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Switch 180 Front Feeble down Wilshire 15! 🔨 Raimu Sasaki

Street League Skateboarding

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36,971 views • 2 years ago •via X (Twitter)

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CK editors confused asf bec who is this 15 year old at the front row😭 istg jungkook looks 23 with his hair up, 25 with long curly hair and 15 with short hair down

CK editors confused asf bec who is this 15 year old at the front row😭 istg jungkook looks 23 with his hair up, 25 with long curly hair and 15 with short hair down

드닝

262,044 views • 1 year ago

Stephon Castle threw down his hardest dunk of the year last night 🔨 The #ATTSlamDunk participant's 96.6 Dunk Score is 3rd highest among rookies. Watch him put on a show Saturday, 2/15 at 8pm/et on TNT! Learn more about the Dunk Score ⤵️

Stephon Castle threw down his hardest dunk of the year last night 🔨 The #ATTSlamDunk participant's 96.6 Dunk Score is 3rd highest among rookies. Watch him put on a show Saturday, 2/15 at 8pm/et on TNT! Learn more about the Dunk Score ⤵️

NBA

167,707 views • 1 year ago

The last time Texas A&M had a blackout game against a top 15 team… Texas A&M Basketball took down No. 11 Tennessee in front of a sold out Reed Arena ‼️ NEED THIS ENERGY AT KYLE FIELD ON SATURDAY NIGHT

The last time Texas A&M had a blackout game against a top 15 team… Texas A&M Basketball took down No. 11 Tennessee in front of a sold out Reed Arena ‼️ NEED THIS ENERGY AT KYLE FIELD ON SATURDAY NIGHT

Luke Evangelist

38,704 views • 1 year ago

“Don’t let your dogs out in the sun,” they say. “If it’s too hot to keep your hand down for 15 seconds don’t let your dogs on it,” they say. The dogs in question: (Front door is open ftr. It is shady and cool indoors,)

“Don’t let your dogs out in the sun,” they say. “If it’s too hot to keep your hand down for 15 seconds don’t let your dogs on it,” they say. The dogs in question: (Front door is open ftr. It is shady and cool indoors,)

Geoff

47,860 views • 1 year ago

SPIRE Academy, led by Tarris Bouie, takes down St. Xavier in front of their home crowd 83-61 🤯 SPIRE Academy: Tarris Bouie - 22 PTS, 5 REBS Darrell Davis - 15 PTS, 7 ASTS Aiden Derkack - 14 PTS, 4 REBS Tiger Basketball: Jeremiah Jackson - 20 PTS, 4 REBS Josh Lindsay - 13 PTS, 4 REBS Jordan Jackson - 10 PTS, 2 BLKS

SPIRE Academy, led by Tarris Bouie, takes down St. Xavier in front of their home crowd 83-61 🤯 SPIRE Academy: Tarris Bouie - 22 PTS, 5 REBS Darrell Davis - 15 PTS, 7 ASTS Aiden Derkack - 14 PTS, 4 REBS Tiger Basketball: Jeremiah Jackson - 20 PTS, 4 REBS Josh Lindsay - 13 PTS, 4 REBS Jordan Jackson - 10 PTS, 2 BLKS

MADE Hoops

25,985 views • 9 months ago

‘28 RHP/CF/IF chase alonso 16U National 6’3 205. Prototype RHS frame, delivery+AA, and arsenal. Sitting 88-89 @ #WFWeekend with power CB in making Easy to see plus athleticism ⚾️🏀 in all parts of delivery •Length of stride while holding hip hinge •Feel to maximize (well timed) space between front side and AA •Stride leg picks up momentum thru down & out phases •Elite flexibility & mobility throughout kinetic chain •Ideal sequence in external phase of throw (front hip➡️front arm lever➡️abs➡️chest➡️elbow➡️hand) •Explosiveness out of hinge & weight transfer into block •7.3 ft extension (avg) 4 SM 88-89 (15-16 IVB) SNK 87-88 CB 76-78 downer CH 82 late fade SL 79-80 short lateral bite

‘28 RHP/CF/IF chase alonso 16U National 6’3 205. Prototype RHS frame, delivery+AA, and arsenal. Sitting 88-89 @ #WFWeekend with power CB in making Easy to see plus athleticism ⚾️🏀 in all parts of delivery •Length of stride while holding hip hinge •Feel to maximize (well timed) space between front side and AA •Stride leg picks up momentum thru down & out phases •Elite flexibility & mobility throughout kinetic chain •Ideal sequence in external phase of throw (front hip➡️front arm lever➡️abs➡️chest➡️elbow➡️hand) •Explosiveness out of hinge & weight transfer into block •7.3 ft extension (avg) 4 SM 88-89 (15-16 IVB) SNK 87-88 CB 76-78 downer CH 82 late fade SL 79-80 short lateral bite

Justin Goetz

27,612 views • 7 months ago

My heart💔Filmed at Hope Springs Shelter, Robert came in to look at dogs but didn't plan on taking one home. He spent 35 minutes with a dog named Sam who was SURRENDERED 6 TIMES. They played & Robert stood to leave. Sam jumped into his arms. Held on & wouldn't let go💔Robert tried to put him down. After 15 minutes Robert said he couldn't walk away from someone this terrified of being abandoned yet again. He carried Sam to the front desk & signed adoption papers. After being in Robert's house for 9 hours, Sam was ok no longer being held. Not all dogs get a happy ending like this one. But they all deserve one🙏

My heart💔Filmed at Hope Springs Shelter, Robert came in to look at dogs but didn't plan on taking one home. He spent 35 minutes with a dog named Sam who was SURRENDERED 6 TIMES. They played & Robert stood to leave. Sam jumped into his arms. Held on & wouldn't let go💔Robert tried to put him down. After 15 minutes Robert said he couldn't walk away from someone this terrified of being abandoned yet again. He carried Sam to the front desk & signed adoption papers. After being in Robert's house for 9 hours, Sam was ok no longer being held. Not all dogs get a happy ending like this one. But they all deserve one🙏

💋Elissa4Real💋

38,580 views • 10 days ago

OMG they are playing B.O.B Airplanes the Rapture song!!! Featuring Eminem The Rapture Destroys Mars & Releases The Heroes After The Flip Of A Switch! Get Ready Its The End Of The World As We Know It. Lets Fly Was Sung At The 33 Minute Mark. Countdown To The Rapture & Super Human Evolution Has Been Initiated Welcome To The Second Coming Of Christ The Chosen Ones About To rise! B.o.b Born Nov 15 Same Day As Chad Kroger > Hero Beverly D'Angelo > Merry Christmas Flip The Switch > Christmas Vacation Movies Released Nov 15: SPACE JAM!!!! R Kelly's Famous Song "I Believe I Can Fly". From The Movie Space Jam Staring #23 Michael Jordan & #23 Lebron James. 23 = Our DNA. About Aliens From M&M Mountain (M&M =Mars Candy =MARS) That Steal The DNA Of Basket Ball Player's To Play In A Basket Ball Game Against The Looney Tunes Down The Rabbit Hole, Ready To Take A Trip Down The Rabbit Hole⁉️🕳🐇 Michael Jordan Born February 17, Lebron James 4️⃣0️⃣ Years Old. Genesis 7:11 The Flood Began The Second Month 17 Day & Lasted For 4️⃣0️⃣ Days.🎯 Do I Need To Remind You R. Kelly Has Been In The Public Eye For The Death Of Aaliyah & Sexual Abuse To Minors The Past Few Years. Just Like Allison Mack Shows Us The Path To Ascension Thru Smallville But WS Found Guilty From NXVIM⁉️👶 They Are Showing Genesis 322: The Man Has Learned The Difference Between Good & Evil. He Can Now Become Like Us A God Eat & Drink From The Tree Of Life. Allison Mack, R. Kelly, P. Diddy, Tom Hanks They All Show The Road To Evil & To Ascension.😱

OMG they are playing B.O.B Airplanes the Rapture song!!! Featuring Eminem The Rapture Destroys Mars & Releases The Heroes After The Flip Of A Switch! Get Ready Its The End Of The World As We Know It. Lets Fly Was Sung At The 33 Minute Mark. Countdown To The Rapture & Super Human Evolution Has Been Initiated Welcome To The Second Coming Of Christ The Chosen Ones About To rise! B.o.b Born Nov 15 Same Day As Chad Kroger > Hero Beverly D'Angelo > Merry Christmas Flip The Switch > Christmas Vacation Movies Released Nov 15: SPACE JAM!!!! R Kelly's Famous Song "I Believe I Can Fly". From The Movie Space Jam Staring #23 Michael Jordan & #23 Lebron James. 23 = Our DNA. About Aliens From M&M Mountain (M&M =Mars Candy =MARS) That Steal The DNA Of Basket Ball Player's To Play In A Basket Ball Game Against The Looney Tunes Down The Rabbit Hole, Ready To Take A Trip Down The Rabbit Hole⁉️🕳🐇 Michael Jordan Born February 17, Lebron James 4️⃣0️⃣ Years Old. Genesis 7:11 The Flood Began The Second Month 17 Day & Lasted For 4️⃣0️⃣ Days.🎯 Do I Need To Remind You R. Kelly Has Been In The Public Eye For The Death Of Aaliyah & Sexual Abuse To Minors The Past Few Years. Just Like Allison Mack Shows Us The Path To Ascension Thru Smallville But WS Found Guilty From NXVIM⁉️👶 They Are Showing Genesis 322: The Man Has Learned The Difference Between Good & Evil. He Can Now Become Like Us A God Eat & Drink From The Tree Of Life. Allison Mack, R. Kelly, P. Diddy, Tom Hanks They All Show The Road To Evil & To Ascension.😱

TraderGirlQ

21,198 views • 8 months ago

⭐️❄️ 1ST CALL SNOW MAP ❄️⭐️ I’m comfortable enough now to put real numbers on a forecast map — not raw model output, but a forecast built from actual meteorological reasoning. This forecast is based on: • Snow ratios • Lower DGZ placement • Front-end focused snowfall • Dry dew points early • Mixing potential near 800 mb (~6,000 ft) as coastal redevelopment occurs 🩶 ZONE 1: 4–6" Lower Manhattan • Long Island • NJ Coast • Philadelphia The front end of this storm should deliver 4–6" of snow, with locally higher amounts, before a transition to sleet and possibly freezing rain. ⚠️ I do NOT see this turning into “just rain.” Ground temperatures will be in the upper teens to lower 20s — meaning freezing rain is a legitimate concern and should not be ignored. 🟦 ZONE 2: 6–10" Interior North/Central NJ • North Shore LI • Upper Boroughs • Lower Westchester • Lower Fairfield CT Soundings support some sleet here, but also a longer-duration front-end snowfall. This is a challenging transition zone — and there is still a realistic scenario where no meaningful changeover occurs due to strong dynamics. ➡️ Higher-end totals are very much on the table. 🟪 ZONE 3: 10–15" NW NJ • Poconos • Lower Hudson Valley • Central CT This area benefits from very high snow ratios for nearly 90% of the storm before eventually shifting to wetter snow. I am very confident that areas in purple do not switch to sleet or freezing rain. This is the jackpot zone. 📌 SIDE THOUGHTS This is my First Call. Adjustments will be made. Forecasting for more than 7+ million homes is never perfect — especially in a setup with this many microclimates and boundary-layer challenges. But this is the best possible forecast with the data we have right now. More updates coming. Stay tuned ON tv UNTIL 10AM PIX11 News ❄️📺

⭐️❄️ 1ST CALL SNOW MAP ❄️⭐️ I’m comfortable enough now to put real numbers on a forecast map — not raw model output, but a forecast built from actual meteorological reasoning. This forecast is based on: • Snow ratios • Lower DGZ placement • Front-end focused snowfall • Dry dew points early • Mixing potential near 800 mb (~6,000 ft) as coastal redevelopment occurs 🩶 ZONE 1: 4–6" Lower Manhattan • Long Island • NJ Coast • Philadelphia The front end of this storm should deliver 4–6" of snow, with locally higher amounts, before a transition to sleet and possibly freezing rain. ⚠️ I do NOT see this turning into “just rain.” Ground temperatures will be in the upper teens to lower 20s — meaning freezing rain is a legitimate concern and should not be ignored. 🟦 ZONE 2: 6–10" Interior North/Central NJ • North Shore LI • Upper Boroughs • Lower Westchester • Lower Fairfield CT Soundings support some sleet here, but also a longer-duration front-end snowfall. This is a challenging transition zone — and there is still a realistic scenario where no meaningful changeover occurs due to strong dynamics. ➡️ Higher-end totals are very much on the table. 🟪 ZONE 3: 10–15" NW NJ • Poconos • Lower Hudson Valley • Central CT This area benefits from very high snow ratios for nearly 90% of the storm before eventually shifting to wetter snow. I am very confident that areas in purple do not switch to sleet or freezing rain. This is the jackpot zone. 📌 SIDE THOUGHTS This is my First Call. Adjustments will be made. Forecasting for more than 7+ million homes is never perfect — especially in a setup with this many microclimates and boundary-layer challenges. But this is the best possible forecast with the data we have right now. More updates coming. Stay tuned ON tv UNTIL 10AM PIX11 News ❄️📺

Mike Masco

277,833 views • 7 months ago

I MADE MY AI AGENT 10X FASTER WITHOUT CHANGING THE MODEL not a smarter model, not a bigger context window, not another clever prompt the same kind of AI that designs vaccines for viruses we have not even met yet was spending two minutes opening the wrong files just to hand me a brief from three months ago the problem was never capability, it was the scaffolding that piled up around my agent by accident, folder by folder an agent does not think in your categories, it searches from scratch every single time, and your tidy human folders are a maze to it the fix was almost stupidly small, one index file at the root of each big folder and a few numbers in front of the folder names slowest task dropped from 2 minutes to 26 seconds, fastest ones hit 10, zero model changes capability is cheap when the scaffolding around it is broken the article breaks down the whole system in 15 minutes ↓

I MADE MY AI AGENT 10X FASTER WITHOUT CHANGING THE MODEL not a smarter model, not a bigger context window, not another clever prompt the same kind of AI that designs vaccines for viruses we have not even met yet was spending two minutes opening the wrong files just to hand me a brief from three months ago the problem was never capability, it was the scaffolding that piled up around my agent by accident, folder by folder an agent does not think in your categories, it searches from scratch every single time, and your tidy human folders are a maze to it the fix was almost stupidly small, one index file at the root of each big folder and a few numbers in front of the folder names slowest task dropped from 2 minutes to 26 seconds, fastest ones hit 10, zero model changes capability is cheap when the scaffolding around it is broken the article breaks down the whole system in 15 minutes ↓

shmidt

36,479 views • 2 months ago

Seednace 2 mini on OpenArt Prompt Seedance 2.0, 15 seconds, 16:9. Main subject from @ image1 — lock her completely. Face, skin tone, body, outfit, everything stays identical the whole way through. She's wearing a grey faded sleeveless crop top, loose high-waist light blue jeans, black canvas sneakers, black cord necklace, black wavy hair in a messy side-swept ponytail with bangs. Korean woman, early-2000s feel. The whole thing is shot in a quiet Korean residential neighborhood — narrow concrete alleys, low-rise houses with small terraces, a front yard with a clothesline, potted plants, parked bicycles and motorcycles, big trees, and overhead cables everywhere. No shops, no vendors, nothing commercial. Just a real neighborhood. Camera treatment is the whole point. This needs to look like someone's friend grabbed a DV camcorder and just started recording — no plan, no setup, no nothing. Heavy handheld shake, constant reframing, subject drifting toward the edges, autofocus hunting, lens breathing, exposure pumping. The image itself should look faded, low contrast, slightly washed out, with that digital noise and compression feel that early-2000s home video had. No stabilization. No modern grading. This aesthetic is non-negotiable. She starts sitting on a concrete sidewalk fixing her ponytail, arms raised, genuine smile, wind catching her hair — camera barely holding focus. Then the camera follows her into a narrow alley where she crouches down and feeds a stray cat that comes right up to her. After that she's in her front yard hanging laundry on the clothesline, morning breeze moving everything, camera swaying and hunting. Mid-section she's on the front terrace with a coffee cup, just sitting quietly, looking out at the street — loose drifting shot from the side. Then a right-side close shot where she raises her arm, waves warmly toward someone off-frame and says "Annyeong" — camera catches it a beat late. Final shot is a slow tracking walk down the street, coffee cup in hand, she notices the lens, turns slightly and gives a real quiet smile — then the recording just cuts to black mid-motion like the camcorder got switched off. Audio is strictly natural. Morning birds, light breeze, distant motorcycle sounds, faint neighborhood chatter, cat, coffee cup, footsteps on concrete, leaves. No music, no sound design, nothing added.

Seednace 2 mini on OpenArt Prompt Seedance 2.0, 15 seconds, 16:9. Main subject from @ image1 — lock her completely. Face, skin tone, body, outfit, everything stays identical the whole way through. She's wearing a grey faded sleeveless crop top, loose high-waist light blue jeans, black canvas sneakers, black cord necklace, black wavy hair in a messy side-swept ponytail with bangs. Korean woman, early-2000s feel. The whole thing is shot in a quiet Korean residential neighborhood — narrow concrete alleys, low-rise houses with small terraces, a front yard with a clothesline, potted plants, parked bicycles and motorcycles, big trees, and overhead cables everywhere. No shops, no vendors, nothing commercial. Just a real neighborhood. Camera treatment is the whole point. This needs to look like someone's friend grabbed a DV camcorder and just started recording — no plan, no setup, no nothing. Heavy handheld shake, constant reframing, subject drifting toward the edges, autofocus hunting, lens breathing, exposure pumping. The image itself should look faded, low contrast, slightly washed out, with that digital noise and compression feel that early-2000s home video had. No stabilization. No modern grading. This aesthetic is non-negotiable. She starts sitting on a concrete sidewalk fixing her ponytail, arms raised, genuine smile, wind catching her hair — camera barely holding focus. Then the camera follows her into a narrow alley where she crouches down and feeds a stray cat that comes right up to her. After that she's in her front yard hanging laundry on the clothesline, morning breeze moving everything, camera swaying and hunting. Mid-section she's on the front terrace with a coffee cup, just sitting quietly, looking out at the street — loose drifting shot from the side. Then a right-side close shot where she raises her arm, waves warmly toward someone off-frame and says "Annyeong" — camera catches it a beat late. Final shot is a slow tracking walk down the street, coffee cup in hand, she notices the lens, turns slightly and gives a real quiet smile — then the recording just cuts to black mid-motion like the camcorder got switched off. Audio is strictly natural. Morning birds, light breeze, distant motorcycle sounds, faint neighborhood chatter, cat, coffee cup, footsteps on concrete, leaves. No music, no sound design, nothing added.

WasifAI

61,220 views • 2 months ago

Incline Smith Machine Press Tips: 1) Set the bench to roughly 15-30°….steeper angles generally increase front delt involvement and reduce pec involvement 2) Position yourself so the bar tracks toward the upper chest / lower clavicle region at the bottom of each rep 3) Retract and depress the shoulder blades (“chest up, shoulders down and back”) before unracking to set your base but allow scapula to move freely during the set 4) Keep feet planted firmly on the floor and maintain a stable base 5) Lower the bar under control until you come into contact with your chest (if you cannot do this without pain, just shy of chest is fine) 6) Allow the elbows to travel roughly 45-60° away from the torso…neither excessively tucked nor excessively flared 7) Keep wrists stacked directly over elbows throughout the rep 8) Avoid excessively bouncing the bar off the chest or relaxing at the bottom position 9) Use a grip width that allows the forearms to remain approximately vertical from the front view near the bottom of the rep 10) Full lockout is optional for hypertrophy…stopping just short of lockout can sometimes help maintain continuous tension 11) Control the eccentric and perform the concentric with intent and aggression while maintaining technique 12) If shoulder discomfort occurs, experiment with: - A lower incline angle - A slightly narrower grip - Bringing the touch point slightly lower on the chest - Reduced ROM The Smith machine’s fixed bar path will improve stability and allow greater focus on loading the target musculature close to failure safely….making it a strong hypertrophy option As always, ensure progressive overload is occurring on a regular basis!

Incline Smith Machine Press Tips: 1) Set the bench to roughly 15-30°….steeper angles generally increase front delt involvement and reduce pec involvement 2) Position yourself so the bar tracks toward the upper chest / lower clavicle region at the bottom of each rep 3) Retract and depress the shoulder blades (“chest up, shoulders down and back”) before unracking to set your base but allow scapula to move freely during the set 4) Keep feet planted firmly on the floor and maintain a stable base 5) Lower the bar under control until you come into contact with your chest (if you cannot do this without pain, just shy of chest is fine) 6) Allow the elbows to travel roughly 45-60° away from the torso…neither excessively tucked nor excessively flared 7) Keep wrists stacked directly over elbows throughout the rep 8) Avoid excessively bouncing the bar off the chest or relaxing at the bottom position 9) Use a grip width that allows the forearms to remain approximately vertical from the front view near the bottom of the rep 10) Full lockout is optional for hypertrophy…stopping just short of lockout can sometimes help maintain continuous tension 11) Control the eccentric and perform the concentric with intent and aggression while maintaining technique 12) If shoulder discomfort occurs, experiment with: - A lower incline angle - A slightly narrower grip - Bringing the touch point slightly lower on the chest - Reduced ROM The Smith machine’s fixed bar path will improve stability and allow greater focus on loading the target musculature close to failure safely….making it a strong hypertrophy option As always, ensure progressive overload is occurring on a regular basis!

Dean Turner

44,032 views • 3 months ago

🇬🇧🇨🇳 Lotus presents the Emira 420 Sport! Lotus: “The lightest, most powerful Emira. With the best sound.” -> Lotus is now owned by the Chinese and is headquartered in Wuhan! Apparently China keeps western traditional brands alive better than the west itself. Just look at Ferrari. Details provided by Lotus: Engine: AMG 2.0-litre turbo paired with an eight-speed dual-clutch. Faster acceleration, stronger mid-range response, instant in-gear punch. The optional Lightweight Handling Pack adds two-way adjustable Multimatic dampers, titanium exhaust, lithium-ion battery and carbon fibre components with a -25kg weight reduction. Perfect for the road. Perfect for the track. The fastest 4-cylinder production car in the world today. Aero: Rebuilt from the ground up. New front splitter, revised vents, extended side sills, larger air intakes, louvred tailgate. 15% more airflow to the outboard radiators. 14% to the central radiator. 10% better brake cooling. 30% more exhaust valve airflow. And +25kg of downforce, all with no increase in drag. Chassis: Ride height down 5mm. Suspension tuned. Carbon fibre gearshift paddles and updated haptics to make shifts even more engaging, And for the first time on an Emira - a removable tinted glass roof panel for open air fun, inspired by the Esprit.

🇬🇧🇨🇳 Lotus presents the Emira 420 Sport! Lotus: “The lightest, most powerful Emira. With the best sound.” -> Lotus is now owned by the Chinese and is headquartered in Wuhan! Apparently China keeps western traditional brands alive better than the west itself. Just look at Ferrari. Details provided by Lotus: Engine: AMG 2.0-litre turbo paired with an eight-speed dual-clutch. Faster acceleration, stronger mid-range response, instant in-gear punch. The optional Lightweight Handling Pack adds two-way adjustable Multimatic dampers, titanium exhaust, lithium-ion battery and carbon fibre components with a -25kg weight reduction. Perfect for the road. Perfect for the track. The fastest 4-cylinder production car in the world today. Aero: Rebuilt from the ground up. New front splitter, revised vents, extended side sills, larger air intakes, louvred tailgate. 15% more airflow to the outboard radiators. 14% to the central radiator. 10% better brake cooling. 30% more exhaust valve airflow. And +25kg of downforce, all with no increase in drag. Chassis: Ride height down 5mm. Suspension tuned. Carbon fibre gearshift paddles and updated haptics to make shifts even more engaging, And for the first time on an Emira - a removable tinted glass roof panel for open air fun, inspired by the Esprit.

Lord Bebo

15,186 views • 3 months ago

⚠️ Accident Footage with Fire ⚠️ 37 Years Ago Today 23rd of April 1989 🇦🇹 Gerhard Berger - 🇮🇹 Ferrari 640 V12 On lap four of the race, Berger was about to enter the high-speed Tamburello corner at approximately 180 mph. A front wing failure on his Ferrari 640 caused the car to lose all steering and aerodynamic grip. The vehicle speared straight off the track and struck the concrete retaining wall. Upon impact, the car spun and the fuel tank which was close to full ruptured. Within seconds, the wreckage was engulfed in a massive fireball. Marshall’s did a fantastic job being on the scene within 15 seconds but it felt like a lifetime watching the footage live. Despite the intensity of the fire, Berger suffered only second-degree burns to his hands and some bruised ribs. He missed only one race (Monaco) before returning to the grid in Mexico. While the crash looked fatal, the structural integrity of the Ferrari chassis (designed by John Barnard) was credited with saving Berger’s life. The carbon-fiber tub remained largely intact despite an impact estimated at nearly 100G. Due to this horrendous incident F1 moved toward flexible, puncture-resistant "safety bladders" to prevent massive leaks during high-G impacts. **This was a very hard decision to post the clip as its a very hard watch but it does have historical significance** Thank goodness Berger was ok as in so many past cases drivers weren’t so lucky. 🥹 🎥 Formula 1 #ferrari #imola #berger #cars

⚠️ Accident Footage with Fire ⚠️ 37 Years Ago Today 23rd of April 1989 🇦🇹 Gerhard Berger - 🇮🇹 Ferrari 640 V12 On lap four of the race, Berger was about to enter the high-speed Tamburello corner at approximately 180 mph. A front wing failure on his Ferrari 640 caused the car to lose all steering and aerodynamic grip. The vehicle speared straight off the track and struck the concrete retaining wall. Upon impact, the car spun and the fuel tank which was close to full ruptured. Within seconds, the wreckage was engulfed in a massive fireball. Marshall’s did a fantastic job being on the scene within 15 seconds but it felt like a lifetime watching the footage live. Despite the intensity of the fire, Berger suffered only second-degree burns to his hands and some bruised ribs. He missed only one race (Monaco) before returning to the grid in Mexico. While the crash looked fatal, the structural integrity of the Ferrari chassis (designed by John Barnard) was credited with saving Berger’s life. The carbon-fiber tub remained largely intact despite an impact estimated at nearly 100G. Due to this horrendous incident F1 moved toward flexible, puncture-resistant "safety bladders" to prevent massive leaks during high-G impacts. This was a very hard decision to post the clip as its a very hard watch but it does have historical significance Thank goodness Berger was ok as in so many past cases drivers weren’t so lucky. 🥹 🎥 Formula 1 #ferrari #imola #berger #cars

WRCPAST

41,331 views • 4 months ago

Seedance 2.0 Mini works better with simple prompts; overly complex prompts tend to cause errors. Seedance 2.0 Mini also delivers surprisingly solid character consistency.👌 Seedance 2.0 Mini prompt 👇 First-person POV vlog, 15 seconds, 9:16 vertical. The female character's face and appearance reference image_1 exactly — use the rightmost close-up portrait face with no alteration. Character wears the blue-white lace maid outfit, blue satin bow headdress with white lace frills, pearl necklace with heart pendant, white lace thigh-high stockings, long dark hair. No face swap, no outfit change, headdress always visible. Camera is always the male lead's eyes; male lead never appears — no face, body, reflection, or shadow visible at any moment. Female lead always looks directly into camera as if caring for the viewer. Real smartphone vlog aesthetic: slight breathing motion, natural autofocus, gentle handheld shake. Shot 1 (0–5s): Morning bedroom. Warm soft light. She leans over the camera from above, gently shakes it, smiles warmly and says with lip-sync: '主人，该起床了。' Cut to breakfast table — she sets down a bowl and gestures invitingly at camera. Cut to front door — she adjusts her headdress, waves goodbye with a gentle smile. Shot 2 (5–10s): Daytime housekeeping montage — she dusts shelves, wipes surfaces, glances at camera with a soft smile. Cut to evening entryway warm light — she opens door, beams at camera, says nothing. She crouches down in front of camera to help change shoes, looking up at camera attentively. Shot 3 (10–15s): Bathroom, warm ambient light — she kneels beside a bathtub testing water temperature, looks up at camera gently. Cut to late-night bedroom, dim warm lamp. She lies beside the camera very close, face filling frame, eyes soft and caring, whispers with lip-sync: '主人今天辛苦了，给你讲个故事，睡个好觉吧。' Eyes slowly close as video fades. No background music. No dialogue other than the two specified lines. No subtitles, no watermark, no text overlay. No provocative poses, no isolated body-part closeups, no extra or fused fingers, no third-person shots.

Seedance 2.0 Mini works better with simple prompts; overly complex prompts tend to cause errors. Seedance 2.0 Mini also delivers surprisingly solid character consistency.👌 Seedance 2.0 Mini prompt 👇 First-person POV vlog, 15 seconds, 9:16 vertical. The female character's face and appearance reference image_1 exactly — use the rightmost close-up portrait face with no alteration. Character wears the blue-white lace maid outfit, blue satin bow headdress with white lace frills, pearl necklace with heart pendant, white lace thigh-high stockings, long dark hair. No face swap, no outfit change, headdress always visible. Camera is always the male lead's eyes; male lead never appears — no face, body, reflection, or shadow visible at any moment. Female lead always looks directly into camera as if caring for the viewer. Real smartphone vlog aesthetic: slight breathing motion, natural autofocus, gentle handheld shake. Shot 1 (0–5s): Morning bedroom. Warm soft light. She leans over the camera from above, gently shakes it, smiles warmly and says with lip-sync: '主人，该起床了。' Cut to breakfast table — she sets down a bowl and gestures invitingly at camera. Cut to front door — she adjusts her headdress, waves goodbye with a gentle smile. Shot 2 (5–10s): Daytime housekeeping montage — she dusts shelves, wipes surfaces, glances at camera with a soft smile. Cut to evening entryway warm light — she opens door, beams at camera, says nothing. She crouches down in front of camera to help change shoes, looking up at camera attentively. Shot 3 (10–15s): Bathroom, warm ambient light — she kneels beside a bathtub testing water temperature, looks up at camera gently. Cut to late-night bedroom, dim warm lamp. She lies beside the camera very close, face filling frame, eyes soft and caring, whispers with lip-sync: '主人今天辛苦了，给你讲个故事，睡个好觉吧。' Eyes slowly close as video fades. No background music. No dialogue other than the two specified lines. No subtitles, no watermark, no text overlay. No provocative poses, no isolated body-part closeups, no extra or fused fingers, no third-person shots.

John

11,851 views • 1 month ago

Chatgpt+ Sedance 2.0 Mini On OpenArt Seedance 2.0, 15 seconds, 16:9. Main subject from Image — lock her identity completely. Keep her face, skin tone, body shape, outfit, hairstyle, and every unique feature perfectly identical throughout the entire video. She is wearing a faded grey sleeveless crop top, loose high-waisted light blue jeans, black canvas sneakers, a black cord necklace, and has black wavy hair tied in a messy side-swept ponytail with bangs. Korean woman with an authentic early-2000s vibe. The entire video takes place in a quiet Korean residential neighborhood with narrow concrete alleys, low-rise houses featuring small terraces, a front yard with a clothesline, potted plants, parked bicycles and motorcycles, large trees, and overhead utility cables everywhere. There are no shops, vendors, or commercial elements—only a natural, everyday residential environment. The camera treatment is the defining element. The footage must feel as if a friend casually picked up a DV camcorder and started recording without any planning or setup. Use heavy handheld shake, constant reframing, the subject naturally drifting toward the edges of the frame, autofocus hunting, visible lens breathing, and exposure pumping. The image should appear faded, low-contrast, slightly washed out, with authentic early-2000s digital noise and compression artifacts. No stabilization, no cinematic movement, and no modern color grading. This camcorder aesthetic is absolutely non-negotiable. She begins sitting on a concrete sidewalk while fixing her ponytail with both arms raised, smiling naturally as the wind gently catches her hair while the camera struggles to maintain focus. The camera then follows her into a narrow alley where she crouches down and feeds a friendly stray cat that walks right up to her. Next, she is in her front yard hanging laundry on a clothesline as the morning breeze softly moves the clothes, while the camera continues swaying and searching for focus. Midway through, she sits quietly on the front terrace holding a coffee cup, calmly looking toward the street as the camera drifts loosely from the side. Then, in a close shot from her right side, she raises her arm, warmly waves to someone off-camera, and says, "Annyeong," with the camera catching the moment a beat late. The final shot follows her in a slow tracking walk down the street with the coffee cup still in hand. She notices the camera, turns slightly, gives a soft, genuine smile, and the recording abruptly cuts to black mid-motion as if the camcorder was simply switched off. Audio must remain entirely natural. Include only morning birds, a gentle breeze, distant motorcycle sounds, faint neighborhood chatter, the stray cat, coffee cup handling, footsteps on concrete, and rustling leaves. No music, no sound design, and no added audio effects.

Chatgpt+ Sedance 2.0 Mini On OpenArt Seedance 2.0, 15 seconds, 16:9. Main subject from Image — lock her identity completely. Keep her face, skin tone, body shape, outfit, hairstyle, and every unique feature perfectly identical throughout the entire video. She is wearing a faded grey sleeveless crop top, loose high-waisted light blue jeans, black canvas sneakers, a black cord necklace, and has black wavy hair tied in a messy side-swept ponytail with bangs. Korean woman with an authentic early-2000s vibe. The entire video takes place in a quiet Korean residential neighborhood with narrow concrete alleys, low-rise houses featuring small terraces, a front yard with a clothesline, potted plants, parked bicycles and motorcycles, large trees, and overhead utility cables everywhere. There are no shops, vendors, or commercial elements—only a natural, everyday residential environment. The camera treatment is the defining element. The footage must feel as if a friend casually picked up a DV camcorder and started recording without any planning or setup. Use heavy handheld shake, constant reframing, the subject naturally drifting toward the edges of the frame, autofocus hunting, visible lens breathing, and exposure pumping. The image should appear faded, low-contrast, slightly washed out, with authentic early-2000s digital noise and compression artifacts. No stabilization, no cinematic movement, and no modern color grading. This camcorder aesthetic is absolutely non-negotiable. She begins sitting on a concrete sidewalk while fixing her ponytail with both arms raised, smiling naturally as the wind gently catches her hair while the camera struggles to maintain focus. The camera then follows her into a narrow alley where she crouches down and feeds a friendly stray cat that walks right up to her. Next, she is in her front yard hanging laundry on a clothesline as the morning breeze softly moves the clothes, while the camera continues swaying and searching for focus. Midway through, she sits quietly on the front terrace holding a coffee cup, calmly looking toward the street as the camera drifts loosely from the side. Then, in a close shot from her right side, she raises her arm, warmly waves to someone off-camera, and says, "Annyeong," with the camera catching the moment a beat late. The final shot follows her in a slow tracking walk down the street with the coffee cup still in hand. She notices the camera, turns slightly, gives a soft, genuine smile, and the recording abruptly cuts to black mid-motion as if the camcorder was simply switched off. Audio must remain entirely natural. Include only morning birds, a gentle breeze, distant motorcycle sounds, faint neighborhood chatter, the stray cat, coffee cup handling, footsteps on concrete, and rustling leaves. No music, no sound design, and no added audio effects.

Mahnoor Fatima

12,541 views • 2 months ago

This is real gun camera footage from a P-51 Mustang, chasing a German Bf 109 down to the treetops until it goes down in flames. The American pilot flying it, Lt John Kirla, shot down five enemy planes in a single day, becoming an ace in one mission. This footage captures one of his victories over a Bf 109. This is his story.. From Trainee to the Yoxford Boys John Kirla was not a born fighter ace. He was an ordinary young American who had come up through flight training in Texas, graduating at the start of 1944. He learned his trade on trainers, moved up to fighters, and got just 15 hours in the P-51 Mustang before being sent to England as a replacement pilot. He joined the 362nd Fighter Squadron of the 357th Fighter Group, a unit based at Leiston that was already becoming a legend. The 357th was the first group in the Eighth Air Force fully equipped with the Mustang, and it would go on to produce more aces than any other fighter group in the Eighth, including Chuck Yeager and Bud Anderson. Kirla was the newest pilot in a squadron already filled with experienced aces. His job was to escort American bombers deep into Germany and protect them from the Luftwaffe. On November 27 1944, he got the day that would define him. Five Victories in One Mission That morning the 357th ran headlong into a massive swarm of German fighters trying to get at the bombers. Kirla's flight dropped their fuel tanks and dived straight into the middle of it. Almost immediately, the fight became a swirling, low-level brawl of Mustangs, Messerschmitts, and Focke-Wulfs twisting across the sky. Kirla picked out his first target and opened fire, and from that moment he did not stop hunting. In his own account, he spotted a Bf 109 that was attacking an American bomber. He went after it, closed to just 30 yards, and when the German threw his fighter into a tight barrel roll straight down toward the ground, Kirla stayed glued to his tail and, in his words, clobbered him all over until he went down. An Ace in a Day He kept finding more. Again and again through that wild, sprawling fight, Kirla latched onto an enemy aircraft and did not let go. At one point he watched a German fighter shoot down one of his fellow Mustang pilots right in front of him, and closed in for revenge. As he described it afterward, he opened fire, saw pieces start to fly off the enemy aircraft, and watched it fall out of the sky like a leaf drifting to the ground. Rather than breaking away and climbing back to safety, Kirla chased his targets down low, following them almost to the ground, the fighters weaving over villages and treetops until the enemy aircraft finally went down. By the time the fight was over, John Kirla had shot down five German aircraft in a single mission. He had become an ace in a day, one of the relatively few American fighter pilots to achieve that in a single mission. The Mustang That Changed the Air War The Mustang was the aircraft that made days like Kirla's possible. The P-51 combined long range, high speed, and deadly firepower, and it could follow the bombers all the way to their targets and fight the German fighters on equal or better terms. By the end of the war, P-51 groups had claimed close to 5,000 enemy aircraft shot down, about half of all American air-to-air kills in the European theater. Kirla's own group, the 357th, became the top-scoring Mustang group in the Eighth Air Force. Flying one of the finest escort fighters of the war, men like Kirla helped turn the tide of the air war over Germany. The gun-camera film rolling every time he pressed the trigger captured it all, including the footage you are watching. John Kirla's Legacy John Kirla flew on to the end of his combat tour and finished the war as a double ace, credited with 11 and a half enemy aircraft destroyed in the air. He was awarded the Silver Star and the Distinguished Flying Cross for his courage in the skies over Europe. He had gone from a trainee with a handful of hours in a Mustang to one of the deadliest fighter pilots in one of the deadliest fighter groups of the war, in the span of a single year. The footage of his Mustang chasing a Bf 109 down to the trees is only a few seconds long. But behind those few seconds is a young American who climbed into a fighter, dove into a swarm of the enemy, and shot down five of them before the day was out. This was the story of John Kirla. I post a story like this every single day. Most people never see them. Follow so you don't miss the next one.

This is real gun camera footage from a P-51 Mustang, chasing a German Bf 109 down to the treetops until it goes down in flames. The American pilot flying it, Lt John Kirla, shot down five enemy planes in a single day, becoming an ace in one mission. This footage captures one of his victories over a Bf 109. This is his story.. From Trainee to the Yoxford Boys John Kirla was not a born fighter ace. He was an ordinary young American who had come up through flight training in Texas, graduating at the start of 1944. He learned his trade on trainers, moved up to fighters, and got just 15 hours in the P-51 Mustang before being sent to England as a replacement pilot. He joined the 362nd Fighter Squadron of the 357th Fighter Group, a unit based at Leiston that was already becoming a legend. The 357th was the first group in the Eighth Air Force fully equipped with the Mustang, and it would go on to produce more aces than any other fighter group in the Eighth, including Chuck Yeager and Bud Anderson. Kirla was the newest pilot in a squadron already filled with experienced aces. His job was to escort American bombers deep into Germany and protect them from the Luftwaffe. On November 27 1944, he got the day that would define him. Five Victories in One Mission That morning the 357th ran headlong into a massive swarm of German fighters trying to get at the bombers. Kirla's flight dropped their fuel tanks and dived straight into the middle of it. Almost immediately, the fight became a swirling, low-level brawl of Mustangs, Messerschmitts, and Focke-Wulfs twisting across the sky. Kirla picked out his first target and opened fire, and from that moment he did not stop hunting. In his own account, he spotted a Bf 109 that was attacking an American bomber. He went after it, closed to just 30 yards, and when the German threw his fighter into a tight barrel roll straight down toward the ground, Kirla stayed glued to his tail and, in his words, clobbered him all over until he went down. An Ace in a Day He kept finding more. Again and again through that wild, sprawling fight, Kirla latched onto an enemy aircraft and did not let go. At one point he watched a German fighter shoot down one of his fellow Mustang pilots right in front of him, and closed in for revenge. As he described it afterward, he opened fire, saw pieces start to fly off the enemy aircraft, and watched it fall out of the sky like a leaf drifting to the ground. Rather than breaking away and climbing back to safety, Kirla chased his targets down low, following them almost to the ground, the fighters weaving over villages and treetops until the enemy aircraft finally went down. By the time the fight was over, John Kirla had shot down five German aircraft in a single mission. He had become an ace in a day, one of the relatively few American fighter pilots to achieve that in a single mission. The Mustang That Changed the Air War The Mustang was the aircraft that made days like Kirla's possible. The P-51 combined long range, high speed, and deadly firepower, and it could follow the bombers all the way to their targets and fight the German fighters on equal or better terms. By the end of the war, P-51 groups had claimed close to 5,000 enemy aircraft shot down, about half of all American air-to-air kills in the European theater. Kirla's own group, the 357th, became the top-scoring Mustang group in the Eighth Air Force. Flying one of the finest escort fighters of the war, men like Kirla helped turn the tide of the air war over Germany. The gun-camera film rolling every time he pressed the trigger captured it all, including the footage you are watching. John Kirla's Legacy John Kirla flew on to the end of his combat tour and finished the war as a double ace, credited with 11 and a half enemy aircraft destroyed in the air. He was awarded the Silver Star and the Distinguished Flying Cross for his courage in the skies over Europe. He had gone from a trainee with a handful of hours in a Mustang to one of the deadliest fighter pilots in one of the deadliest fighter groups of the war, in the span of a single year. The footage of his Mustang chasing a Bf 109 down to the trees is only a few seconds long. But behind those few seconds is a young American who climbed into a fighter, dove into a swarm of the enemy, and shot down five of them before the day was out. This was the story of John Kirla. I post a story like this every single day. Most people never see them. Follow so you don't miss the next one.

Untold War Stories

156,897 views • 2 months ago

Seedance 2.0 on Haimeta is next level. It doesn’t even look AI-generated anymore, it looks filmed. Prompt: FORMAT: 15s / 180 BPM / ONE CONTINUOUS SHOT / 360 POV downhill stair run, viral energy, max chaos SUBJECTS: First-person cyclist, handlebars and front wheel flashing low in frame during drops and hard turns. Vendors, laundry, scooters, dogs, chickens, cars, and pedestrians erupt around the rider as sudden obstacles. ENVIRONMENT: Dense Brazilian hillside streets, painted concrete stairs, tight landings, tiled corners, hanging wires, murals, awnings, puddles, hot late afternoon light, deep alley shadows, city sprawling below. MOOD: Adrenaline, max chaos, and nonstop street speed with violent spatial intensity in every direction. COLOR LOGIC: Hyperreal Pop Look CAMERA DETAILS: 360 action-cam POV, horizon-stable but brutal, nonstop forward drive, minimal roll, heavy stair vibration, sharp side and rear parallax, full-sphere chaos, no release. TIMELINE: 0:00-0:03: POV freefalls down a steep stairwell. The front wheel punches over the first steps, bars jackhammer below frame, the whole sphere shuddering with every hit while a child lunges in from the left to yank a rolling soccer ball out of the rider's line and walls, rails, balconies, and faces whip past on both sides. Violent forward descent with brutal stair vibration. SFX: (city hum, distant funk beat, tire chatter, breath, rapid stair hits, frame rattle). Hard sun above, deep shadow pockets below. 0:03-0:05: POV slashes left across a tiny landing, skips a broken crate, and drops again as laundry cracks across the front hemisphere, shoulder missing painted concrete by inches while side-wrap onlookers recoil. Hard lateral shake, immediate snap back into the stair run. SFX: (cloth slap, skid, crowd shout, chain buzz, stair chatter). 0:05-0:08: POV hammers the next staircase as a stray dog cuts center frame and startled chickens burst upward from the side steps, wings flaring across the sphere. The rider flicks the bars, rear wheel skates loose, then needles between a fruit cart and handrail with almost no clearance while the sphere jitters from every stair impact. Fast vibrating continuous-shot chaos. SFX: (tire chirp, crate clack, wings flapping, squawks, paw skitter, stair thuds, bass from window, metal rattle). 0:08-0:10: POV blasts out of one stair run, skips across a short asphalt gap between two stair sections without slowing, slams the opposite curb, and drops straight into the next descending steps. Only once the rider is fully back on the stairs do horns burst behind while passing cars rip through the side wrap. Full-speed crossing with strong lateral parallax and zero release. SFX: (engine idle, tire buzz, chain rattle, curb thump, car horns behind). 0:10-0:13: POV keeps attacking the next stair section immediately after the asphalt gap, machine-gunning through two tight landings and another steep stepped lane, every hit punching a fresh jolt through the sphere as stacked homes, wires, and alley mouths curl around the viewer and the overlook rushes closer. Forward lunge with impact drive and nonstop shake. SFX: (air rush, heavy thump, stair chatter, horn echo fading, chain lash, wind buffeting). 0:13-0:15: POV rips through the final stepped approach to the overlook and throws the rear wheel into a savage sideways skid, dust and gravel spraying across the lower frame while stair-lined drops fall away to both sides and the skyline blooms around the entire sphere in one fast violent sweep. The bike stays hot through the slide as the city fills every direction. SFX: (rear tire screech, gravel spray, freewheel spin, city roar, music drop)."

Seedance 2.0 on Haimeta is next level. It doesn’t even look AI-generated anymore, it looks filmed. Prompt: FORMAT: 15s / 180 BPM / ONE CONTINUOUS SHOT / 360 POV downhill stair run, viral energy, max chaos SUBJECTS: First-person cyclist, handlebars and front wheel flashing low in frame during drops and hard turns. Vendors, laundry, scooters, dogs, chickens, cars, and pedestrians erupt around the rider as sudden obstacles. ENVIRONMENT: Dense Brazilian hillside streets, painted concrete stairs, tight landings, tiled corners, hanging wires, murals, awnings, puddles, hot late afternoon light, deep alley shadows, city sprawling below. MOOD: Adrenaline, max chaos, and nonstop street speed with violent spatial intensity in every direction. COLOR LOGIC: Hyperreal Pop Look CAMERA DETAILS: 360 action-cam POV, horizon-stable but brutal, nonstop forward drive, minimal roll, heavy stair vibration, sharp side and rear parallax, full-sphere chaos, no release. TIMELINE: 0:00-0:03: POV freefalls down a steep stairwell. The front wheel punches over the first steps, bars jackhammer below frame, the whole sphere shuddering with every hit while a child lunges in from the left to yank a rolling soccer ball out of the rider's line and walls, rails, balconies, and faces whip past on both sides. Violent forward descent with brutal stair vibration. SFX: (city hum, distant funk beat, tire chatter, breath, rapid stair hits, frame rattle). Hard sun above, deep shadow pockets below. 0:03-0:05: POV slashes left across a tiny landing, skips a broken crate, and drops again as laundry cracks across the front hemisphere, shoulder missing painted concrete by inches while side-wrap onlookers recoil. Hard lateral shake, immediate snap back into the stair run. SFX: (cloth slap, skid, crowd shout, chain buzz, stair chatter). 0:05-0:08: POV hammers the next staircase as a stray dog cuts center frame and startled chickens burst upward from the side steps, wings flaring across the sphere. The rider flicks the bars, rear wheel skates loose, then needles between a fruit cart and handrail with almost no clearance while the sphere jitters from every stair impact. Fast vibrating continuous-shot chaos. SFX: (tire chirp, crate clack, wings flapping, squawks, paw skitter, stair thuds, bass from window, metal rattle). 0:08-0:10: POV blasts out of one stair run, skips across a short asphalt gap between two stair sections without slowing, slams the opposite curb, and drops straight into the next descending steps. Only once the rider is fully back on the stairs do horns burst behind while passing cars rip through the side wrap. Full-speed crossing with strong lateral parallax and zero release. SFX: (engine idle, tire buzz, chain rattle, curb thump, car horns behind). 0:10-0:13: POV keeps attacking the next stair section immediately after the asphalt gap, machine-gunning through two tight landings and another steep stepped lane, every hit punching a fresh jolt through the sphere as stacked homes, wires, and alley mouths curl around the viewer and the overlook rushes closer. Forward lunge with impact drive and nonstop shake. SFX: (air rush, heavy thump, stair chatter, horn echo fading, chain lash, wind buffeting). 0:13-0:15: POV rips through the final stepped approach to the overlook and throws the rear wheel into a savage sideways skid, dust and gravel spraying across the lower frame while stair-lined drops fall away to both sides and the skyline blooms around the entire sphere in one fast violent sweep. The bike stays hot through the slide as the city fills every direction. SFX: (rear tire screech, gravel spray, freewheel spin, city roar, music drop)."

Iqra Saifi

25,934 views • 5 months ago

Made with SeeDance 2.5 Prompt: Main Subject: Young Korean woman, 24, naturally attractive, realistic skin, minimal makeup, long dark hair loosely down. Wearing a simple casual outfit. Preserve her exact identity, facial features, hairstyle, and appearance throughout. Location: Quiet Seoul apartment or residential rooftop during a warm late afternoon. Soft natural sunlight, gentle breeze, everyday surroundings. Style: Ultra-realistic early-2000s Sony MiniDV home video. Completely candid and unstaged, handheld shake, imperfect framing, autofocus hunting, exposure shifts, faded colors, soft contrast, DV compression, slight motion blur and microphone noise. No stabilization or modern cinematic movement. 00:00–00:04: She stands casually in front of the camera, trying to tie her long hair into a ponytail. A few strands keep slipping out. 00:04–00:08: She tries again, struggling with the hair tie. Her expression gradually becomes adorably irritated as the ponytail falls apart once more. 00:08–00:11: She sighs, slightly scrunches her face in frustration, then suddenly notices the camera watching her. 00:11–00:15: She looks directly into the lens, breaks into a genuine laugh at herself, and shakes her head. A few strands fall across her face as she gives up fixing them. Audio: Natural location sound only—soft wind, distant neighborhood sounds, subtle clothing and hair movement. No music or added sound effects. Goal: Cute, spontaneous and intimate, like a tiny everyday moment accidentally captured on an old home video. Her irritation should feel natural and playful, ending in a genuine laugh toward the camera.

Made with SeeDance 2.5 Prompt: Main Subject: Young Korean woman, 24, naturally attractive, realistic skin, minimal makeup, long dark hair loosely down. Wearing a simple casual outfit. Preserve her exact identity, facial features, hairstyle, and appearance throughout. Location: Quiet Seoul apartment or residential rooftop during a warm late afternoon. Soft natural sunlight, gentle breeze, everyday surroundings. Style: Ultra-realistic early-2000s Sony MiniDV home video. Completely candid and unstaged, handheld shake, imperfect framing, autofocus hunting, exposure shifts, faded colors, soft contrast, DV compression, slight motion blur and microphone noise. No stabilization or modern cinematic movement. 00:00–00:04: She stands casually in front of the camera, trying to tie her long hair into a ponytail. A few strands keep slipping out. 00:04–00:08: She tries again, struggling with the hair tie. Her expression gradually becomes adorably irritated as the ponytail falls apart once more. 00:08–00:11: She sighs, slightly scrunches her face in frustration, then suddenly notices the camera watching her. 00:11–00:15: She looks directly into the lens, breaks into a genuine laugh at herself, and shakes her head. A few strands fall across her face as she gives up fixing them. Audio: Natural location sound only—soft wind, distant neighborhood sounds, subtle clothing and hair movement. No music or added sound effects. Goal: Cute, spontaneous and intimate, like a tiny everyday moment accidentally captured on an old home video. Her irritation should feel natural and playful, ending in a genuine laugh toward the camera.

Ahmad Faraz

13,256 views • 24 days ago

This truck eats danger. Seedance 2.0 on Sjolt prompt Cinematic high-octane action sequence in a vast red-rock desert canyon under bright blue sky. A heavily customized bright magenta/pink off-road truck with spiked armor, heavy chains, and a massive metal skull front grille with glowing headlights and long fangs speeds through dusty terrain. Dynamic camera work: low-angle undercarriage shot as the truck launches over a dirt ramp kicking up dust and debris; side tracking shot of the spiked truck racing; close-up inside the cab of a stern woman in a traditional yellow hanbok-style outfit smoking a cigarette while gripping the wheel; rear gunner platform with a young woman in digital camouflage military uniform (name patch visible), long hair flying, sunglasses on head, enthusiastically firing a large mounted heavy machine gun with muzzle flashes while shouting; POV from the truck’s spiked hood racing toward a charging herd of massive armored metallic rhinoceros-like beasts with mechanical plating and horns kicking up dust; side and frontal shots of the pink skull-truck barreling through the stampeding armored rhinos as the gunner keeps firing; high aerial overhead shot of the truck weaving among the herd leaving dust trails; final rear tracking shot of the truck speeding away down the canyon with the gun still elevated. Fast-paced, dusty, intense Mad Max-inspired post-apocalyptic energy mixed with Korean action-comedy flair, bright desert lighting, motion blur, practical dust and debris effects, 15-second continuous action sequence.

This truck eats danger. Seedance 2.0 on Sjolt prompt Cinematic high-octane action sequence in a vast red-rock desert canyon under bright blue sky. A heavily customized bright magenta/pink off-road truck with spiked armor, heavy chains, and a massive metal skull front grille with glowing headlights and long fangs speeds through dusty terrain. Dynamic camera work: low-angle undercarriage shot as the truck launches over a dirt ramp kicking up dust and debris; side tracking shot of the spiked truck racing; close-up inside the cab of a stern woman in a traditional yellow hanbok-style outfit smoking a cigarette while gripping the wheel; rear gunner platform with a young woman in digital camouflage military uniform (name patch visible), long hair flying, sunglasses on head, enthusiastically firing a large mounted heavy machine gun with muzzle flashes while shouting; POV from the truck’s spiked hood racing toward a charging herd of massive armored metallic rhinoceros-like beasts with mechanical plating and horns kicking up dust; side and frontal shots of the pink skull-truck barreling through the stampeding armored rhinos as the gunner keeps firing; high aerial overhead shot of the truck weaving among the herd leaving dust trails; final rear tracking shot of the truck speeding away down the canyon with the gun still elevated. Fast-paced, dusty, intense Mad Max-inspired post-apocalyptic energy mixed with Korean action-comedy flair, bright desert lighting, motion blur, practical dust and debris effects, 15-second continuous action sequence.

Sharon Riley

35,587 views • 1 month ago