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Summer with Monika (1953) Director: Ingmar Bergman

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DepressedBergman

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81,834 Aufrufe • vor 3 Jahren •via X (Twitter)

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silvia pujolvor 3 Jahren

Summer with Monika - 1953 - Dir. Ingmar Bergman.

Profilbild von Nasim Ghanizadeh
Nasim Ghanizadehvor 3 Jahren

aww my fav movie🥲🖤need to watch it again

Profilbild von Mike Bot 1138 🤖
Mike Bot 1138 🤖vor 3 Jahren

This movie broke me.

Profilbild von noa noa🇵🇸
noa noa🇵🇸vor 3 Jahren

WOW

Profilbild von Bananas
Bananasvor 3 Jahren

Now I really want a cigarette 🙄😆

Profilbild von Mario Lucioni
Mario Lucionivor 3 Jahren

Seen in a movie theater, when this scene played people began to move nervously on their seats... According to Bergman, the look into the camera was Harriet's idea.

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"I don’t suppose there’s much more to say about 'Summer With Monika' (1953), except that it’s close to my heart and one of my films I’m always happy to see again." --- Ingmar Bergman Full Excerpt: "Technically, what was interesting about 'Summer With Monika' (1953)—besides being made by a little unit and a silent camera and dubbed—was that I’d lost my regular editor, Oscar Rosander, and was given another who was incompetent. Oscar Rosander had been magnificent. When you have a good editor you take it easy and let him help you. But now, suddenly, I was without one, and had to do my own editing. I was obliged to learn how to edit; why one made just this cut or that; changed shots at just this or that particular point. Instructive. I don’t suppose there’s much more to say about 'Summer With Monika' (1953), except that it’s close to my heart and one of my films I’m always happy to see again." ('Bergman on Bergman', interviews with Ingmar Bergman by Stig Bjorkman Torsten Manns Jonas Sima, 1973)
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"I don’t suppose there’s much more to say about 'Summer With Monika' (1953), except that it’s close to my heart and one of my films I’m always happy to see again." --- Ingmar Bergman Full Excerpt: "Technically, what was interesting about 'Summer With Monika' (1953)—besides being made by a little unit and a silent camera and dubbed—was that I’d lost my regular editor, Oscar Rosander, and was given another who was incompetent. Oscar Rosander had been magnificent. When you have a good editor you take it easy and let him help you. But now, suddenly, I was without one, and had to do my own editing. I was obliged to learn how to edit; why one made just this cut or that; changed shots at just this or that particular point. Instructive. I don’t suppose there’s much more to say about 'Summer With Monika' (1953), except that it’s close to my heart and one of my films I’m always happy to see again." ('Bergman on Bergman', interviews with Ingmar Bergman by Stig Bjorkman Torsten Manns Jonas Sima, 1973)

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