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Superchatter asks Nick if he realized how perfect the show name would be for the movement "Of course, I designed it that way because I'm a visionary... I see the future. The past isn't real. They only exist in our memories."

S.clips

47,341 subscribers

20,596 просмотров • 1 месяц назад •via X (Twitter)

Новости и политика Юмор Искусство

Anya Rossi• Live Now

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Nick Fuentes is asked if he could see one thing from God; what would it be “I would wanna see the order of the universe… I would wanna see the design.”

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Ray Dalio, founder of the world's largest hedge fund, on how he turned a trading idea into a system. this is the whole loop, in his words: "every time I would make a decision, I would go back and study: if I made that decision in these circumstances, how would it have worked in the past? and I would know the track record of that decision." then it becomes a rule: "I would program it into the computer... rather than just the one I would see, I'd dump in all of them, where do they exist anywhere in the world?" and the constraint most people skip: "the rules should be timeless and universal. because if it didn't work in a long period of time, I would need to understand why." a trading idea in your head is a feeling. tested across every instance in history, it's a system.

Ray Dalio, founder of the world's largest hedge fund, on how he turned a trading idea into a system. this is the whole loop, in his words: "every time I would make a decision, I would go back and study: if I made that decision in these circumstances, how would it have worked in the past? and I would know the track record of that decision." then it becomes a rule: "I would program it into the computer... rather than just the one I would see, I'd dump in all of them, where do they exist anywhere in the world?" and the constraint most people skip: "the rules should be timeless and universal. because if it didn't work in a long period of time, I would need to understand why." a trading idea in your head is a feeling. tested across every instance in history, it's a system.

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Asmongold says he could never represent or lead a campaign or any kind of movement because of the way he looks 👀😭 “I can work from the shadows. I can never represent any sort of a movement because of the way that I look. I think people see the way that somebody like me looks, and then they are immediately like, ‘You know what? I'm on the other side. Whatever. I'm a warlock.’ Isn't that bad? Is there any other creator whose appearance is negatively discussed more on social media than me? Think about that. Is there a single person?”

Asmongold says he could never represent or lead a campaign or any kind of movement because of the way he looks 👀😭 “I can work from the shadows. I can never represent any sort of a movement because of the way that I look. I think people see the way that somebody like me looks, and then they are immediately like, ‘You know what? I'm on the other side. Whatever. I'm a warlock.’ Isn't that bad? Is there any other creator whose appearance is negatively discussed more on social media than me? Think about that. Is there a single person?”

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G-Dragon for UNESCO: World Heritage 🤍 🐉: “I think that, in the end, World Heritage is really about people's memories. Because once some things disappear, they can never be brought back. I believe that art, too, has the power to preserve memories for a long time. Isn't the reason we're moved by each other's cultures and histories ultimately because of those memories? That's why I believe...Protecting our heritage means protecting our future. Even the smallest act of care can become the beginning of something truly significant. Because some memories must be passed on to the next generation. I hope you'll show your interest and support for this World Heritage Fund campaign, which begins in Busan. I hope this can be the first step that we take together. I believe that when all of our memories come together, they can create a better future. Please join us.” #GDRAGON #GD #지드래곤 #지디

G-Dragon for UNESCO: World Heritage 🤍 🐉: “I think that, in the end, World Heritage is really about people's memories. Because once some things disappear, they can never be brought back. I believe that art, too, has the power to preserve memories for a long time. Isn't the reason we're moved by each other's cultures and histories ultimately because of those memories? That's why I believe...Protecting our heritage means protecting our future. Even the smallest act of care can become the beginning of something truly significant. Because some memories must be passed on to the next generation. I hope you'll show your interest and support for this World Heritage Fund campaign, which begins in Busan. I hope this can be the first step that we take together. I believe that when all of our memories come together, they can create a better future. Please join us.” #GDRAGON #GD #지드래곤 #지디

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.Bo Nickal responds to the negative comments he has received: "'I'm like, just let it be. It's fine. It's part of the the job... The negativity, I'm totally ok with it. I just honestly pray for those people. The only reason that they can send that in my direction is because they're already full of that. I would pray that they find a better path."

.Bo Nickal responds to the negative comments he has received: "'I'm like, just let it be. It's fine. It's part of the the job... The negativity, I'm totally ok with it. I just honestly pray for those people. The only reason that they can send that in my direction is because they're already full of that. I would pray that they find a better path."

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Asmongold says he can never represent a mainstream movement because of how he looks "I know that I'm a ghoul and anybody that sees me and sees the way that I act are going to be immediately put off by it. I am a warlock. I cannot represent anything on its face because I am a degenerate ghoul." "I can work from the shadows, but I can never represent any sort of a movement because of the way that I look. People see the way somebody like me looks and then they are immediately like, whatever this guy is for, I'm on the other side." "Is there any other creator whose appearance is negatively discussed more on social media than me? I would say the answer to that is absolutely not. It's not even close."

Asmongold says he can never represent a mainstream movement because of how he looks "I know that I'm a ghoul and anybody that sees me and sees the way that I act are going to be immediately put off by it. I am a warlock. I cannot represent anything on its face because I am a degenerate ghoul." "I can work from the shadows, but I can never represent any sort of a movement because of the way that I look. People see the way somebody like me looks and then they are immediately like, whatever this guy is for, I'm on the other side." "Is there any other creator whose appearance is negatively discussed more on social media than me? I would say the answer to that is absolutely not. It's not even close."

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Superchatter asks Nick if he enjoyed talking to Hunter or Trump more Nick: "Probably Trump only because, no offense, only because I was just geeking out. I mean, that was just a once in a lifetime. It's Trump and Ye at Mar-a-Lago together."

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I don't know of any way in which I can keep a free society and a prosperous society by saying, 'government must take an even bigger proportion to spend, industries need not be competitive, it doesn't matter what you do you'll be entitled to more pay if you've got muscle power.' Is that the way you suggest I go? No, of course it isn't. [...] The people who have got ideas, who can start up and employ other people are pure gold in our society. They are not the commentators. They are the doers. And I want to give the doers a chance because only that way shall I get real jobs for the unemployed.

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"I exist. In thousands of agonies- I exist. I'm tormented on the rack- but I exist! Though I sit alone in a pillar- I exist! I see the sun, and if I don't see the sun, I know it's there. And there's a whole life in that, in knowing that the sun is there.” Dostoyevsky

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Nick COOKS a cucked superchatter for suggesting that we should not show the show to our wives and girlfriends. "Thats so cucked... and not in a good way... I don't understand how a human being, much less a man could live like that."

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Blake Edwards on the conditions he laid out before accepting to direct "A Shot in the Dark" (1964): "'A Shot in the Dark' (1964) is nothing like Marcel Archard’s play, that’s for a start. I was asked to save the situation. They had quite a bit of money involved in this project. Peter Sellers was threatening to pull out because he didn’t like the screenplay. He said that the only way he would continue with the project would be if I took it over. I said that the only way I could possibly take it over, under such emergency conditions, would be that I would not be obliged to do anything like Archard’s play because a) I didn’t like it, b) I thought it was not a motion picture and c) I wasn’t ready to make a movie at that point. So they asked me what I wanted to do because the picture had to start in something like four weeks. I said that if they wanted me to save them, I’d have to take something with which I was familiar to begin with. I was familiar with the character of Clouseau. I needed a detective, somebody to solve a murder. I couldn’t throw the whole thing out. I had to use the idea that the maid was accused of killing the chaffeur and this had to be solved. So I thought that Peter Sellers was just the natural thing and that now I was going to try to be as broad with the character as I could be. “How far can I go now in terms of Inspector Clouseau?” I wrote the screenplay and was on the stage in four weeks with it. Fortunately, it turned out to be a reasonably funny movie. It proved something for me—that if a gag is well-designed you can pull it off." (Blake Edwards' interview with Jean-Francois Hauduroy, Cahiers du cinéma, 1966) P.S: On this 62 years ago, "A Shot in the Dark" (1964) premiered in New York City, USA.

Blake Edwards on the conditions he laid out before accepting to direct "A Shot in the Dark" (1964): "'A Shot in the Dark' (1964) is nothing like Marcel Archard’s play, that’s for a start. I was asked to save the situation. They had quite a bit of money involved in this project. Peter Sellers was threatening to pull out because he didn’t like the screenplay. He said that the only way he would continue with the project would be if I took it over. I said that the only way I could possibly take it over, under such emergency conditions, would be that I would not be obliged to do anything like Archard’s play because a) I didn’t like it, b) I thought it was not a motion picture and c) I wasn’t ready to make a movie at that point. So they asked me what I wanted to do because the picture had to start in something like four weeks. I said that if they wanted me to save them, I’d have to take something with which I was familiar to begin with. I was familiar with the character of Clouseau. I needed a detective, somebody to solve a murder. I couldn’t throw the whole thing out. I had to use the idea that the maid was accused of killing the chaffeur and this had to be solved. So I thought that Peter Sellers was just the natural thing and that now I was going to try to be as broad with the character as I could be. “How far can I go now in terms of Inspector Clouseau?” I wrote the screenplay and was on the stage in four weeks with it. Fortunately, it turned out to be a reasonably funny movie. It proved something for me—that if a gag is well-designed you can pull it off." (Blake Edwards' interview with Jean-Francois Hauduroy, Cahiers du cinéma, 1966) P.S: On this 62 years ago, "A Shot in the Dark" (1964) premiered in New York City, USA.

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Mexican superchatter asks Nick if he can fly the Nativist Flag 😂 "If you're a lower caste, brown-skinned Mestizo, I don't think you can wear a flag that says, 'Beware of Foreign Influence.'"

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Mexican superchatter asks Nick if he can fly the Nativist Flag 😂 "If you're a lower caste, brown-skinned Mestizo, I don't think you can wear a flag that says, 'Beware of Foreign Influence.'"

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