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Tessa Thomas - Slim thick Ebony takes nerdy white cock #tessathomas

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Jay Black LDN ❌❌❌

18,502 subscribers

180,454 次观看 • 1 年前 •via X (Twitter)

NSFW#tessathomas
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Love her body #pretty #sexy #ebony #solo #sexy #pretty #lightskin #freaky #slim #thick #pussy #wet #ass #slut #boobs #chudai #girls #tits #tease #leaked
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Love her body #pretty #sexy #ebony #solo #sexy #pretty #lightskin #freaky #slim #thick #pussy #wet #ass #slut #boobs #chudai #girls #tits #tease #leaked

NUT

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slim thick whooty #candidass #candid #candidbooty #voyuer #encoxada #ebony #ebonypyt #sellingcontent #latina #milf #whooty #pawg #ebonymilf #pyt #latinapyt #pawgnation #candidgym #candidleggings #candidmilf #candidbutt #candidteen
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slim thick whooty #candidass #candid #candidbooty #voyuer #encoxada #ebony #ebonypyt #sellingcontent #latina #milf #whooty #pawg #ebonymilf #pyt #latinapyt #pawgnation #candidgym #candidleggings #candidmilf #candidbutt #candidteen

Candid Candy 🫟

20,979 次观看 • 4 个月前

Wop Wop Wop👀🍑🫣 “I’m tryna F*ck” Challenge going viral‼️ #twerk #pytt #fyp #viral #ass #teens #ebony #assclap #ebonyass #pyt #slim #bigass #bigbooty #twerking #thick
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Wop Wop Wop👀🍑🫣 “I’m tryna F*ck” Challenge going viral‼️ #twerk #pytt #fyp #viral #ass #teens #ebony #assclap #ebonyass #pyt #slim #bigass #bigbooty #twerking #thick

TwerkKing🍑👏

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Lil mama throwing ass 👀🍑🫣 “I’m tryna F*ck” Challenge going viral‼️ #twerk #pytt #fyp #viral #ass #teens #ebony #assclap #ebonyass #pyt #slim #bigass #bigbooty #twerking #thick
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Lil mama throwing ass 👀🍑🫣 “I’m tryna F*ck” Challenge going viral‼️ #twerk #pytt #fyp #viral #ass #teens #ebony #assclap #ebonyass #pyt #slim #bigass #bigbooty #twerking #thick

TwerkKing🍑👏

131,720 次观看 • 2 个月前

Dave Allen is no stranger to picking up a win in his opponent's hometown 🦏 'The White Rhino' takes on Dublin's Thomas Carty this Saturday at Croke Park on DAZN 🇮🇪
0:36

Dave Allen is no stranger to picking up a win in his opponent's hometown 🦏 'The White Rhino' takes on Dublin's Thomas Carty this Saturday at Croke Park on DAZN 🇮🇪

Ring Magazine

18,268 次观看 • 15 天前

.Alex Marlow and Bradley Jaye give the definitive postmortem on Thomas Massie: "Voters missed the old Thomas Massie—the nerdy, adorable Libertarian iconoclast." "He voted against the One Big Beautiful Bill, partly because it had too many resources for the border... Finally, the White House staff and President Trump realized: this guy doesn't want anything. He can't get to 'yes.' He's not even asking for anything. He just wants to be a 'no' because he is an attention seeker."
2:26

.Alex Marlow and Bradley Jaye give the definitive postmortem on Thomas Massie: "Voters missed the old Thomas Massie—the nerdy, adorable Libertarian iconoclast." "He voted against the One Big Beautiful Bill, partly because it had too many resources for the border... Finally, the White House staff and President Trump realized: this guy doesn't want anything. He can't get to 'yes.' He's not even asking for anything. He just wants to be a 'no' because he is an attention seeker."

Breitbart News

39,254 次观看 • 3 个月前

He used to hide that 10” in baggy shorts. Pretty white bottom with a fat, unused cock. Pointless. Then Daddy claimed him. Now the speedo stays painted on at the pool so everyone can stare at that thick, leaking, useless dick. Daddy walks up. Boy goes quiet. They leave. Home, he’s on it. That pretty cock slapping his stomach, slapping Daddy’s abs, flopping around doing nothing while he gets his hole wrecked on thick Black daddy dick. 🍆💦🖤 Hung little showpiece. Public tease. Private slut. #TwinkSlut #BBCDaddy #HungBottom #UselessCock #SpeedoSlut #PoolBoy #Interracial #Owned #BoyHole #DickSlap #SnowBunny
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He used to hide that 10” in baggy shorts. Pretty white bottom with a fat, unused cock. Pointless. Then Daddy claimed him. Now the speedo stays painted on at the pool so everyone can stare at that thick, leaking, useless dick. Daddy walks up. Boy goes quiet. They leave. Home, he’s on it. That pretty cock slapping his stomach, slapping Daddy’s abs, flopping around doing nothing while he gets his hole wrecked on thick Black daddy dick. 🍆💦🖤 Hung little showpiece. Public tease. Private slut. #TwinkSlut #BBCDaddy #HungBottom #UselessCock #SpeedoSlut #PoolBoy #Interracial #Owned #BoyHole #DickSlap #SnowBunny

DC Daddy

25,466 次观看 • 5 天前

That thick, yellow, crumbly nail is not just "cosmetic." It's a fungal infection. Onychomycosis. And if you ignore it, it spreads. To other nails. Sometimes to your skin. Fungus loves warm, moist, dark places. Your shoes give it exactly that. Sweaty feet in tight boots all day, damp socks, communal bathrooms, pedicure tools that weren't sterilized. Any of these can start it. 🎯Signs to watch for: ➡️Nail turns yellow, brown, or white ➡️Nail gets thick and hard to cut ➡️Nail becomes brittle, crumbles at the edge ➡️Nail lifts away from the skin underneath ➡️Foul smell from the nail bed Nail polish will NOT cure this. It traps moisture and can make it worse. Real treatment needs antifungal medication, topical or oral, sometimes both, and it takes months because nails grow slowly.
2:40

That thick, yellow, crumbly nail is not just "cosmetic." It's a fungal infection. Onychomycosis. And if you ignore it, it spreads. To other nails. Sometimes to your skin. Fungus loves warm, moist, dark places. Your shoes give it exactly that. Sweaty feet in tight boots all day, damp socks, communal bathrooms, pedicure tools that weren't sterilized. Any of these can start it. 🎯Signs to watch for: ➡️Nail turns yellow, brown, or white ➡️Nail gets thick and hard to cut ➡️Nail becomes brittle, crumbles at the edge ➡️Nail lifts away from the skin underneath ➡️Foul smell from the nail bed Nail polish will NOT cure this. It traps moisture and can make it worse. Real treatment needs antifungal medication, topical or oral, sometimes both, and it takes months because nails grow slowly.

Jayjay Chibuzo

805,793 次观看 • 2 个月前

🎥 FULL DOCUMENTARY: BITCOINERS Description: An independent documentary film that takes an inside-look at the grassroots movement of die-hard Bitcoin devotees and why they think Bitcoin can save America. Filmed from 2021 to 2023, this film follows a group of Bitcoin plebs in Texas, and includes key interviews with well-known Bitcoin voices. H/t Bitcoiners Movie 🇺🇸⚡️ for releasing the full film today for free. Featuring: Kyle Murphy Foss - #dothemath Katie | CitizenX Lyn Alden Warren Davidson 🇺🇸 Jimmy Song (송재준) Saifedean Ammous Parker Lewis GregZaj1☣️ Marty Bent Pierre Rochard PlebLab Jessica Hodlr David Bailey🇵🇷 $2.0mm/btc is the floor Max Keiser Michael Saylor Mandrik Svetski Jeff Booth ⚡️ Texas Slim™ Mansa Marh Justin Moon TFTC Ross Ulbricht Free_Ross Thomas Massie @cole_kccattle KC Cattle Company D++ 🎲 @Dooowta Austin Bitcoin Club Ron Paul Brian Harrington AMERICAN HODL 🇺🇸
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🎥 FULL DOCUMENTARY: BITCOINERS Description: An independent documentary film that takes an inside-look at the grassroots movement of die-hard Bitcoin devotees and why they think Bitcoin can save America. Filmed from 2021 to 2023, this film follows a group of Bitcoin plebs in Texas, and includes key interviews with well-known Bitcoin voices. H/t Bitcoiners Movie 🇺🇸⚡️ for releasing the full film today for free. Featuring: Kyle Murphy Foss - #dothemath Katie | CitizenX Lyn Alden Warren Davidson 🇺🇸 Jimmy Song (송재준) Saifedean Ammous Parker Lewis GregZaj1☣️ Marty Bent Pierre Rochard PlebLab Jessica Hodlr David Bailey🇵🇷 $2.0mm/btc is the floor Max Keiser Michael Saylor Mandrik Svetski Jeff Booth ⚡️ Texas Slim™ Mansa Marh Justin Moon TFTC Ross Ulbricht Free_Ross Thomas Massie @cole_kccattle KC Cattle Company D++ 🎲 @Dooowta Austin Bitcoin Club Ron Paul Brian Harrington AMERICAN HODL 🇺🇸

Cory Bates

33,971 次观看 • 1 年前

White House Border Czar Thomas D. Homan joins us for the second episode of The Arena. We cover federal immigration enforcement, false media narratives, and ways Americans can help ICE. Tune in for another great show — and you may even learn Tom's favorite movie! 00:00 – Opening 01:11 – Tom Homan Introduction 03:37 – Local Law Enforcement Cooperation 07:53 – Political Dynamics of Immigration Enforcement 16:27 – Rapid Response to False Media Narratives 22:07 – What Can the American People Do to Help ICE? 28:28 – What is Tom Homan’s Favorite Movie? 29:37 – What Gets Tom Homan Up in the Morning? 33:15 – The Panel Reacts to Tom Homan Interview 37:17 – Opposition to ICE from Liberals 40:51 – The Press is Not Objective on ICE Coverage 48:53 – Real Housewives of the Islamic Revolutionary Guard 52:10 – Bad Legal Takes! 56:51 – Gene’s Full Stop Hot Take
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White House Border Czar Thomas D. Homan joins us for the second episode of The Arena. We cover federal immigration enforcement, false media narratives, and ways Americans can help ICE. Tune in for another great show — and you may even learn Tom's favorite movie! 00:00 – Opening 01:11 – Tom Homan Introduction 03:37 – Local Law Enforcement Cooperation 07:53 – Political Dynamics of Immigration Enforcement 16:27 – Rapid Response to False Media Narratives 22:07 – What Can the American People Do to Help ICE? 28:28 – What is Tom Homan’s Favorite Movie? 29:37 – What Gets Tom Homan Up in the Morning? 33:15 – The Panel Reacts to Tom Homan Interview 37:17 – Opposition to ICE from Liberals 40:51 – The Press is Not Objective on ICE Coverage 48:53 – Real Housewives of the Islamic Revolutionary Guard 52:10 – Bad Legal Takes! 56:51 – Gene’s Full Stop Hot Take

The Arena America First Legal

2,530,489 次观看 • 5 个月前

The sandwich you thought was "poor people food" might be one of the greatest comfort foods ever made. Snoop Dogg didn't reinvent the fried bologna sandwich—he reminded everyone why it has survived for generations. Three slices of sizzling bologna with crispy edges. Gooey American cheese melting into every layer. Thick butter-toasted white bread. Tangy yellow mustard. Then the move that takes it over the top... A handful of barbecue potato chips smashed right inside the sandwich. It's salty. It's buttery. It's crunchy. It's messy. And somehow every bite tastes like childhood and a late-night craving rolled into one. The best comfort foods aren't complicated. They're the recipes passed around kitchens, cooked on cast-iron skillets, and made from ingredients almost everyone already had in the house. Sometimes the meals with the smallest grocery bill create the biggest memories. If you've never had a fried bologna sandwich, this might be the one that changes your mind. Just don't be surprised if it becomes your new favorite "second dinner."
4:30

The sandwich you thought was "poor people food" might be one of the greatest comfort foods ever made. Snoop Dogg didn't reinvent the fried bologna sandwich—he reminded everyone why it has survived for generations. Three slices of sizzling bologna with crispy edges. Gooey American cheese melting into every layer. Thick butter-toasted white bread. Tangy yellow mustard. Then the move that takes it over the top... A handful of barbecue potato chips smashed right inside the sandwich. It's salty. It's buttery. It's crunchy. It's messy. And somehow every bite tastes like childhood and a late-night craving rolled into one. The best comfort foods aren't complicated. They're the recipes passed around kitchens, cooked on cast-iron skillets, and made from ingredients almost everyone already had in the house. Sometimes the meals with the smallest grocery bill create the biggest memories. If you've never had a fried bologna sandwich, this might be the one that changes your mind. Just don't be surprised if it becomes your new favorite "second dinner."

✨️Serenitee♡Sam✨️

148,408 次观看 • 2 个月前

Been testing Seedance 2.5 on MOVO AI and honestly, I’m impressed. The motion feels noticeably more natural, the scenes hold together better, and the 30-second generation gives you much more room to build an actual sequence instead of just a short clip. Movo AI is definitely one I’ll be experimenting with more. 🔥 Prompt : Create a 25–30 second ultra-realistic cinematic sequence inside a photorealistic 1950s American diner. Chrome stools, deep red booths, checkerboard floor, warm window light and buzzing neon. Premium film grain with natural handheld texture. GIRL: Use the uploaded reference image as the exact character reference. Young woman with consistent face, hair, skin tone and body proportions, wearing a cream quarter-zip sweater, black pants and white sneakers. She sits calmly at the counter, completely focused on a thick milkshake. MAN: Young male waiter wearing a classic white diner shirt, dark trousers and apron, carrying a tray with a burger and large glass jug of orange juice. She slowly sips her milkshake as the waiter approaches behind her. A man rising from a nearby booth accidentally bumps into him. The tray, burger and orange juice launch into the air. Orange juice explodes into suspended droplets while the camera smoothly orbits around the frozen moment. Everyone freezes in shock. The girl at the counter remains completely unfazed, still slowly drinking her milkshake. The camera makes a full orbit around the frozen diner. Floating burger, tray and orange juice droplets hang in the air while she takes another deliberate sip. Time suddenly rewinds. The food, waiter and orange juice smoothly return to their original positions. The waiter regains his balance. The girl looks up just before the collision happens and quietly moves her milkshake out of the way. The accident is avoided. Final extreme close-up: she takes one last sip, gives a tiny knowing smile toward the camera and continues drinking. CAMERA: 35mm anamorphic look, handheld realism transitioning into a smooth 360° bullet-time orbit during the freeze, shallow depth of field, realistic motion blur, warm film grain, natural skin texture, photorealistic physics. AUDIO: Diegetic only — straw suction, ice moving inside the glass, tray clatter, glass impact, orange juice splash, diner ambience, brief silence during the freeze, reversed sound during rewind. No music. NEGATIVE: No gore, injuries, distorted faces, extra limbs, floating characters outside the freeze effect, unrealistic liquid physics, product deformation, text, subtitles or watermark.
0:30

Been testing Seedance 2.5 on MOVO AI and honestly, I’m impressed. The motion feels noticeably more natural, the scenes hold together better, and the 30-second generation gives you much more room to build an actual sequence instead of just a short clip. Movo AI is definitely one I’ll be experimenting with more. 🔥 Prompt : Create a 25–30 second ultra-realistic cinematic sequence inside a photorealistic 1950s American diner. Chrome stools, deep red booths, checkerboard floor, warm window light and buzzing neon. Premium film grain with natural handheld texture. GIRL: Use the uploaded reference image as the exact character reference. Young woman with consistent face, hair, skin tone and body proportions, wearing a cream quarter-zip sweater, black pants and white sneakers. She sits calmly at the counter, completely focused on a thick milkshake. MAN: Young male waiter wearing a classic white diner shirt, dark trousers and apron, carrying a tray with a burger and large glass jug of orange juice. She slowly sips her milkshake as the waiter approaches behind her. A man rising from a nearby booth accidentally bumps into him. The tray, burger and orange juice launch into the air. Orange juice explodes into suspended droplets while the camera smoothly orbits around the frozen moment. Everyone freezes in shock. The girl at the counter remains completely unfazed, still slowly drinking her milkshake. The camera makes a full orbit around the frozen diner. Floating burger, tray and orange juice droplets hang in the air while she takes another deliberate sip. Time suddenly rewinds. The food, waiter and orange juice smoothly return to their original positions. The waiter regains his balance. The girl looks up just before the collision happens and quietly moves her milkshake out of the way. The accident is avoided. Final extreme close-up: she takes one last sip, gives a tiny knowing smile toward the camera and continues drinking. CAMERA: 35mm anamorphic look, handheld realism transitioning into a smooth 360° bullet-time orbit during the freeze, shallow depth of field, realistic motion blur, warm film grain, natural skin texture, photorealistic physics. AUDIO: Diegetic only — straw suction, ice moving inside the glass, tray clatter, glass impact, orange juice splash, diner ambience, brief silence during the freeze, reversed sound during rewind. No music. NEGATIVE: No gore, injuries, distorted faces, extra limbs, floating characters outside the freeze effect, unrealistic liquid physics, product deformation, text, subtitles or watermark.

Smiling Khan

21,268 次观看 • 17 天前

And there it is: The fix was in; the overthrow, the setup, and the cover-up. In fact, the Capitol Police were set up too. Jan. 6 video and damning details from Jan. 6 police officers that were hidden from public view. Capitol Police lieutenant EXPOSES who was behind the setup of J6. “On Jan. 6, everyone who walked on that grass right there didn’t know they were breaking the law because all the restricted-zone signs had been taken down. They were set up. That was deliberate.” Former Capitol Police Lieutenant Tarik “TK” Johnson: “If everybody was there for the purpose of violence, if everybody was there for the purpose of taking over the U.S. Capitol, we couldn’t have stopped them because there were just too many people. Yogananda Pittman was the person who was in charge of the setup.” (Yogananda Pittman served as Assistant Chief of the United States Capitol Police and is now Chief of Police at the University of California, Berkeley.) “J. Thomas Manger is the person leading the cover-up.” (J. Thomas Manger became Chief of the United States Capitol Police after Pittman resigned and served in that role until his retirement in 2025.) “When demonstrators and officers are going after each other, they need that. They love it because it takes the attention off Yo and Pittman and what Manger is doing.” “Right. They need the narrative of J6 to stay the same: a bunch of white, uneducated, violent Trump supporters attacked the Capitol in a violent insurrection. That’s the narrative. They’ve got to keep it that way until the end of next year. Right.” “After the election is all over, then we can start finding out what really occurred because that’s not what occurred. That’s not what it was.” ——— Capitol Police officers: “They set us the fuck up. That’s what they did.” “They set us up. They set us up. They set up 64.” “Oh, absolutely. Yeah. And then they asked y’all to come. Two hours later, they set us up. We didn’t have a chance.” “Yeah, they did. The officers couldn’t do anything. There weren’t enough of us. Big time.” 📝 Now you know why the January 6 Committee refused to allow Capitol Police Chief Steven Sund—who oversaw the entirety of Jan. 6—to publicly testify, and why he was fired on January 7th and replaced with Yogananda Pittman by Nancy f**king Pelosi.
1:09

And there it is: The fix was in; the overthrow, the setup, and the cover-up. In fact, the Capitol Police were set up too. Jan. 6 video and damning details from Jan. 6 police officers that were hidden from public view. Capitol Police lieutenant EXPOSES who was behind the setup of J6. “On Jan. 6, everyone who walked on that grass right there didn’t know they were breaking the law because all the restricted-zone signs had been taken down. They were set up. That was deliberate.” Former Capitol Police Lieutenant Tarik “TK” Johnson: “If everybody was there for the purpose of violence, if everybody was there for the purpose of taking over the U.S. Capitol, we couldn’t have stopped them because there were just too many people. Yogananda Pittman was the person who was in charge of the setup.” (Yogananda Pittman served as Assistant Chief of the United States Capitol Police and is now Chief of Police at the University of California, Berkeley.) “J. Thomas Manger is the person leading the cover-up.” (J. Thomas Manger became Chief of the United States Capitol Police after Pittman resigned and served in that role until his retirement in 2025.) “When demonstrators and officers are going after each other, they need that. They love it because it takes the attention off Yo and Pittman and what Manger is doing.” “Right. They need the narrative of J6 to stay the same: a bunch of white, uneducated, violent Trump supporters attacked the Capitol in a violent insurrection. That’s the narrative. They’ve got to keep it that way until the end of next year. Right.” “After the election is all over, then we can start finding out what really occurred because that’s not what occurred. That’s not what it was.” ——— Capitol Police officers: “They set us the fuck up. That’s what they did.” “They set us up. They set us up. They set up 64.” “Oh, absolutely. Yeah. And then they asked y’all to come. Two hours later, they set us up. We didn’t have a chance.” “Yeah, they did. The officers couldn’t do anything. There weren’t enough of us. Big time.” 📝 Now you know why the January 6 Committee refused to allow Capitol Police Chief Steven Sund—who oversaw the entirety of Jan. 6—to publicly testify, and why he was fired on January 7th and replaced with Yogananda Pittman by Nancy f**king Pelosi.

🇺🇸RealRobert🇺🇸

41,819 次观看 • 3 天前

100 years. 10 iconic looks. One seamless journey through the evolution of men's fashion. Which decade would you wear? 👔✨ Created with GPT image 2.0 and Seedance 2.0 on Thank You AI PROMPT: Style: Ultra-realistic cinematic fashion reel, luxury editorial, premium Instagram creator aesthetic, smooth camera movement, natural lighting, 4K, highly detailed fabrics, realistic clothing physics. Scene Overview A stylish male model showcases five iconic fashion eras from the 1920s to the 1960s. The video takes place in the same modern studio with soft daylight and a clean architectural background. The same model appears throughout the video while only the clothing changes between decades. Every outfit change happens naturally during camera movement, creating a smooth and satisfying visual flow. The only on-screen text is the decade name. Music is a modern electronic fashion track that builds continuously without vocals. Character Use the reference image as the model. Young adult male. Confident but relaxed. Friendly expression. Natural walking pace. The same model appears in every scene. Environment Minimalist fashion studio. Large windows. Warm daylight. Neutral beige walls. Polished concrete floor. Luxury editorial atmosphere. Keep the background consistent throughout the video. 0:00–0:03 — 1920s The video opens with the model standing confidently in the center of the studio. The camera slowly moves closer. He adjusts his cufflinks before looking toward the camera. Outfit Charcoal pinstripe three-piece suit White dress shirt Dark tie Waistcoat Pocket watch chain Oxford shoes Grey newsboy cap On-screen text: 1920s As the camera quickly pans to the right, the clothing smoothly changes into the next decade. 0:03–0:06 — 1930s The camera finishes the movement. The model now wears a cream double-breasted suit with wide lapels, pleated trousers, spectator shoes, and a fedora. He places one hand in his pocket and takes a confident step forward. On-screen text: 1930s The camera gently circles around him, and during the movement the outfit changes into the next style. 0:06–0:09 — 1940s The camera completes the circle. The model now wears an olive green utility jacket with tailored trousers, brown leather boots, and a classic wristwatch. He buttons the jacket while walking slowly toward the camera. On-screen text: 1940s A warm light sweep crosses the frame, leading naturally into the next outfit. 0:09–0:12 — 1950s The model now wears a fitted white T-shirt, dark blue cuffed jeans, a brown leather belt, leather boots, and classic sunglasses. He casually adjusts the sunglasses before taking two relaxed steps forward. On-screen text: 1950s The camera briefly moves closer, then pulls back, allowing the clothing to change smoothly. 0:12–0:15 — 1960s The model now wears a black turtleneck, camel overcoat, slim trousers, Chelsea boots, and a simple wristwatch. He walks confidently toward the camera with both hands in his coat pockets. On-screen text: 1960s During the final second, the camera begins a slow clockwise circle around him. His coat moves naturally as he lightly adjusts the collar. The music continues to build instead of ending. 0:15–0:18 — 1970s The video begins exactly where Part 1 ended. The camera continues its slow clockwise movement around the model before settling into a smooth front-facing angle. The music hits the next beat naturally. Outfit Brown suede jacket Patterned open-collar shirt Flared trousers Brown leather belt Platform shoes Gold wristwatch Aviator sunglasses The model adjusts his sunglasses before removing them with a confident smile. On-screen text: 1970s As the camera moves slightly closer, the outfit changes naturally into the next decade. 0:18–0:21 — 1980s The camera continues tracking forward. The model now wears a charcoal oversized business suit with a patterned tie, pleated trousers, polished loafers, and a classic dress watch. He straightens his tie while walking confidently toward the camera. On-screen text: 1980s The camera briefly passes beside him, creating a smooth transition into the next outfit. 0:21–0:24 — 1990s The camera emerges on the opposite side. The model now wears an oversized light-wash denim jacket over a graphic T-shirt, relaxed jeans, chunky white sneakers, and a simple silver chain. He smiles naturally while walking across the frame with both hands in his jacket pockets. On-screen text: 1990s The camera follows his movement before quickly swinging to reveal the next decade. 0:24–0:27 — 2000s The camera settles into a smooth tracking shot. The model now wears a black leather jacket over a fitted white T-shirt, slim dark jeans, white high-top sneakers, and aviator sunglasses. He casually removes the jacket from one shoulder while continuing to walk. The movement of the jacket naturally fills part of the frame as the clothing changes into the final look. On-screen text: 2000s 0:27–0:30 — 2020s The jacket clears the frame. The camera slowly pushes toward the model. He now wears a modern quiet luxury outfit. Outfit Beige overshirt Premium white T-shirt Relaxed tailored trousers White minimalist sneakers Luxury stainless steel watch Simple silver ring The model walks toward the camera before stopping naturally. He smiles confidently while looking directly into the lens. On-screen text: 2020s The decade text gently fades into: 100 YEARS OF MEN'S FASHION Then below it: 1920 → 2020 The music reaches its final peak before fading smoothly. The camera holds on the model for a brief moment before fading to black. Camera Style Smooth cinematic movement Gentle dolly shots Slow orbit around the model Occasional push-in Natural handheld feel Soft depth of field Luxury fashion commercial look Visual Style Premium editorial photography Warm natural colors Soft contrast Highly detailed fabrics Clean tailoring Realistic lighting Crisp facial details Natural movement Elegant pacing
0:30

100 years. 10 iconic looks. One seamless journey through the evolution of men's fashion. Which decade would you wear? 👔✨ Created with GPT image 2.0 and Seedance 2.0 on Thank You AI PROMPT: Style: Ultra-realistic cinematic fashion reel, luxury editorial, premium Instagram creator aesthetic, smooth camera movement, natural lighting, 4K, highly detailed fabrics, realistic clothing physics. Scene Overview A stylish male model showcases five iconic fashion eras from the 1920s to the 1960s. The video takes place in the same modern studio with soft daylight and a clean architectural background. The same model appears throughout the video while only the clothing changes between decades. Every outfit change happens naturally during camera movement, creating a smooth and satisfying visual flow. The only on-screen text is the decade name. Music is a modern electronic fashion track that builds continuously without vocals. Character Use the reference image as the model. Young adult male. Confident but relaxed. Friendly expression. Natural walking pace. The same model appears in every scene. Environment Minimalist fashion studio. Large windows. Warm daylight. Neutral beige walls. Polished concrete floor. Luxury editorial atmosphere. Keep the background consistent throughout the video. 0:00–0:03 — 1920s The video opens with the model standing confidently in the center of the studio. The camera slowly moves closer. He adjusts his cufflinks before looking toward the camera. Outfit Charcoal pinstripe three-piece suit White dress shirt Dark tie Waistcoat Pocket watch chain Oxford shoes Grey newsboy cap On-screen text: 1920s As the camera quickly pans to the right, the clothing smoothly changes into the next decade. 0:03–0:06 — 1930s The camera finishes the movement. The model now wears a cream double-breasted suit with wide lapels, pleated trousers, spectator shoes, and a fedora. He places one hand in his pocket and takes a confident step forward. On-screen text: 1930s The camera gently circles around him, and during the movement the outfit changes into the next style. 0:06–0:09 — 1940s The camera completes the circle. The model now wears an olive green utility jacket with tailored trousers, brown leather boots, and a classic wristwatch. He buttons the jacket while walking slowly toward the camera. On-screen text: 1940s A warm light sweep crosses the frame, leading naturally into the next outfit. 0:09–0:12 — 1950s The model now wears a fitted white T-shirt, dark blue cuffed jeans, a brown leather belt, leather boots, and classic sunglasses. He casually adjusts the sunglasses before taking two relaxed steps forward. On-screen text: 1950s The camera briefly moves closer, then pulls back, allowing the clothing to change smoothly. 0:12–0:15 — 1960s The model now wears a black turtleneck, camel overcoat, slim trousers, Chelsea boots, and a simple wristwatch. He walks confidently toward the camera with both hands in his coat pockets. On-screen text: 1960s During the final second, the camera begins a slow clockwise circle around him. His coat moves naturally as he lightly adjusts the collar. The music continues to build instead of ending. 0:15–0:18 — 1970s The video begins exactly where Part 1 ended. The camera continues its slow clockwise movement around the model before settling into a smooth front-facing angle. The music hits the next beat naturally. Outfit Brown suede jacket Patterned open-collar shirt Flared trousers Brown leather belt Platform shoes Gold wristwatch Aviator sunglasses The model adjusts his sunglasses before removing them with a confident smile. On-screen text: 1970s As the camera moves slightly closer, the outfit changes naturally into the next decade. 0:18–0:21 — 1980s The camera continues tracking forward. The model now wears a charcoal oversized business suit with a patterned tie, pleated trousers, polished loafers, and a classic dress watch. He straightens his tie while walking confidently toward the camera. On-screen text: 1980s The camera briefly passes beside him, creating a smooth transition into the next outfit. 0:21–0:24 — 1990s The camera emerges on the opposite side. The model now wears an oversized light-wash denim jacket over a graphic T-shirt, relaxed jeans, chunky white sneakers, and a simple silver chain. He smiles naturally while walking across the frame with both hands in his jacket pockets. On-screen text: 1990s The camera follows his movement before quickly swinging to reveal the next decade. 0:24–0:27 — 2000s The camera settles into a smooth tracking shot. The model now wears a black leather jacket over a fitted white T-shirt, slim dark jeans, white high-top sneakers, and aviator sunglasses. He casually removes the jacket from one shoulder while continuing to walk. The movement of the jacket naturally fills part of the frame as the clothing changes into the final look. On-screen text: 2000s 0:27–0:30 — 2020s The jacket clears the frame. The camera slowly pushes toward the model. He now wears a modern quiet luxury outfit. Outfit Beige overshirt Premium white T-shirt Relaxed tailored trousers White minimalist sneakers Luxury stainless steel watch Simple silver ring The model walks toward the camera before stopping naturally. He smiles confidently while looking directly into the lens. On-screen text: 2020s The decade text gently fades into: 100 YEARS OF MEN'S FASHION Then below it: 1920 → 2020 The music reaches its final peak before fading smoothly. The camera holds on the model for a brief moment before fading to black. Camera Style Smooth cinematic movement Gentle dolly shots Slow orbit around the model Occasional push-in Natural handheld feel Soft depth of field Luxury fashion commercial look Visual Style Premium editorial photography Warm natural colors Soft contrast Highly detailed fabrics Clean tailoring Realistic lighting Crisp facial details Natural movement Elegant pacing

Caden Flux

30,445 次观看 • 1 个月前

🥕MEDITERRANEAN ROASTED CARROTS If you love carrots, and my last few mediterranean roasted carrots recipes, you will love this one! Its served up over a whipped herby yogurt spread that takes it to the top! This has a mix of crunchy ,creamy, sweet, and tangy in each bite, and its the perfect healthy salad, appetizer, or make it a meal by adding some protein like chicken, shrimp, or a white fish. Ingredients 2lbs carrots 2tbsp olive oil 1 tsp smoked paprika, 1/2 tsp garlic powder, 1 tsp oregano, 1 tsp Aleppo pepper or chili flakes Salt & pepper to taste Herby Yogurt Tahini Base 1 cup thick greek yogurt 1/4 to 1/3 cup tahini Zest and juice of a small lemon 1 garlic clove Small handful fresh dill (about 2 tbsp) Small handful fresh parsley (about 2 tbsp) 1 tbsp olive oil Toppings: 3 tbsp crushed walnuts or pecans 2 tbsp finely chopped fresh herbs (I love adding a mix of dill, mint and parsley 1-2 tbsp honey drizzles 1oz feta crumbled Aleppo pepper or chili flakes Here is how I made it: 1.Preheat your oven to 450°F. 2.Peel 2lbs small carrots and cut any thick ones in half lengthwise so the carrots all roast evenly, this is key! 3.Toss the carrots with the olive oil, salt, spices. Spread them evenly across a baking sheet. Roast for 18-20 mins until the edges are nice, blistered, and softened up. 4.For the base, whip the greek yogurt, garlic, fresh herbs, and olive oil until smooth with the juice and zest of a small lemon. Give it a taste and adjust with more salt or lemon if you like, and if you like tahini, feel free to drizzle in some more! 5.Spread your whipped yogurt on a plate, add the warm carrots on top, then top with some crushed walnuts (or pine nuts or pecans), some more fresh finely chopped herbs, some feta cheese crumbled, chili flakes, and a little drizzle or two of honey if you like. If you make it, let me know on SHREDHAPPENS! And follow along if you like healthy mediterranean recipes that are so easy and so good! ENJOY! . . . . #healthyrecipes #healthyfoodshare #mediterraneanfood #salads #goodmoodfood
0:32

🥕MEDITERRANEAN ROASTED CARROTS If you love carrots, and my last few mediterranean roasted carrots recipes, you will love this one! Its served up over a whipped herby yogurt spread that takes it to the top! This has a mix of crunchy ,creamy, sweet, and tangy in each bite, and its the perfect healthy salad, appetizer, or make it a meal by adding some protein like chicken, shrimp, or a white fish. Ingredients 2lbs carrots 2tbsp olive oil 1 tsp smoked paprika, 1/2 tsp garlic powder, 1 tsp oregano, 1 tsp Aleppo pepper or chili flakes Salt & pepper to taste Herby Yogurt Tahini Base 1 cup thick greek yogurt 1/4 to 1/3 cup tahini Zest and juice of a small lemon 1 garlic clove Small handful fresh dill (about 2 tbsp) Small handful fresh parsley (about 2 tbsp) 1 tbsp olive oil Toppings: 3 tbsp crushed walnuts or pecans 2 tbsp finely chopped fresh herbs (I love adding a mix of dill, mint and parsley 1-2 tbsp honey drizzles 1oz feta crumbled Aleppo pepper or chili flakes Here is how I made it: 1.Preheat your oven to 450°F. 2.Peel 2lbs small carrots and cut any thick ones in half lengthwise so the carrots all roast evenly, this is key! 3.Toss the carrots with the olive oil, salt, spices. Spread them evenly across a baking sheet. Roast for 18-20 mins until the edges are nice, blistered, and softened up. 4.For the base, whip the greek yogurt, garlic, fresh herbs, and olive oil until smooth with the juice and zest of a small lemon. Give it a taste and adjust with more salt or lemon if you like, and if you like tahini, feel free to drizzle in some more! 5.Spread your whipped yogurt on a plate, add the warm carrots on top, then top with some crushed walnuts (or pine nuts or pecans), some more fresh finely chopped herbs, some feta cheese crumbled, chili flakes, and a little drizzle or two of honey if you like. If you make it, let me know on SHREDHAPPENS! And follow along if you like healthy mediterranean recipes that are so easy and so good! ENJOY! . . . . #healthyrecipes #healthyfoodshare #mediterraneanfood #salads #goodmoodfood

Shredhappens

88,430 次观看 • 25 天前

Natural ini. Seedance 2.5 di FlovaAI. Prompt: [HEADER LOCK STACK] Duration: 30.0s | Aspect Ratio: 16:9 | Frame Rate: 24fps | Shutter: 180° (1/48s) | Style Mode: Grounded Live-Action STAGE MAP (§D-ROOMLOCK): Grassy earthen bank sloping gently upward from the calm lake shore. Camera positioned in the North quadrant floating just above the lake water surface, looking South-Southwest toward the shoreline bank. Meli seated at world coordinate (-0.35m, 0.0m) [Frame-Left], facing East-Northeast. Rendi seated at world coordinate (+0.35m, 0.0m) [Frame-Right], facing West-Northwest. Separation distance: 70cm. Foreground: gently lapping water surface reflecting the golden sky. Midground: Meli and Rendi seated on the natural turf. Background: grassy slope with wild green shrubs and warm 3100K afternoon sunlight filtering through leaves behind them. [CHARACTER PASSPORT & WARDROBE] RENDI: 25-year-old Indonesian working-class young man, 175cm, handsome natural grounded features, sun-kissed tan skin with authentic pores, unstyled textured dark hair swaying slightly in the breeze. Wardrobe: faded washed-out oversized black cotton t-shirt with soft collar wear, simple worn cream drawstring cotton shorts, barefoot on the grass with a pair of weathered blue rubber flip-flops resting on the turf beside his foot. Voice Persona: Indonesian Jakarta casual dialect, native fluent, calm warm baritone, fundamental pitch 115Hz, speech rate 1.4 wps. MELI: 25-year-old Indonesian working-class young woman, 163cm, pretty natural grounded features, fair smooth skin with bare natural look, dark hair held with a simple plastic claw clip with loose strands framing her neck. Wardrobe: faded mustard-yellow loose oversized boxy cotton t-shirt, holding a slim white burning cigarette between index and middle fingers of her right hand, seated side-saddle with left knee raised on the turf. Voice Persona: Indonesian Jakarta casual dialect, native fluent, bright expressive feminine timbre, fundamental pitch 210Hz, speech rate 1.6 wps. [PROSE CHRONOLOGY & CUTS] At 0.0s Meli takes a slow drag from the slim white cigarette between her right fingers (pensive relaxed gaze, gentle finger hold, resting left forearm on raised knee, low water-level camera floating steadily). At 0.8s Meli blows a thin plume of translucent smoke toward the rippling water surface (calm half-lidded eyes, lips pursing gently, shoulders dropping in relaxation, slow gentle camera drift). At 1.6s Rendi sits cross-legged on the dry grass slope, twirling a stalk of wild grass between his fingers (quiet pensive smile, gentle thumb spin, leaning weight on right palm, static hold). At 2.4s Meli turns her head toward Rendi, resting her chin on her raised left palm (quizzical warm eyes, slight head tilt, body angled toward him, steady frame). At 2.8s Meli speaks candidly, "Ren, lu napa gak nikah-nikah?" (raised eyebrows, slight playful smirk, relaxed posture, camera holds dirty two-shot from water). At 4.2s Rendi pauses his grass twirling and lets out a soft wry exhale through his nose (sheepish candid smirk, eyes dropping to his folded legs, shoulders shifting, subtle pan right). At 5.2s Rendi turns his gaze to Meli and replies frankly, "Ah, idup gua masih susah, Mel." (honest self-aware expression, open left hand gesture, head tilting sideways, gentle camera breathing). At 6.2s Meli lowers her hand as her eyes light up with spirited banter (attentive sharp gaze, lips parting, posture straightening, camera holds). [HARD CUT: 6.5s | 50mm, Medium Close-Up OTS dirty over Rendi's shoulder on Meli] At 6.5s Meli fills screen-left against the sunlit grass bank background (spirited argumentative eyes, direct gaze, seated on turf, low-angle 50mm framing). At 7.2s Meli gestures with two open fingers holding her cigarette away (feisty emphatic expression, small hand pump, leaning forward slightly, steady lens hold). Lanjut 👇 masih ada..
0:30

Natural ini. Seedance 2.5 di FlovaAI. Prompt: [HEADER LOCK STACK] Duration: 30.0s | Aspect Ratio: 16:9 | Frame Rate: 24fps | Shutter: 180° (1/48s) | Style Mode: Grounded Live-Action STAGE MAP (§D-ROOMLOCK): Grassy earthen bank sloping gently upward from the calm lake shore. Camera positioned in the North quadrant floating just above the lake water surface, looking South-Southwest toward the shoreline bank. Meli seated at world coordinate (-0.35m, 0.0m) [Frame-Left], facing East-Northeast. Rendi seated at world coordinate (+0.35m, 0.0m) [Frame-Right], facing West-Northwest. Separation distance: 70cm. Foreground: gently lapping water surface reflecting the golden sky. Midground: Meli and Rendi seated on the natural turf. Background: grassy slope with wild green shrubs and warm 3100K afternoon sunlight filtering through leaves behind them. [CHARACTER PASSPORT & WARDROBE] RENDI: 25-year-old Indonesian working-class young man, 175cm, handsome natural grounded features, sun-kissed tan skin with authentic pores, unstyled textured dark hair swaying slightly in the breeze. Wardrobe: faded washed-out oversized black cotton t-shirt with soft collar wear, simple worn cream drawstring cotton shorts, barefoot on the grass with a pair of weathered blue rubber flip-flops resting on the turf beside his foot. Voice Persona: Indonesian Jakarta casual dialect, native fluent, calm warm baritone, fundamental pitch 115Hz, speech rate 1.4 wps. MELI: 25-year-old Indonesian working-class young woman, 163cm, pretty natural grounded features, fair smooth skin with bare natural look, dark hair held with a simple plastic claw clip with loose strands framing her neck. Wardrobe: faded mustard-yellow loose oversized boxy cotton t-shirt, holding a slim white burning cigarette between index and middle fingers of her right hand, seated side-saddle with left knee raised on the turf. Voice Persona: Indonesian Jakarta casual dialect, native fluent, bright expressive feminine timbre, fundamental pitch 210Hz, speech rate 1.6 wps. [PROSE CHRONOLOGY & CUTS] At 0.0s Meli takes a slow drag from the slim white cigarette between her right fingers (pensive relaxed gaze, gentle finger hold, resting left forearm on raised knee, low water-level camera floating steadily). At 0.8s Meli blows a thin plume of translucent smoke toward the rippling water surface (calm half-lidded eyes, lips pursing gently, shoulders dropping in relaxation, slow gentle camera drift). At 1.6s Rendi sits cross-legged on the dry grass slope, twirling a stalk of wild grass between his fingers (quiet pensive smile, gentle thumb spin, leaning weight on right palm, static hold). At 2.4s Meli turns her head toward Rendi, resting her chin on her raised left palm (quizzical warm eyes, slight head tilt, body angled toward him, steady frame). At 2.8s Meli speaks candidly, "Ren, lu napa gak nikah-nikah?" (raised eyebrows, slight playful smirk, relaxed posture, camera holds dirty two-shot from water). At 4.2s Rendi pauses his grass twirling and lets out a soft wry exhale through his nose (sheepish candid smirk, eyes dropping to his folded legs, shoulders shifting, subtle pan right). At 5.2s Rendi turns his gaze to Meli and replies frankly, "Ah, idup gua masih susah, Mel." (honest self-aware expression, open left hand gesture, head tilting sideways, gentle camera breathing). At 6.2s Meli lowers her hand as her eyes light up with spirited banter (attentive sharp gaze, lips parting, posture straightening, camera holds). [HARD CUT: 6.5s | 50mm, Medium Close-Up OTS dirty over Rendi's shoulder on Meli] At 6.5s Meli fills screen-left against the sunlit grass bank background (spirited argumentative eyes, direct gaze, seated on turf, low-angle 50mm framing). At 7.2s Meli gestures with two open fingers holding her cigarette away (feisty emphatic expression, small hand pump, leaning forward slightly, steady lens hold). Lanjut 👇 masih ada..

Apil

104,493 次观看 • 23 天前

Magyar’s update. Or: the Birds of the USF heading for the White Nights. The Bermuda-like Leningrad oil triangle – Primorsk – Ust-Luga – Kirishi – does exist. Or how the Baltic export oil artery works (worked) – version 3.0, not final. The Birds of the USF report: Siberian oil flowing neatly into the KINEF refinery (Kirishi refinery), then shipped out as diesel or crude through Transneft ports Primorsk and Ust-Luga – feeding the bunker grandpa with bloody oil profits – has taken a hit over the past three days (March 23–26), thanks to a freedom-loving Ukrainian Bird and its pyrotechnic shows. The resulting oil logistics clot has been burning nicely for days now, lightly smoking up the Gulf of Finland, while the ports mentioned above continue their fire show in open-flame mode. By the way – for the shadow tanker fleet still waiting offshore – navigation is currently unnecessary. Just steer toward the glow. So here’s the timeline: • Monday, March 23 – transshipment at Transneft–Primorsk terminal stopped; that same day, ironically, the alternative Ust-Luga terminal resumed operations after earlier “courtesy visits” from Ukrainian drones; • Wednesday, March 25 – Ust-Luga takes a hit, now burning, with smoke thick enough to ruin the view even for Martians with popcorn; • Thursday, March 26 – the largest refinery in the region, KINEF (Kirishi refinery), lights up. It processes Siberian oil delivered via pipeline and pumps it further to the above-mentioned ports for export. The threesome defines the operational perimeter. The full “threesome tour” was carried out by deep-strike units of the Defense Forces of Ukraine, including the Birds of the USF. Today’s trip to KINEF (Kirishi refinery) was executed by the Birds of the 1st Separate USC of the 🇺🇦 Unmanned Systems Forces, jointly with the Security Service of Ukraine. By systematically demilitarizing the enemy’s oil arteries, refining, and export infrastructure, we complicate the financing of their war machine and tighten control over oil flows through the Baltic. And who knows – maybe they’ll eventually start tearing into each other. Though unlikely, so no pink glasses. Back to work, gentlemen. Follow USF results live: USF online scoreboard “PІDRAKHUYKA” MAGYAR 🇺🇦 26.03.26
2:11

Magyar’s update. Or: the Birds of the USF heading for the White Nights. The Bermuda-like Leningrad oil triangle – Primorsk – Ust-Luga – Kirishi – does exist. Or how the Baltic export oil artery works (worked) – version 3.0, not final. The Birds of the USF report: Siberian oil flowing neatly into the KINEF refinery (Kirishi refinery), then shipped out as diesel or crude through Transneft ports Primorsk and Ust-Luga – feeding the bunker grandpa with bloody oil profits – has taken a hit over the past three days (March 23–26), thanks to a freedom-loving Ukrainian Bird and its pyrotechnic shows. The resulting oil logistics clot has been burning nicely for days now, lightly smoking up the Gulf of Finland, while the ports mentioned above continue their fire show in open-flame mode. By the way – for the shadow tanker fleet still waiting offshore – navigation is currently unnecessary. Just steer toward the glow. So here’s the timeline: • Monday, March 23 – transshipment at Transneft–Primorsk terminal stopped; that same day, ironically, the alternative Ust-Luga terminal resumed operations after earlier “courtesy visits” from Ukrainian drones; • Wednesday, March 25 – Ust-Luga takes a hit, now burning, with smoke thick enough to ruin the view even for Martians with popcorn; • Thursday, March 26 – the largest refinery in the region, KINEF (Kirishi refinery), lights up. It processes Siberian oil delivered via pipeline and pumps it further to the above-mentioned ports for export. The threesome defines the operational perimeter. The full “threesome tour” was carried out by deep-strike units of the Defense Forces of Ukraine, including the Birds of the USF. Today’s trip to KINEF (Kirishi refinery) was executed by the Birds of the 1st Separate USC of the 🇺🇦 Unmanned Systems Forces, jointly with the Security Service of Ukraine. By systematically demilitarizing the enemy’s oil arteries, refining, and export infrastructure, we complicate the financing of their war machine and tighten control over oil flows through the Baltic. And who knows – maybe they’ll eventually start tearing into each other. Though unlikely, so no pink glasses. Back to work, gentlemen. Follow USF results live: USF online scoreboard “PІDRAKHUYKA” MAGYAR 🇺🇦 26.03.26

414 Magyar's Birds

31,797 次观看 • 5 个月前