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The 2003 Matrix films were edited by Zach Staenberg, the same editor behind The Matrix (1999), a role that earned him an Academy Award. For the sequels, Staenberg had to walk a fine line cutting hyper-kinetic action while preserving the films’ heavy philosophical weight. This was especially challenging in...

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Every Movie Plug

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18,461 次观看 • 6 个月前 •via X (Twitter)

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IN THE LINE OF FIRE was released 33 years ago today. John Malkovich accepted the role without reading the script. The chance to play opposite Clint Eastwood was enough, and the performance earned him an Academy Award nomination for Best Supporting Actor.
2:18

IN THE LINE OF FIRE was released 33 years ago today. John Malkovich accepted the role without reading the script. The chance to play opposite Clint Eastwood was enough, and the performance earned him an Academy Award nomination for Best Supporting Actor.

cinesthetic.

65,327 次观看 • 1 个月前

Matt Damon says he and Ben Affleck voted for The Matrix for Best Picture in 1999 while people scoffed at them “When that movie came out in 1999, people were like, ‘Oh, it’s a revolutionary action movie,’ and talking about the new camera technique. We both voted for it for Best Picture at the Oscars” “I remember people kind of scoffing, like, ‘The Matrix?’” “It foresaw a whole notion of the future and of existence. It has become more relevant with each passing year. That movie gets better. It’s one of the most seminal films ever made, without a doubt”
0:31

Matt Damon says he and Ben Affleck voted for The Matrix for Best Picture in 1999 while people scoffed at them “When that movie came out in 1999, people were like, ‘Oh, it’s a revolutionary action movie,’ and talking about the new camera technique. We both voted for it for Best Picture at the Oscars” “I remember people kind of scoffing, like, ‘The Matrix?’” “It foresaw a whole notion of the future and of existence. It has become more relevant with each passing year. That movie gets better. It’s one of the most seminal films ever made, without a doubt”

Yonan

1,525,659 次观看 • 1 个月前

It's no secret that Michael Bay likes to shoot his films with as much practical effects as possible. In #Transformers (2007) there is a shot where Optimus Prime and Megatron crash through a building, this shot was done practically using a miniature at 1/4 scale by ILM. Doing this shot practically allowed them to get the randomness of the destruction without having to do expensive simulations. The CG robots were then added into the shot to merge the photographic plate with the CG elements. When doing live-action films, it is always a good idea to shoot physically as much as possible. This provides the VFX artists with real world reference to ground their work in and allows them to compliment the shot with CG elements. One of the reasons the original Transformers trilogy looks so good is because of the incredible blend of practical and digital effects. It is difficult to watch the film and spot what is real and what is CG. ILM VFX Supervisor Scott Farrar talks through how this scene was pulled off:
1:39

It's no secret that Michael Bay likes to shoot his films with as much practical effects as possible. In #Transformers (2007) there is a shot where Optimus Prime and Megatron crash through a building, this shot was done practically using a miniature at 1/4 scale by ILM. Doing this shot practically allowed them to get the randomness of the destruction without having to do expensive simulations. The CG robots were then added into the shot to merge the photographic plate with the CG elements. When doing live-action films, it is always a good idea to shoot physically as much as possible. This provides the VFX artists with real world reference to ground their work in and allows them to compliment the shot with CG elements. One of the reasons the original Transformers trilogy looks so good is because of the incredible blend of practical and digital effects. It is difficult to watch the film and spot what is real and what is CG. ILM VFX Supervisor Scott Farrar talks through how this scene was pulled off:

Rassoul Edji

513,295 次观看 • 1 年前

Of all the additions they made to the films, the character of Lurtz was perhaps one of the very best. Lurtz was never part of Tolkien’s story. He was created for The Fellowship of the Ring, and it’s hard to imagine the film without him. In the novel, Boromir is brought down by a group of Orcs before Aragorn reaches him. For the film, Peter Jackson’s team gave the Uruk-hai a leader, turning the climax into something much more personal, and giving the audience a villain to actively root against. Watching Aragorn face the warrior who killed Boromir gives the ending real emotional weight. It feels earned.
3:31

Of all the additions they made to the films, the character of Lurtz was perhaps one of the very best. Lurtz was never part of Tolkien’s story. He was created for The Fellowship of the Ring, and it’s hard to imagine the film without him. In the novel, Boromir is brought down by a group of Orcs before Aragorn reaches him. For the film, Peter Jackson’s team gave the Uruk-hai a leader, turning the climax into something much more personal, and giving the audience a villain to actively root against. Watching Aragorn face the warrior who killed Boromir gives the ending real emotional weight. It feels earned.

Tolkien World

216,106 次观看 • 22 天前

Jon Voight and Dustin Hoffman in Midnight Cowboy (1969) The film’s producer Jerome Hellman has always maintained that Hoffman reacting to a taxi was in the original script, and that the cab in the final take was driven by an extra, not a real driver. Hoffman has said that the cab jumped the light for real, nearly hitting him and Voight, and that the line was entirely improvised in the moment.
0:31

Jon Voight and Dustin Hoffman in Midnight Cowboy (1969) The film’s producer Jerome Hellman has always maintained that Hoffman reacting to a taxi was in the original script, and that the cab in the final take was driven by an extra, not a real driver. Hoffman has said that the cab jumped the light for real, nearly hitting him and Voight, and that the line was entirely improvised in the moment.

Love Classical Music and Movies 🎺🎻💖🎥🎬

23,958 次观看 • 2 个月前

The Bodyguard 保镖 [2024] Directed By: Qin Pengfei Yang Xing (Na Na AKA Lollipop Girl) introduction in this scene solidifies that she was going to be that badass villain in this film. Not surprising coming from one of the Queens of Chinese Action DTV films. With Qu Jingjing climbing up the ranks as well in the action cinema space for a while and being in Qin Pengfei films. Hopefully she does more of this caliber and also got to work again with Yang Xing in The Raid 2025.
1:37

The Bodyguard 保镖 [2024] Directed By: Qin Pengfei Yang Xing (Na Na AKA Lollipop Girl) introduction in this scene solidifies that she was going to be that badass villain in this film. Not surprising coming from one of the Queens of Chinese Action DTV films. With Qu Jingjing climbing up the ranks as well in the action cinema space for a while and being in Qin Pengfei films. Hopefully she does more of this caliber and also got to work again with Yang Xing in The Raid 2025.

ѕнσgυη ѕυρяємє

31,548 次观看 • 7 个月前

The Rock should return to films like The Rundown, where he’s given an opportunity to use his physicality & his personality in a natural way. I really enjoy this film & Walking Tall. I think there’s room for The Rock to return to more mid-budget films that allow him to kick ass as a true action star. More of this.
1:45

The Rock should return to films like The Rundown, where he’s given an opportunity to use his physicality & his personality in a natural way. I really enjoy this film & Walking Tall. I think there’s room for The Rock to return to more mid-budget films that allow him to kick ass as a true action star. More of this.

Cinema Tweets

322,794 次观看 • 1 个月前

Some more storyboards from an early version of one of our toughest scenes to crack on The Wild Robot: Sequence 250-The Forest. This was from a version where there was very little dialogue, and we just leaned into the silent wonder and beauty of Roz discovering the forest. The imagery was super compelling, but in the end it wasn’t giving us the insight into Roz’s character that we needed to service the rest of the story.
0:21

Some more storyboards from an early version of one of our toughest scenes to crack on The Wild Robot: Sequence 250-The Forest. This was from a version where there was very little dialogue, and we just leaned into the silent wonder and beauty of Roz discovering the forest. The imagery was super compelling, but in the end it wasn’t giving us the insight into Roz’s character that we needed to service the rest of the story.

Heidi Jo Gilbert

33,603 次观看 • 1 年前

The Matrix came out 25 years ago this week. It has one of the great sci-fi opening scenes ever with a strange noir world, Bullet Time action and an absolute chad villain (Agent Smith). That opener also has a great business backstory: the Wachowski siblings initially asked Warner Bros for $180m, which was a wild sum for unproven directors. The studio ultimately agreed to $63m. To meet the lower budget, production moved to Australia in 1998 (it came out in 1999). The Wachowskis spent over 4 months of pre-production for the actors — Carrie-Anne Moss (Trinity), Keanu Reeves (Neo), Lawrence Fishburne (Morpheus), Hugo Weaving (Agent Smith) — to train in martial arts and gun-fighting. Warner Bro became concerned with the pace of production. They hadn’t seen much footage and didn’t have much visibility into the budget. To assuage studio execs, the sibling directors had to send over some film. Turns out they had already spent $5m+ on the opener (which was filmed over 4 days). So, they cut footage into a ~5-minute intro and added special FX. Let’s just say the studio was very satisfied with the result and left them alone afterwards. Reflecting on watching The Matrix for the first time, James Cameron said it was “one of the most profoundly fresh science fiction films ever made.” That tone is set right from the legendary opening.
4:28

The Matrix came out 25 years ago this week. It has one of the great sci-fi opening scenes ever with a strange noir world, Bullet Time action and an absolute chad villain (Agent Smith). That opener also has a great business backstory: the Wachowski siblings initially asked Warner Bros for $180m, which was a wild sum for unproven directors. The studio ultimately agreed to $63m. To meet the lower budget, production moved to Australia in 1998 (it came out in 1999). The Wachowskis spent over 4 months of pre-production for the actors — Carrie-Anne Moss (Trinity), Keanu Reeves (Neo), Lawrence Fishburne (Morpheus), Hugo Weaving (Agent Smith) — to train in martial arts and gun-fighting. Warner Bro became concerned with the pace of production. They hadn’t seen much footage and didn’t have much visibility into the budget. To assuage studio execs, the sibling directors had to send over some film. Turns out they had already spent $5m+ on the opener (which was filmed over 4 days). So, they cut footage into a ~5-minute intro and added special FX. Let’s just say the studio was very satisfied with the result and left them alone afterwards. Reflecting on watching The Matrix for the first time, James Cameron said it was “one of the most profoundly fresh science fiction films ever made.” That tone is set right from the legendary opening.

Trung Phan

1,101,323 次观看 • 2 年前

The Matrix didn’t lie. 1999 was the peak of human civilization. It was the perfect point in time when technology was advanced enough to augment and improve human life but not so advanced that it was used to surveil and control. Technology was still in service of the individual. After 2001 and The Patriot Act, everything changed. “I believe that, as a species, human beings define their reality through suffering and misery. The perfect world was a dream that your primitive cerebrum kept trying to wake up from. Which is why the Matrix was redesigned to this (1999): the peak of your civilization. I say your civilization, because as soon as we started thinking for you it really became our civilization, which is of course what this is all about. Evolution, Morpheus, evolution. Like the dinosaur. Look out that window. You've had your time. The future is *our* world, Morpheus. The future is our time.” - Agent Smith (The Matrix) Pay attention to what Smith said. Reread it. As soon as the technology started being in service of technology (agent smith is an AI), and NOT in service of humans, and humans GAVE THEIR POWER AWAY, it became the civilization of the machines, not the humans. TLDR: Hoard physical media. PS5 DRM bad.
1:29

The Matrix didn’t lie. 1999 was the peak of human civilization. It was the perfect point in time when technology was advanced enough to augment and improve human life but not so advanced that it was used to surveil and control. Technology was still in service of the individual. After 2001 and The Patriot Act, everything changed. “I believe that, as a species, human beings define their reality through suffering and misery. The perfect world was a dream that your primitive cerebrum kept trying to wake up from. Which is why the Matrix was redesigned to this (1999): the peak of your civilization. I say your civilization, because as soon as we started thinking for you it really became our civilization, which is of course what this is all about. Evolution, Morpheus, evolution. Like the dinosaur. Look out that window. You've had your time. The future is *our* world, Morpheus. The future is our time.” - Agent Smith (The Matrix) Pay attention to what Smith said. Reread it. As soon as the technology started being in service of technology (agent smith is an AI), and NOT in service of humans, and humans GAVE THEIR POWER AWAY, it became the civilization of the machines, not the humans. TLDR: Hoard physical media. PS5 DRM bad.

Autism Capital 🧩

279,695 次观看 • 3 个月前

The Sin Trade 追恶 [2026] Directed By: Cheng Siyi Finally caught up to this. Part of the new school of Action directors in Mainland China, Cheng Siyi has been making a name of for himself over the past few years. Especially with his 2024 film "Desperado". So far, this is his best output, since he got a fellow director and action choreographer to do the action direction for this film. And when you get a combo like that you sure are going to get a banger. Plenty of action in this film about human trafficking and with the case with Chinese DTV that's usually one of the themes they go with on thier output. Drugs, Human trafficking or Sniper Films, lol. This is currently streaming the West and East on iQIYI. This scene is edited BTW to cut out the drama.
0:39

The Sin Trade 追恶 [2026] Directed By: Cheng Siyi Finally caught up to this. Part of the new school of Action directors in Mainland China, Cheng Siyi has been making a name of for himself over the past few years. Especially with his 2024 film "Desperado". So far, this is his best output, since he got a fellow director and action choreographer to do the action direction for this film. And when you get a combo like that you sure are going to get a banger. Plenty of action in this film about human trafficking and with the case with Chinese DTV that's usually one of the themes they go with on thier output. Drugs, Human trafficking or Sniper Films, lol. This is currently streaming the West and East on iQIYI. This scene is edited BTW to cut out the drama.

ѕнσgυη ѕυρяємє

11,521 次观看 • 4 个月前

Seth Rogen reveals he smoked a bong for 45 minutes then saw The Matrix the day Freaks and Geeks wrapped "The day the show wrapped, me and Jason Segel drove to a movie theater in the valley, smoked weed out of a glass bong in his car for like 45 minutes, and then went and saw The Matrix, and it was a mind-blowing experience" "And then a few weeks later, I went to Vancouver and did a ton of shrooms and saw The Matrix again, and it was an even more mind-blowing experience" "But the scene where your mouth ran away, I was with my friend, and he got up and ran out of the theater. He was just like, f*ck this"
0:25

Seth Rogen reveals he smoked a bong for 45 minutes then saw The Matrix the day Freaks and Geeks wrapped "The day the show wrapped, me and Jason Segel drove to a movie theater in the valley, smoked weed out of a glass bong in his car for like 45 minutes, and then went and saw The Matrix, and it was a mind-blowing experience" "And then a few weeks later, I went to Vancouver and did a ton of shrooms and saw The Matrix again, and it was an even more mind-blowing experience" "But the scene where your mouth ran away, I was with my friend, and he got up and ran out of the theater. He was just like, f*ck this"

Casper

260,256 次观看 • 1 个月前

Jason Segel revealed that he made a huge glass pipe that he and Seth Rogen used for smoking weed. Jason Segel: All we kind of knew is that you and I both liked to smoke weed. Seth Rogen: Yes, and a side note to The Matrix coming out is this Bill Pope, who's the cinematographer of The Matrix, was shooting our pilot. And the whole marketing campaign for The Matrix was "What is The Matrix?" and we'd always go to Bill and be like, "What is The Matrix?" And he wouldn’t tell us! But it actually came out the day the pilot wrapped. Jason Segel: Holy shit. Seth Rogen: So the whole, in my head, the whole pilot was just a march to The Matrix being released. Jason Segel: 100%! And then we rolled giant joints... Seth Rogen: Yeah. Jason Segel: ...and we drove to the movie theater, and we saw The Matrix together. Seth Rogen: We actually smoked weed out of a giant glass pipe that you had in your car! Like a huge, like a comically large, like dragon-shaped glass pipe. Jason Segel: I think I made that pipe because I had graduated high school with the assumption that you just start doing professional acting.
1:36

Jason Segel revealed that he made a huge glass pipe that he and Seth Rogen used for smoking weed. Jason Segel: All we kind of knew is that you and I both liked to smoke weed. Seth Rogen: Yes, and a side note to The Matrix coming out is this Bill Pope, who's the cinematographer of The Matrix, was shooting our pilot. And the whole marketing campaign for The Matrix was "What is The Matrix?" and we'd always go to Bill and be like, "What is The Matrix?" And he wouldn’t tell us! But it actually came out the day the pilot wrapped. Jason Segel: Holy shit. Seth Rogen: So the whole, in my head, the whole pilot was just a march to The Matrix being released. Jason Segel: 100%! And then we rolled giant joints... Seth Rogen: Yeah. Jason Segel: ...and we drove to the movie theater, and we saw The Matrix together. Seth Rogen: We actually smoked weed out of a giant glass pipe that you had in your car! Like a huge, like a comically large, like dragon-shaped glass pipe. Jason Segel: I think I made that pipe because I had graduated high school with the assumption that you just start doing professional acting.

Ruzy.hl

465,236 次观看 • 2 个月前

Happy birthday to the F-8 Crusader, who flew for the first time on March 25 1955. The Last of the Gunfighters" earned that nickname as it was the final US fighter that had guns as the primary weapon, but also fired missiles. It saw heavy combat with the US in Vietnam and had a pivotal role in the Cuban Missile Crisis as a Photo Reconnaissance platorm, as seen in this dramatization, in the movie "13 Days."
0:58

Happy birthday to the F-8 Crusader, who flew for the first time on March 25 1955. The Last of the Gunfighters" earned that nickname as it was the final US fighter that had guns as the primary weapon, but also fired missiles. It saw heavy combat with the US in Vietnam and had a pivotal role in the Cuban Missile Crisis as a Photo Reconnaissance platorm, as seen in this dramatization, in the movie "13 Days."

Air Safety #OTD by Francisco Cunha

162,626 次观看 • 5 个月前

Mirage was the new human-buddy lead in #Transformers ROTB. The studio wanted a character other than Bumblebee to have that role and be in the spotlight with Optimus Prime. He was designed to look "handsome" and to be sporty. He was the only character in the film with more than 1 alternate form. He had a total of 4 that we built in 3D (1 of which was cut from the film) and 1 that was only in live action (the garbage truck). I served as the asset Lead and did the Primary Texturing & Look Development for him. I also modelled and designed his eyes, upgrading them from what we had originally in the concept and ref. We spent a lot of time getting his car paint to look correct in shots, matching closely to on set reference pictures of the Porsche. At the end of the film, Mirage gives up his life and becomes the Exo-suit for Noah. The suit was built separately, using the same tooling and systems as Mirage to ensure visual continuity between them for the transformation from Mirage to Noah Exo-suit. He was voice acted by Pete Davidson, a change which was made later in production. The animators tried to introduce some of Pete's mannerisms into Mirage's animations too. Overall he was a character which was a lot of fun to work on and I'm proud of the work the team did to get him to look the way he does in the final film. CREDITS Primary Modelling by Lilian Robert. Final Texturing & LookDev by Martin Kamminga. Various other artists supported the creation of Mirage and the Exo-suit. The Exo-suit and Mirage were sent to WetaFX for the final sequence. Video by Paramount, MPC, and WetaFX.
0:48

Mirage was the new human-buddy lead in #Transformers ROTB. The studio wanted a character other than Bumblebee to have that role and be in the spotlight with Optimus Prime. He was designed to look "handsome" and to be sporty. He was the only character in the film with more than 1 alternate form. He had a total of 4 that we built in 3D (1 of which was cut from the film) and 1 that was only in live action (the garbage truck). I served as the asset Lead and did the Primary Texturing & Look Development for him. I also modelled and designed his eyes, upgrading them from what we had originally in the concept and ref. We spent a lot of time getting his car paint to look correct in shots, matching closely to on set reference pictures of the Porsche. At the end of the film, Mirage gives up his life and becomes the Exo-suit for Noah. The suit was built separately, using the same tooling and systems as Mirage to ensure visual continuity between them for the transformation from Mirage to Noah Exo-suit. He was voice acted by Pete Davidson, a change which was made later in production. The animators tried to introduce some of Pete's mannerisms into Mirage's animations too. Overall he was a character which was a lot of fun to work on and I'm proud of the work the team did to get him to look the way he does in the final film. CREDITS Primary Modelling by Lilian Robert. Final Texturing & LookDev by Martin Kamminga. Various other artists supported the creation of Mirage and the Exo-suit. The Exo-suit and Mirage were sent to WetaFX for the final sequence. Video by Paramount, MPC, and WetaFX.

Rassoul Edji

130,138 次观看 • 1 年前

In the movie, The Matrix, Agent Smith has the ability to enter any body, at any time, and that often happens when the Matrix is threatened by Neo. This scenario is a reflection of our real world. For example, you're having a conversation with a friend/family member/partner and everything is fine until you mention something like 9/11 was inside job. Now watch what happens, up pops the Agent Smith to replace the person you were just having a conversation with to attack you because all truths threaten the Matrix, which gives them feeling of safety, security and purpose in this "hologram" reality. Most people have had the Agent Smith programing since birth. These programed people become the guardians of the Matrix, protectors of the narrative and enforcers of indoctrination which holds together our false concept of reality like super glue. Think critically.
0:30

In the movie, The Matrix, Agent Smith has the ability to enter any body, at any time, and that often happens when the Matrix is threatened by Neo. This scenario is a reflection of our real world. For example, you're having a conversation with a friend/family member/partner and everything is fine until you mention something like 9/11 was inside job. Now watch what happens, up pops the Agent Smith to replace the person you were just having a conversation with to attack you because all truths threaten the Matrix, which gives them feeling of safety, security and purpose in this "hologram" reality. Most people have had the Agent Smith programing since birth. These programed people become the guardians of the Matrix, protectors of the narrative and enforcers of indoctrination which holds together our false concept of reality like super glue. Think critically.

MAVERICK X

790,544 次观看 • 2 年前

In the movie, The Matrix, Agent Smith has the ability to enter any body, at any time, and that often happens when the Matrix is threatened by Neo. This scenario is a reflection of our real world. For example, you're having a conversation with a friend/family member/partner and everything is fine until you mention something like 9/11 was inside job. Now watch what happens, up pops the Agent Smith to replace the person you were just having a conversation with to attack you because all truths threaten the Matrix, which gives them feeling of safety, security and purpose in this "hologram" reality. Most people have had the Agent Smith programing since birth. These programed people become the guardians of the Matrix, protectors of the narrative and enforcers of indoctrination which holds together our false concept of reality like super glue. Think critically, I love you all, X
0:30

In the movie, The Matrix, Agent Smith has the ability to enter any body, at any time, and that often happens when the Matrix is threatened by Neo. This scenario is a reflection of our real world. For example, you're having a conversation with a friend/family member/partner and everything is fine until you mention something like 9/11 was inside job. Now watch what happens, up pops the Agent Smith to replace the person you were just having a conversation with to attack you because all truths threaten the Matrix, which gives them feeling of safety, security and purpose in this "hologram" reality. Most people have had the Agent Smith programing since birth. These programed people become the guardians of the Matrix, protectors of the narrative and enforcers of indoctrination which holds together our false concept of reality like super glue. Think critically, I love you all, X

MAVERICK X

392,690 次观看 • 7 个月前

This school did a very beautiful initiative on Mother’s Day. They secretly invited all the mothers of the children to the school without telling the kids. Then they clicked photos of each child one by one while making them sit on a chair, and during the photo, the child’s mother was quietly made to sit behind them. Later, when the children were shown their photos, they noticed that their mother was sitting behind them in the picture. As soon as they turned back, their mother was actually there. The same was done with every child. The happiness on the children’s faces after seeing their mothers was completely different. This was a really beautiful initiative by the school. It truly deserves appreciation.
0:35

This school did a very beautiful initiative on Mother’s Day. They secretly invited all the mothers of the children to the school without telling the kids. Then they clicked photos of each child one by one while making them sit on a chair, and during the photo, the child’s mother was quietly made to sit behind them. Later, when the children were shown their photos, they noticed that their mother was sitting behind them in the picture. As soon as they turned back, their mother was actually there. The same was done with every child. The happiness on the children’s faces after seeing their mothers was completely different. This was a really beautiful initiative by the school. It truly deserves appreciation.

Saffron Chargers

48,117 次观看 • 3 个月前

Visualizing 2,516 Cardano Relays Connecting to 20 Hot Peers (20 other relays) I recently simulated what it looks like when 2,516 Cardano relays each connect to 20 hot peers (other relays). The result is a complex web of over 50,000 animated lines representing peer-to-peer connections across the globe. This simulation closely resembles what happens behind the scenes as relays maintain network communication. The visualization highlights the density and scale of the Cardano blockchain, with each relay contributing and collaborating.
1:15

Visualizing 2,516 Cardano Relays Connecting to 20 Hot Peers (20 other relays) I recently simulated what it looks like when 2,516 Cardano relays each connect to 20 hot peers (other relays). The result is a complex web of over 50,000 animated lines representing peer-to-peer connections across the globe. This simulation closely resembles what happens behind the scenes as relays maintain network communication. The visualization highlights the density and scale of the Cardano blockchain, with each relay contributing and collaborating.

Dave

31,887 次观看 • 1 年前