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SpaceX files for 1M satellites. Oops. No. Add three more zeros. Solar power. Laser links. Cold vacuum. Casual Kardashev behavior. SpaceX

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Mario Nawfal

3,351,302 subscribers

92,070 次观看 • 5 个月前 •via X (Twitter)

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AI companies are fighting over land, electricity, and cooling water on the ground. SpaceX is planning to skip the ground. Elon has something different in mind. Starmind. AI compute in orbit. Solar-powered satellites. Laser links. Racks of chips. A giant brain above Earth. Everyone else is building bigger data centers. SpaceX is planning to launch one. SpaceX / Writer: Annette, Designer: Janné
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AI companies are fighting over land, electricity, and cooling water on the ground. SpaceX is planning to skip the ground. Elon has something different in mind. Starmind. AI compute in orbit. Solar-powered satellites. Laser links. Racks of chips. A giant brain above Earth. Everyone else is building bigger data centers. SpaceX is planning to launch one. SpaceX / Writer: Annette, Designer: Janné

Mario Nawfal

780,790 次观看 • 1 个月前

Starlink just crossed 10,000 satellites. Falcon 9 added 29 more. Booster landed for the 27th time. Casual. 300,000 collision-avoidance maneuvers last year. Zero crashes. Low Earth orbit running like clockwork. SpaceX
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Starlink just crossed 10,000 satellites. Falcon 9 added 29 more. Booster landed for the 27th time. Casual. 300,000 collision-avoidance maneuvers last year. Zero crashes. Low Earth orbit running like clockwork. SpaceX

Mario Nawfal

49,952 次观看 • 4 个月前

SPACEX TARGETS AI DATA CENTERS IN SPACE – NO COMPETITION IN SIGHT When Earth gets crowded, SpaceX builds upwards. Orbital plan in motion: * SpaceX named as the future leader in space-based AI infrastructure * Mission: build and operate data centers beyond Earth * AI needs power, cooling, and scale – orbit solves all three * No rivals in sight – just rocket fuel and execution SpaceX is turning orbit into the new frontier for intelligence! Source: SpaceX
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SPACEX TARGETS AI DATA CENTERS IN SPACE – NO COMPETITION IN SIGHT When Earth gets crowded, SpaceX builds upwards. Orbital plan in motion: * SpaceX named as the future leader in space-based AI infrastructure * Mission: build and operate data centers beyond Earth * AI needs power, cooling, and scale – orbit solves all three * No rivals in sight – just rocket fuel and execution SpaceX is turning orbit into the new frontier for intelligence! Source: SpaceX

Mario Nawfal

13,085 次观看 • 7 个月前

SpaceX has introduced a new website for its next-generation Starlink V3 satellites, along with new information about the satellite. • 1 Tbps downlink capacity (~10× higher than Starlink V2). • 160 Gbps uplink capacity (~22× higher than Starlink V2). • 2,048 downlink beams + 2,048 uplink beams (vs. 192 downlink/144 uplink beams on V2). • Upgraded phased array antennas enable the increased user capacity and beam count. • New SpaceX-designed beamformer chips power the phased arrays. • Modem chips handle ~64× more throughput per chip, allowing more efficient simultaneous service and real-time beam allocation based on demand. • Each satellite includes 6 high-capacity 400 Gbps laser links, enabling a redundant petabit-scale laser mesh network for global routing. • Each satellite also has 4 quad-band RF backhaul antennas operating across Ka, E, V, and W bands. • RF backhaul capacity increases to 1.2 Tbps (>8× Starlink V2). • Backhaul uplink supports 60 GHz of spectrum across frequencies and polarizations (4.3× more than V2). • New solar arrays generate ~2× the power of the V2 satellite arrays. • Solar arrays are manufactured using a continuous roll of solar blanket, cut into 19-meter sections, with 4 sections stitched together per array. • Solar arrays are optimized to reduce atmospheric drag in low Earth orbit. • A Starship launch carrying V3 satellites will deploy ~20× more network capacity than a Falcon 9 launch carrying V2 satellites. • V3 technology will support future Starlink Mobile Gen 2 satellites, delivering terrestrial-like LTE speeds directly to unmodified smartphones. Website:
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SpaceX has introduced a new website for its next-generation Starlink V3 satellites, along with new information about the satellite. • 1 Tbps downlink capacity (~10× higher than Starlink V2). • 160 Gbps uplink capacity (~22× higher than Starlink V2). • 2,048 downlink beams + 2,048 uplink beams (vs. 192 downlink/144 uplink beams on V2). • Upgraded phased array antennas enable the increased user capacity and beam count. • New SpaceX-designed beamformer chips power the phased arrays. • Modem chips handle ~64× more throughput per chip, allowing more efficient simultaneous service and real-time beam allocation based on demand. • Each satellite includes 6 high-capacity 400 Gbps laser links, enabling a redundant petabit-scale laser mesh network for global routing. • Each satellite also has 4 quad-band RF backhaul antennas operating across Ka, E, V, and W bands. • RF backhaul capacity increases to 1.2 Tbps (>8× Starlink V2). • Backhaul uplink supports 60 GHz of spectrum across frequencies and polarizations (4.3× more than V2). • New solar arrays generate ~2× the power of the V2 satellite arrays. • Solar arrays are manufactured using a continuous roll of solar blanket, cut into 19-meter sections, with 4 sections stitched together per array. • Solar arrays are optimized to reduce atmospheric drag in low Earth orbit. • A Starship launch carrying V3 satellites will deploy ~20× more network capacity than a Falcon 9 launch carrying V2 satellites. • V3 technology will support future Starlink Mobile Gen 2 satellites, delivering terrestrial-like LTE speeds directly to unmodified smartphones. Website:

Sawyer Merritt

242,161 次观看 • 13 天前

🚨 SPACEX TWILIGHT MISSION: ETERNAL DAWN ORBIT FOR 40+ PAYLOADS SpaceX just announced their first "Twilight" rideshare blasting off today from Vandenberg. Payloads dropping into a dusk-dawn Sun-synchronous orbit, hugging the day-night edge where it's always twilight, dawn breaking eternal. Exolaunch handles 22 sats alone: microsats, ESA tech demos, CubeSats craving constant sun for power-hungry ops like data centers or EO without thermal hell.​ Think 500-600km alt, polar path hitting same solar time daily; perfect for climate monitors, exoplanet hunters (Kepler's 10x 300kg birds), no scorching highs/lows. 40 deployments over 2.5hrs post-liftoff, Falcon 9 second stage juggling burns like a pro.​ Source: SpaceX, Exolaunch
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🚨 SPACEX TWILIGHT MISSION: ETERNAL DAWN ORBIT FOR 40+ PAYLOADS SpaceX just announced their first "Twilight" rideshare blasting off today from Vandenberg. Payloads dropping into a dusk-dawn Sun-synchronous orbit, hugging the day-night edge where it's always twilight, dawn breaking eternal. Exolaunch handles 22 sats alone: microsats, ESA tech demos, CubeSats craving constant sun for power-hungry ops like data centers or EO without thermal hell.​ Think 500-600km alt, polar path hitting same solar time daily; perfect for climate monitors, exoplanet hunters (Kepler's 10x 300kg birds), no scorching highs/lows. 40 deployments over 2.5hrs post-liftoff, Falcon 9 second stage juggling burns like a pro.​ Source: SpaceX, Exolaunch

Mario Nawfal

71,919 次观看 • 6 个月前

🚨 SPACEX TWILIGHT MISSION: ETERNAL DAWN ORBIT FOR 40+ PAYLOADS SpaceX just announced their first "Twilight" rideshare blasting off today from Vandenberg. Payloads dropping into a dusk-dawn Sun-synchronous orbit, hugging the day-night edge where it's always twilight, dawn breaking eternal. Exolaunch handles 22 sats alone: microsats, ESA tech demos, CubeSats craving constant sun for power-hungry ops like data centers or EO without thermal hell.​ Think 500-600km alt, polar path hitting same solar time daily; perfect for climate monitors, exoplanet hunters (Kepler's 10x 300kg birds), no scorching highs/lows. 40 deployments over 2.5hrs post-liftoff, Falcon 9 second stage juggling burns like a pro.​ Source: SpaceX, Exolaunch
0:12

🚨 SPACEX TWILIGHT MISSION: ETERNAL DAWN ORBIT FOR 40+ PAYLOADS SpaceX just announced their first "Twilight" rideshare blasting off today from Vandenberg. Payloads dropping into a dusk-dawn Sun-synchronous orbit, hugging the day-night edge where it's always twilight, dawn breaking eternal. Exolaunch handles 22 sats alone: microsats, ESA tech demos, CubeSats craving constant sun for power-hungry ops like data centers or EO without thermal hell.​ Think 500-600km alt, polar path hitting same solar time daily; perfect for climate monitors, exoplanet hunters (Kepler's 10x 300kg birds), no scorching highs/lows. 40 deployments over 2.5hrs post-liftoff, Falcon 9 second stage juggling burns like a pro.​ Source: SpaceX, Exolaunch

Mario Nawfal

33,873 次观看 • 6 个月前

🚨BREAKING: Google just merged Gemini and NotebookLM into one unified workspace and it changes everything about how you use AI for deep work. It's called Notebooks in Gemini and it's the personal knowledge base that power users have been begging for. You create a notebook for a project, drop in your files, PDFs, and documents, give Gemini custom instructions, and every chat you have stays organized in one place. No more hunting through old conversations. No more re-uploading the same files every session. The wildest part is the sync. Anything you add in Gemini automatically appears in NotebookLM. Anything you add in NotebookLM automatically appears in Gemini. One source of truth. Two powerful apps. Zero friction switching between them. So you can start a research notebook in Gemini, ask it questions all week, then flip to NotebookLM to generate a Cinematic Video Overview from the same material. Next morning, open Gemini and ask it to write a full report on exactly what you just watched. That workflow used to take three apps and a lot of copy-pasting. Now it's one notebook. Rolling out this week to Google AI Ultra, Pro, and Plus subscribers on web. Mobile and free users coming soon. What do you think?
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🚨BREAKING: Google just merged Gemini and NotebookLM into one unified workspace and it changes everything about how you use AI for deep work. It's called Notebooks in Gemini and it's the personal knowledge base that power users have been begging for. You create a notebook for a project, drop in your files, PDFs, and documents, give Gemini custom instructions, and every chat you have stays organized in one place. No more hunting through old conversations. No more re-uploading the same files every session. The wildest part is the sync. Anything you add in Gemini automatically appears in NotebookLM. Anything you add in NotebookLM automatically appears in Gemini. One source of truth. Two powerful apps. Zero friction switching between them. So you can start a research notebook in Gemini, ask it questions all week, then flip to NotebookLM to generate a Cinematic Video Overview from the same material. Next morning, open Gemini and ask it to write a full report on exactly what you just watched. That workflow used to take three apps and a lot of copy-pasting. Now it's one notebook. Rolling out this week to Google AI Ultra, Pro, and Plus subscribers on web. Mobile and free users coming soon. What do you think?

Mayank Vora

136,639 次观看 • 3 个月前

🚨 WARNING: TOMORROW WILL BE THE WORST DAY OF 2026!! In 24 hours, SpaceX goes public at a $1.75 TRILLION valuation - the biggest IPO in history. I've been trading for 10+ years, and I've never seen the financial system bend its own rules for ONE private company. Nasdaq. MSCI. America's largest brokerages. All changing long-standing rules for a single company. That doesn't happen by coincidence. Let me tell you what's really going on: First, Fidelity slashed its minimum account requirement from $500,000 to just $2,000. A 99.6% reduction. Think about that for a second. One of Wall Street's most exclusive gates was suddenly opened to millions of everyday investors - right before the biggest market debut of all time. Why do they suddenly want YOU involved? Because someone needs buyers. SpaceX set aside 30% of the offering for retail investors. That's THREE TIMES the typical allocation. And despite that, many investors still received only partial allocations. Which means anyone wanting more shares will be chasing them when trading begins. To do that, they're selling other positions TODAY to raise cash. That's one side of the selling pressure you're seeing. The other? Institutional money positioning ahead of July. Here's the part most people are missing: SpaceX won't enter the Nasdaq 100 immediately. It gets added 15 days later. Why? Because Nasdaq shortened its own waiting period from 3 months to just 15 days. Specifically for this event. The second SpaceX joins the index, every fund is REQUIRED to buy shares. That's an estimated $22–27 billion of automatic demand. The big funds are selling assets now to build cash reserves. Retail is selling. Institutions are selling. Both at the same time. THAT is what's driving this selloff. Now for the part nobody wants to say publicly: When the most powerful money managers in the world create a $1.75 trillion liquidity event and invite the smallest investors to participate at the last minute... That's not generosity. That's distribution. We've watched this play out before: → Dot-com bubble (2000) → COVID crash (2020) Insiders exit at extreme valuations. The crowd rushes in chasing momentum. Something doesn't add up. So over the next 24 hours, you have two options: Buy into the most expensive IPO ever at the opening bell... Or dig into the prospectus and consider the possibility that YOU are the liquidity event. The next few days are going to be wild. I've publicly called some of the biggest tops and bottoms of the past decade. And I'll call this one too. I’ve spent decades studying markets, and I’ve called most major tops and bottoms along the way. And I’ll call it again in 2026. Follow me and turn notifications on before it’s too late. Don’t become exit liquidity.
0:18

🚨 WARNING: TOMORROW WILL BE THE WORST DAY OF 2026!! In 24 hours, SpaceX goes public at a $1.75 TRILLION valuation - the biggest IPO in history. I've been trading for 10+ years, and I've never seen the financial system bend its own rules for ONE private company. Nasdaq. MSCI. America's largest brokerages. All changing long-standing rules for a single company. That doesn't happen by coincidence. Let me tell you what's really going on: First, Fidelity slashed its minimum account requirement from $500,000 to just $2,000. A 99.6% reduction. Think about that for a second. One of Wall Street's most exclusive gates was suddenly opened to millions of everyday investors - right before the biggest market debut of all time. Why do they suddenly want YOU involved? Because someone needs buyers. SpaceX set aside 30% of the offering for retail investors. That's THREE TIMES the typical allocation. And despite that, many investors still received only partial allocations. Which means anyone wanting more shares will be chasing them when trading begins. To do that, they're selling other positions TODAY to raise cash. That's one side of the selling pressure you're seeing. The other? Institutional money positioning ahead of July. Here's the part most people are missing: SpaceX won't enter the Nasdaq 100 immediately. It gets added 15 days later. Why? Because Nasdaq shortened its own waiting period from 3 months to just 15 days. Specifically for this event. The second SpaceX joins the index, every fund is REQUIRED to buy shares. That's an estimated $22–27 billion of automatic demand. The big funds are selling assets now to build cash reserves. Retail is selling. Institutions are selling. Both at the same time. THAT is what's driving this selloff. Now for the part nobody wants to say publicly: When the most powerful money managers in the world create a $1.75 trillion liquidity event and invite the smallest investors to participate at the last minute... That's not generosity. That's distribution. We've watched this play out before: → Dot-com bubble (2000) → COVID crash (2020) Insiders exit at extreme valuations. The crowd rushes in chasing momentum. Something doesn't add up. So over the next 24 hours, you have two options: Buy into the most expensive IPO ever at the opening bell... Or dig into the prospectus and consider the possibility that YOU are the liquidity event. The next few days are going to be wild. I've publicly called some of the biggest tops and bottoms of the past decade. And I'll call this one too. I’ve spent decades studying markets, and I’ve called most major tops and bottoms along the way. And I’ll call it again in 2026. Follow me and turn notifications on before it’s too late. Don’t become exit liquidity.

0xNobler

283,753 次观看 • 1 个月前

I'm starting on a new project #buildinpublic 🤠 ✅ ahrefs sub 📚 initial keyword research 🆕 .com domain name But this is different. Why? I'm starting with SEO & marketing, then fleshing out the product afterwards. It's been a busy morning already thanks to Ahrefs. From the learnings of grandmaster sensei — I will be using my other projects for backlinks & focus on SEO instead of adding as an afterthought. The plan: ------------------------- [hacks explained further down] 1. keyword research 2. more keyword research [HACK #1] 3. content plan 4. choose topics, subtopics & post outline using long-tail keywords found in 1. & 2. [HACK #2] 5. landing page, blog & initial marketing 6. barebone MVP 7. blog with content hubs [HACK #3] 8. initial backlinks [HACK #4] 9. marketing & launch 10. talk to users & iterate while SEO is slowly cooking in the background (hopefully by the time the product matures SEO is booming) ... 🔁 continue to fill in posts according to the content plan. then back to 1 & 2. more long-tail posts & create free tools to improve ranking + increase no. of backlinks. Hack #1 --------- Explore keywords for "result intent" SEO. Figure out guides & tutorials for keywords with DR long tail ones. Create structure for internal links, e.g.: /generic-topic-keyword (links to all posts) ➡️/more-specific-subtopic-keyword (links to child posts) ➡️➡️/very-specific-post-1 ➡️➡️/very-specific-post-2 etc. Hack #3 --------- Create hubs for generic keywords with links to subtopics and long-tail posts. The hubs themselves should be somewhat informative but mostly an overview. => My crazy idea: before I have the content, add external links to authoritative sources for each specific post. I'll slowly write my own content to replace those and move the links inside the post. Hack #4 --------- Use my other projects to write posts on the new product and link to it to get a decent domain ranking fast. Launch on PH with a beta, mostly for the good backlink. Add repos with md files to Github, Gitlab, Bitbucket etc. for some easy backlinks. 🤠 Crazy enough to work, right?* *to note: I've validated the idea and am somewhat sure people will pay for it. But, I'd still like to shorten each step to minimize my risk & ship fast. Thinking: 1 week research, 1 week dev, 1 week marketing, 1 week content. What could go wrong? :D
0:13

I'm starting on a new project #buildinpublic 🤠 ✅ ahrefs sub 📚 initial keyword research 🆕 .com domain name But this is different. Why? I'm starting with SEO & marketing, then fleshing out the product afterwards. It's been a busy morning already thanks to Ahrefs. From the learnings of grandmaster sensei — I will be using my other projects for backlinks & focus on SEO instead of adding as an afterthought. The plan: ------------------------- [hacks explained further down] 1. keyword research 2. more keyword research [HACK #1] 3. content plan 4. choose topics, subtopics & post outline using long-tail keywords found in 1. & 2. [HACK #2] 5. landing page, blog & initial marketing 6. barebone MVP 7. blog with content hubs [HACK #3] 8. initial backlinks [HACK #4] 9. marketing & launch 10. talk to users & iterate while SEO is slowly cooking in the background (hopefully by the time the product matures SEO is booming) ... 🔁 continue to fill in posts according to the content plan. then back to 1 & 2. more long-tail posts & create free tools to improve ranking + increase no. of backlinks. Hack #1 --------- Explore keywords for "result intent" SEO. Figure out guides & tutorials for keywords with DR long tail ones. Create structure for internal links, e.g.: /generic-topic-keyword (links to all posts) ➡️/more-specific-subtopic-keyword (links to child posts) ➡️➡️/very-specific-post-1 ➡️➡️/very-specific-post-2 etc. Hack #3 --------- Create hubs for generic keywords with links to subtopics and long-tail posts. The hubs themselves should be somewhat informative but mostly an overview. => My crazy idea: before I have the content, add external links to authoritative sources for each specific post. I'll slowly write my own content to replace those and move the links inside the post. Hack #4 --------- Use my other projects to write posts on the new product and link to it to get a decent domain ranking fast. Launch on PH with a beta, mostly for the good backlink. Add repos with md files to Github, Gitlab, Bitbucket etc. for some easy backlinks. 🤠 Crazy enough to work, right?* *to note: I've validated the idea and am somewhat sure people will pay for it. But, I'd still like to shorten each step to minimize my risk & ship fast. Thinking: 1 week research, 1 week dev, 1 week marketing, 1 week content. What could go wrong? :D

Dan ⚡️

20,654 次观看 • 2 年前

This is WILD! A small startup just declared war on America's most powerful telecom companies and nobody is talking about it. For decades, AT&T, Verizon, and T-Mobile have had an iron grip on how Americans connect to the world. They built the towers, they set the prices, and you had no real choice but to pay whatever they demanded. That stranglehold ends today. US Mobile just bundled Starlink satellite home internet together with unlimited wireless service across all three major networks and they are charging under $50 a month for the whole thing. Let that land for a second. You are getting home internet beamed down from space, plus full cellular coverage on Verizon, AT&T, and T-Mobile's networks, all inside one bill that costs less than most people pay for just their phone plan alone. The big carriers have been charging $120 a month just for Starlink residential internet on its own. US Mobile is handing you that same service plus an unlimited phone plan for less than half of that price. This is not a discount carrier cutting corners. US Mobile is an MVNO, a company that leases capacity from all three major networks at wholesale rates and packages them into something the big carriers would never offer, because doing so would cannibalize their own revenue streams. Their internal network names are Warp, Darkstar, and Lightspeed. Those are Verizon, AT&T, and T-Mobile, all three, simultaneously available to one customer on one plan. Now they are adding a fourth layer from orbit. Starlink's constellation of low-earth satellites delivers home internet that has already disrupted rural broadband. Bundled with cellular, it means one plan that follows you from your living room to the middle of nowhere. The big carriers saw this threat coming. T-Mobile has been in a satellite partnership with Starlink, but that exclusivity window has expired, meaning SpaceX can now work with anyone. US Mobile was paying attention when everyone else was not. AT&T has bet $15.6 billion on a rival satellite company called AST SpaceMobile just to try to keep up. Verizon has no credible satellite answer at all and now a nine-year-old startup from New York is selling the whole package for under $50 a month.
0:13

This is WILD! A small startup just declared war on America's most powerful telecom companies and nobody is talking about it. For decades, AT&T, Verizon, and T-Mobile have had an iron grip on how Americans connect to the world. They built the towers, they set the prices, and you had no real choice but to pay whatever they demanded. That stranglehold ends today. US Mobile just bundled Starlink satellite home internet together with unlimited wireless service across all three major networks and they are charging under $50 a month for the whole thing. Let that land for a second. You are getting home internet beamed down from space, plus full cellular coverage on Verizon, AT&T, and T-Mobile's networks, all inside one bill that costs less than most people pay for just their phone plan alone. The big carriers have been charging $120 a month just for Starlink residential internet on its own. US Mobile is handing you that same service plus an unlimited phone plan for less than half of that price. This is not a discount carrier cutting corners. US Mobile is an MVNO, a company that leases capacity from all three major networks at wholesale rates and packages them into something the big carriers would never offer, because doing so would cannibalize their own revenue streams. Their internal network names are Warp, Darkstar, and Lightspeed. Those are Verizon, AT&T, and T-Mobile, all three, simultaneously available to one customer on one plan. Now they are adding a fourth layer from orbit. Starlink's constellation of low-earth satellites delivers home internet that has already disrupted rural broadband. Bundled with cellular, it means one plan that follows you from your living room to the middle of nowhere. The big carriers saw this threat coming. T-Mobile has been in a satellite partnership with Starlink, but that exclusivity window has expired, meaning SpaceX can now work with anyone. US Mobile was paying attention when everyone else was not. AT&T has bet $15.6 billion on a rival satellite company called AST SpaceMobile just to try to keep up. Verizon has no credible satellite answer at all and now a nine-year-old startup from New York is selling the whole package for under $50 a month.

Milk Road AI

89,989 次观看 • 3 个月前

The Visual Studio Code insiders version that just shipped and will ship in the next few days will come with an insane amount of new capabilities. A few highlights: - You can now run sub-agents in parallel. Yes, really. I even attached a video. - Major UX improvements for sub agents, especially visible in the chat window - A new search tool wrapped as a sub-agent that iteratively runs multiple search tools: semantic_search, file_search, grep_search Which connects nicely to the point above: multiple searches running in parallel, efficiently and fast - Anthropic’s Message API is now enabled by default - You can choose the model for the cloud agent (three available, all premium) - Extended thinking support when using the Claude cloud agent This is part of the broader multi-vendor cloud support under AgentsHQ I wrote about a few weeks ago - Tasks sent to the background agent (basically the CLI tool) now always run in isolation, each with its own git worktree - In a multi-repo workspace, assigning a task to a cloud agent prompts you to choose the target repo Same behavior when opening an empty workspace with no repo - Support for building an external index for files not supported by GitHub’s default indexing - UI/UX improvements for starting new sessions and switching between local / background / cloud agents - Skills are now first-class citizens, just like prompt files, with better UX indicating when a skill is loaded - Improved API for dynamic contribution of prompt files New V2 includes skills as part of the model. Curious to see the extensions that will leverage this - Finally, initial support for showing context usage percentage per session - Skills are enabled by default - Resizable chat window and session view. Small thing, but it was driving me crazy 😁 - A new integrated browser meant to replace the old simple browser Maybe the beginning of real browser use? - Better UI/UX for token streaming in chat - Ability to index external files not supported by GitHub There’s a lot more. Some of it hasn’t fully landed yet, but everything that has is already in Insiders. The next stable release should drop in early February. As usual, I’m just shocked by the volume of features this team ships every month. After the holiday slowdown, this one is shaping up to be a wild release.
0:24

The Visual Studio Code insiders version that just shipped and will ship in the next few days will come with an insane amount of new capabilities. A few highlights: - You can now run sub-agents in parallel. Yes, really. I even attached a video. - Major UX improvements for sub agents, especially visible in the chat window - A new search tool wrapped as a sub-agent that iteratively runs multiple search tools: semantic_search, file_search, grep_search Which connects nicely to the point above: multiple searches running in parallel, efficiently and fast - Anthropic’s Message API is now enabled by default - You can choose the model for the cloud agent (three available, all premium) - Extended thinking support when using the Claude cloud agent This is part of the broader multi-vendor cloud support under AgentsHQ I wrote about a few weeks ago - Tasks sent to the background agent (basically the CLI tool) now always run in isolation, each with its own git worktree - In a multi-repo workspace, assigning a task to a cloud agent prompts you to choose the target repo Same behavior when opening an empty workspace with no repo - Support for building an external index for files not supported by GitHub’s default indexing - UI/UX improvements for starting new sessions and switching between local / background / cloud agents - Skills are now first-class citizens, just like prompt files, with better UX indicating when a skill is loaded - Improved API for dynamic contribution of prompt files New V2 includes skills as part of the model. Curious to see the extensions that will leverage this - Finally, initial support for showing context usage percentage per session - Skills are enabled by default - Resizable chat window and session view. Small thing, but it was driving me crazy 😁 - A new integrated browser meant to replace the old simple browser Maybe the beginning of real browser use? - Better UI/UX for token streaming in chat - Ability to index external files not supported by GitHub There’s a lot more. Some of it hasn’t fully landed yet, but everything that has is already in Insiders. The next stable release should drop in early February. As usual, I’m just shocked by the volume of features this team ships every month. After the holiday slowdown, this one is shaping up to be a wild release.

Oren Melamed

29,555 次观看 • 6 个月前

🚨🇷🇺 WEST SHOCKED: RUSSIA JUST BUILT ITS FIRST CHIP MACHINE The West tried to cripple Russia with sanctions and cut off advanced chips. But Moscow just put its very first domestic photolithography machine — the Progress STP-350 — on open sale for about 400 million rubles. 🔸 This machine makes 350nm chips — bigger, tougher transistors that are perfect for military use. They resist radiation, Electromagnetic Pulse (EMP) attacks, extreme heat/cold, vibration, and high voltage (up to 100V) where super-small modern chips fail. 🔸 Perfect for triple-redundant military circuits (three copies of the same chip working together) that never fail even if one gets hit by cosmic rays or EMP pulse. 🔸 Handles extreme battlefield conditions: huge temperature swings, constant vibration, high voltage up to 100 Volts — things impossible on modern super-thin processes. 🔸 Uses a modern solid-state laser (365 nm) instead of old mercury lamps. It can process up to 63 silicon wafers per hour (150-200 mm size) and lasts much longer — up to 10,000 hours. 🔸 Developed since 2021 with help from Belarus company Planar — cutting Russia’s tech gap from 40-50 years down to about 30 years. 🔸 Ideal for critical defense systems: control units, engines, power supplies in missiles, planes, and radars that need reliability first, not maximum speed. 🔸 Foreign versions cost 2-3 times more. Tiny modern nodes are perfect for phones, but terrible for military use. 350nm is a mature, battle-proven tech that delivers superior reliability, radiation resistance, high voltage tolerance, and durability — exactly what defense systems and civilian sectors (cars, medicine, comms) actually need. Did Western sanctions actually make Russia stronger?
0:18

🚨🇷🇺 WEST SHOCKED: RUSSIA JUST BUILT ITS FIRST CHIP MACHINE The West tried to cripple Russia with sanctions and cut off advanced chips. But Moscow just put its very first domestic photolithography machine — the Progress STP-350 — on open sale for about 400 million rubles. 🔸 This machine makes 350nm chips — bigger, tougher transistors that are perfect for military use. They resist radiation, Electromagnetic Pulse (EMP) attacks, extreme heat/cold, vibration, and high voltage (up to 100V) where super-small modern chips fail. 🔸 Perfect for triple-redundant military circuits (three copies of the same chip working together) that never fail even if one gets hit by cosmic rays or EMP pulse. 🔸 Handles extreme battlefield conditions: huge temperature swings, constant vibration, high voltage up to 100 Volts — things impossible on modern super-thin processes. 🔸 Uses a modern solid-state laser (365 nm) instead of old mercury lamps. It can process up to 63 silicon wafers per hour (150-200 mm size) and lasts much longer — up to 10,000 hours. 🔸 Developed since 2021 with help from Belarus company Planar — cutting Russia’s tech gap from 40-50 years down to about 30 years. 🔸 Ideal for critical defense systems: control units, engines, power supplies in missiles, planes, and radars that need reliability first, not maximum speed. 🔸 Foreign versions cost 2-3 times more. Tiny modern nodes are perfect for phones, but terrible for military use. 350nm is a mature, battle-proven tech that delivers superior reliability, radiation resistance, high voltage tolerance, and durability — exactly what defense systems and civilian sectors (cars, medicine, comms) actually need. Did Western sanctions actually make Russia stronger?

NewRulesGeopolitics

67,272 次观看 • 2 个月前

🚨 This is wild for a sitting governor. 🚨 California Gov. Gavin Newsom posted a reel taking shots at Nicki Minaj and Donald Trump, using: •Photos of Trump with Jeffrey Epstein •Photos of Trump with himself right after photos of Trump with Epstein.. Which was odd🧐 Are you dissing Trump or allegedly acting as if you are Epstein re incarnated? 🤔 •Audio from Megan Thee Stallion’s “Hiss” (a Nicki Minaj diss) 🤔 For a politician, this is reckless behavior. Especially one who presents himself as a “moral” and “model” leader compared to the opposition. ⚠️ Conflict of Interest? Using the music of a controversial artist, while: •That artist’s alleged ex intimate partner is incarcerated by her allegations •His case allegedly contains reasonable doubt •Advocates have reportedly tried to get Newsom’s office to review the case That alone raises serious ethical questions. 📌 Let’s talk about Newsom’s actual record not social media stunts. Reparations in California: •Newsom signaled support during election cycles •But rejected direct cash reparations at the final stage In 2023, he refused to endorse the California Reparations Task Force’s cash payment recommendations, stating the legacy of slavery is “more than cash payments.” He also vetoed or declined support for bills that would have: •Provided college admission preferences for descendants of enslaved people •Allowed families to reclaim or be compensated for property taken via racially motivated eminent domain •Created homebuyer assistance funds for descendants of enslaved people 📉 Bottom line: No direct cash reparations. Multiple reparations bills scaled back or vetoed. 💰 California’s Tax & Business Exodus •Newsom supports policies like a retroactive billionaire tax •Targets roughly 220 billionaires, the most mobile taxpayers in the country 📊 IRS-based studies show: •California loses a taxpayer roughly every 1–2 minutes •States gaining residents: Texas, Florida, North Carolina Major companies leaving California include: Chevron, Tesla/X, SpaceX, Oracle, HP, Charles Schwab, Toyota North America, Joe Rogan Experience just to name a few. 📉 The Result? •Shrinking tax base •Growing budget deficits •Businesses and high earners “voting with their feet” Economists point to the Laffer Curve: ➡️ Higher taxes don’t always mean higher revenue ➡️ Excessive taxation often drives capital out, not in 🗳️ And now Gavin Newsom wants to run for President… …on a record of: •Performative politics •Broken reparations promises •Business flight •Aggressive taxation •And viral Instagram governance 🤔 Is this leadership or clout chasing?
0:23

🚨 This is wild for a sitting governor. 🚨 California Gov. Gavin Newsom posted a reel taking shots at Nicki Minaj and Donald Trump, using: •Photos of Trump with Jeffrey Epstein •Photos of Trump with himself right after photos of Trump with Epstein.. Which was odd🧐 Are you dissing Trump or allegedly acting as if you are Epstein re incarnated? 🤔 •Audio from Megan Thee Stallion’s “Hiss” (a Nicki Minaj diss) 🤔 For a politician, this is reckless behavior. Especially one who presents himself as a “moral” and “model” leader compared to the opposition. ⚠️ Conflict of Interest? Using the music of a controversial artist, while: •That artist’s alleged ex intimate partner is incarcerated by her allegations •His case allegedly contains reasonable doubt •Advocates have reportedly tried to get Newsom’s office to review the case That alone raises serious ethical questions. 📌 Let’s talk about Newsom’s actual record not social media stunts. Reparations in California: •Newsom signaled support during election cycles •But rejected direct cash reparations at the final stage In 2023, he refused to endorse the California Reparations Task Force’s cash payment recommendations, stating the legacy of slavery is “more than cash payments.” He also vetoed or declined support for bills that would have: •Provided college admission preferences for descendants of enslaved people •Allowed families to reclaim or be compensated for property taken via racially motivated eminent domain •Created homebuyer assistance funds for descendants of enslaved people 📉 Bottom line: No direct cash reparations. Multiple reparations bills scaled back or vetoed. 💰 California’s Tax & Business Exodus •Newsom supports policies like a retroactive billionaire tax •Targets roughly 220 billionaires, the most mobile taxpayers in the country 📊 IRS-based studies show: •California loses a taxpayer roughly every 1–2 minutes •States gaining residents: Texas, Florida, North Carolina Major companies leaving California include: Chevron, Tesla/X, SpaceX, Oracle, HP, Charles Schwab, Toyota North America, Joe Rogan Experience just to name a few. 📉 The Result? •Shrinking tax base •Growing budget deficits •Businesses and high earners “voting with their feet” Economists point to the Laffer Curve: ➡️ Higher taxes don’t always mean higher revenue ➡️ Excessive taxation often drives capital out, not in 🗳️ And now Gavin Newsom wants to run for President… …on a record of: •Performative politics •Broken reparations promises •Business flight •Aggressive taxation •And viral Instagram governance 🤔 Is this leadership or clout chasing?

Cousin Tino ™️

13,797 次观看 • 7 个月前

ВЧК-ОГПУ и выяснили, почему Росатом затягивает строительство второго энергоблока для Курской АЭС-2 и скрывает информацию о ходе работ. Оказалось, что необходимое санкционное оборудование так и не смогли раздобыть, поэтому теперь придется либо переделывать весь проект, либо подключать реинжиниринг — и еще неизвестно, что из этого опаснее для жителей Курской области. Вообще станция должна была заменить Курскую АЭС, которая выработала свой ресурс. Поэтому планировалось, что первые два энергоблока АЭС-2 специалисты Росатома подключат еще до выведения из строя двух блоков АЭС. Однако как водится что-то пошло не так, поэтому старые энергоблоки пришлось отключить в 2021 и 2024 году (3 и 4 пока продолжают работать), а новые построить не успели. Первый энергоблок на АЭС-2 планировалось запустить еще в 2020 году, потом срок сдвинули на 2022, а в реальности удалось это сделать только 31 декабря 2025 года. При этом до полноценного ввода в строй дело еще не дошло - сейчас идет этап опытно-промышленной эксплуатации. Судьба энергоблока №2 пока и вовсе зависла в неизвестности. Спроектировать, изготовить и поставить комплект турбоустановок для второго энергоблока должно было АО «Силовые машины» Алексея Мордашова. Но заработать на госзаказе хотят все, так что «Силовые машины» поделились с прикормленным поставщиком Росатома - АО «Окан» Вячеслава Томшинского (получает заказы на миллиарды рублей от Росэнергоатома, Атомстройэкспорта и других предприятий госкорпорации) и подписали с ним в 2017 году договор на проектирование и поставку нужного оборудования. К слову, «Силмаш» подпал под санкции еще в 2017-18 гг благодаря поставкам в аннексированный Крым, поэтому работать с европейскими контрагентами компании было затруднительно. «Окан», разумеется, тоже не лыком шит и прогнал договор через еще одну прокладку - свою дочернюю «ИПЦ «ОКАН». А она уже заключила контракт с «Буш Вакуум Руссиа», российским представителем британской Busch GVC Ltd на поставку шести вакуумных водокольцевых насосов для двух энергоблоков. Сдать их «Силовым машинам» планировалось до середины марта 2022 года. Первую партию британцы изготовили и отдали уже в 2022 году - заказчик получил три насоса в августе. А потом из-за войны были введены санкции и поставка даже через третьи страны стала невозможна. «Окан» долго думал, как обойти запрет, но в 2024 году был вынужден признать, что затея априори провальная и предложил «Силовым машинам» расторгнуть договор. И тут выяснилось интересное: оказывается, по договору от 2017 года изготовителем насосов являлся сам «Окан». Британская компания в документах появилась только в 2020 году, когда «Окан» понял, что пора «оптимизировать сроки изготовления оборудования». «Силмаш» расторгать договор отказался, потребовав в течение 30 дней поставить насосы. Тогда «Окан» через суд потребовал расторжения договора, а «Силмаш» выдвинул встречные требования о выплате почти 15 млн рублей неустойки за просрочку обязательств, плюс пени, штрафы и прочие финансовые санкции. Битвы в судах продолжались с 2024 года с переменным успехом. на данный момент побеждает «Окан», который добился в апелляции расторжения договора и снижения неустойки с пени до 2,2 млн рублей. А что касается британских насосов для второго энергоблока Курской АЭС-2, то их по-прежнему нет. И судя по тому, что Busch GVC Ltd даже не приступала к их изготовлению - у Росатома большие проблемы. The Cheka-OGPU and investigated why Rosatom is delaying the construction of the second power unit for Kursk NPP-2 and concealing information about its progress. It turns out that the necessary sanctioned equipment was never obtained, so now the entire project will have to be either redesigned or reengineered—and it remains to be seen which is more dangerous for residents of the Kursk region. The plant was originally intended to replace the Kursk NPP, which had reached the end of its service life. Therefore, it was planned that Rosatom specialists would restart the first two units of Kursk NPP-2 before the two units were decommissioned. However, as usual, something went wrong, and the old units had to be shut down in 2021 and 2024 (units 3 and 4 are still operating), leaving no time for new ones to be built. The first power unit at NPP-2 was scheduled to launch in 2020, but the deadline was later pushed back to 2022. In reality, it wasn't until December 31, 2025, that it was finally commissioned. However, full commissioning hasn't yet occurred; it's currently in the pilot operation phase. The fate of power unit No. 2 remains uncertain. Power Machines JSC, owned by Alexey Mordashov, was supposed to design, manufacture, and supply the turbine units for the second power unit. But everyone wants to profit from government contracts, so Power Machines split the deal with Rosatom's favored supplier, Okan JSC, owned by Vyacheslav Tomshinsky (which receives billions of rubles in orders from Rosenergoatom, Atomstroyexport, and other state corporation enterprises), signing a contract with them in 2017 for the design and supply of the necessary equipment. Incidentally, Silmash was hit by sanctions back in 2017-18 due to its deliveries to annexed Crimea, making it difficult for the company to work with its European counterparties. Okan, of course, is no pushover either, and routed the contract through yet another shell company—its subsidiary, IPC OKAN. It had already signed a contract with Bush Vacuum Russia, the Russian representative of the British company Busch GVC Ltd, to supply six liquid ring vacuum pumps for two power units. They were scheduled to be delivered to Power Machines by mid-March 2022. The British company manufactured and delivered the first batch in 2022—the customer received three pumps in August. Then, due to the war, sanctions were imposed, making deliveries even through third countries impossible. Okan pondered for a long time how to circumvent the ban, but in 2024, it was forced to admit that the plan was a priori a failure and proposed that Power Machines terminate the contract. Then, an interesting discovery emerged: according to the 2017 contract, Okan itself was the pump manufacturer. The British company only appeared in the documents in 2020, when Okan realized it was time to "optimize equipment manufacturing lead times." Power Machines refused to terminate the contract, demanding that the pumps be delivered within 30 days. Okan then filed a lawsuit to terminate the contract, and Power Machines counterclaimed for nearly 15 million rubles in penalties for late payment, plus fines, penalties, and other financial sanctions. The legal battles have continued since 2024, with varying success. Okan is currently winning, having successfully secured contract termination and a reduction in the penalty from the late payment to 2.2 million rubles on appeal. As for the British pumps for the second power unit of Kursk NPP-2, they are still missing. And judging by the fact that Busch GVC Ltd hasn't even started manufacturing them, Rosatom is in big trouble.
0:20

ВЧК-ОГПУ и выяснили, почему Росатом затягивает строительство второго энергоблока для Курской АЭС-2 и скрывает информацию о ходе работ. Оказалось, что необходимое санкционное оборудование так и не смогли раздобыть, поэтому теперь придется либо переделывать весь проект, либо подключать реинжиниринг — и еще неизвестно, что из этого опаснее для жителей Курской области. Вообще станция должна была заменить Курскую АЭС, которая выработала свой ресурс. Поэтому планировалось, что первые два энергоблока АЭС-2 специалисты Росатома подключат еще до выведения из строя двух блоков АЭС. Однако как водится что-то пошло не так, поэтому старые энергоблоки пришлось отключить в 2021 и 2024 году (3 и 4 пока продолжают работать), а новые построить не успели. Первый энергоблок на АЭС-2 планировалось запустить еще в 2020 году, потом срок сдвинули на 2022, а в реальности удалось это сделать только 31 декабря 2025 года. При этом до полноценного ввода в строй дело еще не дошло - сейчас идет этап опытно-промышленной эксплуатации. Судьба энергоблока №2 пока и вовсе зависла в неизвестности. Спроектировать, изготовить и поставить комплект турбоустановок для второго энергоблока должно было АО «Силовые машины» Алексея Мордашова. Но заработать на госзаказе хотят все, так что «Силовые машины» поделились с прикормленным поставщиком Росатома - АО «Окан» Вячеслава Томшинского (получает заказы на миллиарды рублей от Росэнергоатома, Атомстройэкспорта и других предприятий госкорпорации) и подписали с ним в 2017 году договор на проектирование и поставку нужного оборудования. К слову, «Силмаш» подпал под санкции еще в 2017-18 гг благодаря поставкам в аннексированный Крым, поэтому работать с европейскими контрагентами компании было затруднительно. «Окан», разумеется, тоже не лыком шит и прогнал договор через еще одну прокладку - свою дочернюю «ИПЦ «ОКАН». А она уже заключила контракт с «Буш Вакуум Руссиа», российским представителем британской Busch GVC Ltd на поставку шести вакуумных водокольцевых насосов для двух энергоблоков. Сдать их «Силовым машинам» планировалось до середины марта 2022 года. Первую партию британцы изготовили и отдали уже в 2022 году - заказчик получил три насоса в августе. А потом из-за войны были введены санкции и поставка даже через третьи страны стала невозможна. «Окан» долго думал, как обойти запрет, но в 2024 году был вынужден признать, что затея априори провальная и предложил «Силовым машинам» расторгнуть договор. И тут выяснилось интересное: оказывается, по договору от 2017 года изготовителем насосов являлся сам «Окан». Британская компания в документах появилась только в 2020 году, когда «Окан» понял, что пора «оптимизировать сроки изготовления оборудования». «Силмаш» расторгать договор отказался, потребовав в течение 30 дней поставить насосы. Тогда «Окан» через суд потребовал расторжения договора, а «Силмаш» выдвинул встречные требования о выплате почти 15 млн рублей неустойки за просрочку обязательств, плюс пени, штрафы и прочие финансовые санкции. Битвы в судах продолжались с 2024 года с переменным успехом. на данный момент побеждает «Окан», который добился в апелляции расторжения договора и снижения неустойки с пени до 2,2 млн рублей. А что касается британских насосов для второго энергоблока Курской АЭС-2, то их по-прежнему нет. И судя по тому, что Busch GVC Ltd даже не приступала к их изготовлению - у Росатома большие проблемы. The Cheka-OGPU and investigated why Rosatom is delaying the construction of the second power unit for Kursk NPP-2 and concealing information about its progress. It turns out that the necessary sanctioned equipment was never obtained, so now the entire project will have to be either redesigned or reengineered—and it remains to be seen which is more dangerous for residents of the Kursk region. The plant was originally intended to replace the Kursk NPP, which had reached the end of its service life. Therefore, it was planned that Rosatom specialists would restart the first two units of Kursk NPP-2 before the two units were decommissioned. However, as usual, something went wrong, and the old units had to be shut down in 2021 and 2024 (units 3 and 4 are still operating), leaving no time for new ones to be built. The first power unit at NPP-2 was scheduled to launch in 2020, but the deadline was later pushed back to 2022. In reality, it wasn't until December 31, 2025, that it was finally commissioned. However, full commissioning hasn't yet occurred; it's currently in the pilot operation phase. The fate of power unit No. 2 remains uncertain. Power Machines JSC, owned by Alexey Mordashov, was supposed to design, manufacture, and supply the turbine units for the second power unit. But everyone wants to profit from government contracts, so Power Machines split the deal with Rosatom's favored supplier, Okan JSC, owned by Vyacheslav Tomshinsky (which receives billions of rubles in orders from Rosenergoatom, Atomstroyexport, and other state corporation enterprises), signing a contract with them in 2017 for the design and supply of the necessary equipment. Incidentally, Silmash was hit by sanctions back in 2017-18 due to its deliveries to annexed Crimea, making it difficult for the company to work with its European counterparties. Okan, of course, is no pushover either, and routed the contract through yet another shell company—its subsidiary, IPC OKAN. It had already signed a contract with Bush Vacuum Russia, the Russian representative of the British company Busch GVC Ltd, to supply six liquid ring vacuum pumps for two power units. They were scheduled to be delivered to Power Machines by mid-March 2022. The British company manufactured and delivered the first batch in 2022—the customer received three pumps in August. Then, due to the war, sanctions were imposed, making deliveries even through third countries impossible. Okan pondered for a long time how to circumvent the ban, but in 2024, it was forced to admit that the plan was a priori a failure and proposed that Power Machines terminate the contract. Then, an interesting discovery emerged: according to the 2017 contract, Okan itself was the pump manufacturer. The British company only appeared in the documents in 2020, when Okan realized it was time to "optimize equipment manufacturing lead times." Power Machines refused to terminate the contract, demanding that the pumps be delivered within 30 days. Okan then filed a lawsuit to terminate the contract, and Power Machines counterclaimed for nearly 15 million rubles in penalties for late payment, plus fines, penalties, and other financial sanctions. The legal battles have continued since 2024, with varying success. Okan is currently winning, having successfully secured contract termination and a reduction in the penalty from the late payment to 2.2 million rubles on appeal. As for the British pumps for the second power unit of Kursk NPP-2, they are still missing. And judging by the fact that Busch GVC Ltd hasn't even started manufacturing them, Rosatom is in big trouble.

ВЧК ОГПУ (Истина любит действовать открыто).

14,213 次观看 • 5 个月前

Ganbare Ganbareee! Seedance 2.0 in Dreamina Prompt: Create one continuous locked-off wide shot inside a cluttered high-rise gaming apartment at night. Keep the camera completely stationary for the entire scene: no cuts, zooms, pans, tilts, shake, reframing, or angle changes. The seated adult man remains focused on playing a computer game. He makes natural mouse movements, taps the keyboard, leans slightly toward the monitor, and reacts subtly to tense gameplay. He stays fully clothed, never speaks, and does not turn around. Behind him stands a clearly adult anime woman, age 22 or older, wearing modest casual gaming-themed clothing. She has a bright, friendly expression and a clean 2D cel-shaded anime appearance. Her behavior is supportive and playful, with no flirting, romance, physical contact, or suggestive movement. [00:00–00:03] The man begins clicking the mouse and tapping the keyboard. The anime woman bounces lightly in place and makes two small fist pumps near shoulder height. She cheers in a cheerful adult Japanese anime voice: 「がんばれ！ がんばれー！」 “Ganbare! Ganbareee!” [00:03–00:06] The man leans closer to the monitor as the game becomes more intense. She performs two simple side steps, claps twice, and says: 「その調子！ もう少し！」 “Sono choushi! Mou sukoshi!” [00:06–00:09] The man makes a quick mouse movement and presses several keys. She raises both arms in a harmless victory pose, waves once, and cheers: 「がんばって！ 負けないで！」 “Ganbatte! Makenaide!” [00:09–00:12] The man remains concentrated while the monitor glow flickers naturally across the desk. She alternates two small fist pumps, gives a thumbs-up, and says: 「いけるよ！ いける！」 “Ikeru yo! Ikeru!” [00:12–00:15] The man completes a final rapid series of clicks and relaxes slightly, suggesting success. She makes one small celebratory hop, lands naturally, claps, and finishes with both thumbs up while saying: 「やったー！ よくできました！」 “Yattaa! Yoku dekimashita!” AUDIO: Clear adult feminine Japanese voice with accurate lip sync. Add realistic keyboard tapping, mouse clicks, computer-fan hum, faint game sounds, quiet room tone, and distant city ambience. No music and no additional voices. STYLE: Photorealistic apartment combined with a crisp 2D adult anime character. Warm room lighting, cool monitor glow, red computer lighting, natural shadows, light cinematic grain, wholesome gaming-comedy atmosphere. AVOID: No minors, childlike appearance, romance, flirting, physical contact, sexualized clothing, suggestive dancing, camera movement, subtitles, captions, speech bubbles, watermarks, extra characters, duplicated limbs, distorted hands, facial changes, clothing changes, room changes, character flicker, or transformation into a realistic person.
0:15

Ganbare Ganbareee! Seedance 2.0 in Dreamina Prompt: Create one continuous locked-off wide shot inside a cluttered high-rise gaming apartment at night. Keep the camera completely stationary for the entire scene: no cuts, zooms, pans, tilts, shake, reframing, or angle changes. The seated adult man remains focused on playing a computer game. He makes natural mouse movements, taps the keyboard, leans slightly toward the monitor, and reacts subtly to tense gameplay. He stays fully clothed, never speaks, and does not turn around. Behind him stands a clearly adult anime woman, age 22 or older, wearing modest casual gaming-themed clothing. She has a bright, friendly expression and a clean 2D cel-shaded anime appearance. Her behavior is supportive and playful, with no flirting, romance, physical contact, or suggestive movement. [00:00–00:03] The man begins clicking the mouse and tapping the keyboard. The anime woman bounces lightly in place and makes two small fist pumps near shoulder height. She cheers in a cheerful adult Japanese anime voice: 「がんばれ！ がんばれー！」 “Ganbare! Ganbareee!” [00:03–00:06] The man leans closer to the monitor as the game becomes more intense. She performs two simple side steps, claps twice, and says: 「その調子！ もう少し！」 “Sono choushi! Mou sukoshi!” [00:06–00:09] The man makes a quick mouse movement and presses several keys. She raises both arms in a harmless victory pose, waves once, and cheers: 「がんばって！ 負けないで！」 “Ganbatte! Makenaide!” [00:09–00:12] The man remains concentrated while the monitor glow flickers naturally across the desk. She alternates two small fist pumps, gives a thumbs-up, and says: 「いけるよ！ いける！」 “Ikeru yo! Ikeru!” [00:12–00:15] The man completes a final rapid series of clicks and relaxes slightly, suggesting success. She makes one small celebratory hop, lands naturally, claps, and finishes with both thumbs up while saying: 「やったー！ よくできました！」 “Yattaa! Yoku dekimashita!” AUDIO: Clear adult feminine Japanese voice with accurate lip sync. Add realistic keyboard tapping, mouse clicks, computer-fan hum, faint game sounds, quiet room tone, and distant city ambience. No music and no additional voices. STYLE: Photorealistic apartment combined with a crisp 2D adult anime character. Warm room lighting, cool monitor glow, red computer lighting, natural shadows, light cinematic grain, wholesome gaming-comedy atmosphere. AVOID: No minors, childlike appearance, romance, flirting, physical contact, sexualized clothing, suggestive dancing, camera movement, subtitles, captions, speech bubbles, watermarks, extra characters, duplicated limbs, distorted hands, facial changes, clothing changes, room changes, character flicker, or transformation into a realistic person.

Keskin

35,015 次观看 • 1 个月前

‼️🇺🇸: NASA JPL AT CENTER OF MISSING SCIENTISTS & WHCD ATTACKER FOUNDED BY OCCULT LEADER WITH TIES TO ISRAEL 👀 Jack Parsons, co-founder of the Jet Propulsion Laboratory (JPL) and Aerojet—didn’t just pioneer the solid-fuel rockets that won WWII and launched the Space Age. He summoned 'gods' while doing it. In 1945–46, while developing the castable composite propellants that still power modern missiles and boosters, Parsons performed the Babalon Working: a series of Enochian sex-magick rituals with L. Ron Hubbard as scribe and red-haired artist Marjorie Cameron as the invoked “Scarlet Woman.” Their goal? Incarnate the Thelemite goddess Babalon on Earth and birth a magical messiah. They chanted in the Mojave, masturbated onto sigils to Prokofiev’s Second Violin Concerto, and declared victory when Cameron appeared unannounced. Parsons was a devoted follower of Aleister Crowley—saw no contradiction. Crowley himself called Parsons “the most valued member of the whole Order, with no exception.” By day: JPL founder building America’s rocket future at Arroyo Seco. By night: leading the Agape Lodge O.T.O. sex-magick commune at the Parsonage in Pasadena, complete with animal sacrifice, polyamory, and invocations to open portals. Parsons led the California O.T.O. lodge under Crowley’s direct blessing. He interpreted Thelema through quantum physics and rocket science: “Magick is the Science and Art of causing Change to occur in conformity with Will.” JPL’s official history whitewashes this. Imagine that. 🤷🏻‍♂️ Fast-forward to 1950. Parsons is blacklisted from classified U.S. work after FBI probes into his “subversive” occult lodge and past leftist ties. Enter Herbert T. Rosenfeld, president of the Southern California chapter of the American Technion Society—an explicitly Zionist organization supporting Israel’s technological and military development. Rosenfeld hires Parsons to build Israel’s early rocket program. Parsons prepares technical reports (some still classified from his Hughes Aircraft work) and plans to emigrate with Cameron. He was literally about to hand U.S. propulsion secrets to the new State of Israel. A Hughes secretary types the docs and reports him to the FBI for espionage. Declassified FBI files confirm: investigators suspected Parsons was TRANSFERRING CLASSIFIED ROCKET TECH TO ISRAEL and acting as its agent. He was investigated, cleared in 1951, but the damage was permanent—NO MORE CLEARANCES, no more big contracts. He pivoted to Hollywood special effects while still chasing the Israel dream. June 17, 1952: Parsons dies in a lab explosion mixing fulminate of mercury. Official ruling: accident (he was notoriously reckless). But Marjorie Cameron never bought it. She suspected anti-Zionists murdered him for trying to arm Israel—or LAPD payback for his past testimony, or something darker. She spent decades performing blood rituals and astral sex-magick to contact his spirit, convinced his death was part of a larger pattern. The timeline they don’t teach in aerospace textbooks: 1930s–40s: Parsons co-founds JPL while leading Crowley’s occult O.T.O. lodge and the Babalon Working. 1946: Attempts to incarnate a Babylon "goddess" while inventing the fuels that defined the Cold War and space race. 1950–52: Pro-Israel rocket consultancy—FBI espionage probe—mysterious death before he can leave for Israel where he was attempting permanently migrate. The link of the lab that became NASA’s crown jewel. Crowley’s Thelema, Parsons’ rituals, and real ties to the founding of Israel’s defense tech—all hidden in plain sight. Why is this buried? Why do propulsion and classified-tech “missing scientists” threads keep circling back to these same institutional circles? What's REALLY going on here? 🤔
0:12

‼️🇺🇸: NASA JPL AT CENTER OF MISSING SCIENTISTS & WHCD ATTACKER FOUNDED BY OCCULT LEADER WITH TIES TO ISRAEL 👀 Jack Parsons, co-founder of the Jet Propulsion Laboratory (JPL) and Aerojet—didn’t just pioneer the solid-fuel rockets that won WWII and launched the Space Age. He summoned 'gods' while doing it. In 1945–46, while developing the castable composite propellants that still power modern missiles and boosters, Parsons performed the Babalon Working: a series of Enochian sex-magick rituals with L. Ron Hubbard as scribe and red-haired artist Marjorie Cameron as the invoked “Scarlet Woman.” Their goal? Incarnate the Thelemite goddess Babalon on Earth and birth a magical messiah. They chanted in the Mojave, masturbated onto sigils to Prokofiev’s Second Violin Concerto, and declared victory when Cameron appeared unannounced. Parsons was a devoted follower of Aleister Crowley—saw no contradiction. Crowley himself called Parsons “the most valued member of the whole Order, with no exception.” By day: JPL founder building America’s rocket future at Arroyo Seco. By night: leading the Agape Lodge O.T.O. sex-magick commune at the Parsonage in Pasadena, complete with animal sacrifice, polyamory, and invocations to open portals. Parsons led the California O.T.O. lodge under Crowley’s direct blessing. He interpreted Thelema through quantum physics and rocket science: “Magick is the Science and Art of causing Change to occur in conformity with Will.” JPL’s official history whitewashes this. Imagine that. 🤷🏻‍♂️ Fast-forward to 1950. Parsons is blacklisted from classified U.S. work after FBI probes into his “subversive” occult lodge and past leftist ties. Enter Herbert T. Rosenfeld, president of the Southern California chapter of the American Technion Society—an explicitly Zionist organization supporting Israel’s technological and military development. Rosenfeld hires Parsons to build Israel’s early rocket program. Parsons prepares technical reports (some still classified from his Hughes Aircraft work) and plans to emigrate with Cameron. He was literally about to hand U.S. propulsion secrets to the new State of Israel. A Hughes secretary types the docs and reports him to the FBI for espionage. Declassified FBI files confirm: investigators suspected Parsons was TRANSFERRING CLASSIFIED ROCKET TECH TO ISRAEL and acting as its agent. He was investigated, cleared in 1951, but the damage was permanent—NO MORE CLEARANCES, no more big contracts. He pivoted to Hollywood special effects while still chasing the Israel dream. June 17, 1952: Parsons dies in a lab explosion mixing fulminate of mercury. Official ruling: accident (he was notoriously reckless). But Marjorie Cameron never bought it. She suspected anti-Zionists murdered him for trying to arm Israel—or LAPD payback for his past testimony, or something darker. She spent decades performing blood rituals and astral sex-magick to contact his spirit, convinced his death was part of a larger pattern. The timeline they don’t teach in aerospace textbooks: 1930s–40s: Parsons co-founds JPL while leading Crowley’s occult O.T.O. lodge and the Babalon Working. 1946: Attempts to incarnate a Babylon "goddess" while inventing the fuels that defined the Cold War and space race. 1950–52: Pro-Israel rocket consultancy—FBI espionage probe—mysterious death before he can leave for Israel where he was attempting permanently migrate. The link of the lab that became NASA’s crown jewel. Crowley’s Thelema, Parsons’ rituals, and real ties to the founding of Israel’s defense tech—all hidden in plain sight. Why is this buried? Why do propulsion and classified-tech “missing scientists” threads keep circling back to these same institutional circles? What's REALLY going on here? 🤔

Diligent Denizen 🇺🇸

18,400 次观看 • 2 个月前

PROMPT: Generate a continuous 15-second premium live-action broadcast TV commercial for a high-performance family kitchen blender, designed as an energetic, polished consumer-appliance advertisement emphasizing FAST BLENDING POWER. The commercial must tell a complete miniature visual story within exactly 15 seconds: a busy family needs breakfast quickly, fresh ingredients enter the blender, one touch unleashes powerful high-speed blending, a thick mixture transforms almost instantly into a perfectly smooth fruit smoothie, the family enjoys the result, and the commercial ends on a clean hero product shot with the promise: “Smooth in Seconds.” Maintain a consistent high-end contemporary commercial visual style throughout the entire sequence: photorealistic food photography, tactile ingredient detail, premium appliance surfaces, energetic but controlled camera movement, crisp natural highlights, appetizing freshness, believable family warmth, and polished broadcast-advertising finish. Shoot as if captured on an ARRI Alexa 35 cinema camera using a coordinated set of 24mm, 35mm, 50mm, 85mm, and 100mm macro cinema lenses. Preserve realistic perspective, physically plausible motion, natural depth of field, smooth highlight roll-off, subtle cinematic contrast, clean skin tones, rich food texture, controlled motion blur, and sharp product detail. The entire commercial takes place during one continuous bright weekday morning in the SAME modern family kitchen. The kitchen has warm off-white cabinetry, pale natural-oak counters, a large sunlit window frame-left, brushed stainless-steel fixtures, a small breakfast table in the background, subtle family-life details, and a clean uncluttered countertop. Warm morning sunlight enters consistently from frame-left at approximately 5200K, supplemented by soft interior fill, producing gentle directional shadows and bright natural reflections. Maintain the same architecture, counter layout, window position, furniture, appliances, background objects, lighting direction, and color palette throughout every shot. New camera angles reveal different perspectives of the same physical kitchen and must never create a different-looking location. LOCKED PRODUCT: one premium family countertop blender with a compact matte-silver motor base, black control panel, one illuminated circular speed control, large clear 1.8-liter blending pitcher, black fitted lid, stainless-steel blade assembly, sturdy black handle, and subtle unbranded front badge area. The blender’s shape, proportions, materials, controls, pitcher geometry, lid, handle, blade assembly, reflections, scale, and countertop position remain identical throughout every shot. It begins centered on the main kitchen counter and never changes location. LOCKED INGREDIENTS: fresh strawberries, banana pieces, blueberries, mango chunks, Greek yogurt, milk, and several ice cubes. Ingredients must retain recognizable colors and textures before entering the pitcher. Once added, object permanence must be respected: ingredients cannot reappear outside the blender. During blending, the mixture must transform physically and continuously from visibly chunky fruit and ice into a uniform thick pink-red smoothie. LOCKED FAMILY: a mother in her mid-30s with shoulder-length dark brown hair wearing a soft beige knit top and blue jeans; a father in his late-30s with short dark hair wearing a pale blue casual shirt; an approximately eight-year-old daughter with dark brown hair in a ponytail wearing a muted yellow T-shirt; and an approximately six-year-old son with short brown hair wearing a light green T-shirt. Preserve their exact ages, facial identity, hairstyle, wardrobe, body proportions, and appearance whenever visible. Their expressions progress naturally from hurried anticipation to impressed surprise to relaxed enjoyment. Avoid surreal food behavior, floating ingredients, impossible liquid physics, teleporting objects, changing blender geometry, inconsistent pitcher fill levels, duplicated fruit, warped hands, extra fingers, changing wardrobe, altered kitchen architecture, random background changes, excessive lens distortion, unreadable product geometry, fake plastic food textures, excessive camera shake, oversaturated grading, artificial CGI appearance, flickering light, exposure shifts, continuity resets, jumpy object positions, text artifacts, random labels, logos, watermarks, or unrelated products. 00:00–00:02.0 — OPENING PROBLEM / FAMILY MORNING RUSH. Begin with a dynamic 24mm wide establishing shot from approximately countertop height, looking diagonally across the kitchen while preserving a left-to-right spatial axis. The mother moves briskly toward the counter from frame-left as the two children wait near the breakfast area in the background, visibly eager and short on time. The father passes behind them preparing to leave. Morning sunlight streaks naturally through the frame-left window. The locked blender is already visible on the counter as the visual anchor, positioned prominently but naturally in the foreground-right. Use a smooth fast dolly-in toward the blender rather than a hard zoom. Small breakfast details suggest a busy school morning without cluttering the frame. Sound begins with subtle morning kitchen ambience, quick footsteps, a chair movement, and upbeat rhythmic music immediately establishing urgency. No spoken dialogue. 00:02.0–00:04.0 — INGREDIENT SPEED MONTAGE. Match-cut into a rapid sequence of three extremely concise food-preparation inserts totaling exactly two seconds. First, a 100mm macro close-up catches vivid strawberries and blueberries dropping into the clear pitcher, with realistic gravity, bounce, moisture, and fruit texture. Cut to banana pieces and mango chunks entering from above, maintaining the exact pitcher position and increasing fill level logically. Cut to a tight side insert as Greek yogurt, milk, and ice cubes enter last. Use crisp impact sounds synchronized with each ingredient: thump, splash, clink. Each insert changes visual information and advances the preparation; never repeat the same composition. Camera movement is minimal and precise so the speed comes primarily from editorial cutting. The blender remains OFF throughout these inserts. 00:04.0–00:05.2 — ONE-TOUCH ACTIVATION. Cut to an 85mm close-up from a low three-quarter front angle of the blender control panel. The mother’s right index finger enters naturally from frame-left and presses the illuminated circular control exactly once. Show believable fingertip compression against the control. The instant contact occurs, the control illumination brightens and the motor begins. Add a precise tactile click followed immediately by a confident rising electric motor sound. Use a subtle fast push-in timed to activation. The hand exits naturally; do not show multiple presses. 00:05.2–00:08.2 — POWER DEMONSTRATION / HERO BLENDING MOMENT. Cut to a dramatic but physically realistic 50mm close three-quarter view of the entire pitcher. The motor accelerates rapidly. Ice cubes and fruit initially tumble downward toward the stainless-steel blades, then form a powerful controlled vortex. Show the transformation continuously: recognizable strawberries, blueberries, banana, mango, yogurt, milk, and ice become progressively smaller and more integrated until the mixture turns into a completely smooth, thick pink-red smoothie. The action must communicate exceptional blending speed without supernatural physics. Condensation begins subtly on the outside of the pitcher. Tiny droplets and believable internal turbulence catch the frame-left morning light. During this three-second power demonstration, execute a controlled semicircular camera move of approximately 35 degrees around the front of the blender without crossing the established spatial axis. Begin slightly frame-left of the product and finish near frontal three-quarter. Maintain the blender base completely stable on the countertop with no unrealistic vibration or sliding. Use one brief 100mm macro insert lasting approximately 0.5 seconds to reveal the high-speed vortex and disappearing final fruit fragment, then return immediately to the matching three-quarter product angle. Sound design intensifies with a strong smooth motor whirr synchronized to the vortex, layered with the upbeat music. At approximately 00:07.6, the last visible fruit fragment disappears into the vortex. By 00:08.2 the mixture is visibly uniform, silky, and completely smooth. This transformation is the commercial’s core proof point: FAST BLENDING POWER. 00:08.2–00:09.5 — INSTANT RESULT. The motor stops cleanly. Cut to a 100mm macro beauty shot looking through the clear pitcher wall at the perfectly smooth smoothie surface settling from a gentle spiral into a glossy, uniform texture. A small central swirl collapses naturally. No chunks remain. Condensation beads on the exterior catch bright highlights. Use shallow depth of field while retaining enough pitcher edge detail to identify the product. Sound drops from the motor into a satisfying soft stop, followed by a subtle musical accent. A confident female voice-over begins: “Powerful blending…” 00:09.5–00:11.5 — POUR AND PROOF. Match the circular smoothie motion into a 50mm close-up of the mother tilting the same pitcher and pouring the thick smoothie into two clear family drinking glasses on the same countertop. The liquid forms a smooth continuous ribbon with realistic viscosity and no splashing errors. The pitcher’s remaining fill level decreases correctly. Camera tracks gently with the pour from left to right. The daughter and son appear softly out of focus beyond the glasses, watching with excited expressions. As the glasses fill, rack focus briefly from the flowing smoothie to the children’s delighted reaction. Voice-over completes: “…smooth results in seconds.” 00:11.5–00:13.0 — FAMILY PAYOFF. Cut to a warm 35mm medium shot at the breakfast counter. The two children each take one synchronized first sip from their filled glasses, then immediately exchange impressed smiles. The mother stands behind them with a relaxed satisfied expression while the father takes a filled travel cup and moves toward frame-right, suggesting the blender has saved valuable morning time. Keep performances natural rather than exaggerated. The blender remains visible in the background on its original counter position, recognizable and unchanged. Morning sunlight and the same warm neutral palette continue without variation. The music opens into a bright satisfying resolution. The daughter gives a quick authentic smile and says: “That was fast!” 00:13.0–00:15.0 — PRODUCT HERO / BRAND END FRAME. Use a clean visual match cut from the child’s smoothie glass to the locked blender standing alone in a polished hero composition on the SAME kitchen counter. Shoot on an 85mm lens at slightly below pitcher midpoint for a confident premium product perspective. The blender occupies the center-right of frame while a freshly poured smoothie glass, two strawberries, several blueberries, and one mango slice form a restrained ingredient arrangement in the lower foreground-left. These garnish ingredients are separate presentation ingredients introduced only for the hero composition and must not imply that previously blended ingredients have magically reappeared. Create a slow controlled 5% push-in during the final two seconds. Frame-left morning sunlight creates a clean edge highlight along the clear pitcher and matte-silver motor base. Maintain realistic reflections, exact product geometry, and crisp separation from the softly defocused kitchen background. At 00:13.3, introduce a clean broadcast-safe text overlay in the negative space on frame-left: “FAST BLENDING POWER” At 00:14.0, transition cleanly to the primary campaign line: “SMOOTH IN SECONDS.” Below it, smaller: “POWER FOR EVERY FAMILY MORNING.” Typography is modern, bold, minimal sans-serif, perfectly legible, horizontally aligned, broadcast-safe, with no distorted letters and no unnecessary graphical effects. Keep all typography outside the physical blender silhouette. Voice-over, confident and warm: “Fast power. Smooth mornings.” End exactly at 00:15.0 on a perfectly stable hero frame with the blender sharply resolved, smoothie glass visible, campaign line readable, music landing on a clean sonic logo accent. CAMERA AND EDITING RULES: Use motivated cuts whenever subject, visual information, camera position, action, or emotional emphasis changes. Maintain energetic medium-fast commercial pacing: wider contextual opening, rapid ingredient inserts, tactile activation close-up, high-energy blending demonstration, sensory result macro, fluid pouring shot, human reaction payoff, then a slower premium hero landing. Preserve the established 180-degree axis throughout. No camera crosses the axis unless visibly motivated, and no silent changes in object placement occur between cuts. Maintain consistent camera height for matching shot types. Screen direction remains left-to-right for preparation and family movement. Every shot must introduce new action, information, perspective, reaction, or product proof. AUDIO DESIGN: Begin with subtle morning kitchen ambience under upbeat modern percussive music. Synchronize fruit impacts, ice clinks, control click, motor acceleration, vortex intensity, motor stop, smoothie pour, drinking sounds, and final sonic logo precisely to picture. The blender motor must sound powerful but refined rather than harsh. Duck music naturally beneath the voice-over and daughter’s dialogue. No audio clipping or abrupt ambience resets between cuts. VISUAL COLOR SYSTEM: warm off-white, pale natural oak, matte silver, fresh strawberry red, blueberry blue, mango golden-yellow, and creamy smoothie pink-red. Preserve natural skin tones and realistic food saturation. Use a premium contemporary commercial grade with moderate contrast, soft highlight roll-off, clean whites, controlled blacks, and no teal-orange exaggeration. MOVEMENT AND PHYSICS: All hands interact correctly with objects. Ingredients obey gravity. Liquid volume remains continuous. The pitcher fill level increases when ingredients are added, decreases when smoothie is poured, and never resets between shots. The blender stays physically planted on the counter during operation. The motor vortex follows plausible fluid dynamics. Hair, clothing, reflections, condensation, shadows, and liquid motion react naturally. Maintain strict character consistency, product consistency, object permanence, environment continuity, lighting continuity, and forward-only time progression across the full sequence. Render the final commercial at 24 fps, 16:9 broadcast aspect ratio, UHD 3840×2160 resolution, high-bitrate cinematic master quality, natural 180-degree shutter motion blur, realistic cinema-lens behavior, subtle fine sensor texture, clean compression, no visible digital artifacts, no temporal flicker, no frame interpolation artifacts, and photorealistic high-end commercial rendering. Preserve sharp product edges and legible end-frame typography while allowing natural depth-of-field falloff. The entire finished sequence must be EXACTLY 15 seconds long. Do not extend or shorten any beat. The central visual message must be immediately understandable without dialogue: a busy family morning becomes easier because this family blender turns whole ingredients and ice into a perfectly smooth drink with exceptional speed. The emotional progression is urgency → activation → power → instant proof → family satisfaction → premium product promise. Final audience takeaway: FAST BLENDING POWER. SMOOTH IN SECONDS.
0:15

PROMPT: Generate a continuous 15-second premium live-action broadcast TV commercial for a high-performance family kitchen blender, designed as an energetic, polished consumer-appliance advertisement emphasizing FAST BLENDING POWER. The commercial must tell a complete miniature visual story within exactly 15 seconds: a busy family needs breakfast quickly, fresh ingredients enter the blender, one touch unleashes powerful high-speed blending, a thick mixture transforms almost instantly into a perfectly smooth fruit smoothie, the family enjoys the result, and the commercial ends on a clean hero product shot with the promise: “Smooth in Seconds.” Maintain a consistent high-end contemporary commercial visual style throughout the entire sequence: photorealistic food photography, tactile ingredient detail, premium appliance surfaces, energetic but controlled camera movement, crisp natural highlights, appetizing freshness, believable family warmth, and polished broadcast-advertising finish. Shoot as if captured on an ARRI Alexa 35 cinema camera using a coordinated set of 24mm, 35mm, 50mm, 85mm, and 100mm macro cinema lenses. Preserve realistic perspective, physically plausible motion, natural depth of field, smooth highlight roll-off, subtle cinematic contrast, clean skin tones, rich food texture, controlled motion blur, and sharp product detail. The entire commercial takes place during one continuous bright weekday morning in the SAME modern family kitchen. The kitchen has warm off-white cabinetry, pale natural-oak counters, a large sunlit window frame-left, brushed stainless-steel fixtures, a small breakfast table in the background, subtle family-life details, and a clean uncluttered countertop. Warm morning sunlight enters consistently from frame-left at approximately 5200K, supplemented by soft interior fill, producing gentle directional shadows and bright natural reflections. Maintain the same architecture, counter layout, window position, furniture, appliances, background objects, lighting direction, and color palette throughout every shot. New camera angles reveal different perspectives of the same physical kitchen and must never create a different-looking location. LOCKED PRODUCT: one premium family countertop blender with a compact matte-silver motor base, black control panel, one illuminated circular speed control, large clear 1.8-liter blending pitcher, black fitted lid, stainless-steel blade assembly, sturdy black handle, and subtle unbranded front badge area. The blender’s shape, proportions, materials, controls, pitcher geometry, lid, handle, blade assembly, reflections, scale, and countertop position remain identical throughout every shot. It begins centered on the main kitchen counter and never changes location. LOCKED INGREDIENTS: fresh strawberries, banana pieces, blueberries, mango chunks, Greek yogurt, milk, and several ice cubes. Ingredients must retain recognizable colors and textures before entering the pitcher. Once added, object permanence must be respected: ingredients cannot reappear outside the blender. During blending, the mixture must transform physically and continuously from visibly chunky fruit and ice into a uniform thick pink-red smoothie. LOCKED FAMILY: a mother in her mid-30s with shoulder-length dark brown hair wearing a soft beige knit top and blue jeans; a father in his late-30s with short dark hair wearing a pale blue casual shirt; an approximately eight-year-old daughter with dark brown hair in a ponytail wearing a muted yellow T-shirt; and an approximately six-year-old son with short brown hair wearing a light green T-shirt. Preserve their exact ages, facial identity, hairstyle, wardrobe, body proportions, and appearance whenever visible. Their expressions progress naturally from hurried anticipation to impressed surprise to relaxed enjoyment. Avoid surreal food behavior, floating ingredients, impossible liquid physics, teleporting objects, changing blender geometry, inconsistent pitcher fill levels, duplicated fruit, warped hands, extra fingers, changing wardrobe, altered kitchen architecture, random background changes, excessive lens distortion, unreadable product geometry, fake plastic food textures, excessive camera shake, oversaturated grading, artificial CGI appearance, flickering light, exposure shifts, continuity resets, jumpy object positions, text artifacts, random labels, logos, watermarks, or unrelated products. 00:00–00:02.0 — OPENING PROBLEM / FAMILY MORNING RUSH. Begin with a dynamic 24mm wide establishing shot from approximately countertop height, looking diagonally across the kitchen while preserving a left-to-right spatial axis. The mother moves briskly toward the counter from frame-left as the two children wait near the breakfast area in the background, visibly eager and short on time. The father passes behind them preparing to leave. Morning sunlight streaks naturally through the frame-left window. The locked blender is already visible on the counter as the visual anchor, positioned prominently but naturally in the foreground-right. Use a smooth fast dolly-in toward the blender rather than a hard zoom. Small breakfast details suggest a busy school morning without cluttering the frame. Sound begins with subtle morning kitchen ambience, quick footsteps, a chair movement, and upbeat rhythmic music immediately establishing urgency. No spoken dialogue. 00:02.0–00:04.0 — INGREDIENT SPEED MONTAGE. Match-cut into a rapid sequence of three extremely concise food-preparation inserts totaling exactly two seconds. First, a 100mm macro close-up catches vivid strawberries and blueberries dropping into the clear pitcher, with realistic gravity, bounce, moisture, and fruit texture. Cut to banana pieces and mango chunks entering from above, maintaining the exact pitcher position and increasing fill level logically. Cut to a tight side insert as Greek yogurt, milk, and ice cubes enter last. Use crisp impact sounds synchronized with each ingredient: thump, splash, clink. Each insert changes visual information and advances the preparation; never repeat the same composition. Camera movement is minimal and precise so the speed comes primarily from editorial cutting. The blender remains OFF throughout these inserts. 00:04.0–00:05.2 — ONE-TOUCH ACTIVATION. Cut to an 85mm close-up from a low three-quarter front angle of the blender control panel. The mother’s right index finger enters naturally from frame-left and presses the illuminated circular control exactly once. Show believable fingertip compression against the control. The instant contact occurs, the control illumination brightens and the motor begins. Add a precise tactile click followed immediately by a confident rising electric motor sound. Use a subtle fast push-in timed to activation. The hand exits naturally; do not show multiple presses. 00:05.2–00:08.2 — POWER DEMONSTRATION / HERO BLENDING MOMENT. Cut to a dramatic but physically realistic 50mm close three-quarter view of the entire pitcher. The motor accelerates rapidly. Ice cubes and fruit initially tumble downward toward the stainless-steel blades, then form a powerful controlled vortex. Show the transformation continuously: recognizable strawberries, blueberries, banana, mango, yogurt, milk, and ice become progressively smaller and more integrated until the mixture turns into a completely smooth, thick pink-red smoothie. The action must communicate exceptional blending speed without supernatural physics. Condensation begins subtly on the outside of the pitcher. Tiny droplets and believable internal turbulence catch the frame-left morning light. During this three-second power demonstration, execute a controlled semicircular camera move of approximately 35 degrees around the front of the blender without crossing the established spatial axis. Begin slightly frame-left of the product and finish near frontal three-quarter. Maintain the blender base completely stable on the countertop with no unrealistic vibration or sliding. Use one brief 100mm macro insert lasting approximately 0.5 seconds to reveal the high-speed vortex and disappearing final fruit fragment, then return immediately to the matching three-quarter product angle. Sound design intensifies with a strong smooth motor whirr synchronized to the vortex, layered with the upbeat music. At approximately 00:07.6, the last visible fruit fragment disappears into the vortex. By 00:08.2 the mixture is visibly uniform, silky, and completely smooth. This transformation is the commercial’s core proof point: FAST BLENDING POWER. 00:08.2–00:09.5 — INSTANT RESULT. The motor stops cleanly. Cut to a 100mm macro beauty shot looking through the clear pitcher wall at the perfectly smooth smoothie surface settling from a gentle spiral into a glossy, uniform texture. A small central swirl collapses naturally. No chunks remain. Condensation beads on the exterior catch bright highlights. Use shallow depth of field while retaining enough pitcher edge detail to identify the product. Sound drops from the motor into a satisfying soft stop, followed by a subtle musical accent. A confident female voice-over begins: “Powerful blending…” 00:09.5–00:11.5 — POUR AND PROOF. Match the circular smoothie motion into a 50mm close-up of the mother tilting the same pitcher and pouring the thick smoothie into two clear family drinking glasses on the same countertop. The liquid forms a smooth continuous ribbon with realistic viscosity and no splashing errors. The pitcher’s remaining fill level decreases correctly. Camera tracks gently with the pour from left to right. The daughter and son appear softly out of focus beyond the glasses, watching with excited expressions. As the glasses fill, rack focus briefly from the flowing smoothie to the children’s delighted reaction. Voice-over completes: “…smooth results in seconds.” 00:11.5–00:13.0 — FAMILY PAYOFF. Cut to a warm 35mm medium shot at the breakfast counter. The two children each take one synchronized first sip from their filled glasses, then immediately exchange impressed smiles. The mother stands behind them with a relaxed satisfied expression while the father takes a filled travel cup and moves toward frame-right, suggesting the blender has saved valuable morning time. Keep performances natural rather than exaggerated. The blender remains visible in the background on its original counter position, recognizable and unchanged. Morning sunlight and the same warm neutral palette continue without variation. The music opens into a bright satisfying resolution. The daughter gives a quick authentic smile and says: “That was fast!” 00:13.0–00:15.0 — PRODUCT HERO / BRAND END FRAME. Use a clean visual match cut from the child’s smoothie glass to the locked blender standing alone in a polished hero composition on the SAME kitchen counter. Shoot on an 85mm lens at slightly below pitcher midpoint for a confident premium product perspective. The blender occupies the center-right of frame while a freshly poured smoothie glass, two strawberries, several blueberries, and one mango slice form a restrained ingredient arrangement in the lower foreground-left. These garnish ingredients are separate presentation ingredients introduced only for the hero composition and must not imply that previously blended ingredients have magically reappeared. Create a slow controlled 5% push-in during the final two seconds. Frame-left morning sunlight creates a clean edge highlight along the clear pitcher and matte-silver motor base. Maintain realistic reflections, exact product geometry, and crisp separation from the softly defocused kitchen background. At 00:13.3, introduce a clean broadcast-safe text overlay in the negative space on frame-left: “FAST BLENDING POWER” At 00:14.0, transition cleanly to the primary campaign line: “SMOOTH IN SECONDS.” Below it, smaller: “POWER FOR EVERY FAMILY MORNING.” Typography is modern, bold, minimal sans-serif, perfectly legible, horizontally aligned, broadcast-safe, with no distorted letters and no unnecessary graphical effects. Keep all typography outside the physical blender silhouette. Voice-over, confident and warm: “Fast power. Smooth mornings.” End exactly at 00:15.0 on a perfectly stable hero frame with the blender sharply resolved, smoothie glass visible, campaign line readable, music landing on a clean sonic logo accent. CAMERA AND EDITING RULES: Use motivated cuts whenever subject, visual information, camera position, action, or emotional emphasis changes. Maintain energetic medium-fast commercial pacing: wider contextual opening, rapid ingredient inserts, tactile activation close-up, high-energy blending demonstration, sensory result macro, fluid pouring shot, human reaction payoff, then a slower premium hero landing. Preserve the established 180-degree axis throughout. No camera crosses the axis unless visibly motivated, and no silent changes in object placement occur between cuts. Maintain consistent camera height for matching shot types. Screen direction remains left-to-right for preparation and family movement. Every shot must introduce new action, information, perspective, reaction, or product proof. AUDIO DESIGN: Begin with subtle morning kitchen ambience under upbeat modern percussive music. Synchronize fruit impacts, ice clinks, control click, motor acceleration, vortex intensity, motor stop, smoothie pour, drinking sounds, and final sonic logo precisely to picture. The blender motor must sound powerful but refined rather than harsh. Duck music naturally beneath the voice-over and daughter’s dialogue. No audio clipping or abrupt ambience resets between cuts. VISUAL COLOR SYSTEM: warm off-white, pale natural oak, matte silver, fresh strawberry red, blueberry blue, mango golden-yellow, and creamy smoothie pink-red. Preserve natural skin tones and realistic food saturation. Use a premium contemporary commercial grade with moderate contrast, soft highlight roll-off, clean whites, controlled blacks, and no teal-orange exaggeration. MOVEMENT AND PHYSICS: All hands interact correctly with objects. Ingredients obey gravity. Liquid volume remains continuous. The pitcher fill level increases when ingredients are added, decreases when smoothie is poured, and never resets between shots. The blender stays physically planted on the counter during operation. The motor vortex follows plausible fluid dynamics. Hair, clothing, reflections, condensation, shadows, and liquid motion react naturally. Maintain strict character consistency, product consistency, object permanence, environment continuity, lighting continuity, and forward-only time progression across the full sequence. Render the final commercial at 24 fps, 16:9 broadcast aspect ratio, UHD 3840×2160 resolution, high-bitrate cinematic master quality, natural 180-degree shutter motion blur, realistic cinema-lens behavior, subtle fine sensor texture, clean compression, no visible digital artifacts, no temporal flicker, no frame interpolation artifacts, and photorealistic high-end commercial rendering. Preserve sharp product edges and legible end-frame typography while allowing natural depth-of-field falloff. The entire finished sequence must be EXACTLY 15 seconds long. Do not extend or shorten any beat. The central visual message must be immediately understandable without dialogue: a busy family morning becomes easier because this family blender turns whole ingredients and ice into a perfectly smooth drink with exceptional speed. The emotional progression is urgency → activation → power → instant proof → family satisfaction → premium product promise. Final audience takeaway: FAST BLENDING POWER. SMOOTH IN SECONDS.

Gumvue Studio

15,847 次观看 • 8 天前

I would be angry about the Virginia redistricting, but let’s be real, the Republicans are basically Democrats and only serve to attack America Only people like Massie. That anger I could feel would just be wasted energy. Why should we even care the Democrats are redistricting? What have the Republicans done for us? Why should we protect the Republicans? Not a single penny of what DOGE found to be fraudulent or redundant was removed from the budget. They’ve squandered every single minute of this last year trying to protect Epstein clients and attacking “America Only.” Mike Johnson even shut the House down for like three months to slow the Discharge Petition that would reveal all the Epstein Files. This past year has been nothing but cowering down to Israel and the Democrats and printing even more money. They let the Hearing Protection Act and SHORT Act be “Byrd Bath’d” (declared improper through parliamentary rules and removed) out of the Trump Omnibus bill by an Obama appointed parliamentarian. Said parliamentarian still has a job by the way. Here in Virginia, we can’t even get Morgan Griffith to sign on to the Constitutional Carry bill Massie submitted. What would be different in any meaningful way if the Democrats were to be allowed to gerrymander everything to the extreme? They’re mostly useless and only occasionally will throw us a crumb. They’re basically just Democrats that only want to turn things 🌈💩 a little slower. I’m sorry my friends, but I don’t see a political solution to any of this. We’re not voting our way to a better government. As much as I love my fellow Libertarians, the Libertarian Party has its head so far up its own 🍑 that they can smell yesterday’s breakfast before it stinks. Fund raising is nonexistent. What money is raised is wasted on frivolous lawsuits. This system is going to collapse and we’re going to have to rebuild the country when it does. Use every single second until that happens in preparing for the storm, and just refuse to comply with tyrannical laws. Make them come and take your guns out of your cold dead hands. Are you ready to thrive in a world where we are no longer one country? For extreme Balkanization where towns compete over limited local resources? Where millions pour out of the cities like World War Z taking everything they can find? Prepare ways to feed yourself and your family. Prepare for how to defend your property from marauders and thieves who are NOT preparing now. Spread out where you store your supplies so that they can’t all be lost if one location falls into enemy hands. Make sure they’re not written down anywhere and are memorized by your family. Learn your neighbors names, their skills, their background. Stop being fat. Get in shape. Buy ammo and more guns. Study survival. We’re going to have to rebuild this world. And it’s time we start acting like it because time is running out. Republicans will betray you and find any reason to cave on defending your rights 100 times out of 100. We must appeal to Heaven. Ave Christus Rex.
0:13

I would be angry about the Virginia redistricting, but let’s be real, the Republicans are basically Democrats and only serve to attack America Only people like Massie. That anger I could feel would just be wasted energy. Why should we even care the Democrats are redistricting? What have the Republicans done for us? Why should we protect the Republicans? Not a single penny of what DOGE found to be fraudulent or redundant was removed from the budget. They’ve squandered every single minute of this last year trying to protect Epstein clients and attacking “America Only.” Mike Johnson even shut the House down for like three months to slow the Discharge Petition that would reveal all the Epstein Files. This past year has been nothing but cowering down to Israel and the Democrats and printing even more money. They let the Hearing Protection Act and SHORT Act be “Byrd Bath’d” (declared improper through parliamentary rules and removed) out of the Trump Omnibus bill by an Obama appointed parliamentarian. Said parliamentarian still has a job by the way. Here in Virginia, we can’t even get Morgan Griffith to sign on to the Constitutional Carry bill Massie submitted. What would be different in any meaningful way if the Democrats were to be allowed to gerrymander everything to the extreme? They’re mostly useless and only occasionally will throw us a crumb. They’re basically just Democrats that only want to turn things 🌈💩 a little slower. I’m sorry my friends, but I don’t see a political solution to any of this. We’re not voting our way to a better government. As much as I love my fellow Libertarians, the Libertarian Party has its head so far up its own 🍑 that they can smell yesterday’s breakfast before it stinks. Fund raising is nonexistent. What money is raised is wasted on frivolous lawsuits. This system is going to collapse and we’re going to have to rebuild the country when it does. Use every single second until that happens in preparing for the storm, and just refuse to comply with tyrannical laws. Make them come and take your guns out of your cold dead hands. Are you ready to thrive in a world where we are no longer one country? For extreme Balkanization where towns compete over limited local resources? Where millions pour out of the cities like World War Z taking everything they can find? Prepare ways to feed yourself and your family. Prepare for how to defend your property from marauders and thieves who are NOT preparing now. Spread out where you store your supplies so that they can’t all be lost if one location falls into enemy hands. Make sure they’re not written down anywhere and are memorized by your family. Learn your neighbors names, their skills, their background. Stop being fat. Get in shape. Buy ammo and more guns. Study survival. We’re going to have to rebuild this world. And it’s time we start acting like it because time is running out. Republicans will betray you and find any reason to cave on defending your rights 100 times out of 100. We must appeal to Heaven. Ave Christus Rex.

Appalachian Liberty

40,107 次观看 • 5 个月前

First of all, before anything else congratulations to our stars 🥰 What happened at Paris Fashion Week FW26 is HUGE, and there is nothing more to say except that we are incredibly proud. According to the SOV analysis from Onclusive, Lingling Kwong ranked #1 with 31.8% Share of Voice, and Orm Kornnaphat ranked #2 with 24.6% among 234 global celebrities tracked. "This means the two most talked-about personalities of the entire fashion week were both Thai actresses attending the Dior show" Even more importantly, the data shows something bigger: Their combined presence generated more than 56% of the celebrity conversation around Christian Dior. It is important to clarify something here: This result is based on SOV (Share of Voice) calculated by Onclusive. SOV is different from MIV and EMV, and it is also different from the SOV metrics used inside some MIV based reports. - SOV measures conversation dominance how much people talk about someone. - MIV/EMV measure the media value of exposure. So the methodology is not the same. And here We Go : 1) About the map shown in the article Under the visualization, the article clearly states: “The map of social media influence around the Dior brand: fan groups rallying around ambassadors, faces and attendees such as Lingling Kwong, Orm Kornnaphat, Jisoo (Blackpink), Anya Taylor-Joy, and Hyunjin (Stray Kids).” What does that mean? The map shows how fan communities and media conversations connected around Dior during Paris Fashion Week. Some accounts appear closer to Lingling Kwong or Orm Kornnaphat? yes and No ... The map is not centered on Lingling or Orm. It is centered on Dior. (Of course Dior isn’t connected to Lingling alone. You can clearly see that the Dior account is positioned around Lingling icon it's mean under Lingling kwong posts or under Dior Post fans position dior a more than under Orm posts and position lingling and dior more ) As for Tagtrend and LingormBh AND lingling Th or orm cn or orm th here they are not mean are around Lingling kwong or orm kornnaphat here they are around diorr !!!! Another proof , Under OrmKornnaphatCN, you can see something like: Influence degree: 456 This means that this account had 456 connection links in the conversation network around Dior during Paris Fashion Week FW26. These links can come from: people reposting its posts people mentioning that account the account mentioning others reply conversations posts being quoted or shared So the system detected 456 interaction connections linked to that account within the conversation network used in the analysis. This does not mean these interactions are about Orm alone. They are connections inside the discussion network related to Dior during Paris Fashion Week where Orm Kornnaphat appears in the conversation. It also does not mean that Orm CN or any other official fan page did not work hard. The map here is simply showing how conversations connect around Dior, not measuring how much each fanbase supports their star. The visualization is not centered on Lingling or Orm individually. It is centered on Dior, showing how different fan communities and media conversations interacted around the brand during Paris Fashion Week FW26. You can clearly see that even smaller accounts with relatively few followers appear in the map. Why? Because they replied, quoted, reposted, or participated in conversations related to Dior, which creates connections inside the network. OR even ch3 they only post one image saying congratulation for dior and lingorm The visualization simply shows how different communities amplified the Dior discussion through the celebrities attending the show 2) Now About hashtags and SOV The article clearly states: “Hashtags represent only a portion of the data used in calculating SOV.” It also explains that the top-25 hashtag chart shown in the article is only an extract from 281 hashtags analyzed during Paris Fashion Week. So hashtags are not the main calculation method for SOV. SOV is based on mentions across the entire media ecosystem. For example, imagine the system tracked 10,000 total celebrity mentions during Paris Fashion Week FW26. If Lingling Kwong was mentioned 3,180 times: 3180 ÷ 10000 × 100 = 31.8% SOV If Orm Kornnaphat was mentioned 2,460 times: 2460 ÷ 10000 × 100 = 24.6% SOV Mentions counted in SOV include: Social media posts X (Twitter) with full Firehose access ( Very Important) Instagram TikTok YouTube Reddit Weibo WeChat Naver Online forums and magazines blog posts captions and text mentions (not only hashtags) For example, all of these count as mentions: Post 1 #LinglingKwong at Dior FW26 Post 2 Orm kornnaphat at the Dior show today (no hashtag) Post 3 ( mentions) @ lingling kwong and @ ormkornnaphat looked stunning at Dior All three contribute to the conversation around Christian Dior at Paris Fashion Week. This is why the article states clearly that hashtags represent only part of the data used in calculating SOV. so if you use #diorxCelebrity or #celebrity is ranking under one SOV for this celebrity but in this article they are talking about brand x celebrity # and how much is important now to include celebrity name to make the brand more stronger ( this is the main idea ) The most important point Instead of worrying about differences between charts, we should step back and look at the bigger picture. Two Thai actresses attended one show at Paris Fashion Week and they became the two most talked-about celebrities of the entire event. That is extraordinary. And it proves something very clearly: The global fashion conversation now recognizes the power of Lingling Kwong and Orm Kornnaphat, and the incredible strength of their fan communities. 3) Now the focus moves to MIV We still have a few days, and now that these results are public, more media outlets and magazines will continue to write about them. So our focus now should be MIV, which measures the media impact value of posts and coverage. For MIV: Engagement under posts matters Likes and Comments are important interactions under magazine posts are important conversations across platforms contribute to impact. On X, hashtags help grouping and tracking. On Instagram and TikTok, keywords and names inside captions and comments are also very important. On weibo keyword are the most important So let’s work smart and strategically. Because this is only the beginning of proving to the world the power of our stars: Lingling Kwong and Orm Kornnaphat. ✨ LINGORM BA DIOR AT PFW26 #LingOrmDiorAW26 #หลิงออม #LingOrm #หลิงหลิงคอง #LinglingKwong #ออมกรณ์นภัส #OrmKornnaphat #DiorAW26 #DIOR
0:15

First of all, before anything else congratulations to our stars 🥰 What happened at Paris Fashion Week FW26 is HUGE, and there is nothing more to say except that we are incredibly proud. According to the SOV analysis from Onclusive, Lingling Kwong ranked #1 with 31.8% Share of Voice, and Orm Kornnaphat ranked #2 with 24.6% among 234 global celebrities tracked. "This means the two most talked-about personalities of the entire fashion week were both Thai actresses attending the Dior show" Even more importantly, the data shows something bigger: Their combined presence generated more than 56% of the celebrity conversation around Christian Dior. It is important to clarify something here: This result is based on SOV (Share of Voice) calculated by Onclusive. SOV is different from MIV and EMV, and it is also different from the SOV metrics used inside some MIV based reports. - SOV measures conversation dominance how much people talk about someone. - MIV/EMV measure the media value of exposure. So the methodology is not the same. And here We Go : 1) About the map shown in the article Under the visualization, the article clearly states: “The map of social media influence around the Dior brand: fan groups rallying around ambassadors, faces and attendees such as Lingling Kwong, Orm Kornnaphat, Jisoo (Blackpink), Anya Taylor-Joy, and Hyunjin (Stray Kids).” What does that mean? The map shows how fan communities and media conversations connected around Dior during Paris Fashion Week. Some accounts appear closer to Lingling Kwong or Orm Kornnaphat? yes and No ... The map is not centered on Lingling or Orm. It is centered on Dior. (Of course Dior isn’t connected to Lingling alone. You can clearly see that the Dior account is positioned around Lingling icon it's mean under Lingling kwong posts or under Dior Post fans position dior a more than under Orm posts and position lingling and dior more ) As for Tagtrend and LingormBh AND lingling Th or orm cn or orm th here they are not mean are around Lingling kwong or orm kornnaphat here they are around diorr !!!! Another proof , Under OrmKornnaphatCN, you can see something like: Influence degree: 456 This means that this account had 456 connection links in the conversation network around Dior during Paris Fashion Week FW26. These links can come from: people reposting its posts people mentioning that account the account mentioning others reply conversations posts being quoted or shared So the system detected 456 interaction connections linked to that account within the conversation network used in the analysis. This does not mean these interactions are about Orm alone. They are connections inside the discussion network related to Dior during Paris Fashion Week where Orm Kornnaphat appears in the conversation. It also does not mean that Orm CN or any other official fan page did not work hard. The map here is simply showing how conversations connect around Dior, not measuring how much each fanbase supports their star. The visualization is not centered on Lingling or Orm individually. It is centered on Dior, showing how different fan communities and media conversations interacted around the brand during Paris Fashion Week FW26. You can clearly see that even smaller accounts with relatively few followers appear in the map. Why? Because they replied, quoted, reposted, or participated in conversations related to Dior, which creates connections inside the network. OR even ch3 they only post one image saying congratulation for dior and lingorm The visualization simply shows how different communities amplified the Dior discussion through the celebrities attending the show 2) Now About hashtags and SOV The article clearly states: “Hashtags represent only a portion of the data used in calculating SOV.” It also explains that the top-25 hashtag chart shown in the article is only an extract from 281 hashtags analyzed during Paris Fashion Week. So hashtags are not the main calculation method for SOV. SOV is based on mentions across the entire media ecosystem. For example, imagine the system tracked 10,000 total celebrity mentions during Paris Fashion Week FW26. If Lingling Kwong was mentioned 3,180 times: 3180 ÷ 10000 × 100 = 31.8% SOV If Orm Kornnaphat was mentioned 2,460 times: 2460 ÷ 10000 × 100 = 24.6% SOV Mentions counted in SOV include: Social media posts X (Twitter) with full Firehose access ( Very Important) Instagram TikTok YouTube Reddit Weibo WeChat Naver Online forums and magazines blog posts captions and text mentions (not only hashtags) For example, all of these count as mentions: Post 1 #LinglingKwong at Dior FW26 Post 2 Orm kornnaphat at the Dior show today (no hashtag) Post 3 ( mentions) @ lingling kwong and @ ormkornnaphat looked stunning at Dior All three contribute to the conversation around Christian Dior at Paris Fashion Week. This is why the article states clearly that hashtags represent only part of the data used in calculating SOV. so if you use #diorxCelebrity or #celebrity is ranking under one SOV for this celebrity but in this article they are talking about brand x celebrity # and how much is important now to include celebrity name to make the brand more stronger ( this is the main idea ) The most important point Instead of worrying about differences between charts, we should step back and look at the bigger picture. Two Thai actresses attended one show at Paris Fashion Week and they became the two most talked-about celebrities of the entire event. That is extraordinary. And it proves something very clearly: The global fashion conversation now recognizes the power of Lingling Kwong and Orm Kornnaphat, and the incredible strength of their fan communities. 3) Now the focus moves to MIV We still have a few days, and now that these results are public, more media outlets and magazines will continue to write about them. So our focus now should be MIV, which measures the media impact value of posts and coverage. For MIV: Engagement under posts matters Likes and Comments are important interactions under magazine posts are important conversations across platforms contribute to impact. On X, hashtags help grouping and tracking. On Instagram and TikTok, keywords and names inside captions and comments are also very important. On weibo keyword are the most important So let’s work smart and strategically. Because this is only the beginning of proving to the world the power of our stars: Lingling Kwong and Orm Kornnaphat. ✨ LINGORM BA DIOR AT PFW26 #LingOrmDiorAW26 #หลิงออม #LingOrm #หลิงหลิงคอง #LinglingKwong #ออมกรณ์นภัส #OrmKornnaphat #DiorAW26 #DIOR

justine debs

38,956 次观看 • 4 个月前