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Stone statues

Ty Lee

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12,692 görüntüleme • 1 yıl önce •via X (Twitter)

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This is why you always carry a Mirror shield on you at all times~

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What If Some Of These Statues Were Real People Turned To Stone?

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The final battle in The Chronicles of Narnia (2005) goes so hard. Aslan arriving with the stone statues charging in while Harry Gregson-Williams’ score swells in the background.

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cinesthetic.

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🏛️ It was always interesting to see what people who lived centuries ago looked like when they were carved into stone statues. Enya•Caribbean Blue. (Single Version) 🎼 By lili_poluvyanaya. 📹🌹

🏛️ It was always interesting to see what people who lived centuries ago looked like when they were carved into stone statues. Enya•Caribbean Blue. (Single Version) 🎼 By lili_poluvyanaya. 📹🌹

Alexandra Sorolla

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“This house was built with blood and bone And it crumbled, yes, it crumbled. The statues they made were beautiful. But, they were lies of stone, they were lies of stone. Trumpets blare with silent sound. I need to make you proud. Tell me, can you hear me now?”

“This house was built with blood and bone And it crumbled, yes, it crumbled. The statues they made were beautiful. But, they were lies of stone, they were lies of stone. Trumpets blare with silent sound. I need to make you proud. Tell me, can you hear me now?”

IChooseViolence

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【Discover #Henan in #Chinese】Longmen Grottoes, the World Cultural Heritage, houses 2,345 caves and niches, and more than 100,000 Buddhist statues. It’s the world's largest and most impressive treasure trove of stone carving art. #HenanTravel #learnchinese #art #culturalheritage

【Discover #Henan in #Chinese】Longmen Grottoes, the World Cultural Heritage, houses 2,345 caves and niches, and more than 100,000 Buddhist statues. It’s the world's largest and most impressive treasure trove of stone carving art. #HenanTravel #learnchinese #art #culturalheritage

Visit Henan

74,106 görüntüleme • 1 yıl önce

#LionO is about to turn into stone but he manages to use the Sword of Omens,breaking himself & the other #Thundercats free.The Thunderian statues are coming back to life & blast Amortus into oblivion! Ep "Touch of Amortus" #80s_retro_anime #cartoons #Retro #80s #nostalgia

#LionO is about to turn into stone but he manages to use the Sword of Omens,breaking himself & the other #Thundercats free.The Thunderian statues are coming back to life & blast Amortus into oblivion! Ep "Touch of Amortus" #80s_retro_anime #cartoons #Retro #80s #nostalgia

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This wasn’t Rome… This was Chicago, USA in 1893! 🏛🇺🇸 They called it the World’s Fair — a temporary city made of massive stone buildings, statues & domes... And we’re supposed to believe it was all built to be demolished right after? 🤔 Yeah… right.

This wasn’t Rome… This was Chicago, USA in 1893! 🏛🇺🇸 They called it the World’s Fair — a temporary city made of massive stone buildings, statues & domes... And we’re supposed to believe it was all built to be demolished right after? 🤔 Yeah… right.

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1.9 is coming with some snappy new changes! Water we thinking?! You'll now be able to toggle if water snaps to the ceiling. Don't think that feature can stand tall on it's own? Use some new Robot Master statues from the first Mega Man, now in a bronze and stone style.

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Alexander the Great made a specific detour to Pasargadae, Iran just to see the Tomb of Cyrus the Great. Built roughly around 530 BC, the structure is essentially a cramped windowless room stacked on a stepped plinth. The architect decided to forgo grand statues or towering columns for a heavy block of stone that feels strangely alien.

Alexander the Great made a specific detour to Pasargadae, Iran just to see the Tomb of Cyrus the Great. Built roughly around 530 BC, the structure is essentially a cramped windowless room stacked on a stepped plinth. The architect decided to forgo grand statues or towering columns for a heavy block of stone that feels strangely alien.

History Content

56,168 görüntüleme • 2 ay önce

According to history, most of these sculptures have been created back in the 17th and 18th century up to 1750. Now you know I love a good deduction and looking further into the narrative I found that some of the artists which created these majestic statues were supposedly in their twenties, which instantly raises some red flags as that kind of mastery and craftsmanship can't be achieved at that early stage of life. Now what all these statues have in common is that they have been created out of one single block of marble but none knows actually how it was done. Marble stones are not uniform, they have veins, grooves and same pieces can have very different tones, There are many inaccessible areas where one must remove excess marble and smooth it out like a glass with crisp lines and edges. Some statues were created so well they even made some parts of the rock look transparent My question is how can a natural stone be so flawless? Would it even be possible to find a marble stone of that size without flaws? I am tempted to imagine that this was a part of ancient alchemy, flesh turned to stone, it could have been a means of preserving the deceased Give it a thought 🧐

According to history, most of these sculptures have been created back in the 17th and 18th century up to 1750. Now you know I love a good deduction and looking further into the narrative I found that some of the artists which created these majestic statues were supposedly in their twenties, which instantly raises some red flags as that kind of mastery and craftsmanship can't be achieved at that early stage of life. Now what all these statues have in common is that they have been created out of one single block of marble but none knows actually how it was done. Marble stones are not uniform, they have veins, grooves and same pieces can have very different tones, There are many inaccessible areas where one must remove excess marble and smooth it out like a glass with crisp lines and edges. Some statues were created so well they even made some parts of the rock look transparent My question is how can a natural stone be so flawless? Would it even be possible to find a marble stone of that size without flaws? I am tempted to imagine that this was a part of ancient alchemy, flesh turned to stone, it could have been a means of preserving the deceased Give it a thought 🧐

MAVERICK X

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Was something like an ancient micro-drill used to precision shape this large broken off granodiorite (7 on Mohs scale of hardness) head in Luxor that was crafted from a single piece of stone (the body is located nearby)? Notice the much softer sandstone statues behind it that were made in sections by the Dynastic Egyptians of 2500 BC… I believe we are looking here at a prediluvian relic…

Was something like an ancient micro-drill used to precision shape this large broken off granodiorite (7 on Mohs scale of hardness) head in Luxor that was crafted from a single piece of stone (the body is located nearby)? Notice the much softer sandstone statues behind it that were made in sections by the Dynastic Egyptians of 2500 BC… I believe we are looking here at a prediluvian relic…

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Here’s a chilling thought to rattle around your brain tonight… 🗿😳 What if some of those ancient statues… aren’t just carved stone? There’s a theory floating around that certain statues are actually petrified humans… frozen in time, not by an artist’s hand, but by something far darker. Not sculpted… but transformed. Think about it. Some figures look too detailed. The expressions. The posture. The eerie sense that they were caught in a moment… not designed, but stopped. Almost like whatever they were… they didn’t get a chance to move again. Science says petrification like that doesn’t happen to human bodies the way it does to wood or fossils. But still… the idea lingers. What if history didn’t just forget people… What if it turned them into monuments? Next time you walk past a statue, take a closer look. Does it feel like art… or does it feel like it’s watching you back? 👁️

Here’s a chilling thought to rattle around your brain tonight… 🗿😳 What if some of those ancient statues… aren’t just carved stone? There’s a theory floating around that certain statues are actually petrified humans… frozen in time, not by an artist’s hand, but by something far darker. Not sculpted… but transformed. Think about it. Some figures look too detailed. The expressions. The posture. The eerie sense that they were caught in a moment… not designed, but stopped. Almost like whatever they were… they didn’t get a chance to move again. Science says petrification like that doesn’t happen to human bodies the way it does to wood or fossils. But still… the idea lingers. What if history didn’t just forget people… What if it turned them into monuments? Next time you walk past a statue, take a closer look. Does it feel like art… or does it feel like it’s watching you back? 👁️

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These giant stone heads used to have bodies, seated on thrones, watching over a mountaintop sanctuary. The Kingdom of Commagene, ruled by King Antiochus I in the 1st century BC, sat at the crossroads of the Hellenistic and Persian worlds, and its art reflects exactly that blend. At Mount Nemrut, Antiochus placed himself among colossal statues of Zeus-Oromasdes, Apollo-Mithras, and Heracles-Artagnes, fused Greek and Persian gods bearing double names. An earthquake, centuries of weathering, or deliberate toppling eventually knocked every head from its seated body. Now they sit scattered on the ground, staring out at the same mountains they once watched from thrones.

These giant stone heads used to have bodies, seated on thrones, watching over a mountaintop sanctuary. The Kingdom of Commagene, ruled by King Antiochus I in the 1st century BC, sat at the crossroads of the Hellenistic and Persian worlds, and its art reflects exactly that blend. At Mount Nemrut, Antiochus placed himself among colossal statues of Zeus-Oromasdes, Apollo-Mithras, and Heracles-Artagnes, fused Greek and Persian gods bearing double names. An earthquake, centuries of weathering, or deliberate toppling eventually knocked every head from its seated body. Now they sit scattered on the ground, staring out at the same mountains they once watched from thrones.

Ancient Content

84,546 görüntüleme • 14 gün önce

The Antonine Fountain (Sagalassos), Burdur - Türkiye : Antonin Fountain is a historical fountain located in the ancient city of Sagalassos in the Ağlasun district of Burdur province, Türkiye. It was built during the reign of Roman Emperor Marcus Aurelius between 161 – 180 AD, and was built as a prestige indicator of the Roman Empire. This magnificent work of 2000 years has been rebuilt to a large extent with excavated fragments; Water comes from the same source as the water flowing 2000 years ago. The Antonine Fountain draws attention with its stones of seven different colors. Afyon marble, which allows light plays, was used in the Antonine Fountain, which is a fountain with a waterfall. It is decorated with numerous statues, two of which belong to Dionysus. There are symbols dedicated to Dionysus throughout the 28 meters long and 9 meters high structure. It was severely damaged by an earthquake that occurred in 6th Century AD. Only Dionysus statues were found as a whole during the excavations. Sculptures from other buildings were placed in the niches outside the niches where the Dionysus statues were located. Çeşme was destroyed by the second earthquake in 650 AD. It was built to add an aesthetic appearance to the upper agora, which was the political center of the ancient city. The monumental fountain, built just in front of the existing terrace wall, resembles the theater stage architecture. The water of the fountain, in which seven different stone types are used, flows from the 4.5 meter high waterfall in the central niche and fills the 81 m³ capacity pool. It was resurrected after 1800 years with the cooperation of Culture and Tourism Minister Ertuğrul Günay, Aygaz, the University of Belgium Leuven and some Belgian institutions. Columns, statues and all other architectural elements are 100% proportional to their reality, as they are scanned and scaled with the photogrammetry technique. 🎥denizdonerkaya (IG) #archaeohistories

The Antonine Fountain (Sagalassos), Burdur - Türkiye : Antonin Fountain is a historical fountain located in the ancient city of Sagalassos in the Ağlasun district of Burdur province, Türkiye. It was built during the reign of Roman Emperor Marcus Aurelius between 161 – 180 AD, and was built as a prestige indicator of the Roman Empire. This magnificent work of 2000 years has been rebuilt to a large extent with excavated fragments; Water comes from the same source as the water flowing 2000 years ago. The Antonine Fountain draws attention with its stones of seven different colors. Afyon marble, which allows light plays, was used in the Antonine Fountain, which is a fountain with a waterfall. It is decorated with numerous statues, two of which belong to Dionysus. There are symbols dedicated to Dionysus throughout the 28 meters long and 9 meters high structure. It was severely damaged by an earthquake that occurred in 6th Century AD. Only Dionysus statues were found as a whole during the excavations. Sculptures from other buildings were placed in the niches outside the niches where the Dionysus statues were located. Çeşme was destroyed by the second earthquake in 650 AD. It was built to add an aesthetic appearance to the upper agora, which was the political center of the ancient city. The monumental fountain, built just in front of the existing terrace wall, resembles the theater stage architecture. The water of the fountain, in which seven different stone types are used, flows from the 4.5 meter high waterfall in the central niche and fills the 81 m³ capacity pool. It was resurrected after 1800 years with the cooperation of Culture and Tourism Minister Ertuğrul Günay, Aygaz, the University of Belgium Leuven and some Belgian institutions. Columns, statues and all other architectural elements are 100% proportional to their reality, as they are scanned and scaled with the photogrammetry technique. 🎥denizdonerkaya (IG) #archaeohistories

Archaeo - Histories

41,720 görüntüleme • 1 yıl önce

😳 They Moved a 300-Ton Stone Without Machines… and It’s Still Standing After 3,500 Years Deep in the heart of ancient Egypt stands a place so enormous and mysterious that even modern visitors struggle to believe it was built thousands of years ago. This is the legendary Karnak Temple — one of the largest religious temple complexes ever created on Earth. For over 2,000 years, generation after generation of pharaohs kept expanding Karnak, filling it with gigantic columns, sacred lakes, hidden chambers, towering statues, and massive stone monuments dedicated to the gods. Walking through it today feels less like visiting ruins… and more like entering another world frozen in time. But among all its wonders, one monument leaves people completely speechless. Hidden inside the temple stands the incredible Obelisk of Pharaoh Thutmose I — a giant stone carved more than 3,500 years ago that still seems almost impossible. Cut from a SINGLE piece of red granite, this enormous obelisk rises nearly 72 feet into the sky and weighs more than 300 tons. No steel cranes. No trucks. No modern machines. Just ancient human hands. And that is where the mystery begins. How did workers carve such a perfect monument from solid stone? How did they transport something this massive across long distances in the brutal Egyptian heat? And even more unbelievable… how did they raise it perfectly upright with astonishing precision? Even today, experts still debate the exact methods used. Imagine standing in Karnak thousands of years ago as the sunlight struck the polished granite, making the obelisk glow like fire during sacred ceremonies. To the ancient Egyptians, obelisks were not just decorations. They were symbols of divine power — giant stone connections between the heavens and Earth itself. The surface is still covered with ancient inscriptions whispering stories from a civilization long gone. Empires have risen and collapsed. Wars have destroyed kingdoms. Entire civilizations disappeared into dust. Yet this giant stone still stands. That is what makes Karnak so hauntingly fascinating. These ruins are not simply old stones abandoned in the desert. They are proof that ancient civilizations possessed knowledge, engineering, and determination far beyond what many people imagine. And standing beneath this towering obelisk today, one question still echoes through the minds of visitors from around the world: What else did the ancient Egyptians know… that we have forgotten? 👁️

😳 They Moved a 300-Ton Stone Without Machines… and It’s Still Standing After 3,500 Years Deep in the heart of ancient Egypt stands a place so enormous and mysterious that even modern visitors struggle to believe it was built thousands of years ago. This is the legendary Karnak Temple — one of the largest religious temple complexes ever created on Earth. For over 2,000 years, generation after generation of pharaohs kept expanding Karnak, filling it with gigantic columns, sacred lakes, hidden chambers, towering statues, and massive stone monuments dedicated to the gods. Walking through it today feels less like visiting ruins… and more like entering another world frozen in time. But among all its wonders, one monument leaves people completely speechless. Hidden inside the temple stands the incredible Obelisk of Pharaoh Thutmose I — a giant stone carved more than 3,500 years ago that still seems almost impossible. Cut from a SINGLE piece of red granite, this enormous obelisk rises nearly 72 feet into the sky and weighs more than 300 tons. No steel cranes. No trucks. No modern machines. Just ancient human hands. And that is where the mystery begins. How did workers carve such a perfect monument from solid stone? How did they transport something this massive across long distances in the brutal Egyptian heat? And even more unbelievable… how did they raise it perfectly upright with astonishing precision? Even today, experts still debate the exact methods used. Imagine standing in Karnak thousands of years ago as the sunlight struck the polished granite, making the obelisk glow like fire during sacred ceremonies. To the ancient Egyptians, obelisks were not just decorations. They were symbols of divine power — giant stone connections between the heavens and Earth itself. The surface is still covered with ancient inscriptions whispering stories from a civilization long gone. Empires have risen and collapsed. Wars have destroyed kingdoms. Entire civilizations disappeared into dust. Yet this giant stone still stands. That is what makes Karnak so hauntingly fascinating. These ruins are not simply old stones abandoned in the desert. They are proof that ancient civilizations possessed knowledge, engineering, and determination far beyond what many people imagine. And standing beneath this towering obelisk today, one question still echoes through the minds of visitors from around the world: What else did the ancient Egyptians know… that we have forgotten? 👁️

Unearthed 🏺

11,672 görüntüleme • 2 ay önce

🎶👉NEW SONG!👈🎶 “No, Catholics Don’t Worship Statues” — The Song That Ends the Idolatry Myth for Good Every few weeks, like liturgical clockwork, someone confidently declares: “Catholics worship statues!” “Images are idols!” “God hates religious art!” And every time, the internet nods along as if this weren’t contradicted by the Bible the Church and two thousand years of Christian practice. Here’s what the meme-culture theologians never mention: God Himself commanded sacred images. Moses didn’t invent the bronze serpent — God did. Solomon didn’t freestyle cherubim, pomegranates, and carved angels — God ordered it. Beauty wasn’t banned. Idolatry was. And Deuteronomy ? The verse everyone misquotes? God literally says Israel couldn’t make an image of Him because “you saw no form.” No form = no image. Then the impossible happened: God took on a form. Jesus — the image of the invisible God. The Incarnation didn’t just redeem humanity — it redeemed art. That’s why the early Church filled catacombs with frescoes, raised mosaics that preached the Gospel, and carved the saints into stone: the “catechism of the illiterate,” truth for the eyes when the tongue couldn’t teach it yet. Meanwhile… You can build a forty-foot Lincoln, carve presidents into a mountain, or fly a giant Garfield balloon down Manhattan — no one screams “IDOLATRY!” But carry Mary in a procession? Suddenly everyone’s a part-time biblical scholar with a minor in “Graven Images 101.” Images aren’t idols. They’re reminders. They’re witnesses. They’re windows into heaven — the family photos of the Kingdom. This track exists for one reason: to put the “statue worship” myth in its grave once and for all. 🎶 “No, Catholics Don’t Worship Statues” — out now. A track for Scripture nerds, history lovers, and anyone exhausted by the internet confusing art with apostasy. Support the mission: 👉 Follow Peter’s Barque & listen everywhere: Apple Music: X:

🎶👉NEW SONG!👈🎶 “No, Catholics Don’t Worship Statues” — The Song That Ends the Idolatry Myth for Good Every few weeks, like liturgical clockwork, someone confidently declares: “Catholics worship statues!” “Images are idols!” “God hates religious art!” And every time, the internet nods along as if this weren’t contradicted by the Bible the Church and two thousand years of Christian practice. Here’s what the meme-culture theologians never mention: God Himself commanded sacred images. Moses didn’t invent the bronze serpent — God did. Solomon didn’t freestyle cherubim, pomegranates, and carved angels — God ordered it. Beauty wasn’t banned. Idolatry was. And Deuteronomy ? The verse everyone misquotes? God literally says Israel couldn’t make an image of Him because “you saw no form.” No form = no image. Then the impossible happened: God took on a form. Jesus — the image of the invisible God. The Incarnation didn’t just redeem humanity — it redeemed art. That’s why the early Church filled catacombs with frescoes, raised mosaics that preached the Gospel, and carved the saints into stone: the “catechism of the illiterate,” truth for the eyes when the tongue couldn’t teach it yet. Meanwhile… You can build a forty-foot Lincoln, carve presidents into a mountain, or fly a giant Garfield balloon down Manhattan — no one screams “IDOLATRY!” But carry Mary in a procession? Suddenly everyone’s a part-time biblical scholar with a minor in “Graven Images 101.” Images aren’t idols. They’re reminders. They’re witnesses. They’re windows into heaven — the family photos of the Kingdom. This track exists for one reason: to put the “statue worship” myth in its grave once and for all. 🎶 “No, Catholics Don’t Worship Statues” — out now. A track for Scripture nerds, history lovers, and anyone exhausted by the internet confusing art with apostasy. Support the mission: 👉 Follow Peter’s Barque & listen everywhere: Apple Music: X:

Peter's Barque

48,507 görüntüleme • 7 ay önce

In 2015, the ancient Assyrian city of Kalhu (Nimrud) in present-day Iraq—once a jewel of human civilization—was devastated by Islamic State. Palaces, statues, and intricate carvings that had survived for nearly 3,000 years were smashed and blown apart 🏛️💔. These were not just objects, but priceless echoes of a lost world—art, history, and identity carved in stone. They were destroyed because they were labeled “un-Islamic.” To an extremist ideology, anything tied to a different past or belief had to be erased—an attempt to erase memory itself ⚔️. The violence spread across Mosul, Dur-Sharrukin, and the Nineveh Plains, where over 100 Assyrian churches were attacked ⛪💥. Some were blown apart, others burned or desecrated—sanctuaries that had carried centuries of prayer, language, and tradition reduced to silence. Thousands of Assyrian manuscripts were burned 📜🔥—fragile, handwritten treasures holding history, faith, and knowledge lost forever. What could not be destroyed was stolen. Priceless artifacts were looted and scattered, leaving behind not just ruins, but a profound cultural loss—an attempt to silence a civilization’s voice forever. #Assyrian #AssyrianHistory #Kalhu #Assyria #Mesopotamia #Nineveh #Nimrud #AssyrianEmpire

In 2015, the ancient Assyrian city of Kalhu (Nimrud) in present-day Iraq—once a jewel of human civilization—was devastated by Islamic State. Palaces, statues, and intricate carvings that had survived for nearly 3,000 years were smashed and blown apart 🏛️💔. These were not just objects, but priceless echoes of a lost world—art, history, and identity carved in stone. They were destroyed because they were labeled “un-Islamic.” To an extremist ideology, anything tied to a different past or belief had to be erased—an attempt to erase memory itself ⚔️. The violence spread across Mosul, Dur-Sharrukin, and the Nineveh Plains, where over 100 Assyrian churches were attacked ⛪💥. Some were blown apart, others burned or desecrated—sanctuaries that had carried centuries of prayer, language, and tradition reduced to silence. Thousands of Assyrian manuscripts were burned 📜🔥—fragile, handwritten treasures holding history, faith, and knowledge lost forever. What could not be destroyed was stolen. Priceless artifacts were looted and scattered, leaving behind not just ruins, but a profound cultural loss—an attempt to silence a civilization’s voice forever. #Assyrian #AssyrianHistory #Kalhu #Assyria #Mesopotamia #Nineveh #Nimrud #AssyrianEmpire

ASSYRIA TODAY ܐܬܼܘܪ ܝܘܡܢܐ

14,776 görüntüleme • 3 ay önce