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"Sometimes I just go nuts" The exploding fish tank scene in Lethal Weapon 2 (1989) is peak Riggs (Mel Gibson). He's evolved from frantic chaos to calm, icy menace by this stage. Gibson reportedly ad-libbed the “Hey Moe!” gag, fearlessly laughing while staring down armed killers.

177,574 views • 6 months ago •via X (Twitter)

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🤍: Don’t put your mole on the camera! ❤️‍🩹: There’s another one, see? 🤍: Don’t come close, it’ll feel like a couple talking. 🤍: Everyone, my tears are coming out a bit because it’s so funny. 🤍: Do you want me to tell you how I fell off the stage? 🤍: Yeah, before bed, before I send you all to sleep. 🤍: So, okay, I’ll make my face big (full screen). 🤍: So… please don’t laugh too much, just a little bit is enough. 🤍: We know each other’s secrets now. 🤍: Come on! The situation was like this… yeah… 🤍: It was when I was going to do the sound check. 🤍: And the stage… those who have been to this stage, Milk and Love have probably been there. 🤍: You already know, it’s a stage in a stadium. 🤍: Which was like, built up, set up, right? 🤍: And it was during rehearsal, they said, Okay, let’s try a real entrance. 🤍: Let’s try the timing and all that, right? 🤍: Normally we would come up from under the stage, but I walked from the back. 🤍: Suppose this is the stage, right? This is the stage, this is the chair. 🤍: I walked to the front, the side of the stage is right here. 🤍: So, we rehearsed once, then they said, “Okay, let’s try one more time.” 🤍: Okay, suppose… suppose this is the stage, facing the audience. 🤍: I’m on this side. ❤️‍🩹: Yeah, we enter from different sides. 🤍: And I was waiting, right here, by my watch, it was a black curtain, just a curtain. 🤍: I thought this side was also a curtain, and then they turned off the lights. 🤍: And I didn’t have any makeup on, so I was like, Hey, can I borrow your glasses? They’re going to take photos. 🤍: I was like, Let me wear sunglasses.Well, wearing sunglasses, it’s already dark. 🤍: And when the lights went out, I couldn’t see anything at all! 🤍: But I could sense there was a curtain next to me, and I felt like, Ooh, I’ll go hide behind the curtain. 🤍: So it would feel like a surprise entrance, and I would walk out like “Hey!” like that. 🤍: The song , “Hey!”, that used to sing, “Shall we start?”, the one from Girl Rules First EP 🤍: I was getting ready to “Hey!”, like “Hey, hey, hey” in there, practicing the “Hey”, because it takes a while for the music to hit “Hey!” 🤍: I stepped behind the curtain, and I went “Hey!” (screams/falls). 🤍: Everyone thought I was joking because it happened right at the same moment I said “Hey”. ❤️‍🩹: No, I didn’t think you were joking, but I didn’t know what happened. 🤍 I thought you were just warming up your voice, like “Hey!” 🩷 high note, high note. #GirlRulesSeriesEP5 #NamtanFilm #น้ำตาลฟิล์ม Trans (disc)

Belle

12,242 views • 4 months ago

Mel Gibson on how the waterfall sequence in "Apocalypto" (2006) was shot & a weird incident that happened during the filming: "Gibson: Well, it's a real waterfall. We used a SpiderCam. We put the Genesis on it. I think that's the first time that's happened. We had to span the waterfall and river with cranes and put the cables up. It was quite an elaborate setup to enable the camera to go over the guys shoulder, down on the water, over the edge, turn around and then pull back in one shot. Of course you're not going to make a real guy jump off something like that. He'll ki!! himself. A cow fell over one day. A cow was trying to swim across... it was just overtaken by the depth of water and it fell over the waterfall! It hit the water and I thought, "It's toast." It was about 170 feet, this waterfall. It came up somewhere on the other side and it was all busted up... then the waves got it, it was upside down, bouncing off the rocks... and it got into this deep water. One of the local guys, this is the weird thing of all... the cow's in the water, but this Mexican guy just goes up to it and it's like he said something to it, it was the weirdest thing I've ever seen, and the cow just walked up and started eating grass! Farhad Safinia: The cow was just munching grass. It felt like it didn't remember a thing. Interviewer: Is there any footage of that? Gibson: I kept telling them to turn the camera on. A lot of people wouldn't turn the camera on when I told them too. It used to make me crazy. With the guy jumping off the waterfall... we found a 15 story building in Vera Cruz and we hooked Rudy up to it on a wire and said, "Jump off, kid!" His knees banged together for a little but he did it 10 times. Then I'm watching and I'm giving him a hard time... afterwards all the stunt guys came up to me, and he'd put them up to it, they said, "I don't suppose you'd like to have a jump?" And I said, because I had to instill fear in the rest of the crew and I couldn't look bad, I just said, "Hook me up." They hooked me up and I went off. I would have presumed that they would have turned the cameras on, but they didn't. I'm like, "What?"" ("Talking Apocalypto with Mel Gibson and Co-Writer Farhad Safinia", Evan Jacobs, Movieweb, 2006)

DepressedBergman

192,878 views • 3 months ago

"The Betrayal at Falkirk" – Mel Gibson does not film a hero confronting betrayal. He films the one thing betrayal cannot take from a man. Many people remember the Battle of Falkirk for the moment William Wallace tears the helmet from a masked knight. Beneath it is Robert the Bruce. The man in whom Wallace had placed his greatest hope. It is the most devastating betrayal in Braveheart. Yet what makes this one of the film's defining moments is not the betrayal itself. It is Wallace's response. He does not strike. He does not condemn. He says nothing. He simply looks at Robert. Then he collapses. That is the true center of the scene. Mel Gibson could have ended this moment with rage. With vengeance. With a hero delivering justice to a traitor. Instead, he strips all of that away. He leaves only two men facing one another. One has betrayed the cause they once shared. The other has watched his greatest hope fall apart before his eyes. At that moment, the most important battle is no longer being fought on the battlefield. It is being fought within the human heart. What brings Wallace to his knees is not a sword. It is the truth. Not simply that he has lost an ally, but that the man he believed could one day carry Scotland's future has chosen another path. Mel Gibson never turns Wallace into a hero who feels no pain. He allows him to be devastated. But he also shows something that never falls. Betrayal may break Wallace's heart. It cannot break his character. It cannot turn him into a man consumed by vengeance. It cannot make him abandon the very principles for which he has fought. Wallace's body collapses. His character does not. That is also the moment Robert the Bruce begins to change. Mel Gibson does not transform him through a speech. Nor simply because Wallace spares his life. Robert changes because, for the first time, he encounters a man whose character cannot be bent by circumstance. All his life, Robert has been taught to measure every decision by power, advantage, and political necessity. Wallace reveals another possibility. That there are people who refuse to let circumstances decide who they are. They let their character decide instead. Wallace does not persuade Robert with words. He forces him to confront a far more difficult question: What kind of man do I want to become? That is why Robert ultimately becomes the man who fulfills the dream Wallace never lives to see. Not because Wallace leaves him a crown. But because he leaves him something far greater. A standard. The example of a man who could lose everything without losing himself. Perhaps that is why Mel Gibson does not end the Falkirk sequence with victory. He ends it with a man brought to his knees. Because sometimes adversity is not there to reveal how strong a person is. It is there to reveal what within them cannot be taken away. And in the end, it is precisely that which cannot be taken away that possesses the power to transform another human being— and, ultimately, to change the course of history. Name movie: Braveheart (1995)

Love Classical Music and Movies 🎺🎻💖🎥🎬

71,222 views • 1 month ago

"A Fish called Wanda" (1988)- A movie that's so funny that a man literally laughed himself to death while watching this scene: In 1989, when "A Fish called Wanda" (1988) was shown in theaters in Denmark, a Danish man named Ole Bentzen, an audiologist, literally laughed himself to death during the scene where Ken [Sir Michael Palin] gets the chips up his nose. Bentzen's heart rate went between two hundred fifty and five hundred beats per minute and he eventually succumbed to cardiac arrest. The story behind this is that the man had made a joke a few years earlier with his family during dinner, where he put a piece of cauliflower up his and every family member's nose as a joke and made a bet with them on who could eat up their carrots without the cauliflower falling out. When the scene with Ken Pile and the chips came up, he started thinking about this dinner incident and laughed so hard that his heart stopped. This story is well-known in Scandinavia and spread around as almost an "urban legend" shortly after it happened. It was confirmed by his son, who also told the dinner story as an explanation to why his father laughed so hard during the chips scene that he died. In 2018, John Cleese too confirmed it. In his interview to Vanity Fair, he said, "He [Ole Bentzen] started laughing after about 15 minutes in, and literally never stopped. We tried to contact his widow, because we wondered about using this in the publicity. I think we decided it was in too bad taste. I mean, we all have to go. And I think laughing yourself to death is a nice way to do it." (Source: IMDb and quote from "“Just a Concoction of Nonsense”: The Oral History of A Fish Called Wanda", Darryn King, Vanity Fair, 2018)

DepressedBergman

42,750 views • 5 months ago

Richard Donner explains how he managed to include the Anti-Apartheid message in "Lethal Weapon 2" (1989) & why entertainment should always come first- even in message films: "Interviewer: From the process of a chase now to the ideological content, a lot of this movie that anti-apartheid message is loud and clear. What is your philosophy about a message in an entertainment film as opposed to a documentary? Donner: If you want to deliver a message and you're a total believer and you make a message film, you must realize [that] you have a very limited audience. And that's too bad because you have a message to get across. If you you're restricting your audience to that message film you are going to restrict your message you're not going to get it out there. There was a wonderful home made last year called 'A World Apart' (1988) starring Barbara Hershey. It was Chris Menges second film and I thought it was probably the most brilliant direction of the year. I thought [the little girl's] performance certainly deserved acknowledgement by the Academy. Menges's did; the picture did. Nobody saw it [the movie] nobody acknowledged it. It's a sick industry. So, I decided when we had lethal weapon and originally it was written that the heavies were Colombians. I was bored with it and I said, "Jeff let's get something else; let's come up with something a little original." So we [thought] who are the heavies out there? If this was 1942, it would be the Nazis. Where [are] the Nazis [now]. They're in South Africa running the government; so if they're in South Africa let's make them the heavies. On top of it, let's show diplomatic immunity so I can have a Mel Gibson carry an anti-apartheid sign. You can have a diplomatic immunity that's happening in the USA and all the nations that are signatories to it and then you see guys that have committed child m*lest@t!on [and with] diplomatic immunity and they get at home hand slapping sent out of the country. So, we got across a few messages under the guise of entertainment. We got to crush the fact that if you eat tuna, you're ki*ll*ng the dolphins and I get my little and makes me feel good but it's under the guise of entertainment. Interviewer: During all of this, have you defined what best can be done in a Hollywood picture? In other words by combining those priorities? Donner: Yeah, i think so. It makes the filmmaker a little happier for what he's done if he can do something a little more; than just to do an entertainment film with no message whatsoever. Our message in this film is primarily it's a good film; have some laughs, love Mel and Danny. It's good entertainment. You feel good at the end of it and you feel up. That's all I want to do. I'm an entertainer, but if in to within that moment of entertainment if I can sneak one little line in, one little thought, provoke one anxiety in somebody, I'm thrilled." (Richard Donner's interview with John C. Tibbetts, 1989)

DepressedBergman

80,472 views • 8 months ago

Yanis Varoufakis has been explaining why Bitcoin can't work since 2009 while people who can't spell "blockchain" got rich buying it. "It's a brilliant answer to a problem we haven't discovered yet" he said in 2009. The problem was him. Smart people paralyzed by theory while stupid people solved poverty by clicking buy. Fifteen years later he's still theorizing and they're still rich. This is peak midwit energy. Reading Nakamoto's paper looking for political theory when it was just code that worked. Overthinking the sociology while underthinking the math. The Marxist professor needed Bitcoin to fit his framework. Bitcoin didn't care about his framework. "Money can't be removed from politics" he says while Bitcoin removes money from politics every ten minutes for fifteen years. "Big Finance usurped crypto" he says while kids in Nigeria trade peer-to-peer without touching a bank. He's analyzing a revolution he can't see because his theories are blocking his vision. Your economist is still explaining why Bitcoin can't work. Your cousin who bought because "number go up" will actually have a chance at retirement. The thing about smart people is that they need permission from their frameworks. Stupid people just need price to move. The cost of thinking exceeded the benefit of thought and Varoufakis thought so deep he completely missed the surface where everything actually happened. We've entered the era where the guy writing papers about why something can't work is losing to the guy who didn't read the paper but bought anyway. I love that. Intelligence is a liability and stupidity is the edge.

Fernando Nikolić 🇦🇷 🟠

141,030 views • 10 months ago

“one of us” director stefan van de graaff describes kit connor’s talent, humility, and grounded personality: zach randles-friedman: “is there anything that surprised you about kit connor, that whenever you were working with him that you were just like you hadn't, you didn't expect that?” stefan van de graaff: “yeah, this is insane. when we cast kit, it was a week and a half before we filmed, and the film is very dialogue heavy and it's written in free verse, so everything is, it's almost like pseudo kind of faux shakespearean, very performative language by design. and he stepped into this role where he's basically in every single scene and he's basically talking the entire movie.” zach: “yeah.” stefan: “he, i don't recall him missing a line.” zach: “wow.” stefan: “i don't know how he did it. i was just telling people at a, at a screener, a private screener the other night, it was like a superhuman, it was like witnessing a miracle. i don't know how he did it. he would go and he would memorize the next five pages of material the night before and he would come and he wouldn't miss a line. and that's just like, it's not normal, especially not normal for a, a script like this. so that was one thing is that he is insanely gifted. it's not just like he's one of those guys that gets, you know, yes, he's like incredibly handsome and charismatic and all those things, and there's a lot of those that kind of crawl through the ranks on, you know, on the merit of being beautiful. he is not that—or he's also that, let's say. he is also just incredibly talented in a way that i'm like, i, i, i don't know how you did that. he's also a lot taller than you might think.” zach: “how tall is he?” stefan: “he's over six feet.” zach: “oh, i did not, i thought he was like 5’8.” stefan: “no, no, no, he's, he's 6 foot, 6’1 probably. i'm 6’2 and he's, he's, he's not a small guy.” zach: “wow, that does surprise me actually, because he looks so short on tv.” stefan: “yeah, you watch heartstopper and he looks like, i think he just looks small and whatever. he's not, he's and, and then obviously he's gotten very, he's lifted a lot for a number of roles and stuff, and so like, he's big, like he's, he's a, yeah. he's a big guy and is also just incredibly, he is also real people. he is just like, you'll, he has no pretentiousness about him, just humble as can be. he's from like a small kind of borough of london. and he's just, he's just a remarkable person, really calm, really just like even-keeled, steady guy. i don't, i don't think that there's a person who, if they met him, that they couldn't like kit. i think that he's, he's just one of those types of people that you're just like, that's, that's a great person.” zach: “i love it that he's not, i love it that the fame didn't go to his head because i, there's a couple of people that just made it really big and one of them, i think it, i see them how they're acting now with like paparazzi and stuff, and i think that the fame has gone to their head, the way that they're acting now, and it's, it makes me kind of sad.” stefan: “i don't think that will ever happen with kit because i think that he will hide himself before that starts to happen. like he would sooner disappear and like act in one movie every couple of years and you're like, “where did that guy go?” than he would ever start to let that go—i would be shocked if he ever went that way, from what i know of him.” zach: “well he's been out, he's been there long enough, though if that was going to happen, i think it would have happened already too, because he's famous enough.” stefan: “absolutely.” zach: “yeah.” stefan: “and he's so young that it's like, my brain like wasn't fully formed at his age, and so for him to be behaving the way that he is as young as he is, i'm like, ok, well, it, in 10 years from now, you're not going to be any more susceptible to giving into the ego than he is today. so i think that he is like, yeah, he's a, he's a sure bet if, if, if you're gambling on what actor is going to be around for a long time and is going to have just like a really prolific career of incredible pieces of work, i—and i feel like i can say this because it was no genius on my part or anything that got him, we got really lucky to get him—and so i feel like i can comfortably say like almost as like a, as a fly on the wall in the room with him, just being very fortunate to work with him, that like he's, he's going to go really, really far and he deserves every little bit of success.” 🔗:

kit connor updates

27,628 views • 4 months ago

The targeting foul against Zack Orr of NCC Football has been overturned, and he will be eligible to start in Saturday's #d3fb National Semifinal vs. Susquehanna Football at 3:30pm EST / 2:30pm CST. I spoke with Steve Shaw, the NCAA's National Coordinator of Officials, about the overturn this morning. Note that the provision in question is whether or not Springfield Football QB Drew Heenan qualified under the rules as a "defenseless player," as the following is one such definition in the NCAA Football Rulebook: "A ball carrier already in the grasp of an opponent and whose forward progress has been stopped." If a defenseless player is hit in the neck or head region by an opponent, then targeting is a proper call under the rules. Steve said: “We’re very clear that he's not defenseless until he is down. And if you go back and look at the video on the play…he's wrapped up and he's going down. And the contact is with [the] runner just as he's going to the ground. So he really has not transitioned to a defenseless player yet. You know, you can make the argument that, well, if he's wrapped up, he's defenseless and he can't really defend himself. But from a replay perspective, we needed a bright line that that was not a judgment, but a bright line. And that is, [he] has to be down, considered down before he's defenseless….He's just beginning to go down and be down. And so we wouldn't consider him down at the time that he's hit. And there's no crown of the helmet involved. The helmet is clearly to the side. And so, from a replay perspective, rules are very clear. You've got to be able to confirm all aspects of targeting for it to be targeting. You couldn't confirm that he was down and then hit. So we didn't give him defenseless status....And that's why the targeting was overturned.” Steve also taught me about something that is important. While regular replay reviews can come out as "confirmed," "overturned," or "stands" (which means that there is not conclusive evidence to overturn, but there isn't a full confirmation of the original call either), targeting calls do not have a "stands" option when they are reviewed. In other words, they are viewed anew and either every element necessary for targeting must be confirmed, or it is overturned. Think of it as being innocent until proven guilty in the review process for targeting. In this case, he was clear to underscore that the elements could have been argued to have existed, but it would have, at best, been a "call stands" decision, which is not sufficient to uphold a targeting call. Steve also expressed the hopes that the instant replay model that has been developed and used in Division 2 will become more utilized in Division 3, related to more-universal instant replay using a coaches' challenge approach (except for targeting), much like we saw in the Centennial Conference this year. He understands the challenges, but he also feels that having two HD camera angles plus the normal web stream (basically at least three cameras) is sufficient to embrace the needs of instant replay. He is not in favor of a D1 type of replay at the lower levels because of the desire to not have constant game interruptions and more technological challenges at the lower levels than we see at D1 -- he stressed his support of a coaches' challenge system in our conversation multiple times. In The (D3FB) Huddle and I give thanks to Steve for his transparency, which is always on display in the CFO training videos he releases on YouTube. I always learn something when I watch his videos, and today was no different in our conversation.

Frank Rossi

29,476 views • 1 year ago

🚨THEY CALLED HIM CRAZY FOR 20 YEARS.. HE'S ABOUT TO FILE THE BIGGEST IPO IN HISTORY.. SpaceX is quietly preparing to go public.. targeting a $1.75 trillion valuation.. bigger than Saudi Aramco.. the biggest IPO in human history.. but that's not even the real story.. in february elon merged xAI into SpaceX.. so now one single company owns the rockets.. owns about 65% of every satellite in orbit.. owns Starlink with over 10 million users.. and owns the AI.. think about that for a second.. OpenAI rents its servers from Microsoft.. Anthropic rents from Amazon.. they don't own anything.. they're tenants.. elon owns the infrastructure.. they're putting AI data centers in space.. solar powered.. no electric grid.. no cooling problems.. just satellites running AI in orbit while everyone else is fighting over GPU shipments on the ground.. the pentagon just handed them $2 billion for a defense satellite network.. starlink aviation customers are paying $300K a year.. NASA used to be their biggest customer.. now NASA is only 5% of their revenue.. they outgrew the entire US government.. this man built a company that launches the rockets.. owns the satellites.. provides the internet.. runs the AI.. and is about to go public at the highest valuation in history.. nobody is connecting the dots.. i got into xAI before the merger.. that converts to SpaceX equity before it even hits public markets.. sometimes the play is obvious.. you just have to be paying attention.

Evan Luthra

101,861 views • 5 months ago

🚨BREAKING: ICE agents just threatened to shoot a U.S. citizen for exercising his First Amendment right to observe and film ICE activities… and it was all caught on camera. In the video, agents come up to a man’s car after stopping in front and behind him, aggressively pounding on his window and yelling: “This is your warning… stop fucking following us. You are impeding operations.” The man says, “This is my house. I’ve got to get to my house.” The agent then tells him, “This is your warning… go home to your kids.” Which is a chilling thing to say when a U.S. citizen is literally driving through his own neighborhood… and being told he isn’t allowed to do so. Then the camera pans to the other window, where another agent stands with his gun drawn. Not holstered. Gun in hand. The man rolls down his window and calmly says, “You should go to church.” The agent replies, “You’re making bad decisions.” Bad decisions… like driving in your own neighborhood? Filming? Breathing? And then the original agent comes back to the car yelling: “You are not going to like the outcome. I guarantee that.” They’re not being vague. They’re not cautioning him. What they mean by “the outcome” is spelled out seconds later: “Go home to your children. It’s Sunday. Did you not learn from what just happened?” This is a threat. This is intimidation. This is armed government agents using lethal force as a warning against constitutional rights. They are telling the public that anyone who observes them, anyone who films them, anyone who doesn’t immediately disappear, can expect the same outcome as Renee Good. And that is exactly how we know the government does not believe that shooting was self-defense. Because you don’t use “self‑defense” as a warning to people who haven’t done anything wrong.

Jesus Freakin Congress

681,132 views • 7 months ago

The Sound of Gunfire, the Shouts of the Militia, and the Silence of the World: El Fasher Screams While the World Stays Deaf, A Genocide Engineered by the UAE What happened in El Fasher was not a battle. It was a moment when humanity itself went silent. The video that emerged from the city is not just evidence, it is a glimpse into horror itself. In it, members of the UAE-backed Rapid Support Militia (Janjaweed) are heard shouting from their vehicle, firing wildly, and screaming at the driver with chilling excitement: “Catch up with the girls ahead!” “Hurry, let’s reach them!” “Go forward, go forward!” Gunfire cracks through the air as the militiamen, drunk with power, chase fleeing civilians across open ground. The girls are not seen, but their terror fills the silence between shots. The laughter of the gunmen, their frenzied commands, and their use of the word “loot” as if they were on a hunting expedition expose minds corrupted beyond redemption, men who no longer see human beings, only prey. What can be imagined after this video is far worse than what is seen. Because we know what this militia has done before. We know what it means when they hunt civilians: mass rape, abduction, enslavement, and the destruction of women’s lives. The end of this chase is not victory or arrest, it is screams smothered by the dust, blood soaking the earth, and bodies desecrated in silence. What the camera captured is only the surface, what followed is hell itself. For more than 550 days, the people of El Fasher cried to the world, besieged by hunger and fear. They warned that this day would come. They said that silence would become the first weapon used against them. And still, the world did nothing, until the screams that everyone feared became real. Every shot in that video carries the fingerprint of foreign complicity. Every laugh from the gunmen is an echo of global indifference. The world knows who armed these killers, who funded them, and who gave them political protection. The United Arab Emirates has fueled this infernal machine, financing, arming, and emboldening the Janjaweed, speaking of peace while feeding death. This is not a tragedy of the past, nor a scene from a film. It is a genocide unfolding now, carried out by a militia backed by the United Arab Emirates against innocent civilians. History will remember the killers, but it will also record those who saw and stayed silent. #Sudan #RSFisTerroristOrganization #UAEKillsSudanesePeople #UAEFundsTerrorism

Sudanese Echo

217,592 views • 10 months ago