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Strong performer ...

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5,642 subscribers

24,688 просмотров • 1 год назад •via X (Twitter)

Искусство Юмор Музыка

Anya Rossi• Live Now

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Комментарии: 5

Фото профиля 𝙎𝙄𝙑𝘼Ⓖ

𝙎𝙄𝙑𝘼Ⓖ1 год назад

Thirumalai HD link iruntha irunthal tharavum..

Фото профиля JD VfC 👑👾

JD VfC 👑👾1 год назад

Enta illa mame 🥲

Фото профиля Lark Davis

Lark Davis1 год назад

Worried $104K was the top? Think again. The Pi Cycle Top Indicator nailed the last two peaks and it says we’re not there yet. 👉 Join 130K+ investors prepping for the next big cycle. Subscribe now.

Фото профиля Ak Ruban AK64💥

Ak Ruban AK64💥1 год назад

Aluda parfamansa da kaka 🤣🤣🤣🤣

Фото профиля fransis

fransis1 год назад

🤣🤣🤡

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not just body control, he also has a strong sense of rhythm. instead of simply dance following memorized choreo he moves instinctively improvising while staying perfectly on beat and adding expressions for extra flavor. hes such an intricate performer 🙂‍↕️

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The JOOCYEE staff went to weverse con filmed this #HEESEUNG [rough translate] "Who stole my ambassador's lipstick 😤 Just asking: Is this the current makeup trend in Korea??? P.S.: Mr. Lee is still very handsome tonight, such a strong performer 👍 #wvscon"

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#Yellamma - Venu Yeldandi #Balagam since the script work is strong we just hope, you'll shape it better than #Balagam No need to review #Nithiin's recent film, it's Evident even before release, Sad to see him these days, not because of flops but he appears silent & dull in events and promotions, it's tough to sustain in industry for 23 long years but he did తెలంగాణా లోని బైండ్ల కళాకారుల జీవనం ఆధారంగా తెరకెక్కనుంది ఎల్లమ్మ...A great chance to bounce back, both commercially and as a performer

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Holly: “Do you like doing scenes with people who are younger or older than you?” Rachel: “I don’t think it bothers me that much if they’re younger.” Holly: “So you don’t get creeped out?” Rachel: “Not really. I got scared once when I was doing a scene with an 18-year-old girl because she reminded me of my daughter.” Rachel Cavalli opens up about an experience with an 18-year-old performer that made her uncomfortable because of the strong resemblance to her daughter. 👀

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This is called The Spillover Effect. The original study had 2 main findings. Kellogg Insight did a study across 58,000 hours in 11 companies. They found "positive spillover" & "negative spillover." 1) Positive Spillover If you sit within 25ft of a HIGH performer, your performance increases by 15%. You are no smarter, you work no harder... and you're 15% better. These highest performers are not impacted by the low performance of their neighbors. My takeaway = the strong lift up the weak. But there was a second finding too, a much more concerning one... 2) Negative Spillover If you sit near a LOW performer... Things get bad fast. How they define “low performer” in the study is important: These are “toxic workers.” A “toxic” person = someone who ends up being fired for their behavior/performance. On average: • A toxic worker costs a co $12,800 • 2% of all workers are toxic • They infect FAST. And actually – the poison of a toxic worker spans way beyond 25ft. Researchers said, “You can see their negative imprint and negative effect across an entire floor.” So remember: Surround yourself with top performers. It's the easiest cheat code to improvement. Toxicity will poison your entire company. Cut it off before it has the opportunity.

This is called The Spillover Effect. The original study had 2 main findings. Kellogg Insight did a study across 58,000 hours in 11 companies. They found "positive spillover" & "negative spillover." 1) Positive Spillover If you sit within 25ft of a HIGH performer, your performance increases by 15%. You are no smarter, you work no harder... and you're 15% better. These highest performers are not impacted by the low performance of their neighbors. My takeaway = the strong lift up the weak. But there was a second finding too, a much more concerning one... 2) Negative Spillover If you sit near a LOW performer... Things get bad fast. How they define “low performer” in the study is important: These are “toxic workers.” A “toxic” person = someone who ends up being fired for their behavior/performance. On average: • A toxic worker costs a co $12,800 • 2% of all workers are toxic • They infect FAST. And actually – the poison of a toxic worker spans way beyond 25ft. Researchers said, “You can see their negative imprint and negative effect across an entire floor.” So remember: Surround yourself with top performers. It's the easiest cheat code to improvement. Toxicity will poison your entire company. Cut it off before it has the opportunity.

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Ava revealed that Jason Luv is her favorite male performer she has worked with, saying they share great chemistry on set. She explained that she first came across him online after a director suggested they film together. At the time, she didn't know him personally, so she reached out to him through Instagram. According to Ava, their first meeting in real life turned out to be a rough but funny experience, and despite the awkward start, they eventually developed a strong connection while working together. " Probably Jason, his my favourite....we have like good scenes and we've got good chemistry, he's good"

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Ava revealed that Jason Luv is her favorite male performer she has worked with, saying they share great chemistry on set. She explained that she first came across him online after a director suggested they film together. At the time, she didn't know him personally, so she reached out to him through Instagram. According to Ava, their first meeting in real life turned out to be a rough but funny experience, and despite the awkward start, they eventually developed a strong connection while working together. " Probably Jason, his my favourite....we have like good scenes and we've got good chemistry, he's good"

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Indica Flower revealed that she doesn’t necessarily feel attraction toward her male scene partners while filming boy-girl scenes, explaining that she identifies as a lesbian. According to her, filming is a professional job where the focus is on delivering a strong performance rather than personal attraction. She said both performers are there to do their work efficiently, adding that being turned on isn’t what determines whether a scene turns out good. “It’s our job, right? Me and the male performer are on set, we’re both there to do a job, we’re both there to get it done as quickly and efficiently as possible. So it’s not about getting turned on — that’s not what makes the scene good.”

Indica Flower revealed that she doesn’t necessarily feel attraction toward her male scene partners while filming boy-girl scenes, explaining that she identifies as a lesbian. According to her, filming is a professional job where the focus is on delivering a strong performance rather than personal attraction. She said both performers are there to do their work efficiently, adding that being turned on isn’t what determines whether a scene turns out good. “It’s our job, right? Me and the male performer are on set, we’re both there to do a job, we’re both there to get it done as quickly and efficiently as possible. So it’s not about getting turned on — that’s not what makes the scene good.”

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Ms. Tina reveals how ITV’s ‘A Night with Beyoncé’ was one of the hardest shows for Beyoncé and her team (via Instagram) “This just came across my feed! It took me down memory lane. This is one of the hardest shows we’ve ever done. Beyoncé was about two months pregnant and as nauseated as she could be. In between songs, she would run back and throw up and come out and do the next song. This is when I knew without a doubt how strong and resilient of a performer she was…we couldn’t tell anyone about the pregnancy. Only TY HUNTER, me and Tim White knew. As sick as she was, she got through the show and killed her performances ❤️❤️ All the band and crew knew was she was sick.”

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--- Short Movie「欲望」--- ※音楽が流れます。可愛い子を動かしたかっただけなんです。けしからんですよね、、、。ごめんなさい。 ☑️プロンプト下に置きました👇 みんなも可愛い子の動画作ろ💌 #MiniMaxH3 on #MiniMaxDesign #RInneTao MiniMax Design (H3) Midjourney ---- [Prompt / Minimax H3] ※WORD 1〜5の英単語、自由に変えてください。 A 15-second editorial fashion film / fashion magazine commercial. Fast, stylish, contemporary, and visually bold. The film should feel like a rush of sharp fragments rather than a quiet portrait montage. Prioritize visual quality, movement, and editorial design above everything. Use the reference images as live visual material for face presence, fashion language, silhouette, surface texture, and mood, but do not recreate them as frozen portraits. Transform them into a living fashion film. Core rules: - The people must feel real first: breathing, blinking, gaze shifts, weight shifts, shoulders, fingertips, and mouth corners should always be alive. - No doll-like stillness, no paper-doll motion. - Every performer should have a distinct personality readable through movement, gaze, breathing, reaction speed, hand habits, posture, and expression. - Poses must be strong and clearly modeled, like fashion-model poses. - Cuts must be fast. - No shot should last longer than 2 seconds. - Scenes should change constantly, like a rush of sharp momentary fragments. - Use split-screen often enough to matter, with left and right sides acting on different intentions and never fully synchronized. - Keep the camera constantly moving: push-in, pull-out, orbiting, oblique travel, occlusion, depth shifts, and rapid reframing. - Use expressive transitions: flash cuts, match cuts, reverse flips, shutter-like wipes, split-screen interruptions, and speed-based continuity. - Avoid boring fades, boring slides, and quiet portrait sequences. Performer directions: - Performer 1: cold observer, restrained, gaze leads the motion. - Performer 2: ritual-like, hand-driven, meaningful interaction with clothing or props. - Performer 3: model-like, visual anchor, confident center presence. - Performer 4: trembling, breathable, delayed reactions, human softness. Subtle fashion gestures: Each performer should include subtle expressive fashion gestures as accents: - licking a finger - touching the cheek or chest - brushing hair back - blowing a soft breath toward the camera - winking - kiss-like motion - gaze-play Keep the tone chic, suggestive, and editorial rather than explicit. Typography: - English typography only. - The typography should feel like a designer logo system or a world-building mark, not subtitles. - It should behave like a continuous organism across the entire video: stretching, wrapping, splitting, colliding, trailing, slipping in front of and behind people, crossing cuts, and remaining present as an integrated graphic force. - Prioritize aesthetic motion and graphic presence over perfect readability. - The text may be abstracted, symbolic, geometric, and design-forward. Use words related to the project theme, such as: [WORD 1], [WORD 2], [WORD 3], [WORD 4], [WORD 5] Overall feel: A chic fashion magazine commercial with runway energy, crossed with an editorial visual language. The final video should feel like distinct personalities moving through one editorial world, with living typography cutting through the frame like a second organism. Strong, modern, editorial, with a little strange beauty and controlled unease.

輪廻タヲ👁️‍🗨️👄👁️‍🗨️

10,837 просмотров • 20 дней назад