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That strange, distorted opening was created by Kim Deal singing through a harmonica microphone, helping “Cannonball” sound unusual before the guitars even fully arrive. Produced by Mark Freegard and Kim Deal, the track mixed sudden volume changes, an instantly recognisable bassline and Deal’s deliberately off-centre songwriting. It became the... show more

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A distorted vocal, an instantly recognisable bassline and sudden bursts of guitar noise turned “Cannonball” into The Breeders’ breakthrough hit. Kim Deal even sang through a harmonica microphone to create the strange vocal sound heard on the recording. The track came from their 1993 second album Last Splash, produced by Deal and Mark Freegard, and its success helped push the album to platinum status in the US. Its memorable video was co-directed by Kim Gordon and Spike Jonze. At Pinkpop on 23 May 1994, “Cannonball” captured The Breeders at the height of their breakthrough, just months before they joined that summer’s Lollapalooza tour.

A distorted vocal, an instantly recognisable bassline and sudden bursts of guitar noise turned “Cannonball” into The Breeders’ breakthrough hit. Kim Deal even sang through a harmonica microphone to create the strange vocal sound heard on the recording. The track came from their 1993 second album Last Splash, produced by Deal and Mark Freegard, and its success helped push the album to platinum status in the US. Its memorable video was co-directed by Kim Gordon and Spike Jonze. At Pinkpop on 23 May 1994, “Cannonball” captured The Breeders at the height of their breakthrough, just months before they joined that summer’s Lollapalooza tour.

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24,111 views • 18 days ago

Captured at Pinkpop in 1994, Cannonball documents The Breeders at the height of their mainstream breakthrough. Released in 1993, the song appeared on Last Splash, the band’s second album, and became their biggest hit, reaching the UK Top 40 and dominating alternative radio worldwide. Written by Kim Deal and built around a distinctive bass intro and stop start dynamics, Cannonball helped push Last Splash to multi platinum success. Festival performances like this showed the band translating their off kilter studio sound into a powerful live setting during the peak of their 90s run.

Captured at Pinkpop in 1994, Cannonball documents The Breeders at the height of their mainstream breakthrough. Released in 1993, the song appeared on Last Splash, the band’s second album, and became their biggest hit, reaching the UK Top 40 and dominating alternative radio worldwide. Written by Kim Deal and built around a distinctive bass intro and stop start dynamics, Cannonball helped push Last Splash to multi platinum success. Festival performances like this showed the band translating their off kilter studio sound into a powerful live setting during the peak of their 90s run.

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The Breeders “Cannonball” Last Splash 4AD Records (1993) Director: Kim Gordon & Spike Jonze A looming presence that could drop at any moment on every alt rock station, and we love it every time. The song that bought Kim two houses has bought a #120Vault

The Breeders “Cannonball” Last Splash 4AD Records (1993) Director: Kim Gordon & Spike Jonze A looming presence that could drop at any moment on every alt rock station, and we love it every time. The song that bought Kim two houses has bought a #120Vault

120 Revisted

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“Candyman” was written by Christina Aguilera and Linda Perry for Aguilera's 2006 album Back to Basics. Inspired by the sound of 1940s swing and the vocal harmonies of The Andrews Sisters, particularly “Boogie Woogie Bugle Boy,” the song combines vintage jazz, blues and pop with Aguilera's provocative modern style. It also incorporates a sample from “Tarzan & Jane Swingin' on a Vine,” a U.S. Marines cadence, giving the track its instantly recognisable military-style chant. The track became a major international hit, reaching No. 25 on the Billboard Hot 100, No. 17 on the UK Singles Chart and No. 9 on the Canadian Hot 100. The music video, co-directed by Aguilera and Matthew Rolston, embraces a 1940s World War II aesthetic and presents Aguilera as a three-woman singing group inspired by The Andrews Sisters. The video also features references to classic Hollywood pin-up culture and the famous “We Can Do It!” poster, while Benji Schwimmer appears as her dance partner.

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“My Sacrifice” is from Creed’s 2001 album Weathered. The track became one of the band's signature songs, reaching #18 on the Billboard Hot 100. It also topped the Mainstream Rock Tracks chart for nine consecutive weeks, reached #4 on the Mainstream Top 40, and became a major international hit, reaching the Top 10 in Australia and the Top 20 in the UK. Written by frontman Scott Stapp, the song became even more memorable for many fans when WWE used it in its acclaimed 2002 "Desire" promotional video packages.

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10,458 views • 1 month ago

“Crazy” is from Aerosmith's 1993 album Get a Grip and was released as the fifth and final single from the album in May 1994. The power ballad became one of the band's most memorable hits of the 1990s, reaching No. 17 on the Billboard Hot 100 and No. 7 on the Billboard Mainstream Rock chart. The song became even more iconic thanks to its cinematic music video, directed by Marty Callner. Alicia Silverstone, who had already appeared in “Cryin'” and “Amazing,” starred alongside 16-year-old Liv Tyler, Steven Tyler's daughter, who made her professional acting debut in the video. The production team had discovered Liv after seeing her in a Pantene commercial, initially without knowing she was Steven's daughter. The video received heavy rotation on MTV and was one of the channel's most requested videos of 1994, helping turn “Crazy” into one of Aerosmith's defining songs of the decade.

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Noel Gallagher later became one of the harshest critics of “Sunday Morning Call”, despite writing and singing it himself. Built around a slower, reflective arrangement, the song deals with isolation, dissatisfaction and trying to escape a life that has lost its direction. It came from Oasis’ 2000 album Standing on the Shoulder of Giants, produced by Mark “Spike” Stent and Noel, and became the album’s third UK single, reaching No. 4. Noel disliked it so much that years later, when it was included as a hidden track on Time Flies... 1994–2009, he joked that even its placement should remain secret. This 2000 Nulle Part Ailleurs performance captures a rarely revisited part of the Oasis catalogue.

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🔥🎸🎸🔥"Wicked Game" is a song by American songwriter Chris Isaak. Produced by Erik Jacobsen and released as a single without much fanfare in July 1989, the song became an unexpected hit when Lee Chesnut, music director at an Atlanta radio station and a big fan of David Lynch films, began playing it after hearing it in Lynch's 1990 film *Wild at Heart*. The song quickly became a top 10 US hit by March 1991, reaching number 6 on the Billboard Hot 100 chart. It also became a number 1 hit in Belgium and reached the top 10 in several other countries. The music video, directed by Herb Ritts and filmed in Hawaii starring Helena Christensen, won two awards at the 1991 MTV Video Music Awards.

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“Oops!... I Did It Again” was written and produced by Max Martin and Rami Yacoub and recorded in 1999 for Britney Spears' second studio album of the same name. Released in 2000, the song became a huge international hit, reaching No. 9 on the Billboard Hot 100 and No. 1 on the US Mainstream Top 40 chart. It topped the singles charts in the UK, Canada, Australia, New Zealand, Sweden and several other countries, and earned Spears a Grammy nomination for Best Female Pop Vocal Performance in 2001. The music video, directed by Nigel Dick, was based on Britney's own idea of dancing on Mars, and she specifically requested a red outfit. During filming, a piece of the camera equipment fell and struck her head, causing an injury that required four stitches. She rested for about four hours before returning to the set.

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"Stay the Night" was the debut solo single by Benjamin Orr, bassist and co-vocalist of The Cars, for his only solo album, The Lace. The track was co-written by Orr with Diane Grey Page, his then-girlfriend and songwriting partner on the album. Released during The Cars' break between Greatest Hits (1985) and Door to Door (1987), the song brought melodic and sophisticated pop-rock that gave Orr the chance to shine as a frontman on his own. It became her only solo hit on the Top 40 of the Billboard Hot 100, reaching #24, as well as reaching #2 on the Adult Contemporary chart and #6 on the Album Rock Tracks chart in early 1987. The Lace also featured Elliot Easton, guitarist of The Cars, and was produced by Benjamin Orr, Larry Klein and Mike Shipley.

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A burst of guitar noise originally intended to sabotage the song became its most recognisable moment. Jonny Greenwood disliked how quiet “Creep” sounded and attacked his guitar just before each chorus, creating the explosive crunch that ended up defining the recording. The track appeared on Radiohead’s 1993 debut album Pablo Honey, produced by Sean Slade and Paul Q. Kolderie, and became the band’s first international hit after initially struggling in the UK. Its success soon became complicated, with Radiohead growing tired of being defined by a single song. At Rock am Ring in 1994, however, “Creep” was still the track introducing huge festival audiences to the band.

A burst of guitar noise originally intended to sabotage the song became its most recognisable moment. Jonny Greenwood disliked how quiet “Creep” sounded and attacked his guitar just before each chorus, creating the explosive crunch that ended up defining the recording. The track appeared on Radiohead’s 1993 debut album Pablo Honey, produced by Sean Slade and Paul Q. Kolderie, and became the band’s first international hit after initially struggling in the UK. Its success soon became complicated, with Radiohead growing tired of being defined by a single song. At Rock am Ring in 1994, however, “Creep” was still the track introducing huge festival audiences to the band.

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192,555 views • 18 days ago

Inspiral Carpets - This Is How It Feels (#TOTP 1990) This was the Oldham band's first single to hit the UK Top 40. From their debut album, Life, the song was written and produced by the group. Reaching #14 in the UK, the track went on to be certified Silver in British sales.

Inspiral Carpets - This Is How It Feels (#TOTP 1990) This was the Oldham band's first single to hit the UK Top 40. From their debut album, Life, the song was written and produced by the group. Reaching #14 in the UK, the track went on to be certified Silver in British sales.

Ian Phillips: Music, TV & Film Classics

16,764 views • 1 month ago

“Losing My Religion” was written by all four members of R.E.M.: Michael Stipe, Peter Buck, Mike Mills and Bill Berry and began with an unusual mandolin riff that Buck developed while experimenting with the instrument. The track was released in 1991 as the lead single from R.E.M.’s seventh studio album, Out of Time. It became the band’s biggest U.S. hit, reaching No. 4 on the Billboard Hot 100, while peaking at No. 19 on the UK Singles Chart. The song also reached the Top 10 in several other countries. Its acclaimed music video, directed by Tarsem Singh and filled with religious and classical-art imagery, won the Grammy for Best Short Form Music Video in 1992, while the song itself won Best Pop Performance by a Duo or Group with Vocal. Despite becoming one of R.E.M.’s signature songs, “Losing My Religion” has no conventional chorus and Peter Buck’s mandolin remains its defining instrumental feature.

“Losing My Religion” was written by all four members of R.E.M.: Michael Stipe, Peter Buck, Mike Mills and Bill Berry and began with an unusual mandolin riff that Buck developed while experimenting with the instrument. The track was released in 1991 as the lead single from R.E.M.’s seventh studio album, Out of Time. It became the band’s biggest U.S. hit, reaching No. 4 on the Billboard Hot 100, while peaking at No. 19 on the UK Singles Chart. The song also reached the Top 10 in several other countries. Its acclaimed music video, directed by Tarsem Singh and filled with religious and classical-art imagery, won the Grammy for Best Short Form Music Video in 1992, while the song itself won Best Pop Performance by a Duo or Group with Vocal. Despite becoming one of R.E.M.’s signature songs, “Losing My Religion” has no conventional chorus and Peter Buck’s mandolin remains its defining instrumental feature.

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23,174 views • 10 days ago

“Burning Heart” was recorded by Survivor for the 1985 film Rocky IV, after Sylvester Stallone personally commissioned the band to create another high-energy song following the success of “Eye of the Tiger.” Written by Jim Peterik and Frankie Sullivan, the track perfectly captured the film’s Cold War narrative. Released in 1985, the track became a massive hit, reaching No. 2 on the Billboard Hot 100 for two weeks, where it was kept from the top spot by Dionne Warwick & Friends’ “That’s What Friends Are For.” It also reached No. 5 on the UK Singles Chart and topped the charts in Belgium and Switzerland. The song became Survivor’s biggest hit with Jimi Jamison on lead vocals, while the Rocky IV soundtrack climbed to No. 10 on the Billboard 200 and was later certified Platinum in the United States.

“Burning Heart” was recorded by Survivor for the 1985 film Rocky IV, after Sylvester Stallone personally commissioned the band to create another high-energy song following the success of “Eye of the Tiger.” Written by Jim Peterik and Frankie Sullivan, the track perfectly captured the film’s Cold War narrative. Released in 1985, the track became a massive hit, reaching No. 2 on the Billboard Hot 100 for two weeks, where it was kept from the top spot by Dionne Warwick & Friends’ “That’s What Friends Are For.” It also reached No. 5 on the UK Singles Chart and topped the charts in Belgium and Switzerland. The song became Survivor’s biggest hit with Jimi Jamison on lead vocals, while the Rocky IV soundtrack climbed to No. 10 on the Billboard 200 and was later certified Platinum in the United States.

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149,049 views • 17 days ago

“One More Try” is from George Michael’s 1987 debut solo album, Faith. Written and produced entirely by Michael, the deeply soulful ballad became his third consecutive No. 1 single from the album in the United States and his sixth No. 1 overall on the Billboard Hot 100. Michael himself considered it the best thing he had ever done, praising its lyrics, vocal performance and emotional depth.

“One More Try” is from George Michael’s 1987 debut solo album, Faith. Written and produced entirely by Michael, the deeply soulful ballad became his third consecutive No. 1 single from the album in the United States and his sixth No. 1 overall on the Billboard Hot 100. Michael himself considered it the best thing he had ever done, praising its lyrics, vocal performance and emotional depth.

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28,472 views • 8 days ago

"Runaway" was released in 1961 and became the biggest hit of Del Shannon's career. Written by him and Max Crook, the track has a classic '60s rock and roll sound with an iconic Musitron organ riff (an instrument created by Crook, based on a modified organ). Released as a single, it reached #1 on the Billboard Hot 100 for four weeks. Del Shannon's signature falsetto and Musitron's innovative sound helped define early '60s rock. The song is a timeless classic, has been covered by various artists and to this day is considered one of the greatest songs of the pre-Beatles era.

"Runaway" was released in 1961 and became the biggest hit of Del Shannon's career. Written by him and Max Crook, the track has a classic '60s rock and roll sound with an iconic Musitron organ riff (an instrument created by Crook, based on a modified organ). Released as a single, it reached #1 on the Billboard Hot 100 for four weeks. Del Shannon's signature falsetto and Musitron's innovative sound helped define early '60s rock. The song is a timeless classic, has been covered by various artists and to this day is considered one of the greatest songs of the pre-Beatles era.

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55,931 views • 25 days ago

“Virtual Insanity” is from Jamiroquai’s 1996 album Travelling Without Moving. Blending funk, acid jazz, and soul, the song became the band's biggest international hit, reaching #3 on the UK Singles Chart, topping the charts in several countries and winning four MTV Video Music Awards, including Video of the Year. The accompanying music video, directed by Jonathan Glazer, created the illusion of a moving floor by sliding the entire room around frontman Jay Kay, becoming one of the most innovative, influential and instantly recognizable music videos of the 1990s.

“Virtual Insanity” is from Jamiroquai’s 1996 album Travelling Without Moving. Blending funk, acid jazz, and soul, the song became the band's biggest international hit, reaching #3 on the UK Singles Chart, topping the charts in several countries and winning four MTV Video Music Awards, including Video of the Year. The accompanying music video, directed by Jonathan Glazer, created the illusion of a moving floor by sliding the entire room around frontman Jay Kay, becoming one of the most innovative, influential and instantly recognizable music videos of the 1990s.

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27,821 views • 1 month ago