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taeyang's YES challenge behind eng subs! CL & Sandara Park cut!! disclaimer: may contain inaccuracies as im not a professional translator! #CL #chaelincl #씨엘 #산다라박 #태양

˖ ݁𖥔. s .𖥔 ݁ ˖

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16,764 просмотров • 2 месяцев назад •via X (Twitter)

#CL #chaelincl #씨엘 #산다라박 #태양

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For a decade, the world has been #missingyou 2NE1 투애니원 🫰. WELCOME BACK for your reunion tour in Seoul! 🇰🇷 CL Minzy Sandara Park Bom Park #2ne1 #투애니원 #leechaerin #cl #이채린 #씨엘 #dara #산다라박 #minzy #공민지 #parkbom #박봄 #yg #2ne1welcomeback #kpop

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The artists that Dara would like to do the 'Festival' Challenge with (the most) are CL & Bom🫶 #Dara #산다라박 Sandara Park #Festival

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(eng subs) #whenthephonerings ep 3 #yooyeonseok #chaesoobin behind the scenes cut 🛌 - *may contain some inaccuracies **please don’t repost w/o credit

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"I am Hindu, my wife is Hindu, our 2 children's are Hindu. And we eat BEEF." Funny how these “I’m Hindu and I eat beef” propaganda videos always appear with the same agenda — normalize disrespect for Hindu traditions first, then slowly disconnect people from their roots, culture, and sacred values. For centuries, invaders and conversion campaigns understood one thing clearly: if you weaken a community’s respect for its own traditions, the identity collapses from within. So yes, when someone turns sacred symbols into social media rebellion for applause, people have every right to question the motive behind it. Proudly mocking a civilization’s deeply held sentiments and presenting it as “progress” is not bravery — it’s manufactured propaganda. A tree cut from its roots may stand for a while — but not for long.

"I am Hindu, my wife is Hindu, our 2 children's are Hindu. And we eat BEEF." Funny how these “I’m Hindu and I eat beef” propaganda videos always appear with the same agenda — normalize disrespect for Hindu traditions first, then slowly disconnect people from their roots, culture, and sacred values. For centuries, invaders and conversion campaigns understood one thing clearly: if you weaken a community’s respect for its own traditions, the identity collapses from within. So yes, when someone turns sacred symbols into social media rebellion for applause, people have every right to question the motive behind it. Proudly mocking a civilization’s deeply held sentiments and presenting it as “progress” is not bravery — it’s manufactured propaganda. A tree cut from its roots may stand for a while — but not for long.

Radharamn Das राधारमण दास

164,101 просмотров • 2 месяцев назад

(⚠️ app trans only; may contain inaccuracies) “Please change the Manila concert venue. We’ve already looked into everything and passed the message along, so we’ll let you know once there’s a clear, improved result. We’ve seen that many of our PH fans have been talking about it. We’re fully aware of the situation, so please wait a little. I guess that place really has poor security. Why did they choose a place like that? Maybe they didn’t know? Safety is the top priority.” “Yes, safety really is the top priority, so we’ll take everything into account and try to make improvements. Please tell us things like this. That way we’ll know, honestly, in the PH and other countries as well, we don’t really know the specific characteristics of each concert venue. Everything is usually arranged by the local promoter. But if you tell us, we’ll be able to understand what kind of place it is, and the iKONICs in that country will know better too. We can’t check everything ourselves, but if a lot of similar concerns come up—not just one or a few people raising issues, but a clear majority—then we can look into it right away and respond.”

(⚠️ app trans only; may contain inaccuracies) “Please change the Manila concert venue. We’ve already looked into everything and passed the message along, so we’ll let you know once there’s a clear, improved result. We’ve seen that many of our PH fans have been talking about it. We’re fully aware of the situation, so please wait a little. I guess that place really has poor security. Why did they choose a place like that? Maybe they didn’t know? Safety is the top priority.” “Yes, safety really is the top priority, so we’ll take everything into account and try to make improvements. Please tell us things like this. That way we’ll know, honestly, in the PH and other countries as well, we don’t really know the specific characteristics of each concert venue. Everything is usually arranged by the local promoter. But if you tell us, we’ll be able to understand what kind of place it is, and the iKONICs in that country will know better too. We can’t check everything ourselves, but if a lot of similar concerns come up—not just one or a few people raising issues, but a clear majority—then we can look into it right away and respond.”

𝑳𝒂.

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⚠️ WARNING: This post contains graphic descriptions of an assault & severe injuries. Knox County Sheriff's Deputy Dalton Swanger was brutally beaten into critical condition by suspect Christopher Hensley, 44, while being filmed for the live TV show "On Patrol: Live." The attack occurred Saturday night in a dark wooded area behind a residential block in Tennessee, where Swanger was tracking Hensley in response to a nearby shooting. Video cut to Swanger lying limp on his side, and it's understood Hensley allegedly struck him in the face with either a brick or a rock. Co-host Tom Rizzo stated "the entire studio went silent." Two colleagues dragged the semi-conscious Swanger to safety, trying to help him to his feet as blood pooled at his head. Swanger sustained critical head injuries & remains in trauma intensive care, in critical but stable condition. A GoFundMe has been set up to assist his family, as he is now unable to work his second job. Hensley was arrested & charged with attempted second-degree murder, aggravated assault on a first responder, possession of a firearm with intent to go armed, & manufacturing, delivering, selling, possession of a controlled substance. His bond was set at $2.025 million 🙏Please share to spread awareness DISCLAIMER: The information shared is based on initial reports, may not be fully verified, and is presented as alleged. Details are subject to change as investigations proceed 🔔Follow for more recent True Crime Updates 👁️Source: Daily Mail

⚠️ WARNING: This post contains graphic descriptions of an assault & severe injuries. Knox County Sheriff's Deputy Dalton Swanger was brutally beaten into critical condition by suspect Christopher Hensley, 44, while being filmed for the live TV show "On Patrol: Live." The attack occurred Saturday night in a dark wooded area behind a residential block in Tennessee, where Swanger was tracking Hensley in response to a nearby shooting. Video cut to Swanger lying limp on his side, and it's understood Hensley allegedly struck him in the face with either a brick or a rock. Co-host Tom Rizzo stated "the entire studio went silent." Two colleagues dragged the semi-conscious Swanger to safety, trying to help him to his feet as blood pooled at his head. Swanger sustained critical head injuries & remains in trauma intensive care, in critical but stable condition. A GoFundMe has been set up to assist his family, as he is now unable to work his second job. Hensley was arrested & charged with attempted second-degree murder, aggravated assault on a first responder, possession of a firearm with intent to go armed, & manufacturing, delivering, selling, possession of a controlled substance. His bond was set at $2.025 million 🙏Please share to spread awareness DISCLAIMER: The information shared is based on initial reports, may not be fully verified, and is presented as alleged. Details are subject to change as investigations proceed 🔔Follow for more recent True Crime Updates 👁️Source: Daily Mail

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Full eng trans of Bambam's interview with Puerto Rico's local news Telemundo: "Bambam, is the Thai kpop idol's name. He was part of the group GOT7 and he will perform in Puerto Rico for the first time on Feb 28 in the Coca Cola Music Hall. Today we spoke with Bambam, who is still surprised by the amount of support he has on the island". "Bambam started his music career 10 years ago and 3 years ago he decided to start his soloist career. The young artist will visit Puerto Rico for the first time to present his concert, which marks the start of his Latin American tour. Bambam admitted this decision was a risk that ended up surprising him". 🐍 "I'm not gonna lie. Everything turned out better that I expected. I never thought that the support was going to be that strong in Puerto Rico. This makes me feel excited and confident. It makes me wanna give more to all the fans". "The kpop singer, who recently signed a model contract with the brand Louis Vuitton, assured his fans of a great show where he will present his latest song". 🐍 "It's something new. Since, you know, I personally have an open mind so I just want people to be assured that we will have fun so look forward. I'm going to perform my new song for the first time and Puerto Rico is going to be the first city that will see it". "Bambam is a food lover and and he's not only excited to come to the island to meet his fans, he says he hopes to enjoy the local gastronomy and culture". 🐍 "I look forward to a lot of stuff. To meet all my fans for the first time and perform for the first time. Besides that, I'm going to enjoy, you know, Puerto Rico's culture, their cities, food, drinks and music. Everything". this may contain inaccuracies as I did it by ear #BamBam_TOUR_AREA52 #BamBam #뱀뱀 BamBam @BAMBAMxABYSS

jay ♡

209,885 просмотров • 2 лет назад

China has banned the export of all dual-use items to Japanese military users and for Japan’s military use. The aim is to contain Japan’s remilitarization and its attempt to possess nuclear weapons, said the Chinese Ministry of Foreign Affairs. Sanae Takaichi lamented at the G7 that China’s rare earth sanctions are affecting Japan’s economy. This is the same person who openly threatened China by saying that “a Taiwan emergency is a Japan emergency.” A defeated fascist state, once disarmed by the anti-fascist order after turning Asia into a slaughterhouse, is now trying to insert itself into China’s internal affairs and present that as “security.” Then when China responds with economic measures, Japan plays the victim. Classic. Japan should be glad that China is not the United States. If a foreign leader said “a Cuba emergency is our emergency” to Washington, the U.S. would not respond with polite export controls. It would call it a national security threat, sanction everyone involved, send warships, threaten regime change, and may even kidnap that leader and his family within a week, drag them back to the United States, and try them on drug trafficking charges. Trump attacked Iran for months under the excuse that Iran must not even have the chance to build a nuclear weapon. Iran did not say “Cuba is our emergency.” Iran did not invade the U.S. Iran did not station forces near Florida. Yet Washington bombed Tehran, assassinated Khamenei, blockaded Hormuz, and called it security. Japan, meanwhile, openly links itself to Taiwan, challenges China’s sovereignty, pushes remilitarization, flirts with nuclear ambitions, and then cries when China restricts dual-use exports. Japan should understand one thing very clearly: China’s economic measures are restraint. Perhaps too restrained. That is exactly why Japan dares to challenge China’s core red lines of sovereignty again and again. In the end, a defeated militarist power does not get to threaten the victorious country, interfere in its territorial question, and then demand uninterrupted access to strategic materials. If Japan wants stable relations with China, it should stop pretending dialogue means China staying silent while Tokyo rearms, provokes, and hides behind the G7. China is indeed not the United States. That is why Japan is still being warned through economic tools instead of being treated the way Washington treats countries that cross its red lines.

China has banned the export of all dual-use items to Japanese military users and for Japan’s military use. The aim is to contain Japan’s remilitarization and its attempt to possess nuclear weapons, said the Chinese Ministry of Foreign Affairs. Sanae Takaichi lamented at the G7 that China’s rare earth sanctions are affecting Japan’s economy. This is the same person who openly threatened China by saying that “a Taiwan emergency is a Japan emergency.” A defeated fascist state, once disarmed by the anti-fascist order after turning Asia into a slaughterhouse, is now trying to insert itself into China’s internal affairs and present that as “security.” Then when China responds with economic measures, Japan plays the victim. Classic. Japan should be glad that China is not the United States. If a foreign leader said “a Cuba emergency is our emergency” to Washington, the U.S. would not respond with polite export controls. It would call it a national security threat, sanction everyone involved, send warships, threaten regime change, and may even kidnap that leader and his family within a week, drag them back to the United States, and try them on drug trafficking charges. Trump attacked Iran for months under the excuse that Iran must not even have the chance to build a nuclear weapon. Iran did not say “Cuba is our emergency.” Iran did not invade the U.S. Iran did not station forces near Florida. Yet Washington bombed Tehran, assassinated Khamenei, blockaded Hormuz, and called it security. Japan, meanwhile, openly links itself to Taiwan, challenges China’s sovereignty, pushes remilitarization, flirts with nuclear ambitions, and then cries when China restricts dual-use exports. Japan should understand one thing very clearly: China’s economic measures are restraint. Perhaps too restrained. That is exactly why Japan dares to challenge China’s core red lines of sovereignty again and again. In the end, a defeated militarist power does not get to threaten the victorious country, interfere in its territorial question, and then demand uninterrupted access to strategic materials. If Japan wants stable relations with China, it should stop pretending dialogue means China staying silent while Tokyo rearms, provokes, and hides behind the G7. China is indeed not the United States. That is why Japan is still being warned through economic tools instead of being treated the way Washington treats countries that cross its red lines.

𝘊𝘰𝘳𝘳𝘪𝘯𝘦

23,164 просмотров • 1 месяц назад

251005 HYPE VIBES 팬파티 #CXM #에스쿱스 #민규 they talked about having an all-night concert as a full group 🍒: i really wanna do an all-night concert. i really do. but first of all, you know minors can’t enter. 💎: it’s okay! 🍒: but we could have baby carats too. 🐶: we still have a lot of baby carats. 💎: it’s okay! 🐶: you still want us to do it? 💎: yes! 🍒: that’s not all night though, just a one-day thing. 💎: just send the kids home at 10pm! 🍒: the kids..? imagine how much hate we’ll get~ 🐶: how upset they must be~ 🍒: then how about this, we start around 7pm, go till like 10pm, then take a break for about 30 minutes. that’s when everyone really rests. and then the minors go home... then there’s a separate ticket for the all-night one. so from like 10 or 11, everyone comes in and we go till 5 or 6 in the morning. 🐶: 😲⁉️ 💎: we like that! / nice! 🐶: until 5 or 6? can we really do that? 💎: we can! / we can do it! 🍒: but we’d be fine. you know why? coupsxmingyu would do like an hour, then hoshixwoozi, and we’d just be in the waiting room, “oh they’re doing great~” 🐶: or, like hhu, then pfu, vcu- everyone taking turns.. 🍒: so we make stages like a festival, like coachella or something. 🍊: oh! and we could post the set order in advance, so carats can join whenever they want. 🍒: yeah, can join whenever they want. 🍊: like come and go as they please. 💎: ...ahh / no!! 🍊: no?? just for one day. 🍒: we’ll be watching from the back too. 💎: all 13 members! 🍊: all 13? look, if you keep dividing it up like that, it still ends up being the 13 of us~ 🍒: 13 members on stage for like 8 hours? 💎: yes!!! 🍒: honestly, i don’t think i could convince the members for that. 💎: 😩 🐶: we’ll think about doing all-night one. 🍒: we still have to think more about how to do it. but honestly, i really wanna do it too. *may contain inaccuracies

251005 HYPE VIBES 팬파티 #CXM #에스쿱스 #민규 they talked about having an all-night concert as a full group 🍒: i really wanna do an all-night concert. i really do. but first of all, you know minors can’t enter. 💎: it’s okay! 🍒: but we could have baby carats too. 🐶: we still have a lot of baby carats. 💎: it’s okay! 🐶: you still want us to do it? 💎: yes! 🍒: that’s not all night though, just a one-day thing. 💎: just send the kids home at 10pm! 🍒: the kids..? imagine how much hate we’ll get~ 🐶: how upset they must be~ 🍒: then how about this, we start around 7pm, go till like 10pm, then take a break for about 30 minutes. that’s when everyone really rests. and then the minors go home... then there’s a separate ticket for the all-night one. so from like 10 or 11, everyone comes in and we go till 5 or 6 in the morning. 🐶: 😲⁉️ 💎: we like that! / nice! 🐶: until 5 or 6? can we really do that? 💎: we can! / we can do it! 🍒: but we’d be fine. you know why? coupsxmingyu would do like an hour, then hoshixwoozi, and we’d just be in the waiting room, “oh they’re doing great~” 🐶: or, like hhu, then pfu, vcu- everyone taking turns.. 🍒: so we make stages like a festival, like coachella or something. 🍊: oh! and we could post the set order in advance, so carats can join whenever they want. 🍒: yeah, can join whenever they want. 🍊: like come and go as they please. 💎: ...ahh / no!! 🍊: no?? just for one day. 🍒: we’ll be watching from the back too. 💎: all 13 members! 🍊: all 13? look, if you keep dividing it up like that, it still ends up being the 13 of us~ 🍒: 13 members on stage for like 8 hours? 💎: yes!!! 🍒: honestly, i don’t think i could convince the members for that. 💎: 😩 🐶: we’ll think about doing all-night one. 🍒: we still have to think more about how to do it. but honestly, i really wanna do it too. *may contain inaccuracies

디 ૮₍ ˃⤙˂ ₎ა

192,225 просмотров • 10 месяцев назад

Charlene says Catherine didn't rush into it because she had time, which is true. She says 💀 'it wasn't like she was a woman in her late thirties who has to really think hard about finding someone and having a kid'. {note: I don't like the comparisons between the women, it suggests competition, which is silly. I look at them as two different cultures - British monarchy and US celebrity} Charlene says 'we possibly know more about Markle as a person than we do about Catherine'. I agree with this, in a way. I've seen and heard more personal content from M than I have of Catherine. Social media, interviews, anecdotes. On and on. 🤷🏻‍♀️ i'm not sure if they think it's a negative about Catherine, but I think it's a strength. Especially for a Queen of a constitutional monarchy. What a Queen should be, what their role is, is a fascinating topic. A 'movie Queen' in the movies may be political, or an activist, or challenge despots and dictators. She might be the speaker at a rally, rousing the crowd. That's not really the role though, and not something that apolitically highlights and unifies communities. Catherine has been in the public eye for over twenty years and she is known for being private, inscrutable and an enigma*. Much like the Late Queen Elizabeth. And despite the fact she's had cultural and political views and values projected onto her from different camps (🙄 we saw what happened after 2016), Catherine could turn up to any event with any culture, race or cause, and the people and communities would feel supported. She is strong within herself, she does not chase fame or public validation. And though she is warm and personable, while on public engagements will maintain a professional disposition to ensure the stories and causes of those around her are the focus. She serves, gives back, in her appearances. And what some see as a 'long game' is just her temperament, it's her character. She won her tabloid war by refusing to become part of the media machine - she didn't engage, and didn't chase the short bursts. 🤷🏻‍♀️ Catherine Mayer later mentions personality types. The comparison is unfortunate, but yes, the difference in personality types is glaring 💀 full ep

Charlene says Catherine didn't rush into it because she had time, which is true. She says 💀 'it wasn't like she was a woman in her late thirties who has to really think hard about finding someone and having a kid'. {note: I don't like the comparisons between the women, it suggests competition, which is silly. I look at them as two different cultures - British monarchy and US celebrity} Charlene says 'we possibly know more about Markle as a person than we do about Catherine'. I agree with this, in a way. I've seen and heard more personal content from M than I have of Catherine. Social media, interviews, anecdotes. On and on. 🤷🏻‍♀️ i'm not sure if they think it's a negative about Catherine, but I think it's a strength. Especially for a Queen of a constitutional monarchy. What a Queen should be, what their role is, is a fascinating topic. A 'movie Queen' in the movies may be political, or an activist, or challenge despots and dictators. She might be the speaker at a rally, rousing the crowd. That's not really the role though, and not something that apolitically highlights and unifies communities. Catherine has been in the public eye for over twenty years and she is known for being private, inscrutable and an enigma*. Much like the Late Queen Elizabeth. And despite the fact she's had cultural and political views and values projected onto her from different camps (🙄 we saw what happened after 2016), Catherine could turn up to any event with any culture, race or cause, and the people and communities would feel supported. She is strong within herself, she does not chase fame or public validation. And though she is warm and personable, while on public engagements will maintain a professional disposition to ensure the stories and causes of those around her are the focus. She serves, gives back, in her appearances. And what some see as a 'long game' is just her temperament, it's her character. She won her tabloid war by refusing to become part of the media machine - she didn't engage, and didn't chase the short bursts. 🤷🏻‍♀️ Catherine Mayer later mentions personality types. The comparison is unfortunate, but yes, the difference in personality types is glaring 💀 full ep

mrc 🦇

11,139 просмотров • 3 дней назад

Tchaikovsky – Rococo Variations: The Secret of a Melodic Curve That Never Disappears In the art of variation, change has never been the greatest challenge. A melody can be clothed in countless new forms. It may become faster, more intricate, more brilliant, or more emotionally expressive. The real challenge lies in a deeper question: How can listeners still recognize the same voice after all those transformations? That is the problem Tchaikovsky solves in Variations on a Rococo Theme. He does not build the work around a monumental theme, nor does he seek to impress through complexity. Instead, he begins with a melody that is elegant, balanced, and clear. Yet beneath its apparent simplicity lies a profound organizing principle: a musical line capable of expanding, transforming, and evolving into many different forms while preserving its original identity. For that reason, Rococo Variations is far more than a virtuoso showpiece for the cello. It is also a demonstration of a fundamental principle of artistic creation: The more firmly an idea is built upon a strong foundation, the more freely it can change without losing itself. A Curve That Does More Than Beautify—It Breathes From the opening theme, the melody is already in motion. It begins by reaching upward, as though the music were taking a deep breath. But instead of remaining suspended in tension, it gently relaxes and returns to balance. Even within the very first phrase, Tchaikovsky refuses to let the melody linger around a single stable pitch. He urges it forward, creating a natural sense of expansion before allowing it to settle through graceful, flowing motion. At first hearing, it seems like a simple song. Yet that very naturalness is the hardest thing to achieve. A melody truly comes alive only when it knows how to gather energy and release it at precisely the right moment. If it only keeps rising, it becomes strained. If it only keeps falling, it loses its momentum. Tchaikovsky shapes the melody according to a rhythm remarkably close to the human act of breathing—inhaling and exhaling. Perhaps that is why listeners instinctively experience its natural flow without needing to analyze it. It is not merely a beautiful curve. It is a curve that breathes. What Keeps Every Variation from Losing Its Identity? This is where Rococo Variations becomes truly remarkable. In a work of variations, change is not the greatest difficulty. The real challenge is ensuring that the original theme remains present after every transformation. Tchaikovsky achieves this not by repeating the original notes verbatim. Instead, he preserves something deeper. He preserves the direction of the melodic motion. He preserves the theme's inner momentum. Just as a planetary system may contain countless different orbits while every planet continues to revolve around the same center, each variation in Rococo Variations follows its own path while remaining guided by the same underlying principle. The rhythm may change. The tempo may change. The technical brilliance may become increasingly dazzling. But that inner gravitational pull never disappears. That is why listeners always feel they are following the same melody, even though it continually appears in different forms. Simplicity Is What Makes Endless Transformation Possible There is an intriguing principle behind the art of variation. The more details a theme contains, the harder it becomes to develop. Conversely, the more distilled a theme is, the more possibilities it leaves open for exploration. Tchaikovsky understood this perfectly. He does not attempt to present every musical idea at the outset. Instead, he creates a melodic outline that is clear enough to support every transformation that follows. A line with balanced proportions. A clear sense of direction. And enough flexibility for each variation to reveal a new facet without obscuring its original shape. For that reason, the variations are not acts of breaking the theme apart. They are acts of revealing possibilities that were already hidden within it. Every transformation brings the melody not farther from its origin, but closer to its true nature. When Technique Illuminates the Shape of the Melody Rococo Variations has long been regarded as one of the cello repertoire's greatest technical challenges. Its rapid passagework demands precision. Its long lyrical phrases require extraordinary bow control to maintain an uninterrupted singing line. Yet if a performer focuses only on conquering the technical demands, the work loses what matters most. In Mstislav Rostropovich's performances, technique is never the destination. It is simply the means through which the work's inner architecture becomes more visible. The rapid runs never cause the listener to lose sight of the melody. Instead, they resemble light illuminating the same curve from different angles. The more the music changes, the more clearly the listener recognizes the essence of the theme. That is the hallmark of a truly great performance. Rococo Is Not Reconstructed—It Is Reawakened Tchaikovsky is often remembered as one of the great Romantic composers. Yet in Rococo Variations, he never allows emotion to overwhelm balance. Instead, he reaches back toward the elegance, clarity, and refinement of the Rococo style. What makes this remarkable is that he does not simply imitate the past. Had he merely recreated the style of the eighteenth century, the work would have become little more than a beautiful historical picture. Instead, he preserves the spirit of Rococo while breathing into it the expressive warmth of the nineteenth century. As a result, elegance never becomes cold. Emotion never destroys structure. The two worlds meet within the same musical motion—disciplined enough to preserve its shape, yet supple enough to carry Tchaikovsky's own unmistakable voice. A Curve That Lives Beyond Every Transformation Perhaps the enduring greatness of Rococo Variations does not lie in the number of its variations or the brilliance of its technical demands. Its lasting power comes from the fact that Tchaikovsky created a theme built upon deeply natural principles. It gathers and releases energy like the rhythm of breathing. It possesses an inner force that allows every transformation to find its way home. And it is sufficiently distilled that each variation strengthens its identity rather than obscuring it. Perhaps that is why, after all the dazzling transformations have passed, what remains in the listener's memory is not technical complexity, but a melodic curve that continues to live on. Every performer may tell that story differently, yet the original direction of the melody never disappears. That may well be the deepest secret of Rococo Variations: Tchaikovsky did not create an unchanging theme. He created a theme capable of surviving change. And when a melodic curve is built upon a firm foundation, every new transformation does not diminish it. It simply allows its original beauty to become even more clearly seen.

Tchaikovsky – Rococo Variations: The Secret of a Melodic Curve That Never Disappears In the art of variation, change has never been the greatest challenge. A melody can be clothed in countless new forms. It may become faster, more intricate, more brilliant, or more emotionally expressive. The real challenge lies in a deeper question: How can listeners still recognize the same voice after all those transformations? That is the problem Tchaikovsky solves in Variations on a Rococo Theme. He does not build the work around a monumental theme, nor does he seek to impress through complexity. Instead, he begins with a melody that is elegant, balanced, and clear. Yet beneath its apparent simplicity lies a profound organizing principle: a musical line capable of expanding, transforming, and evolving into many different forms while preserving its original identity. For that reason, Rococo Variations is far more than a virtuoso showpiece for the cello. It is also a demonstration of a fundamental principle of artistic creation: The more firmly an idea is built upon a strong foundation, the more freely it can change without losing itself. A Curve That Does More Than Beautify—It Breathes From the opening theme, the melody is already in motion. It begins by reaching upward, as though the music were taking a deep breath. But instead of remaining suspended in tension, it gently relaxes and returns to balance. Even within the very first phrase, Tchaikovsky refuses to let the melody linger around a single stable pitch. He urges it forward, creating a natural sense of expansion before allowing it to settle through graceful, flowing motion. At first hearing, it seems like a simple song. Yet that very naturalness is the hardest thing to achieve. A melody truly comes alive only when it knows how to gather energy and release it at precisely the right moment. If it only keeps rising, it becomes strained. If it only keeps falling, it loses its momentum. Tchaikovsky shapes the melody according to a rhythm remarkably close to the human act of breathing—inhaling and exhaling. Perhaps that is why listeners instinctively experience its natural flow without needing to analyze it. It is not merely a beautiful curve. It is a curve that breathes. What Keeps Every Variation from Losing Its Identity? This is where Rococo Variations becomes truly remarkable. In a work of variations, change is not the greatest difficulty. The real challenge is ensuring that the original theme remains present after every transformation. Tchaikovsky achieves this not by repeating the original notes verbatim. Instead, he preserves something deeper. He preserves the direction of the melodic motion. He preserves the theme's inner momentum. Just as a planetary system may contain countless different orbits while every planet continues to revolve around the same center, each variation in Rococo Variations follows its own path while remaining guided by the same underlying principle. The rhythm may change. The tempo may change. The technical brilliance may become increasingly dazzling. But that inner gravitational pull never disappears. That is why listeners always feel they are following the same melody, even though it continually appears in different forms. Simplicity Is What Makes Endless Transformation Possible There is an intriguing principle behind the art of variation. The more details a theme contains, the harder it becomes to develop. Conversely, the more distilled a theme is, the more possibilities it leaves open for exploration. Tchaikovsky understood this perfectly. He does not attempt to present every musical idea at the outset. Instead, he creates a melodic outline that is clear enough to support every transformation that follows. A line with balanced proportions. A clear sense of direction. And enough flexibility for each variation to reveal a new facet without obscuring its original shape. For that reason, the variations are not acts of breaking the theme apart. They are acts of revealing possibilities that were already hidden within it. Every transformation brings the melody not farther from its origin, but closer to its true nature. When Technique Illuminates the Shape of the Melody Rococo Variations has long been regarded as one of the cello repertoire's greatest technical challenges. Its rapid passagework demands precision. Its long lyrical phrases require extraordinary bow control to maintain an uninterrupted singing line. Yet if a performer focuses only on conquering the technical demands, the work loses what matters most. In Mstislav Rostropovich's performances, technique is never the destination. It is simply the means through which the work's inner architecture becomes more visible. The rapid runs never cause the listener to lose sight of the melody. Instead, they resemble light illuminating the same curve from different angles. The more the music changes, the more clearly the listener recognizes the essence of the theme. That is the hallmark of a truly great performance. Rococo Is Not Reconstructed—It Is Reawakened Tchaikovsky is often remembered as one of the great Romantic composers. Yet in Rococo Variations, he never allows emotion to overwhelm balance. Instead, he reaches back toward the elegance, clarity, and refinement of the Rococo style. What makes this remarkable is that he does not simply imitate the past. Had he merely recreated the style of the eighteenth century, the work would have become little more than a beautiful historical picture. Instead, he preserves the spirit of Rococo while breathing into it the expressive warmth of the nineteenth century. As a result, elegance never becomes cold. Emotion never destroys structure. The two worlds meet within the same musical motion—disciplined enough to preserve its shape, yet supple enough to carry Tchaikovsky's own unmistakable voice. A Curve That Lives Beyond Every Transformation Perhaps the enduring greatness of Rococo Variations does not lie in the number of its variations or the brilliance of its technical demands. Its lasting power comes from the fact that Tchaikovsky created a theme built upon deeply natural principles. It gathers and releases energy like the rhythm of breathing. It possesses an inner force that allows every transformation to find its way home. And it is sufficiently distilled that each variation strengthens its identity rather than obscuring it. Perhaps that is why, after all the dazzling transformations have passed, what remains in the listener's memory is not technical complexity, but a melodic curve that continues to live on. Every performer may tell that story differently, yet the original direction of the melody never disappears. That may well be the deepest secret of Rococo Variations: Tchaikovsky did not create an unchanging theme. He created a theme capable of surviving change. And when a melodic curve is built upon a firm foundation, every new transformation does not diminish it. It simply allows its original beauty to become even more clearly seen.

🎼🌺Music Love♥️

15,340 просмотров • 16 дней назад

🚨BREAKING: Candace Owens Just REACTED To President Trump Telling Erika Kirk To SUE All Of Us —And I AGREE With Her... Bring it on.🔥💪 At the White House Easter celebration, Trump looked at Erika Kirk and told her to "sue their ass off," claiming everyone investigating her is just "jealous." Candace's response is legendary. She calls it "so middle school" and delivers a masterclass in what real power is. She points out the absurdity: "We wanna know who killed Charlie Kirk, so could you park aside the lawyers and get information for us, Trump?" Then she lays down the ultimate challenge. She says most of us investigating this WELCOME a lawsuit. Why? Because discovery is a beautiful thing. A lawsuit would force them to turn over all the information we've been asking for. No more guessing. We could demand the receipts, the chain of custody on the flawed bullet analysis, and everything else they're hiding. Candace delivers the knockout blow: "The reason you should never sue... is if truth is not on your side." She asks the simple question that cuts through all the noise: If you're innocent, why not just answer the questions? Do a long, public sit-down and clear it all up? But they won't, because they can't. Instead, they hide behind power and money, using lawyers as a shield. Candace exposes this for what it is: "The reason we lie is because we're rich and we can. We have lawyers that make it okay, and you don't, peasants." This is their playbook. Use wealth and influence to silence truth-seekers. But as Candace declares, "There is no true power without truth." All their power is an illusion, and it's very easy to cut through that illusion with the truth. They sound nervous. They should be. They think money can buy silence. They're about to find out the truth is louder. Drop a 🔥 in the comments if you're ready for them to sue! FOLLOW Candace Owens, RT and watch her FULL episode linked below.👇

🚨BREAKING: Candace Owens Just REACTED To President Trump Telling Erika Kirk To SUE All Of Us —And I AGREE With Her... Bring it on.🔥💪 At the White House Easter celebration, Trump looked at Erika Kirk and told her to "sue their ass off," claiming everyone investigating her is just "jealous." Candace's response is legendary. She calls it "so middle school" and delivers a masterclass in what real power is. She points out the absurdity: "We wanna know who killed Charlie Kirk, so could you park aside the lawyers and get information for us, Trump?" Then she lays down the ultimate challenge. She says most of us investigating this WELCOME a lawsuit. Why? Because discovery is a beautiful thing. A lawsuit would force them to turn over all the information we've been asking for. No more guessing. We could demand the receipts, the chain of custody on the flawed bullet analysis, and everything else they're hiding. Candace delivers the knockout blow: "The reason you should never sue... is if truth is not on your side." She asks the simple question that cuts through all the noise: If you're innocent, why not just answer the questions? Do a long, public sit-down and clear it all up? But they won't, because they can't. Instead, they hide behind power and money, using lawyers as a shield. Candace exposes this for what it is: "The reason we lie is because we're rich and we can. We have lawyers that make it okay, and you don't, peasants." This is their playbook. Use wealth and influence to silence truth-seekers. But as Candace declares, "There is no true power without truth." All their power is an illusion, and it's very easy to cut through that illusion with the truth. They sound nervous. They should be. They think money can buy silence. They're about to find out the truth is louder. Drop a 🔥 in the comments if you're ready for them to sue! FOLLOW Candace Owens, RT and watch her FULL episode linked below.👇

Project Constitution

180,891 просмотров • 4 месяцев назад

Renowned macro strategist David Hunter joins Alex on the pod to discuss his bold forecasts for the markets and the global economy. With 50 years of Wall Street experience, David shares why he believes we're heading for the biggest financial crisis in history—a "global bust" driven by excessive leverage, soaring debt, and central bank missteps. Despite calling for a 30–40% market melt-up before the crash, David predicts a severe financial unwind that could reshape the global economic landscape. He also delves into the future of gold, silver, and commodities, the role of central banks, and how policymakers may react to unprecedented challenges. Follow David on X: David Hunter If you really enjoy our content, subscribe to Pinnacle Digest's weekly email newsletter. Economics, geopolitics, and commodities are topics we routinely cover: 𝙁𝙊𝙇𝙇𝙊𝙒 𝙋𝙄𝙉𝙉𝘼𝘾𝙇𝙀 𝘿𝙄𝙂𝙀𝙎𝙏 𝙃𝙀𝙍𝙀 ▷ Official Site: ► Facebook: ► Instagram: ► YouTube: Chapters 00:00 - Intro 00:34 - David Hunter Joins the Podcast 1:07 - The Melt-Up Prediction 1:44 - Market Timing and S&P 500 Target 5:00 - Explaining the Parabolic Melt-Up 6:18 - Using Sentiment, Fundamentals, and Technicals for S&P 500 Target 8:40 - How Will Trump Impact the Markets? 11:05 - Global Bust Explained 15:10 - Central Bank Policy Missteps 16:20 - What Causes a Recession? 17:30 - The Federal Reserve’s Balance Sheet Shrinkage 19:25 - Who or What Really Controls Interest Rates? 22:45 - How Bad Will The Market Crash? 24:00 - Massive Monetary Stimulus and Its Consequences 35:40 - Treasuries, the Dollar, and Safe Assets 37:09 - Gold, Silver, and Commodities Post-Bust 40:00 - The 2030s Depression Scenario 42:56 - Hope for the Future: Trump’s Role and Free Market Policies 46:14 - Final Thoughts and Where to Follow David Hunter 47:15 - Disclaimer & Forward-Looking Statements PLEASE READ #financialcrisis #meltup #davidhunter #FinancialMarkets #SP500 #macroinvesting #contrarian DISCLAIMER: This video podcast (the “Video”) is not investment advice. The Video is intended for informational and entertainment purposes only. All statements in the Video are to be checked and verified by the viewer. The Video may contain technical or other inaccuracies, omissions, or errors, for which Maximus Strategic Consulting Inc. ("Maximus"), owner of and the Pinnacle Digest YouTube channel, assumes no responsibility. Neither Alexander Smith nor David Hunter are financial advisors. Before investing in any securities, commodities or cryptocurrencies, you should consult with your financial advisor and a registered broker-dealer. Alexander Smith and David Hunter (the "Contributors") have made wrong predictions in the past, and they'll likely do it again. Never make an investment based solely on what you hear or see in the Video. As with all investments, investors should carefully consider their investment objectives and risk tolerance before investing. Conduct your own thorough and independent due diligence to understand the risks associated with investing in any security, cryptocurrency and commodity. All statements, other than statements of historical fact, that address activities, events or developments the Contributors expect or anticipate will or may occur in the future are forward-looking statements. Such forward-looking statements also include, but are not limited to, statements regarding: industry trends; inflation and deflation forecasts; future performance for individual stocks, commodities and cryptocurrencies; the future performance of stock markets and indices; monetary policy, and other estimates or expectations. Much of the Video is comprised of statements of projection. These statements involve known and unknown risks, uncertainties and other factors that may cause actual results or events to differ materially from those anticipated in such forward-looking statements. Maximus and the Contributors disclaim all liability for any loss that may arise (whether direct, indirect, consequential, incidental, punitive or otherwise) from any use of the information in the Video. Information in the Video has been obtained from sources believed to be reliable, but Maximus and the Contributors make no representation or warranty as to the accuracy, timeliness or completeness of the content in the Video. Any opinion expressed in the Video is subject to change without notice. Sources and supplementary information:

Renowned macro strategist David Hunter joins Alex on the pod to discuss his bold forecasts for the markets and the global economy. With 50 years of Wall Street experience, David shares why he believes we're heading for the biggest financial crisis in history—a "global bust" driven by excessive leverage, soaring debt, and central bank missteps. Despite calling for a 30–40% market melt-up before the crash, David predicts a severe financial unwind that could reshape the global economic landscape. He also delves into the future of gold, silver, and commodities, the role of central banks, and how policymakers may react to unprecedented challenges. Follow David on X: David Hunter If you really enjoy our content, subscribe to Pinnacle Digest's weekly email newsletter. Economics, geopolitics, and commodities are topics we routinely cover: 𝙁𝙊𝙇𝙇𝙊𝙒 𝙋𝙄𝙉𝙉𝘼𝘾𝙇𝙀 𝘿𝙄𝙂𝙀𝙎𝙏 𝙃𝙀𝙍𝙀 ▷ Official Site: ► Facebook: ► Instagram: ► YouTube: Chapters 00:00 - Intro 00:34 - David Hunter Joins the Podcast 1:07 - The Melt-Up Prediction 1:44 - Market Timing and S&P 500 Target 5:00 - Explaining the Parabolic Melt-Up 6:18 - Using Sentiment, Fundamentals, and Technicals for S&P 500 Target 8:40 - How Will Trump Impact the Markets? 11:05 - Global Bust Explained 15:10 - Central Bank Policy Missteps 16:20 - What Causes a Recession? 17:30 - The Federal Reserve’s Balance Sheet Shrinkage 19:25 - Who or What Really Controls Interest Rates? 22:45 - How Bad Will The Market Crash? 24:00 - Massive Monetary Stimulus and Its Consequences 35:40 - Treasuries, the Dollar, and Safe Assets 37:09 - Gold, Silver, and Commodities Post-Bust 40:00 - The 2030s Depression Scenario 42:56 - Hope for the Future: Trump’s Role and Free Market Policies 46:14 - Final Thoughts and Where to Follow David Hunter 47:15 - Disclaimer & Forward-Looking Statements PLEASE READ #financialcrisis #meltup #davidhunter #FinancialMarkets #SP500 #macroinvesting #contrarian DISCLAIMER: This video podcast (the “Video”) is not investment advice. The Video is intended for informational and entertainment purposes only. All statements in the Video are to be checked and verified by the viewer. The Video may contain technical or other inaccuracies, omissions, or errors, for which Maximus Strategic Consulting Inc. ("Maximus"), owner of and the Pinnacle Digest YouTube channel, assumes no responsibility. Neither Alexander Smith nor David Hunter are financial advisors. Before investing in any securities, commodities or cryptocurrencies, you should consult with your financial advisor and a registered broker-dealer. Alexander Smith and David Hunter (the "Contributors") have made wrong predictions in the past, and they'll likely do it again. Never make an investment based solely on what you hear or see in the Video. As with all investments, investors should carefully consider their investment objectives and risk tolerance before investing. Conduct your own thorough and independent due diligence to understand the risks associated with investing in any security, cryptocurrency and commodity. All statements, other than statements of historical fact, that address activities, events or developments the Contributors expect or anticipate will or may occur in the future are forward-looking statements. Such forward-looking statements also include, but are not limited to, statements regarding: industry trends; inflation and deflation forecasts; future performance for individual stocks, commodities and cryptocurrencies; the future performance of stock markets and indices; monetary policy, and other estimates or expectations. Much of the Video is comprised of statements of projection. These statements involve known and unknown risks, uncertainties and other factors that may cause actual results or events to differ materially from those anticipated in such forward-looking statements. Maximus and the Contributors disclaim all liability for any loss that may arise (whether direct, indirect, consequential, incidental, punitive or otherwise) from any use of the information in the Video. Information in the Video has been obtained from sources believed to be reliable, but Maximus and the Contributors make no representation or warranty as to the accuracy, timeliness or completeness of the content in the Video. Any opinion expressed in the Video is subject to change without notice. Sources and supplementary information:

Pinnacle Digest

45,224 просмотров • 1 год назад

240421 #LAY & #CHANYEOL Full IG Live Translation *May contain inaccuracies as some parts are inaudible 🐑: "Ya Chanyeol-ah!" 🍒: "Lay~ Lay!~ you're in Korea right?" 🐑: "Eoh?" 🍒: "You're in Korea right?" 🐑: "Yeah, i'm in Korea" 🍒: "I'm not in Korea right now" 🐑: "I know that you're not in Korea" 🍒: "Are you doing live right now?" 🐑: "Yeah, i'm doing live right now, can i show-" 🍒: "Can they see me?" 🐑: "Should i show you?" 🍒: "Yes, i'm gonna greet them~" 🐑: "Hello everyone~" 🍒: "Hello! We are one!" 🐑: "One! Hello, we're EXO" 🍒: "We're EXO~ oh hyung! I saw your music show performance!" 🐑: "Oh really? Which one did you like the most?" 🍒: "For me.." 🐑: "Should i (hold the phone) this way so you can be seen on the live or?" 🍒: "Yeah yeah it's fine! I still can see hyung's face, anyway, i liked the one where you were wearing like an orange jacket? Something orange?" 🐑: "Orange? Orange? When was that?" 🍒: "Is it not? The one from yesterday, what was yesterday's?" 🐑: "Red! x3" 🍒: "Ah red red! I saw that one, i like it!" 🐑: "Ah that one, right right" 🍒: "I also saw the MV hyung!" 🐑: "But, when i went to the broadcasting station..." 🍒: "It makes you think of (the members) right?" 🐑: "Yeah (it makes me think) 'I miss my members a lot'" 🍒: "Me too, when i go around alone, i think of that a lot" 🐑: "When are you going to have a comeback? I came to Han river right now, because i have to go tomorrow, so i came to look around at Han river and walk down the path that we used to walk in the past, you know right i'm always reminiscing of memories" 🍒: "Memories..." 🐑: "Yeah..." 🍒: "Me too hyung, mine is also coming out soon" 🐑: "When?" 🍒: "That's a secret, it's gonna be a spoiler so i can't say it~" 🐑: "For real?" 🍒: "Yes, it's a solo!" 🐑: "Okay~" 🍒: "Okay, please post it on insta" 🐑: "Yeah, but also, please come to China and do something" 🍒: "If i can, i definitely would!" 🐑: "In China too, there's a lot of our fans who are waiting" 🍒: "Hyung please also tell (the fans) that i want to do things in China" 🐑: "We have to do it" 🍒: "My mandarin has improved, hyung" 🐑: "Okay, try doing it! Hahahaha" 🍒: "Hello! I'm Chanyeol~ i really like EXO-L! I want to go to China" 🐑: "That's right, it's perfect, 'i want to go to China' is correct" 🍒: "Yes!! Bye~" 🐑🍒: "Hahahaha" 🐑: "But for real, if it's possible, i'm not kidding, you should really try recording a chinese song and show it to Eris in China" 🍒: "For sure!" 🐑: "Let's do it!" 🍒: "Okay (???)~" 🐑: "Oh? Then if you record a chinese song, i'll feature in it for you if you need it!" 🍒: "Okay, deal! Do it (feature) for free!" 🐑: "Of course, we're in a relationship where we don't need those things (paying fees)!" 🍒: *joking* "then if i (feature) in hyung's, can i get paid?" 🐑: "Aishh this saekkiya (punk), this is a live broadcast ish!" 🍒: "HAHAHAHAHA HE SAID SAEKKI! Alright hyung i'll go get ready (for the performance)~" 🐑: "Okay, do well on your performance in Japan~" 🍒: "Okay, jiayou (fighting)!" 🐑: "Thank you, bye bye!" 🍒: "Bye bye!"

240421 #LAY & #CHANYEOL Full IG Live Translation May contain inaccuracies as some parts are inaudible 🐑: "Ya Chanyeol-ah!" 🍒: "Lay~ Lay!~ you're in Korea right?" 🐑: "Eoh?" 🍒: "You're in Korea right?" 🐑: "Yeah, i'm in Korea" 🍒: "I'm not in Korea right now" 🐑: "I know that you're not in Korea" 🍒: "Are you doing live right now?" 🐑: "Yeah, i'm doing live right now, can i show-" 🍒: "Can they see me?" 🐑: "Should i show you?" 🍒: "Yes, i'm gonna greet them~" 🐑: "Hello everyone~" 🍒: "Hello! We are one!" 🐑: "One! Hello, we're EXO" 🍒: "We're EXO~ oh hyung! I saw your music show performance!" 🐑: "Oh really? Which one did you like the most?" 🍒: "For me.." 🐑: "Should i (hold the phone) this way so you can be seen on the live or?" 🍒: "Yeah yeah it's fine! I still can see hyung's face, anyway, i liked the one where you were wearing like an orange jacket? Something orange?" 🐑: "Orange? Orange? When was that?" 🍒: "Is it not? The one from yesterday, what was yesterday's?" 🐑: "Red! x3" 🍒: "Ah red red! I saw that one, i like it!" 🐑: "Ah that one, right right" 🍒: "I also saw the MV hyung!" 🐑: "But, when i went to the broadcasting station..." 🍒: "It makes you think of (the members) right?" 🐑: "Yeah (it makes me think) 'I miss my members a lot'" 🍒: "Me too, when i go around alone, i think of that a lot" 🐑: "When are you going to have a comeback? I came to Han river right now, because i have to go tomorrow, so i came to look around at Han river and walk down the path that we used to walk in the past, you know right i'm always reminiscing of memories" 🍒: "Memories..." 🐑: "Yeah..." 🍒: "Me too hyung, mine is also coming out soon" 🐑: "When?" 🍒: "That's a secret, it's gonna be a spoiler so i can't say it~" 🐑: "For real?" 🍒: "Yes, it's a solo!" 🐑: "Okay~" 🍒: "Okay, please post it on insta" 🐑: "Yeah, but also, please come to China and do something" 🍒: "If i can, i definitely would!" 🐑: "In China too, there's a lot of our fans who are waiting" 🍒: "Hyung please also tell (the fans) that i want to do things in China" 🐑: "We have to do it" 🍒: "My mandarin has improved, hyung" 🐑: "Okay, try doing it! Hahahaha" 🍒: "Hello! I'm Chanyeol~ i really like EXO-L! I want to go to China" 🐑: "That's right, it's perfect, 'i want to go to China' is correct" 🍒: "Yes!! Bye~" 🐑🍒: "Hahahaha" 🐑: "But for real, if it's possible, i'm not kidding, you should really try recording a chinese song and show it to Eris in China" 🍒: "For sure!" 🐑: "Let's do it!" 🍒: "Okay (???)~" 🐑: "Oh? Then if you record a chinese song, i'll feature in it for you if you need it!" 🍒: "Okay, deal! Do it (feature) for free!" 🐑: "Of course, we're in a relationship where we don't need those things (paying fees)!" 🍒: joking* "then if i (feature) in hyung's, can i get paid?" 🐑: "Aishh this saekkiya (punk), this is a live broadcast ish!" 🍒: "HAHAHAHAHA HE SAID SAEKKI! Alright hyung i'll go get ready (for the performance)~" 🐑: "Okay, do well on your performance in Japan~" 🍒: "Okay, jiayou (fighting)!" 🐑: "Thank you, bye bye!" 🍒: "Bye bye!"

큥베리 | Grace 💫

241,460 просмотров • 2 лет назад

The Russian dictator, who illegally invaded a sovereign country, bombs its grain ports, and runs a shadow fleet to finance his war is calling Ukraine a 'pirate'? putin may consider striking the ships of countries supporting Ukraine if a surge in attacks on his shadow tanker fleet continues. Question: Please provide a comment on the attacks on tankers off the coast of Turkiye. Another such incident occurred just today. putin: Frankly, I have not yet received that information. I am aware of the attacks on tankers in neutral waters, not even in neutral waters, but in the exclusive economic zone of a third state. This is nothing short of piracy. The Ukrainian armed forces tried to hit our seaports before as well. We responded – we did not start these operations – with reciprocal strikes. I assure you that ours were much more effective and devastating. They primarily targeted the ships that were used to deliver military equipment, materiel, and ammunition to Ukraine. We hit the targets we intended to hit, which we knew from secondary explosions we observed via aerial reconnaissance. However, what the Ukrainian armed forces are doing now is piracy. How might we respond? First, we will expand the range of our strikes against port infrastructure and ships that enter Ukrainian ports. That is the first point. Second, if this does not stop, we will consider the possibility – I am not saying we will necessarily do so, but we will consider that possibility – of reciprocal attacks against the ships of those countries that help Ukraine carry out these acts of piracy. The most radical option would be to cut Ukraine off from the sea. Then piracy would be impossible in principle. But these are the things to think about if other measures fail. I hope the Ukrainian military and political leadership and those who stand behind them will give it a thought to see whether this practice is worth continuing.” You start stamping your little feet and shouting empty threats at NATO flags. 'We will consider the possibility.' Yes we consider having a second coffee every morning. Wake me up when he actually tries to sink a German freighter. It’s all bluster to keep his terrified admirals in line and scare shippers so they can’t get insurance. Ukraine has taken out a third of his fleet. Instead of threatening global shipping, maybe he has to learn how to protect his rusty barges. putin is the global security problem, not the country he invaded.

The Russian dictator, who illegally invaded a sovereign country, bombs its grain ports, and runs a shadow fleet to finance his war is calling Ukraine a 'pirate'? putin may consider striking the ships of countries supporting Ukraine if a surge in attacks on his shadow tanker fleet continues. Question: Please provide a comment on the attacks on tankers off the coast of Turkiye. Another such incident occurred just today. putin: Frankly, I have not yet received that information. I am aware of the attacks on tankers in neutral waters, not even in neutral waters, but in the exclusive economic zone of a third state. This is nothing short of piracy. The Ukrainian armed forces tried to hit our seaports before as well. We responded – we did not start these operations – with reciprocal strikes. I assure you that ours were much more effective and devastating. They primarily targeted the ships that were used to deliver military equipment, materiel, and ammunition to Ukraine. We hit the targets we intended to hit, which we knew from secondary explosions we observed via aerial reconnaissance. However, what the Ukrainian armed forces are doing now is piracy. How might we respond? First, we will expand the range of our strikes against port infrastructure and ships that enter Ukrainian ports. That is the first point. Second, if this does not stop, we will consider the possibility – I am not saying we will necessarily do so, but we will consider that possibility – of reciprocal attacks against the ships of those countries that help Ukraine carry out these acts of piracy. The most radical option would be to cut Ukraine off from the sea. Then piracy would be impossible in principle. But these are the things to think about if other measures fail. I hope the Ukrainian military and political leadership and those who stand behind them will give it a thought to see whether this practice is worth continuing.” You start stamping your little feet and shouting empty threats at NATO flags. 'We will consider the possibility.' Yes we consider having a second coffee every morning. Wake me up when he actually tries to sink a German freighter. It’s all bluster to keep his terrified admirals in line and scare shippers so they can’t get insurance. Ukraine has taken out a third of his fleet. Instead of threatening global shipping, maybe he has to learn how to protect his rusty barges. putin is the global security problem, not the country he invaded.

Yasmina

18,119 просмотров • 8 месяцев назад