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subtle css border pulse effect w/ :active + offset opacity transition 🧑‍🍳 button::after { border: 1px solid #000; opacity: 0; transition: opacity 0.6s 0.1s var(--ease); } button:active::after { opacity: 1; transition-duration: 0s; }

45,121 görüntüleme • 9 ay önce •via X (Twitter)

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CSS Trick 🧲 You can create magnetic links with the power of custom properties and some JavaScript 💪 a { translate: calc(clamp(-1, var(--x), 1) * var(--pad-x)) ...; transition: translate var(--s, 1s) var(--ease, var(--elastic)); } a:hover { --s: 0s; } The trick here is to pad out the list items wrapping your links and use that as a translation limit 🛑 Start by using some JavaScript to calculate a value between -1 and 1 for both the x/y axis on pointermove for each list item, not the link! 🔗 If your pointer was at the center of the item, you'd get [0,0]. If it was in the top right, you'd get [1,-1] ☝️ It's worth checking out the JavaScript snippet to see how the mapping function works. Essentially, you create a function that when given a value between two bounds, will give you a mapped value back 🤙 const mapX = mapRange( item.offsetWidth * -0.5, item.offsetWidth * 0.5, 1, -1 ) Then, on pointermove, you plug the pointer position in to get the value back out and pass that into your CSS const x = mapX(item.centerX - event.x) document​.documentElement​.style.setProperty(--x, x) When the pointer leaves the list item, you make sure to reset these values back to 0 ✨ Once CSS has your values, it's the trick of updating the translation of each part You know that in each axis, you only want to translate the link by the padding amount li a { translate: calc(clamp(-1, var(--x), 1) * var(--pad-x)) calc(clamp(-1, var(--y), 1) * var(--pad-y)); transition: translate var(--speed, 1s) var(--ease, var(--elastic)); } This will translate the link within the list item by the desired amount. The cool part here is that you can set an offset for the text inside the link and have that move at a different rate ⭐️ By only updating the --pad-x/y custom properties for the inside the link, you can control how much it moves nav a span { --pad-x: 0.25rem; --pad-y: 0.25rem; } And the last piece, how do you update the behavior for transition speeds? And so it springs back like that? Again, use custom properties ✨ a:hover { --s: 0s; } a { transition: translate var(--s, 1s) var(--ease, var(--elastic)); } By default, a link will use --elastic easing via linear() and have a transition-duration of 1s. When a link is hovered that speed becomes 0s because you want the link to magnetise to your pointer. How about that little gap between when your pointer enters the item but hasn't hovered the link? Set a different transition so it transitions to being hovered 🫶 nav li:hover a { --ease: ease-out; --speed: 0.1s; } That's kinda it! 🙌 Use JavaScript (~40 loc) to get the information and then let CSS do all the lifting for you 💪 Any questions or suggestions, let me know 🙏 If you want a walkthrough video, also let me know please 🙏 CodePen.IO link below 👇

jhey ʕ•ᴥ•ʔ

164,863 görüntüleme • 2 yıl önce

CSS Tip! ✨ It's 2024 and you have a new way to make animated borders 🚀 .glow::after { offset-path: rect(0 100% 100% 0 round var(--radius)); animation: loop; } @​keyframes loop { to { offset-distance: 100%; }} Using the offset-* properties you can animate elements along the perimeter of others 😍 The rect() value gained support in Safari 17.2 🙌 To start, you create an element and put it inside your main element. For example, you put a span inside the button 🤙 Click me! Make the element fill its parent with absolute positioning and inset [data-glow] { position: absolute; inset: 0; } Now the good part, you use a pseudoelement on that element and define an offset-path [data-glow]::after { content: ""; offset-path: rect(0 auto auto 0 round var(--radius)); animation: loop 2.6s infinite linear; } With the rect value, you are saying the path fills the parent container: top: 0 right: auto || 100% bottom: auto || 100% left: 0 Then you can use round to make sure the path uses the same radius as whatever the parent has The @​keyframes animation merely animates the offset-distance of that pseudoelement to 100% @​keyframes loop { to { offset-distance: 100%; }} You can see this more clearly in the video 🫶 The offset-* properties also include an offset-anchor property. This allows you to dictate which point of the element follows the path. For example: anchor-offset: 100% 50%; This means that the "right, center" of the element will follow the perimeter of the parent element 🤙 Lastly, the visuals 🎨 For color, you can use a gradient such as a linear gradient to fill the pseudo-element. [data-glow]::after { background: radial-gradient( circle at right, hsl(320 90% 100%), transparent 50% ); } Then clip away everything so you only have the border and can still have translucent backgrounds, etc. Use a mask with mask-composite ✨ A little transparent border trick: [data-glow] { border: 2px solid transparent; mask: linear-gradient(transparent, transparent), linear-gradient(white, white); mask-clip: padding-box, border-box; mask-composite: intersect; } Bit of a long one. Hope you find it useful 🙏 CodePen.IO link below 👇

jhey ʕ•ᴥ•ʔ

283,498 görüntüleme • 2 yıl önce

CSS Trick 🍏 You can create that Apple-style blowout text effect with CSS scroll animations and fixed positioning ⚡️ .word { animation: blowout; animation-timeline: --section; } @​keyframes blowout { 0%, 95% { background: transparent; } to { transform: translateZ(99vh); background: #000; } } The trick here is to fix the position of some things in your layout and then animate them based on their non-fixed containers ⭐️ The .word is position: fixed within a that has a height of 200vh section { view-timeline: --section; } section:first-of-type { height: 200vh; } Every section has a view-timeline: --section that creates a scoped ViewTimeline for each section's children 🤙 As that first section scrolls out of view, you increase its opacity and move it on the z-axis towards you. That gives it the impression of scaling up 🆙 .word { animation: blowout, fade-in; animation-timing-function: ease-in; animation-fill-mode: both; animation-timeline: --section; animation-range: exit-crossing 10% exit 0%; } You can use the exit-crossing range combined with the exit range to get a timing you like ✨ Definitely experiment with these ranges to see how they play. The timing function creates interesting effects too! At the same time as the text scales up, you need to fade in the video and the text that goes with it. Again, you can use the parent container's ViewTimeline --section p, video { animation: fade-in, fade-out; animation-timing-function: ease-in; animation-fill-mode: both; animation-timeline: --section; } p { animation-range: entry 10% entry 35%, exit 0% exit 25%; } video { animation-range: entry 0% entry 25%, exit 10% exit 35%; } The timings are slightly different here. Again, you can play with them to get something that feels right for you! @​keyframes fade-in { to { opacity: 1; }} @​keyframes fade-out { to { opacity: 0; }} Theoretically, you should be able to do something with animation-direction: reverse/alternate like yesterday's demo video { animation: fade 2 both linear alternate-reverse; } The trick with this effect is all about timing and creating containers that are bigger than the content and using them to drive the animations 🏎️ The scroll-driven signature is a bonus! ✍️ Perhaps a follow-up on that one 🤙 As always, any questions, requests, etc. Hit me up! With this demo, the GreenSock ScrollTrigger code is included where the CSS scroll-driven animations API is not supported 🙌 That means you could use this demo today! CodePen.IO link below! 👇

jhey ʕ•ᴥ•ʔ

270,144 görüntüleme • 2 yıl önce

CSS Tip! 🤯 You can create a CSS-only version of this balance slider using a scroll animation on the underlying input[type=range] 🚀 ::-webkit-slider-thumb { view-timeline: --thumb inline; } Scroll animation driven by the slider thumb animates a number between the "min" and "max" of the range 😅 @​property --value { inherits: true; initial-value: 0; syntax: ' '; } @​keyframes sync { to { --value: 100; }} Tie that up to the contain animation-range ⚡️ .control { animation: sync both linear reverse; animation-timeline: --thumb; animation-range: contain; } Hoist the view timeline so all the parts of the control can use it! .control { timeline-scope: --thumb; } Use that value in a counter which is used for the labels. Create a low and a high for each side 😇 .control__label { counter-reset: low var(--value) high calc(100 - var(--value)); } .control__label::before { content: "COFFEE " counter(low) "%"; } .control__label::after { content: counter(high) "% MILK"; } That's the magic of updating the label values ✨ For the big track, it's a fake track. You can make use of the same --value property and do some calc() to work out the width of each part. .control__track::before { width: calc(var(--value) * 1% - 0.5rem); background: var(--coffee); border-radius: 4px; transition: width 0.1s; } The width leaves a little gap for the indicator piece 🤙 The color calculation for --coffee isn't too wild but again you can use the same --value .control__track { --coffee: hsl(24 74% calc( 24% + (30% * ((100 - var(--value, 0)) / 100)) / 1 ) / 0.4); } Now for the last piece. Making the track change height. You could set up another custom property and animate its value using the --thumb timeline too 🔥 @​property --shift { initial-value: 0; inherits: true; syntax: ' '; } @​keyframes shift { 0%, 31%, 61%, 100% { --shift: 0; } 32%, 60% { --shift: 1; } } Then use that --shift to update the translation of the label and height of the track 🤓 .label { transform: translateY(calc(var(--shift) * 50%)); transition: transform var(--speed) var(--timing); } Cool part here is that you can use the control to work out the @​keyframes percentages 😅 Oh. And the timing for that little bounce? Use the linear() function 😎 :root { --timing: linear( 0, 0.5007 7.21%, 0.7803 12.29%, 0.8883 14.93%, 0.9724 17.63%, 1.0343 20.44%, 1.0754 23.44%, 1.0898 25.22%, 1.0984 27.11%, 1.1014 29.15%, 1.0989 31.4%, 1.0854 35.23%, 1.0196 48.86%, 1.0043 54.06%, 0.9956 59.6%, 0.9925 68.11%, 1 ); } Should probably do a video on this one. Lots of little custom property tricks for sure! 💯 It's not too far off the range slider with the tooltip that came up previously As always, any questions, let me know! Also, this one only works in Chrome currently ✅🥲 This one's a bit rocket science ha 🚀 CodePen.IO link below! 👇

jhey ʕ•ᴥ•ʔ

377,871 görüntüleme • 2 yıl önce

CSS Tip! 📜 You can use scroll-driven animations to progressively enhance collapsing a floating call to action 🤏 .cta { animation: shrink; animation-timeline: scroll(); animation-range: 0 100px; } @​keyframes shrink { to { width: 48px; } } That's the gist of it. Use the body scroll position with animation-timeline: scroll(). Define the animation-range as when you have scrolled 100px. There's a little more though 🤓 That would "scrub" the width animation. Ideally, you want to trigger that animation. You could animate a custom property with steps() timing and use that to define the width ✨ @​property --scrub { syntax: ' '; inherits: true; initial-value: 0; } body { animation: scrub both steps(1, end); animation-timeline: scroll(); animation-range: 0 100px; } Then transition the --scrub property on the CTA and use it for the width 🤙 .cta { transition: --scrub 0.2s; width: calc(48px + (120px * (1 - (var(--scrub) / 100)))); } Other animations are a matter of preference and timing. For example, you could then make the hand wave, scale down the size, and then slide a gradient across 😉 They have the same structure and technique as the original concept. Waving the hand? 👋 Run it twice, offset the transform-origin. .hand { animation: wave both linear 2; animation-timeline: scroll(); animation-range: 30vh 50vh; transform-origin: 65% 75%; } @​keyframes wave { 50% { rotate: 20deg; } } How's it progressively enhanced? Wrap everything in a @​supports query and a @​media query. If there isn't support, users still get a good experience. It's a floating action button that's circular and already collapsed 🤙 @​supports(animation-timeline: scroll()) { @​media(prefers-reduced-motion: no-preference) {...} } Definitely have a play with the code. Amazing what we're going to be able to do with CSS alone! 🔥 CodePen.IO link below! 👇

jhey ʕ•ᴥ•ʔ

177,952 görüntüleme • 2 yıl önce

How I turn my templates into real landing pages. Works for any vibe coding platform or site. This is my full guide. I start with Gemini 3. I copy the HTML code and paste to Cursor/v0/lovable and prompt "Create a new landing page /page-name using this design but adapted to {site_name}. Replace the header and footer with the ones from my site. Adapt the whole page, keep everything: {HTML_code}" Details that can to be adapted or improved: Fonts: "Use {font_name} Google font for headings and {font_name} for body text." Icons: "Use Iconify {icon_set} icons" Colors: "Change primary color to blue. Everything else should be monotone." Bonus: "Make the outlines subtle" for a cleaner design. Animation intro/on scroll: "Animate when in view observed, fade in, slide in, blur in, element by element. Use 'both' instead of 'forwards'. Don't use opacity 0." Static to animated: "Animate details with {animate_type} and decorations.". Example types: line, beam animation, noodles, grid, sonar, etc. Background animation: "Apply the background animation using Unicorn Studio {animation_code}" Details to make your layout stand out: "Add vertical container-size lines. Add 01 02 03 number details." Stand out from generic-looking: "Make this more upscale with large tall fonts, Newsreader font and black and white agency". Adapt content: "Adapt the content to {copy and paste site texts}". Buttons: "Change main button to {code}. Add a 1px border beam animation around the pill-shaped button on hover." Adding sections like testimonials: "Adapt a new section after {section} using this code: {component code}". You can copy the code from Codepen, 21st dev or Aura. Responsiveness: "Make this responsive. Add a hamburger menu for mobile. Hide this {element} for mobile." Making forms work: "Make the form send an email to {your_email}". Payments: "Link the buy button to {LemonSqueezy payment link}". I use composer-1 for quick fixes. I finish with Claude Opus 4.5 for code reviews "Please review the code for performance and robustness". The template HTML code should give you a blueprint for all these, but I think it's important to keep iterating for your specific site.

Meng To

41,015 görüntüleme • 9 ay önce

CSS in 2024 🤯 You can create a range slider with updating value tooltip and color changing track without using any JavaScript 🤯 ::-webkit-slider-thumb{ view-timeline: --thumb inline; } Scroll animation on the slider thumb that animates a number between the "min" and "max" of the range 😅 @​property --value { syntax: ' '; } @​keyframes sync { to { --value: 100; }} Tie that up to the contain animation-range ⚡️ .control { animation: sync both linear reverse; animation-timeline: --thumb; animation-range: contain; } Hoist the view timeline so the tooltip can use the value too! :root { timeline-scope: --thumb; } Then use it in the counter which goes in the tooltip 😇 .tooltip { counter-reset: val var(--value); } .tooltip::after { content: counter(val); } Then the accent color is based on the value too 🎨 [type=range] { accent-color: hsl(var(--value) 90% 65%); } The magic from the quoted post is using anchor positioning on the range thumb to position that tooltip 👏 Never thought of that when working on the spec for this API. This API lets you tether elements to other elements. Using the pseudo is a clever move! ::-webkit-slider-thumb { anchor-name: --thumb; } .tooltip { position: absolute; anchor-default: --thumb; left: anchor(50%); bottom: calc(anchor(top) + 25%); } The last piece is the little bounce transition... OK. I used a line or two of JavaScript for that 🙏😬 const updateDelta = ({ movementX }) => { document​.documentElement​.style.setProperty('--delta-x', movementX) } document.body.addEventListener('pointermove', updateDelta) But only so you can pass the movement delta to CSS and then reset the position with linear() to get that bouncy transition 😎 .hint { rotate: calc(clamp(-60, var(--delta-x) * -1, 60) * 1deg); transition: rotate 1s linear( 0, 0.2178 2.1%, 1.1144 8.49%, ... ); } Should probably do a video on this one. Lots of little tricks to break down with it for sure! 💯 As always, any questions, let me know! Also, this one only works in Chrome Canary with the Experimental Web Platform Features flag enabled ✅ This one almost feels like rocket science ha 🚀 CodePen.IO link below! 👇

jhey ʕ•ᴥ•ʔ

251,867 görüntüleme • 2 yıl önce

Following our breakdown of Ultra Red, another finish that deserves an engineering deep dive is Pearl White Multi-Coat. While it is one of the most common Tesla colors on the road, the factory science behind its layered construction is exceptionally complex 🔥 🚗 Pearl White served as the primary no-cost paint option across much of Tesla's North American lineup starting in 2019, making it a familiar sight. Tesla later transitioned the included color to Midnight Silver Metallic and eventually Stealth Grey on newer configurations, returning Pearl White to a paid upgrade depending on the specific model and market. 🔬 The fundamental difference between Ultra Red and Pearl White comes down to how each paint stack manipulates light. Ultra Red relies on chromatic absorption, using a translucent red mid-coat to filter light and amplify color saturation. In contrast, Pearl White relies on optical interference, combining a high-opacity foundation with pearlescent effect platelets. 🎨 Known by the factory paint code PPSW, the process begins with an opaque white ground coat applied after the e-coat and primer stages. Like most high-opacity automotive whites, this ground coat likely relies heavily on titanium dioxide pigment, which provides the opacity and uniform hiding required for the effect layer above. ✨ The signature dimension happens in the translucent mid-coat layer. The layer contains pearlescent effect pigments, which in automotive coatings commonly consist of microscopic mica or synthetic platelets coated with metal oxides. When sunlight hits this layer, light reflects and transmits across multiple interfaces within the coated platelets. These light waves interfere with one another, creating a dynamic shimmer and soft color shift across the body contours. ☀️ This optical interference explains why Pearl White can look noticeably different depending on the ambient lighting. In diffuse overcast conditions, directional sparkle is subdued and the solid white ground coat dominates the appearance. Under direct sunlight, the microscopic platelets catch the light, creating a warm, multi-dimensional iridescence that contours around every curve. 🧩 That sensitive flake behavior also explains the occasional factory color mismatch seen between plastic bumpers and adjacent metal quarter panels. Bumpers are often painted separately using plastic-specific coating processes and lower curing temperatures, sometimes with flexibility additives. Differences in substrate behavior, evaporation rate, application method, curing conditions, and part geometry can cause the pearl particles to orient differently. Curved plastic and metal surfaces also reflect light at different angles, making even a small color variation more visible at the mating seam. 🛠️ Much like Ultra Red, this multi-stage system makes repainting a damaged panel notoriously demanding for collision centers. While an Ultra Red painter is managing color darkness and saturation, a Pearl White technician is managing mid-coat film thickness, coverage, particle orientation, and spray technique. 💸 The translucent mid-coat is the most sensitive variable in the paint booth. Applying too light a coat leaves the repair looking flat and chalky, while additional film build can alter the brightness, hue, and pearl effect enough to make the repaired area visibly different. 🏎️ To prevent mismatched panels, painters typically spray a let-down panel or a series of spray-out cards to determine the best-matching mid-coat pass count required for the finish. Technicians may also need to blend the base and mid-coat into adjacent undamaged panels to ensure a seamless visual transition before applying clearcoat edge-to-edge across each affected panel. 💰 Both Ultra Red and Pearl White show how Tesla uses multi-coat engineering to elevate automotive colors. Whether selectively filtering light through high-chroma translucent pigments or relying on microscopic pearl interference platelets, achieving that factory depth requires serious precision on the assembly line and in the paint booth.

Ming

35,590 görüntüleme • 1 ay önce