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That's a sensitive thing to touch pal Ft Innocently🏳️‍🌈Creating | COMMISSIONS OPEN as Dess Art and comic by: alien crime lord #DELTARUNE #Dessriel #asrieldreemurr #DessHoliday #voiceacting #ComicDub #Tail

Nighriel Daray

4,877 subscribers

47,821 görüntüleme • 7 ay önce •via X (Twitter)

Komedi Sanat Bilim & Teknoloji #DELTARUNE #Dessriel #asrieldreemurr #DessHoliday #voiceacting #ComicDub #Tail

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At least split it ya cheap sheep 🐏 Ft Innocently🏳️‍🌈Creating | COMMISSIONS OPEN as Dess Art by: alien crime lord #DELTARUNE #Dessriel #asrieldreemurr #Burgerpants #DessHoliday #voiceacting #ComicDub #Dinner

At least split it ya cheap sheep 🐏 Ft Innocently🏳️‍🌈Creating | COMMISSIONS OPEN as Dess Art by: alien crime lord #DELTARUNE #Dessriel #asrieldreemurr #Burgerpants #DessHoliday #voiceacting #ComicDub #Dinner

Nighriel Daray

31,488 görüntüleme • 7 ay önce

How...romantic? Art and comic by: alien crime lord #DELTARUNE #Dessriel #asrieldreemurr #DessHoliday #voiceacting #ComicDub #bath

How...romantic? Art and comic by: alien crime lord #DELTARUNE #Dessriel #asrieldreemurr #DessHoliday #voiceacting #ComicDub #bath

Nighriel Daray

75,081 görüntüleme • 8 ay önce

Me personally, I'm more of an ass fella Art by: alien crime lord #DELTARUNE #ralseideltarune #susiedeltarune #krisdreemurr #voiceacting #comic #TheBigQuestion

Me personally, I'm more of an ass fella Art by: alien crime lord #DELTARUNE #ralseideltarune #susiedeltarune #krisdreemurr #voiceacting #comic #TheBigQuestion

Nighriel Daray

34,905 görüntüleme • 8 ay önce

haven't posted here in a while so lets start with some fluffy boy action Ft @/BITTERBLEAT as Flowery Art and Animation by あきかぜ梅 #deltarunechapter5 #deltarune #ralseideltarune #Flowery #krisdeltarune #voiceacting #animation #fluffy

haven't posted here in a while so lets start with some fluffy boy action Ft @/BITTERBLEAT as Flowery Art and Animation by あきかぜ梅 #deltarunechapter5 #deltarune #ralseideltarune #Flowery #krisdeltarune #voiceacting #animation #fluffy

Nighriel Daray

10,542 görüntüleme • 1 ay önce

Art on Tezos Friday Recap 🔔 → Opening tonight: STILL WET at Galerie Met in Berlin (Mariannenstrasse 33), a group show of physical and digital works by 18 artists across several continents, treating painting as an expanded medium spanning canvas, screen, 3D, GIFs, and machine learning traces. Curated by Kika Nicolela and Ruizhe Liang in collaboration with objkt. Reception 18:00 to 21:00, running August 15 to September 5. 🇩🇪🖌️ → Kento announced the two Open Call winners whose works will be turned into physical cards and included in Season 01 packs: Adiw & 𝖒𝖆𝖈𝖇𝖊𝖙𝖍 👏 → ACTZ “Vestige” auctions (Art Commission Tezos): For July with ACTZ - Art Commissions, Jesse 🏴‍☠️, Scott, muhju & Tipi ᑎᐱ selected five artists each to create new unique works around the theme "Vestige". Highlights and some live/recent auctions were posted Aug 13 by Art on Tezos. → #TezosTuesday spotlighted Solarchi, a collector and artist with an architecture background, who committed to collecting 1,000 tez from community replies and their own digging. 🤝 → 𝘼𝘾𝘾𝙊𝙈𝙋𝘼𝙍𝙏'𝙎 THE OBSOLETE MATTERS drops August 25 on objkt, thirty artists turning the question of obsolescence back on digital art itself, across generative systems, AI, 3D, digital painting, code, and collage. Curated by グレベンシ and Ilya Bliznets. 🕰️💾 → Artists’ Week: August (TheTezosCommunity / TheTezosCommunity ) is running. It includes Discord games (Gartic, Name That Artist, Quiz, Poker), Support Artists Days (community buys), and a “Let’s Talk Art” space that happened on Aug 13. More activities continue through the weekend. Don't Miss: → Ephemera Sunset (community auction event) via Antrum - Live today. Artists are listing 24-hour auctions themed around sunsets / fleeting light. Search #EphemeraSunset or #Ephemera2026 on X or check recent auctions on objkt. → PRECEDURE by goldcat curated by anika meier via objkt labs, starting from a single hand-made charcoal drawing and running it through procedural constraints so authorship shifts from gesture to rules, with a nod to early computer artists like Vera Molnár. ✏️⚙️ → Post_Histories by Space Case 😵‍💫 curated by anika meier via objkt labs, a series of interactive media carousels by ADHD that borrows the grammar of the multi-image social post and redirects it toward the contextual window of art. → Infinito Mesh Painting by Chris Follows via bootloader: → 1.p.3.r.d.3.C.h.1.r.1.c.0. by p.i.x.e.l.l.a.r.e. via bootloader: → Fugue by TOCA ME via drop.art Ი𐑼 Gurjos by Bárbara Bezina via drop.art Ი𐑼 📽️ Frog battle zero by daïchi mori

Art on Tezos Friday Recap 🔔 → Opening tonight: STILL WET at Galerie Met in Berlin (Mariannenstrasse 33), a group show of physical and digital works by 18 artists across several continents, treating painting as an expanded medium spanning canvas, screen, 3D, GIFs, and machine learning traces. Curated by Kika Nicolela and Ruizhe Liang in collaboration with objkt. Reception 18:00 to 21:00, running August 15 to September 5. 🇩🇪🖌️ → Kento announced the two Open Call winners whose works will be turned into physical cards and included in Season 01 packs: Adiw & 𝖒𝖆𝖈𝖇𝖊𝖙𝖍 👏 → ACTZ “Vestige” auctions (Art Commission Tezos): For July with ACTZ - Art Commissions, Jesse 🏴‍☠️, Scott, muhju & Tipi ᑎᐱ selected five artists each to create new unique works around the theme "Vestige". Highlights and some live/recent auctions were posted Aug 13 by Art on Tezos. → #TezosTuesday spotlighted Solarchi, a collector and artist with an architecture background, who committed to collecting 1,000 tez from community replies and their own digging. 🤝 → 𝘼𝘾𝘾𝙊𝙈𝙋𝘼𝙍𝙏'𝙎 THE OBSOLETE MATTERS drops August 25 on objkt, thirty artists turning the question of obsolescence back on digital art itself, across generative systems, AI, 3D, digital painting, code, and collage. Curated by グレベンシ and Ilya Bliznets. 🕰️💾 → Artists’ Week: August (TheTezosCommunity / TheTezosCommunity ) is running. It includes Discord games (Gartic, Name That Artist, Quiz, Poker), Support Artists Days (community buys), and a “Let’s Talk Art” space that happened on Aug 13. More activities continue through the weekend. Don't Miss: → Ephemera Sunset (community auction event) via Antrum - Live today. Artists are listing 24-hour auctions themed around sunsets / fleeting light. Search #EphemeraSunset or #Ephemera2026 on X or check recent auctions on objkt. → PRECEDURE by goldcat curated by anika meier via objkt labs, starting from a single hand-made charcoal drawing and running it through procedural constraints so authorship shifts from gesture to rules, with a nod to early computer artists like Vera Molnár. ✏️⚙️ → Post_Histories by Space Case 😵‍💫 curated by anika meier via objkt labs, a series of interactive media carousels by ADHD that borrows the grammar of the multi-image social post and redirects it toward the contextual window of art. → Infinito Mesh Painting by Chris Follows via bootloader: → 1.p.3.r.d.3.C.h.1.r.1.c.0. by p.i.x.e.l.l.a.r.e. via bootloader: → Fugue by TOCA ME via drop.art Ი𐑼 Gurjos by Bárbara Bezina via drop.art Ი𐑼 📽️ Frog battle zero by daïchi mori

Tezos

13,195 görüntüleme • 2 ay önce

[1] The vision for DeePle has always been to expand and reach as many people as possible, and I believe increasing the supply is the only way to achieve this goal. This was never meant to be a small, exclusive community centered around asset value. My goal is to build something genuine, open, and accessible to everyone. That said, I have deep respect for the OG DeePle (Gen 1) holders, and preserving the value of Gen 1 is always at the forefront of my mind. Future generations, Gen 2, Gen 3, and beyond, will have a much larger supply, which I believe will naturally make Gen 1 feel more rare and exclusive over time. The differences between Gen 1 and future Gens will be subtle but noticeable, things like name tags, background colors, alien skin options, and a few surprises I’m not ready to reveal just yet. As an artist, one of the challenging aspects has always been connecting with the right people who truly care about the work. Creating the perfect drop mechanic is never easy, but I try to keep things as simple and fair as possible. Striking that balance is key, and I felt that a FCFS approach within the allocation was the most fair this time around. While I know not everyone may agree, adding more complexity didn’t feel like the right path either. As for DeePle holders, I want each of you to build a deeper connection with your DeePle, give it a name, create a lore, customize its clothes, and use the art however you like. As things continue to unfold over time, I hope you and your DeePles can grow and evolve together. Let’s all DeePle together.

[1] The vision for DeePle has always been to expand and reach as many people as possible, and I believe increasing the supply is the only way to achieve this goal. This was never meant to be a small, exclusive community centered around asset value. My goal is to build something genuine, open, and accessible to everyone. That said, I have deep respect for the OG DeePle (Gen 1) holders, and preserving the value of Gen 1 is always at the forefront of my mind. Future generations, Gen 2, Gen 3, and beyond, will have a much larger supply, which I believe will naturally make Gen 1 feel more rare and exclusive over time. The differences between Gen 1 and future Gens will be subtle but noticeable, things like name tags, background colors, alien skin options, and a few surprises I’m not ready to reveal just yet. As an artist, one of the challenging aspects has always been connecting with the right people who truly care about the work. Creating the perfect drop mechanic is never easy, but I try to keep things as simple and fair as possible. Striking that balance is key, and I felt that a FCFS approach within the allocation was the most fair this time around. While I know not everyone may agree, adding more complexity didn’t feel like the right path either. As for DeePle holders, I want each of you to build a deeper connection with your DeePle, give it a name, create a lore, customize its clothes, and use the art however you like. As things continue to unfold over time, I hope you and your DeePles can grow and evolve together. Let’s all DeePle together.

DeeKay

62,690 görüntüleme • 1 yıl önce

this is a tribute post to share the legacy of an artist whose work has changed my life and inspires me everyday, Jun Seba aka Nujabes. Born February 7, 1974, Nujabes was a music producer & DJ from Tokyo, Japan. He came from a family of music lovers and his father’s admiration for jazz served as an inspiration to Seba at a young age. He pursued his education at a Fine Arts school and the people in his life influenced him to explore the vast wonders of what music really is. In a 2003 interview with Sound & Recording Magazine, Seba said… “I started making tracks because I wanted to hear music that sampled the old soul and jazz I liked.” Nujabes in his early years discovered Hip-Hop and was enamored by the art of DJ-ing and breakdancing. Hip-Hop culture was being brought to life in the USA, but its influence seeped across the world and it started to gain popularity in Japan at the time as well. Seba went on to become a crucial figure in Japan’s underground Hip-Hop scene as a DJ, co-creating a label called ‘Hydeout Productions’. His love for music stemmed beyond just creating it. He had his own record store, which he spoke about in the aforementioned 2003 interview. “I recently started up a record store, Tribe, which I see as an extension of Hydeout Productions. Everything at the store is stuff I went and bought overseas myself, and my hope is for people to come in, listen to old records at their leisure, and hopefully feel inspired by those records to make good tracks themselves. That’s another thing I would like to cherish doing in the future—creating those sorts of encouraging environment” This was a genuine testament to the pure love Nujabes had for music and the community that is built as a result. This passion is what fueled the masterpieces we listen to today and it is the reason for him revolutionizing Hip-Hop production. One of his greatest achievements, in my opinion, was his contribution to the soundtrack of ‘Samurai Champloo’ alongside Fat Jon. This soundtrack set Nujabes on center stage. With a fusion of traditional Japanese musical influences, everything he learned as a student of Hip-Hop, and his early love for Jazz music, Nujabes created a new soundscape which set the tone for this acclaimed show, but also epitomized his brilliance as a musician. At a recent Nujabes tribute performance, longtime collaborator and a friend of Nujabes, Fat Jon, said a few words about him… “Our friendship went beyond music. And so yeah, we had fun making music, but we had more fun just doing regular shit in life… Nujabes as a person, separated from the music, he was a cool person.” You can tell everyone that has worked with or around Nujabes has a deep, unwavering admiration for him as a musician, but also as a person and a friend. Although his contributions to the soundtrack shot Nujabes to fame, his discography of solo music is what cemented his legacy as a pioneer of modern music. From his debut ‘Metaphorical Music’, to his most critically acclaimed work ‘Modal Soul’, Nujabes was able to create entire soundscapes by blending all the different things that made him love music in the first place. It would be a disservice to not mention his friends and frequent collaborators who had invaluable contributions to his work. Shing02, Uyama Hiroto, Cise Starr & Akin (CYNE), Substantial, Haruka Nakamura, and many more. (I’d love to give recommendations to people who want to dive into their work after seeing this!) Nujabes music heavily centered around jazz and soul samples intertwined with his intricate drum patterns and tranquil instrumentation. He fostered an atmosphere of serenity with his melodies than touched the hearts of millions around the world. From ethereal tracks like “Horizon” and “Counting Stars” to his Luv(Sic) series, Nujabes created art that transcended the preconceptions of what music’s impact is. if you made it this far, thank you for reading. i have no more characters left lol

this is a tribute post to share the legacy of an artist whose work has changed my life and inspires me everyday, Jun Seba aka Nujabes. Born February 7, 1974, Nujabes was a music producer & DJ from Tokyo, Japan. He came from a family of music lovers and his father’s admiration for jazz served as an inspiration to Seba at a young age. He pursued his education at a Fine Arts school and the people in his life influenced him to explore the vast wonders of what music really is. In a 2003 interview with Sound & Recording Magazine, Seba said… “I started making tracks because I wanted to hear music that sampled the old soul and jazz I liked.” Nujabes in his early years discovered Hip-Hop and was enamored by the art of DJ-ing and breakdancing. Hip-Hop culture was being brought to life in the USA, but its influence seeped across the world and it started to gain popularity in Japan at the time as well. Seba went on to become a crucial figure in Japan’s underground Hip-Hop scene as a DJ, co-creating a label called ‘Hydeout Productions’. His love for music stemmed beyond just creating it. He had his own record store, which he spoke about in the aforementioned 2003 interview. “I recently started up a record store, Tribe, which I see as an extension of Hydeout Productions. Everything at the store is stuff I went and bought overseas myself, and my hope is for people to come in, listen to old records at their leisure, and hopefully feel inspired by those records to make good tracks themselves. That’s another thing I would like to cherish doing in the future—creating those sorts of encouraging environment” This was a genuine testament to the pure love Nujabes had for music and the community that is built as a result. This passion is what fueled the masterpieces we listen to today and it is the reason for him revolutionizing Hip-Hop production. One of his greatest achievements, in my opinion, was his contribution to the soundtrack of ‘Samurai Champloo’ alongside Fat Jon. This soundtrack set Nujabes on center stage. With a fusion of traditional Japanese musical influences, everything he learned as a student of Hip-Hop, and his early love for Jazz music, Nujabes created a new soundscape which set the tone for this acclaimed show, but also epitomized his brilliance as a musician. At a recent Nujabes tribute performance, longtime collaborator and a friend of Nujabes, Fat Jon, said a few words about him… “Our friendship went beyond music. And so yeah, we had fun making music, but we had more fun just doing regular shit in life… Nujabes as a person, separated from the music, he was a cool person.” You can tell everyone that has worked with or around Nujabes has a deep, unwavering admiration for him as a musician, but also as a person and a friend. Although his contributions to the soundtrack shot Nujabes to fame, his discography of solo music is what cemented his legacy as a pioneer of modern music. From his debut ‘Metaphorical Music’, to his most critically acclaimed work ‘Modal Soul’, Nujabes was able to create entire soundscapes by blending all the different things that made him love music in the first place. It would be a disservice to not mention his friends and frequent collaborators who had invaluable contributions to his work. Shing02, Uyama Hiroto, Cise Starr & Akin (CYNE), Substantial, Haruka Nakamura, and many more. (I’d love to give recommendations to people who want to dive into their work after seeing this!) Nujabes music heavily centered around jazz and soul samples intertwined with his intricate drum patterns and tranquil instrumentation. He fostered an atmosphere of serenity with his melodies than touched the hearts of millions around the world. From ethereal tracks like “Horizon” and “Counting Stars” to his Luv(Sic) series, Nujabes created art that transcended the preconceptions of what music’s impact is. if you made it this far, thank you for reading. i have no more characters left lol

SK⚡️

333,474 görüntüleme • 2 yıl önce

Happy 58th Birthday to me, Reverend Jide Macaulay! 🎉🌈 Happy Holy Homosexual Today, as I reflect on the 58 years of my life's journey, I'm filled with gratitude to God, the almighty for the experiences, challenges, and triumphs that have shaped me into the person I am today. I am a black African priest, British Nigerian, openly homosexual, and living with HIV, and I wear these aspects of my identity as badges of honour. Throughout my life, I've been on a mission to fight for justice and equality, particularly for LGBTQ+ individuals and people living with HIV. I've faced countless hurdles and obstacles, but my commitment to this cause has only grown stronger. It's a path that isn't always easy, but it's one I walk with pride and determination. The House of Rainbow, which I founded, stands as a testament to my unwavering dedication to creating safe and welcoming spaces for those who have been persecuted and marginalised. It brings me immense joy to see how this space has become a symbol of love, acceptance, and support for so many. As I mark my 58th year, I understand that there is much work still to be done. But I also carry with me the knowledge that I have been able to make a difference, to touch lives, and to inspire change. I've witnessed the power of love, acceptance, and community, and it's a force that can transform the world. So, to all those who have shown compassion, who have stood by me during difficult situations, and who have cared for my wellness, please accept my sincerest thanks. Your contributions, both seen and unseen, have made an indelible mark on my life and on the lives of many others. Together, we can and will build a world that is more inclusive, more compassionate, and more accepting. Here’s to celebrating my 58th birthday with a heart full of hope and a spirit fortified by the mission to create a more inclusive and compassionate world. Thank you 🏳️‍🌈🙏🎂 #JideMacaulay58 #LoveIsMyReligion #LGBTQAdvocate #BirthdayCelebration #SpreadLove #ThankYouForSupport #AcceptanceIsKey

Happy 58th Birthday to me, Reverend Jide Macaulay! 🎉🌈 Happy Holy Homosexual Today, as I reflect on the 58 years of my life's journey, I'm filled with gratitude to God, the almighty for the experiences, challenges, and triumphs that have shaped me into the person I am today. I am a black African priest, British Nigerian, openly homosexual, and living with HIV, and I wear these aspects of my identity as badges of honour. Throughout my life, I've been on a mission to fight for justice and equality, particularly for LGBTQ+ individuals and people living with HIV. I've faced countless hurdles and obstacles, but my commitment to this cause has only grown stronger. It's a path that isn't always easy, but it's one I walk with pride and determination. The House of Rainbow, which I founded, stands as a testament to my unwavering dedication to creating safe and welcoming spaces for those who have been persecuted and marginalised. It brings me immense joy to see how this space has become a symbol of love, acceptance, and support for so many. As I mark my 58th year, I understand that there is much work still to be done. But I also carry with me the knowledge that I have been able to make a difference, to touch lives, and to inspire change. I've witnessed the power of love, acceptance, and community, and it's a force that can transform the world. So, to all those who have shown compassion, who have stood by me during difficult situations, and who have cared for my wellness, please accept my sincerest thanks. Your contributions, both seen and unseen, have made an indelible mark on my life and on the lives of many others. Together, we can and will build a world that is more inclusive, more compassionate, and more accepting. Here’s to celebrating my 58th birthday with a heart full of hope and a spirit fortified by the mission to create a more inclusive and compassionate world. Thank you 🏳️‍🌈🙏🎂 #JideMacaulay58 #LoveIsMyReligion #LGBTQAdvocate #BirthdayCelebration #SpreadLove #ThankYouForSupport #AcceptanceIsKey

God Adores You

51,071 görüntüleme • 2 yıl önce

GKOI New Year’s X Giveaway! ✨You're invited to the pre-launch of GKOI: New Worlds, New Powers. We’re on a mission to transform Web3 by blending art, storytelling, and community-driven experiences. Read the rules below and follow The Art of KOI for a chance to win an Azuki Beanz NFT. ⛩️GKOI is creating an open, decentralized universe filled with magical, immersive experiences designed to expand both your mind and senses and our NFTs will serve as your gateway to this extraordinary world. Inspired by the Japanese Legend of the Koi, each of our NFTs carry special powers crafted to inspire you in the real world and energize you in the digital realms. Set to launch in February 2025, our first release is a timeless collection of 10,000 Golden Koi, each created in the digital Japanese woodblock styleand minted on the Ethereum blockchain as ERC721a tokens. 🔥The Giveaway🔥 In the lead-up to our launch, as a tribute to Azuki, who has inspired us on our journey, we’re giving away Beanz #8008 (The Red Bean) to one lucky traveler who joins our community before the end of the year. Additionally, two runner-ups will receive ETH prizes, and five more winners will secure a spot on our GKOI whitelist. How to Enter To qualify for the giveaway, you must: 1️⃣ Follow The Art of KOI on X 2️⃣ Like and repost this pinned post 3️⃣ Comment on this post and tag 2 friends Prizes 🏆 Grand Prize: Azuki Beanz NFT #8008 🥇 1st Runner-Up 0.2 ETH 🥈 2nd Runner-Up 0.1 ETH 🥉 5 spots on our whitelist Giveaway Timeline ⏰ Starts: Today Dec 21st ⏰ Ends: Dec 31st 2024 📢 Winners will be announced on January 1st 2025 right here on X! Winners will be chosen at random using The X Picker to ensure transparency. Important Rules 1️⃣Only entries from accounts with a profile picture, a bio, and at least 100 posts and followers will be considered valid. 2️⃣Bots and spam accounts will not be eligible to participate. 3️⃣Winners will have 5 days to DM us their wallet address to claim their prizes after which we will run the draw again. 🔥More Chances to Win Don’t worry if you don’t win this time—the Legend is just beginning! Over the next two months, leading up to our mint, we’ll have even more giveaways and prizes. Follow The Art of KOI and join the GKOI community—your gateway to a world of powers, prizes, and adventure! #gkoi #nft #giveaway #digitalart #metaverse

GKOI

402,661 görüntüleme • 1 yıl önce

Now that Konstantinovka is practically captured, I wanted to reflect on something really sinister that Zelensky is possibly planning to do. As it is well-known, Konstantinovka is the last fortress that's needed to create bridgehead for launching the offensive on the sister cities of Slavyanks and Kramatorsk. By the reports from even Ukrainian sources, the Russian forces are less than 9 km away from Kramatorsk agglomeration. Let's remember how Zelensky justified not evacuating Sumy: "If the city is empty, the city is easy to capture" He quite literally admits to using civilians as a shield. By the last news from Ukraine, just a small number of specific streets in Slavyanks and Kramatorsk were issued the orders to evacuate only women and children younger than 17, not whole cities. This excludes any adult families without kids and elderly. As of today, according to open sources, around 44 000 civilians remain in Slavyansk, pre-war population of 100 000. Around 70 000 - 80 000 residents remain in Kramatorsk, pre-war population of approximately 150 000. Zelensky is planning to use the same scenario as he did in Mariupol, where the AFU were executing civilians trying to evacuate through the green corridors. The AFU was also using civilian apartments as firing positions, where they locked local residents in the basements, but then mined entrances as they retreated to Azovstal. If they hate anyone as much as they hate Russians, it's what they call "ждуны" - "waiters" - people who are waiting for Russia to liberate them. All of these factors combined are why we saw so much civilian death and destruction in Mariupol. These cities should have been evacuated months ago. There is a reason why they haven't. This will present opportunities for creating emotionally driven propaganda to manufacture consent, something that the Zelensky regime has been doing since day one, because to him and his criminal junta the people of Donbass are just an expendable tool to further promote Zelensky's and his handler's war aims.

Now that Konstantinovka is practically captured, I wanted to reflect on something really sinister that Zelensky is possibly planning to do. As it is well-known, Konstantinovka is the last fortress that's needed to create bridgehead for launching the offensive on the sister cities of Slavyanks and Kramatorsk. By the reports from even Ukrainian sources, the Russian forces are less than 9 km away from Kramatorsk agglomeration. Let's remember how Zelensky justified not evacuating Sumy: "If the city is empty, the city is easy to capture" He quite literally admits to using civilians as a shield. By the last news from Ukraine, just a small number of specific streets in Slavyanks and Kramatorsk were issued the orders to evacuate only women and children younger than 17, not whole cities. This excludes any adult families without kids and elderly. As of today, according to open sources, around 44 000 civilians remain in Slavyansk, pre-war population of 100 000. Around 70 000 - 80 000 residents remain in Kramatorsk, pre-war population of approximately 150 000. Zelensky is planning to use the same scenario as he did in Mariupol, where the AFU were executing civilians trying to evacuate through the green corridors. The AFU was also using civilian apartments as firing positions, where they locked local residents in the basements, but then mined entrances as they retreated to Azovstal. If they hate anyone as much as they hate Russians, it's what they call "ждуны" - "waiters" - people who are waiting for Russia to liberate them. All of these factors combined are why we saw so much civilian death and destruction in Mariupol. These cities should have been evacuated months ago. There is a reason why they haven't. This will present opportunities for creating emotionally driven propaganda to manufacture consent, something that the Zelensky regime has been doing since day one, because to him and his criminal junta the people of Donbass are just an expendable tool to further promote Zelensky's and his handler's war aims.

Olga Bazova

156,660 görüntüleme • 3 ay önce

ARTIST OPEN CALL! We’re sponsoring six artists to fly out to NFT NYC. On Us. For Free. We’re also exhibiting your art at the World Trade Center, Oculus (THE CANVAS) RULES: FOLLOW US UNHRD LIKE & RT Tag two friends Submit your artwork below Ends on 03/15 More info ⤵️ For the open call, we invite artists from various mediums to apply for this unique opportunity to come to NFT NYC, exhibit their unminted work, collaborate on an NFT drop, and be part of an exclusive membership pass in the UNHRD community. All artists will be curated by our partners, Forbes Web3, JJ, NFT Asia, AOI, Transient Labs, & MakersPlace 🔳. Eligibility and Opportunity 1. Open to artists from the US and Visa Waiver Program countries. 2. Exhibition at the prestigious Oculus during the UNHRD Launch event. 3. Flight and accommodation costs up to $1,500 covered. 4. Participate in a collaborative NFT drop and revenue split option. 5. Gain exposure alongside partners like Forbes Web3, Makersplace, AOI, NFT Asia, and Transient Labs. Application Requirements and Dates 1. Submit artwork and a statement aligning with your goals. 2. Accommodation for 3 nights (April 2nd-5th). 3. Applications open now! So, what is UNHRD? We're a blockchain protocol transforming philanthropy with efficiency, transparency, and security. Our technology hopes to revolutionize fund management and distribution in the philanthropic sector. Part of our broader mission involves leveraging blockchain for NGOs, grant makers, and altruistic companies. By providing grants and cultivating a nurturing environment, UNHRD makes artists' dreams worldwide a reality. How do we do this? What makes UNHRD unique is how we're going to do all of this on-chain. This is our early concept of the UNHRD Protocol. In the world of philanthropy, especially when it involves artists and creative projects, managing and distributing funds efficiently and transparently can be a challenge. That's where the UNHRD Protocol comes in—a solution we're actively working to build, aiming to transform how financial support is handled in the artistic community. What is the UNHRD Protocol? The UNHRD Protocol is a planned blockchain-based system, a series of smart contracts designed to streamline the process of managing and distributing funds. In simpler terms, it's like a highly efficient digital ledger tailored for philanthropy, ensuring that every penny goes where it's supposed to, without the usual red tape or delays. Application to UNHRD: Streamlined Fund Distribution: Whether it's grant money or proceeds from NFT sales, the protocol ensures swift and accurate distribution to artists and other beneficiaries. Transparency and Trust: Every transaction, from donation to disbursement, is recorded on the blockchain, fostering trust and transparency among artists, donors, and the public. Reduced Overhead: By automating many of the administrative tasks, we reduce overhead costs, ensuring more funds directly support the artists. At UNHRD, we believe that through blockchain technology, we can create a more equitable and accessible platform for artists worldwide. Our commitment goes beyond just funding - it's about building a community, nurturing talent, and paving the way for a new era of digital art and philanthropy. Join us in this exciting journey as we redefine what's possible at the confluence of art, technology, and philanthropy.

ARTIST OPEN CALL! We’re sponsoring six artists to fly out to NFT NYC. On Us. For Free. We’re also exhibiting your art at the World Trade Center, Oculus (THE CANVAS) RULES: FOLLOW US UNHRD LIKE & RT Tag two friends Submit your artwork below Ends on 03/15 More info ⤵️ For the open call, we invite artists from various mediums to apply for this unique opportunity to come to NFT NYC, exhibit their unminted work, collaborate on an NFT drop, and be part of an exclusive membership pass in the UNHRD community. All artists will be curated by our partners, Forbes Web3, JJ, NFT Asia, AOI, Transient Labs, & MakersPlace 🔳. Eligibility and Opportunity 1. Open to artists from the US and Visa Waiver Program countries. 2. Exhibition at the prestigious Oculus during the UNHRD Launch event. 3. Flight and accommodation costs up to $1,500 covered. 4. Participate in a collaborative NFT drop and revenue split option. 5. Gain exposure alongside partners like Forbes Web3, Makersplace, AOI, NFT Asia, and Transient Labs. Application Requirements and Dates 1. Submit artwork and a statement aligning with your goals. 2. Accommodation for 3 nights (April 2nd-5th). 3. Applications open now! So, what is UNHRD? We're a blockchain protocol transforming philanthropy with efficiency, transparency, and security. Our technology hopes to revolutionize fund management and distribution in the philanthropic sector. Part of our broader mission involves leveraging blockchain for NGOs, grant makers, and altruistic companies. By providing grants and cultivating a nurturing environment, UNHRD makes artists' dreams worldwide a reality. How do we do this? What makes UNHRD unique is how we're going to do all of this on-chain. This is our early concept of the UNHRD Protocol. In the world of philanthropy, especially when it involves artists and creative projects, managing and distributing funds efficiently and transparently can be a challenge. That's where the UNHRD Protocol comes in—a solution we're actively working to build, aiming to transform how financial support is handled in the artistic community. What is the UNHRD Protocol? The UNHRD Protocol is a planned blockchain-based system, a series of smart contracts designed to streamline the process of managing and distributing funds. In simpler terms, it's like a highly efficient digital ledger tailored for philanthropy, ensuring that every penny goes where it's supposed to, without the usual red tape or delays. Application to UNHRD: Streamlined Fund Distribution: Whether it's grant money or proceeds from NFT sales, the protocol ensures swift and accurate distribution to artists and other beneficiaries. Transparency and Trust: Every transaction, from donation to disbursement, is recorded on the blockchain, fostering trust and transparency among artists, donors, and the public. Reduced Overhead: By automating many of the administrative tasks, we reduce overhead costs, ensuring more funds directly support the artists. At UNHRD, we believe that through blockchain technology, we can create a more equitable and accessible platform for artists worldwide. Our commitment goes beyond just funding - it's about building a community, nurturing talent, and paving the way for a new era of digital art and philanthropy. Join us in this exciting journey as we redefine what's possible at the confluence of art, technology, and philanthropy.

UNHRD

51,785 görüntüleme • 2 yıl önce

Andy Burnham on Jimmy's Jobs - out tomorrow. There is lots to unpack, but I wanted to flag one thing ahead of the episode. He is often characterised as the classic career politician: researcher, SpAd, MP, minister, Cabinet. And that is all true. But the first three years of his career were actually pretty unglamorous: unpaid journalism, transport trade magazines and even writing for Sea Container World. And that is part of the WHOLE point of Jimmy's Jobs. We want to help people see all the extraordinary jobs and opportunities open to them across the UK - and around the world. There are entrepreneurs and business leaders up and down this country creating companies, building industries and employing young people. I genuinely believe it has never been a better time to be working. We are no longer sending people a mile underground to dig for coal, as my father and grandfather had to do to earn a living - if that is what you can call it. But careers can still feel daunting, social media shows you people crushing it. What it rarely shows you is how messy most careers really are: the false starts, the odd jobs, the LUCKY breaks and the moments of chance. At Jimmy's Jobs, we are trying to increase people’s chances by showing them more of what is possible. So hearing Andy talk about that early period of his life was fascinating. It is a reminder that even when you do not feel as though you are on the right path, you may still be heading somewhere extraordinary. You might even end up as Prime Minister. Follow Jimmy McLoughlin 🐑 and Jimmy's Jobs for the full episode tomorrow.

Andy Burnham on Jimmy's Jobs - out tomorrow. There is lots to unpack, but I wanted to flag one thing ahead of the episode. He is often characterised as the classic career politician: researcher, SpAd, MP, minister, Cabinet. And that is all true. But the first three years of his career were actually pretty unglamorous: unpaid journalism, transport trade magazines and even writing for Sea Container World. And that is part of the WHOLE point of Jimmy's Jobs. We want to help people see all the extraordinary jobs and opportunities open to them across the UK - and around the world. There are entrepreneurs and business leaders up and down this country creating companies, building industries and employing young people. I genuinely believe it has never been a better time to be working. We are no longer sending people a mile underground to dig for coal, as my father and grandfather had to do to earn a living - if that is what you can call it. But careers can still feel daunting, social media shows you people crushing it. What it rarely shows you is how messy most careers really are: the false starts, the odd jobs, the LUCKY breaks and the moments of chance. At Jimmy's Jobs, we are trying to increase people’s chances by showing them more of what is possible. So hearing Andy talk about that early period of his life was fascinating. It is a reminder that even when you do not feel as though you are on the right path, you may still be heading somewhere extraordinary. You might even end up as Prime Minister. Follow Jimmy McLoughlin 🐑 and Jimmy's Jobs for the full episode tomorrow.

Jimmy McLoughlin 🐑

26,494 görüntüleme • 2 ay önce

𝐓𝐡𝐞 𝐒𝐭𝐨𝐫𝐲 𝐊𝐞𝐞𝐩𝐞𝐫 Every Thursday after school, Lily had only one request for her mother: a detour to the county shelter. No ice cream, no toys. She only wanted twenty minutes on the concrete floor outside Max’s kennel, holding the book she had borrowed that morning. Max was invisible to the other visitors. He didn't jump against the wire mesh or wag his tail to get attention; he stayed frozen on his blanket at the back of the run, with the resigned look of someone waiting for yet another disappointment. The volunteers described him as a gentle dog, but paralyzed by a deep fear that drove people to choose "easier" pups. Lily, however, never saw him as broken. She would sit cross-legged on the cold floor, open the pages, and begin to read in that clear whisper children use when talking to their secret world. Behind her, her mother would clutch the car keys, holding back tears, already knowing the question that would come during the drive home. The answer was always the same: their apartment did not allow animals. Lily had stopped arguing by now, simply asking, "Can we still come see him until someone adopts him?" That Thursday, something changed. As Lily slowly turned a page and whispered, "Dear Max..." as if the fable were written just for him, a hush fell around them. Even a shelter worker stopped to watch. "The little bear found a friend," the girl read. Max lifted his head. He stood up hesitantly, his legs trembling slightly, but the melody of that voice drew him in. Lily didn't reach out her hand, nor did she call him. She just kept reading, offering him the one thing the dog truly needed: time. By the time Max reached the gate, Lily’s whisper had grown even softer. The dog lowered his muzzle toward the open book, sniffed the page, and rested his head against it. Lily held her breath, then smiled with the absolute certainty of someone who knows they have been chosen. Her mother covered her mouth with her hand. The worker turned away to hide his emotion. From that day on, no one ever called Max "too scared" again. They understood that it only took a little girl and a story to give a forgotten dog back the hope of having a place in this world.

𝐓𝐡𝐞 𝐒𝐭𝐨𝐫𝐲 𝐊𝐞𝐞𝐩𝐞𝐫 Every Thursday after school, Lily had only one request for her mother: a detour to the county shelter. No ice cream, no toys. She only wanted twenty minutes on the concrete floor outside Max’s kennel, holding the book she had borrowed that morning. Max was invisible to the other visitors. He didn't jump against the wire mesh or wag his tail to get attention; he stayed frozen on his blanket at the back of the run, with the resigned look of someone waiting for yet another disappointment. The volunteers described him as a gentle dog, but paralyzed by a deep fear that drove people to choose "easier" pups. Lily, however, never saw him as broken. She would sit cross-legged on the cold floor, open the pages, and begin to read in that clear whisper children use when talking to their secret world. Behind her, her mother would clutch the car keys, holding back tears, already knowing the question that would come during the drive home. The answer was always the same: their apartment did not allow animals. Lily had stopped arguing by now, simply asking, "Can we still come see him until someone adopts him?" That Thursday, something changed. As Lily slowly turned a page and whispered, "Dear Max..." as if the fable were written just for him, a hush fell around them. Even a shelter worker stopped to watch. "The little bear found a friend," the girl read. Max lifted his head. He stood up hesitantly, his legs trembling slightly, but the melody of that voice drew him in. Lily didn't reach out her hand, nor did she call him. She just kept reading, offering him the one thing the dog truly needed: time. By the time Max reached the gate, Lily’s whisper had grown even softer. The dog lowered his muzzle toward the open book, sniffed the page, and rested his head against it. Lily held her breath, then smiled with the absolute certainty of someone who knows they have been chosen. Her mother covered her mouth with her hand. The worker turned away to hide his emotion. From that day on, no one ever called Max "too scared" again. They understood that it only took a little girl and a story to give a forgotten dog back the hope of having a place in this world.

Gabriele Corno

12,779 görüntüleme • 24 gün önce

Claude "Puzzling" while GPT 5.6 on GOD-MODE just bade a banger that's mindblowing. Here's the exact way to get a site like this, step by step: > open the desktop app, pick Sol, reasoning on High. taste work never goes to small models > drop it 3 sites with motion you love and one line: "reverse-engineer the art direction: mood, typography, pacing, and WHY each animation exists. save it as a style bible" > brief in one paragraph, goal not steps: "[your niche] site, cinematic scroll, every animation has a job. follow the bible" > house rules on top: no template hero, no stock gradients, nothing on the page moves without a reason > now the bar: "a motion designer can't tell this from an agency build." spin up a SECOND 5.6 with fresh context whose only job is to FAIL the build against that bar > /loop overnight: build, grade, close the biggest gap, again. you're asleep for all of it > when the verifier runs out of complaints: tag Sites. live URL, one click, zero hosting The deeper version of every step (the full contract, the house rules, the verifier trick, when Ultra is worth the bill) is in the article below. P.S. send the article to your GPT and tell it "we're doing this tonight".

Claude "Puzzling" while GPT 5.6 on GOD-MODE just bade a banger that's mindblowing. Here's the exact way to get a site like this, step by step: > open the desktop app, pick Sol, reasoning on High. taste work never goes to small models > drop it 3 sites with motion you love and one line: "reverse-engineer the art direction: mood, typography, pacing, and WHY each animation exists. save it as a style bible" > brief in one paragraph, goal not steps: "[your niche] site, cinematic scroll, every animation has a job. follow the bible" > house rules on top: no template hero, no stock gradients, nothing on the page moves without a reason > now the bar: "a motion designer can't tell this from an agency build." spin up a SECOND 5.6 with fresh context whose only job is to FAIL the build against that bar > /loop overnight: build, grade, close the biggest gap, again. you're asleep for all of it > when the verifier runs out of complaints: tag Sites. live URL, one click, zero hosting The deeper version of every step (the full contract, the house rules, the verifier trick, when Ultra is worth the bill) is in the article below. P.S. send the article to your GPT and tell it "we're doing this tonight".

Miraqle

206,624 görüntüleme • 3 ay önce

Summer in a can, captured like a premium TV commercial. ☀️🥤 Created with Seedance 2.0 on Thank You AI Loved experimenting with vibrant visuals, playful energy, and cinematic food cinematography. 0:00–0:02 | Hook Extreme macro close-up. A cold can spins in mid-air against a vibrant pink backdrop. Ice crystals sparkle as condensation rolls down the can. Fresh fruit explodes around it in slow motion—strawberries, cherries, lemons, watermelon, and lime slices suspended in the air. SFX: Metallic spin • Ice crack • Fruit whoosh Text: Sip Happy. 0:02–0:05 | Meet the Model A stylish young woman in a colorful summer outfit confidently catches the floating can with one hand. She smiles, pops the tab open, and takes a refreshing sip. As she drinks, colorful fruit graphics burst behind her, transforming the background into a playful pop-art scene. Camera: Fast push-in → Whip pan → Slow-motion sip. 0:05–0:08 | Flavor Rush Quick cuts synchronized to the beat. Strawberry flavor surrounded by fresh berries. Citrus flavor spins through flying lemon slices. Watermelon flavor bursts through juicy watermelon splashes. Ginger Lime flavor lands among fresh ginger and limes. Each flavor appears with its matching vibrant background color. 0:08–0:12 | Energy & Fun The model walks through four colorful sets. With every step, her outfit changes to match the drink flavor she's holding. She laughs, twirls, and tosses each can toward the camera, creating seamless transitions between scenes. Camera moves include whip pans, speed ramps, orbit shots, and dynamic close-ups. 0:12–0:15 | Hero Ending All four drink cans rise into the air, perfectly arranged as fruit circles around them. The model stands behind the lineup, holding her favorite flavor and smiling confidently. The logo appears with sparkling droplets and vibrant lighting. Text on Screen: Taste the Color. Feel the Refreshment.

Soulful Ai

36,649 görüntüleme • 2 ay önce

TIMED DIALOGUE IN A NIGHTCLUB. THREE WALLS FALL AT ONCE. Nightclub sketch, cut in two halves. Black-and-white first - a couple making out on a couch, someone laughing off-camera. Then color reveals the setup: guy walks up with a drink, delivers a line, she gives him a one-sentence answer that changes the picture, he pauses, then kisses her anyway. None of them exist. It's fully generated, both halves. - What used to be four problems is now one clip Character consistency across a cut - same two faces in B&W and in color. Two-person dialogue with alternating lip sync - three separate English lines, all on time, all matching mouth shapes. Nightclub lighting - low light, saturated color wash, moving sources - was the last hard lighting environment for AI video to render without collapsing into noise. And a kiss - two faces contacting without merging into each other, which has been one of the persistent tells. Any one of these has been solvable for maybe six months. All four in one sketch was still a demo-reel problem in early 2026. - The B&W cut is doing two jobs The editing choice isn't style. It's engineering. Splitting a 15-second sketch into two 5-7 second clips means the model only has to hold consistency inside each segment, not across the whole thing. Monochrome also hides small differences between the two generations - if the girl's face is 3% off between the halves, B&W flattens the delta. Color grading in the second half does the reverse job. Two seams, both hidden by the aesthetic. - The comic beat is the actual craft Generating a kiss is one problem. Generating a kiss that lands as a punchline is a different one. The half-second where he pauses, processes, and decides not to care - that timing has to be prompted specifically. The default output of every current model is a rushed sequence with no beats. Deadpan comic delivery out of AI video means the operator wrote the prompt the way a screenwriter would - pauses, reactions, holds, all specified frame by frame. - What it costs Two 5-7 second clips at $3-5 each with in-model audio. Locked character references for both actors so the faces match across the cut. Prompt structured as a mini-script with beat notation. Realistically 40-60 rerolls to land the timing on all three spoken lines and the kiss. Under $200 in compute. A weekend from concept to publish-ready. - What this actually opens Short-form comedy has been the one segment of content nobody was making with AI video yet, because you can't fake comic timing when your output has drift and glitches. That barrier just came down. Which means every sketch account, every meme page, every stand-up clip factory now has a pipeline that doesn't require booking actors, renting a location, or getting a laugh out of a live crew. That's a real shift in a market that produces billions of views a month.

TIMED DIALOGUE IN A NIGHTCLUB. THREE WALLS FALL AT ONCE. Nightclub sketch, cut in two halves. Black-and-white first - a couple making out on a couch, someone laughing off-camera. Then color reveals the setup: guy walks up with a drink, delivers a line, she gives him a one-sentence answer that changes the picture, he pauses, then kisses her anyway. None of them exist. It's fully generated, both halves. - What used to be four problems is now one clip Character consistency across a cut - same two faces in B&W and in color. Two-person dialogue with alternating lip sync - three separate English lines, all on time, all matching mouth shapes. Nightclub lighting - low light, saturated color wash, moving sources - was the last hard lighting environment for AI video to render without collapsing into noise. And a kiss - two faces contacting without merging into each other, which has been one of the persistent tells. Any one of these has been solvable for maybe six months. All four in one sketch was still a demo-reel problem in early 2026. - The B&W cut is doing two jobs The editing choice isn't style. It's engineering. Splitting a 15-second sketch into two 5-7 second clips means the model only has to hold consistency inside each segment, not across the whole thing. Monochrome also hides small differences between the two generations - if the girl's face is 3% off between the halves, B&W flattens the delta. Color grading in the second half does the reverse job. Two seams, both hidden by the aesthetic. - The comic beat is the actual craft Generating a kiss is one problem. Generating a kiss that lands as a punchline is a different one. The half-second where he pauses, processes, and decides not to care - that timing has to be prompted specifically. The default output of every current model is a rushed sequence with no beats. Deadpan comic delivery out of AI video means the operator wrote the prompt the way a screenwriter would - pauses, reactions, holds, all specified frame by frame. - What it costs Two 5-7 second clips at $3-5 each with in-model audio. Locked character references for both actors so the faces match across the cut. Prompt structured as a mini-script with beat notation. Realistically 40-60 rerolls to land the timing on all three spoken lines and the kiss. Under $200 in compute. A weekend from concept to publish-ready. - What this actually opens Short-form comedy has been the one segment of content nobody was making with AI video yet, because you can't fake comic timing when your output has drift and glitches. That barrier just came down. Which means every sketch account, every meme page, every stand-up clip factory now has a pipeline that doesn't require booking actors, renting a location, or getting a laugh out of a live crew. That's a real shift in a market that produces billions of views a month.

capONE 💎

82,533 görüntüleme • 2 ay önce