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spoiled brat shane hollander getting his back blown out by mechanic ilya rozanov… blue collar ilya taking that posh boy’s virginity like nothing #hollanovnsfw #hollanov #nsfw

SASHA 🔞

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80,724 views • 2 months ago •via X (Twitter)

NSFW #hollanovnsfw #hollanov #nsfw

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Oh nothing just thinking about in ep4 Ilya holding his hand out begging Shane to stay and him walking out. Then in ep5 Shane offering his hand to Ilya in the hospital and him immediately taking it 😭

Oh nothing just thinking about in ep4 Ilya holding his hand out begging Shane to stay and him walking out. Then in ep5 Shane offering his hand to Ilya in the hospital and him immediately taking it 😭

💯Gallavich~Hollanov Geek || (she || her || hers)

29,596 views • 5 months ago

Oh nothing just thinking about in ep4 Ilya holding his hand out begging Shane to stay and him walking out. Then in ep5 Shane offering his hand to Ilya in the hospital and him immediately taking it 😭

Oh nothing just thinking about in ep4 Ilya holding his hand out begging Shane to stay and him walking out. Then in ep5 Shane offering his hand to Ilya in the hospital and him immediately taking it 😭

✰ orxmc 🏒 ✰ (Hollanov’s Version) ✰

221,341 views • 5 months ago

"Ilya seems like very confident, very controlling but he's actually a deeply empathetic & kind lover. That's part of his character, that's a reveal about Ilya, he might not want you to think that but he's a really good guy. Part of that reflects in that, he wants Shane to enjoy this too. He's not looking for selfish s*x, he's looking for a connection. They both looking for a connection." THIS IS WHO ILYA IS RIGHT HERE!!! Thank you Jacob for saying it out loud👏 (especially for people who didn't read the book yet and don't understand AT ALL where he comes from) He is such a caring boy❤️ #ilyarozanov #heatedrivalry

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"Ilya seems like very confident, very controlling but he's actually a deeply empathetic & kind lover. That's part of his character, that's a reveal about Ilya, he might not want you to think that but he's a really good guy. Part of that reflects in that, he wants Shane to enjoy this too. He's not looking for selfish s*x, he's looking for a connection. They both looking for a connection." THIS IS WHO ILYA IS RIGHT HERE!!! Thank you Jacob for saying it out loud👏 (especially for people who didn't read the book yet and don't understand AT ALL where he comes from) He is such a caring boy❤️ #ilyarozanov #heatedrivalry

Sab✨💚

114,384 views • 8 months ago

the camera being in a tight close up on both ilya and shane for the entirety of this scene, except for the moment when ilya is working up the courage to say he’s in love. it’s like for the whole conversation it’s just the two of them, there’s nobody else who matters, and then for a brief moment the shot widens as ilya considers the implications of the fact he’s in love with shane. the fact that the rest of the world DOES matter and will always be a presence in their relationship. we’ve been held in this moment between the two of them and by widening the shot, that intimacy is broken just for a second as we’re reminded that there is a world beyond the two of them and ilya is still in russia. what he’s doing is incredibly dangerous. then the camera tightens back into a close up as he realises he needs to say it anyway because all that matters is that he’s on the phone with shane and he’s in love with him. it really is just the two of them in this moment and he doesn’t want to let anyone else in.

the camera being in a tight close up on both ilya and shane for the entirety of this scene, except for the moment when ilya is working up the courage to say he’s in love. it’s like for the whole conversation it’s just the two of them, there’s nobody else who matters, and then for a brief moment the shot widens as ilya considers the implications of the fact he’s in love with shane. the fact that the rest of the world DOES matter and will always be a presence in their relationship. we’ve been held in this moment between the two of them and by widening the shot, that intimacy is broken just for a second as we’re reminded that there is a world beyond the two of them and ilya is still in russia. what he’s doing is incredibly dangerous. then the camera tightens back into a close up as he realises he needs to say it anyway because all that matters is that he’s on the phone with shane and he’s in love with him. it really is just the two of them in this moment and he doesn’t want to let anyone else in.

frances 🏒

294,736 views • 8 months ago

Jacob Tierney talks about “boring” and “fuck you” meaning “I love you” for Shane and Ilya. 'A really good friend of mine—a person who reads my scripts who's a brilliant novelist named Rainbow Rowell—she read the first episode and she said to me… “just remember that every ‘fuck you’ is ‘I love you,’ and maybe you're saying ‘fuck you’ too many times.” And I was like oh, that's such a good call. That's a great call. Because it was just a reminder of all of the things they say to each other that are not ‘I love you’ and that are not— Boring, you know, when Ilya calls Shane boring, he's saying he's in love with him. And he's not boring, [Ilya] is endlessly fascinated by Shane. And the only way he can communicate that is by making fun of him and calling him boring, because anything else would rip his soul out through his face. Like that's the idea, and so even the words we use to obfuscate matter, you know?' (via live Q&A with Stage 32 on March 24, 2026)

Jacob Tierney talks about “boring” and “fuck you” meaning “I love you” for Shane and Ilya. 'A really good friend of mine—a person who reads my scripts who's a brilliant novelist named Rainbow Rowell—she read the first episode and she said to me… “just remember that every ‘fuck you’ is ‘I love you,’ and maybe you're saying ‘fuck you’ too many times.” And I was like oh, that's such a good call. That's a great call. Because it was just a reminder of all of the things they say to each other that are not ‘I love you’ and that are not— Boring, you know, when Ilya calls Shane boring, he's saying he's in love with him. And he's not boring, [Ilya] is endlessly fascinated by Shane. And the only way he can communicate that is by making fun of him and calling him boring, because anything else would rip his soul out through his face. Like that's the idea, and so even the words we use to obfuscate matter, you know?' (via live Q&A with Stage 32 on March 24, 2026)

Heated Rivalry News

1,483,793 views • 4 months ago

I'd like to say a few more words about Shane, because whenever people talk about him, the first thing that usually comes up is that he's autistic. But if there's one thing Heated Rivalry makes clear, it's that Shane is so much more than that. Yes, autism is part of who he is - it shapes his sensitivity and influences some of his reactions and behaviors - but it doesn't define him. Shane is complex, multi-layered, and authentic. First and foremost, Shane is a successful athlete, a beloved son, a loyal friend, and a young man questioning his own identity, fighting to find the courage to be himself. He's competitive and introverted, sometimes awkward in social situations, yet gifted with an emotional intelligence that's rare. Just look at how he notices when Ilya is struggling, or how his care for him comes through even without words. For Shane, loving someone means understanding what they're feeling, even when they can't put it into words. That's why he asks Ilya to speak in Russian, though he knows he won't understand the language. What matters isn't the literal meaning, but the sense of emotional safety that moment creates. Words matter, of course, but for Shane, what matters even more is what words can offer: a pause, a connection, a chance for honesty. Shane is also stubborn and determined, capable of dreaming big and brave enough to face his fears, one step at a time. That's why I believe we can never reduce a person's complexity to a single word. Shane's autism isn't an obstacle to overcome, nor a dramatic burden put on display. It's simply one of the many shades that make him who he is, alongside his passion for hockey, his love of reading, his shyness, and his ability to let life surprise him. Maybe the most beautiful thing about Shane Hollander is this: he's not meant to be a symbol, a lesson, or an example. He's a guy who feels deeply, who needs order to stay grounded, and who loves with his whole heart. Watching him grow, make mistakes, fall in love, stumble, and get back up again is a precious reminder that being autistic is just one part of a person. But being Shane - with all his uniqueness and courage - is something truly special. And I believe that's true for all of us.

I'd like to say a few more words about Shane, because whenever people talk about him, the first thing that usually comes up is that he's autistic. But if there's one thing Heated Rivalry makes clear, it's that Shane is so much more than that. Yes, autism is part of who he is - it shapes his sensitivity and influences some of his reactions and behaviors - but it doesn't define him. Shane is complex, multi-layered, and authentic. First and foremost, Shane is a successful athlete, a beloved son, a loyal friend, and a young man questioning his own identity, fighting to find the courage to be himself. He's competitive and introverted, sometimes awkward in social situations, yet gifted with an emotional intelligence that's rare. Just look at how he notices when Ilya is struggling, or how his care for him comes through even without words. For Shane, loving someone means understanding what they're feeling, even when they can't put it into words. That's why he asks Ilya to speak in Russian, though he knows he won't understand the language. What matters isn't the literal meaning, but the sense of emotional safety that moment creates. Words matter, of course, but for Shane, what matters even more is what words can offer: a pause, a connection, a chance for honesty. Shane is also stubborn and determined, capable of dreaming big and brave enough to face his fears, one step at a time. That's why I believe we can never reduce a person's complexity to a single word. Shane's autism isn't an obstacle to overcome, nor a dramatic burden put on display. It's simply one of the many shades that make him who he is, alongside his passion for hockey, his love of reading, his shyness, and his ability to let life surprise him. Maybe the most beautiful thing about Shane Hollander is this: he's not meant to be a symbol, a lesson, or an example. He's a guy who feels deeply, who needs order to stay grounded, and who loves with his whole heart. Watching him grow, make mistakes, fall in love, stumble, and get back up again is a precious reminder that being autistic is just one part of a person. But being Shane - with all his uniqueness and courage - is something truly special. And I believe that's true for all of us.

Daph in Drama

152,608 views • 8 months ago

i’ve deffo spoken about this before but it was immediately after the ep and now after a million rewatches it’s still lowkey one of my favourite details so i’m gonna talk about tuna melts again so in filmmaking there’s this “rule” where essentially there’s an invisible line across the space of a scene that the camera shouldn’t cross (to avoid confusing the audience or mixing up the perspectives). when the 180 degree rule is broken, it’s usually done intentionally for a particular purpose or effect. in the tuna melt scene, the camera keeps breaking the 180 degree rule every time there’s a moment of vulnerability - only to be snapped back to the “correct” side each time as shane retreats and puts his walls back up. we switch perspectives when they say each others names for the first time, only to be pulled right back to the other perspective when shane starts to panic. we switch again when ilya says “hollander” to try and convince him to stay, and then back over to the “correct” side when we see shane leaving. (it doesn’t technically break the rule here because of where shane is standing the “line” would technically be behind him, but that would’ve been a really weird shot so imo the point still stands) its really effective and i think the scene is filmed that way to be intentionally jarring. it really shows how every moment of vulnerability is met with an equal amount of resistance from shane. he wasn’t ready to be truly vulnerable with ilya yet. as much as he wants to let go and allow himself this, each crack in ilya’s armour is a reminder to shane to put up another wall and protect himself.

i’ve deffo spoken about this before but it was immediately after the ep and now after a million rewatches it’s still lowkey one of my favourite details so i’m gonna talk about tuna melts again so in filmmaking there’s this “rule” where essentially there’s an invisible line across the space of a scene that the camera shouldn’t cross (to avoid confusing the audience or mixing up the perspectives). when the 180 degree rule is broken, it’s usually done intentionally for a particular purpose or effect. in the tuna melt scene, the camera keeps breaking the 180 degree rule every time there’s a moment of vulnerability - only to be snapped back to the “correct” side each time as shane retreats and puts his walls back up. we switch perspectives when they say each others names for the first time, only to be pulled right back to the other perspective when shane starts to panic. we switch again when ilya says “hollander” to try and convince him to stay, and then back over to the “correct” side when we see shane leaving. (it doesn’t technically break the rule here because of where shane is standing the “line” would technically be behind him, but that would’ve been a really weird shot so imo the point still stands) its really effective and i think the scene is filmed that way to be intentionally jarring. it really shows how every moment of vulnerability is met with an equal amount of resistance from shane. he wasn’t ready to be truly vulnerable with ilya yet. as much as he wants to let go and allow himself this, each crack in ilya’s armour is a reminder to shane to put up another wall and protect himself.

frances 🏒

18,352 views • 5 months ago

Steve on getting screwed by NELK: “I paid $500K for nothing” “I took out a $500K loan for crypto, thinking I’d own 20% of Nelk. It sounded pretty cool. Then YouTube got deleted, crypto crashed, and I didn’t even have the 20%. I had no money” “It’s like you’re paying $500K for nothing. I spent $500K and got nothing, no benefits, nothing at all. I got fed up. Years later, I said I want my $500K back. I got nothing. And when I wanted it back, it was bullshit. I had to freak out and threaten to post on the internet, and it’s like, ‘Oh, Steve’s a crash out’” “It wasn’t like they were saying, ‘Oh, we’re sorry for taking your money and giving you nothing, we’re gonna give you interest.’ No. We had to demand the interest. It’s not like you guys wanted to give it to me”

Steve on getting screwed by NELK: “I paid $500K for nothing” “I took out a $500K loan for crypto, thinking I’d own 20% of Nelk. It sounded pretty cool. Then YouTube got deleted, crypto crashed, and I didn’t even have the 20%. I had no money” “It’s like you’re paying $500K for nothing. I spent $500K and got nothing, no benefits, nothing at all. I got fed up. Years later, I said I want my $500K back. I got nothing. And when I wanted it back, it was bullshit. I had to freak out and threaten to post on the internet, and it’s like, ‘Oh, Steve’s a crash out’” “It wasn’t like they were saying, ‘Oh, we’re sorry for taking your money and giving you nothing, we’re gonna give you interest.’ No. We had to demand the interest. It’s not like you guys wanted to give it to me”

Mikli

1,694,471 views • 4 months ago

$I always miss details on my first pass over videos. Candace Owens rear tent video had some details that are hard to explain away. Just like Cub Keller video, the rear tent angle captures faint grey gas escaping from underneath the shirt collar. A frame before the necklace is blown up and over his head and shrapnel is sent across his chest the gas is seen escaping. The necklace trajectory and the gas can't be explained by a rifle impact. We are dealing with a high energy event that originated from underneath Charlie's shirt, nothing else can explain the phenomenon we witnessed. The gas is escaping to the same side that the circuit board and battery later travel. The first expanding gas fractures the RØDE case and later sends the shrapnel across his chest into his neck and shirt collar.$

I always miss details on my first pass over videos. Candace Owens rear tent video had some details that are hard to explain away. Just like Cub Keller video, the rear tent angle captures faint grey gas escaping from underneath the shirt collar. A frame before the necklace is blown up and over his head and shrapnel is sent across his chest the gas is seen escaping. The necklace trajectory and the gas can't be explained by a rifle impact. We are dealing with a high energy event that originated from underneath Charlie's shirt, nothing else can explain the phenomenon we witnessed. The gas is escaping to the same side that the circuit board and battery later travel. The first expanding gas fractures the RØDE case and later sends the shrapnel across his chest into his neck and shirt collar.

Jon Bray

49,084 views • 3 months ago

I remember Mom and Dad loading us up, then heading out to wherever we were camping that weekend. Once we got there, that old 1970 Sears canvas tent camper came to life. Watching them set it up was part of the whole experience, unfolding it, pulling that thick canvas tight, making something solid out of what looked like almost nothing. Looking back, it wasn't just about getting away, it was about building something together, right there at the campsite. Piece by piece, just like those memories. 💛

I remember Mom and Dad loading us up, then heading out to wherever we were camping that weekend. Once we got there, that old 1970 Sears canvas tent camper came to life. Watching them set it up was part of the whole experience, unfolding it, pulling that thick canvas tight, making something solid out of what looked like almost nothing. Looking back, it wasn't just about getting away, it was about building something together, right there at the campsite. Piece by piece, just like those memories. 💛

G-MA & G-PA

436,691 views • 2 months ago

Blueface is going in on T.I.'s song King Harris for being weirded out by Blue agreeing that King looks like the rapper's new girlfriend. On Thursday (Dec. 25), Blueface and one of his current girlfriends, Nevaeh Akira, went live on Twitch. During the session, someone in the chat said Nevaeh resembles King Harris. "Baby, you kinda do a little bit," Blue agreed. On Friday (Dec. 26), King got wind of the post and shared his thoughts in a video on social media. "I'm less mad, more like weirded out," Kings said after instructing Blue not to compare his lady to a man. In response, Blueface began calling King's manliness into question. "King Harris you look like my bi**h bro get over it there’s nothing manly about you lil bro please don’t make it weird," Blue posted on X. "King Harris is my type of bi**h." Blue continued to taunt King in videos on Blue's Instagram Story.

Blueface is going in on T.I.'s song King Harris for being weirded out by Blue agreeing that King looks like the rapper's new girlfriend. On Thursday (Dec. 25), Blueface and one of his current girlfriends, Nevaeh Akira, went live on Twitch. During the session, someone in the chat said Nevaeh resembles King Harris. "Baby, you kinda do a little bit," Blue agreed. On Friday (Dec. 26), King got wind of the post and shared his thoughts in a video on social media. "I'm less mad, more like weirded out," Kings said after instructing Blue not to compare his lady to a man. In response, Blueface began calling King's manliness into question. "King Harris you look like my bih bro get over it there’s nothing manly about you lil bro please don’t make it weird," Blue posted on X. "King Harris is my type of bih." Blue continued to taunt King in videos on Blue's Instagram Story.

XXL Magazine

115,107 views • 7 months ago

Adam Thomas just WON I’m A Celeb… but now he might be DONE with ITV?! 👀 After that chaotic final, Adam came out saying he felt “exploited” by ITV, while his brothers called the show “toxic” and “cut-throat.” 😬 Now there are rumours they could be getting BLACKLISTED… but ITV is denying everything 👀 This whole situation is messy… because how do you win the show and STILL come out like this?! 😭 Do you think ITV did him dirty or is this just blown out of proportion? 👇

Adam Thomas just WON I’m A Celeb… but now he might be DONE with ITV?! 👀 After that chaotic final, Adam came out saying he felt “exploited” by ITV, while his brothers called the show “toxic” and “cut-throat.” 😬 Now there are rumours they could be getting BLACKLISTED… but ITV is denying everything 👀 This whole situation is messy… because how do you win the show and STILL come out like this?! 😭 Do you think ITV did him dirty or is this just blown out of proportion? 👇

Tareq Ferguson

98,226 views • 3 months ago

Udonis Haslem recalled how LeBron James took the 2011 finals loss to the Dallas Mavericks personally: “I gotta give it to Bron, man. The best player in the world went in the lab that summer. Worked on his post-game, got in the lab with Hakeem Olajuwon. When you think he couldn’t add nothing else, the motherf**ker added turnaround jumpers and all kind of s**t like that...Practice started at 10…and he got there at 7:45 after doing a 45-minute bike ride. He pull up in that motherf**ker, by 8 he’s getting his shots up. By 9, he’s lifting his weights. By 9:45, he’s on the table getting taped. He done went through a whole 3 hours before practice had even started…” (via Out The Mud Podcast)

Udonis Haslem recalled how LeBron James took the 2011 finals loss to the Dallas Mavericks personally: “I gotta give it to Bron, man. The best player in the world went in the lab that summer. Worked on his post-game, got in the lab with Hakeem Olajuwon. When you think he couldn’t add nothing else, the motherfker added turnaround jumpers and all kind of st like that...Practice started at 10…and he got there at 7:45 after doing a 45-minute bike ride. He pull up in that motherf**ker, by 8 he’s getting his shots up. By 9, he’s lifting his weights. By 9:45, he’s on the table getting taped. He done went through a whole 3 hours before practice had even started…” (via Out The Mud Podcast)

The HEAT Realm

549,201 views • 5 months ago

I never once claimed that the microphone shot a projectile.... The microphone was held on to a jersey knit shirt by a clip and a magnetic clasp. The microphone's case was blown apart, the necklace snapped and was throw up and over his head, the battery and circuit board turned into shrapnel which struck his neck and lifted his shirt collar. The pendant had nothing to do with his shirt movement and the necklace most definitely didn't break at the clasp from s rifle impact to the neck.... The shirt movement was from expanding gas from the high order explosives (demonstrated by the speed of movement).... You would only need a shooter and one person inside TPusa with access to the wireless microphone to pull off this operation... You need a patsy shooter because otherwise everyone would know that someone in TPusa planted explosives in Charlie's microphone and you get no boost in donations and control of a powerful and influential company... The battery and the circuit board can be seen and identified by multiple cameras. The blue soldering mask can be detected along with the size of the PCB bulge underneath the shirt collar. The battery can be seen from multiple cameras falling out of the rectangular wound and falling to the ground followed by blood draining from the ruptured jugular. Gary, most likely, wears clown shoes under his desk. That is all, thank you for your attention on this matter.

I never once claimed that the microphone shot a projectile.... The microphone was held on to a jersey knit shirt by a clip and a magnetic clasp. The microphone's case was blown apart, the necklace snapped and was throw up and over his head, the battery and circuit board turned into shrapnel which struck his neck and lifted his shirt collar. The pendant had nothing to do with his shirt movement and the necklace most definitely didn't break at the clasp from s rifle impact to the neck.... The shirt movement was from expanding gas from the high order explosives (demonstrated by the speed of movement).... You would only need a shooter and one person inside TPusa with access to the wireless microphone to pull off this operation... You need a patsy shooter because otherwise everyone would know that someone in TPusa planted explosives in Charlie's microphone and you get no boost in donations and control of a powerful and influential company... The battery and the circuit board can be seen and identified by multiple cameras. The blue soldering mask can be detected along with the size of the PCB bulge underneath the shirt collar. The battery can be seen from multiple cameras falling out of the rectangular wound and falling to the ground followed by blood draining from the ruptured jugular. Gary, most likely, wears clown shoes under his desk. That is all, thank you for your attention on this matter.

Jon Bray

64,204 views • 5 months ago

CHRIS CAMILLO HAS A MASSIVE LONG TERM POSITION IN AMAZON $AMZN STOCK THAT IS NOT CHANGING But on top of that he runs a highly leveraged options position that fluctuates wildly week to week. Chris Camillo's logic: Amazon will always revert back to where it belongs. When he sees Amazon getting punished for reasons that are immaterial to the core thesis, whether that is CapEx concerns, debt issuance, the SpaceX narrative pulling attention away from AI infrastructure names, sector rotation, or index rebalancing, he takes a more levered position. "I'm not trading it as aggressively on a weekly basis. I'm trading it probably more aggressively levered on a monthly basis knowing that if I get wiped out I'm prepared and have more leverage to reinvest deeper in the following month." "Maybe I get blown out on the first one. Possible I get blown out on the second. And then the hope there is that we get more access to real information on the earnings itself and that you can make it back up there." "Sometimes even getting blown out a couple times on these cycles works to your advantage if you have either enough cash or enough capability to dive deeper into leverage to re-up and play it again at a much lower price." "This is a risky game. It's a game that I play with dollars that I can afford to play it with. This is not like my kids' college education that I'm rolling the dice with." "You don't generate outsized returns without taking outsized risk."

CHRIS CAMILLO HAS A MASSIVE LONG TERM POSITION IN AMAZON $AMZN STOCK THAT IS NOT CHANGING But on top of that he runs a highly leveraged options position that fluctuates wildly week to week. Chris Camillo's logic: Amazon will always revert back to where it belongs. When he sees Amazon getting punished for reasons that are immaterial to the core thesis, whether that is CapEx concerns, debt issuance, the SpaceX narrative pulling attention away from AI infrastructure names, sector rotation, or index rebalancing, he takes a more levered position. "I'm not trading it as aggressively on a weekly basis. I'm trading it probably more aggressively levered on a monthly basis knowing that if I get wiped out I'm prepared and have more leverage to reinvest deeper in the following month." "Maybe I get blown out on the first one. Possible I get blown out on the second. And then the hope there is that we get more access to real information on the earnings itself and that you can make it back up there." "Sometimes even getting blown out a couple times on these cycles works to your advantage if you have either enough cash or enough capability to dive deeper into leverage to re-up and play it again at a much lower price." "This is a risky game. It's a game that I play with dollars that I can afford to play it with. This is not like my kids' college education that I'm rolling the dice with." "You don't generate outsized returns without taking outsized risk."

WOLF

84,069 views • 1 month ago

i wanna talk about the scene immediately after tuna melts for a sec because there’s so much symbolism in this scene and it’s honestly really interesting to me because at first glance it could quite easily be one that’s overlooked. sure, it obviously shows shane is tightly wound after running away from ilya in tuna-melt-gate but there’s deeper layers to it as well. the most obvious (imo) is shane ordering a ginger ale and being unable to get one, when in the scene immediately prior we’ve just witnessed him be given one without even asking at ilya’s house. it really plays into the whole ginger ale as a metaphor for shane’s “true self” and that even when he tries to let parts of the real him slip through he meets obstacles to prevent that happening, whereas with ilya he’s allowed to be himself and totally at ease. there’s also the moment where the waiter asks if anyone will be joining them and removes the extra place setting. it highlights the space in shane’s life thats left empty because he isn’t able to publicly fill it. he can’t have anyone sat at that place setting because he can’t be seen in public with the person he loves, so it stays empty. its also a sort of parallel for the final episode, when that extra space at the hollander’s dining table is filled by ilya. this is just a tiny thing and probs me thinking too much into it but i love the choice to have shane studying the menu the whole time. he’s holding it in a way that it sort of shields him from his parents and puts a barrier between them, so it’s kind of like a physical “wall” that he has up to protect himself. then when his parents want to go to the tennis, shane’s immediate instinct is to lie so they can get in, which yuna (correctly) points out isn’t who he is. it really represents to me how comfortable shane’s become in living the “lie” of his life and hiding his true self - and yuna’s words are a harsh reminder to him that he’s really not as okay with that as he’s been telling himself he is. it sort of snaps him out of it for a moment and reminds him that there is a real discomfort for him in lying to the people he cares about. finally the little nod at the end to shane’s parents suspecting that maybe he might be gay - his dad says “swedish princess” really incredulously as though he knows that was never going to tempt shane. this was probably more meant to be referencing how fame and events that are all about appearances aren’t shane’s scene at all but it definitely could be read as them suspecting a little bit considering they say in episode 6 that they had done for a while.

i wanna talk about the scene immediately after tuna melts for a sec because there’s so much symbolism in this scene and it’s honestly really interesting to me because at first glance it could quite easily be one that’s overlooked. sure, it obviously shows shane is tightly wound after running away from ilya in tuna-melt-gate but there’s deeper layers to it as well. the most obvious (imo) is shane ordering a ginger ale and being unable to get one, when in the scene immediately prior we’ve just witnessed him be given one without even asking at ilya’s house. it really plays into the whole ginger ale as a metaphor for shane’s “true self” and that even when he tries to let parts of the real him slip through he meets obstacles to prevent that happening, whereas with ilya he’s allowed to be himself and totally at ease. there’s also the moment where the waiter asks if anyone will be joining them and removes the extra place setting. it highlights the space in shane’s life thats left empty because he isn’t able to publicly fill it. he can’t have anyone sat at that place setting because he can’t be seen in public with the person he loves, so it stays empty. its also a sort of parallel for the final episode, when that extra space at the hollander’s dining table is filled by ilya. this is just a tiny thing and probs me thinking too much into it but i love the choice to have shane studying the menu the whole time. he’s holding it in a way that it sort of shields him from his parents and puts a barrier between them, so it’s kind of like a physical “wall” that he has up to protect himself. then when his parents want to go to the tennis, shane’s immediate instinct is to lie so they can get in, which yuna (correctly) points out isn’t who he is. it really represents to me how comfortable shane’s become in living the “lie” of his life and hiding his true self - and yuna’s words are a harsh reminder to him that he’s really not as okay with that as he’s been telling himself he is. it sort of snaps him out of it for a moment and reminds him that there is a real discomfort for him in lying to the people he cares about. finally the little nod at the end to shane’s parents suspecting that maybe he might be gay - his dad says “swedish princess” really incredulously as though he knows that was never going to tempt shane. this was probably more meant to be referencing how fame and events that are all about appearances aren’t shane’s scene at all but it definitely could be read as them suspecting a little bit considering they say in episode 6 that they had done for a while.

frances 🏒

191,345 views • 7 months ago

This bodybuilder was on the leg press machine when he went full beast mode in his prime... You see Ronnie Coleman in the black tank loading up that sled with plates stacked sky high, then boom he starts pushing it like it weighs nothing, face locked in while the whole gym stops and watches. It cuts to him lying back grinding out reps on the machine, then standing up in the blue TNAZEN tank screaming through heavy squats with a spotter right there as the bar bends under all that weight. Ronnie Coleman in his Prime 🐘 Would you even try loading a machine like that or just stand there filming in shock?

This bodybuilder was on the leg press machine when he went full beast mode in his prime... You see Ronnie Coleman in the black tank loading up that sled with plates stacked sky high, then boom he starts pushing it like it weighs nothing, face locked in while the whole gym stops and watches. It cuts to him lying back grinding out reps on the machine, then standing up in the blue TNAZEN tank screaming through heavy squats with a spotter right there as the bar bends under all that weight. Ronnie Coleman in his Prime 🐘 Would you even try loading a machine like that or just stand there filming in shock?

Ryan Cey

2,006,379 views • 4 months ago

okay so people seemed to like this when i’ve done it for other scenes so i wanna talk about the details i’ve noticed in the bar scene in tampa. starting off simple, there’s shane’s double entendre when he says “ive always wondered what it would be like to play on the same team.” i love this little moment because im sure shane means it genuinely but you can 100% see ilya fighting the urge to make a joke here. not really anything in particular to say about this, i just think it’s a really cute moment next there’s the camera work. if you pay attention to the start of shane and ilya’s conversation, the camera is constantly switching perspectives. we aren’t being presented this scene from either characters point of view, we’re being given it from both. i think this is quite crucial because both of them are really nervous and vulnerable in this moment. it’s the first time they’ve interacted since shane ran away in “tuna melts” and since shane dated rose. there’s a level of tentativeness from BOTH characters here and you can see that from both perspectives and in the way they approach the conversation. sticking with camera work, this scene does something that i’ve noticed is a theme across multiple scenes (i pointed it out particularly in ilya’s russian phone call). after the initial establishing shot of shane walking into the bar - the camera during their conversation is fairly tight on them both, switching between POV’s but never going wide enough to show much of the scenery. it’s only after carter jumps in and interrupts their moment that we fully zoom out to a wide shot which shows the bar and the room they’re in. i think this is really effective at showing visually how the world around them seems to “disappear” when they’re talking to each other. we physically can only see them in frame so it makes it much more jarring when carter appears and acts as a reminder that there is an outside world to witness them. after carter walks away, as ilya and shane talk and get more comfortable in each others company again (revealing that shane isn’t dating rose etc) the camera very slowly zooms back in to tight shots of the two of them. again, they’re soaking up each others presence and the word around them quite literally “disappears” from the frame. finally this is just a small thing i noticed, but in a way the scene is mirrored. both men are wearing outfits meant for “show”, with ilya wearing the flashy comedic hawaiian shirt and shane quite literally having been styled by someone else. also both are drinking the same drink and even the fruit bowls on each end of the bar are almost identical. i think visually that’s sort of indicative of them finally beginning to be on the same page. this scene is a turning point for their relationship and the start of them admitting that they do actually have more in common than just sexual chemistry. this “mirrored” effect sort of acts as a visual metaphor for that.

okay so people seemed to like this when i’ve done it for other scenes so i wanna talk about the details i’ve noticed in the bar scene in tampa. starting off simple, there’s shane’s double entendre when he says “ive always wondered what it would be like to play on the same team.” i love this little moment because im sure shane means it genuinely but you can 100% see ilya fighting the urge to make a joke here. not really anything in particular to say about this, i just think it’s a really cute moment next there’s the camera work. if you pay attention to the start of shane and ilya’s conversation, the camera is constantly switching perspectives. we aren’t being presented this scene from either characters point of view, we’re being given it from both. i think this is quite crucial because both of them are really nervous and vulnerable in this moment. it’s the first time they’ve interacted since shane ran away in “tuna melts” and since shane dated rose. there’s a level of tentativeness from BOTH characters here and you can see that from both perspectives and in the way they approach the conversation. sticking with camera work, this scene does something that i’ve noticed is a theme across multiple scenes (i pointed it out particularly in ilya’s russian phone call). after the initial establishing shot of shane walking into the bar - the camera during their conversation is fairly tight on them both, switching between POV’s but never going wide enough to show much of the scenery. it’s only after carter jumps in and interrupts their moment that we fully zoom out to a wide shot which shows the bar and the room they’re in. i think this is really effective at showing visually how the world around them seems to “disappear” when they’re talking to each other. we physically can only see them in frame so it makes it much more jarring when carter appears and acts as a reminder that there is an outside world to witness them. after carter walks away, as ilya and shane talk and get more comfortable in each others company again (revealing that shane isn’t dating rose etc) the camera very slowly zooms back in to tight shots of the two of them. again, they’re soaking up each others presence and the word around them quite literally “disappears” from the frame. finally this is just a small thing i noticed, but in a way the scene is mirrored. both men are wearing outfits meant for “show”, with ilya wearing the flashy comedic hawaiian shirt and shane quite literally having been styled by someone else. also both are drinking the same drink and even the fruit bowls on each end of the bar are almost identical. i think visually that’s sort of indicative of them finally beginning to be on the same page. this scene is a turning point for their relationship and the start of them admitting that they do actually have more in common than just sexual chemistry. this “mirrored” effect sort of acts as a visual metaphor for that.

frances 🏒

112,613 views • 6 months ago

Udonis Haslem recalled how LeBron James took the 2011 NBA Finals loss to the Dallas Mavericks personally: “I gotta give it to Bron, man. The best player in the world went in the lab that summer. Worked on his post-game, got in the lab with Hakeem Olajuwon. When you think he couldn’t add nothing else, the motherf**ker added turnaround jumpers and all kind of s**t like that...Practice started at 10…and he got there at 7:45 after doing a 45-minute bike ride. He pull up in that motherf**ker, by 8 he’s getting his shots up. By 9, he’s lifting his weights. By 9:45, he’s on the table getting taped. He done went through a whole 3 hours before practice had even started…” (via Out The Mud Podcast)

Udonis Haslem recalled how LeBron James took the 2011 NBA Finals loss to the Dallas Mavericks personally: “I gotta give it to Bron, man. The best player in the world went in the lab that summer. Worked on his post-game, got in the lab with Hakeem Olajuwon. When you think he couldn’t add nothing else, the motherfker added turnaround jumpers and all kind of st like that...Practice started at 10…and he got there at 7:45 after doing a 45-minute bike ride. He pull up in that motherf**ker, by 8 he’s getting his shots up. By 9, he’s lifting his weights. By 9:45, he’s on the table getting taped. He done went through a whole 3 hours before practice had even started…” (via Out The Mud Podcast)

The HEAT Realm

254,821 views • 3 months ago