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🦑🐯🍛Squiditora Needs Curry Dang It🍛🐯🦑 Sheilava Karl Sia Art Collateral Damage Studios The talented Karl Sia Art is a one-man band: he really nailed the sequence of attack, and keeping this under wraps since last year was hard to do!

115,976 Aufrufe • vor 2 Jahren •via X (Twitter)

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Make a lot of stuff, allow perfection to emerge, and focus on the process. - beeple A short visit to the NODE this weekend to support a fellow artist and someone who inspires me to dream bigger. From his 20 years of daily activities to his forward thinking evolving technical capabilities, he shows us what the present moment is and what the future can look like in art. I believe Mike is one of the most down to Earth and influential artists working today in art and technology. How he and his brother, Scott, push the boundaries of art, experience, participation inspires us to think and create in new dynamic ways. Not only is he pushing the boundaries of what’s possible and show us things we have never seen before, he cares deeply about other artists; His community! Mike lead millions of artists to think about NFTs in 2021 which was a huge first step for the future of preserving art. Now in 2026, with the patronage of NODE, the organization of phil, and the graciousness of Micky 🐸, it is genuinely gearing up to be a massive paradigm shift for an art movement as we live and breathe. This is it folks! We like to say that we are in the golden age, or undergoing a digital art renaissance. It’s happening right now! And you who are reading this is part of it. On X, and in person. It requires us all who give a fuck to show up and support each other and make the art that’s true to us, and collect what we connect to or that moves us. To share how we each see the world from our perspectives in making art or experiences art; sharing ideas helps us become a collective consciousness and allows us to learn and grow together. With every event I can feel we get closer and closer; I was fortunate to spend more quality time with the people I learn from and respect. Like El Barba Roja blue check and Coldie 🟦🟥, AP, MrMerge, Winnie, Lanett Bennett Grant, joeyL.eth / Yatreda ያጥሬዳ, and of course the homie Chikai! It takes a village, and in this case it takes a village to raise Human One as Ryan Zurrer & Jehan Chu said in their recent posts. We all play a role here and contribute our hearts with our love for the game. You can see in Mikes work and character that he uplifts everyone. From his hometown studio in Charleston to the exhibitions he’s cultivating around the world. He includes 100s of artists to be a part of it. That’s true leadership! Thank you Mike for bringing us along and being a part of your journey of commitment, community, humility, humor, and have a good fucking time at your art shows. Congratulations, We love you bro!

justinaversano

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This is a statue of the only man in Troy who saw the trap. He tried to warn everyone, and this is what the gods did to him because of it... His name was Laocoön, a Trojan priest. When the Greek army vanished and left a giant wooden horse outside the city gates, all of Troy celebrated. Only Laocoön refused to believe it. He warned his people the horse was a trick and, to prove it was hollow, hurled his spear into its side. In Virgil's telling, he spoke a line that has outlasted almost everything else about Troy: "I fear the Greeks, even when they bring gifts." He was right. The horse was packed with soldiers, and Troy was hours from destruction. This sculpture shows what he got for it. Two enormous sea serpents rise out of the sea and coil around him and his young sons, dragging all three down together. The father's whole body is knotted in the struggle, every muscle straining, his face locked in a scream. The gods wanted Troy to fall, and Laocoön was in the way. The Trojans watched him die in agony and drew exactly the wrong conclusion: they decided the gods were punishing him for attacking a holy gift. So they pulled the horse inside their own walls, and that night, Troy burned... The statue is called Laocoön and His Sons. It is the work of three Greek sculptors from the island of Rhodes, Agesander, Athenodoros, and Polydorus, and dates to the Hellenistic period, making it well over two thousand years old. Buried for more than a thousand years, it was dug out of a Roman vineyard in 1506, and Michelangelo rushed across Rome to see it the day it was found. It has been called the single greatest depiction of human suffering in the history of art, but it endures because of what it is really about: the man who sees the truth, says it out loud, and is destroyed for being right while the crowd watches... It is one of the oldest patterns there is, and it has never stopped repeating. There is nothing new under the sun.

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