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#StellarBladeXNIKKE #StellarBlade Mann Battle Theme Composer : Youngjee Lee Vocal : Seho Yoon (세흐아) Guitar : kumohami A track made only for 'Mann'.🔥☠️ _____ FULL :

YoungJee Lee

5,220 subscribers

39,525 görüntüleme • 1 yıl önce •via X (Twitter)

Oyun Müzik Sanat #StellarBladeXNIKKE #StellarBlade

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YoungJee Lee profil fotoğrafı

YoungJee Lee1 yıl önce

@kumohami_ The vocalist and guitarist worked on Belial’s boss theme.🔥

Stellar Blade/ NIKKE / Destiny Child/ 🙏 + 🎲 = 🍑 profil fotoğrafı

Stellar Blade/ NIKKE / Destiny Child/ 🙏 + 🎲 = 🍑1 yıl önce

@cynedis @kumohami_ The track blends spectacularly with the energy and edginess of the battle as it unfolds. 🔥 Amazing work, as always!✨

YoungJee Lee profil fotoğrafı

YoungJee Lee1 yıl önce

@cynedis @kumohami_ Thank you as always.☺️

Artur Magomedov profil fotoğrafı

Artur Magomedov1 yıl önce

@cynedis @kumohami_ What an amazing fight that was, and this track hits so hard, and perfectly matches the atmosphere and character, like every other boss soundtrack in the game. Truly excellent work

CrimsonRose 🥀 profil fotoğrafı

CrimsonRose 🥀1 yıl önce

@cynedis @kumohami_ I was completely blown away the first time I heard this last Wednesday 😮🔥

Greggs 🥀🔪 profil fotoğrafı

Greggs 🥀🔪1 yıl önce

@cynedis @kumohami_ SOOO GOOOD

lefteris_k profil fotoğrafı

lefteris_k1 yıl önce

@cynedis @kumohami_ Thank you for composing these absolute bangers 🙏Stellar Blade has my favourite soundtrack of all time 🔥

Riza 🌱 profil fotoğrafı

Riza 🌱1 yıl önce

@cynedis @kumohami_ huge banger i fear

K A L I Z 📸 profil fotoğrafı

K A L I Z 📸1 yıl önce

@cynedis @kumohami_ great way to add a special touch to each part of the game, amazing ✨

Erin Moriarty profil fotoğrafı

Erin Moriarty1 yıl önce

@cynedis @kumohami_ @YOungji1615 This is so good. Honestly, Stellar Blade’s soundtrack is so good in many ways. (Plus, with this battle theme now on YouTube, this might mean that we’re getting closer to the day when all of these songs will be on Apple Music (or iTunes) and Spotify lol!! 😂)

Benzer Videolar

#StellarBladeXNIKKE Scarlet Battle theme Composer: Hyunmin Cho( Benicx | Hyunmin Cho ) ,Youngjee Lee Vocal: Pealeaf This one drops SO HARD. 🔥 FULL->

#StellarBladeXNIKKE Scarlet Battle theme Composer: Hyunmin Cho( Benicx | Hyunmin Cho ) ,Youngjee Lee Vocal: Pealeaf This one drops SO HARD. 🔥 FULL->

YoungJee Lee

30,955 görüntüleme • 1 yıl önce

🤍 LULLABY OF SECRET — STELLAR BLADE (official) compose, lyrics by YoungJee Lee vocals, lyrics by Pernelle. 🎤open for work string arrange by Benicx | Hyunmin Cho guitar by JuNN / Dongjun Jung « Comme le vide au creux de mes nuits » Full ver. —> #StellarBlade

🤍 LULLABY OF SECRET — STELLAR BLADE (official) compose, lyrics by YoungJee Lee vocals, lyrics by Pernelle. 🎤open for work string arrange by Benicx | Hyunmin Cho guitar by JuNN / Dongjun Jung « Comme le vide au creux de mes nuits » Full ver. —> #StellarBlade

Pernelle. 🎤open for work

37,328 görüntüleme • 1 yıl önce

check out the regular battle theme for scrapbook saga, made by the talented Evobyte :D full track link in description #Roblox #RobloxDev

check out the regular battle theme for scrapbook saga, made by the talented Evobyte :D full track link in description #Roblox #RobloxDev

Faded-B

32,501 görüntüleme • 5 ay önce

Aimee Mann is the only guest vocalist on a Rush track, having sung on the band’s 1987 single “Time Stand Still” back when ‘Til Tuesday were still active. Rush kicked off their first tour in over a decade last night in Inglewood, CA, and they brought Mann onstage to perform the song live with them for the first time…

Aimee Mann is the only guest vocalist on a Rush track, having sung on the band’s 1987 single “Time Stand Still” back when ‘Til Tuesday were still active. Rush kicked off their first tour in over a decade last night in Inglewood, CA, and they brought Mann onstage to perform the song live with them for the first time…

Stereogum

86,774 görüntüleme • 3 ay önce

legendary composer, Yoko Shimomura [Yoko Shimomura｜下村陽子], made the MAIN THEME for our new upcoming game - Vampire Crawlers!! 😭🎉 we're still stunned and have had this track on repeat for DAYS 🤩 full version is on our YouTube, go give it a listen!! 🫵🤯

legendary composer, Yoko Shimomura [Yoko Shimomura｜下村陽子], made the MAIN THEME for our new upcoming game - Vampire Crawlers!! 😭🎉 we're still stunned and have had this track on repeat for DAYS 🤩 full version is on our YouTube, go give it a listen!! 🫵🤯

Vampire Survivors | Vampire Crawlers 🧛

1,369,239 görüntüleme • 5 ay önce

Michael Mann’s Thief is begging for a rewatch this weekend. It’s literally calling my name. James Caan was built different. His emotional range, which was incredibly under-appreciated, is on full display in this performance. Caan & Mann made something special here. 🎂

Michael Mann’s Thief is begging for a rewatch this weekend. It’s literally calling my name. James Caan was built different. His emotional range, which was incredibly under-appreciated, is on full display in this performance. Caan & Mann made something special here. 🎂

Cinema Tweets

41,152 görüntüleme • 7 ay önce

- 7 players injured - our main man dhoni is not playing - The bowling looked cooked before the start of the Season - Lost first 3 games in a row Then CSK made a statement comeback and showed everyone - what a comeback looks like 🥶🥵 Comeback Super Kings For a reason. Mann 🔥

- 7 players injured - our main man dhoni is not playing - The bowling looked cooked before the start of the Season - Lost first 3 games in a row Then CSK made a statement comeback and showed everyone - what a comeback looks like 🥶🥵 Comeback Super Kings For a reason. Mann 🔥

Abhinav MSDian™

23,801 görüntüleme • 4 ay önce

$🔥 “IT’S A TRAIN.” Since even Boring’s own estimates show the Elon tunnel will only handle a tiny fraction of NASHVILLE traffic, Joe Lee suggest tying some Tesla cars together and putting them on a track for a real solution 🚂 (The anti-tunnel resolution passed)$

🔥 “IT’S A TRAIN.” Since even Boring’s own estimates show the Elon tunnel will only handle a tiny fraction of NASHVILLE traffic, Joe Lee suggest tying some Tesla cars together and putting them on a track for a real solution 🚂 (The anti-tunnel resolution passed)

The Tennessee Holler

84,762 görüntüleme • 7 ay önce

Millions first heard “Spaceman” through a Levi’s advert, but there was a catch. The commercial used a dramatically sped-up section of the song, creating a frantic electronic sound that lasted only briefly on the actual record. When the full version arrived, listeners discovered something slower, darker and far more guitar-driven. The exposure was enormous, helping Babylon Zoo sell hundreds of thousands of copies in its first week and shoot straight to number one in the UK. This 1996 Top of the Pops appearance captures Jas Mann at the centre of one of the decade’s most sudden pop breakthroughs.

Millions first heard “Spaceman” through a Levi’s advert, but there was a catch. The commercial used a dramatically sped-up section of the song, creating a frantic electronic sound that lasted only briefly on the actual record. When the full version arrived, listeners discovered something slower, darker and far more guitar-driven. The exposure was enormous, helping Babylon Zoo sell hundreds of thousands of copies in its first week and shoot straight to number one in the UK. This 1996 Top of the Pops appearance captures Jas Mann at the centre of one of the decade’s most sudden pop breakthroughs.

Batfox Pictures

244,476 görüntüleme • 1 ay önce

If every scary movie is full of twists and turns, then Fremont and Alta did their best impression of one! In an absolutely thrilling game it was Triston Mann who made the game winning play for the Fremont Silverwolves with a defensive gem to stop a potential game winning touchdown by Alta in the closing seconds! KSL Sports Jeff Hansen Dane Stewart Fremont Football Nate Tuatagaloa Manase Tuatagaloa Salesi Moa Slade Parker Cooper Ortgiesen Cade Hadley

If every scary movie is full of twists and turns, then Fremont and Alta did their best impression of one! In an absolutely thrilling game it was Triston Mann who made the game winning play for the Fremont Silverwolves with a defensive gem to stop a potential game winning touchdown by Alta in the closing seconds! KSL Sports Jeff Hansen Dane Stewart Fremont Football Nate Tuatagaloa Manase Tuatagaloa Salesi Moa Slade Parker Cooper Ortgiesen Cade Hadley

KSL Sports Rewind

11,797 görüntüleme • 11 ay önce

The moment Jaime and Bronn realized the Golden Age of Westeros was over. 🛡️🔥 Robert Baratheon warned us: Only a fool meets the Dothraki in an open field. This wasn't a battle; it was a mässacre. While the Lannisters fought for duty, the Great Khalasar fought for sport—and they made the invincible Lion look like a cub.

The moment Jaime and Bronn realized the Golden Age of Westeros was over. 🛡️🔥 Robert Baratheon warned us: Only a fool meets the Dothraki in an open field. This wasn't a battle; it was a mässacre. While the Lannisters fought for duty, the Great Khalasar fought for sport—and they made the invincible Lion look like a cub.

SAMWISE ARCHIVE

511,268 görüntüleme • 8 ay önce

“Leave a Light On” has an unexpected guest: George Harrison played the song's distinctive slide-guitar part. Belinda Carlisle suggested his name to producer Rick Nowels when they were looking for a guitarist with a unique sound, and Harrison quickly agreed to participate. He went on to contribute not only to “Leave a Light On” but also to another track on Carlisle's 1989 album Runaway Horses, “Deep Deep Ocean.” Harrison's contribution became one of the most memorable elements of the track and Carlisle later recalled that his widow, Olivia Harrison, told her that George had agreed to participate because he loved her voice. Harrison himself was also pleased with his work: he sent producer Rick Nowels a handwritten letter with instructions concerning the mixing of his guitar part, adding in a postscript that he had developed a blister while playing the song. For a former Beatle whose appearances on other artists' records had become relatively rare, his contribution made the track particularly special.

“Leave a Light On” has an unexpected guest: George Harrison played the song's distinctive slide-guitar part. Belinda Carlisle suggested his name to producer Rick Nowels when they were looking for a guitarist with a unique sound, and Harrison quickly agreed to participate. He went on to contribute not only to “Leave a Light On” but also to another track on Carlisle's 1989 album Runaway Horses, “Deep Deep Ocean.” Harrison's contribution became one of the most memorable elements of the track and Carlisle later recalled that his widow, Olivia Harrison, told her that George had agreed to participate because he loved her voice. Harrison himself was also pleased with his work: he sent producer Rick Nowels a handwritten letter with instructions concerning the mixing of his guitar part, adding in a postscript that he had developed a blister while playing the song. For a former Beatle whose appearances on other artists' records had become relatively rare, his contribution made the track particularly special.

Ladytron Fan Account

36,671 görüntüleme • 1 ay önce

Big bikes, big moves. Dunlop and Harrison in a full-tilt Superbike battle through Kirk Michael village 🔥 Go back to Davey, Dean and Michael pushing it to the limit during this year’s Superbike race, in TT Rewind. Rewatch every race for free – only on TT+ 🔗

Big bikes, big moves. Dunlop and Harrison in a full-tilt Superbike battle through Kirk Michael village 🔥 Go back to Davey, Dean and Michael pushing it to the limit during this year’s Superbike race, in TT Rewind. Rewatch every race for free – only on TT+ 🔗

Isle of Man TT Races

32,912 görüntüleme • 9 ay önce

LukHash x David M.Hanlon - Druid II: Fairlight Cracktro is out now everywhere 💜 Proud to finally give this track a commercial release. Druid II: Enlightenment – Written by David M. Hanlon in 1987, this track is part of the early #chiptune scene and helped shape my musical taste from a young age, thanks to the iconic Fairlight crack intro. ☠️ Now, it's time to introduce it to a new generation with a reimagined version. A big shout-out to Dave and Bacchus for being very approachable. Here’s the promo/demo, where I play the main theme on a guitar-powered #C64 👾 Hardware used is Ultimate 64 Elite + TeensyROM. The lead on the left channel is MOS Technology 6581 R3 (datecode 2284), and the right channel is 8580 R5 (datecode 1690). Be sure to listen to the full, re-mastered version on your favourite music service 🎧 and support us by following the link below. Every save, playlist add, comment or repost helps keep it alive! #commodore64 #8bit #demoscene

LukHash x David M.Hanlon - Druid II: Fairlight Cracktro is out now everywhere 💜 Proud to finally give this track a commercial release. Druid II: Enlightenment – Written by David M. Hanlon in 1987, this track is part of the early #chiptune scene and helped shape my musical taste from a young age, thanks to the iconic Fairlight crack intro. ☠️ Now, it's time to introduce it to a new generation with a reimagined version. A big shout-out to Dave and Bacchus for being very approachable. Here’s the promo/demo, where I play the main theme on a guitar-powered #C64 👾 Hardware used is Ultimate 64 Elite + TeensyROM. The lead on the left channel is MOS Technology 6581 R3 (datecode 2284), and the right channel is 8580 R5 (datecode 1690). Be sure to listen to the full, re-mastered version on your favourite music service 🎧 and support us by following the link below. Every save, playlist add, comment or repost helps keep it alive! #commodore64 #8bit #demoscene

LukHash

11,976 görüntüleme • 1 yıl önce

let’s wish a happy birthday to the one & only wale 🎂🎤 born and raised in the DMV, wale has been a voice putting the region on the map for nearly two decades from 'attention deficit' to 'the album about nothing' to his latest 'everything is a lot'...the catalog speaks for itself 📚🔥 'everything is a lot' debuted at no. 19 on the billboard 200, adding another charting album to wale’s discography 📈 what wale track made you a fan?

let’s wish a happy birthday to the one & only wale 🎂🎤 born and raised in the DMV, wale has been a voice putting the region on the map for nearly two decades from 'attention deficit' to 'the album about nothing' to his latest 'everything is a lot'...the catalog speaks for itself 📚🔥 'everything is a lot' debuted at no. 19 on the billboard 200, adding another charting album to wale’s discography 📈 what wale track made you a fan?

Genius

29,466 görüntüleme • 8 gün önce

One of the things that makes the ending of Heat so powerful is its music—Moby's "God Moving Over the Face of the Waters." At the time, Moby was relatively unknown, yet Michael Mann somehow discovered the obscure track and decided it was perfect for the final scene. Moby explains: “Let’s get in our little time machine and go back to 1994. I was part of the rave scene, and I was making my first album, Everything Is Wrong. One of the songs—in fact, the last song on the album—that I was desperate to include was "God Moving Over the Face of the Waters." It could arguably be the strangest song ever included on what was supposed to be a dance album. There are no drums and nothing overtly electronic about it. When I was working on it and mixing it, I fell in love with it almost more than anything I’d ever done. So I put it on the album, and it sat there at the end, largely ignored. But somehow, and I still don’t know how, Michael Mann heard it and wanted to use it in this movie he was working on called Heat, with Al Pacino, Robert De Niro, Val Kilmer, on and on and on. This real movie. I was baffled. How does Michael Mann know who I am? How does Michael Mann know about this piece of music? But I said yes, of course. It was such an amazing opportunity. This major Hollywood director knew who I was and wanted to use my music. They flew me to Los Angeles and put me in a professional studio to tailor “God Moving” to the closing scene of the film. Until then, I had only ever worked in my homemade studio in an abandoned loft building in New York… One of the most terrifying professional moments of my life came when someone told me, “Michael Mann wants to talk to you.” And I was like, “Can’t he just leave me alone? I’m terrified. I don’t want to talk to humans.” I thought, “Okay, Michael Mann is going to call me, and it’s going to be scary, but I can deal with it because I’m a big boy.” The phone rang, I picked it up, and Michael Mann talked for about 45 minutes. He talked about archetypes within the film, classical narrative elements and tropes. It was like he gave me this masterclass in what Heat was about, and then just hung up the phone. And then it came out, and to hear the music that I’d made against this phenomenal, beautiful scene—it really was special. I’m thrilled that, 30 years later, people are still discovering the film and “God Moving Over the Face of the Waters.” Spoiler warning: The clip below contains the ending of Heat. If you haven't seen the film, don't watch past the first 30 seconds. The music doesn't begin until about a minute into the scene.

One of the things that makes the ending of Heat so powerful is its music—Moby's "God Moving Over the Face of the Waters." At the time, Moby was relatively unknown, yet Michael Mann somehow discovered the obscure track and decided it was perfect for the final scene. Moby explains: “Let’s get in our little time machine and go back to 1994. I was part of the rave scene, and I was making my first album, Everything Is Wrong. One of the songs—in fact, the last song on the album—that I was desperate to include was "God Moving Over the Face of the Waters." It could arguably be the strangest song ever included on what was supposed to be a dance album. There are no drums and nothing overtly electronic about it. When I was working on it and mixing it, I fell in love with it almost more than anything I’d ever done. So I put it on the album, and it sat there at the end, largely ignored. But somehow, and I still don’t know how, Michael Mann heard it and wanted to use it in this movie he was working on called Heat, with Al Pacino, Robert De Niro, Val Kilmer, on and on and on. This real movie. I was baffled. How does Michael Mann know who I am? How does Michael Mann know about this piece of music? But I said yes, of course. It was such an amazing opportunity. This major Hollywood director knew who I was and wanted to use my music. They flew me to Los Angeles and put me in a professional studio to tailor “God Moving” to the closing scene of the film. Until then, I had only ever worked in my homemade studio in an abandoned loft building in New York… One of the most terrifying professional moments of my life came when someone told me, “Michael Mann wants to talk to you.” And I was like, “Can’t he just leave me alone? I’m terrified. I don’t want to talk to humans.” I thought, “Okay, Michael Mann is going to call me, and it’s going to be scary, but I can deal with it because I’m a big boy.” The phone rang, I picked it up, and Michael Mann talked for about 45 minutes. He talked about archetypes within the film, classical narrative elements and tropes. It was like he gave me this masterclass in what Heat was about, and then just hung up the phone. And then it came out, and to hear the music that I’d made against this phenomenal, beautiful scene—it really was special. I’m thrilled that, 30 years later, people are still discovering the film and “God Moving Over the Face of the Waters.” Spoiler warning: The clip below contains the ending of Heat. If you haven't seen the film, don't watch past the first 30 seconds. The music doesn't begin until about a minute into the scene.

Gangster Cinema Central

27,798 görüntüleme • 2 ay önce

[SEASON UPDATE] 🔥 Firestorm The Major Content Update – Season 32 – for #WarThunderMobile is now in the #game: — New top-rank vehicles and their blueprints in seasonal Trophies. — A new season of the long-term event with unique vehicles in the Trophies. — A new season of the Battle Pass. — Team balancer. 🛠 Changes — A number of changes have been made to the post-battle statistics window, including the addition of a separate tab for task completion progress, sorted by event type. — The ability to view ads has been added to the post-battle statistics window: you can increase your battle reward by 30% by watching a video. — For the #tank campaign, the vehicle card in the research tech tree now displays upgrades from crew training for the slot in which the vehicle is equipped. — A number of fixes have been made to the replay functionality. — A bug that caused the number of rare vehicles to be incorrectly calculated in a player’s personal statistics has been fixed. Now only collectible units are counted, while hidden (not yet added) units are no longer counted. 📚 More details: #wtm #ships #aircraft

[SEASON UPDATE] 🔥 Firestorm The Major Content Update – Season 32 – for #WarThunderMobile is now in the #game: — New top-rank vehicles and their blueprints in seasonal Trophies. — A new season of the long-term event with unique vehicles in the Trophies. — A new season of the Battle Pass. — Team balancer. 🛠 Changes — A number of changes have been made to the post-battle statistics window, including the addition of a separate tab for task completion progress, sorted by event type. — The ability to view ads has been added to the post-battle statistics window: you can increase your battle reward by 30% by watching a video. — For the #tank campaign, the vehicle card in the research tech tree now displays upgrades from crew training for the slot in which the vehicle is equipped. — A number of fixes have been made to the replay functionality. — A bug that caused the number of rare vehicles to be incorrectly calculated in a player’s personal statistics has been fixed. Now only collectible units are counted, while hidden (not yet added) units are no longer counted. 📚 More details: #wtm #ships #aircraft

War Thunder Mobile

14,836 görüntüleme • 5 ay önce

I made this music video for just $25 using Seedance 2.0 on OpenArt AI. 🤯 It only took 13 generated clips at 720p using Director Mode. I skipped the fully automated feature and went semi-automatic instead—as a filmmaker, having control over framing and pacing is everything. 🎬🔥 Watch full resolution in the comments!

I made this music video for just $25 using Seedance 2.0 on OpenArt AI. 🤯 It only took 13 generated clips at 720p using Director Mode. I skipped the fully automated feature and went semi-automatic instead—as a filmmaker, having control over framing and pacing is everything. 🎬🔥 Watch full resolution in the comments!

JSFILMZ

21,748 görüntüleme • 2 ay önce