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Stormy 1980 was probably produced to be cut as a SE loop. SE 112 “Double Header” (Pheary I. Byrd, Joey Silvera, John Holmes) #GoldenAgeOfPorn #goldenageofporn #SwedishErotica #Stormy #BobVosse

15,491 views • 1 year ago •via X (Twitter)

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John Huston on working with Clark Gable in "The Misfits" (1961): "One of the myths attached to 'The Misfits' was that Clark Gable d!ed of a heart attack because of over-exertion in this film. That is utter nonsense. Toward the end of the picture there was a contest between Clark and the stallion the cowboys had captured. It looked like rough work, and it was, but it was the stunt men who were thrown around, not Clark. I got on well with Clark. I spent many hours with him in his trailer— thanks to Marilyn. He thought of himself as an actor, not a screen personality. He liked reminiscing about his early days in the theater—old-time actors’ talk. I saw very soon that Clark knew exactly what he was doing. Two or three times I thought I saw ways to improve his performance. I was mistaken. Each time I had him go back to his own way. He was nonplussed by Marilyn’s behavior. It was as though she’d revealed some horrid fact of life that just couldn’t be accepted in his scheme of things. Because I edit as I go along, Clark got to see the first cut of the film, and he was delighted. The picture was way over budget. It would cost about $4,000,000—and that was a lot of money in those days for a black- and-white film. Clark said, “Hell, John! If the studio is unhappy about the cost, I’ll buy this picture for four million dollars. I think it’s the best thing I've ever done. Now all I want is to see that kid of mine born!” That was on November 4, and he was due to become a father in February. It wasn’t to be. He suffered a heart attack on November 5 and died less than two weeks later. Because of Clark’s death and the tragedy of seeing Marilyn slowly destroying herself, my memories of 'The Misfits' are mostly melancholy. But there were some good moments, too." ("An Open Book", John Huston, 1980) P.S: Remembering the legendary American filmmaker John Huston on his 120th birthday!

DepressedBergman

48,639 views • 3 days ago

CAMBRIDGE 1969 (FOR JOHN) Yoko Ono: I was asked to visit Cambridge University to perform my vocal work. As the date approached, they called me asking if I was still coming, since they knew that I had recently got married and didn't know if my plans had changed or not. "Tell him you're coming with a band," John whispered loudly from the side. John and I thought it was a riot, but we didn't know how they would take it at the other end of the phone. Was it alright to bring a rocker? But the guy held his ground well. It was Cambridge, so the greeting committee was cordial but cool. John took that in, of course. He joined me on the stage and played underneath my vocal. Maybe 'I Wanna Hold Your Hand'? That would have been cute. But instead he went in for the kill and played an incredibly creative avant-garde guitar that nobody in the world had ever heard before or since. The audience didn't react to it. I was probably the only musician who was totally impressed by it. But did I express my appreciation? John loved 'Cambridge 1969'. So for awhile, he always asked for it to be played when we were in the car. I just thought "Oh, not that one again!" "How about 'Yesterday'?" (a joke). And when I tried to play something else he wouldn't hear of it. Yoko Ono: vocal John Lennon: guitar Mal Evans: Watch John Tchicai: saxophone John Stevens: percussion Produced by John Lennon & Yoko Ono From the John & Yoko album Unfinished Music No. 2: Life With The Lions. Live at 'A Natural Music Nothing Doing In London' Concert, Lady Mitchell Hall, Cambridge University, Cambridge, UK, 2 March 1969. Her biography in the programme read: YOKO ONO performed with her voice with Ornette Coleman at the Royal Albert Hall last year and with John Stevens at the Arts Laboratory in London. Her own concerts include Music of the Mind at the Saville Theatre in 1967. She contributed to Nothing Doing in London Two and published a book including music pieces called Grapefruit in Tokyo in 1964. Her Unfinished Music is on Apple Track Records.

Yoko Ono

41,965 views • 5 months ago

💥🔎 Alexander Volkanovski, in the most delicate way possible, explains why he believes Diego Lopes has low fight IQ and weak footwork He says Lopes still hasn’t learned how to cut off the cage from both sides, fight effectively as the aggressor, or properly understand distance. “In camp, we were sure his team would work on how to cut off the cage. But you can cut off the cage the wrong way — for example, if you step in too close, you walk straight into my shots. Obviously, I knew I probably wouldn’t be able to circle only one way the whole time, so I thought he’d prepare better to cut me off from both sides. But as soon as I started circling to the right like in the first fight, he got excited — ‘Aha!’ — and immediately tried to cut me off. So I simply switched directions and started moving left. And suddenly there it was — my exit was wide open (laughs). He couldn’t cut me off from there. I could turn freely and get out. I didn’t even have to take risks. I kept turning him from side to side, and whenever he got too aggressive, I punished him. Yeah, he’s good — but maybe he needs more IQ, more footwork, more understanding. People said he was going to cut me off — sure, but would he do it correctly? If you cut too aggressively, you walk into even harder shots. He wasn’t cutting me off properly — he just stepped straight into the angle and ran into my right hand. And even if you do cut me off, I’ve got so many layers in my footwork, so many defensive layers. Honestly, I almost feel bad for him because I’m probably the worst matchup for him. And not enough time had passed since the first fight for him to truly prepare. When he came forward as the aggressor, he wasn’t in position. He was blitzing, forcing it, trying to cut me off — and I kept countering him with heavy shots. Cutting the cage correctly is an art. He was chasing me, which made it hard for him to structure his offense. I kept turning him. He’d end up square [both toes pointing forward], thinking we were about to trade — and I’d already be gone. I kept turning him and hitting him when his feet weren’t set, before he was ready to throw. It’s like he’s used to hitting pads — the target stands in front of you, you throw, it steps back, resets, and you throw again. But when you’re cutting off the cage, your feet have to be underneath you. He talked a lot about how much he improved since our first fight, how everything got better. Against Jean Silva he looked great — the wrestling helped him win easily. But when it came to using IQ, footwork, understanding… It felt like someone just gave him a basic plan — be patient, use the jab — but there was no real strategy behind it. Okay, you’ll be patient and throw a jab, but you still don’t understand distance or footwork. He didn’t get better since the first fight. I didn’t see any growth.” 🎥 Demetrious Johnson

Home of Fight

357,919 views • 5 months ago

A mom says her 5-year-old accidentally witnessed her and her husband having sex… now she’s worried she’s traumatized. Caller: I’m worried our 5-year-old may be traumatized after accidentally walking in on my husband and me having sex. I’m hoping I’m just overreacting. John Delony: Okay… I need the whole picture. Tell me what happened. Caller: We’re always careful to keep our bedroom door closed and locked, but she had a nightmare and somehow snuck into our room before we closed the door. She hid in our closet. Caller: I went to get dressed, turned on the closet light, and there she was with her face buried in her knees. John Delony: Oh… she had a nightmare, all right. Caller: I jumped back, grabbed a robe, asked her what she was doing, and she told me she’d had a nightmare. John Delony: Did she actually see anything? Caller: She said she didn’t… but where she was sitting, she probably could have seen everything. John Delony: What happened next? Caller: I picked her up, stayed calm, and told her, “If you did see anything, I’m really sorry. That wasn’t meant for your eyes. That’s something for adult husbands and wives.” John Delony: Perfect. Caller: She hasn’t brought it up since, but I’ve been worried all week. John Delony: You handled that about as perfectly as you could have. I’d be willing to bet there’s a 99.999% chance she saw some or all of it.
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A mom says her 5-year-old accidentally witnessed her and her husband having sex… now she’s worried she’s traumatized. Caller: I’m worried our 5-year-old may be traumatized after accidentally walking in on my husband and me having sex. I’m hoping I’m just overreacting. John Delony: Okay… I need the whole picture. Tell me what happened. Caller: We’re always careful to keep our bedroom door closed and locked, but she had a nightmare and somehow snuck into our room before we closed the door. She hid in our closet. Caller: I went to get dressed, turned on the closet light, and there she was with her face buried in her knees. John Delony: Oh… she had a nightmare, all right. Caller: I jumped back, grabbed a robe, asked her what she was doing, and she told me she’d had a nightmare. John Delony: Did she actually see anything? Caller: She said she didn’t… but where she was sitting, she probably could have seen everything. John Delony: What happened next? Caller: I picked her up, stayed calm, and told her, “If you did see anything, I’m really sorry. That wasn’t meant for your eyes. That’s something for adult husbands and wives.” John Delony: Perfect. Caller: She hasn’t brought it up since, but I’ve been worried all week. John Delony: You handled that about as perfectly as you could have. I’d be willing to bet there’s a 99.999% chance she saw some or all of it.

‏ً

561,975 views • 25 days ago

The Tkachuk brothers and Connor Hellebuyck on the importance of representing Team USA... Hellebuyck: “Yeah, you know, it's one of those things, the more you say it, the more it shocks me [the U.S. had not won since 1980]. I know, as a kid, I always dreamed of watching those guys, and my big dream was to be like them one day and now, I'm in those shoes, and the next generation is looking up at us, and I want to be that role model. I want to be as good as I can on and off the ice for those kids, and I want them to know their dreams can come true. I was that young kid chasing a dream and you never know what tomorrow brings, and, you know, it can happen. Hard work, and smart work, and doing the right things. It does pay off. Matthew Tkachuk: “My dad was lucky enough to finish in four Olympics. The best he finished was a silver in Salt Lake. And he, you know, wouldn't have traded any of those experiences for that experience, he just had in Italy for us. Like, he — to him, to my mom, to my sister, to, you know, our wives, families, everything, like it was the most incredible time, probably anybody has ever had in the sport of hockey. So, we're so lucky for the support. We're so lucky for the support from our dad. I still talk to him daily about everything hockey, life-related, and I'm shocked he actually didn't cry to be honest with you, but he was very, very proud. Brady Tkachuk: “Yeah, I think that's the best part about our job is being able to be those role models, like Helle was saying, like the 1980 team, influenced so many players, then that 1996 World Cup team influenced our generation, and we — we even talked about it, that we had an opportunity in front of us that we could really impact the next generation of, you know, kids in the U.S., and, you know, a kid watching that game that never thought he would be playing hockey and ends up picking up a hockey stick and ends up being the next superstar in the NHL. So, we’re very fortunate and blessed to be in this position and to be a role model for kids.”

Curtis Houck

78,088 views • 5 months ago

STAR WARS hit screens on this day in 1977. It was one of the first films I saw in the theater. Because it was in theaters for over a year (like RAIDERS OF THE LOST ARK would be four years later), I can’t be sure if I saw it in 1977 or 1978, but I do know that I was very young. I remember going with my mom, that it was a matinee, and that we sat in the middle. The seats stand out to me because I remember I had to use the restroom in the middle of the climactic battle scene :) I’d see it multiple times in the theater over its run and would see THE EMPIRE STRIKES BACK and RETURN OF THE JEDI on their opening weekends. And yes, I remember the marketing for the third film when it was called REVENGE OF THE JEDI. If you did not live through it, it is hard to describe the STAR WARS mania that gripped the country in 1977 and lasted through RETURN OF THE JEDI in 1983. From lines at the theaters to toys to costumes to books to the infamous 1978 STAR WARS HOLIDAY SPECIAL, it was an amazing time to be a kid and witness the magic of the movies firsthand through a phenomenon you knew was something extremely special. I can’t be 100% sure that STAR WARS was my first movie in the theater, as during that timeframe I also saw WATERSHIP DOWN (traumatic) and THE RESCUERS (dark) as a double feature with my dad (we had to travel to a city and I found a 9mm bullet in the street – a bullet I still have today), CLOSE ENCOUNTERS OF THE THIRD KIND with my grandmother (where I tripped running to the theater with a bowl of popcorn that was almost bigger than I was and spilling it all over the hallway - and I remember how nice the guy was behind the counter who gave us another one for free), and a double feature of ESCAPE TO WITCH MOUNTAIN and THE BLACK HOLE, but in looking at the dates of those two films I think it was after STAR WARS and that the theater paired an older film (ESCAPE TO WITCH MOUNTAIN – 1975) with a new film (THE BLACK HOLE – 1979). I just watched the original three films with my youngest son, and it brings me right back…probably the closest I can get to a time machine.

Jack Carr

27,005 views • 1 year ago