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"Standing here for the second time on the Guangyue Tower, this beautiful structure in this incredible city, you can't help but think that, if you were to capture this cinematically, imagine these mortise-and-tenon joints coming apart like a Chinese puzzle," said Richard Taylor, an acclaimed film special effects master...

2,414,024 views • 5 months ago •via X (Twitter)

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Cities in China without traffic lights The only city in China without traffic lights never experiences traffic jams, not because there are fewer vehicles in the city, but because the city has designed its road network based on the Eight Trigrams in the Chinese Book of Changes. Tekesi County is a unique place located in China's Xinjiang Uygur Autonomous Region. What sets this county apart from others in the region is its distinctive bagua-shaped layout, which is a representation of the ancient Chinese philosophical concept of Bagua, or Eight Trigrams. The bagua-shaped city design is a reflection of the harmony between human beings and nature, as well as the balance between yin and yang. The layout of the city is a physical manifestation of these principles, with the eight trigrams represented by eight main roads leading to the center of the city, forming an octagonal shape. This layout is believed to bring harmony, balance, and prosperity to the city and its inhabitants. One of the most striking features of Tekesi County is the city center, which is home to a beautiful park called Bagua Park that is designed in the shape of the Bagua symbol. The park is a popular destination for locals and tourists alike, offering a serene and peaceful environment for relaxation and contemplation. The city's architecture also reflects the Bagua concept, with many buildings and structures designed according to the principles of Feng Shui, a traditional Chinese practice that aims to harmonize individuals with their surrounding environment. This gives Tekesi County a distinctive aesthetic that sets it apart from other cities in the region. In addition to its unique layout and architectural features, Tekesi County is also known for its rich cultural heritage. The region is home to a diverse ethnic population, including Uygur, Kazakh, and Han Chinese, each contributing to the vibrant cultural tapestry of the area. Visitors to Tekesi County can experience traditional music, dance, and cuisine, as well as explore historical and archaeological sites that offer insight into the region's past.

Johannes Maria

70,647 views • 1 year ago

Eric Rohmer on the use of Colour in "La Collectionneuse" (1967) and "Claire's Knee" (1970): "I didn't use color as a dramatic element, as some filmmakers have done. For me it's something inherent in the film as a whole. I think that in 'La Collectionneuse' (1967) color above all heightens the sense of reality and increases the immediacy of the settings. In this film color acts in an indirect way; it's not direct and there aren't any color effects, as there are for example in Bergman's most recent film, his second one in color, where the color is very deliberately worked out and he gets his effects mainly by the way he uses red. I've never tried for dramatic effects of this kind, but. for example, the sense of time-evening, morning, and so on-can be rendered in a much more precise way through color. Color can also give a stronger sense of warmth, of heat, for when the film is in black-and-white you get less of a feeling of the different moments of the day, and there is less of what you might call a tactile impression about it. In 'Claire's Knee' (1970), I think it works in the same way: the presence of the lake and the mountains is stronger in color than in black-and-white. It's a film I couldn't imagine in black-and-white. The color green seems to me essential in that film, I couldn't imagine it without the green in it. And the blue too-the cold color as a whole. This film mould have no value for me in black-and-white. It's a very difficult thing to explain. It's more a feeling I have that can't be reasoned out logically." (Eric Rohmer's interview with Graham Petrie, Film Quarterly, 1971)

DepressedBergman

61,555 views • 1 year ago