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That condom had a long session. Milked myself four times straight, using each load to keep going. #ruinedorgasm #multipleorgasm #multiplecumshot #edging #cumcontrol #condom #condomfetish #usedcondom #cumplay #kinkygay #kinky #rubber #cumcow #multiplecum #ruined

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Edge Ruin Repeat (2K)

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17,393 views • 4 months ago •via X (Twitter)

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A French woman whose husband has admitted drugging her and inviting more than 80 men to rape her over the course of a decade has said she “was sacrificed on the altar of vice” and treated “like a rag doll”. Gisèle Pélicot told the court she was “never complicit” in the sexual acts and had not pretended to be asleep - but was urged by the judge that in order to respect the presumption of innocence, it had been agreed in court not to use the word rape but “sex scene”. During court proceedings, it was revealed that one of the men is HIV positive, and he was invited by her husband Dominique to rape Gisèle more than six times. Dominique did not require the rapists to wear a condom. After a medical examination, Gisèle learned that she was carrying four sexually-transmitted diseases. “Inside me, it is a scene of devastation,” Gisèle said. “I no longer have an identity. … I don’t know if I’ll ever rebuild myself.” Gisèle Pélicot waived her right to anonymity in order for the crimes to be made public.
1:55

A French woman whose husband has admitted drugging her and inviting more than 80 men to rape her over the course of a decade has said she “was sacrificed on the altar of vice” and treated “like a rag doll”. Gisèle Pélicot told the court she was “never complicit” in the sexual acts and had not pretended to be asleep - but was urged by the judge that in order to respect the presumption of innocence, it had been agreed in court not to use the word rape but “sex scene”. During court proceedings, it was revealed that one of the men is HIV positive, and he was invited by her husband Dominique to rape Gisèle more than six times. Dominique did not require the rapists to wear a condom. After a medical examination, Gisèle learned that she was carrying four sexually-transmitted diseases. “Inside me, it is a scene of devastation,” Gisèle said. “I no longer have an identity. … I don’t know if I’ll ever rebuild myself.” Gisèle Pélicot waived her right to anonymity in order for the crimes to be made public.

Genevieve Gluck

1,183,287 views • 1 year ago

I think most people would be surprised to hear that games used to run from cassette tapes. To be honest, I’m not from the generation that actually played games directly from cassette tapes either, so I can’t completely relate. But after recreating the experience with old hardware, I found myself thinking about how kids back then must have gathered around a computer, excitedly waiting for those long loading times to finally finish. It almost felt like I had traveled back to that era myself. Small games could take around 5–10 minutes to load, while larger games around 1MB could take nearly 30 minutes. Before trying cassette tape gaming myself, I had so many questions about how it actually worked. Does the tape keep spinning while the game is running? Do larger games require flipping to Side A or Side B? If you press the stop button, does the game stop too? I had a lot of questions like that, but the way it actually worked was that the computer first loaded all the data stored on the tape into memory. After that, the game would continue running independently without needing the tape anymore. Even now, I still find it fascinating and surprising. I can only imagine how incredible it must have felt for people experiencing it for the first time back in the 1980s.
0:58

I think most people would be surprised to hear that games used to run from cassette tapes. To be honest, I’m not from the generation that actually played games directly from cassette tapes either, so I can’t completely relate. But after recreating the experience with old hardware, I found myself thinking about how kids back then must have gathered around a computer, excitedly waiting for those long loading times to finally finish. It almost felt like I had traveled back to that era myself. Small games could take around 5–10 minutes to load, while larger games around 1MB could take nearly 30 minutes. Before trying cassette tape gaming myself, I had so many questions about how it actually worked. Does the tape keep spinning while the game is running? Do larger games require flipping to Side A or Side B? If you press the stop button, does the game stop too? I had a lot of questions like that, but the way it actually worked was that the computer first loaded all the data stored on the tape into memory. After that, the game would continue running independently without needing the tape anymore. Even now, I still find it fascinating and surprising. I can only imagine how incredible it must have felt for people experiencing it for the first time back in the 1980s.

Gamer_lafan

13,381 views • 1 month ago

💚: Right before 23.5 aired, I was going through something personal, a situation where I had to make a decision. I had to choose between that & the series… and I chose the series. ML FIRST DEEP TALK #DearMyselfxMilkLove 🎤: Have you ever talked about that before? 💚: No, never. 🎤: It’s ok if you’d rather not go into it. 💚: I’ll share it without going into details. It was a moment where I had to choose between my future… or staying stuck in old feelings that could’ve pulled me down. That’s why I always say, “Whatever happens, it’s always for the best.” I chose what was ahead cause I believed I could move forward. And I did move forward. And I’ll keep moving forward…tomorrow, and even a minute from now. 💚: I believe in myself. I believe that what comes next is going to be really, really good as long as I choose to walk away from things that hurt me. There was a moment when I looked back and cried not out of sadness, but because I was proud. I stroked my own head like this and said, “You did great, Milk.” I hugged myself and said, “You really did great.” 💖: I’m not sure if this is the same thing we once talked about… but it wasn’t just work stuff. We’ve shared personal things with each other too. I feel like P’Milk is such a strong person, someone who won’t open up about her problems until she’s already worked through them herself. 💚: That’s true. 💖: And that’s why I think you’re amazing, the way you’re able to handle everything you go through.
1:39

💚: Right before 23.5 aired, I was going through something personal, a situation where I had to make a decision. I had to choose between that & the series… and I chose the series. ML FIRST DEEP TALK #DearMyselfxMilkLove 🎤: Have you ever talked about that before? 💚: No, never. 🎤: It’s ok if you’d rather not go into it. 💚: I’ll share it without going into details. It was a moment where I had to choose between my future… or staying stuck in old feelings that could’ve pulled me down. That’s why I always say, “Whatever happens, it’s always for the best.” I chose what was ahead cause I believed I could move forward. And I did move forward. And I’ll keep moving forward…tomorrow, and even a minute from now. 💚: I believe in myself. I believe that what comes next is going to be really, really good as long as I choose to walk away from things that hurt me. There was a moment when I looked back and cried not out of sadness, but because I was proud. I stroked my own head like this and said, “You did great, Milk.” I hugged myself and said, “You really did great.” 💖: I’m not sure if this is the same thing we once talked about… but it wasn’t just work stuff. We’ve shared personal things with each other too. I feel like P’Milk is such a strong person, someone who won’t open up about her problems until she’s already worked through them herself. 💚: That’s true. 💖: And that’s why I think you’re amazing, the way you’re able to handle everything you go through.

sᴀᴘᴘʜᴏʀɪᴀ #แม่น้องกอหญ้า🍷

289,921 views • 1 year ago

"I thought I was still behind (on 17), I thought Zander was still on 19 (under) - I wasn't really looking at boards, to be honest. "It was a long way for me, I had a five wood in the bag, it was 276 and I needed to hit a little draw on there to get the distance. It just came out as good as I could, it ended up great - three, four feet away - and yeah, it was one of the best shots I've hit. "It's been a tough ride. A lot of injuries, a lot of hard things that I've gone through but to get back in the winner's circle is... quite unexpected today, to be honest. "I thought I was one behind playing the last but then got on to the 18th green and had a quick look at the board and was quite surprised. "They were hard times, I didn't think I was going to get through a lot of them. Three wrist ops, a disc replacement, hip surgery, I've been through it all so I'm pretty happy. "One of the main goals was to win with my children actually seeing it - the oldest is 13 soon, it's been pretty much that long so it's nice to eventually let them see me win. "And then I suppose just to prove to myself that I can still compete at this age, after all I've been through. I've had a lot of injuries, I've probably been out six or seven years with injuries. I've been out here 24 years I think, but with those injuries it's only been 16, 17 years. Richard Sterne after victory in Belgium 🏆 #SoudalOpen
2:57

"I thought I was still behind (on 17), I thought Zander was still on 19 (under) - I wasn't really looking at boards, to be honest. "It was a long way for me, I had a five wood in the bag, it was 276 and I needed to hit a little draw on there to get the distance. It just came out as good as I could, it ended up great - three, four feet away - and yeah, it was one of the best shots I've hit. "It's been a tough ride. A lot of injuries, a lot of hard things that I've gone through but to get back in the winner's circle is... quite unexpected today, to be honest. "I thought I was one behind playing the last but then got on to the 18th green and had a quick look at the board and was quite surprised. "They were hard times, I didn't think I was going to get through a lot of them. Three wrist ops, a disc replacement, hip surgery, I've been through it all so I'm pretty happy. "One of the main goals was to win with my children actually seeing it - the oldest is 13 soon, it's been pretty much that long so it's nice to eventually let them see me win. "And then I suppose just to prove to myself that I can still compete at this age, after all I've been through. I've had a lot of injuries, I've probably been out six or seven years with injuries. I've been out here 24 years I think, but with those injuries it's only been 16, 17 years. Richard Sterne after victory in Belgium 🏆 #SoudalOpen

DP World Tour

49,866 views • 1 month ago

You will remember that a month or two ago, I posted about the solar system at my home in Johannesburg, which has allowed me to hardly use Eskom or City Power because it generates enough energy for my entire usage, including powering geysers. After that post, one of you on this page, a solar expert, reached out privately and advised me to remove the electric geysers from the main solar system. He said the solar batteries were doing too many cycles because they were powering the geysers, and that this would shorten their lifespan. His advice was simple, remove the geysers from the battery load if I wanted the batteries to last the full period that they are built for. I took that advice seriously. I then asked my plumber, Shanil, who owns Metro Plumbers, to guide me on where to get high-quality solar geysers in Johannesburg so that I could replace the electric ones. Shanil told me about a new technology called the Elon Smart Solar PV System. He explained that it is much cheaper than buying completely new solar geysers. Instead of replacing the electric geyser, you simply buy the Elon unit, which comes with its own solar panels, and it is fitted onto your existing electric geyser. That is what I did. I have now removed all four electric geysers from the home solar system that powers my home. Each of them has been converted using the Elon Smart Solar PV technology. They are now powered by their own dedicated solar panels. The four geysers are running on a total of thirteen panels. So what this means is that I will never use Eskom or City Power again because in the past, when it was cloudy for three or four days, I would return to the grid to assist the batteries. This was happening because the batteries were carrying a heavy load that included four geysers. Now that the geysers have been removed from the main solar system and converted to their own dedicated solar supply, I will never return to Eskom or City Power. Even on cloudy days unless the solar system breaks down. The system is able to generate enough power for everything that I need. I also use a gas cooker, which helps reduce the electrical load. I hope this information helps you. If I had gone for the top-quality geysers that are exclusively solar, I would have paid between R25,000 and R30,000 per geyser. That would have come to around R120,000 for four geysers. Of course, there are cheaper solar geysers that you can get, but they are cheaper for a reason. So, in essence, I saved half the amount I would have paid for the geysers if I had chosen top-quality solar geysers. If you are in Johannesburg and you are interested, Shanil’s number is +27 (76) 890-5582. He can do the work for you. The gadgets and their panels cost R60,000 from Plumbing Supplies Sanitaryware Centre in Woodmead. So I have had the system in place for a week now and it is working very well. I have deliberately allowed all the geysers to continue heating so that I could test whether everything is functioning correctly, and the water is as hot as it should be. So that is the story. I thought I should share it with you for those who might want to reduce their bills. P/s The other interesting key feature of this system is that I can control it from my phone. If it is very cloudy and the water is not as hot as I want it to be, I can simply go onto the app and instruct that particular geyser to use the grid. Unlike my previous setup, where I had to switch the whole home solar system onto the grid, now each individual geyser can independently switch to the grid and heat the water to a temperature that I have set. Once the water reaches that set temperature, it automatically disconnects. I can also decide to switch off a geyser from using electricity, in my case from my solar system, or for those who do not have solar systems, from Eskom. In the same way, I can switch it off from using the solar panels. For instance, if there are four geysers and one of them is in a bedroom that is not being used, I can switch off that geyser completely so that it is not heating water unnecessarily. This gives you control, flexibility, and saves you a lot of money in the long run. You can read more about this technology here;
0:23

You will remember that a month or two ago, I posted about the solar system at my home in Johannesburg, which has allowed me to hardly use Eskom or City Power because it generates enough energy for my entire usage, including powering geysers. After that post, one of you on this page, a solar expert, reached out privately and advised me to remove the electric geysers from the main solar system. He said the solar batteries were doing too many cycles because they were powering the geysers, and that this would shorten their lifespan. His advice was simple, remove the geysers from the battery load if I wanted the batteries to last the full period that they are built for. I took that advice seriously. I then asked my plumber, Shanil, who owns Metro Plumbers, to guide me on where to get high-quality solar geysers in Johannesburg so that I could replace the electric ones. Shanil told me about a new technology called the Elon Smart Solar PV System. He explained that it is much cheaper than buying completely new solar geysers. Instead of replacing the electric geyser, you simply buy the Elon unit, which comes with its own solar panels, and it is fitted onto your existing electric geyser. That is what I did. I have now removed all four electric geysers from the home solar system that powers my home. Each of them has been converted using the Elon Smart Solar PV technology. They are now powered by their own dedicated solar panels. The four geysers are running on a total of thirteen panels. So what this means is that I will never use Eskom or City Power again because in the past, when it was cloudy for three or four days, I would return to the grid to assist the batteries. This was happening because the batteries were carrying a heavy load that included four geysers. Now that the geysers have been removed from the main solar system and converted to their own dedicated solar supply, I will never return to Eskom or City Power. Even on cloudy days unless the solar system breaks down. The system is able to generate enough power for everything that I need. I also use a gas cooker, which helps reduce the electrical load. I hope this information helps you. If I had gone for the top-quality geysers that are exclusively solar, I would have paid between R25,000 and R30,000 per geyser. That would have come to around R120,000 for four geysers. Of course, there are cheaper solar geysers that you can get, but they are cheaper for a reason. So, in essence, I saved half the amount I would have paid for the geysers if I had chosen top-quality solar geysers. If you are in Johannesburg and you are interested, Shanil’s number is +27 (76) 890-5582. He can do the work for you. The gadgets and their panels cost R60,000 from Plumbing Supplies Sanitaryware Centre in Woodmead. So I have had the system in place for a week now and it is working very well. I have deliberately allowed all the geysers to continue heating so that I could test whether everything is functioning correctly, and the water is as hot as it should be. So that is the story. I thought I should share it with you for those who might want to reduce their bills. P/s The other interesting key feature of this system is that I can control it from my phone. If it is very cloudy and the water is not as hot as I want it to be, I can simply go onto the app and instruct that particular geyser to use the grid. Unlike my previous setup, where I had to switch the whole home solar system onto the grid, now each individual geyser can independently switch to the grid and heat the water to a temperature that I have set. Once the water reaches that set temperature, it automatically disconnects. I can also decide to switch off a geyser from using electricity, in my case from my solar system, or for those who do not have solar systems, from Eskom. In the same way, I can switch it off from using the solar panels. For instance, if there are four geysers and one of them is in a bedroom that is not being used, I can switch off that geyser completely so that it is not heating water unnecessarily. This gives you control, flexibility, and saves you a lot of money in the long run. You can read more about this technology here;

Hopewell Chin’ono

67,832 views • 8 months ago

(Very long post) Thoughts on Marvel Rivals release day Tldr; Rivals is fucking awesome. 1. Six and a half hours of playtime and I had ONE game server fail to load. No game crashes, no server overloads, no queue times, and one single solitary FPS drop. 2. The monetization is the most consumer-friendly system I’ve seen from a game in a very, VERY long time. A $5 battlepass that you can continue to redeem rewards from even after the end of the season? A 1:1 exchange rate of base to premium currency? No character/map paywalls? That’s absolutely WILD to me. 3. I can’t remember the last time I’ve had trouble getting off of my PC because I find myself saying, “just one more game” over and over again. Actually, yes I can - it was the alpha and beta tests. I cannot get enough of this game. 4. Every character has such a fun learning curve, I’ve never been a DPS main in any game. Ever. But I find myself freely swapping between DPS and support because the mechanics are just so damn clean and everything is fluid; I’ve yet to play a character I didn’t love. Movement is incredibly fun, especially in third person. Which brings me to: 5. I have always hated third person games, especially shooters. I don’t know what it is, but something about the way Rivals implemented it works insanely well. Corner peeking adds so much versatility your play style and I’m absolutely loving it. 6. TEAM PLAY AND SYNERGY IS ENCOURAGED!! That right there is EXACTLY what Overwatch has been missing. We lost so much of that when we did away with double tanks and the game went from a team based FPS to a tank v tank boss raid. Rivals has gone the opposite direction by implementing team-ups that will change every season to keep metas fresh. 7. TTK feels GREAT and I actually have a big impact in every team fight. That kind of player agency is something that’s also been missing from Overwatch for a long time. 8. Nerf Iron Fist.
0:50

(Very long post) Thoughts on Marvel Rivals release day Tldr; Rivals is fucking awesome. 1. Six and a half hours of playtime and I had ONE game server fail to load. No game crashes, no server overloads, no queue times, and one single solitary FPS drop. 2. The monetization is the most consumer-friendly system I’ve seen from a game in a very, VERY long time. A $5 battlepass that you can continue to redeem rewards from even after the end of the season? A 1:1 exchange rate of base to premium currency? No character/map paywalls? That’s absolutely WILD to me. 3. I can’t remember the last time I’ve had trouble getting off of my PC because I find myself saying, “just one more game” over and over again. Actually, yes I can - it was the alpha and beta tests. I cannot get enough of this game. 4. Every character has such a fun learning curve, I’ve never been a DPS main in any game. Ever. But I find myself freely swapping between DPS and support because the mechanics are just so damn clean and everything is fluid; I’ve yet to play a character I didn’t love. Movement is incredibly fun, especially in third person. Which brings me to: 5. I have always hated third person games, especially shooters. I don’t know what it is, but something about the way Rivals implemented it works insanely well. Corner peeking adds so much versatility your play style and I’m absolutely loving it. 6. TEAM PLAY AND SYNERGY IS ENCOURAGED!! That right there is EXACTLY what Overwatch has been missing. We lost so much of that when we did away with double tanks and the game went from a team based FPS to a tank v tank boss raid. Rivals has gone the opposite direction by implementing team-ups that will change every season to keep metas fresh. 7. TTK feels GREAT and I actually have a big impact in every team fight. That kind of player agency is something that’s also been missing from Overwatch for a long time. 8. Nerf Iron Fist.

Kris🌙

115,000 views • 1 year ago

Q: how long have you been in this industry? #mimrattanawadee #มิ้มรัตนวดี Mim: actually I’ve been auditioning since I was 7, but people started to recognize me since Wasana Rak (วาสนารัก). It’s with channel 3, but I’ve always been a freelance actor, I’ve never signed with any channel. It wasn’t until P’Tha gave me the opportunity, so I got to sign with GMMTV to do GL and get to pair with P’View. Q: It changed your roles (career)? Mim: Yes, it changed my role and I’m happy with where I am now Q: You started auditioning when you were 7, but people only started recognizing you recently. How many years was that? Mim: Oi, right now I’m 22 Q: Wow that’s a really long time kid Mim: Yes, a very long time Q: Did you ever think that you’d go do something else? Mim: There were times. I’ve passed that point. I’m proud because it took time to reach here, and it really wasn’t easy at all. I had to go through everything like perseverance, commitment, failure, continuing to prove myself, like I had to do everything… Oi, don’t let me keep talking, I’m going to cry. Q: So it was your dream to enter the industry, and you experienced a lot until one day you felt that you’ve made it Mim: Yes, it’s when I realized people love me because of my role as Yaem, and besides loving the character Yaem, people remember me as Mim Rattanawadee, and they gave me the nickname of Horror Queen and keep supporting my future projects. And when the seniors (decision makers) gave me the opportunity and believed in me that I could play this role. So this is the place I used to dream about, and now I finally have this opportunity. Q: What was your first project? Mim: It was the series Full House, but when I was a kid, I didn’t think much about it. I was just happy to be in a series, and I made it. Q: But once you got into the industry for real, it’s not like that right? Mim: Right, it’s nothing like that. There’s so much more to it. It’s like you have to keep fighting and never give up. And I’m also soooooo proud of you and thank you for not giving up 🥹
2:42

Q: how long have you been in this industry? #mimrattanawadee #มิ้มรัตนวดี Mim: actually I’ve been auditioning since I was 7, but people started to recognize me since Wasana Rak (วาสนารัก). It’s with channel 3, but I’ve always been a freelance actor, I’ve never signed with any channel. It wasn’t until P’Tha gave me the opportunity, so I got to sign with GMMTV to do GL and get to pair with P’View. Q: It changed your roles (career)? Mim: Yes, it changed my role and I’m happy with where I am now Q: You started auditioning when you were 7, but people only started recognizing you recently. How many years was that? Mim: Oi, right now I’m 22 Q: Wow that’s a really long time kid Mim: Yes, a very long time Q: Did you ever think that you’d go do something else? Mim: There were times. I’ve passed that point. I’m proud because it took time to reach here, and it really wasn’t easy at all. I had to go through everything like perseverance, commitment, failure, continuing to prove myself, like I had to do everything… Oi, don’t let me keep talking, I’m going to cry. Q: So it was your dream to enter the industry, and you experienced a lot until one day you felt that you’ve made it Mim: Yes, it’s when I realized people love me because of my role as Yaem, and besides loving the character Yaem, people remember me as Mim Rattanawadee, and they gave me the nickname of Horror Queen and keep supporting my future projects. And when the seniors (decision makers) gave me the opportunity and believed in me that I could play this role. So this is the place I used to dream about, and now I finally have this opportunity. Q: What was your first project? Mim: It was the series Full House, but when I was a kid, I didn’t think much about it. I was just happy to be in a series, and I made it. Q: But once you got into the industry for real, it’s not like that right? Mim: Right, it’s nothing like that. There’s so much more to it. It’s like you have to keep fighting and never give up. And I’m also soooooo proud of you and thank you for not giving up 🥹

here ᝰ͙ 🍞

29,271 views • 11 days ago

"I remember feeling very tired mentally, four days of sort of leading the tournament. I won the week before in Greensboro so I’d had a lot of media attention that week and so people forget that. You know to win two in a row is not always easy and then the Masters, I was late, day one, and there was no late and early times you get the first Tour. It was either if you score well the first round and you’re late, you’ll be late the second day so I was late the third day and then was obviously last off with Crenshaw. So mentally it was getting quite tiring because the course was very dry and it was just holding on because you had these four footers. You keep getting, keep making them and then you know, and then obviously I had a bit of a hiccup at 11th and 12th. Things didn’t go well there so now I was on the hunt to try and get that few shots back off Calcavecchia and it had come at holes that I thought wouldn’t happen. I thought 13th I can maybe get a birdie, and I had a good tee shot. I had 165 for my second shot, to give you some idea how good the tee shot was, and I still made par which was annoying. I made it close at 14th from about eight feet and I missed that for birdie, and I didn’t make birdie at 15th with a second shot just off the back of the green so I’m thinking you know, the chances are gone, a bit thin, and then you go and birdie 16th from above the hole which wasn’t quite, was on the gameplan but I’ll take it. And then the 18th, we all know that it was in the bunker and then got it out the bunker fairly successfully, and then – talking about the putts you have to hole to win, that was an eighteen, eighteen feet I think it was, the putt. Doesn’t look like it on TV, looks like about six feet and I got the memories of Trevino always saying if you’re going to have to win a tournament or a winning putt, he said I’d rather have a downhill putt than I would have a twenty foot putt uphill when you’ve actually physically got to hit it. So obviously I’m putting downhill all the way so to me, I’d had probably ten minutes to read the line. I don’t know if it was a good thing or a bad thing. You get too many ideas in your mind because Crenshaw was butchering the hole at the time and he was putting out and da da, so I was waiting for ages and that just took about a four inch back swing, if that, and just started the ball rolling and obviously we know it went in the can. I was saying to myself, thank **** I’m not going down the 10th on the play-off because I’d got no legs left." Sandy Lyle looks back on his win at The Masters in 1988, where he became the first Scottish player to win at Augusta National and became a two-time Major champion 🏴󠁧󠁢󠁳󠁣󠁴󠁿 #TheMasters
3:20

"I remember feeling very tired mentally, four days of sort of leading the tournament. I won the week before in Greensboro so I’d had a lot of media attention that week and so people forget that. You know to win two in a row is not always easy and then the Masters, I was late, day one, and there was no late and early times you get the first Tour. It was either if you score well the first round and you’re late, you’ll be late the second day so I was late the third day and then was obviously last off with Crenshaw. So mentally it was getting quite tiring because the course was very dry and it was just holding on because you had these four footers. You keep getting, keep making them and then you know, and then obviously I had a bit of a hiccup at 11th and 12th. Things didn’t go well there so now I was on the hunt to try and get that few shots back off Calcavecchia and it had come at holes that I thought wouldn’t happen. I thought 13th I can maybe get a birdie, and I had a good tee shot. I had 165 for my second shot, to give you some idea how good the tee shot was, and I still made par which was annoying. I made it close at 14th from about eight feet and I missed that for birdie, and I didn’t make birdie at 15th with a second shot just off the back of the green so I’m thinking you know, the chances are gone, a bit thin, and then you go and birdie 16th from above the hole which wasn’t quite, was on the gameplan but I’ll take it. And then the 18th, we all know that it was in the bunker and then got it out the bunker fairly successfully, and then – talking about the putts you have to hole to win, that was an eighteen, eighteen feet I think it was, the putt. Doesn’t look like it on TV, looks like about six feet and I got the memories of Trevino always saying if you’re going to have to win a tournament or a winning putt, he said I’d rather have a downhill putt than I would have a twenty foot putt uphill when you’ve actually physically got to hit it. So obviously I’m putting downhill all the way so to me, I’d had probably ten minutes to read the line. I don’t know if it was a good thing or a bad thing. You get too many ideas in your mind because Crenshaw was butchering the hole at the time and he was putting out and da da, so I was waiting for ages and that just took about a four inch back swing, if that, and just started the ball rolling and obviously we know it went in the can. I was saying to myself, thank **** I’m not going down the 10th on the play-off because I’d got no legs left." Sandy Lyle looks back on his win at The Masters in 1988, where he became the first Scottish player to win at Augusta National and became a two-time Major champion 🏴󠁧󠁢󠁳󠁣󠁴󠁿 #TheMasters

DP World Tour

27,380 views • 3 months ago

🦊 Hi everyone it’s Yeonjun! Today is finally the day I, having gone through the period as a trainee, officially become an artist as Yeonjun from TXT~ 🦊 It’s such a happy and meaningful day for me, I’ve been waiting for this moment for a really long time I started training and dancing when I was in my third year of middle school and since then I’ve been growing my dream of becoming a singer. I’ve just been running towards it and before I knew it, 5 years had passed ! And today, that dream finally came true. It’s a moment I’ve longed for so desperately, one I’ve really been waiting for 🦊 Earlier, while filming, I kept thinking back as I watched myself on camera, it made me remember all the times I trained, pushed myself, went through evaluations with the members, worked hard and the effort I put into improving.. all of it just flashed through my mind at once The memories all passed through my mind like frames in a film and in the middle of it, I felt a strong swell of emotions in my heart and in the end, I couldn’t hold it in and it just burst out It was such an emotional and happy day for me 🦊 The tears I’ve shed up until now were a mix of desperation and the desire to achieve my dream but today after such a long time, I finally shed tears of joy. It feels like such a memorable day for me, one I’ll remember for the rest of my life It’s been such a meaningful day and I hope I can keep seeing our fans for a long time I’ve really missed everyone so much, but now, thinking that we’ll be able to see each other often for a long time makes me so excited and happy 🦊 And I’m also really grateful, you’ve waited for us for so long and I hope we can repay you with good songs and performances Thank you, thank you so much!
3:16

🦊 Hi everyone it’s Yeonjun! Today is finally the day I, having gone through the period as a trainee, officially become an artist as Yeonjun from TXT~ 🦊 It’s such a happy and meaningful day for me, I’ve been waiting for this moment for a really long time I started training and dancing when I was in my third year of middle school and since then I’ve been growing my dream of becoming a singer. I’ve just been running towards it and before I knew it, 5 years had passed ! And today, that dream finally came true. It’s a moment I’ve longed for so desperately, one I’ve really been waiting for 🦊 Earlier, while filming, I kept thinking back as I watched myself on camera, it made me remember all the times I trained, pushed myself, went through evaluations with the members, worked hard and the effort I put into improving.. all of it just flashed through my mind at once The memories all passed through my mind like frames in a film and in the middle of it, I felt a strong swell of emotions in my heart and in the end, I couldn’t hold it in and it just burst out It was such an emotional and happy day for me 🦊 The tears I’ve shed up until now were a mix of desperation and the desire to achieve my dream but today after such a long time, I finally shed tears of joy. It feels like such a memorable day for me, one I’ll remember for the rest of my life It’s been such a meaningful day and I hope I can keep seeing our fans for a long time I’ve really missed everyone so much, but now, thinking that we’ll be able to see each other often for a long time makes me so excited and happy 🦊 And I’m also really grateful, you’ve waited for us for so long and I hope we can repay you with good songs and performances Thank you, thank you so much!

Sara

59,854 views • 6 months ago

#YOUNGJAE: the reason i’m holding the mic right now is because today was my final dream high performance. thank you so much. i ended up having my last one a little early, but i’m very, very thankful that i was still able to meet with you all a lot and spend good times together like this. as i was doing my last show, the thoughts i had were… i felt somewhat relieved, but at the same time, i found myself wondering, “when will i get to see everyone again? when will i have the chance to perform in front of so many people like this again?” to everyone who came today, and to everyone who came before, truly, once again, thank you all so, so much. i may have been a slightly lacking samdong at times, but i really did my best for this role. i worked really hard to give you all fun scenes and fun songs, and especially the big moments. everyone here worked just as hard, and since it’s my last day, i’d like to ask everyone to give a big round of applause to the people who shared this stage with me. also, this actually isn’t the end for me. i might’ve made it sound like it was, but I’ll be performing in daegu too. ade there any gyeongsang-do people here today? i see a few of you! then we’ll get to see each other up close. everyone, make some noise! nice. let’s promise to meet again in daegu this august, okay? great. now, i’ll say goodbye here, because if this gets too long, you’ll all get home late. anyway, thank you so much to everyone who came today. i’ll keep working hard and continue to grow into a cooler version of myself, this has been GOT7’s Youngjae. thank you.
1:25

#YOUNGJAE: the reason i’m holding the mic right now is because today was my final dream high performance. thank you so much. i ended up having my last one a little early, but i’m very, very thankful that i was still able to meet with you all a lot and spend good times together like this. as i was doing my last show, the thoughts i had were… i felt somewhat relieved, but at the same time, i found myself wondering, “when will i get to see everyone again? when will i have the chance to perform in front of so many people like this again?” to everyone who came today, and to everyone who came before, truly, once again, thank you all so, so much. i may have been a slightly lacking samdong at times, but i really did my best for this role. i worked really hard to give you all fun scenes and fun songs, and especially the big moments. everyone here worked just as hard, and since it’s my last day, i’d like to ask everyone to give a big round of applause to the people who shared this stage with me. also, this actually isn’t the end for me. i might’ve made it sound like it was, but I’ll be performing in daegu too. ade there any gyeongsang-do people here today? i see a few of you! then we’ll get to see each other up close. everyone, make some noise! nice. let’s promise to meet again in daegu this august, okay? great. now, i’ll say goodbye here, because if this gets too long, you’ll all get home late. anyway, thank you so much to everyone who came today. i’ll keep working hard and continue to grow into a cooler version of myself, this has been GOT7’s Youngjae. thank you.

𝐣𝐨𝐲𝐜𝐞 𝄐

19,967 views • 1 year ago

I've had 3 cases of complaints to my employer, NHS. 1. From a gay guy I worked with who claims I've been homophobic for not going along with the trans ideology. 2. A Muslim, who because I've spoken out about the grooming gangs reported me for being islamophobic. 3. Someone very high up in the Royal Stoke Hospital, hosted an anti-racism event within the hospital & posted pictures of it on a staff FB forum. I commented about how a Pakistani is being racist to me. Me posting that has now ment I'm under investigation for being islamophobic. The first two allegations, the NHS has found that both accusers have been lying. They both made wild claims about me. Both, tried to get me arrested & locked up. I have asked the NHS what actions will be taken against the gay gentleman who's been lying & trying to ruin me. They refuse to respond. They understood that the Muslim was lying & also was threatening me with violence. But I've still been islamophobic apparently. The Royal Stoke Hospital has now hired lawyers to try & intimidate me. Previously I had meetings with the HR team what I have recordings of & in due time I will release because their incompetence needs to be shown. I've not been racist or homophobic to anyone. Next week I've got to defend myself against a lawer the NHS has paid for using taxpayers money to try & get rid of me. I've worked for this NHS trust for 16-years & never had any complaints. I worked throughout COVID while managers worked from home. The things what I witnessed during that time was crazy. The money that was wasted, the lack of care for patient samples. Staff members committing sex acts on each other. Managers covering it all up. We do not have free speech in the UK & if you do speak out you get your life ruined & you're tarnished a racist, homophobic, transphobic, Islamophobic person. The NHS needs reforming.
0:37

I've had 3 cases of complaints to my employer, NHS. 1. From a gay guy I worked with who claims I've been homophobic for not going along with the trans ideology. 2. A Muslim, who because I've spoken out about the grooming gangs reported me for being islamophobic. 3. Someone very high up in the Royal Stoke Hospital, hosted an anti-racism event within the hospital & posted pictures of it on a staff FB forum. I commented about how a Pakistani is being racist to me. Me posting that has now ment I'm under investigation for being islamophobic. The first two allegations, the NHS has found that both accusers have been lying. They both made wild claims about me. Both, tried to get me arrested & locked up. I have asked the NHS what actions will be taken against the gay gentleman who's been lying & trying to ruin me. They refuse to respond. They understood that the Muslim was lying & also was threatening me with violence. But I've still been islamophobic apparently. The Royal Stoke Hospital has now hired lawyers to try & intimidate me. Previously I had meetings with the HR team what I have recordings of & in due time I will release because their incompetence needs to be shown. I've not been racist or homophobic to anyone. Next week I've got to defend myself against a lawer the NHS has paid for using taxpayers money to try & get rid of me. I've worked for this NHS trust for 16-years & never had any complaints. I worked throughout COVID while managers worked from home. The things what I witnessed during that time was crazy. The money that was wasted, the lack of care for patient samples. Staff members committing sex acts on each other. Managers covering it all up. We do not have free speech in the UK & if you do speak out you get your life ruined & you're tarnished a racist, homophobic, transphobic, Islamophobic person. The NHS needs reforming.

JARDINE

443,247 views • 6 months ago

Anthony Kim is in the middle of an incredible comeback season. Having been relegated from LIV Golf last year, he earned his way back via the Promotions Event and then won on the league almost immediately in Adelaide. He’s not done there though, AK is now targeting a return to the Masters in 2027. Ahead of LIV Golf Andalucia, AK spoke to Flushing It Golf about how his season is going so far: “1% better is something that I'm keeping with me every day. “To get a win early in the season, especially in Australia, was amazing, and getting that moment with my family was amazing. But I've had a couple weeks where my focus wasn't as good as I wanted, so theres a lot to improve on still. I think that I'm progressing in the right way, and if I just keep working, I'll keep getting better.” AK’s success has been a simple combination of hard work and focusing on the fundamentals to utilise the incredible natural talent he’s had throughout his career. He spoke about the importance of getting the basics right: “I was just explaining to my friend over there, no matter how well you're playing, you always have to go back to the fundamentals. Whether it's alignment, posture, grip, all the small things to keep playing good golf. I think no matter how far along I get, whether I win a bunch more times, no matter what the result, I still have to focus on that first. And then everything else will take care of itself.” AK’s concentrating right now on solely playing LIV Golf events. But once the league season is over, he plans to play on The International Series on the Asian Tour, with a specific target of the Hong Kong Open, where there is a Masters spot on the line. He spoke about the target of returning to Augusta: “Yeah, the target is to give myself an opportunity, not only to play a major, but to win a major. I know that sounds crazy, but it also sounded crazy for me to be contending to win a golf tournament, let alone to actually win. “So, I'm excited for the opportunity that I have in front of me, and I think I'm gonna be able to keep getting better as long as I keep working.” AK still has a great chance to qualify for The Open this week at Valderrama for the highest ranked player on the LIV Golf Standings who isn’t already exempt. Hopefully he can play well and add another chapter to what has already been an inspirational story. Anthony Kim 4Aces GC LIV Golf
0:22

Anthony Kim is in the middle of an incredible comeback season. Having been relegated from LIV Golf last year, he earned his way back via the Promotions Event and then won on the league almost immediately in Adelaide. He’s not done there though, AK is now targeting a return to the Masters in 2027. Ahead of LIV Golf Andalucia, AK spoke to Flushing It Golf about how his season is going so far: “1% better is something that I'm keeping with me every day. “To get a win early in the season, especially in Australia, was amazing, and getting that moment with my family was amazing. But I've had a couple weeks where my focus wasn't as good as I wanted, so theres a lot to improve on still. I think that I'm progressing in the right way, and if I just keep working, I'll keep getting better.” AK’s success has been a simple combination of hard work and focusing on the fundamentals to utilise the incredible natural talent he’s had throughout his career. He spoke about the importance of getting the basics right: “I was just explaining to my friend over there, no matter how well you're playing, you always have to go back to the fundamentals. Whether it's alignment, posture, grip, all the small things to keep playing good golf. I think no matter how far along I get, whether I win a bunch more times, no matter what the result, I still have to focus on that first. And then everything else will take care of itself.” AK’s concentrating right now on solely playing LIV Golf events. But once the league season is over, he plans to play on The International Series on the Asian Tour, with a specific target of the Hong Kong Open, where there is a Masters spot on the line. He spoke about the target of returning to Augusta: “Yeah, the target is to give myself an opportunity, not only to play a major, but to win a major. I know that sounds crazy, but it also sounded crazy for me to be contending to win a golf tournament, let alone to actually win. “So, I'm excited for the opportunity that I have in front of me, and I think I'm gonna be able to keep getting better as long as I keep working.” AK still has a great chance to qualify for The Open this week at Valderrama for the highest ranked player on the LIV Golf Standings who isn’t already exempt. Hopefully he can play well and add another chapter to what has already been an inspirational story. Anthony Kim 4Aces GC LIV Golf

Flushing It

425,491 views • 1 month ago

#PostOfficeScandal Tonight on Channel 4 News with Jackie Long there was an exclusive report by alex thomson & Nanette van der Laan that revealed for the first time a secret contract between Post Office and Fujitsu UK For years, the Post Office and Fujitsu covered up the bugs in their faulty Horizon computer software, blaming the subpostmasters using it. Thousands had their lives ruined. Some took their own lives. Now Channel 4 News has obtained a 2006 contract between the two companies – overlooked despite being uploaded to the Post Office Inquiry’s website – which a forensic accountant who investigated the Horizon scandal has described as “dynamite”. Featuring Tracy Felstead Lee Castleton OBE Ron Warmington Liam Byrne MP The fact Post Office denied remote access was possible until days before the High Court 2nd trial in 2019 when there was a contract that was signed in 2006, shows just how far they were prepared to go to keep this document out of the public domain. For it to come to light almost 20 years after it was first signed is a disgrace. It was not disclosed to the Post Office Horizon IT Inquiry so that witnesses could be cross examined on it. Now it will be up to Business and Trade Committee and its Chair Liam Byrne MP to uncover who knew what and when, why it wasn’t disclosed and when Fujitsu are going to start contributing to the colossal financial redress bill estimated to be £1.6 billion. At the moment it is all being carried by the taxpayer.
6:52

#PostOfficeScandal Tonight on Channel 4 News with Jackie Long there was an exclusive report by alex thomson & Nanette van der Laan that revealed for the first time a secret contract between Post Office and Fujitsu UK For years, the Post Office and Fujitsu covered up the bugs in their faulty Horizon computer software, blaming the subpostmasters using it. Thousands had their lives ruined. Some took their own lives. Now Channel 4 News has obtained a 2006 contract between the two companies – overlooked despite being uploaded to the Post Office Inquiry’s website – which a forensic accountant who investigated the Horizon scandal has described as “dynamite”. Featuring Tracy Felstead Lee Castleton OBE Ron Warmington Liam Byrne MP The fact Post Office denied remote access was possible until days before the High Court 2nd trial in 2019 when there was a contract that was signed in 2006, shows just how far they were prepared to go to keep this document out of the public domain. For it to come to light almost 20 years after it was first signed is a disgrace. It was not disclosed to the Post Office Horizon IT Inquiry so that witnesses could be cross examined on it. Now it will be up to Business and Trade Committee and its Chair Liam Byrne MP to uncover who knew what and when, why it wasn’t disclosed and when Fujitsu are going to start contributing to the colossal financial redress bill estimated to be £1.6 billion. At the moment it is all being carried by the taxpayer.

Christopher Head OBE

11,490 views • 6 months ago

Rabbi Nick Fuentes gives a discourse on dating and relationships that is basically in line with Ben Shapiro and Orthodox Jewish thought: Don't waste time screwing around; just get married, have kids, and love each other. Difference is, of course, that Ben Shapiro got married at 24 and has four kids, and Fuentes is 27 and single. There's a reason that Ben tells his Christian followers to go to church while Fuentes preaches Marcionist heresy whenever he veers into actual religious discourse. -- TRANSCRIPT Well, here's what I think is gay: it is gay to date women. *laughs* Here's what's gay about it: When I think about relations between men and women, it's about sex. All of my views about men and women come down to the biological imperative, which is that when a man and woman reach the age of sexual maturity, they want to have sex. According to Catholic sexual morality, the only way to have sex is within marriage. That's what makes it moral, because to have sex is to have kids. Unless there's something wrong with you, to have sex is to have kids. Kids need a mother and a father that are going to stick together. So the way that you build this stable society is to say the mother and the father are going to have to be together before they have kids and have sex. They're going to have to be made one flesh. They're gonna have to—that's their obligation to their children. That's their obligation to God. And so my view of sex in the United States is people should be getting married younger, because what they're doing now is they're going out, they're having a lot of hookups, they're having a lot of casual sex, which I don't think anybody is really, in the end, deeply satisfied in this arrangement. So people reach the age of sexual maturity, they want to have sex, they go out and have lots of sex, and they wait maybe five, ten, fifteen years; they wait until they're in their mid-twenties, late twenties, thirties before—when the women are past their prime in looks. They wait for men to really have all their ducks in a row, then finally, "Now we want to have kids." And what happens? Well, at that point, the women aren't particularly fertile. Maybe they're only going to have a couple of kids. And also, at that point, maybe both of them had a lot of sexual partners, and they've become maybe bitter, cynical, set in their ways. They haven't grown together. It makes it less likely they'll stay together. This is a very dysfunctional situation. And so my prescription for men and women is: Get married younger, when they reach that biological age of maturity. And then they're supposed to have kids. Then, when the men and women are young and energetic, that's when they're having a big family, and they can take care of a big family, because they have energy, and then they grow together, and they mature and grow into adults together, and they're more likely to stay together. The reason that dating is gay is because it's sterile. There's something very sterile about dating. Men are using condoms—what's gayer than using a condom? You know, preventing your virile seed from impregnating a woman. Not to sound graphic, but like, that's very gay. It's gay for women to be on birth control and denying the creation of life. It's gay for men and women to be not married but texting each other all day, and watching Disney movies and cuddling together and playing this sort of game throughout college, and then into early adulthood; "Will they or won't they? Hmm, am I gonna get married? Maybe. Maybe we'll live together." I think the whole thing is just deeply unserious and just very kind of juvenile and immature. And I think that it, kind of, reflects arrested development. It's like a stunted growth and maturity. So, I think, it's not—I'm not saying that getting married to a woman is gay; I'm saying that all of this nonsense that surrounds modern dating culture is extremely sterile and unserious and very feminine and very gay.
3:41

Rabbi Nick Fuentes gives a discourse on dating and relationships that is basically in line with Ben Shapiro and Orthodox Jewish thought: Don't waste time screwing around; just get married, have kids, and love each other. Difference is, of course, that Ben Shapiro got married at 24 and has four kids, and Fuentes is 27 and single. There's a reason that Ben tells his Christian followers to go to church while Fuentes preaches Marcionist heresy whenever he veers into actual religious discourse. -- TRANSCRIPT Well, here's what I think is gay: it is gay to date women. *laughs* Here's what's gay about it: When I think about relations between men and women, it's about sex. All of my views about men and women come down to the biological imperative, which is that when a man and woman reach the age of sexual maturity, they want to have sex. According to Catholic sexual morality, the only way to have sex is within marriage. That's what makes it moral, because to have sex is to have kids. Unless there's something wrong with you, to have sex is to have kids. Kids need a mother and a father that are going to stick together. So the way that you build this stable society is to say the mother and the father are going to have to be together before they have kids and have sex. They're going to have to be made one flesh. They're gonna have to—that's their obligation to their children. That's their obligation to God. And so my view of sex in the United States is people should be getting married younger, because what they're doing now is they're going out, they're having a lot of hookups, they're having a lot of casual sex, which I don't think anybody is really, in the end, deeply satisfied in this arrangement. So people reach the age of sexual maturity, they want to have sex, they go out and have lots of sex, and they wait maybe five, ten, fifteen years; they wait until they're in their mid-twenties, late twenties, thirties before—when the women are past their prime in looks. They wait for men to really have all their ducks in a row, then finally, "Now we want to have kids." And what happens? Well, at that point, the women aren't particularly fertile. Maybe they're only going to have a couple of kids. And also, at that point, maybe both of them had a lot of sexual partners, and they've become maybe bitter, cynical, set in their ways. They haven't grown together. It makes it less likely they'll stay together. This is a very dysfunctional situation. And so my prescription for men and women is: Get married younger, when they reach that biological age of maturity. And then they're supposed to have kids. Then, when the men and women are young and energetic, that's when they're having a big family, and they can take care of a big family, because they have energy, and then they grow together, and they mature and grow into adults together, and they're more likely to stay together. The reason that dating is gay is because it's sterile. There's something very sterile about dating. Men are using condoms—what's gayer than using a condom? You know, preventing your virile seed from impregnating a woman. Not to sound graphic, but like, that's very gay. It's gay for women to be on birth control and denying the creation of life. It's gay for men and women to be not married but texting each other all day, and watching Disney movies and cuddling together and playing this sort of game throughout college, and then into early adulthood; "Will they or won't they? Hmm, am I gonna get married? Maybe. Maybe we'll live together." I think the whole thing is just deeply unserious and just very kind of juvenile and immature. And I think that it, kind of, reflects arrested development. It's like a stunted growth and maturity. So, I think, it's not—I'm not saying that getting married to a woman is gay; I'm saying that all of this nonsense that surrounds modern dating culture is extremely sterile and unserious and very feminine and very gay.

Max 📟

376,291 views • 7 months ago

Sorry to talk more about this, but I felt it was important to discuss. Also, I am sorry I also sound so garbage, the flu is hitting hard. Scripted Captions: Hey. I need to talk about what happened yesterday, and honestly what’s been happening for a bit now, because it’s not only inaccurate… it’s starting to affect my ability to create. Also, I caught the flu, so if I sound rough, that’s why. Bare with me. And yes, this is scripted, because my brain is running on fumes and I want to say this clearly. First, thank you, seriously. To everyone who reached out, commented, sent dms, and just… reminded me I’m not crazy for feeling stressed, thank you. I’ve been trying to keep it together behind the scenes, and your kindness genuinely helped. Here’s what’s going on, as plainly as I can put it, my newer posts on Twitter are being reported for sexual content. My profile pictures on IRIAM are being reported and my IRIAM account has been getting reported. And the reason people keep circling is basically, my vtuber model has boobs and cleavage, and there’s a wardrobe detail on the model that is showing underwear lines. I want to be really, really clear here, I am a seiso creator. I don’t post explicit content. I don’t make sexual content. My streams and posts are not sexual. And yes, I understand that IRIAM’s current review guidelines can flag things like visible underwear details and certain levels of chest exposure, and that profile icons get reviewed even more conservatively. My honest take is I don’t personally agree with how strict that is, especially when the model I’m using is one IRIAM provided me through their system, but I’m not here to wage war with platform rules. I’m here to create so I’m adapting. I’m changing how I crop images. I’m changing what I use for icons. And I’m already working on my 2.0 so it’s clearly safe under the current standards, even if that means my 2.0 ends up less showy than I originally wanted. That part is frustrating. But I’m doing it anyway. What this feels like on the back end is targeted harassment. It’s exhausting, it’s time consuming, and it creates this constant anxiety of “is my account going to get hit again today?” “Am I going to get suspended?” Etc. And on top of that, there’s been misinformation being spread about me as a creator, and that part has honestly been the most draining. I’m not going to name names. I’m not here to start a dogpile. That’s not who I am, and it’s not what I want my community to do. But I am going to say this, using report tools as a weapon to punish someone you don’t like is not “protecting the platform.” It’s bullying. So here’s my boundary and my ask, if you don’t like my design, my vibe, my content, that’s okay. You can mute, block, scroll, disengage. No hard feelings. But please stop trying to take away someone’s platform because you personally don’t approve of their body type or character design. If you genuinely believe something violates guidelines, report it once and let moderation do their job. Don’t turn it into a campaign. That’s not accountability. That’s not “keeping things safe.” That’s just trying to control other creators. I’m going to be honest: this has made me pull back. I had plans to connect people, collaborate more openly, and build more bridges, I’ve even paused any work I had planned to do for the Unofficial IRIAM zine… and I’ve been more cautious lately because I’ve needed to protect my mental health. So if I seem a bit more skittish to work openly with creators going forward, this is the reason why. I still want all of us to succeed. I still want creators to support creators. But I can’t keep putting myself in situations where I’m constantly being targeted. Right now, I’m handling things through the proper channels and documenting everything on my end. I’m going to keep creating, I’m going to keep being me, and I’m not going to let bad-faith reporting rewrite who I am as a creator. To everyone who’s been supportive, I appreciate you more than I can say. And I want to say this clearly one more time; you can disagree with a creator’s design and still behave like an adult. Bodies aren’t automatically sexual. And using reports as a weapon helps nobody, it just makes people afraid to exist. Please be kind to each other. Please don’t use TOS or report tools as a battering ram. It doesn’t make the community safer, it just makes people afraid to create. I’m going to rest, drink something hot, and try to kick this flu. Thank you for hearing me out. I love you guys. See you soon. And as always, Be Kind. p.s. Shoutout to my protect goat. Thank you for always having my back girly.
5:05

Sorry to talk more about this, but I felt it was important to discuss. Also, I am sorry I also sound so garbage, the flu is hitting hard. Scripted Captions: Hey. I need to talk about what happened yesterday, and honestly what’s been happening for a bit now, because it’s not only inaccurate… it’s starting to affect my ability to create. Also, I caught the flu, so if I sound rough, that’s why. Bare with me. And yes, this is scripted, because my brain is running on fumes and I want to say this clearly. First, thank you, seriously. To everyone who reached out, commented, sent dms, and just… reminded me I’m not crazy for feeling stressed, thank you. I’ve been trying to keep it together behind the scenes, and your kindness genuinely helped. Here’s what’s going on, as plainly as I can put it, my newer posts on Twitter are being reported for sexual content. My profile pictures on IRIAM are being reported and my IRIAM account has been getting reported. And the reason people keep circling is basically, my vtuber model has boobs and cleavage, and there’s a wardrobe detail on the model that is showing underwear lines. I want to be really, really clear here, I am a seiso creator. I don’t post explicit content. I don’t make sexual content. My streams and posts are not sexual. And yes, I understand that IRIAM’s current review guidelines can flag things like visible underwear details and certain levels of chest exposure, and that profile icons get reviewed even more conservatively. My honest take is I don’t personally agree with how strict that is, especially when the model I’m using is one IRIAM provided me through their system, but I’m not here to wage war with platform rules. I’m here to create so I’m adapting. I’m changing how I crop images. I’m changing what I use for icons. And I’m already working on my 2.0 so it’s clearly safe under the current standards, even if that means my 2.0 ends up less showy than I originally wanted. That part is frustrating. But I’m doing it anyway. What this feels like on the back end is targeted harassment. It’s exhausting, it’s time consuming, and it creates this constant anxiety of “is my account going to get hit again today?” “Am I going to get suspended?” Etc. And on top of that, there’s been misinformation being spread about me as a creator, and that part has honestly been the most draining. I’m not going to name names. I’m not here to start a dogpile. That’s not who I am, and it’s not what I want my community to do. But I am going to say this, using report tools as a weapon to punish someone you don’t like is not “protecting the platform.” It’s bullying. So here’s my boundary and my ask, if you don’t like my design, my vibe, my content, that’s okay. You can mute, block, scroll, disengage. No hard feelings. But please stop trying to take away someone’s platform because you personally don’t approve of their body type or character design. If you genuinely believe something violates guidelines, report it once and let moderation do their job. Don’t turn it into a campaign. That’s not accountability. That’s not “keeping things safe.” That’s just trying to control other creators. I’m going to be honest: this has made me pull back. I had plans to connect people, collaborate more openly, and build more bridges, I’ve even paused any work I had planned to do for the Unofficial IRIAM zine… and I’ve been more cautious lately because I’ve needed to protect my mental health. So if I seem a bit more skittish to work openly with creators going forward, this is the reason why. I still want all of us to succeed. I still want creators to support creators. But I can’t keep putting myself in situations where I’m constantly being targeted. Right now, I’m handling things through the proper channels and documenting everything on my end. I’m going to keep creating, I’m going to keep being me, and I’m not going to let bad-faith reporting rewrite who I am as a creator. To everyone who’s been supportive, I appreciate you more than I can say. And I want to say this clearly one more time; you can disagree with a creator’s design and still behave like an adult. Bodies aren’t automatically sexual. And using reports as a weapon helps nobody, it just makes people afraid to exist. Please be kind to each other. Please don’t use TOS or report tools as a battering ram. It doesn’t make the community safer, it just makes people afraid to create. I’m going to rest, drink something hot, and try to kick this flu. Thank you for hearing me out. I love you guys. See you soon. And as always, Be Kind. p.s. Shoutout to my protect goat. Thank you for always having my back girly.

Celes Aurion 🐾🎧

28,569 views • 6 months ago

Ethan Hawke revealed he handwrites every script to memorize his lines. Sydney Sweeney: How did you prep for something like that? I mean, the immense amount of dialogue. Ethan Hawke: You really want to know? Sydney Sweeney: I’m always interested in how other people memorize everything. Ethan Hawke: Well, what I do, and I started doing this a really long time ago, is I handwrite everything like it’s my journal. When I’m memorizing, I’m not memorizing from a typewritten final draft page. I don’t want to have that in my brain, and I don’t want irrelevant stage directions to be part of it. Because sometimes scripts say, “Upset, he says: ‘Can I have a drink?’” and you can’t undo it. Sydney Sweeney: You can’t. You see it. You see it in your brain. Ethan Hawke: You see it in your brain: “Upset: Can I have a drink?” I’m like, I’m not sure. There are a lot of ways to play “upset.” It might be, “Can I have a drink?” You might even laugh on it, and that reveals something. There are all these possibilities, so you try to get rid of all that. I handwrite the whole script out. This script took forever to handwrite. Sydney Sweeney: I can imagine. Ethan Hawke: Then I do it again to see what I remember and what I don’t. Sydney Sweeney: Oh, you write it from memory? Ethan Hawke: I try to write it from memory. Then I look and see what I got wrong. That process really helps me realize, “No, it’s not that word. That word goes over here. Oh, I already used that word.” It also helps me become extremely critical of the writer, in a positive way. I can notice things like, “I’m using this same word four different times. It doesn’t seem like my character would keep using that word. Maybe this would be a better word.” You can start having those kinds of conversations. Then I try to record it with no acting. I’ll take three pages or something, try to learn them, record myself with no performance at all, then compare it to the script and see what I got wrong. Sometimes I change something that I actually like better, and then I can work that in and figure it out.
2:39

Ethan Hawke revealed he handwrites every script to memorize his lines. Sydney Sweeney: How did you prep for something like that? I mean, the immense amount of dialogue. Ethan Hawke: You really want to know? Sydney Sweeney: I’m always interested in how other people memorize everything. Ethan Hawke: Well, what I do, and I started doing this a really long time ago, is I handwrite everything like it’s my journal. When I’m memorizing, I’m not memorizing from a typewritten final draft page. I don’t want to have that in my brain, and I don’t want irrelevant stage directions to be part of it. Because sometimes scripts say, “Upset, he says: ‘Can I have a drink?’” and you can’t undo it. Sydney Sweeney: You can’t. You see it. You see it in your brain. Ethan Hawke: You see it in your brain: “Upset: Can I have a drink?” I’m like, I’m not sure. There are a lot of ways to play “upset.” It might be, “Can I have a drink?” You might even laugh on it, and that reveals something. There are all these possibilities, so you try to get rid of all that. I handwrite the whole script out. This script took forever to handwrite. Sydney Sweeney: I can imagine. Ethan Hawke: Then I do it again to see what I remember and what I don’t. Sydney Sweeney: Oh, you write it from memory? Ethan Hawke: I try to write it from memory. Then I look and see what I got wrong. That process really helps me realize, “No, it’s not that word. That word goes over here. Oh, I already used that word.” It also helps me become extremely critical of the writer, in a positive way. I can notice things like, “I’m using this same word four different times. It doesn’t seem like my character would keep using that word. Maybe this would be a better word.” You can start having those kinds of conversations. Then I try to record it with no acting. I’ll take three pages or something, try to learn them, record myself with no performance at all, then compare it to the script and see what I got wrong. Sometimes I change something that I actually like better, and then I can work that in and figure it out.

Ruzy.hl

290,107 views • 3 days ago

I noticed the women who promote drinking and smoking while pregnant Chrisean accusing me of using my children and grandchildren for clout and show purposes. And you know I love to prove yall drunk 304s wrong. So here are a few videos and pictures of me and mines before the fame and the shows. See I know it hurts yall to know the truth but I don’t give no fuck that your mom and grandma aren’t me. Yes I’m a TMZ mom I always had the cameras out because I wanted to capture everything because I loved every moment of being a mother even when times was hard. Being a mother is my biggest accomplishment in life it was my hardest battle and no matter where my children are in their struggles of life I’m here and they know their way home. Thanks to my amazing father I know unconditional love and I will never give up on them and eagerly await the day we all get to look back and laugh at each other as over comers. Mothers single mothers you at war for yours don’t be no coward. Keep going! I promise if you don’t quit you will laugh again 🙏🏾
0:13

I noticed the women who promote drinking and smoking while pregnant Chrisean accusing me of using my children and grandchildren for clout and show purposes. And you know I love to prove yall drunk 304s wrong. So here are a few videos and pictures of me and mines before the fame and the shows. See I know it hurts yall to know the truth but I don’t give no fuck that your mom and grandma aren’t me. Yes I’m a TMZ mom I always had the cameras out because I wanted to capture everything because I loved every moment of being a mother even when times was hard. Being a mother is my biggest accomplishment in life it was my hardest battle and no matter where my children are in their struggles of life I’m here and they know their way home. Thanks to my amazing father I know unconditional love and I will never give up on them and eagerly await the day we all get to look back and laugh at each other as over comers. Mothers single mothers you at war for yours don’t be no coward. Keep going! I promise if you don’t quit you will laugh again 🙏🏾

Karlissa Saffold Harvey

15,806 views • 1 year ago

FLEX TALK X JOONGDUNK #Flex1045xDareYouToDeath #จุงดัง #JoongDunk : what should we talk about? 🌞Dunk spoke first : you want to say thank you - apologize or tell something 🌻 thank you so much, ter 🌞hey quickly! : say how quick he is really waiting to hear it 🌻 thank you so much for traveling this long journey with me 4 years already - thank you for always sharing everything, saying if something isn’t okay and i’ll also say it back: “thank you for understanding each other - knowing what each person likes and doesn’t like”. thank you for holding hands and going forward together i hope in the future i’ll still see your face - i want to have you by my side walking this path together continuously 🌻hank you truly let me hold your hand a bit—not for anything just the air is cold, 🌻 thank you so much for coming this far together - it’s hard to put into words but all i really want to say is thank you 🌻and i want to apologize too - sorry na krub if i ever did something you didn’t like without realizing it sometimes i may think in only one way about certain things sometimes i think too simply - sorry and thank you so much for understanding me : so cute, there’s the word “thank you” about 25 times 🌻honestly there’s no other word just “thank you” especially lately thank you for understanding each other more i’ll say it – this year is the year where the two of us JoongDunk understand each other the most since we started working together 🌞i don’t know where to start but it’s okay i’ll start with a “thank you” because i believe “thank you” is the biggest word right now . the biggest like thank you for still having each other today. thank you for everything we’ve been through – good days and bad days –but thank you for still being together. just say thank you for still being here because sometimes i didn’t think we’d get through it but we did 🌻we’ve made it 🌞 i didn’t think we’d make it but in the end we did. thank you for everything that has kept us together today. thank you for… patience with each other works too. because as humans we all have strengths and weaknesses but we keep learning from each other. this year i feel like i know you better than last year and i believe that next year we’ll want to know each other even more 🌻 honestly i just want to add a little… like being able to be completely myself i mean i’ve never not been myself with him and it’s okay because we already know each other inside out 🌞 it’s not just that we accept each other but that we understand each other 🌻 understand each other more 🌞sorry for the days i didn’t understand you really didn’t understand at all and sorry if sometimes for the hurtful things i once said.. sorry for sometimes saying things i didn’t want you to hear 🌻 i understand - it’s okay we can start again always
7:04

FLEX TALK X JOONGDUNK #Flex1045xDareYouToDeath #จุงดัง #JoongDunk : what should we talk about? 🌞Dunk spoke first : you want to say thank you - apologize or tell something 🌻 thank you so much, ter 🌞hey quickly! : say how quick he is really waiting to hear it 🌻 thank you so much for traveling this long journey with me 4 years already - thank you for always sharing everything, saying if something isn’t okay and i’ll also say it back: “thank you for understanding each other - knowing what each person likes and doesn’t like”. thank you for holding hands and going forward together i hope in the future i’ll still see your face - i want to have you by my side walking this path together continuously 🌻hank you truly let me hold your hand a bit—not for anything just the air is cold, 🌻 thank you so much for coming this far together - it’s hard to put into words but all i really want to say is thank you 🌻and i want to apologize too - sorry na krub if i ever did something you didn’t like without realizing it sometimes i may think in only one way about certain things sometimes i think too simply - sorry and thank you so much for understanding me : so cute, there’s the word “thank you” about 25 times 🌻honestly there’s no other word just “thank you” especially lately thank you for understanding each other more i’ll say it – this year is the year where the two of us JoongDunk understand each other the most since we started working together 🌞i don’t know where to start but it’s okay i’ll start with a “thank you” because i believe “thank you” is the biggest word right now . the biggest like thank you for still having each other today. thank you for everything we’ve been through – good days and bad days –but thank you for still being together. just say thank you for still being here because sometimes i didn’t think we’d get through it but we did 🌻we’ve made it 🌞 i didn’t think we’d make it but in the end we did. thank you for everything that has kept us together today. thank you for… patience with each other works too. because as humans we all have strengths and weaknesses but we keep learning from each other. this year i feel like i know you better than last year and i believe that next year we’ll want to know each other even more 🌻 honestly i just want to add a little… like being able to be completely myself i mean i’ve never not been myself with him and it’s okay because we already know each other inside out 🌞 it’s not just that we accept each other but that we understand each other 🌻 understand each other more 🌞sorry for the days i didn’t understand you really didn’t understand at all and sorry if sometimes for the hurtful things i once said.. sorry for sometimes saying things i didn’t want you to hear 🌻 i understand - it’s okay we can start again always

🇻🇳Jaidee’s aunt Bamnie🐣

73,230 views • 5 months ago

Hololive ID “Chromatic Future”: An unexpected journey…. Hi everyone, This weekend feels surreal. This is the very first time I’ve experienced a Hololive concert of this scale right here in Indonesia—just a short three-hour flight from Bangkok. Honestly, I never imagined that something so big, so meaningful, would happen this close to home. My journey with live events began in 2023, and ever since then, each experience has captured my heart in a different way. But Indonesia… Indonesia became something more. My first visit in 2023 changed me forever. It became a place I felt drawn to—somewhere I always want to return to. Here, I found friends who feel like family. Here, I found warmth that feels almost unreal. And here, I found a country that makes me feel understood, even if our cultures, languages, or lifestyles may differ. But above all, Indonesia is the home of our beloved Hololive ID girls—and that alone makes this place incredibly special. I have always held deep respect for Hololive ID, especially Kureiji Ollie and Moona Hoshinova. They have carried me through many difficult moments—times when my heart felt heavy, times when I felt lost. Their voices, their music, and their presence have always comforted me in ways I can’t fully explain. Ollie and Moona once told me that I’ve done a lot for the community. I still don’t know if that’s true. But they gave me confidence to keep going—to keep supporting, to keep creating, to keep believing. Even when I say something silly or act in ways I’m unsure of, she still believes I’m someone people can rely on. That kind of kindness… you never forget. This event—this beautiful, unforgettable night—is something I had always dreamed of. And now that it has finally happened, my heart is full. I know I’ll return again, not only to see the talents, but to reunite with my friends… my Indonesian family… the people who make this journey worth every mile. Thank you, Cover Corp. Thank you, Hololive Indonesia. Thank you for giving your all to make this event shine. I don’t have many fancy words. But I do have feelings—real ones. And the truth is: I love this community. Hololive is something I want to cherish for the rest of my life. This is a community where no one is forgotten, no one is abandoned, and everyone matters—no matter who they are or where they come from. We lift each other up. We protect each other. We laugh, cry, and celebrate together. I don’t know how long I will live. I don’t know how long I will remain in this hobby. But I do know one thing for certain: Hololive, and the people in this community, will always be the home of my heart. I love Hololive Indonesia. I love this community. I love every single one of you who continue to support one another until the very end. Good night, Goodbye and Thank you Indonesia—and I truly hope we will meet again soon. #holoIDChromaticFuture #Zomrade #Moonafic #Kureiji_Ollie #Moona_Hoshinova
1:13

Hololive ID “Chromatic Future”: An unexpected journey…. Hi everyone, This weekend feels surreal. This is the very first time I’ve experienced a Hololive concert of this scale right here in Indonesia—just a short three-hour flight from Bangkok. Honestly, I never imagined that something so big, so meaningful, would happen this close to home. My journey with live events began in 2023, and ever since then, each experience has captured my heart in a different way. But Indonesia… Indonesia became something more. My first visit in 2023 changed me forever. It became a place I felt drawn to—somewhere I always want to return to. Here, I found friends who feel like family. Here, I found warmth that feels almost unreal. And here, I found a country that makes me feel understood, even if our cultures, languages, or lifestyles may differ. But above all, Indonesia is the home of our beloved Hololive ID girls—and that alone makes this place incredibly special. I have always held deep respect for Hololive ID, especially Kureiji Ollie and Moona Hoshinova. They have carried me through many difficult moments—times when my heart felt heavy, times when I felt lost. Their voices, their music, and their presence have always comforted me in ways I can’t fully explain. Ollie and Moona once told me that I’ve done a lot for the community. I still don’t know if that’s true. But they gave me confidence to keep going—to keep supporting, to keep creating, to keep believing. Even when I say something silly or act in ways I’m unsure of, she still believes I’m someone people can rely on. That kind of kindness… you never forget. This event—this beautiful, unforgettable night—is something I had always dreamed of. And now that it has finally happened, my heart is full. I know I’ll return again, not only to see the talents, but to reunite with my friends… my Indonesian family… the people who make this journey worth every mile. Thank you, Cover Corp. Thank you, Hololive Indonesia. Thank you for giving your all to make this event shine. I don’t have many fancy words. But I do have feelings—real ones. And the truth is: I love this community. Hololive is something I want to cherish for the rest of my life. This is a community where no one is forgotten, no one is abandoned, and everyone matters—no matter who they are or where they come from. We lift each other up. We protect each other. We laugh, cry, and celebrate together. I don’t know how long I will live. I don’t know how long I will remain in this hobby. But I do know one thing for certain: Hololive, and the people in this community, will always be the home of my heart. I love Hololive Indonesia. I love this community. I love every single one of you who continue to support one another until the very end. Good night, Goodbye and Thank you Indonesia—and I truly hope we will meet again soon. #holoIDChromaticFuture #Zomrade #Moonafic #Kureiji_Ollie #Moona_Hoshinova

Jimmy WeebShooter🍎🌸🧟‍♀️🔮🐱(🪻⚡️) 🍳

19,507 views • 8 months ago

If you watch this ~50 minute screen recording closely (yeah, I know, it's long; there are also some times when my computer was very slow and laggy, just skip past that part. And at one point I had to run and get my 9-month-old a new bottle and left it on a boring screen, sorry!), I believe you can see real signs of the kind of runaway, recursive AI self-improvement that people have been warning of for a while (Mr. Kurzweil most notably and prophetically). Why do I say that? What's different now? Well, there's a reason my set of agent coding tooling is called the Flywheel. These tools all mutually self-reinforce each other. And they all flow directly into my ntm tool (short for "named_tmux_manager"), which acts as a sort of integration point and nerve center for the tools (this is becoming more true by the minute as I'm now seriously working on ntm). Now, ntm was something I started making to automate some aspects of my workflow, but it was the kind of thing where, until it was perfect, it sort of just slowed me down. So I didn't actually use it even though I kept working on it and trying to improve it, and suggested to users that they try it in my tutorials. Well anyway, I finally got around to "dogfooding" ntm last night, and now it's going to get very dramatically better at an alarming rate. Some of that is from applying my "idea wizard" prompt to generate more useful features and building that stuff out and addressing obvious pain points I encountered during my newfound usage of the tool. But a lot comes from my realization that, once again, ntm's true utility is not as a tool for ME, but for an agent. That is, ntm lets one instance of Claude Code or Codex act as, well, me, do the things that I had been doing manually. Do I wish I had started using ntm earlier? No, for two big reasons: 1) Doing it manually helped me build up my intuition massively, which directly led me down the path of creating useful prompt strategies and workflows; these often began as ad-hoc prompts that I realized could be generalized and made more versatile/universal. Lesson: don't prematurely automate until you have an intimate, intuitive feel for your "core value-add loop." Otherwise you'll have a fully automated system quickly that efficiently and automatically does a stupid or otherwise sub-optimal thing. 2) My eyes have been opened to the beauty and power of Skills. I'm not talking about your garden-variety skills that are just a simple markdown file. I'm talking about true tour-de-force directories of perfectly structured and organized files that are filled with good information, insights, workflows, etc., but presented in a way that is highly optimized for consumption by AI agents, with extreme attention paid to things like perfect progressive disclosure, token density, agent-ergonomics, agent-intuitiveness, etc. And also Skills that go way beyond markdown files, with full integration into Claude Code where it makes sense via hooks, sub-agents, and even Python scripts. These kinds of skills are a qualitative difference in expressive power and usefulness and a total game changer. They are also effectively composable, creating almost an algebra of skills that let you use them together in powerful ways. I'm working on a subscription service website and CLI tool now to share what I've learned here most effectively, stay tuned for that in the coming days. Anyway, I now know what to make and how to make it. So, getting back to that screen recording, what does it show that makes me claim recursive self-improvement is here? If you keep your eye on the upper left tmux pane, that's the "controller" agent. It is using ntm to control all the other panes which are also running Claude Code (but ntm fully supports other agent types like Codex and Gemini-CLI, and it's trivially easy to mix and match them if you wanted to have, say, 8 CCs and 6 Codexes for writing the code and 3 Gemini-CLIs for reviewing code.) Now, there's nothing that crazy about this much so far. But where it starts to get very cool is that as the session continues and we encounter real-world problems, things like my ridiculously overloaded computer that keeps hanging for long periods, Claude Code instances that crash and get into a frozen, unresponsive state, it can learn from that. And you can see it using my skill writing skill to refine its ntm vibe coding skill in real time. And then take that skill and refine it to be more intuitive for itself. Or use my cass tool skill to search all the session histories to look for problems that came up and strategize how to solve them. The most useful part was when, towards the end of the session, I told it to reflect on all the things we had done and problems we encountered. One way it can usefully leverage those reflections is by improving its ntm vibe coding skill to make it cover more edge cases and exigencies. But the other, more fundamental, way is for it to conceive of and design the optimal new features and functionality for ntm itself so that the tool embodies those lessons in a first-class way. This offloads cognition from its brain onto its tooling, just like how a person can lean on spellcheck or a calculator. It codifies correct, effective reasoning at the tool level, where it's more reliable and robust and repeatable. And btw, did you notice what code base it was working on the whole time? It was none other than ntm itself! So as it worked on its own tool, it had reflections and ideas about how to further improve the tool. Now, it could have just as easily gotten those insights and ideas while using ntm to work on a different project, but the fact that it was working on itself is almost gloriously meta and recursive. So by the end, after learning from tending to a big group of agent workers (btw, I have previously emphasized doing everything in a really distributed/decentralized way, where each fungible agent gets identical marching orders that tell it to use my bv tool to find the optimal bead to work on. This does work very well, but occasionally results in some contention and overlap from thundering herd, or at least wastes time/tokens/communication in avoiding that before the agents waste time duplicating work. But in this new ntm-oriented workflow, I was able to have the controller agent in the upper left use bv itself and then optimally parcel out the instructions to each agent so that we could know for sure that there's no overlap), I ended up with a ton of new beads for new features, which I had it optimize and polish a few times. Now I can swap to a new Claude Max account and have the swarm implement all those new features! It should only take a couple passes like the one shown in the screen recording to get everything implemented. Then we can rinse and repeat, having the agent read through the full session histories of each agent and its experience from its own session in sending ntm commands and seeing how they worked out in practice, to come up with the next batch of changes to both its ntm vibe coding skill AND to the ntm tool itself. Do you see how rapidly this turns into Skynet? My mistake earlier was in focusing on making myself a "faster horse" as Henry Ford used to joke about customers wanting before he showed them what they should really want (a Model T). That is, something that would make my experience nicer while doing this agent swarm based development workflow. But the obvious lesson is that you should make all your tooling agent-first because the agents are just better at this stuff. You can still watch, and of course I did add a ridiculous number of very nice human-centric features to ntm that you'll be seeing in the next day or two, but those are really kind of "for fun" to make us humans feel better about the process. All the real value-add is happening "by agents, for agents." PS: Towards the end, you can see me switch to my Mac and tell Claude to improve the skill that I made earlier today for taking the mkv screen recording files from OBS Studio and muxing them into MP4 files for sharing, while downloading songs from YouTube to serve as the background music. I made it so it can also grab the thumbnails and generate little song credit cards that show up in the lower right corner. This worked perfectly the first time! I'll include some screenshots in a response post showing how that worked, but it was awesome to witness. Skills are POWERFUL. I'll also post a link to this video on YouTube if you prefer to watch it there.
51:48

If you watch this ~50 minute screen recording closely (yeah, I know, it's long; there are also some times when my computer was very slow and laggy, just skip past that part. And at one point I had to run and get my 9-month-old a new bottle and left it on a boring screen, sorry!), I believe you can see real signs of the kind of runaway, recursive AI self-improvement that people have been warning of for a while (Mr. Kurzweil most notably and prophetically). Why do I say that? What's different now? Well, there's a reason my set of agent coding tooling is called the Flywheel. These tools all mutually self-reinforce each other. And they all flow directly into my ntm tool (short for "named_tmux_manager"), which acts as a sort of integration point and nerve center for the tools (this is becoming more true by the minute as I'm now seriously working on ntm). Now, ntm was something I started making to automate some aspects of my workflow, but it was the kind of thing where, until it was perfect, it sort of just slowed me down. So I didn't actually use it even though I kept working on it and trying to improve it, and suggested to users that they try it in my tutorials. Well anyway, I finally got around to "dogfooding" ntm last night, and now it's going to get very dramatically better at an alarming rate. Some of that is from applying my "idea wizard" prompt to generate more useful features and building that stuff out and addressing obvious pain points I encountered during my newfound usage of the tool. But a lot comes from my realization that, once again, ntm's true utility is not as a tool for ME, but for an agent. That is, ntm lets one instance of Claude Code or Codex act as, well, me, do the things that I had been doing manually. Do I wish I had started using ntm earlier? No, for two big reasons: 1) Doing it manually helped me build up my intuition massively, which directly led me down the path of creating useful prompt strategies and workflows; these often began as ad-hoc prompts that I realized could be generalized and made more versatile/universal. Lesson: don't prematurely automate until you have an intimate, intuitive feel for your "core value-add loop." Otherwise you'll have a fully automated system quickly that efficiently and automatically does a stupid or otherwise sub-optimal thing. 2) My eyes have been opened to the beauty and power of Skills. I'm not talking about your garden-variety skills that are just a simple markdown file. I'm talking about true tour-de-force directories of perfectly structured and organized files that are filled with good information, insights, workflows, etc., but presented in a way that is highly optimized for consumption by AI agents, with extreme attention paid to things like perfect progressive disclosure, token density, agent-ergonomics, agent-intuitiveness, etc. And also Skills that go way beyond markdown files, with full integration into Claude Code where it makes sense via hooks, sub-agents, and even Python scripts. These kinds of skills are a qualitative difference in expressive power and usefulness and a total game changer. They are also effectively composable, creating almost an algebra of skills that let you use them together in powerful ways. I'm working on a subscription service website and CLI tool now to share what I've learned here most effectively, stay tuned for that in the coming days. Anyway, I now know what to make and how to make it. So, getting back to that screen recording, what does it show that makes me claim recursive self-improvement is here? If you keep your eye on the upper left tmux pane, that's the "controller" agent. It is using ntm to control all the other panes which are also running Claude Code (but ntm fully supports other agent types like Codex and Gemini-CLI, and it's trivially easy to mix and match them if you wanted to have, say, 8 CCs and 6 Codexes for writing the code and 3 Gemini-CLIs for reviewing code.) Now, there's nothing that crazy about this much so far. But where it starts to get very cool is that as the session continues and we encounter real-world problems, things like my ridiculously overloaded computer that keeps hanging for long periods, Claude Code instances that crash and get into a frozen, unresponsive state, it can learn from that. And you can see it using my skill writing skill to refine its ntm vibe coding skill in real time. And then take that skill and refine it to be more intuitive for itself. Or use my cass tool skill to search all the session histories to look for problems that came up and strategize how to solve them. The most useful part was when, towards the end of the session, I told it to reflect on all the things we had done and problems we encountered. One way it can usefully leverage those reflections is by improving its ntm vibe coding skill to make it cover more edge cases and exigencies. But the other, more fundamental, way is for it to conceive of and design the optimal new features and functionality for ntm itself so that the tool embodies those lessons in a first-class way. This offloads cognition from its brain onto its tooling, just like how a person can lean on spellcheck or a calculator. It codifies correct, effective reasoning at the tool level, where it's more reliable and robust and repeatable. And btw, did you notice what code base it was working on the whole time? It was none other than ntm itself! So as it worked on its own tool, it had reflections and ideas about how to further improve the tool. Now, it could have just as easily gotten those insights and ideas while using ntm to work on a different project, but the fact that it was working on itself is almost gloriously meta and recursive. So by the end, after learning from tending to a big group of agent workers (btw, I have previously emphasized doing everything in a really distributed/decentralized way, where each fungible agent gets identical marching orders that tell it to use my bv tool to find the optimal bead to work on. This does work very well, but occasionally results in some contention and overlap from thundering herd, or at least wastes time/tokens/communication in avoiding that before the agents waste time duplicating work. But in this new ntm-oriented workflow, I was able to have the controller agent in the upper left use bv itself and then optimally parcel out the instructions to each agent so that we could know for sure that there's no overlap), I ended up with a ton of new beads for new features, which I had it optimize and polish a few times. Now I can swap to a new Claude Max account and have the swarm implement all those new features! It should only take a couple passes like the one shown in the screen recording to get everything implemented. Then we can rinse and repeat, having the agent read through the full session histories of each agent and its experience from its own session in sending ntm commands and seeing how they worked out in practice, to come up with the next batch of changes to both its ntm vibe coding skill AND to the ntm tool itself. Do you see how rapidly this turns into Skynet? My mistake earlier was in focusing on making myself a "faster horse" as Henry Ford used to joke about customers wanting before he showed them what they should really want (a Model T). That is, something that would make my experience nicer while doing this agent swarm based development workflow. But the obvious lesson is that you should make all your tooling agent-first because the agents are just better at this stuff. You can still watch, and of course I did add a ridiculous number of very nice human-centric features to ntm that you'll be seeing in the next day or two, but those are really kind of "for fun" to make us humans feel better about the process. All the real value-add is happening "by agents, for agents." PS: Towards the end, you can see me switch to my Mac and tell Claude to improve the skill that I made earlier today for taking the mkv screen recording files from OBS Studio and muxing them into MP4 files for sharing, while downloading songs from YouTube to serve as the background music. I made it so it can also grab the thumbnails and generate little song credit cards that show up in the lower right corner. This worked perfectly the first time! I'll include some screenshots in a response post showing how that worked, but it was awesome to witness. Skills are POWERFUL. I'll also post a link to this video on YouTube if you prefer to watch it there.

Jeffrey Emanuel

25,483 views • 5 months ago