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Spread-leg bondage, wrists held high: a black-stockinged adult performer moans through vibrator play. Full clip on SilkReel: Long-form rope bondage cuts on SilkReel #Shibari #Kinbaku #Bondage

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26,284 views • 20 days ago •via X (Twitter)

NSFW #Shibari #Kinbaku #Bondage

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A timelapse of Repeating1s tying me to the chair. After letting me struggle for a long time, he took pity & untied the knots enough so I could finally wiggle my hands free! 🥲😈 Check out the ropemarks on my wrists - I tried my hardest! #ropebondage #bondage #gagged #chairtied

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A timelapse of Repeating1s tying me to the chair. After letting me struggle for a long time, he took pity & untied the knots enough so I could finally wiggle my hands free! 🥲😈 Check out the ropemarks on my wrists - I tried my hardest! #ropebondage #bondage #gagged #chairtied

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This was one of my *first* shoots. Ditria (DR • TAMPA 1/7-11|PGH 2/18-21|ATL 2/25-3/1) granted me so much grace as I navigated new tech, tinkered with settings, etc. How far things have come! We have a full day shoot on the books in September in an “after dark room” studio 😈🤘🏻 #straitjacket and leg-binder from StraitJacketShop #bondage #feet

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🎧 There’s no better question to hear Michael Saylor (Michael Saylor) answer than elaborate on ‘the playbook’. “Is there anything you like that you wouldn’t like better if you could borrow less than 1% to acquire it?” Well, that’s what Strategy is doing with Bitcoin. They are securitizing a high volatility, high performing asset for investors through vehicles like options, converts and equity”. Mario Nawfal and James C Heckman on Roundtable (Roundtable Network) let Saylor shed light on his team’s disciplined,responsible and prudent focus on a long, levered Bitcoin strategy. A strategy that has outperformed everyone and everything. Listen to the clip to hear the specifics from Saylor. Full video:

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Made with Seedance 2 on FlovaAI Japan FlovaAI Prompt: CAMERA: DV 16mm tape camcorder handheld feel. POV of CHASE holding the camera herself, occasionally propping it on a bench/rack. Hand shake, misaligned framing, delayed focus pulls, clumsy zooms, occasional face cut-off framing, imperfect shots. Camcorder never appears on screen. LOOK: Soft, slightly blurry tape quality, faint tape noise, bloomed highlights under gym lighting, flickering auto-exposure, muted contrast, realistic skin tones. STYLE: Energetic, casual gym-vlog tone — upbeat between sets, breathless, genuine laughs, light motivational commentary. Quick handheld cuts alternating with propped-camera shots. Character CHASE — Korean idol, 20s. Long black hair in a high ponytail, glowing skin with light post-workout sheen. Slim athletic build. Modest long-sleeve athletic top, loose joggers/leggings (arms and torso fully covered), sneakers, towel around neck, no jewelry. Setting Evening gym — mirror wall, weight rack, bench press station, leg curl machine nearby, water bottle on a bench, soft overhead lighting. Storyboard (30s, 8 cuts) (~2s, selfie, arm's length) Walks in, bright smile despite slight breathlessness. CHASE: "Okay guys, quick workout vlog today!" (~2s, whip pan) Sweeps weight rack → mirror → mat area, back to her face. CHASE (off-screen): "Gym's pretty quiet right now." (~3s, propped camera, bench press) Lies back, adjusts grip, glances at camera, determined smile. CHASE: "Bench press time — let's go!" (~3s, propped camera, side angle) Performs a few reps, breathing hard, racks the bar, exhales. CHASE: "Whew — that's the set." (~2s, handheld walking) Grabs towel/water, walks toward leg curl machine, camera bouncing. CHASE: "Moving on to legs now." (~3s, propped camera, leg curl) Settles in, adjusts pad, a couple reps, mild strain on her face. CHASE: "Okay this one burns already—" (~2s, macro insert, shallow DOF) Close on hands gripping machine handles, sweat catching the light. No dialogue — ambient gym sound only. (~3s, arm's-length selfie finish) Stands, fans herself, towel on shoulder, tired grin. CHASE: "Two down — I need water. See you guys in a bit!" #Flovacpp #Flovaai

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Muckraker

6,681,522 views • 2 years ago

14 March 2007. Kampala High Court. Over 700 lawyers, dressed in white shirts and black suits, gathered in silence. They had been on strike for three days. Now they were here to perform an ancient ritual of purification. At the front, a lawyer held aloft a blood‑stained shirt, evidence of what the state had done in this very building two weeks earlier. The Cleansing of the Court - 2007 The procession, led by Chief Justice Benjamin Odoki and Uganda Law Society President Oscar John Kihika, circled the court building in a symbolic cleansing ceremony. Kihika described it as an "age‑old African ritual designed to purify the court." The bloodied shirt and tie belonged to Kiyemba Mutale, a lawyer who had been beaten unconscious during a government raid on the High Court on 1 March. That day, armed security forces from the "Black Mamba" anti‑terrorism unit had stormed the criminal registry to re‑arrest nine treason suspects who had just been granted bail after 15 months in detention. During the hours‑long standoff, Mutale was attacked. The suspects were beaten, bundled into a police vehicle, and taken away. The raid was a grim echo of November 2005, when the same unit had laid siege to the High Court to prevent the release of the same men during Kizza Besigye's presidential campaign. The 2007 attack triggered an unprecedented response. On 5 March, Uganda's judges went on a week‑long strike to protest the assault on judicial independence. On 12 March, the Uganda Law Society began its own three‑day sit‑down strike, demanding an apology and concrete reforms. Five ULS members who held high‑level government positions were suspended. Justice James Ogoola captured the gravity: "The point had to be made. They will not survive unless the rule of law, independence of the judiciary and all other fundamental principles that hold the nation together are back to form." President Museveni eventually expressed regret for the incident and promised a "legal and transparent modus operandi" for future arrests. The judges and lawyers returned to work. But the ceremony on 14 March was more than a conclusion, it was a declaration. Mutale's bloodied shirt, held high before the committee tasked with investigating the raid, was not just evidence. It was a symbol that the judiciary would not be cowed. The cleansing was not merely ritual. It was a line drawn in the dust of a courtroom, a reminder that even in the face of armed men, the law could still speak. #ughistory #ULS Uganda Law Society Lawpoint Uganda Judiciary Uganda

14 March 2007. Kampala High Court. Over 700 lawyers, dressed in white shirts and black suits, gathered in silence. They had been on strike for three days. Now they were here to perform an ancient ritual of purification. At the front, a lawyer held aloft a blood‑stained shirt, evidence of what the state had done in this very building two weeks earlier. The Cleansing of the Court - 2007 The procession, led by Chief Justice Benjamin Odoki and Uganda Law Society President Oscar John Kihika, circled the court building in a symbolic cleansing ceremony. Kihika described it as an "age‑old African ritual designed to purify the court." The bloodied shirt and tie belonged to Kiyemba Mutale, a lawyer who had been beaten unconscious during a government raid on the High Court on 1 March. That day, armed security forces from the "Black Mamba" anti‑terrorism unit had stormed the criminal registry to re‑arrest nine treason suspects who had just been granted bail after 15 months in detention. During the hours‑long standoff, Mutale was attacked. The suspects were beaten, bundled into a police vehicle, and taken away. The raid was a grim echo of November 2005, when the same unit had laid siege to the High Court to prevent the release of the same men during Kizza Besigye's presidential campaign. The 2007 attack triggered an unprecedented response. On 5 March, Uganda's judges went on a week‑long strike to protest the assault on judicial independence. On 12 March, the Uganda Law Society began its own three‑day sit‑down strike, demanding an apology and concrete reforms. Five ULS members who held high‑level government positions were suspended. Justice James Ogoola captured the gravity: "The point had to be made. They will not survive unless the rule of law, independence of the judiciary and all other fundamental principles that hold the nation together are back to form." President Museveni eventually expressed regret for the incident and promised a "legal and transparent modus operandi" for future arrests. The judges and lawyers returned to work. But the ceremony on 14 March was more than a conclusion, it was a declaration. Mutale's bloodied shirt, held high before the committee tasked with investigating the raid, was not just evidence. It was a symbol that the judiciary would not be cowed. The cleansing was not merely ritual. It was a line drawn in the dust of a courtroom, a reminder that even in the face of armed men, the law could still speak. #ughistory #ULS Uganda Law Society Lawpoint Uganda Judiciary Uganda

UgHistory

19,790 views • 2 months ago

ANYTHING THAT HIJACKS YOUR WILL IS AN ATTACK ON YOUR DESTINY: GUARD YOUR POWER TO CHOOSE Many believers genuinely desire to move forward, but they underestimate one of the greatest gifts God has given humanity, "the will". Your ability to choose is a miracle. When the leper said, "If You are willing, You can make me clean," Jesus replied, "I will; be cleansed." The power of the will is undeniable. You can lose many things in life and still recover. But one of the greatest tragedies is losing the ability to exercise your will. Anything that hijacks your will, through manipulation, deception, fear, or bondage, is an attack on your destiny. A person may lose their sight, their limbs, or physical strength, yet still build a remarkable life because they retain the ability to think clearly and make intentional choices. As long as your will remains intact, there is hope. Every day, God's grace presents you with opportunities, but your future is shaped by the choices and decisions you make in partnership with Him. Guard your will. Watch the full sermon titled "June 2026 Miracle Service" on the Koinonia Global YouTube channel. #ApostleJoshuaSelman #June2026MiracleService #KoinoniaAbuja #KoinoniaGlobal

ANYTHING THAT HIJACKS YOUR WILL IS AN ATTACK ON YOUR DESTINY: GUARD YOUR POWER TO CHOOSE Many believers genuinely desire to move forward, but they underestimate one of the greatest gifts God has given humanity, "the will". Your ability to choose is a miracle. When the leper said, "If You are willing, You can make me clean," Jesus replied, "I will; be cleansed." The power of the will is undeniable. You can lose many things in life and still recover. But one of the greatest tragedies is losing the ability to exercise your will. Anything that hijacks your will, through manipulation, deception, fear, or bondage, is an attack on your destiny. A person may lose their sight, their limbs, or physical strength, yet still build a remarkable life because they retain the ability to think clearly and make intentional choices. As long as your will remains intact, there is hope. Every day, God's grace presents you with opportunities, but your future is shaped by the choices and decisions you make in partnership with Him. Guard your will. Watch the full sermon titled "June 2026 Miracle Service" on the Koinonia Global YouTube channel. #ApostleJoshuaSelman #June2026MiracleService #KoinoniaAbuja #KoinoniaGlobal

Koinonia Global

18,871 views • 1 month ago

"I think there’s a very high chance we end up in some kind of fiscal crisis, with bond markets taking fright, if we don’t do this welfare form ... it would be like what happened in the 1970s" Having laid out proposals to slash welfare spending by a huge £50 billion a year, Reform Shadow Chancellor Robert Jenrick says unless welfare is radically overhauled, the UK faces a re-run of the 1976 IMF bailout. In the clip below, I suggest that if Jenrick was serious about welfare reform, he would scrap the "triple lock" – which will soon add £15bn a year to the cost of the basic state pension. He disagrees. When The Facts Change - Ep.27 "Only radical welfare reform and deep cost cuts can save Britain from a spectacular fiscal crisis” Liam Halligan interviews Rt Hon Robert Jenrick MP, Reform Shadow Chancellor. Full length free-to-view discussion on YouTube

"I think there’s a very high chance we end up in some kind of fiscal crisis, with bond markets taking fright, if we don’t do this welfare form ... it would be like what happened in the 1970s" Having laid out proposals to slash welfare spending by a huge £50 billion a year, Reform Shadow Chancellor Robert Jenrick says unless welfare is radically overhauled, the UK faces a re-run of the 1976 IMF bailout. In the clip below, I suggest that if Jenrick was serious about welfare reform, he would scrap the "triple lock" – which will soon add £15bn a year to the cost of the basic state pension. He disagrees. When The Facts Change - Ep.27 "Only radical welfare reform and deep cost cuts can save Britain from a spectacular fiscal crisis” Liam Halligan interviews Rt Hon Robert Jenrick MP, Reform Shadow Chancellor. Full length free-to-view discussion on YouTube

Liam Halligan

18,171 views • 6 days ago

#TheInvisibleDragon #เคียงมังกร #FirstKhaotung #เฟิร์สข้าวตัง Today’s training vs. Traditional Lion Dance 🦁🐲 Today’s intense Aerial Rope conditioning, deep flexibility work, and partner acrobalance training perfectly align with the physical and technical demands of traditional and high-pole lion dance in several key aspects: 1️⃣ Simulating "Pole Climbing" & "Mid-air Leaps" High-pole Jumps: Modern high-pole lion dance involves stakes ranging from 1.2 to 3 meters high. Performers must execute long-distance leaps across these dense poles. Aerial Suspension: In traditional "Cai Qing" (plucking the greens), performers often dangle from high structures using one hand or feet. The gripping and balancing techniques are identical to what they are practicing. 2️⃣ Extreme Upper-body & Core Explosive Strength Lion Head Control: The front performer requires tremendous grip and core stability to lift and manipulate the heavy lion head while suspended mid-air. Partner Stunts: Moving from a one-handed side extension balance to a standard high-pole double-lifting pose requires absolute elite-level acrobatic core control and strength from both partners! 3️⃣ Aerial Awareness & Coordination Lion dance requires a true unity to express emotions mid-air. Suspension and balance training help actors adapt to the sensation of losing ground support, allowing precise body control. 4️⃣ Extreme Flexibility & Injury Prevention To perform lifelike lion movements — such as deep crouches on top of high poles or extreme high-kicks — performers must have maximum flexibility. Executing a standard high-pole dual-lift strike while holding a high single-leg lift with arms spread wide perfectly demonstrates how intensive stretching expands their range of motion and protects their joints from high-impact landings. 💡 In modern theatrical productions, lion dance heavily merges with contemporary acrobatic arts. Therefore, integrating "Lion Dance + Aerial Stunts + Core Balance" is an incredibly smart, highly professional choice by the production team. These training sessions require overcoming pain, fatigue, sweat, and even minor injuries. I admire every effort you've made! I'm incredibly proud of you 🥹👍 Looking forward to The Invisible Dragon 🐉🔥 A tribute to the team 🙏 Thank you P'Ja Yossie for everything 🙏 Included below is a video of traditional lion dance training, showing how to jump from the ground to the plum blossom poles for a performance and then back to the ground ⬇️

#TheInvisibleDragon #เคียงมังกร #FirstKhaotung #เฟิร์สข้าวตัง Today’s training vs. Traditional Lion Dance 🦁🐲 Today’s intense Aerial Rope conditioning, deep flexibility work, and partner acrobalance training perfectly align with the physical and technical demands of traditional and high-pole lion dance in several key aspects: 1️⃣ Simulating "Pole Climbing" & "Mid-air Leaps" High-pole Jumps: Modern high-pole lion dance involves stakes ranging from 1.2 to 3 meters high. Performers must execute long-distance leaps across these dense poles. Aerial Suspension: In traditional "Cai Qing" (plucking the greens), performers often dangle from high structures using one hand or feet. The gripping and balancing techniques are identical to what they are practicing. 2️⃣ Extreme Upper-body & Core Explosive Strength Lion Head Control: The front performer requires tremendous grip and core stability to lift and manipulate the heavy lion head while suspended mid-air. Partner Stunts: Moving from a one-handed side extension balance to a standard high-pole double-lifting pose requires absolute elite-level acrobatic core control and strength from both partners! 3️⃣ Aerial Awareness & Coordination Lion dance requires a true unity to express emotions mid-air. Suspension and balance training help actors adapt to the sensation of losing ground support, allowing precise body control. 4️⃣ Extreme Flexibility & Injury Prevention To perform lifelike lion movements — such as deep crouches on top of high poles or extreme high-kicks — performers must have maximum flexibility. Executing a standard high-pole dual-lift strike while holding a high single-leg lift with arms spread wide perfectly demonstrates how intensive stretching expands their range of motion and protects their joints from high-impact landings. 💡 In modern theatrical productions, lion dance heavily merges with contemporary acrobatic arts. Therefore, integrating "Lion Dance + Aerial Stunts + Core Balance" is an incredibly smart, highly professional choice by the production team. These training sessions require overcoming pain, fatigue, sweat, and even minor injuries. I admire every effort you've made! I'm incredibly proud of you 🥹👍 Looking forward to The Invisible Dragon 🐉🔥 A tribute to the team 🙏 Thank you P'Ja Yossie for everything 🙏 Included below is a video of traditional lion dance training, showing how to jump from the ground to the plum blossom poles for a performance and then back to the ground ⬇️

Ling

28,728 views • 4 days ago

Chaz Lanier has an awesome story. 5’6 at the beginning of high school, had to work his way up from the freshman team to JV, then Varsity. Didn’t play AAU. Held two D1 offers—North Florida and Campbell. Heads to North Florida, admits he wasn’t ready to play as a freshman, “picked up a little more” as a sophomore, played behind three all-league guys as a junior — saying “I was a role player, play good defense and make 3s. I think I did a good job at that.” Senior Year: “One of the key guys graduated and two others transferred, so that spot to be the guy opened up. I was ready for it. I stayed down for it. I worked and the opportunity presented itself. And I took full advantage of it.” Scored 19.6 PPG on 44% 3PT, making history as the Atlantic Sun’s first player to ever finish a season on 50/40/90 splits with over 100 FGM and 50 3PM. "The main thing for me throughout the process was — stay down and stay ready, because I knew my time was going to come." Now he’s rightfully going through the NBA Draft process and the most coveted guard in the transfer portal. A rare testament of hard work + patience.

Chaz Lanier has an awesome story. 5’6 at the beginning of high school, had to work his way up from the freshman team to JV, then Varsity. Didn’t play AAU. Held two D1 offers—North Florida and Campbell. Heads to North Florida, admits he wasn’t ready to play as a freshman, “picked up a little more” as a sophomore, played behind three all-league guys as a junior — saying “I was a role player, play good defense and make 3s. I think I did a good job at that.” Senior Year: “One of the key guys graduated and two others transferred, so that spot to be the guy opened up. I was ready for it. I stayed down for it. I worked and the opportunity presented itself. And I took full advantage of it.” Scored 19.6 PPG on 44% 3PT, making history as the Atlantic Sun’s first player to ever finish a season on 50/40/90 splits with over 100 FGM and 50 3PM. "The main thing for me throughout the process was — stay down and stay ready, because I knew my time was going to come." Now he’s rightfully going through the NBA Draft process and the most coveted guard in the transfer portal. A rare testament of hard work + patience.

Jacob Myers

233,292 views • 2 years ago

In 1840 an American slave ship ran aground in the Bahamas. On British ground, the 38 people below deck could not be owned. 🇬🇧 Free Black boatmen rowed out, magistrates came aboard, and all 38 walked ashore free. 19 October 1840. The Hermosa, a schooner out of Richmond, Virginia, bound for the slave markets of New Orleans. Below deck, 38 enslaved people. Her papers listed them as cargo. She struck a reef off Abaco, in the Bahamas. British ground. Bahamian boatmen rowed out through the surf, free Black men who worked these reefs for a living, and carried all 38 safe to Nassau. Britain had abolished slavery 6 years before. The captain refused to let them ashore. He called for another ship to carry them back to bondage. Then British magistrates came aboard, armed men at their backs. No fleet. No proclamation. A local court doing its ordinary work. In Virginia, paper made those 38 people property. On British ground, no paper on Earth could. One by one, 38 people stepped ashore at Nassau. Free. The owners demanded them back for years. They never got them. Nobody famous freed those 38. Boatmen rowed out. Magistrates climbed aboard. Ordinary hands, keeping Britain's word. In Virginia, paper made them property. On British ground, thanks to the British citizens, it could not. 🇬🇧 This is the revival of British culture. Be part of it. 👉 👈 Be part of us. ☝️🇬🇧 Be Proud Of Us. 🙏🇬🇧

In 1840 an American slave ship ran aground in the Bahamas. On British ground, the 38 people below deck could not be owned. 🇬🇧 Free Black boatmen rowed out, magistrates came aboard, and all 38 walked ashore free. 19 October 1840. The Hermosa, a schooner out of Richmond, Virginia, bound for the slave markets of New Orleans. Below deck, 38 enslaved people. Her papers listed them as cargo. She struck a reef off Abaco, in the Bahamas. British ground. Bahamian boatmen rowed out through the surf, free Black men who worked these reefs for a living, and carried all 38 safe to Nassau. Britain had abolished slavery 6 years before. The captain refused to let them ashore. He called for another ship to carry them back to bondage. Then British magistrates came aboard, armed men at their backs. No fleet. No proclamation. A local court doing its ordinary work. In Virginia, paper made those 38 people property. On British ground, no paper on Earth could. One by one, 38 people stepped ashore at Nassau. Free. The owners demanded them back for years. They never got them. Nobody famous freed those 38. Boatmen rowed out. Magistrates climbed aboard. Ordinary hands, keeping Britain's word. In Virginia, paper made them property. On British ground, thanks to the British citizens, it could not. 🇬🇧 This is the revival of British culture. Be part of it. 👉 👈 Be part of us. ☝️🇬🇧 Be Proud Of Us. 🙏🇬🇧

Proudofus.uk

166,412 views • 2 months ago

As requested by Alex Miller yesterday, a look at our out of possession shape in the first half. 1: (10 secs) - Wednesday in a very narrow high block in a 523 out of possession. It only looked like this when the ball is central. Nowrich rotate (change positions during play) a lot and this narrow block denies central rotation. In this clip, they have had rotation in left back position as the CM has dropped into the area and left back on the last line. 2: 20 secs - When the ball went wide or started to move wide, the full back would advance up the pitch to pressure the full back and press full back to full back, whilst the CBs would come out with the Norwich forwards coming in between the lines, as this ball transitions across the pitch you see Sargent come out and Iorfa following tight. Fusire in this clip has come out to mark full back to full back and creating a makeshift back 4. 3: 47 secs - Wednesday get back into their narrow block shape 4: 56 secs - rotation from the front line form Norwich 5: 58 seconds, Palmer comes out of the back line to pick up the rotation and prevent space between lines. As the player turns to our left, Amass starts to come out to pick up full back to full back on the other side. In summary, Wednesday played their familiar 523 blocking shape out of possession but it was much more proactive in the back 5 than we usually see it, with full backs and Cbs following rotations and stepping out of the backline to prevent space between lines. It worked, first half. Norwich combated it a little better second half. Will get a clip out tomorrow of what they did

As requested by Alex Miller yesterday, a look at our out of possession shape in the first half. 1: (10 secs) - Wednesday in a very narrow high block in a 523 out of possession. It only looked like this when the ball is central. Nowrich rotate (change positions during play) a lot and this narrow block denies central rotation. In this clip, they have had rotation in left back position as the CM has dropped into the area and left back on the last line. 2: 20 secs - When the ball went wide or started to move wide, the full back would advance up the pitch to pressure the full back and press full back to full back, whilst the CBs would come out with the Norwich forwards coming in between the lines, as this ball transitions across the pitch you see Sargent come out and Iorfa following tight. Fusire in this clip has come out to mark full back to full back and creating a makeshift back 4. 3: 47 secs - Wednesday get back into their narrow block shape 4: 56 secs - rotation from the front line form Norwich 5: 58 seconds, Palmer comes out of the back line to pick up the rotation and prevent space between lines. As the player turns to our left, Amass starts to come out to pick up full back to full back on the other side. In summary, Wednesday played their familiar 523 blocking shape out of possession but it was much more proactive in the back 5 than we usually see it, with full backs and Cbs following rotations and stepping out of the backline to prevent space between lines. It worked, first half. Norwich combated it a little better second half. Will get a clip out tomorrow of what they did

TW Football

16,673 views • 9 months ago

What used to take a full crew and thousands of dollars… Seedance 2.5 generates in minutes. Consistent characters up to 30 reference images, and 20 other inputs including videos and audio. One prompt to 30-second intense 1980-movie style! Made only on CapCut 🔥 Prompt: 1980s film, authentic live-action footage shot on 35mm with heavy grain, vibrant yet gritty saturated colors, practical neon lighting mixed with harsh strobes and fog. Fast chaotic editing packed with abrupt cuts, glass reflections, POV inserts, strobe flashes and dynamic movement to create total disorientation and panic. Real practical squib blood, rubber tentacles and physical stunts. Period-accurate 80s performances: big hair, colorful outfits, leg warmers, exaggerated fear and desperate physicality. Visualized synth atmosphere through pulsing lights and sudden dead silence. [IMAGE REFERENCES] Generate from scratch a consistent group of five mid-80s young adults with distinctly different looks—tall blonde mullet guy in neon shirt, short chubby dark-curly guy in Hawaiian print, slim big-curled redhead girl in neon dress, athletic black-ponytailed girl in crop top, lanky glasses brunette in pastel polo—in colorful yacht-party fashion and one original giant octopus killer with thick rubber tentacles and gaping beak. All on a neon-drenched luxury yacht in pure practical 1980s slasher style. [TIMELINE SECOND BY SECOND] 0-3s: [Rapid Disorientation Montage] Quick jarring cuts on the dimly lit yacht deck at night. Neon lights pulsing, five friends laughing and dancing with drinks, music blasting. Inserts: champagne spilling, one girl’s smile fading as mist rises from the water, glass reflection briefly showing a massive tentacle that vanishes. Strobe flicker. Laughter dies as engines are dead and no land in sight. 3-6s: [Rising Panic Montage] Fast cuts as panic spreads. Tall blonde runs to the helm, radio smashed. Close-up of broken mic. Two girls huddle near railing, eyes wide, calling names that echo. Low-angle POV gliding through thick fog. Drink glass tips. They split—one to cabins, one to stern. Water reflections show tentacles moving unseen. 6-9s: [First Attack Sequence] Sudden violence, rapid-fire cuts. Giant octopus erupts from foggy water. Quick cuts: massive tentacle lit by strobe, slamming down, bright squib blood spray across pink jacket. Body drops hard on wet deck. Others scream and scatter, slipping. One girl falls. Octopus advances with heavy tentacle movements while neon keeps pulsing. 9-12s: [Full Chaos & Practical Kills] Frenzied montage. Multiple cuts: guy racing for life raft, tentacle appears behind him. Girl hides behind bar, tentacle smashes through, practical blood on counter. Another cornered against cabin wall, lifted and slammed, body slides leaving red streak. Feet scraping, bodies falling, fog swirling around practical gore. Violent strobes. Survivor swings boat hook, dull thud on tentacle. 12-15s: [Climax & Lingering Threat] Fast cuts. Last two desperately lower a life raft. One yanked into fog and water, scream cut short. Final girl turns, face sweat-and-blood covered, backing on slippery deck. Wide shot of yacht littered with bodies under pulsing neon. Octopus rises again, tentacle cracked but massive. She runs into darkness as strobe freezes on the gaping beak. Slight film burn at end. [STYLE & QUALITY BOOSTERS] Photorealistic 1980s film emulation, heavy natural grain and reel artifacts, authentic practical squib blood and rubber-tentacle stunts, coherent physics with realistic slips and momentum on wet wooden deck.

What used to take a full crew and thousands of dollars… Seedance 2.5 generates in minutes. Consistent characters up to 30 reference images, and 20 other inputs including videos and audio. One prompt to 30-second intense 1980-movie style! Made only on CapCut 🔥 Prompt: 1980s film, authentic live-action footage shot on 35mm with heavy grain, vibrant yet gritty saturated colors, practical neon lighting mixed with harsh strobes and fog. Fast chaotic editing packed with abrupt cuts, glass reflections, POV inserts, strobe flashes and dynamic movement to create total disorientation and panic. Real practical squib blood, rubber tentacles and physical stunts. Period-accurate 80s performances: big hair, colorful outfits, leg warmers, exaggerated fear and desperate physicality. Visualized synth atmosphere through pulsing lights and sudden dead silence. [IMAGE REFERENCES] Generate from scratch a consistent group of five mid-80s young adults with distinctly different looks—tall blonde mullet guy in neon shirt, short chubby dark-curly guy in Hawaiian print, slim big-curled redhead girl in neon dress, athletic black-ponytailed girl in crop top, lanky glasses brunette in pastel polo—in colorful yacht-party fashion and one original giant octopus killer with thick rubber tentacles and gaping beak. All on a neon-drenched luxury yacht in pure practical 1980s slasher style. [TIMELINE SECOND BY SECOND] 0-3s: [Rapid Disorientation Montage] Quick jarring cuts on the dimly lit yacht deck at night. Neon lights pulsing, five friends laughing and dancing with drinks, music blasting. Inserts: champagne spilling, one girl’s smile fading as mist rises from the water, glass reflection briefly showing a massive tentacle that vanishes. Strobe flicker. Laughter dies as engines are dead and no land in sight. 3-6s: [Rising Panic Montage] Fast cuts as panic spreads. Tall blonde runs to the helm, radio smashed. Close-up of broken mic. Two girls huddle near railing, eyes wide, calling names that echo. Low-angle POV gliding through thick fog. Drink glass tips. They split—one to cabins, one to stern. Water reflections show tentacles moving unseen. 6-9s: [First Attack Sequence] Sudden violence, rapid-fire cuts. Giant octopus erupts from foggy water. Quick cuts: massive tentacle lit by strobe, slamming down, bright squib blood spray across pink jacket. Body drops hard on wet deck. Others scream and scatter, slipping. One girl falls. Octopus advances with heavy tentacle movements while neon keeps pulsing. 9-12s: [Full Chaos & Practical Kills] Frenzied montage. Multiple cuts: guy racing for life raft, tentacle appears behind him. Girl hides behind bar, tentacle smashes through, practical blood on counter. Another cornered against cabin wall, lifted and slammed, body slides leaving red streak. Feet scraping, bodies falling, fog swirling around practical gore. Violent strobes. Survivor swings boat hook, dull thud on tentacle. 12-15s: [Climax & Lingering Threat] Fast cuts. Last two desperately lower a life raft. One yanked into fog and water, scream cut short. Final girl turns, face sweat-and-blood covered, backing on slippery deck. Wide shot of yacht littered with bodies under pulsing neon. Octopus rises again, tentacle cracked but massive. She runs into darkness as strobe freezes on the gaping beak. Slight film burn at end. [STYLE & QUALITY BOOSTERS] Photorealistic 1980s film emulation, heavy natural grain and reel artifacts, authentic practical squib blood and rubber-tentacle stunts, coherent physics with realistic slips and momentum on wet wooden deck.

MrDejie

155,405 views • 29 days ago

Tl:Dr The world is run by human trafficking cultists using satanic ritual abuse to blackmail the rich and powerful into compliance with their goals. Rachel Chandler provides children to the elite. Rachel Chandler, pictured with Bill Clinton, was a casting agent for Balenciaga. She's a key player in a vast network of influence within high-profile fashion, social, and international political circles. Kamala Harris' stepdaughter, Ella Emhoff, is also a model for Balenciaga, linking the political sphere directly with the fashion industry through familial ties. Ella Emhoff despite zero previous modeling experience got a modeling contract with IMG Models, which has had six models come forward accusing Epstein associate Jean-Luc Brunel of abuse, indicating a troubling history within the agency. Balenciaga's creative director, Demna, has a history of controversial product designs, including jewelry that doubled as cocaine spoons, and sexual bondage teddy bears for children, highlighting a pattern of questionable marketing. Rachel Chandler has high-level connections within Balenciaga, evidenced by her ability to secure a modeling job for Ella with no prior experience, showcasing her influence in the industry. The image of Rachel Chandler with Bill Clinton was taken on billionaire Ron Burkle's plane, suggesting there was more than one Epstein and more than one island. There exists an interconnected web of influence between political figures, fashion industry leaders, and human traffickers like Jeffrey Epstein, and Jean luc Brunel through the lens of Rachel Chandler's career and connections. From her role at Balenciaga to her association with IMG Models and high-profile individuals, the evidence suggests a complex network where fashion, politics, and scandal intersect.

Nacho Business

1,325,436 views • 1 year ago

🚨NEW🚨 - The two teens arrested in Florida for conspiring to murder a classmate who resembled Sandy Hook school shooter Adam Lanza in a "ritual" to bring the killer back to life were part of the online mass shooter fandom "TCC" and were allegedly active in the self harm community on X. Police released a 30 minute long video of the girls giggling and chatting in the back of a cop car after being arrested at their high school. One of the two girls, who is transgender and identifies as male, was caught with a knife and other ritualistic items in their backpack after another student tipped off police to their plan. The girls laughed and joked about their plan to murder the student in explicit detail on the recording. They also mentioned a plan to spread their story around TCC, discussed self harm groups and fandom drawings they made of the Columbine Killers, and at one point began a sexual role-play of Eric Harris and Dylan Klebold in the back of the cop car. The girls, age 14 and 15, are being held without bail and charged as adults. The kids are absolutely not OK, y'all.

🚨NEW🚨 - The two teens arrested in Florida for conspiring to murder a classmate who resembled Sandy Hook school shooter Adam Lanza in a "ritual" to bring the killer back to life were part of the online mass shooter fandom "TCC" and were allegedly active in the self harm community on X. Police released a 30 minute long video of the girls giggling and chatting in the back of a cop car after being arrested at their high school. One of the two girls, who is transgender and identifies as male, was caught with a knife and other ritualistic items in their backpack after another student tipped off police to their plan. The girls laughed and joked about their plan to murder the student in explicit detail on the recording. They also mentioned a plan to spread their story around TCC, discussed self harm groups and fandom drawings they made of the Columbine Killers, and at one point began a sexual role-play of Eric Harris and Dylan Klebold in the back of the cop car. The girls, age 14 and 15, are being held without bail and charged as adults. The kids are absolutely not OK, y'all.

Bx

103,288 views • 5 months ago