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Split screen for the Motown routine 📺 From creation day with Jess Khan-Lee to full-blown performance by JB Gill & Lauren Oakley 😍 We had the best time working with these legends and loved to have been given a Motown theme to really get into those grooves 🕺🏽 #StrictlyFinal

18,131 görüntüleme • 1 yıl önce •via X (Twitter)

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David Pierrie 🗿✈️🌐🚀 profil fotoğrafı
David Pierrie 🗿✈️🌐🚀1 yıl önce

@jesskhanlee Love your work 👍👍

Nibbles and Bubbles profil fotoğrafı
Nibbles and Bubbles1 yıl önce

@jesskhanlee Brilliant routine! I always love the dances you choreograph on Strictly and it’s fascinating to see the split screen versions.

lisa williams profil fotoğrafı
lisa williams1 yıl önce

@jesskhanlee Absolutely brilliant routine!

netleybeach profil fotoğrafı
netleybeach1 yıl önce

@jesskhanlee Can you explain when you choreography or when the pros do it?

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Remy Shand emerged on to the scene in 2002 with his debut album 'The Way I Feel', a potent canon of songs inspired by classic Motown and Memphis soul. Primarily home-schooled in his native Winnipeg, Shand began raiding his parents record collection at an early age -- soaking up a wide range of jazz, soul, and R&B, with Marvin Gaye's classic Here, My Dear having a profound influence on his musical direction. Dropping out of high school to study and pursue music full-time, Shand played as a session musician and was a member of various experimental groups until he decided to focus a solo career. In 1998, he began to write and record the songs that would later become The Way I Feel. Three years later he was signed to Motown Records and the album saw the light of day in early 2002. The record met critical and underground success and received four Grammy nominations, including one for best R&B album. Shand now leads a quiet life out of the public eye and has transitioned into electrical engineering, stating: "Motown was one of the few studios that built their own gear. I think that inspired me to become more than just an entertainer. Modern music has always been dictated by technological advancements intertwined with cultural movements. Song and dance have been around for ages and I would like to encourage more artists to evolve beyond that cycle, separate themselves from the pageantry, and get heavy with the recording arts and sciences. It’s time to step into the future and innovate."

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