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Taylor Sheridan describes making one of his projects as “miserable” and “really difficult” because he chooses “really inhospitable places to film.” “I can come up with any cockamamie idea I want. I don’t make anything. I write things down, and then I bring together the cast and crew to... show more

Variety

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20,250 просмотров • 5 месяцев назад •via X (Twitter)

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“i get a lot of comments saying ignore it. i don’t want to always ignore it.” “it’s a choice of mine to want to stand up for myself and react to these people. i want to call out people for their unjustices and the things that they say. i want them to be embarrassed and show them up. i will continue to do it” “i don’t like bullies and i don’t want to continuously allow the same bully over and over again to spew this shit”

“i get a lot of comments saying ignore it. i don’t want to always ignore it.” “it’s a choice of mine to want to stand up for myself and react to these people. i want to call out people for their unjustices and the things that they say. i want them to be embarrassed and show them up. i will continue to do it” “i don’t like bullies and i don’t want to continuously allow the same bully over and over again to spew this shit”

karley

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⭐️: I see a lot of comments like “I don’t want to go to class” or “I don’t want to go to work” and I totally understand that feeling. I felt the same way when I woke up today. I was like, “Ah, I don’t want to go get my hair and makeup done”. Early in the morning I got a KakaoTalk message from a friend saying, “Seonghwa-ssi… I really don’t want to go to work” and since I also got up at dawn to go to work, I said a few words to my friend: “still, we have to get it done”. There’s a phrase I really like. “I can do it! I have to do it! I will get it done!” #SEONGHWA #성화

⭐️: I see a lot of comments like “I don’t want to go to class” or “I don’t want to go to work” and I totally understand that feeling. I felt the same way when I woke up today. I was like, “Ah, I don’t want to go get my hair and makeup done”. Early in the morning I got a KakaoTalk message from a friend saying, “Seonghwa-ssi… I really don’t want to go to work” and since I also got up at dawn to go to work, I said a few words to my friend: “still, we have to get it done”. There’s a phrase I really like. “I can do it! I have to do it! I will get it done!” #SEONGHWA #성화

Everything Seonghwa

36,964 просмотров • 5 месяцев назад

Matthew McConaughey reveals the three words his dad said that changed his life “I said dad, I don't want to go to law school anymore. I want to go to film school and after about a 5 second pause, he goes, ‘Are you sure that's what you want to do?’ I reply yes sir” “Another long pause. Then I hear, ‘Well, don't halfass it’” “I remember just beaming, hopping up just like Yes! My dad not only said okay. The way he said don't halfass it, it was also, okay. Let's go big boy. Own that shit. Get some leverage. Get some horsepower behind where you're going. Go do it” “I remember to this day and I've learned this later I think from becoming a father, part of what I believe happened to him and why he said that to me that way on that call was the way that I asked him. I wasn't really asking. It was, ‘I don't want to go to law school, Dad. I want to go to film school.’ I didn't stutter. He heard his son saying this is what I want to do” “What I think happened to him in that moment is what I think any father, any parent loves. You raise your kids in a certain way and you give them a guideline, a ladder to climb and here's the guidelines and if you do it this way, you're most likely going to have some success in life and it'll work out for you and then when we do it that way, we can be proud parents” “But what do we really want to happen when our kids are out of the house and they're on their own? We kind of want them to call one day and go, ‘I'm breaking out. I'm going my own way.’ And as a parent, we go, as much as it may scare us, we're going, ‘Yes!’ I gave my kid the confidence and the courage and the foundation to say they're going to go their own way” “In a way, I think every parent honors and loves that moment. I heard my dad, when he didn't hear me stutter, when he heard me directly say what I said. I wasn't really asking him. Even though I was out of respect asking him, the way I said it, I wasn't asking him and I think he felt that” “Don't halfass it”

Matthew McConaughey reveals the three words his dad said that changed his life “I said dad, I don't want to go to law school anymore. I want to go to film school and after about a 5 second pause, he goes, ‘Are you sure that's what you want to do?’ I reply yes sir” “Another long pause. Then I hear, ‘Well, don't halfass it’” “I remember just beaming, hopping up just like Yes! My dad not only said okay. The way he said don't halfass it, it was also, okay. Let's go big boy. Own that shit. Get some leverage. Get some horsepower behind where you're going. Go do it” “I remember to this day and I've learned this later I think from becoming a father, part of what I believe happened to him and why he said that to me that way on that call was the way that I asked him. I wasn't really asking. It was, ‘I don't want to go to law school, Dad. I want to go to film school.’ I didn't stutter. He heard his son saying this is what I want to do” “What I think happened to him in that moment is what I think any father, any parent loves. You raise your kids in a certain way and you give them a guideline, a ladder to climb and here's the guidelines and if you do it this way, you're most likely going to have some success in life and it'll work out for you and then when we do it that way, we can be proud parents” “But what do we really want to happen when our kids are out of the house and they're on their own? We kind of want them to call one day and go, ‘I'm breaking out. I'm going my own way.’ And as a parent, we go, as much as it may scare us, we're going, ‘Yes!’ I gave my kid the confidence and the courage and the foundation to say they're going to go their own way” “In a way, I think every parent honors and loves that moment. I heard my dad, when he didn't hear me stutter, when he heard me directly say what I said. I wasn't really asking him. Even though I was out of respect asking him, the way I said it, I wasn't asking him and I think he felt that” “Don't halfass it”

Jack

1,184,527 просмотров • 2 месяцев назад

Ryan Murphy says he "demanded" his next two projects shoot in Los Angeles despite the lack of tax incentives, urging filmmakers to "figure out the economic troubles and how to make things in L.A." "I think the mayor [Karen Bass] could do a much better job than she’s done, for one," the showrunner said at #TheShards premiere. "That’s also on the filmmakers to figure out the economic troubles and how to make things in L.A. so that our crews and cast can sleep in their home city, go home and have meals with their families. I have two things shooting, and they’re both going to be in L.A. I demanded that. I made that work economically. The most important thing to me is that it’s up to the individual showrunners and filmmakers to say, 'Hey, we want this.' In my experience, as long as you can figure out a will, there’s a way. And they’re the first people to say, 'Great, we’d love for it to shoot in L.A.' I don’t think that’s the obstacle. It’s always the tax credits."

Ryan Murphy says he "demanded" his next two projects shoot in Los Angeles despite the lack of tax incentives, urging filmmakers to "figure out the economic troubles and how to make things in L.A." "I think the mayor [Karen Bass] could do a much better job than she’s done, for one," the showrunner said at #TheShards premiere. "That’s also on the filmmakers to figure out the economic troubles and how to make things in L.A. so that our crews and cast can sleep in their home city, go home and have meals with their families. I have two things shooting, and they’re both going to be in L.A. I demanded that. I made that work economically. The most important thing to me is that it’s up to the individual showrunners and filmmakers to say, 'Hey, we want this.' In my experience, as long as you can figure out a will, there’s a way. And they’re the first people to say, 'Great, we’d love for it to shoot in L.A.' I don’t think that’s the obstacle. It’s always the tax credits."

Variety

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“daddy, I’m so alone. I don’t have anything anymore. all I do is sit and look at my phone and think of all of the terrible things I’ve done and then I go to work and then I drink and then I come home to no one.” thunderbolts* (2025)

“daddy, I’m so alone. I don’t have anything anymore. all I do is sit and look at my phone and think of all of the terrible things I’ve done and then I go to work and then I drink and then I come home to no one.” thunderbolts* (2025)

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1 year of daddy, I’m so alone. I don’t have anything anymore. all I do is sit and look at my phone and think of all of the terrible things I’ve done and then I go to work and then I drink and then I come home to no one and i sit and i think of all the-

1 year of daddy, I’m so alone. I don’t have anything anymore. all I do is sit and look at my phone and think of all of the terrible things I’ve done and then I go to work and then I drink and then I come home to no one and i sit and i think of all the-

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George Lucas on how he had to reluctantly write the screenplay for 'American Graffiti' (1973) & the confidence he gained from the movie's success: "When I was doing 'American Graffiti' (1973) I was still struggling with my ‘I don’t want to be a writer’ syndrome. I had some good friends of mine that I wanted to write the screenplay, but it took me like two years just to get the money to do a screenplay. And I got a little tiny amount of money and—which I had to go actually to the Cannes Film Festival to get on my own. So finally I got this money. I called back and I said, you know, “I got the money. We can start working on the screenplay.” And they said, “Oh, we don’t want to do that now. We’ve got our own low-budget picture off the ground and we can’t write it.” I said, “Oh no.” I said, “What am I going to do? I am in Europe and I’m not going to be back for like three months and I want to get this thing off the ground.” So they recommended another student from school that I knew pretty well. I had a story treatment that laid out the entire story scene by scene, so I called him over the phone from London and I said, “Do you want to do this?” And he said, “Okay.” The person I was working with at that time as a producer made a deal with him for the whole money because there wasn’t very much. It was so tiny that he could only get him to do it for the whole amount of money. When I came back from England, the screenplay was a completely different screenplay from the story treatment. It was more like 'Hot Rods to Hell' (1967). It was very fantasy-like, with playing chicken and things that kids didn’t really do. I wanted something that was more like the way I grew up. So I took that and I said, “Okay. Now here I am. I’ve got a deal to turn in a screenplay. I’ve got a screenplay that is just not the kind of screenplay I want at all and I have no money.” And, I spent the very last money I had saved up to go to Europe to make the deal, so I had nothing. That was a very dark period for me so I sat down myself and wrote the screenplay. After I did 'American Graffiti', and it was successful, it was a big moment for me because I really did sit down with myself and say, “Okay, now I am a director. Now I know I can get a job. I can work in this industry, and apply my trade, and express my ideas on things and be creative in a way that I enjoy. Even if I end up doing TV commercials or something, or I fall back into what I really love is documentaries. I’ll be able to do it. I know I can get a job somewhere. I know I can raise money somewhere. I know I can do what I want to do.” That was a very good feeling. At that point, I’d made it. There wasn’t anything in my life that was going to stop me from making movies." ('‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence', Sven Mikulec, Cinephilia & Beyond)

George Lucas on how he had to reluctantly write the screenplay for 'American Graffiti' (1973) & the confidence he gained from the movie's success: "When I was doing 'American Graffiti' (1973) I was still struggling with my ‘I don’t want to be a writer’ syndrome. I had some good friends of mine that I wanted to write the screenplay, but it took me like two years just to get the money to do a screenplay. And I got a little tiny amount of money and—which I had to go actually to the Cannes Film Festival to get on my own. So finally I got this money. I called back and I said, you know, “I got the money. We can start working on the screenplay.” And they said, “Oh, we don’t want to do that now. We’ve got our own low-budget picture off the ground and we can’t write it.” I said, “Oh no.” I said, “What am I going to do? I am in Europe and I’m not going to be back for like three months and I want to get this thing off the ground.” So they recommended another student from school that I knew pretty well. I had a story treatment that laid out the entire story scene by scene, so I called him over the phone from London and I said, “Do you want to do this?” And he said, “Okay.” The person I was working with at that time as a producer made a deal with him for the whole money because there wasn’t very much. It was so tiny that he could only get him to do it for the whole amount of money. When I came back from England, the screenplay was a completely different screenplay from the story treatment. It was more like 'Hot Rods to Hell' (1967). It was very fantasy-like, with playing chicken and things that kids didn’t really do. I wanted something that was more like the way I grew up. So I took that and I said, “Okay. Now here I am. I’ve got a deal to turn in a screenplay. I’ve got a screenplay that is just not the kind of screenplay I want at all and I have no money.” And, I spent the very last money I had saved up to go to Europe to make the deal, so I had nothing. That was a very dark period for me so I sat down myself and wrote the screenplay. After I did 'American Graffiti', and it was successful, it was a big moment for me because I really did sit down with myself and say, “Okay, now I am a director. Now I know I can get a job. I can work in this industry, and apply my trade, and express my ideas on things and be creative in a way that I enjoy. Even if I end up doing TV commercials or something, or I fall back into what I really love is documentaries. I’ll be able to do it. I know I can get a job somewhere. I know I can raise money somewhere. I know I can do what I want to do.” That was a very good feeling. At that point, I’d made it. There wasn’t anything in my life that was going to stop me from making movies." ('‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence', Sven Mikulec, Cinephilia & Beyond)

DepressedBergman

56,916 просмотров • 7 месяцев назад

"I wrote this story ['Gloria' (1980] to sell, strictly to sell. I really didn’t want to do that movie. Columbia insisted I direct it, which I really didn’t want. Too commercial. I like to make movies that don’t go." --- John Cassavetes Full Excerpt: "'Gloria' (1980) was an accident. Of course, I believe the business is a meta physical thing – no rules apply. The phone rang and it was Dick Shepherd, who’s at Metro-Goldwyn-Mayer, and he said, ‘We’ve been very successful with a kid’s story, The Champ. You don’t happen to have a story about kids, do you? If you could come up with something for Ricky Schroder, I’d buy it immediately.’ So I wrote a very fast-moving, thoughtless piece about gangsters. And I don’t even know any gangsters! I sent it over. In the meantime, Schroder signed to do a picture with Walt Disney, so MGM lost interest. And then my agent Guy MacElwaine said, ‘I like this script very much, let me give it to Columbia,’ and I said, ‘OK.’ So they sent it to Columbia, and a couple of days later he called and he said, ‘I have some good news and some bad news. One, they like the picture very much and want to buy it. And they want to have Gena in the picture.’ And I said what’s the bad news. ‘The bad news,’ he said, ‘is they want you to direct it.’ So that’s where we started. I wrote this story to sell, strictly to sell. I really didn’t want to do that movie. Columbia insisted I direct it, which I really didn’t want. Too commercial. I like to make movies that don’t go. Besides that, I didn’t like killing off an entire family to make a picture. In the end, I decided that it is a story of violence, but less physical than emotional violence." ('Cassavetes on Cassavetes', edited by Ray Carney, 2001)

"I wrote this story ['Gloria' (1980] to sell, strictly to sell. I really didn’t want to do that movie. Columbia insisted I direct it, which I really didn’t want. Too commercial. I like to make movies that don’t go." --- John Cassavetes Full Excerpt: "'Gloria' (1980) was an accident. Of course, I believe the business is a meta physical thing – no rules apply. The phone rang and it was Dick Shepherd, who’s at Metro-Goldwyn-Mayer, and he said, ‘We’ve been very successful with a kid’s story, The Champ. You don’t happen to have a story about kids, do you? If you could come up with something for Ricky Schroder, I’d buy it immediately.’ So I wrote a very fast-moving, thoughtless piece about gangsters. And I don’t even know any gangsters! I sent it over. In the meantime, Schroder signed to do a picture with Walt Disney, so MGM lost interest. And then my agent Guy MacElwaine said, ‘I like this script very much, let me give it to Columbia,’ and I said, ‘OK.’ So they sent it to Columbia, and a couple of days later he called and he said, ‘I have some good news and some bad news. One, they like the picture very much and want to buy it. And they want to have Gena in the picture.’ And I said what’s the bad news. ‘The bad news,’ he said, ‘is they want you to direct it.’ So that’s where we started. I wrote this story to sell, strictly to sell. I really didn’t want to do that movie. Columbia insisted I direct it, which I really didn’t want. Too commercial. I like to make movies that don’t go. Besides that, I didn’t like killing off an entire family to make a picture. In the end, I decided that it is a story of violence, but less physical than emotional violence." ('Cassavetes on Cassavetes', edited by Ray Carney, 2001)

DepressedBergman

69,290 просмотров • 8 месяцев назад

#Yellowstone creator Taylor Sheridan on his “love-hate relationship” with New York City: “In my early 20s, I moved to New York. Like a lot of actors, I had a love-hate relationship with this city. I loved it, but it just didn’t love me back,” HE said while introducing #TheMadison in NYC. “I’ve been back and forth and watched it evolve and change. Sometimes you have to leave a place to really know it and love it.”

#Yellowstone creator Taylor Sheridan on his “love-hate relationship” with New York City: “In my early 20s, I moved to New York. Like a lot of actors, I had a love-hate relationship with this city. I loved it, but it just didn’t love me back,” HE said while introducing #TheMadison in NYC. “I’ve been back and forth and watched it evolve and change. Sometimes you have to leave a place to really know it and love it.”

Variety

32,020 просмотров • 5 месяцев назад

jiung talking about his relationship with the members 🥹 “i do have friends, i meet up with them of course. but i think i have the best fun hanging out with the members, to be honest. cause where could i find someone who i feel more comfortable with than someone who i’ve been living together for the past 7, 8 years? we’re really really close, as you know, as you see. we tell each other everything, no one of us hides anything from the others. we talk about /every/thing. so i don’t even have to think if i’m being myself, because my real self just comes out naturally then, i do whatever i want to do. i don’t feel self conscious (i don’t need to read the room), i don’t worry about anything, not about making mistakes… of course there’s some things that are not meant to be said, lines that mustn’t be crossed but… they let me know when i cross the line and i do the same with them, then we can just apologize and move on. i never need to worry, so i believe that because i am surrounded by this kind of people, of relationships, i don’t strive to find it or look for it somewhere else… i really like being by myself!” 🥹🫶🏻

jiung talking about his relationship with the members 🥹 “i do have friends, i meet up with them of course. but i think i have the best fun hanging out with the members, to be honest. cause where could i find someone who i feel more comfortable with than someone who i’ve been living together for the past 7, 8 years? we’re really really close, as you know, as you see. we tell each other everything, no one of us hides anything from the others. we talk about /every/thing. so i don’t even have to think if i’m being myself, because my real self just comes out naturally then, i do whatever i want to do. i don’t feel self conscious (i don’t need to read the room), i don’t worry about anything, not about making mistakes… of course there’s some things that are not meant to be said, lines that mustn’t be crossed but… they let me know when i cross the line and i do the same with them, then we can just apologize and move on. i never need to worry, so i believe that because i am surrounded by this kind of people, of relationships, i don’t strive to find it or look for it somewhere else… i really like being by myself!” 🥹🫶🏻

쥑🐸

41,105 просмотров • 8 месяцев назад

💭 if kangmin was a girl,who would be the boyfriend? 🐶 why do i have to be a girl? can’t i just be a guy? i want to be a guy! if i really have to choose then… 🐶 i’ll go with anxin ! 🐶 i don’t like either of them… i don’t like either of them at all! leejeong and sangwon)

💭 if kangmin was a girl,who would be the boyfriend? 🐶 why do i have to be a girl? can’t i just be a guy? i want to be a guy! if i really have to choose then… 🐶 i’ll go with anxin ! 🐶 i don’t like either of them… i don’t like either of them at all! leejeong and sangwon)

rui ✩

213,021 просмотров • 7 месяцев назад

Ethan Hawke tells Sydney Sweeney his unique method for memorizing massive amounts of dialogue by treating it like a personal journal. "What I do, and I started doing this a really long time ago, I handwrite everything like it's my journal. When I'm memorizing, I'm not memorizing from a typewritten final draft page. I don't want to have that in my brain, and I don't want irrelevant stage directions to be part of it." "And then I do it again to see what I remember and what I don't remember. I try to write it from memory. And then I look, and I see what I got wrong. That process really helps me." "Then I try to record it with no acting. I listen, when I if I think I have it, I take three pages or something and you try to learn that. And then I look at the script and see what I got wrong." "Jon Voight taught me this when I was like 19, which is you unlace your shoe, and you have to do the speech lacing your shoe. If I'm trying to remember, then it's difficult to do. Until you can do that, until you can do other things, you don't really know it."

Ethan Hawke tells Sydney Sweeney his unique method for memorizing massive amounts of dialogue by treating it like a personal journal. "What I do, and I started doing this a really long time ago, I handwrite everything like it's my journal. When I'm memorizing, I'm not memorizing from a typewritten final draft page. I don't want to have that in my brain, and I don't want irrelevant stage directions to be part of it." "And then I do it again to see what I remember and what I don't remember. I try to write it from memory. And then I look, and I see what I got wrong. That process really helps me." "Then I try to record it with no acting. I listen, when I if I think I have it, I take three pages or something and you try to learn that. And then I look at the script and see what I got wrong." "Jon Voight taught me this when I was like 19, which is you unlace your shoe, and you have to do the speech lacing your shoe. If I'm trying to remember, then it's difficult to do. Until you can do that, until you can do other things, you don't really know it."

thelotachi 🔲⛓️

483,383 просмотров • 1 месяц назад

#SEONGHWA talked about filming challenges with junior idols because he knows that feeling so well and wants to help them in any way he can 😭 ⭐️: these days things are going so well, so I feel good. A lot of people recognize and congratulate me a lot, and... I feel really thankful. I also, in my own way, try to find what I can do and do it. That’s my mindset. So I wondered what I could do, and I just filmed challenges diligently, contacted people here and there and filmed. Even when I felt tired I wanted to help somehow, so I worked hard (like that), I wonder if it helped? If it did even a little, then that’s enough for me. And now, usually… I also had times like that, when I really wanted to film a challenge with a senior I admired. I would do my hair and makeup on my day off, go to the broadcast station and even bring a gift. That one moment would stay as such a good memory for me, and the senior would say a lot of good things to me that it would become a good connection. I thought, “someday, if I can, I want to do that too.” I don’t know if I can help in a big way yet (with popularity), but if it’s something good for those juniors I’ll do everything I can. I know that feeling so well and it's such a precious one, so how could I refuse that?You just have to do it, ofc. And if I’m can remember it I want to do their challenges too, but I’m really slow at learning choreography, even memorizing our own songs takes me a long time. But still, I want to do it sincerely. If I get the chance, I want to practice more and do better, but after doing so many (challenges) I do hit a bit of a limit. So even when resting, I keep watching videos and trying to film better (challenges). Yes. Seniors and juniors both prepare really well, so how could I do it half‑heartedly? I need to help, even if it's just a little. #성화 #ATEEZ #에이티즈

#SEONGHWA talked about filming challenges with junior idols because he knows that feeling so well and wants to help them in any way he can 😭 ⭐️: these days things are going so well, so I feel good. A lot of people recognize and congratulate me a lot, and... I feel really thankful. I also, in my own way, try to find what I can do and do it. That’s my mindset. So I wondered what I could do, and I just filmed challenges diligently, contacted people here and there and filmed. Even when I felt tired I wanted to help somehow, so I worked hard (like that), I wonder if it helped? If it did even a little, then that’s enough for me. And now, usually… I also had times like that, when I really wanted to film a challenge with a senior I admired. I would do my hair and makeup on my day off, go to the broadcast station and even bring a gift. That one moment would stay as such a good memory for me, and the senior would say a lot of good things to me that it would become a good connection. I thought, “someday, if I can, I want to do that too.” I don’t know if I can help in a big way yet (with popularity), but if it’s something good for those juniors I’ll do everything I can. I know that feeling so well and it's such a precious one, so how could I refuse that?You just have to do it, ofc. And if I’m can remember it I want to do their challenges too, but I’m really slow at learning choreography, even memorizing our own songs takes me a long time. But still, I want to do it sincerely. If I get the chance, I want to practice more and do better, but after doing so many (challenges) I do hit a bit of a limit. So even when resting, I keep watching videos and trying to film better (challenges). Yes. Seniors and juniors both prepare really well, so how could I do it half‑heartedly? I need to help, even if it's just a little. #성화 #ATEEZ #에이티즈

Everything Seonghwa

70,226 просмотров • 1 месяц назад

ex-Amazon VP (Ethan Evans): "One of the hardest things for people to understand is I've identified a legitimate weakness in my boss. I go to my skip. Why doesn't he do something? Well, if you come to me with a weakness in one of my employees, there is subconsciously this process that goes on that says, I have two choices. I can believe that you're overly sensitive and high maintenance. In which case, I don't really have a problem. You are the problem. And you know, you're two levels down for me. So if you quit, well, the manager has to do the backfill. And I can tell the manager, you know, Ryan was here. He said this, that and the other. Maybe you can work with him. And that's exactly what you don't want is me ratting you out. But I can make it my manager's problem. On the other hand, if I agree with you and I'm like, you know what, this manager I have really isn't that good. Now I have three problems. This is really bad for me. One, I have to decide what to do with my manager. Maybe I have to manage them out. Two, if I do manage them out, I have to hire and train somebody else. And three, while they're gone, I have to do all their work myself. So you can see why, even if it's subconscious, I have a lot of reasons not to listen "

ex-Amazon VP (Ethan Evans): "One of the hardest things for people to understand is I've identified a legitimate weakness in my boss. I go to my skip. Why doesn't he do something? Well, if you come to me with a weakness in one of my employees, there is subconsciously this process that goes on that says, I have two choices. I can believe that you're overly sensitive and high maintenance. In which case, I don't really have a problem. You are the problem. And you know, you're two levels down for me. So if you quit, well, the manager has to do the backfill. And I can tell the manager, you know, Ryan was here. He said this, that and the other. Maybe you can work with him. And that's exactly what you don't want is me ratting you out. But I can make it my manager's problem. On the other hand, if I agree with you and I'm like, you know what, this manager I have really isn't that good. Now I have three problems. This is really bad for me. One, I have to decide what to do with my manager. Maybe I have to manage them out. Two, if I do manage them out, I have to hire and train somebody else. And three, while they're gone, I have to do all their work myself. So you can see why, even if it's subconscious, I have a lot of reasons not to listen "

Ryan Peterman

1,248,896 просмотров • 4 месяцев назад

Do the Mets consider you when making decisions “I try to stay in communication with them, we always talk about their vision, and any moves they’re going to make, but at the end, I try to let them do their job and not get that involved, i know what I gotta do on the field and as far as bringing in players, that’s dependent on them”

Do the Mets consider you when making decisions “I try to stay in communication with them, we always talk about their vision, and any moves they’re going to make, but at the end, I try to let them do their job and not get that involved, i know what I gotta do on the field and as far as bringing in players, that’s dependent on them”

Master Flip 🇩🇴

123,950 просмотров • 8 месяцев назад

McCarthy: “I do want to especially thank Pres Trump. I don’t think anyone should doubt his influence. He was with me from the beginning. He was all in. What he’s really saying for the party and the country is we have to come together.”

McCarthy: “I do want to especially thank Pres Trump. I don’t think anyone should doubt his influence. He was with me from the beginning. He was all in. What he’s really saying for the party and the country is we have to come together.”

Ron Filipkowski

6,423,290 просмотров • 3 лет назад

“I’m very aware that I am in a position of privilege right now where I have a lot of resources. I’m creating things form a place of privilege. I’m really, really aware of that privilege. I actually don’t think I ever thought that I would be able to make things at this scale. Sometimes with that scale I suppose it’s humorously glamorous, but also it’s sometimes not. There is still a human being at the center of it […] As a human being, like my work, I’m very contradictory. I can be unbelievably happy and confident, but I can also be really, really depressed and sad […] I love creating things, but sometimes that can be really painful to do that. It can be painful to make things especially I find more so in this day and age. That’s really confusing for me because I’ve put my entire identity into the things that I make […] I’ve invested so much of myself into the things that I make, emotionally. Sometimes making things feels really stressful and embarrassing, but then sometimes it makes me feel alive. I don’t know who I would be without the things I make.”

“I’m very aware that I am in a position of privilege right now where I have a lot of resources. I’m creating things form a place of privilege. I’m really, really aware of that privilege. I actually don’t think I ever thought that I would be able to make things at this scale. Sometimes with that scale I suppose it’s humorously glamorous, but also it’s sometimes not. There is still a human being at the center of it […] As a human being, like my work, I’m very contradictory. I can be unbelievably happy and confident, but I can also be really, really depressed and sad […] I love creating things, but sometimes that can be really painful to do that. It can be painful to make things especially I find more so in this day and age. That’s really confusing for me because I’ve put my entire identity into the things that I make […] I’ve invested so much of myself into the things that I make, emotionally. Sometimes making things feels really stressful and embarrassing, but then sometimes it makes me feel alive. I don’t know who I would be without the things I make.”

sophia

131,579 просмотров • 2 месяцев назад

🇺🇸TRUMP: ELON TOLD ME THESE BRILLIANT PEOPLE ‘MAKE LOVE TO THEIR COMPUTER’ “He attracts young people that are brilliant. And they love the country too. I said, 'What trait do they really have?' And the trait that they really have is that they're extraordinary with computers They can take them—he said, 'They make love to their computer.' I said, 'I don't want to hear about that.'" Source: RSBN

🇺🇸TRUMP: ELON TOLD ME THESE BRILLIANT PEOPLE ‘MAKE LOVE TO THEIR COMPUTER’ “He attracts young people that are brilliant. And they love the country too. I said, 'What trait do they really have?' And the trait that they really have is that they're extraordinary with computers They can take them—he said, 'They make love to their computer.' I said, 'I don't want to hear about that.'" Source: RSBN

Mario Nawfal

138,598 просмотров • 1 год назад