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Sticky Net! Air Shot! Digimental Up! Patamon! Armor Evolve! Soaring Hope, Pegasmon! #DigimonAdventure02 #Digimon

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92,557 次观看 • 3 个月前 •via X (Twitter)

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Seven days of large-scale Russian attacks on Ukraine: over 1,800 drones, more than 1,200 guided aerial bombs, and 83 missiles of various types. The Russians are intensifying terror against cities and communities to increasingly intimidate our people. But despite Moscow's plans, the air defense forces are achieving good results. Interceptor drones are performing particularly well, with hundreds of Russian-Iranian “shaheds” shot down over the past week. And every meeting with partners this week was about scaling up this technology. I am grateful to everyone willing to invest in the protection of life, and to our warriors who safeguard the Ukrainian skies. “Shaheds” are one of Russia's ways of prolonging the war. We must neutralize this threat in order to bring diplomacy into motion sooner. We hope for the implementation of all agreements that will strengthen our defense. We count on strong decisions from the United States, Europe, the G7, and all our partners.

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🚨🇮🇷🇺🇸 THE STEALTH MYTH JUST TOOK A HIT, AND THAT SHOULD WORRY EVERYONE A U.S. F-35, the crown jewel of modern airpower, just limped home after taking fire over Iran. Not destroyed. Not confirmed shot down. But hit. And that alone changes the conversation. For years, the F-35 has been sold as invisible, untouchable. A jet designed to slip through enemy airspace like a ghost. So what happened? First, let’s kill the myth: stealth does not mean invisible. Every aircraft reflects radar. The trick is reducing that signal, bending it, scattering it, shrinking it into something harder to detect. Harder. Not impossible. And that distinction may be the whole story. Because the skies over Iran right now aren’t a one-off mission. They’re crowded, repetitive, predictable. F-35s have been flying there a lot. Same routes. Same altitudes. Same mission profiles. That matters. Air defense isn’t static. It learns. Modern systems don’t just “see” aircraft; they collect data over time. Patterns. Angles. Frequencies. Tiny radar returns that look like noise until they don’t. Do that enough times, and the noise starts to look like a signature. Then there’s the second possibility: this wasn’t just Iranian ingenuity. Iran doesn’t build its air defense ecosystem in isolation. It buys. It reverse-engineers. It integrates. Russia has spent years refining systems specifically designed to counter Western stealth. China has invested heavily in multi-band radar, systems that trade precision for detection, spotting stealth aircraft at longer ranges even if they can’t track them perfectly. Individually, these systems have limits. Together? They create something closer to a net. The third explanation is the simplest and the least comfortable: War is messy. Even the most advanced aircraft in history can be hit under the right conditions. A lucky shot. A brief exposure. A pilot forced into a less-than-ideal flight path. The same conflict has already seen drones shot down, friendly fire incidents, and dense, overlapping air defenses lighting up the sky. In that environment, “stealth” becomes less of a shield and more of an advantage, one that can be eroded. If Iran, with a patchwork of imported systems and domestic improvisation, can even touch an F-35, then the future of air warfare looks very different than advertised.

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Australians Are Being Pushed to the Brink And Labor’s Mass Immigration Program Is Driving the Crisis This isn’t a blunder. It’s not poor planning. It’s deliberate. Under Anthony Albanese, 1.2 million net migrants have been brought in, and now we’re looking at 2 million by the end of his second term. All with no serious plan for housing, infrastructure, or jobs. And it’s everyday Australians who are paying the price. Families can’t find a rental. Young people have no shot at buying a home. Working Australians can’t keep up with the cost of living. Meanwhile, Labor floods the country, and pretends it’s got nothing to do with it. But we know the truth: More people. Not enough homes. Soaring demand. Exploding prices. That’s not a coincidence, it’s basic economics. Labor keeps falling back on the same tired line, “we need skilled workers.” But that excuse has collapsed. The majority coming in on “skilled” visas aren’t tradespeople or filling urgent needs. It’s not targeted. It’s not balanced. And it’s not working. There is no national plan. Just a population surge that serves Labor's political agenda, while ordinary Australians are left behind. One Nation is standing firm: Cut immigration to sustainable levels Fix the housing crisis with real supply, not spin Put Australians first Because if we don’t act now, the pressure won’t ease. It’ll get worse. Watch my full interview with Chris Kenny here.

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What if your favorite childhood toy had its own story before finding you? 🧸 Created with Seedance 2.0 on FlovaAI #Flovaai #Flovacpp FlovaAI_Japan PROMPT: Style: Premium Pixar-quality 3D animation, anime-inspired facial expressions, ultra-detailed fur simulation, cinematic lighting, magical realism, vibrant toy store, expressive eyes, soft bloom, ray-traced reflections, dynamic camera movement, Hollywood animated film quality. Prompt: Open with an ultra-wide cinematic establishing shot of a massive premium toy store during golden hour as families browse colorful aisles. Fast dolly shot through shelves overflowing with plush toys, action figures, trains, dolls, and racing cars. Cut to a low-angle close-up of Oliver, the caramel teddy bear with his blue scarf, sitting proudly on the shelf. His amber eyes sparkle with hope. Match cut to six-year-old Emma running excitedly into frame, stopping directly in front of Oliver. Extreme close-up of her smiling face as she hugs him tightly against her chest. Over-the-shoulder shot from Oliver's perspective as Emma happily says, "Can we get this one?" Her mother reaches toward the shelf—but accidentally grabs another identical teddy from behind him. Quick push-in on Oliver's face as his smile fades. Slow-motion shot of Emma walking away while looking back at him. Rack focus from Oliver's tearful eyes to the closing automatic doors. The store lights dim one by one. A loud CLICK echoes as the final light switches off. 🎬 PART 2 — "When Toys Wake Up" Duration: 0:15–0:30 Prompt: Complete darkness. Oliver's button eyes slowly blink open. Extreme close-up of his eyes reflecting moonlight. Whip pan across the store as hundreds of toys suddenly come alive. RC cars drift through polished floors leaving glowing tire streaks. Toy trains rush along display tracks. Dolls laugh while twirling between shelves. Giant Rex the dinosaur lets out a playful roar that shakes nearby boxes. Titan-X activates with glowing cyan eyes. Fast handheld-style tracking shot follows Oliver sprinting across shelves. He leaps between toy boxes in slow motion. Dynamic overhead shot as Bolt the RC car races underneath him, giving him a boost. Oliver lands perfectly onto Chug the toy train as it speeds around a corner. Dramatic orbit shot around Oliver as he quietly whispers, "I have to find her." The music builds rapidly. 🎬 PART 3 — "The Adventure" Duration: 0:30–0:45 Prompt: High-speed action montage. Oliver jumps off the moving train onto hanging gift ribbons, swinging across the aisle. Fast rotating camera follows him weaving through floating balloons. Rex accidentally crashes through stacked toy boxes, causing colorful blocks to rain everywhere. Oliver slides beneath a closing display shelf in slow motion. Bolt races beside him before launching him off a miniature toy ramp. FPV-style camera flies alongside Oliver as he narrowly avoids spinning helicopters and bouncing rubber balls. Titan-X extends a mechanical arm, catching Oliver just before he falls from a high shelf. Cinematic top-down shot reveals the giant locked entrance doors. Oliver runs with everything he has, but the automatic doors refuse to open. Extreme close-up of his tiny paw pressing against the cold glass. Outside, the first rays of sunrise begin to appear. 🎬 PART 4 — "Meant to Be" Duration: 0:45–1:00 Prompt: Soft emotional piano begins. Low-angle shot of Oliver sitting sadly near the entrance as the toys quietly watch from behind. Suddenly, a restocking employee pushes Mr. Wheels, the shopping cart, through the entrance. Dynamic tracking shot as Mochi nudges Oliver forward. Titan-X gently lifts him while Bolt gives one final speed boost. Oliver jumps through the air in beautiful slow motion, perfectly landing inside the shopping cart filled with new toys. Match cut to the toy display being restocked moments later. The store opens. Bright morning sunlight floods the entrance. Emma runs back inside with her mother. Handheld child-height camera follows her weaving through customers. She suddenly freezes, her eyes widening. Push-in on Oliver sitting exactly at the front of the display. "Mom! It's him!" She hugs Oliver tightly against her chest. Extreme close-up of Oliver's stitched smile as one tiny happy tear forms in his eye. The camera slowly cranes upward as Emma walks toward the glowing exit carrying Oliver. Warm golden sunlight fills the frame. Fade to white. Final Screen Text: "Some friendships are simply meant to be." 🧸✨

What if your favorite childhood toy had its own story before finding you? 🧸 Created with Seedance 2.0 on FlovaAI #Flovaai #Flovacpp FlovaAI_Japan PROMPT: Style: Premium Pixar-quality 3D animation, anime-inspired facial expressions, ultra-detailed fur simulation, cinematic lighting, magical realism, vibrant toy store, expressive eyes, soft bloom, ray-traced reflections, dynamic camera movement, Hollywood animated film quality. Prompt: Open with an ultra-wide cinematic establishing shot of a massive premium toy store during golden hour as families browse colorful aisles. Fast dolly shot through shelves overflowing with plush toys, action figures, trains, dolls, and racing cars. Cut to a low-angle close-up of Oliver, the caramel teddy bear with his blue scarf, sitting proudly on the shelf. His amber eyes sparkle with hope. Match cut to six-year-old Emma running excitedly into frame, stopping directly in front of Oliver. Extreme close-up of her smiling face as she hugs him tightly against her chest. Over-the-shoulder shot from Oliver's perspective as Emma happily says, "Can we get this one?" Her mother reaches toward the shelf—but accidentally grabs another identical teddy from behind him. Quick push-in on Oliver's face as his smile fades. Slow-motion shot of Emma walking away while looking back at him. Rack focus from Oliver's tearful eyes to the closing automatic doors. The store lights dim one by one. A loud CLICK echoes as the final light switches off. 🎬 PART 2 — "When Toys Wake Up" Duration: 0:15–0:30 Prompt: Complete darkness. Oliver's button eyes slowly blink open. Extreme close-up of his eyes reflecting moonlight. Whip pan across the store as hundreds of toys suddenly come alive. RC cars drift through polished floors leaving glowing tire streaks. Toy trains rush along display tracks. Dolls laugh while twirling between shelves. Giant Rex the dinosaur lets out a playful roar that shakes nearby boxes. Titan-X activates with glowing cyan eyes. Fast handheld-style tracking shot follows Oliver sprinting across shelves. He leaps between toy boxes in slow motion. Dynamic overhead shot as Bolt the RC car races underneath him, giving him a boost. Oliver lands perfectly onto Chug the toy train as it speeds around a corner. Dramatic orbit shot around Oliver as he quietly whispers, "I have to find her." The music builds rapidly. 🎬 PART 3 — "The Adventure" Duration: 0:30–0:45 Prompt: High-speed action montage. Oliver jumps off the moving train onto hanging gift ribbons, swinging across the aisle. Fast rotating camera follows him weaving through floating balloons. Rex accidentally crashes through stacked toy boxes, causing colorful blocks to rain everywhere. Oliver slides beneath a closing display shelf in slow motion. Bolt races beside him before launching him off a miniature toy ramp. FPV-style camera flies alongside Oliver as he narrowly avoids spinning helicopters and bouncing rubber balls. Titan-X extends a mechanical arm, catching Oliver just before he falls from a high shelf. Cinematic top-down shot reveals the giant locked entrance doors. Oliver runs with everything he has, but the automatic doors refuse to open. Extreme close-up of his tiny paw pressing against the cold glass. Outside, the first rays of sunrise begin to appear. 🎬 PART 4 — "Meant to Be" Duration: 0:45–1:00 Prompt: Soft emotional piano begins. Low-angle shot of Oliver sitting sadly near the entrance as the toys quietly watch from behind. Suddenly, a restocking employee pushes Mr. Wheels, the shopping cart, through the entrance. Dynamic tracking shot as Mochi nudges Oliver forward. Titan-X gently lifts him while Bolt gives one final speed boost. Oliver jumps through the air in beautiful slow motion, perfectly landing inside the shopping cart filled with new toys. Match cut to the toy display being restocked moments later. The store opens. Bright morning sunlight floods the entrance. Emma runs back inside with her mother. Handheld child-height camera follows her weaving through customers. She suddenly freezes, her eyes widening. Push-in on Oliver sitting exactly at the front of the display. "Mom! It's him!" She hugs Oliver tightly against her chest. Extreme close-up of Oliver's stitched smile as one tiny happy tear forms in his eye. The camera slowly cranes upward as Emma walks toward the glowing exit carrying Oliver. Warm golden sunlight fills the frame. Fade to white. Final Screen Text: "Some friendships are simply meant to be." 🧸✨

Sophia

126,206 次观看 • 1 个月前

A brave knight. A legendary dragon. An adventure that ends in the most unexpected way. ⚔️✨ Made on FlovaAI with the help of Nano Banana Pro and Seedance 2.0 #Flovaai #Flovacpp The Dragon Doesn't Want a Knight (60 Seconds) Prompt: Ultra-high-quality 3D animated fantasy film, DreamWorks/Pixar-level animation, cinematic storytelling, rich medieval fantasy world, highly expressive facial animation, lush forests, ancient moss-covered mountains, warm volumetric lighting, magical atmosphere, realistic fire, detailed dragon scales, cinematic depth of field, dynamic camera movement, smooth transitions, emotional comedy, orchestral fantasy score, 4K HDR, vibrant colors. Characters: Knight: Young, determined but inexperienced, around 20 years old. Polished silver armor with a royal blue cape, expressive face, messy brown hair, slightly awkward but brave. Dragon: Enormous emerald-green dragon with glowing amber eyes, large horns, weathered scales, intimidating appearance but surprisingly gentle and sarcastic personality. Deep, warm voice. PART 1 (0:00–0:15) — The Hero Arrives 0:00–0:05 Camera: Epic aerial drone shot soaring above mist-covered mountains at sunrise. The camera dives toward an ancient cave carved into a towering cliff. Smoke lazily drifts from the entrance as birds scatter into the sky. Action: A lone knight climbs the rocky trail with determination, gripping his sword tightly while his blue cape billows dramatically in the wind. Audio: Grand orchestral score builds with distant dragon roars echoing through the valley. 0:05–0:10 Camera: Low-angle tracking shot following behind the knight as he enters the cave. The environment grows darker, illuminated only by glowing lava cracks and shafts of sunlight breaking through the ceiling. Action: He stops, raises his sword toward the darkness, and takes a deep breath. Knight (shouting heroically): "Fear me, beast! I've come to slay the dragon!" 0:10–0:15 Camera: Slow cinematic dolly through the darkness until an enormous emerald dragon is revealed sleeping peacefully atop a mountain of treasure. Close-up on one sleepy amber eye opening as it lets out a massive yawn, releasing a tiny puff of fire. Dragon (half asleep): "...Can you come back tomorrow?" The knight freezes in complete confusion. PART 2 (0:15–0:30) — The Most Tired Dragon 0:15–0:20 Camera: Medium two-shot. The knight awkwardly lowers his sword while the dragon stretches lazily, scratching behind one horn. Dragon (with a sigh): "I'm exhausted." The epic music abruptly stops, leaving only awkward silence. Knight: "...Wait... what?" 0:20–0:25 Camera: Slow pan across the cave, revealing piles of broken swords, shattered shields, cracked armor, and bent spears stacked in one corner. Dragon (casually): "I've had six knights this week." 0:25–0:30 Camera: Close-up of the dragon rolling its eyes. Dragon: "None of them even introduced themselves." A tiny baby dragon peeks out from behind a treasure chest, gives the knight a cheerful little wave, then quickly hides again. The knight blinks, completely speechless. PART 3 (0:30–0:45) — The Truth 0:30–0:35 Camera: Slow push-in on the knight as he relaxes and carefully places his sword on the ground. Knight: "...So..." "What do you actually want?" 0:35–0:40 Camera: Close-up on the dragon's face. Its playful smile fades as it gazes toward the cave entrance, where golden evening light shines across the valley. A long, quiet pause. 0:40–0:45 Camera: Extreme close-up of the dragon's eyes. Dragon (softly): "Honestly..." Small pause. "...A friend." The soundtrack shifts into a gentle piano melody. PART 4 (0:45–1:00) — A Different Kind of Victory 0:45–0:50 Camera: Warm montage with smooth cinematic transitions. The knight and dragon sit beside a campfire inside the cave. The dragon carefully roasts marshmallows using tiny controlled flames. Knight (laughing): "This wasn't in knight school." Dragon (smiling): "Neither was loneliness." 0:50–0:55 Camera: Wide shot outside the cave. The King leads hundreds of armored soldiers charging up the mountain, banners waving and dust rising beneath galloping horses. King (shouting): "Did you defeat the dragon?" 0:55–1:00 Camera: Heroic medium shot of the knight standing beside the dragon at the cave entrance. The dragon nervously peeks from behind him. The knight smiles. Knight: "No." A brief pause. "...I met him." Final Camera: The camera slowly cranes upward, revealing the knight and dragon standing together against the glowing sunset as the music reaches an emotional crescendo. Fade to Black.

A brave knight. A legendary dragon. An adventure that ends in the most unexpected way. ⚔️✨ Made on FlovaAI with the help of Nano Banana Pro and Seedance 2.0 #Flovaai #Flovacpp The Dragon Doesn't Want a Knight (60 Seconds) Prompt: Ultra-high-quality 3D animated fantasy film, DreamWorks/Pixar-level animation, cinematic storytelling, rich medieval fantasy world, highly expressive facial animation, lush forests, ancient moss-covered mountains, warm volumetric lighting, magical atmosphere, realistic fire, detailed dragon scales, cinematic depth of field, dynamic camera movement, smooth transitions, emotional comedy, orchestral fantasy score, 4K HDR, vibrant colors. Characters: Knight: Young, determined but inexperienced, around 20 years old. Polished silver armor with a royal blue cape, expressive face, messy brown hair, slightly awkward but brave. Dragon: Enormous emerald-green dragon with glowing amber eyes, large horns, weathered scales, intimidating appearance but surprisingly gentle and sarcastic personality. Deep, warm voice. PART 1 (0:00–0:15) — The Hero Arrives 0:00–0:05 Camera: Epic aerial drone shot soaring above mist-covered mountains at sunrise. The camera dives toward an ancient cave carved into a towering cliff. Smoke lazily drifts from the entrance as birds scatter into the sky. Action: A lone knight climbs the rocky trail with determination, gripping his sword tightly while his blue cape billows dramatically in the wind. Audio: Grand orchestral score builds with distant dragon roars echoing through the valley. 0:05–0:10 Camera: Low-angle tracking shot following behind the knight as he enters the cave. The environment grows darker, illuminated only by glowing lava cracks and shafts of sunlight breaking through the ceiling. Action: He stops, raises his sword toward the darkness, and takes a deep breath. Knight (shouting heroically): "Fear me, beast! I've come to slay the dragon!" 0:10–0:15 Camera: Slow cinematic dolly through the darkness until an enormous emerald dragon is revealed sleeping peacefully atop a mountain of treasure. Close-up on one sleepy amber eye opening as it lets out a massive yawn, releasing a tiny puff of fire. Dragon (half asleep): "...Can you come back tomorrow?" The knight freezes in complete confusion. PART 2 (0:15–0:30) — The Most Tired Dragon 0:15–0:20 Camera: Medium two-shot. The knight awkwardly lowers his sword while the dragon stretches lazily, scratching behind one horn. Dragon (with a sigh): "I'm exhausted." The epic music abruptly stops, leaving only awkward silence. Knight: "...Wait... what?" 0:20–0:25 Camera: Slow pan across the cave, revealing piles of broken swords, shattered shields, cracked armor, and bent spears stacked in one corner. Dragon (casually): "I've had six knights this week." 0:25–0:30 Camera: Close-up of the dragon rolling its eyes. Dragon: "None of them even introduced themselves." A tiny baby dragon peeks out from behind a treasure chest, gives the knight a cheerful little wave, then quickly hides again. The knight blinks, completely speechless. PART 3 (0:30–0:45) — The Truth 0:30–0:35 Camera: Slow push-in on the knight as he relaxes and carefully places his sword on the ground. Knight: "...So..." "What do you actually want?" 0:35–0:40 Camera: Close-up on the dragon's face. Its playful smile fades as it gazes toward the cave entrance, where golden evening light shines across the valley. A long, quiet pause. 0:40–0:45 Camera: Extreme close-up of the dragon's eyes. Dragon (softly): "Honestly..." Small pause. "...A friend." The soundtrack shifts into a gentle piano melody. PART 4 (0:45–1:00) — A Different Kind of Victory 0:45–0:50 Camera: Warm montage with smooth cinematic transitions. The knight and dragon sit beside a campfire inside the cave. The dragon carefully roasts marshmallows using tiny controlled flames. Knight (laughing): "This wasn't in knight school." Dragon (smiling): "Neither was loneliness." 0:50–0:55 Camera: Wide shot outside the cave. The King leads hundreds of armored soldiers charging up the mountain, banners waving and dust rising beneath galloping horses. King (shouting): "Did you defeat the dragon?" 0:55–1:00 Camera: Heroic medium shot of the knight standing beside the dragon at the cave entrance. The dragon nervously peeks from behind him. The knight smiles. Knight: "No." A brief pause. "...I met him." Final Camera: The camera slowly cranes upward, revealing the knight and dragon standing together against the glowing sunset as the music reaches an emotional crescendo. Fade to Black.

Caden Flux

30,264 次观看 • 1 个月前

Why you shoot 70 in practice, but 78 in tournaments... Ever notice how your swing feels like butter on a Tuesday morning, but by the first tee on Sunday, it feels like you’ve forgotten how to hold a club? It’s rarely a “swing” problem. It’s a mindset problem. 🧠 The “Tightness” Trap When the stakes go up, our brains naturally start focusing on outcomes instead of actions. We start trying to “play safe” and “not mess up.” But here’s the truth: Careful golf is bad golf. Emotional reactions like doubt and over-caution inhibit your natural athletic performance every single time. ✅ The 4 Pillars of a Pro Mindset The best competitors don’t get tighter as the pressure builds… they get looser. They stop trying to control the ball and start controlling the only four things they actually can: 1. Attitude: Stay neutral. Don’t let a bad break dictate your energy. 2. Routines: Lean on your process. It’s your safety net when nerves kick in. 3. Decisions: Be 100% decisive. A “bad” club choice hit with commitment is better than a “perfect” club hit with doubt. 4. Acceptance: Once the ball is in the air, your job is done. Accept the result and move to the next shot. 🚀 The Goal: Swing freely to your targets. Commit to the routine. Sign the scorecard at the end. If you focus on the process, the score will take care of itself. 👇 What’s the biggest difference you notice in your game when the pressure is on?

Why you shoot 70 in practice, but 78 in tournaments... Ever notice how your swing feels like butter on a Tuesday morning, but by the first tee on Sunday, it feels like you’ve forgotten how to hold a club? It’s rarely a “swing” problem. It’s a mindset problem. 🧠 The “Tightness” Trap When the stakes go up, our brains naturally start focusing on outcomes instead of actions. We start trying to “play safe” and “not mess up.” But here’s the truth: Careful golf is bad golf. Emotional reactions like doubt and over-caution inhibit your natural athletic performance every single time. ✅ The 4 Pillars of a Pro Mindset The best competitors don’t get tighter as the pressure builds… they get looser. They stop trying to control the ball and start controlling the only four things they actually can: 1. Attitude: Stay neutral. Don’t let a bad break dictate your energy. 2. Routines: Lean on your process. It’s your safety net when nerves kick in. 3. Decisions: Be 100% decisive. A “bad” club choice hit with commitment is better than a “perfect” club hit with doubt. 4. Acceptance: Once the ball is in the air, your job is done. Accept the result and move to the next shot. 🚀 The Goal: Swing freely to your targets. Commit to the routine. Sign the scorecard at the end. If you focus on the process, the score will take care of itself. 👇 What’s the biggest difference you notice in your game when the pressure is on?

Tripp Isenhour

40,946 次观看 • 5 个月前

One shot. One dream. One unforgettable finish. ⚽🔥 Made this cinematic World Cup final using Agent Team inside RoboNeo with visuals powered by Seedance 2.0. Video Prompt 👇 A cinematic 30 second World Cup inspired short film set in a futuristic mega stadium at night. The atmosphere is electric with packed crowds waving flags, flashing lights, giant holographic scoreboards, smoke effects, and cinematic rain reflections on the pitch. Opening scene starts with a young underdog football captain walking through the stadium tunnel in slow motion while hearing the deafening roar of fans. Close up shots of boots touching the wet ground, tense faces, jerseys moving in the wind, and dramatic eye contact between rival teams. Ultra realistic cinematic camera movement, emotional tension, dynamic lighting, realistic crowd reactions, premium sports commercial quality. As the beat intensifies, transition into fast paced World Cup action. Explosive dribbling sequences, impossible skill moves, aggressive tackles, synchronized team movement, dramatic goalkeeper saves, and cinematic slow motion shots of the ball flying across the field. Final hero shot begins at the climax of the match. The captain performs a gravity defying bicycle kick from outside the box while multiple defenders leap in slow motion. Stadium lights flicker, rain particles freeze mid air, crowds erupt, camera rotates around the player in ultra cinematic style as the ball curves perfectly into the top corner of the net. Massive fireworks explode above the stadium while teammates rush in celebration. Hyper realistic visuals, emotional storytelling, cinematic sports trailer pacing, high energy World Cup atmosphere, multi character consistency, smooth action choreography, realistic physics, premium blockbuster film quality, anamorphic lens flare, dramatic sound design, epic final frame with trophy reflection and roaring crowd. #RoboNeo

One shot. One dream. One unforgettable finish. ⚽🔥 Made this cinematic World Cup final using Agent Team inside RoboNeo with visuals powered by Seedance 2.0. Video Prompt 👇 A cinematic 30 second World Cup inspired short film set in a futuristic mega stadium at night. The atmosphere is electric with packed crowds waving flags, flashing lights, giant holographic scoreboards, smoke effects, and cinematic rain reflections on the pitch. Opening scene starts with a young underdog football captain walking through the stadium tunnel in slow motion while hearing the deafening roar of fans. Close up shots of boots touching the wet ground, tense faces, jerseys moving in the wind, and dramatic eye contact between rival teams. Ultra realistic cinematic camera movement, emotional tension, dynamic lighting, realistic crowd reactions, premium sports commercial quality. As the beat intensifies, transition into fast paced World Cup action. Explosive dribbling sequences, impossible skill moves, aggressive tackles, synchronized team movement, dramatic goalkeeper saves, and cinematic slow motion shots of the ball flying across the field. Final hero shot begins at the climax of the match. The captain performs a gravity defying bicycle kick from outside the box while multiple defenders leap in slow motion. Stadium lights flicker, rain particles freeze mid air, crowds erupt, camera rotates around the player in ultra cinematic style as the ball curves perfectly into the top corner of the net. Massive fireworks explode above the stadium while teammates rush in celebration. Hyper realistic visuals, emotional storytelling, cinematic sports trailer pacing, high energy World Cup atmosphere, multi character consistency, smooth action choreography, realistic physics, premium blockbuster film quality, anamorphic lens flare, dramatic sound design, epic final frame with trophy reflection and roaring crowd. #RoboNeo

Leonardo

46,724 次观看 • 3 个月前

The world's highest DJ party. 🚀🎧☁️ Thousands of festival lovers dancing on floating islands while music lights up the sky. Made with GPT Image 2 + Seedance on Pollo AI #PolloAI #PolloPeakMoment Part 1 Scene 1 (0–5s): An ultra-smooth FPV drone flies through bright clouds toward the floating festival island. The massive stage slowly emerges above the clouds while thousands of people dance. The camera passes beneath transparent sky bridges, floating holograms, and hovering drones before revealing the enormous DJ stage glowing in warm sunset light. Scene 2 (5–10s): Low-angle hero shot. The female DJ confidently walks to the center of the stage as the audience erupts with excitement. Giant LED walls ignite, laser towers activate one after another, synchronized drones rise into the sky, and glowing wristbands illuminate across the crowd. Slow cinematic orbit around the DJ before pushing into a close-up of her determined expression. Scene 3 (10–15s): The DJ places both hands on the mixer and starts the performance. Powerful bass begins. Cyan, magenta, and violet laser beams sweep across the clouds. Smoke cannons erupt, holographic equalizers appear behind the stage, and shimmering confetti fills the air. A cinematic crane shot rises above the crowd as everyone jumps together. Part 2 Scene 4 (15–20s): Motion resumes from the frozen frame. The beat drops. The DJ lowers her raised hand and begins an energetic performance while operating the mixer. Massive holographic wings unfold behind the stage. Thousands of synchronized drones form giant stars and rotating circles above the crowd. Neon lasers sweep through the clouds as lightning flashes in perfect sync with the music. Dynamic orbit shot around the DJ transitions into a wide hero view. Scene 5 (20–25s): The festival reaches maximum energy. Fireworks explode across the sky. Crystal balloons release sparkling confetti. The audience jumps in perfect rhythm, waving glowing light sticks. The camera flies through the cheering crowd before circling the DJ booth. Giant holographic equalizers pulse with every bass hit while colorful energy waves ripple across the clouds. Scene 6 (25–30s): A breathtaking aerial drone pullback reveals the entire floating festival glowing above endless clouds. Drones assemble into a gigantic luminous phoenix soaring above the stage while fireworks illuminate every floating island. The DJ raises both hands in celebration as the audience erupts with excitement. The camera climbs higher and higher, revealing the immense floating festival stretching toward the horizon under a star-filled blue-hour sky, ending with a slow cinematic fade to black.

The world's highest DJ party. 🚀🎧☁️ Thousands of festival lovers dancing on floating islands while music lights up the sky. Made with GPT Image 2 + Seedance on Pollo AI #PolloAI #PolloPeakMoment Part 1 Scene 1 (0–5s): An ultra-smooth FPV drone flies through bright clouds toward the floating festival island. The massive stage slowly emerges above the clouds while thousands of people dance. The camera passes beneath transparent sky bridges, floating holograms, and hovering drones before revealing the enormous DJ stage glowing in warm sunset light. Scene 2 (5–10s): Low-angle hero shot. The female DJ confidently walks to the center of the stage as the audience erupts with excitement. Giant LED walls ignite, laser towers activate one after another, synchronized drones rise into the sky, and glowing wristbands illuminate across the crowd. Slow cinematic orbit around the DJ before pushing into a close-up of her determined expression. Scene 3 (10–15s): The DJ places both hands on the mixer and starts the performance. Powerful bass begins. Cyan, magenta, and violet laser beams sweep across the clouds. Smoke cannons erupt, holographic equalizers appear behind the stage, and shimmering confetti fills the air. A cinematic crane shot rises above the crowd as everyone jumps together. Part 2 Scene 4 (15–20s): Motion resumes from the frozen frame. The beat drops. The DJ lowers her raised hand and begins an energetic performance while operating the mixer. Massive holographic wings unfold behind the stage. Thousands of synchronized drones form giant stars and rotating circles above the crowd. Neon lasers sweep through the clouds as lightning flashes in perfect sync with the music. Dynamic orbit shot around the DJ transitions into a wide hero view. Scene 5 (20–25s): The festival reaches maximum energy. Fireworks explode across the sky. Crystal balloons release sparkling confetti. The audience jumps in perfect rhythm, waving glowing light sticks. The camera flies through the cheering crowd before circling the DJ booth. Giant holographic equalizers pulse with every bass hit while colorful energy waves ripple across the clouds. Scene 6 (25–30s): A breathtaking aerial drone pullback reveals the entire floating festival glowing above endless clouds. Drones assemble into a gigantic luminous phoenix soaring above the stage while fireworks illuminate every floating island. The DJ raises both hands in celebration as the audience erupts with excitement. The camera climbs higher and higher, revealing the immense floating festival stretching toward the horizon under a star-filled blue-hour sky, ending with a slow cinematic fade to black.

Stonic AI

89,079 次观看 • 1 个月前

I kicked off fundraising around 18 months ago to... 1. Raise Awareness for Covid and Long Covid. 2. Provide education assistance to families. 3. Provide advocacy assistance. 4. Advocate for education, mitigation, and air filtration. 5. Contact as many political and workforce leaders as I can to request immediate action. If you'd like to donate to my efforts that's great, if you can't that is understandable, and if you just don't want to I would even appreciate a share. I am not raising money to stockpile cash and if we raise a large amount it will go toward setting up a non-profit and hiring a team. That is a far off, long shot goal however so until then I will continue to try to create a job for myself with the help of those who value my work and want to help others. I am not backing down from the goal of becoming a full time advocate for this issue, and I hope to look back on this time as the start of something bigger, and the turning point of when we got enough people to notice and ask for change with us. I will assist people as best I can, I will make as much noise as I can, and I will contact as many policy influencers as I can to help turn the tide, and if you'd like to support the kind of work I'd appreciate it. There are no hidden admin costs with me, just a guy trying to cause change.

I kicked off fundraising around 18 months ago to... 1. Raise Awareness for Covid and Long Covid. 2. Provide education assistance to families. 3. Provide advocacy assistance. 4. Advocate for education, mitigation, and air filtration. 5. Contact as many political and workforce leaders as I can to request immediate action. If you'd like to donate to my efforts that's great, if you can't that is understandable, and if you just don't want to I would even appreciate a share. I am not raising money to stockpile cash and if we raise a large amount it will go toward setting up a non-profit and hiring a team. That is a far off, long shot goal however so until then I will continue to try to create a job for myself with the help of those who value my work and want to help others. I am not backing down from the goal of becoming a full time advocate for this issue, and I hope to look back on this time as the start of something bigger, and the turning point of when we got enough people to notice and ask for change with us. I will assist people as best I can, I will make as much noise as I can, and I will contact as many policy influencers as I can to help turn the tide, and if you'd like to support the kind of work I'd appreciate it. There are no hidden admin costs with me, just a guy trying to cause change.

Keith

30,372 次观看 • 5 个月前

$Two air forces started the Pacific war. One trained its pilots, then kept them fighting until they died. The other trained its pilots, then often pulled many of its experienced combat pilots out to teach everyone else. This is one of the reasons America won the Pacific air war, let's dive in.. Japan's Elite Aviators At the start of the war, Japan had some of the finest fighter pilots in the world. The aviators who attacked Pearl Harbor were elite. Many had hundreds of hours in the cockpit and real combat experience from the fighting in China. Flying the nimble A6M Zero, they cut through Allied opposition in the early months of the war and earned a fearsome reputation. But Japan made a fateful choice about these men. It kept them in combat, more or less indefinitely. Japanese pilots flew mission after mission with no real system to rotate them home. They fought until they were shot down, crippled, or killed. It seemed ruthless and efficient. In reality, it was a slow-motion disaster. The Difference in Philosophy Because every time Japan lost one of those veterans, everything he knew died with him. America did the opposite. It regularly rotated many of its experienced combat pilots back home once they had done their share of fighting. There, they became instructors, pouring everything they had learned in real air combat directly into the next generation of pilots. So the two systems pulled in opposite directions. Japan's pool of skill drained away with every ace it buried. America's pool of skill grew, as each returning veteran multiplied his knowledge across hundreds of students. One nation was teaching. The other was simply dying. The Training Gap The gap became a chasm, and it was made worse by sheer scale. By 1944, the United States was training around 8,000 new aviators every month, each of them getting well over a year of instruction and hundreds of hours in the air before they ever saw combat. Japan could not come close. As its veterans vanished, its training program collapsed, and it was crippled by something else, too. Fuel. Japan was running so short of it that many trainees could barely fly enough hours to learn their trade. By the later part of the war, Japanese pilots were being rushed into battle with barely 100 hours of flying time, and sometimes far less. They were teenagers with almost no training, being sent up against American veterans who had been taught by the best combat pilots in the fleet. The outcome was no longer a contest. It was a slaughter. The Great Marianas Turkey Shoot Nowhere was that clearer than in the skies over the Mariana Islands in June 1944. When the Japanese launched hundreds of aircraft against the American fleet, they flew into a wall of Hellcat fighters, guided by radar and expert fighter direction that positioned the Americans at the perfect height and moment to strike. The green Japanese pilots in their now outdated Zeros never had a chance. In and around that battle, Japan lost nearly 480 aircraft, while the Americans lost only a few dozen. It was so one-sided that the American aviators nicknamed it the Great Marianas Turkey Shoot. Japan's naval air power, once the terror of the Pacific, was broken in a matter of days. Better Aircraft, Better Technology It was not only the pilots. It was the machines too. America kept producing better and better aircraft, like the tough, heavily armed F6F Hellcat, designed after studying a captured Zero and built to beat it. It could take punishment, out-dive and out-gun its opponent, and it was forgiving enough that even a less experienced pilot could survive his first fights and become a veteran. Over the war, Hellcat pilots claimed more than 5,000 enemy aircraft for a tiny fraction of that in losses. Japan, meanwhile, kept sending men up in the aging Zero, a plane that had been revolutionary in 1941 but was now underpowered, fragile, and outclassed. It was fast and agile, but a single burst of American fire could tear it apart, because it had traded armor and protection for maneuverability. Better pilots, in better planes, backed by better technology. The advantages stacked on top of one another. The Spiral Ends By the end, Japan had reached the final, desperate stage of the spiral. With almost no trained pilots left, and no way to make more in time, it turned to the kamikaze. A pilot did not need 500 hours of training to crash his aircraft into a ship. He only needed to take off, aim, and die. It was the last resort of an air force that had run out of the one thing it could never mass produce. Experienced men. America won the Pacific air war for many reasons. Its factories out-built the enemy. Its radar and intelligence gave it eyes the Japanese lacked. Its aircraft grew deadlier every year. But underneath all of it was something simpler. America treated its best pilots as a resource to be protected and passed on. Japan treated them as fuel to be burned. One of those choices built an air force that kept getting stronger. The other burned brightly, and then burned out. This was why America won the Pacific air war. I post a story like this every single day. Most people never see them. Follow so you don't miss the next one.$

Two air forces started the Pacific war. One trained its pilots, then kept them fighting until they died. The other trained its pilots, then often pulled many of its experienced combat pilots out to teach everyone else. This is one of the reasons America won the Pacific air war, let's dive in.. Japan's Elite Aviators At the start of the war, Japan had some of the finest fighter pilots in the world. The aviators who attacked Pearl Harbor were elite. Many had hundreds of hours in the cockpit and real combat experience from the fighting in China. Flying the nimble A6M Zero, they cut through Allied opposition in the early months of the war and earned a fearsome reputation. But Japan made a fateful choice about these men. It kept them in combat, more or less indefinitely. Japanese pilots flew mission after mission with no real system to rotate them home. They fought until they were shot down, crippled, or killed. It seemed ruthless and efficient. In reality, it was a slow-motion disaster. The Difference in Philosophy Because every time Japan lost one of those veterans, everything he knew died with him. America did the opposite. It regularly rotated many of its experienced combat pilots back home once they had done their share of fighting. There, they became instructors, pouring everything they had learned in real air combat directly into the next generation of pilots. So the two systems pulled in opposite directions. Japan's pool of skill drained away with every ace it buried. America's pool of skill grew, as each returning veteran multiplied his knowledge across hundreds of students. One nation was teaching. The other was simply dying. The Training Gap The gap became a chasm, and it was made worse by sheer scale. By 1944, the United States was training around 8,000 new aviators every month, each of them getting well over a year of instruction and hundreds of hours in the air before they ever saw combat. Japan could not come close. As its veterans vanished, its training program collapsed, and it was crippled by something else, too. Fuel. Japan was running so short of it that many trainees could barely fly enough hours to learn their trade. By the later part of the war, Japanese pilots were being rushed into battle with barely 100 hours of flying time, and sometimes far less. They were teenagers with almost no training, being sent up against American veterans who had been taught by the best combat pilots in the fleet. The outcome was no longer a contest. It was a slaughter. The Great Marianas Turkey Shoot Nowhere was that clearer than in the skies over the Mariana Islands in June 1944. When the Japanese launched hundreds of aircraft against the American fleet, they flew into a wall of Hellcat fighters, guided by radar and expert fighter direction that positioned the Americans at the perfect height and moment to strike. The green Japanese pilots in their now outdated Zeros never had a chance. In and around that battle, Japan lost nearly 480 aircraft, while the Americans lost only a few dozen. It was so one-sided that the American aviators nicknamed it the Great Marianas Turkey Shoot. Japan's naval air power, once the terror of the Pacific, was broken in a matter of days. Better Aircraft, Better Technology It was not only the pilots. It was the machines too. America kept producing better and better aircraft, like the tough, heavily armed F6F Hellcat, designed after studying a captured Zero and built to beat it. It could take punishment, out-dive and out-gun its opponent, and it was forgiving enough that even a less experienced pilot could survive his first fights and become a veteran. Over the war, Hellcat pilots claimed more than 5,000 enemy aircraft for a tiny fraction of that in losses. Japan, meanwhile, kept sending men up in the aging Zero, a plane that had been revolutionary in 1941 but was now underpowered, fragile, and outclassed. It was fast and agile, but a single burst of American fire could tear it apart, because it had traded armor and protection for maneuverability. Better pilots, in better planes, backed by better technology. The advantages stacked on top of one another. The Spiral Ends By the end, Japan had reached the final, desperate stage of the spiral. With almost no trained pilots left, and no way to make more in time, it turned to the kamikaze. A pilot did not need 500 hours of training to crash his aircraft into a ship. He only needed to take off, aim, and die. It was the last resort of an air force that had run out of the one thing it could never mass produce. Experienced men. America won the Pacific air war for many reasons. Its factories out-built the enemy. Its radar and intelligence gave it eyes the Japanese lacked. Its aircraft grew deadlier every year. But underneath all of it was something simpler. America treated its best pilots as a resource to be protected and passed on. Japan treated them as fuel to be burned. One of those choices built an air force that kept getting stronger. The other burned brightly, and then burned out. This was why America won the Pacific air war. I post a story like this every single day. Most people never see them. Follow so you don't miss the next one.

Untold War Stories

155,561 次观看 • 1 个月前

The war in Ukraine is bigger than Democrats or Republicans, the Left or the Right. Whether you dislike President Trump or President Zelensky, real people are dying here. 20,000 children have been kidnapped and stolen to Russia. 300 women were recently raped, as reported by multi-faith religious leaders. 700 religious buildings have been destroyed on purpose because they are often the only source of hope offered to the Ukrainian people. Innocent non-soldiers shot in the back of the head with their hands tied behind their backs. We in America know how fake news lies constantly about our great President Trump. Well, it exists here too to sway popular opinion. When I'm seeing pictures of dead bodies of children and old people, or hear firsthand accounts of pastors having their hands tied behind their backs made to get on their knees and shot in the back of their heads, or the very young citizen soldiers who took up arms getting blown to pieces by attack drones thanking President Trump and begging for more ammunition to defend their homes, young wives, and children, I care less about whether you like President Zelensky or don't want to give more money to Ukraine. These soldiers on the front lines are not asking for money. They are asking for 1,000 tanks, 300 F-35s, anti-air weapons to shoot down the drones that still fire at civilian buildings, and killing people. Remember, it was President Trump who sent Javelins instead of pillows. President Trump is the innocent civilian of Ukraine's greatest friend. He will bring an end to this war. Everyone here in Ukraine is thanking President Donald J. Trump Trump and America for standing with Ukraine. Pray with me that peace comes quickly in Jesus's name!And no, I've not been paid by no one. I'm was invited by @chiefrabbiukraine, who's done so much to help the refugees in Ukraine. For him and me, it's not about politics it's about human lives. My loyalty is first to the Lord Jesus Christ and, second to my nation and president, Donald J. Trump. #ukraine #russia #peace #Zelensky #Putin #Trump

The war in Ukraine is bigger than Democrats or Republicans, the Left or the Right. Whether you dislike President Trump or President Zelensky, real people are dying here. 20,000 children have been kidnapped and stolen to Russia. 300 women were recently raped, as reported by multi-faith religious leaders. 700 religious buildings have been destroyed on purpose because they are often the only source of hope offered to the Ukrainian people. Innocent non-soldiers shot in the back of the head with their hands tied behind their backs. We in America know how fake news lies constantly about our great President Trump. Well, it exists here too to sway popular opinion. When I'm seeing pictures of dead bodies of children and old people, or hear firsthand accounts of pastors having their hands tied behind their backs made to get on their knees and shot in the back of their heads, or the very young citizen soldiers who took up arms getting blown to pieces by attack drones thanking President Trump and begging for more ammunition to defend their homes, young wives, and children, I care less about whether you like President Zelensky or don't want to give more money to Ukraine. These soldiers on the front lines are not asking for money. They are asking for 1,000 tanks, 300 F-35s, anti-air weapons to shoot down the drones that still fire at civilian buildings, and killing people. Remember, it was President Trump who sent Javelins instead of pillows. President Trump is the innocent civilian of Ukraine's greatest friend. He will bring an end to this war. Everyone here in Ukraine is thanking President Donald J. Trump Trump and America for standing with Ukraine. Pray with me that peace comes quickly in Jesus's name!And no, I've not been paid by no one. I'm was invited by @chiefrabbiukraine, who's done so much to help the refugees in Ukraine. For him and me, it's not about politics it's about human lives. My loyalty is first to the Lord Jesus Christ and, second to my nation and president, Donald J. Trump. #ukraine #russia #peace #Zelensky #Putin #Trump

Pastor Mark Burns

141,188 次观看 • 1 年前

“This guy will do anything to raise awareness for Covid and Long Covid”. Here are some of the ways I’ve tried. Want to support my efforts to raise awareness and help others? Now is the time. Now is the time to change course. I kicked off fundraising around 19 months ago to... 1. Raise Awareness for Covid and Long Covid. 2. Provide education assistance to families. 3. Provide advocacy assistance. 4. Advocate for education, mitigation, and air filtration. 5. Contact as many political and workforce leaders as I can to request immediate action. If you'd like to donate to my efforts that's great, if you can't that is understandable, and if you just don't want to I would even appreciate a share. I am not raising money to stockpile cash and if we raise a large amount it will go toward setting up a non-profit and hiring a team. That is a far off, long shot goal however so until then I will continue to try to create a job for myself with the help of those who value my work and want to help others. I am not backing down from the goal of becoming a full time advocate for this issue, and I hope to look back on this time as the start of something bigger, and the turning point of when we got enough people to notice and ask for change with us. I will assist people as best I can, I will make as much noise as I can, and I will contact as many policy influencers as I can to help turn the tide, and if you'd like to support the kind of work I'd appreciate it. No obligation friends, if you’re tagged just remove it and I appreciate it if you’ve already donated or even shared. YerAweSum!

“This guy will do anything to raise awareness for Covid and Long Covid”. Here are some of the ways I’ve tried. Want to support my efforts to raise awareness and help others? Now is the time. Now is the time to change course. I kicked off fundraising around 19 months ago to... 1. Raise Awareness for Covid and Long Covid. 2. Provide education assistance to families. 3. Provide advocacy assistance. 4. Advocate for education, mitigation, and air filtration. 5. Contact as many political and workforce leaders as I can to request immediate action. If you'd like to donate to my efforts that's great, if you can't that is understandable, and if you just don't want to I would even appreciate a share. I am not raising money to stockpile cash and if we raise a large amount it will go toward setting up a non-profit and hiring a team. That is a far off, long shot goal however so until then I will continue to try to create a job for myself with the help of those who value my work and want to help others. I am not backing down from the goal of becoming a full time advocate for this issue, and I hope to look back on this time as the start of something bigger, and the turning point of when we got enough people to notice and ask for change with us. I will assist people as best I can, I will make as much noise as I can, and I will contact as many policy influencers as I can to help turn the tide, and if you'd like to support the kind of work I'd appreciate it. No obligation friends, if you’re tagged just remove it and I appreciate it if you’ve already donated or even shared. YerAweSum!

Keith

92,638 次观看 • 5 个月前