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SUNEEL DARSHAN - NADEEM - SAMEER REUNITE FOR 'ANDAAZ 2': FIRST LOOK POSTER + TEASER OUT NOW... After a 7-year hiatus, the celebrated trio - writer-producer-director #SuneelDarshan, music composer #Nadeem [of #NadeemShravan] and lyricist #Sameer - reunites for the musical entertainer #Andaaz2. #FirstLook poster and #Andaaz2Teaser out now. 🔗:... show more

taran adarsh

3,943,467 subscribers

179,462 views • 1 year ago •via X (Twitter)

News & Politics Music Arts #SuneelDarshan #Nadeem #NadeemShravan #Sameer

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11 Comments

axay patel🔥🔥1 year ago

Akki ka aura ye khajoor match karega kya lmao😂

Holly Dayle1 year ago

Feeling like this is the perfect anthem for Autumn! 🥰 Nat King Cole songs always hit the mark - I love singing them! WDYT? Should I do the whole thing? #autumnleaves #NatKingCole #FallVibes #JazzClassics #coversong #music #Singing #SmoothJazz

Bollywood lover1 year ago

Akshay Kumar ki baat 🔥

S@M@R🇮🇳🎓1 year ago

Bollywood ka future khatre me hai... Koi bhi newcomer promising nhi lg rha 😐😐

RajNRao1 year ago

Atleast poster to dhang ka banate Like this

Ritesh Mishra1 year ago

Bekar me paisa barbad kar raha, flop he hogi

Bulli from dilli1 year ago

Wow this is nice to know about the sequel of Andaaz movie What a fantastic movie it was There were many good songs by Nadeem Shravan and Sameer Such a acting by Akshay Kumar Lara Dutta and Priyanka Chopra Hope the sequel of this movie will work as older one

AR1 year ago

Abbey toh koi alt balaji walo ki sasti 🌽 video Ka poster lag ra 🤣🤣

Dealzeen1 year ago

Ek or achi movie ka sequel bana ke uska naam barbaad karenge Stupidity

suenil1 year ago

Why do these people waste money?... Look at the star cast... They can't even pull 100 people to the theatre...

Lavanya1 year ago

#Andaaz2

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Wall Street Games Token

17,066 views • 2 years ago

Michael Powell on how the iconic climax in "Black Narcissus" (1947) was filmed: "In 'Black Narcissus' (1947), I started out almost as a documentary director and ended up as a producer of opera, even though the excerpt from the opera was only about twelve minutes long. Never mind! It was opera in the sense that music, emotion, image and voices all blended together into a new and splendid whole. By music, of course, I mean not only sounds produced by musical instruments, but the human voice itself. Although neither Deborah nor Joseph nor Sister Ruth used their voices for anything but screams, music dictated their movements and revealed their thoughts and intentions. The sequence started with little Joseph- he was certainly one of the great successes of the film- bringing a cup of tea to Sister Clodagh as the colours of dawn spread over the snows of the Himalayas, and ends with Sister Ruth falling to her death. It was planned step by step, bar by bar, by Brian and myself. I wanted to get the maximum of suspense out of the cat-and-mouse play between the two women and we succeeded. The crew were amazed when Brian and I appeared with stopwatches and exact timings when we started to shoot the sequence. I insisted on rehearsing and shooting to a piano track and consulting Brian with a musical score in my hand over each set-up. But it worked! It worked! I have never enjoyed myself so much in my life. For the first time I felt I had control of the film with the authority of the music. It was astonishing to everyone, but particularly, of course, to the camera crew that we were able to compress or speed up the movement of the action just by saying: "No, that wasn't fast enough. We've only got seven seconds for I that bit of action." I was so happy! I swore that this was the only way to make films; and so, of course it is, if they are silent films or musical films. But for me, film-making was never the same after this experience, and it was to lead me and my collaborators into tribulations as well as triumph." ("A Life in Movies", Michael Powell, 1986) P.S: On this day, 79 years ago, "Black Narcissus" (1947) premiered in London, UK.

Michael Powell on how the iconic climax in "Black Narcissus" (1947) was filmed: "In 'Black Narcissus' (1947), I started out almost as a documentary director and ended up as a producer of opera, even though the excerpt from the opera was only about twelve minutes long. Never mind! It was opera in the sense that music, emotion, image and voices all blended together into a new and splendid whole. By music, of course, I mean not only sounds produced by musical instruments, but the human voice itself. Although neither Deborah nor Joseph nor Sister Ruth used their voices for anything but screams, music dictated their movements and revealed their thoughts and intentions. The sequence started with little Joseph- he was certainly one of the great successes of the film- bringing a cup of tea to Sister Clodagh as the colours of dawn spread over the snows of the Himalayas, and ends with Sister Ruth falling to her death. It was planned step by step, bar by bar, by Brian and myself. I wanted to get the maximum of suspense out of the cat-and-mouse play between the two women and we succeeded. The crew were amazed when Brian and I appeared with stopwatches and exact timings when we started to shoot the sequence. I insisted on rehearsing and shooting to a piano track and consulting Brian with a musical score in my hand over each set-up. But it worked! It worked! I have never enjoyed myself so much in my life. For the first time I felt I had control of the film with the authority of the music. It was astonishing to everyone, but particularly, of course, to the camera crew that we were able to compress or speed up the movement of the action just by saying: "No, that wasn't fast enough. We've only got seven seconds for I that bit of action." I was so happy! I swore that this was the only way to make films; and so, of course it is, if they are silent films or musical films. But for me, film-making was never the same after this experience, and it was to lead me and my collaborators into tribulations as well as triumph." ("A Life in Movies", Michael Powell, 1986) P.S: On this day, 79 years ago, "Black Narcissus" (1947) premiered in London, UK.

DepressedBergman

47,099 views • 3 months ago

🌟ANNOUNCEMENT🌟 'KOUNTER KLOCKWISE' - A full Ouro Kronii community fansong EP is in the works from RiKU's WUNDERLaND! My server got together to write a bunch of songs for Kronii's birthday this year, releasing in a couple of weeks time! BUT we really need your help!! We're looking for 2 things: 1) Animators 2) Financial support for distribution For 1) - We are looking for animators to help finish up the MV for lead single "Your Time Has Come" - an original Kronii VS Ame WUNDER RiKU fansong with features from Zephyrianna 🐦💫 StarlightDaryl 🎵✨🔭 VTuber Composer 사기 🐇🖤 mention after DM and animation lead by the team behind Chrono Gear: Warden of Time ⏳ Out Now! (also peep that key art by ＡＲＱ ➡️ VEXPO ‘26 👀)! If you're interested in joining, hit up our Discord and introduce yourself as an animator willing to help out with clean up and colouring! For 2) - Due to the 'pay-per-artist' business model of music distributors, the distribution fees for a 'various artists' album like this is likely to set me back a couple hundred dollars with Tunecore... which feels insane, but is the truth of the industry. All the costs of this project are covered by myself, so if you would like to help ease the financial burden of releasing a cool community project like this then consider dropping some tips/donations/subscriptions to my ko-fi, Patreon or YouTube channel membership. After Under the Stars, The World Outside and Music Box of Fate charity song, doing these kinds of community projects mean so much to me. And for this one, I'm so proud to be able to shine a light on the amazing songwriting in my community, and the incredible art and animation talent in the Hololive community!

🌟ANNOUNCEMENT🌟 'KOUNTER KLOCKWISE' - A full Ouro Kronii community fansong EP is in the works from RiKU's WUNDERLaND! My server got together to write a bunch of songs for Kronii's birthday this year, releasing in a couple of weeks time! BUT we really need your help!! We're looking for 2 things: 1) Animators 2) Financial support for distribution For 1) - We are looking for animators to help finish up the MV for lead single "Your Time Has Come" - an original Kronii VS Ame WUNDER RiKU fansong with features from Zephyrianna 🐦💫 StarlightDaryl 🎵✨🔭 VTuber Composer 사기 🐇🖤 mention after DM and animation lead by the team behind Chrono Gear: Warden of Time ⏳ Out Now! (also peep that key art by ＡＲＱ ➡️ VEXPO ‘26 👀)! If you're interested in joining, hit up our Discord and introduce yourself as an animator willing to help out with clean up and colouring! For 2) - Due to the 'pay-per-artist' business model of music distributors, the distribution fees for a 'various artists' album like this is likely to set me back a couple hundred dollars with Tunecore... which feels insane, but is the truth of the industry. All the costs of this project are covered by myself, so if you would like to help ease the financial burden of releasing a cool community project like this then consider dropping some tips/donations/subscriptions to my ko-fi, Patreon or YouTube channel membership. After Under the Stars, The World Outside and Music Box of Fate charity song, doing these kinds of community projects mean so much to me. And for this one, I'm so proud to be able to shine a light on the amazing songwriting in my community, and the incredible art and animation talent in the Hololive community!

WUNDER RiKU 🎵🪽 Songwriter| ✈️ ➡️ OffKai

38,554 views • 5 months ago

In Remembrance of JUDY GARLAND Born | June 10, 1922 in Grand Rapids, Minnesota, USA Died | June 22, 1969 aged 47 in Belgravia, London, England, UK American actress and singer Judy Garland possessed a strong contralto voice, and was celebrated for her emotional depth and versatility across film, stage, and concert performances. Garland achieved international recognition for her portrayal of Dorothy Gale in The Wizard of Oz (1939). Her recording of “Over the Rainbow” became an enduring song in American popular music. Over a career spanning more than forty-five years, she recorded eleven studio albums, and several of her recordings were later inducted into the Grammy Hall of Fame. At the age of two, Garland began her career by performing with her two sisters as a vaudeville act, The Gumm Sisters. In 1935, she signed a contract with Metro-Goldwyn-Mayer at thirteen and appeared in supporting roles in ensemble musicals such as Broadway Melody of 1938 (1937) and Thoroughbreds Don't Cry (1937). The success of The Wizard of Oz propelled her into leading roles in MGM musicals including Meet Me in St. Louis (1944), Easter Parade (1948) and Summer Stock (1950). In the 1950s and early 1960s she expanded her range with dramatic performances in A Star Is Born (1954) and Judgment at Nuremberg (1961), both of which earned her Academy Award nominations and demonstrated her capacity to convey vulnerability and resilience on screen. Beyond her film work, Garland cultivated a distinguished career in live performance and recordings. Her 1961 live album Judy at Carnegie Hall won the Grammy Award for Album of the Year, capping a series of sold-out engagements at the Hollywood Bowl and concerts. That same year she became the first woman — and, at thirty-nine, the youngest recipient — of the Cecil B. DeMille Award for Lifetime Achievement in motion pictures. Her honors also included a Golden Globe Award, an Academy Juvenile Award for her early contributions, and a Special Tony Award for her role in reviving vaudeville. In 1997 she was posthumously awarded a Grammy Lifetime Achievement Award, and in 1999 the American Film Institute ranked her eighth among the greatest female screen legends of classic Hollywood cinema. Garland's personal life was marked by both public fascination and private struggle. She married five times and had three children, including actress and singer Liza Minnelli. From her teenage years onward, she faced health challenges exacerbated by studio pressures on her appearance and performance, and she developed dependencies on prescription medications that affected her physical and mental well-being. Financial difficulties, including substantial tax debts, added to her burdens. She died in London in 1969 from an accidental barbiturate overdose at age forty-seven. Garland's resilience, artistic range and enduring recordings have ensured her lasting impact on popular culture and her reputation as a cultural icon.

In Remembrance of JUDY GARLAND Born | June 10, 1922 in Grand Rapids, Minnesota, USA Died | June 22, 1969 aged 47 in Belgravia, London, England, UK American actress and singer Judy Garland possessed a strong contralto voice, and was celebrated for her emotional depth and versatility across film, stage, and concert performances. Garland achieved international recognition for her portrayal of Dorothy Gale in The Wizard of Oz (1939). Her recording of “Over the Rainbow” became an enduring song in American popular music. Over a career spanning more than forty-five years, she recorded eleven studio albums, and several of her recordings were later inducted into the Grammy Hall of Fame. At the age of two, Garland began her career by performing with her two sisters as a vaudeville act, The Gumm Sisters. In 1935, she signed a contract with Metro-Goldwyn-Mayer at thirteen and appeared in supporting roles in ensemble musicals such as Broadway Melody of 1938 (1937) and Thoroughbreds Don't Cry (1937). The success of The Wizard of Oz propelled her into leading roles in MGM musicals including Meet Me in St. Louis (1944), Easter Parade (1948) and Summer Stock (1950). In the 1950s and early 1960s she expanded her range with dramatic performances in A Star Is Born (1954) and Judgment at Nuremberg (1961), both of which earned her Academy Award nominations and demonstrated her capacity to convey vulnerability and resilience on screen. Beyond her film work, Garland cultivated a distinguished career in live performance and recordings. Her 1961 live album Judy at Carnegie Hall won the Grammy Award for Album of the Year, capping a series of sold-out engagements at the Hollywood Bowl and concerts. That same year she became the first woman — and, at thirty-nine, the youngest recipient — of the Cecil B. DeMille Award for Lifetime Achievement in motion pictures. Her honors also included a Golden Globe Award, an Academy Juvenile Award for her early contributions, and a Special Tony Award for her role in reviving vaudeville. In 1997 she was posthumously awarded a Grammy Lifetime Achievement Award, and in 1999 the American Film Institute ranked her eighth among the greatest female screen legends of classic Hollywood cinema. Garland's personal life was marked by both public fascination and private struggle. She married five times and had three children, including actress and singer Liza Minnelli. From her teenage years onward, she faced health challenges exacerbated by studio pressures on her appearance and performance, and she developed dependencies on prescription medications that affected her physical and mental well-being. Financial difficulties, including substantial tax debts, added to her burdens. She died in London in 1969 from an accidental barbiturate overdose at age forty-seven. Garland's resilience, artistic range and enduring recordings have ensured her lasting impact on popular culture and her reputation as a cultural icon.

Hollywood Golden Age of Cinema

13,695 views • 1 year ago

About 5 years ago, Breitbart COO and the singer-songwriter behind the Trump anthem “Fighter,” Jon Kahn Music, was heading to Nashville for a writing trip to chase down some songs, as they say. The night before his first writing session, the publisher emailed him and said the other writer’s truck broke down in Texas and he wouldn’t be able to make the session. But then the publisher added, “Why don’t you write with Michael Farren?” Done. The next day, the two songwriters met for the first time, and they didn’t even pick up their guitars for a couple hours. They just talked -- about life, faith, the human condition -- and they wrote their first song together. Their musical relationship and friendship, in a lot of ways, parallels the song they contributed to Breitbart’s B 250 American Soundtrack. Farren comes from Texas. Kahn from L.A. Farren, the son of a preacher. Kahn, the son of a doctor. Farren’s musical roots are grounded in worship, and he’s won multiple Dove awards, and has been nominated for a Grammy for Lauren Daigle’s now-platinum single "Trust in You." He also wrote "Let it Rain," which appeared on Michael W. Smith’s RIAA certified double platinum album “Worship.” Kahn’s musical journey began in film. As a writer-director in Hollywood, his songs found their way in to many films, TV shows, and commercials. Coming from the '90s rock world, he has worked with members of The Wallflowers, Creed, and the Foo Fighters. Different backgrounds. Different musical roots. Different styles but when they get in a room to write, as the lyric states in The United Saints of America…. “somehow it works.” That’s what their song is about. It’s about the beauty and diversity of the people who make up this country — the ones who make it great, not despite our differences, but because of them. Farren and Kahn created something beautiful and something hopeful. In fact, they were so excited about the song, they went into the studio and recorded it together, featuring both their voices. That version of The United Saints of America will be out next week. Stay tuned...

About 5 years ago, Breitbart COO and the singer-songwriter behind the Trump anthem “Fighter,” Jon Kahn Music, was heading to Nashville for a writing trip to chase down some songs, as they say. The night before his first writing session, the publisher emailed him and said the other writer’s truck broke down in Texas and he wouldn’t be able to make the session. But then the publisher added, “Why don’t you write with Michael Farren?” Done. The next day, the two songwriters met for the first time, and they didn’t even pick up their guitars for a couple hours. They just talked -- about life, faith, the human condition -- and they wrote their first song together. Their musical relationship and friendship, in a lot of ways, parallels the song they contributed to Breitbart’s B 250 American Soundtrack. Farren comes from Texas. Kahn from L.A. Farren, the son of a preacher. Kahn, the son of a doctor. Farren’s musical roots are grounded in worship, and he’s won multiple Dove awards, and has been nominated for a Grammy for Lauren Daigle’s now-platinum single "Trust in You." He also wrote "Let it Rain," which appeared on Michael W. Smith’s RIAA certified double platinum album “Worship.” Kahn’s musical journey began in film. As a writer-director in Hollywood, his songs found their way in to many films, TV shows, and commercials. Coming from the '90s rock world, he has worked with members of The Wallflowers, Creed, and the Foo Fighters. Different backgrounds. Different musical roots. Different styles but when they get in a room to write, as the lyric states in The United Saints of America…. “somehow it works.” That’s what their song is about. It’s about the beauty and diversity of the people who make up this country — the ones who make it great, not despite our differences, but because of them. Farren and Kahn created something beautiful and something hopeful. In fact, they were so excited about the song, they went into the studio and recorded it together, featuring both their voices. That version of The United Saints of America will be out next week. Stay tuned...

Breitbart News

36,177 views • 1 month ago

★ JOJO’s Bizarre Adventure: Golden Spirit Officially Launches on August 13! Pre-Launch PV Vol. 2 Released! ★ Check out the Pre-Launch PV Series with official launch date of JoJo’s Bizarre Adventure: Golden Spirit. The series includes 3 PVs, each featuring an original BGM created exclusively for the game! Here comes Vol. 2. ♢ ━━━━━━━ ★ ━━━━━━━ ♢ 🎵 PRE-LAUNCH PV VOL. 2 Enjoy a lighthearted melody as the unforgettable moments shared by Giorno and his companions come to life! ♢ ━━━━━━━━━━━━━━━━ ♢ 🎧The BGMs featured in this Pre-Launch PV Series are original tracks created exclusively for the game by renowned composer Yugo Kanno, who has composed music for JoJo’s Bizarre Adventure from Part 3: Stardust Crusaders through Part 7: STEEL BALL RUN. This BGM will also be available in-game after launch. Stay tuned for the official launch of JoJo’s Bizarre Adventure: Golden Spirit! ▶ PRE-REGISTER NOW: #JoJosBizarreAdventure #GoldenSpirit #JJBAGS #JoJo #OfficialLaunchSoon

★ JOJO’s Bizarre Adventure: Golden Spirit Officially Launches on August 13! Pre-Launch PV Vol. 2 Released! ★ Check out the Pre-Launch PV Series with official launch date of JoJo’s Bizarre Adventure: Golden Spirit. The series includes 3 PVs, each featuring an original BGM created exclusively for the game! Here comes Vol. 2. ♢ ━━━━━━━ ★ ━━━━━━━ ♢ 🎵 PRE-LAUNCH PV VOL. 2 Enjoy a lighthearted melody as the unforgettable moments shared by Giorno and his companions come to life! ♢ ━━━━━━━━━━━━━━━━ ♢ 🎧The BGMs featured in this Pre-Launch PV Series are original tracks created exclusively for the game by renowned composer Yugo Kanno, who has composed music for JoJo’s Bizarre Adventure from Part 3: Stardust Crusaders through Part 7: STEEL BALL RUN. This BGM will also be available in-game after launch. Stay tuned for the official launch of JoJo’s Bizarre Adventure: Golden Spirit! ▶ PRE-REGISTER NOW: #JoJosBizarreAdventure #GoldenSpirit #JJBAGS #JoJo #OfficialLaunchSoon

JoJo's Bizarre Adventure: Golden Spirit

88,997 views • 7 days ago

Remembering Judy Garland on her birthday Born | June 10, 1922 in Grand Rapids, Minnesota, USA American actress and singer Judy Garland (born Frances Ethel Gumm (June 10, 1922 – June 22, 1969) was known for her emotional depth and versatility across film, stage, and concert performances. Garland achieved international recognition for her portrayal of Dorothy Gale in The Wizard of Oz (1939). Her recording of “Over the Rainbow” became an enduring song in American popular music. Over a career spanning more than forty-five years, she recorded eleven studio albums, and several of her recordings were later inducted into the Grammy Hall of Fame. At the age of two, Garland began her career by performing with her two sisters as a vaudeville act, The Gumm Sisters. In 1935, she signed a contract with Metro-Goldwyn-Mayer at thirteen and appeared in supporting roles in ensemble musicals such as Broadway Melody of 1938 (1937) and Thoroughbreds Don't Cry (1937). The success of The Wizard of Oz propelled her into leading roles in MGM musicals including Meet Me in St. Louis (1944), Easter Parade (1948) and Summer Stock (1950). In the 1950s and early 1960s she expanded her range with dramatic performances in A Star Is Born (1954) and Judgment at Nuremberg (1961), both of which earned her Academy Award nominations and demonstrated her capacity to convey vulnerability and resilience on screen. Beyond her film work, Garland cultivated a distinguished career in live performance and recordings. Her 1961 live album Judy at Carnegie Hall won the Grammy Award for Album of the Year, capping a series of sold-out engagements at the Hollywood Bowl and concerts. That same year she became the first woman—and, at thirty-nine, the youngest recipient—of the Cecil B. DeMille Award for Lifetime Achievement in Motion Pictures. Her honors also included a Golden Globe Award, an Academy Juvenile Award for her early contributions, and a Special Tony Award for her role in reviving vaudeville. In 1997 she was posthumously awarded a Grammy Lifetime Achievement Award, and in 1999 the American Film Institute ranked her eighth among the greatest female screen legends of classic Hollywood cinema. Garland's personal life was marked by both public fascination and private struggle. She married five times and had three children, including actress and singer Liza Minnelli. From her teenage years onward, she faced health challenges exacerbated by studio pressures on her appearance and performance, and she developed dependencies on prescription medications that affected her physical and mental well-being. Financial difficulties, including substantial tax debts, added to her burdens. She died in London in 1969 from an accidental barbiturate overdose at age forty-seven. Garland's resilience, artistic range and enduring recordings have ensured her lasting impact on popular culture and her reputation as a cultural icon.

Remembering Judy Garland on her birthday Born | June 10, 1922 in Grand Rapids, Minnesota, USA American actress and singer Judy Garland (born Frances Ethel Gumm (June 10, 1922 – June 22, 1969) was known for her emotional depth and versatility across film, stage, and concert performances. Garland achieved international recognition for her portrayal of Dorothy Gale in The Wizard of Oz (1939). Her recording of “Over the Rainbow” became an enduring song in American popular music. Over a career spanning more than forty-five years, she recorded eleven studio albums, and several of her recordings were later inducted into the Grammy Hall of Fame. At the age of two, Garland began her career by performing with her two sisters as a vaudeville act, The Gumm Sisters. In 1935, she signed a contract with Metro-Goldwyn-Mayer at thirteen and appeared in supporting roles in ensemble musicals such as Broadway Melody of 1938 (1937) and Thoroughbreds Don't Cry (1937). The success of The Wizard of Oz propelled her into leading roles in MGM musicals including Meet Me in St. Louis (1944), Easter Parade (1948) and Summer Stock (1950). In the 1950s and early 1960s she expanded her range with dramatic performances in A Star Is Born (1954) and Judgment at Nuremberg (1961), both of which earned her Academy Award nominations and demonstrated her capacity to convey vulnerability and resilience on screen. Beyond her film work, Garland cultivated a distinguished career in live performance and recordings. Her 1961 live album Judy at Carnegie Hall won the Grammy Award for Album of the Year, capping a series of sold-out engagements at the Hollywood Bowl and concerts. That same year she became the first woman—and, at thirty-nine, the youngest recipient—of the Cecil B. DeMille Award for Lifetime Achievement in Motion Pictures. Her honors also included a Golden Globe Award, an Academy Juvenile Award for her early contributions, and a Special Tony Award for her role in reviving vaudeville. In 1997 she was posthumously awarded a Grammy Lifetime Achievement Award, and in 1999 the American Film Institute ranked her eighth among the greatest female screen legends of classic Hollywood cinema. Garland's personal life was marked by both public fascination and private struggle. She married five times and had three children, including actress and singer Liza Minnelli. From her teenage years onward, she faced health challenges exacerbated by studio pressures on her appearance and performance, and she developed dependencies on prescription medications that affected her physical and mental well-being. Financial difficulties, including substantial tax debts, added to her burdens. She died in London in 1969 from an accidental barbiturate overdose at age forty-seven. Garland's resilience, artistic range and enduring recordings have ensured her lasting impact on popular culture and her reputation as a cultural icon.

Hollywood Golden Age of Cinema

25,604 views • 1 year ago

Remy Shand emerged on to the scene in 2002 with his debut album 'The Way I Feel', a potent canon of songs inspired by classic Motown and Memphis soul. Primarily home-schooled in his native Winnipeg, Shand began raiding his parents record collection at an early age -- soaking up a wide range of jazz, soul, and R&B, with Marvin Gaye's classic Here, My Dear having a profound influence on his musical direction. Dropping out of high school to study and pursue music full-time, Shand played as a session musician and was a member of various experimental groups until he decided to focus a solo career. In 1998, he began to write and record the songs that would later become The Way I Feel. Three years later he was signed to Motown Records and the album saw the light of day in early 2002. The record met critical and underground success and received four Grammy nominations, including one for best R&B album. Shand now leads a quiet life out of the public eye and has transitioned into electrical engineering, stating: "Motown was one of the few studios that built their own gear. I think that inspired me to become more than just an entertainer. Modern music has always been dictated by technological advancements intertwined with cultural movements. Song and dance have been around for ages and I would like to encourage more artists to evolve beyond that cycle, separate themselves from the pageantry, and get heavy with the recording arts and sciences. It’s time to step into the future and innovate."

Remy Shand emerged on to the scene in 2002 with his debut album 'The Way I Feel', a potent canon of songs inspired by classic Motown and Memphis soul. Primarily home-schooled in his native Winnipeg, Shand began raiding his parents record collection at an early age -- soaking up a wide range of jazz, soul, and R&B, with Marvin Gaye's classic Here, My Dear having a profound influence on his musical direction. Dropping out of high school to study and pursue music full-time, Shand played as a session musician and was a member of various experimental groups until he decided to focus a solo career. In 1998, he began to write and record the songs that would later become The Way I Feel. Three years later he was signed to Motown Records and the album saw the light of day in early 2002. The record met critical and underground success and received four Grammy nominations, including one for best R&B album. Shand now leads a quiet life out of the public eye and has transitioned into electrical engineering, stating: "Motown was one of the few studios that built their own gear. I think that inspired me to become more than just an entertainer. Modern music has always been dictated by technological advancements intertwined with cultural movements. Song and dance have been around for ages and I would like to encourage more artists to evolve beyond that cycle, separate themselves from the pageantry, and get heavy with the recording arts and sciences. It’s time to step into the future and innovate."

Sleeping On Gems

16,322 views • 4 months ago

🎉 EXCITING NEWS! STEP APP CELEBRATES 1 YEAR! 🚀 is not just a #MoveToEarn anymore; we're something entirely different. From epic community events to groundbreaking features, Step 2.0 is here with major announcements. Brace yourselves for exciting updates! 🎁 🔄 Rebranding Alert! 🎨 Introducing Step App's fresh identity, revamped brand look, logo, and UI. A visual testament to our commitment to innovation. What's coming in the next few days? 💪 Disrupting Fitness Industry: AI-Driven Workouts! Experience the future of fitness with our groundbreaking AI-powered workouts! Become a trailblazer in the fitness world as we redefine exercise routines. Let technology guide you towards your goals while earning KCAL tokens, transforming your workout into an exciting adventure. Get ready to break barriers and achieve your best self!🏋️‍♂️ 💸 Step Wallet Upgrade: Beyond a Makeover. Redesigned for your convenience, our wallet is set for a substantial upgrade. Cutting-edge features will soon streamline buying, swapping, and managing your crypto assets seamlessly. 🌐💳 🚀 More Enhancements Await! Stay tuned for the many exciting updates - the new feature that will skyrocket your earnings up to 1500%, new, value-enhancing $KCAL utility as well as major upgrades across the Step Ecosystem, including Step Ex and Step Bridge. In the coming 2 months, exciting announcements and partnerships are coming your way. Join our Community Chat to be the first in the know. Your #StepApp experience is evolving for more convenience and rewards! 📖 Read more about the celebrations and updates in our blog post: 🎉 Step 2.0—A Stride into the Future. More than a stride, it's a deliberate march towards a dynamic future. Grateful for the steps you've taken with us in this year of progress. Here's to exploring the next horizon together! 🌅👟

Step App | The Future of Fitness

87,152 views • 2 years ago

Terminator 2: Judgment Facts -Director James Cameron asked Stan Winston to direct a teaser trailer. Cameron did not want the trailer to just be early footage, and so with a budget of $150,000, Winston created a trailer that showed a futuristic assembly line churning out copies of Terminators, all of which looked like Arnold Schwarzenegger. Cameron was pleased with this trailer, as he had fears about audience reactions to trailers showing Schwarzenegger returning as a Terminator (after the Terminator in the first film was clearly destroyed). The teaser ran over a year in advance of T2's release and was shown before another Schwarzenegger hit film, Total Recall (1990). -This is the only "Terminator" film to win or be nominated for an Oscar. It won four out of the six it was nominated for. -There was concern as to how realistic CGI would look when it came to the helicopter going under the bridge, so the pilot did it for real. -According to director James Cameron, Linda Hamilton suffered permanent hearing damage in one ear during the elevator shootout because she did not insert her earplugs after removing them between takes. -Lots of Edward Furlong's voice had to be re-dubbed by Furlong again in post-production, because it changed during shooting. -Industrial Light & Magic's computer graphics department had to grow from six artists to almost thirty-six to accommodate all the work required to bring the T-1000 to life, costing US $5.5 million, and taking eight months to produce, which ultimately amounted to 3.5 minutes of screen time. -Michael Biehn was first considered for the role of the T-1000, in a complete reversal of roles with Arnold Schwarzenegger, who was now a hero. -Linda Hamilton's then twenty-month-old son, Dalton, played an infant John Connor in a playground dream sequence. -The sound used for Arnold Schwarzenegger's shotgun was actually two cannons. -Over one million feet of film was shot and printed. -Over one million feet of film was shot and printed. -Denzel Washington turned down the role of Miles Bennett Dyson

Terminator 2: Judgment Facts -Director James Cameron asked Stan Winston to direct a teaser trailer. Cameron did not want the trailer to just be early footage, and so with a budget of $150,000, Winston created a trailer that showed a futuristic assembly line churning out copies of Terminators, all of which looked like Arnold Schwarzenegger. Cameron was pleased with this trailer, as he had fears about audience reactions to trailers showing Schwarzenegger returning as a Terminator (after the Terminator in the first film was clearly destroyed). The teaser ran over a year in advance of T2's release and was shown before another Schwarzenegger hit film, Total Recall (1990). -This is the only "Terminator" film to win or be nominated for an Oscar. It won four out of the six it was nominated for. -There was concern as to how realistic CGI would look when it came to the helicopter going under the bridge, so the pilot did it for real. -According to director James Cameron, Linda Hamilton suffered permanent hearing damage in one ear during the elevator shootout because she did not insert her earplugs after removing them between takes. -Lots of Edward Furlong's voice had to be re-dubbed by Furlong again in post-production, because it changed during shooting. -Industrial Light & Magic's computer graphics department had to grow from six artists to almost thirty-six to accommodate all the work required to bring the T-1000 to life, costing US $5.5 million, and taking eight months to produce, which ultimately amounted to 3.5 minutes of screen time. -Michael Biehn was first considered for the role of the T-1000, in a complete reversal of roles with Arnold Schwarzenegger, who was now a hero. -Linda Hamilton's then twenty-month-old son, Dalton, played an infant John Connor in a playground dream sequence. -The sound used for Arnold Schwarzenegger's shotgun was actually two cannons. -Over one million feet of film was shot and printed. -Over one million feet of film was shot and printed. -Denzel Washington turned down the role of Miles Bennett Dyson

The Movie Professor 🎬🎥📺

125,999 views • 1 month ago