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Ana Sayfaya Dön

Thank you all for appreciating my old interview. Here’s another excerpt I’d like to share. After working on three films in Bollywood and completing 112 films overall, my belief remains unchanged: cinema should reflect life and offer a perspective that feels real. Stories should resonate with the common person,... show more

Aditya Pancholi

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23,104 görüntüleme • 7 ay önce •via X (Twitter)

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✨SURPRISE! I'M ACTUALLY A VOICE ACTOR!✨ I'm so happy to finally just talk about my life and share all the fun things I'm working on with all of you! You can find my main account here: Megan Shipman Thank you for supporting me everyone!!

✨SURPRISE! I'M ACTUALLY A VOICE ACTOR!✨ I'm so happy to finally just talk about my life and share all the fun things I'm working on with all of you! You can find my main account here: Megan Shipman Thank you for supporting me everyone!!

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L: for me the word "partner" is significant. It's not just working together. It has so many details/layers. We have to talk, communication, understand each other, and know how to make the other person feel better. Throughout our journey, I tried to study and learn who she is. I want to thank her for adjusting, being with me and still holding my hand. Like I said around the birthday period, thank you for being the sunshine in my life. She came into my life and taught me many things. She taught me... P Lena, sometimes, reset yourself daily, do not hold on to what make you feel bad or sad. She taught me her perspective on life/philosophy in living life. Thank you so much for being the sunshine in my life. LENAMIU 1ST FAN MEETING #LENAMIUBorn2Shine

L: for me the word "partner" is significant. It's not just working together. It has so many details/layers. We have to talk, communication, understand each other, and know how to make the other person feel better. Throughout our journey, I tried to study and learn who she is. I want to thank her for adjusting, being with me and still holding my hand. Like I said around the birthday period, thank you for being the sunshine in my life. She came into my life and taught me many things. She taught me... P Lena, sometimes, reset yourself daily, do not hold on to what make you feel bad or sad. She taught me her perspective on life/philosophy in living life. Thank you so much for being the sunshine in my life. LENAMIU 1ST FAN MEETING #LENAMIUBorn2Shine

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Timothée Chalamet discusses the promotion for ‘MARTY SUPREME’ and his vision for the industry. “My focus is on releasing the film Marty Supreme, like all my films, in the biggest way possible. France has a great film culture—not every country in the world does—so I’m trying to keep cinema alive. And keeping cinema alive isn’t about trying to win awards; it’s about being part of everyday life, doing pop-up films, doing 'Crank That (Soulja Boy)' in Brazil, and giving it my all. I want to live and breathe cinema. I want everyone in the film industry to succeed—all my contemporaries, from Zendaya to Pierre Niney. I just want everything to work out."

Timothée Chalamet discusses the promotion for ‘MARTY SUPREME’ and his vision for the industry. “My focus is on releasing the film Marty Supreme, like all my films, in the biggest way possible. France has a great film culture—not every country in the world does—so I’m trying to keep cinema alive. And keeping cinema alive isn’t about trying to win awards; it’s about being part of everyday life, doing pop-up films, doing 'Crank That (Soulja Boy)' in Brazil, and giving it my all. I want to live and breathe cinema. I want everyone in the film industry to succeed—all my contemporaries, from Zendaya to Pierre Niney. I just want everything to work out."

timothée chalamet nation

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Extremely grateful to have gotten to know so many people on a deeper level and help share their stories. Thank you to all of our guests, the podcast team, WWE , Fanatics and of course, my co-host, Elyse Dudzinski or should I say…Princess peaches? :)) Here’s to more in 2026! Happy New Year!!!!!

Extremely grateful to have gotten to know so many people on a deeper level and help share their stories. Thank you to all of our guests, the podcast team, WWE , Fanatics and of course, my co-host, Elyse Dudzinski or should I say…Princess peaches? :)) Here’s to more in 2026! Happy New Year!!!!!

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The fact that this popped the fuck off makes me soo happy! My mama deserves all the love and support and I will ALWAYS recommend her! On another note we should ALSO send love to my rig mama!! She is also such a lovely person to work with and her rigging is beautiful!! SpooVae Thank you again soo much for working with me on such a beautiful rig!

Gorefairy🪡😈 ❖ HIATUS ❖ Twitchcon25✈️

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Ming Li spoke about attending Cardi B's concert and whether she feels the need to pick sides: "I wasn't trying to be shady. I felt like, you know, at the time I was hanging out with my friends and my peoples, and they wanted to go out, and I wanna go out too. And if I'm not staying in the house by myself, so I was like, should we not go outside, drink, have fun, or stay in the house, be bored, watch TV? I ain't doing that sh*t, so I was like, it's like for the one time. And everyone that was hating on me or loving me after that, they were still on my Instagram page, still on my TikTok, still following me around. So I feel like at the end of the day, no matter what I do, it's gonna either be a blessing and a curse when it comes to my sister. I don't feel like I have to pick a side. I feel like, if y'all not putting money in my pockets, there's no side to pick. Or if I feel like y'all not either my family, or y'all not in our family circle to tell me anything you can't really let me know about what I should, should not feel. I'm still young, we're all gonna have a liking to some artist. We're all gonna have a liking to some people, some song."

Ming Li spoke about attending Cardi B's concert and whether she feels the need to pick sides: "I wasn't trying to be shady. I felt like, you know, at the time I was hanging out with my friends and my peoples, and they wanted to go out, and I wanna go out too. And if I'm not staying in the house by myself, so I was like, should we not go outside, drink, have fun, or stay in the house, be bored, watch TV? I ain't doing that sh*t, so I was like, it's like for the one time. And everyone that was hating on me or loving me after that, they were still on my Instagram page, still on my TikTok, still following me around. So I feel like at the end of the day, no matter what I do, it's gonna either be a blessing and a curse when it comes to my sister. I don't feel like I have to pick a side. I feel like, if y'all not putting money in my pockets, there's no side to pick. Or if I feel like y'all not either my family, or y'all not in our family circle to tell me anything you can't really let me know about what I should, should not feel. I'm still young, we're all gonna have a liking to some artist. We're all gonna have a liking to some people, some song."

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Someone Tweeted that Prabhas should have done with Aditya Dhar etc Director and not small films post Baahubalisuccess. The answer is here 👇 Small or Big Director #Prabhas has equality for all. Such a generous and down-to-earth person he is Director Maruthi 👌 #TheRajaSaab

Someone Tweeted that Prabhas should have done with Aditya Dhar etc Director and not small films post Baahubalisuccess. The answer is here 👇 Small or Big Director #Prabhas has equality for all. Such a generous and down-to-earth person he is Director Maruthi 👌 #TheRajaSaab

Ace in Frame-Prabhas

72,200 görüntüleme • 7 ay önce

Thodōros Angelopoulos explains the difference between his films & those of Ingmar Bergman: "I don't find any similarities between my work and Bergman's. My cinema is not psychological, it is epic; the individual in it is not psychoanalyzed but placed within a historical context. My characters assume all the elements of epic cinema or, if I may say so, those of epic poetry, typically featuring clear-cut persona. In Homer, Odysseus is a shrewd conniver, Achilles is brave, loyal to his friends-and these characteristics never change. The same with Brecht whose characters are larger than life; they serve as carriers of history or ideas. My characters are not being analyzed, they are not tormented, like Bergman's. They are more humane. They search for lost things, all that was lost in the rupture between desire and reality. Until not very long ago the history of the world was based on desire; the desire to change the world one way or another. Now at the end of the century we realize that whatever was desired never really happened, and it did not happen for reasons that I am unable to explain. Perhaps it was impossible to change things using the specific methods that were employed at the time, but in any case, we are left with the experience of our failure, with the ashes of the disappointment of dreams that never materialized. My last three films reflect this taste of ashes, leaving the desire to be pursued in some future time, in the next discourse. My writing and Bergman's do not relate. In his films there is a strong metaphysical element which identifies the search for the father figure with the search for God or the denial of God. I think that in my own work, the father figure does not represent a goal in itself; the purpose of my films is to find a reason to exist. My films are not as metaphysical. They are, in a strange way, more existential than Bergman's. This is certainly the case for the trilogy- "Voyage to Cythera" (1984), "The Beekeeper" (1986), and "Landscape in the Mist" (1988)". (Theo Angelopoulos' interview with Gerald O'Grady, 1990)

Thodōros Angelopoulos explains the difference between his films & those of Ingmar Bergman: "I don't find any similarities between my work and Bergman's. My cinema is not psychological, it is epic; the individual in it is not psychoanalyzed but placed within a historical context. My characters assume all the elements of epic cinema or, if I may say so, those of epic poetry, typically featuring clear-cut persona. In Homer, Odysseus is a shrewd conniver, Achilles is brave, loyal to his friends-and these characteristics never change. The same with Brecht whose characters are larger than life; they serve as carriers of history or ideas. My characters are not being analyzed, they are not tormented, like Bergman's. They are more humane. They search for lost things, all that was lost in the rupture between desire and reality. Until not very long ago the history of the world was based on desire; the desire to change the world one way or another. Now at the end of the century we realize that whatever was desired never really happened, and it did not happen for reasons that I am unable to explain. Perhaps it was impossible to change things using the specific methods that were employed at the time, but in any case, we are left with the experience of our failure, with the ashes of the disappointment of dreams that never materialized. My last three films reflect this taste of ashes, leaving the desire to be pursued in some future time, in the next discourse. My writing and Bergman's do not relate. In his films there is a strong metaphysical element which identifies the search for the father figure with the search for God or the denial of God. I think that in my own work, the father figure does not represent a goal in itself; the purpose of my films is to find a reason to exist. My films are not as metaphysical. They are, in a strange way, more existential than Bergman's. This is certainly the case for the trilogy- "Voyage to Cythera" (1984), "The Beekeeper" (1986), and "Landscape in the Mist" (1988)". (Theo Angelopoulos' interview with Gerald O'Grady, 1990)

DepressedBergman

52,940 görüntüleme • 1 yıl önce

son yejin: “just going to the playground with my child and husband, the moment itself feels so happy. even when the three of us just sit and share a meal, that too feels so joyful. sometimes i go with my child and we ride the swing together. for the first time in my life, i feel complete and fulfilling happiness.”

son yejin: “just going to the playground with my child and husband, the moment itself feels so happy. even when the three of us just sit and share a meal, that too feels so joyful. sometimes i go with my child and we ride the swing together. for the first time in my life, i feel complete and fulfilling happiness.”

son yejin 𝙥𝙞𝙘𝙨

38,608 görüntüleme • 10 ay önce

Éric Rohmer explains why he didn't like his movies being screened at crowded theaters: "If it depended only on me, instead of attracting people to my films, I would try to drive them away. I would tell them the films are more difficult than they really are, because I don’t like to deceive people, I like to show my films to people who can appreciate them. I’m not interested in the number of spectators. Having said that, it’s true that a film is a commercial undertaking and ought to recover its costs. But as my films don’t cost much, I don’t think I need a very large audience, and I’ve always thought that they should be shown in theaters that aren’t too big. The intimate character of my films doesn’t suit a theater or an audience too large for them. And I don’t think they are suited to a mass reaction or a collective reaction. It’s better if the spectator feels he is experiencing a completely personal reaction to it. Each reaction should be unique, individual, and different. I think the film is enjoyed better if the spectators aren’t sitting too near one another, if the theater isn’t too full, and they don’t know each other. Then each has a different reaction. That’s better than a theater where there’s a uniform reaction. I don’t like watching one of my films in public and it distresses me if everyone laughs in the same place, as my film wasn’t made with that in mind. I didn’t write something just to make everyone laugh at the same time. It’s all right if someone smiles, but it shouldn’t happen at exactly the same place in the film. Perhaps this is because my films are more like reading than like watching a spectacle; they are made more to be read like a book than seen like something on the stage. So it distresses me to see a collective reaction." (Éric Rohmer's interview with Éric Rohmer, 1971) Clip from: La collectionneuse (1967) Director: Éric Rohmer

Éric Rohmer explains why he didn't like his movies being screened at crowded theaters: "If it depended only on me, instead of attracting people to my films, I would try to drive them away. I would tell them the films are more difficult than they really are, because I don’t like to deceive people, I like to show my films to people who can appreciate them. I’m not interested in the number of spectators. Having said that, it’s true that a film is a commercial undertaking and ought to recover its costs. But as my films don’t cost much, I don’t think I need a very large audience, and I’ve always thought that they should be shown in theaters that aren’t too big. The intimate character of my films doesn’t suit a theater or an audience too large for them. And I don’t think they are suited to a mass reaction or a collective reaction. It’s better if the spectator feels he is experiencing a completely personal reaction to it. Each reaction should be unique, individual, and different. I think the film is enjoyed better if the spectators aren’t sitting too near one another, if the theater isn’t too full, and they don’t know each other. Then each has a different reaction. That’s better than a theater where there’s a uniform reaction. I don’t like watching one of my films in public and it distresses me if everyone laughs in the same place, as my film wasn’t made with that in mind. I didn’t write something just to make everyone laugh at the same time. It’s all right if someone smiles, but it shouldn’t happen at exactly the same place in the film. Perhaps this is because my films are more like reading than like watching a spectacle; they are made more to be read like a book than seen like something on the stage. So it distresses me to see a collective reaction." (Éric Rohmer's interview with Éric Rohmer, 1971) Clip from: La collectionneuse (1967) Director: Éric Rohmer

DepressedBergman

57,936 görüntüleme • 1 ay önce

Happy Birthday, dearest Sooraj Barjatya.❤️ In your own quiet, dignified way, you are truly a national treasure. The kind of films you choose to make — filled with values, relationships, faith, and goodness — very few even dare to attempt today. From the days of #Saaransh to the film you are making now, I have had the privilege of watching your journey up close. And what a journey it has been — consistent, graceful, and rooted in conviction. Knowing you is like knowing kindness. Knowing you is like knowing compassion. Knowing you is like knowing honesty and happiness! Without noise, without show. Today, along with my love and wishes, I am pinning a small golden miniature of India on your shirt. 🇮🇳 Because the stories you tell, the emotions you preserve, and the values you celebrate represent the very soul of our country. It is my symbolic way of saying — you carry India in your cinema, and in your heart. In an industry that constantly changes itself, you have remained steadfast in your belief that goodness works. And that belief has touched millions of hearts.❤️🇮🇳 Thank you for being my friend. Thank you for being one of my favourite directors. And thank you for reminding us that cinema can still be pure. God bless you with health, happiness, and many more beautiful stories. 😍❤️🎬✨ #HappyBirthdaySooraj

Happy Birthday, dearest Sooraj Barjatya.❤️ In your own quiet, dignified way, you are truly a national treasure. The kind of films you choose to make — filled with values, relationships, faith, and goodness — very few even dare to attempt today. From the days of #Saaransh to the film you are making now, I have had the privilege of watching your journey up close. And what a journey it has been — consistent, graceful, and rooted in conviction. Knowing you is like knowing kindness. Knowing you is like knowing compassion. Knowing you is like knowing honesty and happiness! Without noise, without show. Today, along with my love and wishes, I am pinning a small golden miniature of India on your shirt. 🇮🇳 Because the stories you tell, the emotions you preserve, and the values you celebrate represent the very soul of our country. It is my symbolic way of saying — you carry India in your cinema, and in your heart. In an industry that constantly changes itself, you have remained steadfast in your belief that goodness works. And that belief has touched millions of hearts.❤️🇮🇳 Thank you for being my friend. Thank you for being one of my favourite directors. And thank you for reminding us that cinema can still be pure. God bless you with health, happiness, and many more beautiful stories. 😍❤️🎬✨ #HappyBirthdaySooraj

Anupam Kher

27,509 görüntüleme • 6 ay önce

#Suriya in a Recent Interview ⭐: "I really wanted to do something like this.. Both Vamsi garu and Venky came in like a fanboys.. they spoke about all my previous films.. And they Said they wanted to recreate something similar.. Everyday was so pleasant.. It's not easy for a director to write three women characters with different shades.."

#Suriya in a Recent Interview ⭐: "I really wanted to do something like this.. Both Vamsi garu and Venky came in like a fanboys.. they spoke about all my previous films.. And they Said they wanted to recreate something similar.. Everyday was so pleasant.. It's not easy for a director to write three women characters with different shades.."

Laxmi Kanth

45,387 görüntüleme • 12 gün önce

I don’t know how best to say this and not sound proud or arrogant but there are some people who used to be in your past life that should never make it to your present or future life. And you should not feel guilty about it! Before you misconstrue my point, please take note of the word “some”. I haven’t said you should cut off and turn your back on all your homies, friends and family members. But be smart about who, from your old life, you let into your new life! And stop having survivor’s guilt or remorse over that! I can’t explain it better but maybe A$ap and Snoop Dogg can.

I don’t know how best to say this and not sound proud or arrogant but there are some people who used to be in your past life that should never make it to your present or future life. And you should not feel guilty about it! Before you misconstrue my point, please take note of the word “some”. I haven’t said you should cut off and turn your back on all your homies, friends and family members. But be smart about who, from your old life, you let into your new life! And stop having survivor’s guilt or remorse over that! I can’t explain it better but maybe A$ap and Snoop Dogg can.

SÀLÀKÓ

40,535 görüntüleme • 2 ay önce

“My dear, thank you so much for all the compliments you give for my daughter. Of course, I’m a mother, and all of this is an honor to me. But the difference between one person and another is that everyone decides who they want to be in life.” #zeudiners

“My dear, thank you so much for all the compliments you give for my daughter. Of course, I’m a mother, and all of this is an honor to me. But the difference between one person and another is that everyone decides who they want to be in life.” #zeudiners

Suave (ZeZe) 🌈 🦄

12,187 görüntüleme • 1 ay önce

Burgum: "I have never worked with or for anyone in my life that works harder than the person I'm about ready to introduce. I'm talking 20 hours a day, 7 days a week, and when he's working, he's working for all of you."

Burgum: "I have never worked with or for anyone in my life that works harder than the person I'm about ready to introduce. I'm talking 20 hours a day, 7 days a week, and when he's working, he's working for all of you."

Aaron Rupar

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"These new sci-fi, action films, are good but they are not cinema." --- Akira Kurosawa Full Excerpt: "Interviewer: In your older films there was always some concern about human situations. What is the root of this? Kurosawa: When there is talk of humanity in Japan, everyone thinks of complex subjects and stories. However, whatever an ordinary human feels, we try to project on the screen in an honest way. That’s all. Interviewer: You were keen on American cinema… Kurosawa: Regarding American cinema, I could say that much better films were made in the past. Today’s American cinema provides the wrong service to the audience. Violence and car crashes are often seen. What pleasure is there in watching such scenes? Old American films expressed human problems quite well, but these days the American cinema has problems. There is no doubt that a film like 'Jurassic Park' (1993) is interesting, but there used to be more impressive films in the past. In contrast, films, like those of Kiarostami, touch the heart and are very beautiful. These new sci-fi, action films, are good but they are not cinema. Interviewer: In comparison to cinema as entertainment, how do you think Third World artistic cinema can attract a Western audience? Kurosawa: Civilization has poisoned humanity. The backbone of a good film is the filmmaker’s humane character. If we are not honest to ourselves, we will never be able to make decent films. Actually, it doesn’t mean that if a country is well off, it is necessarily capable of making good films. A person, who is able to make good films, knows how to find his or her way into the viewer’s heart; such as John Ford, Jean Renoir, John Huston, Federico Fellini, Angelopoulos, Sidney Lumet… I’ve met every one of them and have spoken to them. Just as they have exceptional works, they were also very distinguished in character. It was very easy to establish a cordial relationship with them, which is quite important. The people that are depicted on screen in their films are not predetermined (molded) characters. They express human problems in a natural way. That’s why their films are fascinating. Sidney Lumet is a close friend of mine, and whenever we sit down to talk we never discuss cinema. We generally discuss trivial matters, social problems or our hobbies, and we quite enjoy it. Reporters always ask me what the content of my film is and I tell them that there is no such a thing. I say ordinary things. A film is not supposed to be a lecture." (Akira Kurosawa's interview with Maani Petgar, 1998) Clip from: Jurassic Park (1993) Director: Steven Spielberg

"These new sci-fi, action films, are good but they are not cinema." --- Akira Kurosawa Full Excerpt: "Interviewer: In your older films there was always some concern about human situations. What is the root of this? Kurosawa: When there is talk of humanity in Japan, everyone thinks of complex subjects and stories. However, whatever an ordinary human feels, we try to project on the screen in an honest way. That’s all. Interviewer: You were keen on American cinema… Kurosawa: Regarding American cinema, I could say that much better films were made in the past. Today’s American cinema provides the wrong service to the audience. Violence and car crashes are often seen. What pleasure is there in watching such scenes? Old American films expressed human problems quite well, but these days the American cinema has problems. There is no doubt that a film like 'Jurassic Park' (1993) is interesting, but there used to be more impressive films in the past. In contrast, films, like those of Kiarostami, touch the heart and are very beautiful. These new sci-fi, action films, are good but they are not cinema. Interviewer: In comparison to cinema as entertainment, how do you think Third World artistic cinema can attract a Western audience? Kurosawa: Civilization has poisoned humanity. The backbone of a good film is the filmmaker’s humane character. If we are not honest to ourselves, we will never be able to make decent films. Actually, it doesn’t mean that if a country is well off, it is necessarily capable of making good films. A person, who is able to make good films, knows how to find his or her way into the viewer’s heart; such as John Ford, Jean Renoir, John Huston, Federico Fellini, Angelopoulos, Sidney Lumet… I’ve met every one of them and have spoken to them. Just as they have exceptional works, they were also very distinguished in character. It was very easy to establish a cordial relationship with them, which is quite important. The people that are depicted on screen in their films are not predetermined (molded) characters. They express human problems in a natural way. That’s why their films are fascinating. Sidney Lumet is a close friend of mine, and whenever we sit down to talk we never discuss cinema. We generally discuss trivial matters, social problems or our hobbies, and we quite enjoy it. Reporters always ask me what the content of my film is and I tell them that there is no such a thing. I say ordinary things. A film is not supposed to be a lecture." (Akira Kurosawa's interview with Maani Petgar, 1998) Clip from: Jurassic Park (1993) Director: Steven Spielberg

DepressedBergman

84,572 görüntüleme • 7 ay önce

I am having the time of my LIFE, and I’m so grateful for you all. Thank you for voting - we feel your love and support as you come along on this journey… and it truly means the world to me. Witney, thank you for believing in me to take on new challenges every week, here’s to another epic dance! See you Tuesday night everyone ❤️

I am having the time of my LIFE, and I’m so grateful for you all. Thank you for voting - we feel your love and support as you come along on this journey… and it truly means the world to me. Witney, thank you for believing in me to take on new challenges every week, here’s to another epic dance! See you Tuesday night everyone ❤️

Robert Irwin

138,934 görüntüleme • 9 ay önce

Happy birthday, J.K. Rowling! 🎂 We may not have a table at the Ritz or a donkey balloon on standby, but we’re celebrating you with heartfelt thanks for stories that resonate so deeply and characters we love like old friends. With love from Kenz, Lindsay, Pools, and all of The Strike and Ellacott Files listeners 🩶

Happy birthday, J.K. Rowling! 🎂 We may not have a table at the Ritz or a donkey balloon on standby, but we’re celebrating you with heartfelt thanks for stories that resonate so deeply and characters we love like old friends. With love from Kenz, Lindsay, Pools, and all of The Strike and Ellacott Files listeners 🩶

The Strike & Ellacott Files

43,594 görüntüleme • 1 yıl önce

"I try to make films that have the greatest possibility of pleasing myself, and I am certain that, the more beautiful they are, the more they please me." --- Michelangelo Antonioni Full Excerpt: "I certainly think about the public in the sense that I need someone to show what I have done, with whom I can communicate. However, I don't consider that the public influences me. If I made films for the public, shouldn't I make them for money or for glory? One makes films by thinking only about films and above all not about that sort of thing. I try to make films that have the greatest possibility of pleasing myself, and I am certain that, the more beautiful they are, the more they please me. " (Antonioni's interview to Cahiers du Cinema, 1960) Clip from: The Passenger (1975) Director: Michelangelo Antonioni

"I try to make films that have the greatest possibility of pleasing myself, and I am certain that, the more beautiful they are, the more they please me." --- Michelangelo Antonioni Full Excerpt: "I certainly think about the public in the sense that I need someone to show what I have done, with whom I can communicate. However, I don't consider that the public influences me. If I made films for the public, shouldn't I make them for money or for glory? One makes films by thinking only about films and above all not about that sort of thing. I try to make films that have the greatest possibility of pleasing myself, and I am certain that, the more beautiful they are, the more they please me. " (Antonioni's interview to Cahiers du Cinema, 1960) Clip from: The Passenger (1975) Director: Michelangelo Antonioni

DepressedBergman

61,370 görüntüleme • 7 ay önce

Rt. Hon. Prime Minister Justin Trudeau at today's #YomHashoah commemoration in Ottawa. "In a country like Canada, it should be and it must be, safe to declare oneself a Zionist - Jewish or not. Zionism is not a dirty word or something anyone should be targeted for agreeing with. It is the belief, at its simplest, that Jewish people, like all peoples, have a right to determine their own future." "You can be a Zionist and strongly support the creation of a Palestinian state living in peace and security alongside Israel - a view I know is shared by many in the Jewish community and across Canada. It is my belief too."

Rt. Hon. Prime Minister Justin Trudeau at today's #YomHashoah commemoration in Ottawa. "In a country like Canada, it should be and it must be, safe to declare oneself a Zionist - Jewish or not. Zionism is not a dirty word or something anyone should be targeted for agreeing with. It is the belief, at its simplest, that Jewish people, like all peoples, have a right to determine their own future." "You can be a Zionist and strongly support the creation of a Palestinian state living in peace and security alongside Israel - a view I know is shared by many in the Jewish community and across Canada. It is my belief too."

CIJA

531,704 görüntüleme • 2 yıl önce