at 39/40 MPH in your clip above. Why? Multiple takes? 3) In the clip above, Autopilot was activated MUCH closer to the wall than in the YouTube video clip. Why? 4) In your video above, you turned on Autopilot 3.8 seconds before hitting the wall, but it appears you gave Luminar a much longer head start with their tech "activated." Why? Am I wrong in my assumption? 5) Why was putting a child dummy/doll behind the wall a useful thing to do? What car would possibly see or react to a kid through a wall after crashing into that wall?
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I have some questions: 1) Your video "Can You Fool a Self-Driving Car?" uses Luminar’s latest tech but not Tesla’s latest FSD software. Why? 2) Autopilot was turned on at 42 MPH in your YouTube video but you turned it on at 39/40 MPH in your clip above. Why? Multiple takes? 3) In the clip above, Autopilot was activated MUCH closer to the wall than in the YouTube video clip. Why? 4) In your video above, you turned on Autopilot 3.8 seconds before hitting the wall, but it appears you gave Luminar a much longer head start with their tech "activated." Why? Am I wrong in my assumption? 5) Why was putting a child dummy/doll behind the wall a useful thing to do? What car would possibly see or react to a kid through a wall after crashing into that wall?

Sawyer Merritt

559,304 görüntüleme • 1 yıl önce

This was how she started between, shes has been doing it back to back and alot of people have called her to stop filming them or blur their faces whenever she films them, she didn’t listen. She even goes as far as filming people picking their nose and eating Imagine you come online and you see your dad picking nose in BRT in a content creator’s page on tik tok..? How will you feel..? Lmao They told her to stop she rather turned it to a protest by starting the shitty “ bus scarcity”so she will look for a way to gain the support of masses and continue filming people unprovoked, We all know what we are doing in this country. She was filming someone the woman got angry and she started playing the victim card. Una no real at all
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This was how she started between, shes has been doing it back to back and alot of people have called her to stop filming them or blur their faces whenever she films them, she didn’t listen. She even goes as far as filming people picking their nose and eating Imagine you come online and you see your dad picking nose in BRT in a content creator’s page on tik tok..? How will you feel..? Lmao They told her to stop she rather turned it to a protest by starting the shitty “ bus scarcity”so she will look for a way to gain the support of masses and continue filming people unprovoked, We all know what we are doing in this country. She was filming someone the woman got angry and she started playing the victim card. Una no real at all

Dantala

316,710 görüntüleme • 6 ay önce

Will there be a chance for her to convey her interest despite the difference in their worlds? 🐚 The "Wherever You Are" music video by Asia's Songbird regine alcasid is now premiering only on ABS-CBN Music's YouTube Channel! 🎥 WATCH HERE: JMFyang for REGINIFIED #WhereverYouAre #REGINIFIED #RegineVelasquez #StarMusicPH
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Will there be a chance for her to convey her interest despite the difference in their worlds? 🐚 The "Wherever You Are" music video by Asia's Songbird regine alcasid is now premiering only on ABS-CBN Music's YouTube Channel! 🎥 WATCH HERE: JMFyang for REGINIFIED #WhereverYouAre #REGINIFIED #RegineVelasquez #StarMusicPH

Star Music PH

507,614 görüntüleme • 1 yıl önce

Ok, that's amazing. 🦄 A side by side three.js comparison - with GitMCP and without. GitMCP's story originally started from a tweet by Three.js about their large, non-LLM-digestable, documentation file. Ido Salomon and I ended up creating a cool generic documentation MCP server, but we didn't forget threejs and mrdoob. So we put it to the test. Using GitMCP, I gave this prompt to Cursor + Claude 3.7: "Build a Three.js scene featuring a controllable realistic person navigating a textured dynamic urban environment with realistic lighting and subtle bloom effects. Ensure keyboard controls (WASD) for movement." This is the result. To the right is the one-shot result with our MCP server. To the left is the result without it, based just on Cursor's limited knowledge. The video is pretty conclusive. 🤯 It's really amazing since Cursor already knows a lot about three.js, but with our dedicated documentation MCP server it just outputs better results. And for all other libraries out there - that are not included in Cursor - this is a total game changer. A huge shout out to Cloudflare Developers and Anni Wang, who worked with us yesterday to quickly insert new capabilities in their AutoRAG feature (that enables indexing large amount of documentation) according to our specific needs, and to troubleshoot issues. It was very helpful. Knowledge is power, and that applies for every coding assitant. And not just for three.js! Check out GitMCP for any library you're using - link in the next comment.
0:13

Ok, that's amazing. 🦄 A side by side three.js comparison - with GitMCP and without. GitMCP's story originally started from a tweet by Three.js about their large, non-LLM-digestable, documentation file. Ido Salomon and I ended up creating a cool generic documentation MCP server, but we didn't forget threejs and mrdoob. So we put it to the test. Using GitMCP, I gave this prompt to Cursor + Claude 3.7: "Build a Three.js scene featuring a controllable realistic person navigating a textured dynamic urban environment with realistic lighting and subtle bloom effects. Ensure keyboard controls (WASD) for movement." This is the result. To the right is the one-shot result with our MCP server. To the left is the result without it, based just on Cursor's limited knowledge. The video is pretty conclusive. 🤯 It's really amazing since Cursor already knows a lot about three.js, but with our dedicated documentation MCP server it just outputs better results. And for all other libraries out there - that are not included in Cursor - this is a total game changer. A huge shout out to Cloudflare Developers and Anni Wang, who worked with us yesterday to quickly insert new capabilities in their AutoRAG feature (that enables indexing large amount of documentation) according to our specific needs, and to troubleshoot issues. It was very helpful. Knowledge is power, and that applies for every coding assitant. And not just for three.js! Check out GitMCP for any library you're using - link in the next comment.

Liad Yosef

41,745 görüntüleme • 1 yıl önce

Day 80 of learning how to script on Roblox! 👀✨ Today I created a script for whenever my character goes to sleep in the bed, the clock time will turn to night time and there will be sheep emitting above their head! I actually had a really hard time trying to find a way to set the character placement on the bed... I originally tried to use an animation to make it work but it was just a huge mess... huge credits to H2M Blox on YouTube! I used their video guide to help bring this together 😅 I feel like there is a way more optimized way to do this, anyone have any tips? 🤔
0:17

Day 80 of learning how to script on Roblox! 👀✨ Today I created a script for whenever my character goes to sleep in the bed, the clock time will turn to night time and there will be sheep emitting above their head! I actually had a really hard time trying to find a way to set the character placement on the bed... I originally tried to use an animation to make it work but it was just a huge mess... huge credits to H2M Blox on YouTube! I used their video guide to help bring this together 😅 I feel like there is a way more optimized way to do this, anyone have any tips? 🤔

haizoop

12,167 görüntüleme • 5 ay önce

I see many people doing this kind of effect for their video, but I was like, mm why a single video, why not to do that to showcase the power of h3 max director on fal and how it can take different path and visualize in live ! Inspired by Brandon Eversole Much more to come, this was just made in a few minute
0:10

I see many people doing this kind of effect for their video, but I was like, mm why a single video, why not to do that to showcase the power of h3 max director on fal and how it can take different path and visualize in live ! Inspired by Brandon Eversole Much more to come, this was just made in a few minute

Lovis Odin

36,675 görüntüleme • 7 gün önce

The Tanzania 🇹🇿 government is doing everything in its powers to try and launder their image after the October 2025 Massacre after elections. After paying millions to bring Didier Drogba they are now on former Manchester United star Rio Ferdinand. African governments frequently use high-profile football stars for sportswashing to divert global attention from human rights abuses, election-related violence, and corruption. By associating their administrations with beloved sports figures, regimes attempt to launder their reputations using the positive emotions and prestige surrounding the beautiful game. Rio should not be talking about justice for the hundreds of families that lost their loved one but have never been given their bodies for burial. Let him make his millions but don't dupe people talking about peace. There is no peace without justice period. Soka25east.com
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The Tanzania 🇹🇿 government is doing everything in its powers to try and launder their image after the October 2025 Massacre after elections. After paying millions to bring Didier Drogba they are now on former Manchester United star Rio Ferdinand. African governments frequently use high-profile football stars for sportswashing to divert global attention from human rights abuses, election-related violence, and corruption. By associating their administrations with beloved sports figures, regimes attempt to launder their reputations using the positive emotions and prestige surrounding the beautiful game. Rio should not be talking about justice for the hundreds of families that lost their loved one but have never been given their bodies for burial. Let him make his millions but don't dupe people talking about peace. There is no peace without justice period. Soka25east.com

Collins Okinyo

12,796 görüntüleme • 4 ay önce

THE STRANGER'S HEAD TURN IS THE ONLY THING THIS CLIP HAD TO GET RIGHT Self-checkout at a big-box store, red-and-white signage, she's mid-scan in a white tennis set, iced coffee in one hand, sipping between items. The lens starts blocked by people walking close to camera, then opens up on her. A bearded stranger passes behind her and turns his head, holds it a beat, looks away. None of it happened - not the store, not the checkout line, not the man who "happened" to look twice. - A stranger's reaction is the actual payload, not the outfit The outfit is doing less work than the fraction of a second where an unrelated man's head turns exactly the amount a real, unscripted glance turns - not held too long, not too quick to read, because a manufactured reaction that looks manufactured kills the whole clip. Getting a second body to sell "this happened, someone else noticed too" is a harder timing problem than anything in the foreground. Manufacturing a stranger's believable reaction on command is exactly the kind of repeatable output the article below breaks into three tools - and turns into revenue.
0:12

THE STRANGER'S HEAD TURN IS THE ONLY THING THIS CLIP HAD TO GET RIGHT Self-checkout at a big-box store, red-and-white signage, she's mid-scan in a white tennis set, iced coffee in one hand, sipping between items. The lens starts blocked by people walking close to camera, then opens up on her. A bearded stranger passes behind her and turns his head, holds it a beat, looks away. None of it happened - not the store, not the checkout line, not the man who "happened" to look twice. - A stranger's reaction is the actual payload, not the outfit The outfit is doing less work than the fraction of a second where an unrelated man's head turns exactly the amount a real, unscripted glance turns - not held too long, not too quick to read, because a manufactured reaction that looks manufactured kills the whole clip. Getting a second body to sell "this happened, someone else noticed too" is a harder timing problem than anything in the foreground. Manufacturing a stranger's believable reaction on command is exactly the kind of repeatable output the article below breaks into three tools - and turns into revenue.

capONE 💎

269,638 görüntüleme • 18 gün önce

One of the most compelling moments in Roger Rabbit, which I never hear singled out for attention, is when Eddie briefly has to fight the weasels in the bar. It's the only time when any human is in imminent danger of actually being killed by a Toon, which makes them feel "real" in a way that all subsequent RR "inspired" films have never done - by making them a legitimate threat to human beings & not just a silly sideshow. Yeah, Eddie fights Doom at the end, but he's like a Supervillain at that point - here the weasels are just using things like bladed weapons, & Eddie is smashing bottles in their faces - it's played straight, it's the grittiest thing in the movie. If anyone tries to make another live action / animation hybrid film that aspires to the level of immersive fantasy this one did, they should exploit that angle because the contrast between unreal cartoon characters & real world violence is potent.
0:16

One of the most compelling moments in Roger Rabbit, which I never hear singled out for attention, is when Eddie briefly has to fight the weasels in the bar. It's the only time when any human is in imminent danger of actually being killed by a Toon, which makes them feel "real" in a way that all subsequent RR "inspired" films have never done - by making them a legitimate threat to human beings & not just a silly sideshow. Yeah, Eddie fights Doom at the end, but he's like a Supervillain at that point - here the weasels are just using things like bladed weapons, & Eddie is smashing bottles in their faces - it's played straight, it's the grittiest thing in the movie. If anyone tries to make another live action / animation hybrid film that aspires to the level of immersive fantasy this one did, they should exploit that angle because the contrast between unreal cartoon characters & real world violence is potent.

Spum

11,598 görüntüleme • 18 gün önce

This video shows the reaction of an Iranian woman to the presence and actions of the morality police in the streets today, attacking women for their hijab. The woman who sent this video to me says, “We won’t back down.” Today many women were brutally arrested today by the morality police for not wearing the hijab. A witness wrote that a teenage girl was resisting arrest, and female officers were seen beating her in the street. Another woman published a video on her social media page while crying and explaining how morality police officers resorted to force and violence to arrest her because while taking pictures of her with a smile.” #WomanLifeFreedom #MyCameraIsMyWeapon #UnitedAgainstGenderApartheid
0:17

This video shows the reaction of an Iranian woman to the presence and actions of the morality police in the streets today, attacking women for their hijab. The woman who sent this video to me says, “We won’t back down.” Today many women were brutally arrested today by the morality police for not wearing the hijab. A witness wrote that a teenage girl was resisting arrest, and female officers were seen beating her in the street. Another woman published a video on her social media page while crying and explaining how morality police officers resorted to force and violence to arrest her because while taking pictures of her with a smile.” #WomanLifeFreedom #MyCameraIsMyWeapon #UnitedAgainstGenderApartheid

Masih Alinejad 🏳️

176,309 görüntüleme • 2 yıl önce

🚨STARMER WALKS INTO MCLAREN — AND THE ROOM DIES Just 24 hours ago these same people were electrified, energised, hopeful. Today? Faces drained. Arms folded. Eyes glazed over. Only one thing changed: Keir Starmer walked in and delivered another dead-on-arrival sermon. The reaction wasn’t subtle — it was instinctive. Because people know when leadership is counterfeit. They know when they’re being spoken at instead of spoken to. They know when someone has nothing real to offer. Starmer has become the national mood-killer. No excitement. No conviction. No emotional energy. Just managerial boredom and grey-wall politics. Britain did not vote for stagnation. It did not vote for lectures and submissive decline. And it certainly did not vote for a leader who drains life from every room he enters. The country is waking up. And when the public starts showing their reaction with their faces—not their words—that’s when a government is already finished.
0:16

🚨STARMER WALKS INTO MCLAREN — AND THE ROOM DIES Just 24 hours ago these same people were electrified, energised, hopeful. Today? Faces drained. Arms folded. Eyes glazed over. Only one thing changed: Keir Starmer walked in and delivered another dead-on-arrival sermon. The reaction wasn’t subtle — it was instinctive. Because people know when leadership is counterfeit. They know when they’re being spoken at instead of spoken to. They know when someone has nothing real to offer. Starmer has become the national mood-killer. No excitement. No conviction. No emotional energy. Just managerial boredom and grey-wall politics. Britain did not vote for stagnation. It did not vote for lectures and submissive decline. And it certainly did not vote for a leader who drains life from every room he enters. The country is waking up. And when the public starts showing their reaction with their faces—not their words—that’s when a government is already finished.

Jim Ferguson

316,993 görüntüleme • 9 ay önce