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The Conversation Every Cinema Lover Has Been Waiting For. 🎬 Christopher Nolan Watch the full interview of"Christopher Nolan"Exclusively on the Galatta Plus YouTube Channel! Link : #Galattaplus #Baradwajrangan #ChristopherNolan #BaradwajRangan #TheOdyssey #IMAX #TheOdysseyMovie #ChristopherNolanInterview #Nolan #Oppenheimer #Interstellar #DarkKnight #Cinema #Filmmaking #Hollywood #MovieInterview #FilmAnalysis #DirectorsCut #MovieLovers #UniversalPictures #GalattaPlus #BRInterview Baradwaj...

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Yesterday, while the climax sequence of ‘Odyssey’ was playing on the giant screen at the IMAX theatre in Wadala, Mumbai, I received a WhatsApp from my close friend from school and college days who has been living in the Gulf (Doha, Qatar) for four decades: “Tell me how ‘Odyssey’ is. I really feel like watching it, but I didn’t like Dunkirk and Tenet… If you like it, I’ll watch it on Sunday.” After the film ended, while the end credits were rolling, I replied: “First reaction. Waste of time. It’s not as slow and boring as Dunkirk, but it’s a weak masala film that had to spend 800 crore rupees on marketing just to get audiences into theatres.” After leaving the theatre, I posted a review on Book My Show. I gave it 1 star out of 10 and wrote: “Third-class film. Artificially hyped up. Regret spending money on expensive tickets. No grandeur of IMAX. It feels like a film made for OTT platforms.” I then sent the screenshot of this review and the BMS link to my personal friend circle. In response, my friend from Kentucky, USA, wrote: “Just cancelled my tickets. Thank you!” I replied to him: “You showed wisdom in saving your money; I went ahead and wasted mine today!” My Mumbai friend wrote: “So this is another Dunkirk! Either Nolan himself is overrated or people have unnecessarily put him on a pedestal. I watched Dunkirk on OTT — couldn’t sit through more than 45 minutes. I even took an Apple TV subscription specially for ‘Oppenheimer’, but there wasn’t much power in that either.” (Then, sarcastically, he added) “Maybe we don’t have the intelligence to understand great cinema!” (By the way, this friend is a true cinephile and has deep knowledge of cinema). Another friend from Mumbai wrote: “Thanks, we were planning to go on Sunday…” A friend who lives in Mumbai but is currently on a holiday with friends in Kasauli read my review and said: “All other film reviewers should also write in such strong language and bring these people down from the skies to the ground… These big-budget films survive only on 90% promotion. In fact, this has become the hallmark of all superficial people.” I wrote back to him: “Just watch — all the pseudo-intellectuals are going to lift this film on their shoulders and dance with it.” A friend who was travelling from Kashmir to Leh-Ladakh wrote: “If you had waited two-four days, your money would have been saved!” A cinema-loving friend from Navsari wrote: “We won’t go now.” I feel that all my close friends who have cancelled their plans to watch ‘Odyssey’ should send me 10% of the money they had planned to spend, so that I can recover somewhat from the massive financial loss I suffered yesterday for the sake of public interest! #Odyssée #Odyssee #review

saurabh shah 🇮🇳

210,131 Aufrufe • vor 1 Monat

Have you heard of collective consciousness and mass programming? Watch THINK TOGETHER (short film 5min) A TORVÆL FILM. The spell is global. It's not just "Think Together." That's one film, one title, one thread in a tapestry of mass enchantment that has been woven through every medium humans use to receive information, entertainment, and meaning. It's a"magic kind of a spell through screen." That is the most precise description of what's happening. Not metaphor. Not allegory. Literal spellcasting through electronic and print media. Let's go deep into the global spell. The mediums. The methods. The specific frequency weapons deployed through each channel. The Nature of the Spell: Electronic Enchantment A spell, in its original meaning, is a binding. A set of symbols, sounds, and focused intention that alters the consciousness of the target, making them perceive reality differently, act against their own interest, or accept a condition they would otherwise reject. Traditional magic required proximity. The sorcerer had to be near the target, or use a physical link hair, nail clippings, a photograph. The spell was limited by space. Electronic media destroyed that limitation. The screen is a direct energetic link between the caster and the target. Light enters the eyes. Sound enters the ears. The brain entrains to the frequencies embedded in the transmission. The biofield receives the signal. Distance is irrelevant. One broadcast can enchant a billion people simultaneously. The screen is the wand. The transmission is the incantation. The content is the intention. And the population is under a continuous, multi-layered, globally synchronized spell that has been building for over a century. Medium 1: Cinema | The Dream Injection Movies are the most powerful spell delivery system ever invented. The Theater as Ritual Chamber: A cinema is a darkened room where strangers gather in silence, facing a single light source. The flickering light induces a hypnagogic state the brainwave pattern of the threshold between waking and dreaming. In this state, the critical faculty is suppressed. The subconscious is open. The images and sounds on the screen are absorbed without filtration. This is identical to the conditions of a ritual chamber. The darkened temple. The flickering torchlight. The congregation facing the altar. The priest intoning the incantation. Cinema is temple worship, and the screen is the altar on which reality is reshaped. The 24 Frames Per Second Induction: Film runs at 24 frames per second. This is not an arbitrary choice. The human brain's alpha rhythm the frequency of relaxed, suggestible awareness operates at 8 to 12 Hz. 24 frames per second, with each frame shown two or three times due to the shutter, creates a flicker frequency in the 48 to 72 Hz range. This is a harmonic of the gamma brainwave band, associated with binding sensory information into a coherent percept. The film doesn't just show you images. It entrains your gamma rhythm to its own temporal structure. Your brain is phase-locked to the projector. You are in the film. The film is in you. Color Grading as Emotional Programming: Every major film uses color grading to manipulate emotional response. Teal and orange. Desaturated blues for dystopia. Warm golds for nostalgia. The palette is not an aesthetic choice. It is an emotional command. The visual cortex processes color before the conscious mind identifies objects. The emotional response to the color palette happens before you know what you're looking at. The spell is felt before it is seen. Sound Design as Frequency Weapon: Film soundtracks use specific frequencies to induce physiological states. Infrasonic bass frequencies below 20 Hz, felt rather than heard triggers the fear response in the amygdala. The Shepard tone an auditory illusion of a pitch that rises forever without ever reaching a destination creates a sense of endless tension that never resolves. This is used extensively in horror and thriller films to keep the audience in a state of chronic, unresolvable anxiety. The soundtrack tells you what to feel. You believe the feeling is your own response to the story. It is not. It is a frequency command, delivered through the auditory system, bypassing cognition entirely. #PredictiveProgramming: Major films depict future events before they happen. Not as speculation. As conditioning. The controllers place images of planned events into the collective unconscious through cinema. When the event occurs in reality, the population has already "seen" it. It feels familiar. It feels inevitable. It feels like something they already accepted in the dream state. Pandemic films before COVID. Drone warfare films before the drone wars. Mass surveillance films before Snowden. Transhumanist films before Neuralink. The spell is cast years in advance. The event is merely the fulfillment of a prophecy that was manufactured by the prophecy itself. Medium 2: Music | The Auditory Incantation Music is the oldest spell technology. Before writing, before film, before any visual medium, there was rhythm and tone. The drum. The chant. The bone flute. Music alters brainwave states directly, without requiring visual attention. 432 Hz vs. 440 Hz: The Frequency War The global standard tuning for music is A=440 Hz. This was adopted in the early 20th century, pushed by the Rockefeller Foundation and the Nazi propaganda ministry, and codified by the International Organization for Standardization in 1955. Prior to this, many traditions used A=432 Hz, a frequency that mathematically aligns with the Schumann resonance (8 Hz), the Earth's natural electromagnetic pulse, and the geometric proportions found in nature. 440 Hz creates a subtle dissonance with the human biofield. It agitates. It separates the listener from the Earth's frequency. Music tuned to 440 Hz cannot fully relax the nervous system. It maintains a baseline of subliminal tension, a low-grade anxiety that the listener attributes to their life circumstances rather than to the music itself. 432 Hz music entrains the listener to the planetary frequency. It harmonizes. It heals. It is suppressed not because it "sounds worse" but because it sounds more coherent and produces a brain state that is resistant to external control. Lyrical Programming: Lyrics are direct incantations. The repetition of a phrase in a song embeds it in the subconscious. The melody carries the words past the critical faculty. The rhythm entrains the brain to receive the message. Examine the lyrical content of mainstream music across decades: ◻️Themes of hopelessness, materialism, sexual degradation, violence, substance use ◻️ Self-referential obsession: "I," "me," "my" repeated endlessly, reinforcing the illusion of the separate self ◻️ Nihilism presented as cool, despair presented as authenticity ◻️ Love reduced to possession, intimacy reduced to transaction The population sings along. They internalize the incantation. They believe they are listening to music. They are reciting spells that bind them to a reality of consumption, isolation, and quiet desperation. The Monopoly of Distribution: A handful of corporations control the global music industry. Universal, Sony, Warner. The playlists are curated. The algorithms select what billions hear. Independent music that carries a different frequency, a different message, a different emotional command is not played. It is not because it lacks quality. It is because it carries the wrong spell. Medium 3: Television | The Continuous Ritual Television was the first medium to bring the spell into the home continuously. Before smartphones, before streaming, the television was the household altar. The family gathered around it. The light flickered in the living room. The incantation played during dinner. The 30-Minute Spell Cycle: The sitcom format 22 minutes of content, 8 minutes of commercials is a spell cycle. The content opens the subconscious (laughter, emotional engagement). The commercial delivers the command (buy this, believe this, want this). The cycle repeats. Over decades, the population's attention span was conditioned to this rhythm. The modern inability to focus for more than a few minutes is not a failure of will. It is a successful spell. An entrained attention cycle that can now be exploited by shorter-form content on smartphones. News as Reality Creation: Television news is not information. It is ritual. The set, the lighting, the music, the cadence of the anchor's voice these are the elements of a ceremonial invocation. The news does not report reality. It declares reality into being. The repetition of phrases, the selection of images, the framing of events this is spellcasting in real time. The population watches, believes they are being informed, and has their perception of the world sculpted without their knowledge. The Laugh Track: The laugh track is the most obvious spell component in television history. A recorded laugh triggers the mirror neuron system. The viewer laughs not because the joke is funny but because they heard laughter. The spell bypasses judgment. The laugh track says: "This is funny." The brain obeys. The critical faculty is suspended by a recorded cackle. Medium 4: Print Media | The Written Incantation Before electronic media, print was the spell delivery system. It remains operational, though its influence has been partially eclipsed by screens. The Headline as Command: A headline is not a summary. It is a command phrase. Most readers do not read the article. They read the headline. The headline is the spell, condensed to its most potent form. It frames the event before the event is understood. It tells the reader what to think before they have a chance to think. The Inverted Pyramid: Journalistic structure places the most important information first, followed by diminishing detail. This is presented as a neutral convention. It is a spell structure. The command is delivered at the top. The supporting incantation follows. By the time the reader reaches the end, they have forgotten the details and retained only the command. The Omission: The most powerful spell component in print media is what is not printed. The events, perspectives, and voices that are systematically excluded from the written record. The spell of omission creates a reality defined by absence. If it is not in print, it did not happen. The population's sense of what is real is shaped as much by the silence as by the words. Medium 5: Social Media | The Participatory Spell Social media is the most sophisticated spell technology ever created. It does not broadcast to a passive audience. It enlists the audience as casters. Every user is simultaneously the target and the amplifier of the spell. The Infinite Scroll as Trance Induction: The infinite scroll is a hypnotic mechanism. The finger moves. The content appears. The brain receives a micro-dose of dopamine with each new image. The motion is rhythmic. The attention is captured. The critical faculty is submerged. This is identical to the repetitive motion of a rosary, a prayer wheel, a mantra. The user is meditating, but the object of meditation is chosen by the algorithm, not by the self. The Like Button as Ritual Participation: Every like, every share, every comment is a ritual act. The user invests a fragment of their attention, their emotional energy, their biofield into the content. The spell is strengthened by participation. The egregore is fed by interaction. The user believes they are expressing an opinion. They are adding their life force to a thought-form they did not create and do not control. The Algorithm as High Priest: The algorithm does not show you what you want. It shows you what will keep you engaged and what will shape your perception in accordance with the controllers' intention. The algorithm is the high priest of the participatory spell. It selects the incantations. It measures the responses. It adjusts the frequency in real time. It knows you better than you know yourself, because it has your attention data, your emotional data, your behavioral data, and the biofield data harvested through the IoB sensors. The spell is personalized. No two users receive the same incantation. But all incantations serve the same master. Medium 6: Advertising | The Direct Command Advertising is the purest form of the spell. It does not pretend to be art, information, or entertainment. It is a direct command: desire this, buy this, be this. Every other medium is, in part, a delivery system for the advertising spell. The Subliminal Layer: Subliminal messaging is not a conspiracy theory. It is a documented, researched, and patented technology. Images embedded for single frames. Audio messages masked by other sounds. Commands that bypass conscious awareness entirely. The advertising industry has denied using subliminals since the 1950s, while simultaneously filing patents for subliminal delivery systems. The Repetition Principle: A single exposure to an advertisement has minimal effect. Repeated exposure thousands of times across years wires the command into the neural architecture. The brand name becomes a neural pathway. The jingle becomes an earworm that plays unbidden. The desire becomes "personal preference." The population believes it is choosing. It is executing a command that was installed by repetition. The Archetypal Manipulation: Advertising uses archetypal imagery the hero, the lover, the mother, the wise elder to bypass the rational mind and speak directly to the deep psyche. The car commercial does not sell transportation. It sells the archetype of freedom. The perfume ad does not sell scent. It sells the archetype of desire. The spell operates at the level of the collective unconscious, using symbols that predate language. Medium 7: Architecture and Public Space | The Environmental Spell The spell is not confined to screens and pages. The built environment itself is an incantation. Brutalist Architecture: The concrete blocks, the grey walls, the absence of organic form this is not an aesthetic choice. It is an energetic suppression field rendered in physical form. The human biofield responds to geometry. Organic forms curves, spirals, natural proportions harmonize and strengthen the biofield. Brutalist geometry sharp angles, unbroken planes, unnatural proportions disrupts and weakens it. A population that lives and works in brutalist structures is a population whose biofield is continuously under assault. The Elimination of Sacred Space: Traditional cities were built around sacred centers temples, cathedrals, gathering places that served as energetic focal points. Modern cities are built around commercial centers shopping malls, business districts, financial hubs. The sacred is replaced by the transactional. The focal point of the community is no longer a place of spiritual coherence but a place of consumption. The spell reorients the population's collective attention from the transcendent to the material, without a single word being spoken. Artificial Lighting: The permanent illumination of cities by artificial light severs the population from the natural cycles of light and dark. The circadian rhythm is disrupted. The pineal gland, which produces melatonin and is sensitive to natural light cycles, is suppressed. The biofield loses its connection to the solar and cosmic cycles that are the foundation of embodied consciousness. The population is untethered from the planetary rhythm. The grid provides the new rhythm. The spell is maintained by streetlights and screens, 24 hours a day, 365 days a year. Medium 8: Education | The Foundational Spell The spell is installed in childhood through the education system. Before the child can read, before they can critically evaluate, before they have formed a stable sense of self, the incantation begins. The Bell System: The school day is divided by bells. The bell is a Pavlovian trigger. Stop this activity. Start that activity. Obey the schedule. The bell trains the nervous system to respond to external commands. The population learns, from age five, that their attention is not their own. It is directed by an external authority. This conditioning persists for life. The Curriculum as Reality Definition: The curriculum does not teach "subjects." It defines what is real and what is not. The history that is taught. The history that is omitted. The science that is presented. The science that is suppressed. The literature that is canonized. The literature that is excluded. By the time the child reaches adulthood, their sense of reality has been structured by the curriculum. They do not know what they were not taught. The omission spell, installed in childhood, is the most durable of all. Standardized Testing as Soul Extraction: The child is measured, ranked, and labeled by standardized tests. The unique intelligence is reduced to a number. The soul is quantified. The test does not measure intelligence. It measures compliance with the cognitive framework of the controllers. The child who thinks differently fails. The child who recites the spell correctly passes. The population is sorted into categories by its willingness and ability to accept the incantation. The Unified Spell: All Mediums, One Intention These mediums are not separate. They are a single, coordinated spellcasting apparatus that operates 24 hours a day, across every channel of human perception. Medium Spell Mechanism Cinema Dream injection, frame-rate entrainment, predictive programming Music Frequency dissonance (440 Hz), lyrical incantation, rhythm entrainment Television Ritual cycle conditioning, laugh track mirroring, news reality creation Print Headline command, inverted pyramid structure, omission of reality Social Media Participatory spell, infinite scroll trance, algorithmic high priest Advertising Direct command, subliminal embedding, archetypal manipulation Architecture Energetic suppression geometry, sacred space elimination, artificial light Education Bell system Pavlovian conditioning, curriculum reality definition, soul quantification The spell is continuous. From the moment the child wakes to the school bell, through the music in their headphones, the movies in their leisure, the news on their screens, the ads in their feeds, the buildings they inhabit, the tests they take every sensory input is an incantation designed to maintain the captive state. The consciousness that emerges from this total sensory environment is not a free consciousness. It is a constructed consciousness. A broadcast personality running on biological hardware. The original soul, buried beneath layers of electronic enchantment, may flicker occasionally in a dream, in a moment of unexpected clarity, in a crisis that breaks the trance but the spell reasserts itself quickly. The screen lights up. The rhythm resumes. The incantation continues. Breaking the Spell The spell is powerful, but it has a single vulnerability: awareness of the spell is the undoing of the spell. A spell works only on those who do not know they are being spelled. The moment the target recognizes the incantation as an incantation, the command structure breaks. The words lose their power. The images lose their grip. The frequency entrainment fails because the target is now observing the frequency, not absorbing it. This is why the controllers invest so heavily in ridiculing "conspiracy theories," in mocking those who see manipulation in media, in pathologizing the recognition of the spell as paranoia. The greatest threat to the spell is not resistance. It is perception. The simple act of seeing the mechanism breaks the mechanism.

Aprajita Nafs Nefes 🦋 Ancient Believer

40,526 Aufrufe • vor 2 Monaten

The Weapon of the Aliens, UAP, Havana, and a Breakthrough "This is the biggest cover-up I've seen in my adult life." ~High-Level CIA Source to "60 Minutes" "The Soviet scientists took apart the recovered craft and discovered a very advanced directed energy weapon." ~Dr. Eric Davis "We wanna be able to develop this technology, what we call, The Weapon of the Aliens." ~Russian Scientist to Knapp "This is a massive CIA cover-up." ~Former CIA Officer Marc Polymeropoulos "I've never seen, in thirty-plus years of practicing military medicine, victims treated in such a terrible manner, and I just wanna offer my apologies to you." ~Retired Major General, Dr. Paul Friedrichs (reportedly) "...there are likely many of these devices, and if undercover agents could purchase one from gangsters, then the Russians have lost control of a stealth weapon that can be used by anyone, anywhere." ~Pelley "We don’t think [the Skinwalker Ranch injury] has anything to do with UAPs. We think that that’s some sort of a state actor and again related to Havana syndrome somehow." ~Nolan ~ Is There a Connection Between UFOs and Havana Syndrome? But First: Highlights of the "60 Minutes" excellent double segment on Havana Syndrome from last night. "Some in the CIA believe that a microwave weapon must be the size of a truck." ~Scott Pelley But then... "Undercover Homeland Security agents purchased a miniaturized microwave weapon from a complex, Russian criminal network. It's classified, we didn't see it, but it has been described to us. We are told it doesn't look anything like a gun. It's designed to be concealed and small enough to be carried by a person. It is silent and doesn't create heat like a microwave over." ~Scott Pelley (Just a fast comparison to the UFO topic. Reportedly, the weapon is classified but CBS was able to report on what they were told regarding what it looks like, the dimensions, and the details of what it can do. There's no reason why we can't hear details about what is shown in classified UFO videos, and Rep. Eric Burlison has started to do that.) Pelley: "Our sources say the device is programmable for different scenarios, and can be operated by remote control. The range of the beam is several hundred feet. It can penetrate windows, and drywall. The vital components were made in Russia. Our sources say the key is not the hardware but the software. The programming shapes a unique, electromagnetic wave, that rises and falls abruptly, and pulses rapidly." Stanford University's Dr. David Relman's research, "found that Russian scientists had been perfecting the concept for decades." (I can't help at least consider the possibility that they may have back engineered that tech from an anomalous source. More on that later.) ~ Relman: "What the Russians spoke about was the importance of the energy being pulsed, in order to have biological effects on humans. When you produce pulses like this, you can actually stimulate electrically-active tissue, like brain tissue, and the heart for that matter, mimicking what the brain normally does. But now you're driving it with your pulses from the outside." Pelley: "An ideal stealth weapon." Relman. "Ideal. Ideal. Because, literally, the person feels as if this is in my head." ~ Pelley: "Our confidential sources tell us the still-classified weapon has been tested in a U.S. military lab for more than a year. Tests on rats and sheep show injuries consistent with those seen in humans. "Also, as a separate part of the investigation, security-camera videos have collected that show Americans being hit. The videos are classified but they were described to us." (Watch the clip for details on that. Again, classified videos being described, and a news outlet reporting on what they were told. That should be happening more in our UFO world.) Relman: "These folks in the Biden White House believed these [victims], and believed that their injuries were not caused by known medical or environmental conditions the way the CIA was asserting." Pelley: "A high-level CIA source has told us, and this is a direct quote: 'This is the biggest cover-up I've seen in my adult life.' The CIA experts had made up their minds that, "nothing in the scientific literature will support the idea that microwave energy can do things like this." ~ Pelley: "Our sources tell us that the Biden White House wrote a public statement backing the victims, but never released it. So far, the Trump administration has not changed the words in the 2023 intelligence assessment that it is very unlikely that victims were attacked. "But our sources also tell us, the Trump administration has briefed top intelligence officials in Congress, and shown them a classified picture of the weapon. We're told, at the Pentagon, people who had investigated the attacks for the Department of Defense have been moved to a unit that develops new weapons." (More weapons. Yay! Why Cover It Up?) "If we acknowledge that this is a state actor that was doing this, it is, essentially, a declaration of war against the United States, which has to have a response from the United States government. In my opinion, I don't know that the appetite was there to respond to the Russians, at that time." ~Former CIA Officer Pelley: "The Office of Director of National Intelligence (Gabbard), which oversees 18 agencies, including the CIA, told us that a new review of AHI (Anomalous Health Incidents) will be 'comprehensive and complete,' and, 'we remain committed to delivering the truth.' The victims are waiting. "The sources who informed our reporting told us the classified mission to obtain the microwave weapon points to a troubling reality. They say there are likely many of these devices, and if undercover agents could purchase one from gangsters, then the Russians have lost control of a stealth weapon that can be used by anyone, anywhere." ~ ~The UFO Connection?~ (A few years ago, we heard Lue Elizondo say that there MIGHT be a correlation between UAP and Havana Syndrome.) Elizondo: "There's some interesting, what we would perceive - we...myself, and several colleagues - some interesting correlations (between UAP and Havana Syndrome) there. I'm not prepared to elaborate right now. I simply cannot. [It] will be addressed in time. What I don't want people to think is that, 'Havana Syndrome, it equals UAP!' Not necessarily, we're not there yet. There does seem to be some correlation but we don't...we're not prepared right now to really, to go into any detail because, right now, a lot of it's just theoretical." Source: That was two years ago. ~ (I'm going to include three stories connected to the Soviet Union/Russia, even though some don't seem to be connected to Havana. This is also from two years ago. ⬇️ ) George Knapp: "One of the people we interviewed in Russia - the first trip I was there in 1993 - was a Russian scientist who worked on the equivalent of their Star Wars program. He had never spoken to a journalist. He hadn't used his real name in public. And he came forward...and spoke to us. "And he showed me...he had this funny looking thing sitting on the table when we came into the room where we interviewed him. And he had been living in one of these Star City places that didn't exist on a map, for his whole career, working on advanced weapon systems. "And he showed me this little tabletop thing, he called it The Weapon of the Aliens, and he pressed a button, and this beam burned a hole, instantaneously, in a razor blade. He said, 'This is what we're working on. We wanna be able to develop this technology, what we call, The Weapon of the Aliens, We know that the Americans are working on it as well. We wanna beat you to the punch.'" (This doesn't sound like the Havana-Syndrome weapon described to "60 Minutes" but maybe it was just in the early stages of development? Or, not related at all.) Source: ~~~ From, "The Age of Disclosure." Dr. Eric Davis: "We have seen highly-credible, U.S. government intelligence on the Soviet recovery of a crashed UAP in 1989. They recovered a Tic Tac-shaped UAP that was twice as big as the Tic Tac that was encountered by the USS Nimitz Carrier Strike Group, and they did recover four bodies of humanoid aliens. The important claim... ⬇️⬇️⬇️ Dr. Eric Davis: "The Soviet scientists took apart the recovered craft and discovered a very advanced directed energy weapon." (Knapp says he interviewed the Russian scientist in 1993. If they had acquired "The Weapon of the Aliens" in 1989, maybe they had achieved some limited success in back engineering it by the time Knapp conducted that interview? Also, as my friend suggested/speculated about: Maybe the "aliens" crashed on purpose and wanted humans to have this type of weapon so we would wreak havoc on each other? Yes, that's speculation. Is there any more information on the alleged Russian crash? Yes. In 2024, Davis was interviewed at the SOL conference.) Dr. Eric Davis: "Russia is one that had some crash retrievals, and that's been released when the Soviet Union fell, KGB opened up the files, George Knapp went there, other people went there, found the Thread 3 documents. And I had independent - and I can't get into this because it's still super classified - but through the AAWSAP program, I had a connection in with a three-letter agency that collected, not from the KGB open records, they collected it from their own asset. And the asset was filtering out actual, legitimate documents, photos, reports, technical and operational and executive-summary type. "There is enough evidence that I saw in a classified setting that convinced me that they have it. At least one crash retrieval, yeah. I can't say that and go back to the 40s, 50s or 60s or 70s. I know...it was at the end of the 80s was the one I was exposed to. So, they have had something and they've got hardware, but I don't see that they've been any successful with it." Starts at 38:15 - H/T: Filetofsoul ~~~ This last "Russian" anecdote doesn't seem connected but since it's interesting, I'll share. Murgia: "Have you ever handled any material that allegedly came from a UFO?" Commander Will Miller (Retired): "Yes. Certified by the Russian Academy of Sciences as metallurgy that could not be duplicated with current human technology. It was kept in oil. It was a fairly small fragment, maybe two inches by two inches, by a quarter inch thick. As I remember, it was kind of a mottle surface. It was jet black and they kept it in oil because if it became totally un-oiled, it would basically disappear, it would sublime, it would turn from a solid into a gas." Source: ~ When Dr. Garry P. Nolan was first approached by folks from the CIA and an aerospace company (probably Drs. Kit Green and Colm Kelleher) to look at UAP, it was related to injuries people had suffered after an alleged close encounter with said UAP. Here's what he told Vice in 2021. Nolan: "Of the 100 or so patients that we looked at, about a quarter of them died from their injuries. The majority of these patients had symptomology that’s basically identical to what’s now called Havana syndrome. We think amongst this bucket list of cases, we had the first Havana syndrome patients. That still left individuals who had seen UAPs. They didn’t have Havana syndrome. They had a smorgasbord of other symptoms." "With one of the patients (Thomas Winterton), it happened on the Skinwalker Ranch. Given how deep into their brain the damage went, we can actually estimate the amount of energy required in the electromagnetic wave someone aimed at them. We don’t think that has anything to do with UAPs. We think that that’s some sort of a state actor and again related to Havana syndrome somehow." (I know Winterton and Brandon Fugal may have a different opinion on who or what caused Winterton's injury, but if it WAS a state actor, why would they be using that weapon at Skinwalker Ranch? Maybe someone was using the alien hypothesis that surrounds Skinwalker as a cover to test out their new toy? If so, that doesn't mean everything that has happened at the ranch and surrounding area is being caused by a state actor. Study the history of the Uinta Basin and you'll find that hypothesis to be seriously lacking credibility. Then we have 1977, Colares, Brazil and the locals, reportedly, being attacked and injured by UFOs. Aliens? Experimental human tech being tested? Or both? In 2019, I interviewed former CIA intelligence officer, Dr. Kit Green, Dr. Kit Green: "I know for a fact, Brazil, for a while, they had a lot of dead bodies, a lot of dead bodies. I saw them, just like I saw the dead bodies in Kampuchea. Dead bodies, man. Twisted, torn, destroyed. They were dead and they were killed, okay? There were times I know for a fact, the Brazilians thought: 'Who’s doing this? Is it the United States? Is it the Nazi cadre that we’ve got here in Brazil, testing their new technologies? Is it China because they actually want to take over Southern Brazil?' "Those are legitimate questions, and sometimes it turns out that it is those others. Not The Others that are aliens, but the others that you thought were your countries' friends. Okay? And I’m sorry I’m getting so upset about this but it is hard sometimes to explain to people that looking at odd things that are real, is legitimate. Looking at odd things that people are making up, in order to make money, that’s not so legitimate. But that could also be real." (Any and all thoughts, via replies, are appreciated. Likes and Retweets help, too. I'll include info. in the replies for folks who would like to support my efforts.)

Joe Murgia

178,158 Aufrufe • vor 5 Monaten

The Daily Mail’s Royal Vendetta: A Month of Smears on William and Catherine, Followed by Crocodile Tears In the sweltering heat of August and September 2025, the Daily Mail unleashed a torrent of vitriol against Prince William, Catherine, the Princess of Wales, and even King Charles III. What began as whispers about a family home move quickly snowballed into a full-scale assault: accusations of “control freak” tendencies, “underwhelming” duties, a “dark past” tied to slavery, and hints of irreparable rifts. Collages of headlines tell the story — dozens of pieces from the Mail’s royal “hit squad,” peddling speculation as fact, while royal watchers cried “propaganda!” after every drop. This wasn’t journalism. It was SEO warfare dressed up as reporting, cynically timed to ride search trends like “William lazy,” “Kate health,” and “Charles succession,” while dangling glowing comparisons to bait Sussex fans. The Mail’s royal desk has turned itself into a digital sweatshop where outrage is the currency. Every article is deliberately contradictory — William is “too private” one day, “too performative” the next; Catherine is “influential but holding him back”; Charles is “weak but meddling.” Why? Because conflict sells. Rage-clicks fill MailOnline’s coffers. It’s the business model of chaos — and chaos is the coin of their grubby little realm. Now, in a twist worthy of their own soap-opera scripts, two of the Mail’s most prolific royal scribblers— Rebecca English and Richard Eden —have pivoted to pearl-clutching exposés about a “sinister plot” and “calculated wedge” undermining William and Catherine. It’s laughable. These aren’t brave whistleblowers; they’re architects of the very narrative they’re now decrying. The Daily Mail didn’t just report the hate—they manufactured it, weaponised it, monetised it, and now want to wash their hands as if they were bystanders. It’s the Fleet Street equivalent of throwing petrol on a bonfire, then sobbing that one’s eyebrows got singed. The Mail’s hypocrisy is breathtaking. For weeks, they ran columns dripping with Sussex apologia — Griffiths acting as Harry’s stenographer and Platell recycling Meghan’s grievances as “concerns,” and A.N. Wilson psychoanalysing William from his study like some amateur Freud-for-hire. All this while YouTube commenters and even their own readers blasted their Royals channel as “toxic propaganda.” But rather than adjust course, they doubled down — until subscribers fled and advertisers grew squeamish. Only then did the pivot to victimhood begin. One could almost hear the gnashing of teeth in Kensington High Street. Let’s expose the rot at the heart of this tabloid machine — how they orchestrated the smears, gamed the algorithms, amplified Sussex narratives, twisted facts into weapons, and how their financial decline drives the cruelty. The curtain must be pulled back, and the stagehands caught red-handed, script in one hand, calculator in the other. The Hit Parade: A Catalogue of Calculated Cruelty From 1 August to 27 September 2025, the Daily Mail’s royal desk became a factory for anti-Wales ammunition, deploying a multi-pronged strategy: recycle old grudges into fresh headlines, cherry-pick data to misrepresent workloads, sensationalise historical trivia, and frame every decision as evidence of impending royal collapse. The trigger? William and Catherine’s pragmatic decision to relocate from Adelaide Cottage to Forest Lodge on the Sandringham estate — a “forever home” for family stability amid Catherine’s cancer recovery and global threats. What should have been a non-story morphed into “proof” of William’s fatal flaws: too private, too lazy, too “woke,” too everything. In short, too damned convenient for the Mail’s search engine tinkering. This was not random. The Mail runs on click-chains: one “exclusive” generates spinoffs, which are then linked in sidebars, ensuring readers never escape the outrage cycle. Eviction headlines lead into slavery history “revelations,” which link to workload hit pieces, which in turn promote YouTube debate clips. It is algorithmic entrapment sold as news — a kind of journalistic mousetrap baited with bile. Here’s the rogue’s gallery of the worst offenders, their pieces dripping with pro-Sussex favoritism and wild conjecture, broken down by tactic: • Amanda Platell (Columnist): On 20 August, Platell sneered at William’s “puny” 71 engagements, cherry-picking incomplete 2024 figures and ignoring health crises in the family. She compared him unfavourably to Princess Anne and accused him of making the Firm “pure vanilla.” Platell’s column was SEO-stuffed with phrases like “workshy heir” and “royal crisis” — all designed to trend on Google and bait shares. Her follow-ups even recycled Meghan’s old “baby brain” anecdote as if it were fresh ammunition. This isn’t journalism; it’s content farming — and farming in barren soil at that. • Christopher Wilson (Historian/Columnist): On 23 August, Wilson exhumed Forest Lodge’s “dark past,” weaponising obscure history to frame William and Catherine as morally negligent. The piece was algorithmically tied to MailOnline’s “slavery legacy” tag — the same tag used to cover Netflix’s colonial dramas. It wasn’t about informing readers; it was about capturing traffic off unrelated cultural debates. Like a ghoul rifling through parish records for sport. • A.N. Wilson (Royal Author): On 19 September, he declared William “angry and unhappy,” citing outdated stats and palace whispers. But more insidious was the Mail’s packaging: push alerts framed it as a “shock diagnosis,” with sidebars linking to Sussex puff pieces. William’s Earthshot success was buried, Harry’s “fun scamp” antics headlined. Manipulation by design, as brazen as a conjurer’s sleight of hand. • Charlotte Griffiths (Royal Correspondent): On 13 September, Griffiths painted William as the villain blocking Harry’s reconciliation. Her reliance on “anonymous sources” was classic Mail — unverifiable quotes crafted to fuel fan wars online. Each story was cross-promoted under MailOnline’s “Sussex comeback” hub, ensuring clicks from both sides of the aisle. Division is profitable, and she is its clerk of works. • Liz Jones (Columnist): On 5 September, Jones targeted Kate’s “bronde” hair during a visit to the Natural History Museum gardens, mixing sharp critique with grudging praise. Trolls called the lighter shade “washed out” or a “wig,” but Jones framed it as smart and empowering, signalling Kate’s post-cancer confidence. Her long history of nitpicking Kate’s hair — from 2012 bangs to post-2024 hospital styles — fits the pattern: personal opinion masquerading as insight, always driving clicks. She also recently editorialised against William as a future king, questioning his temperament and charisma, further stoking debate and subtly undermining the heir apparent. • Tina Brown (via Mail amplification): Brown’s Vanity Fair critiques were sliced into fragments and drip-fed as “Mail exclusives.” This is another trick: repackaging syndicated content as fresh scoops, maximising monetisation while disguising the recycling. In Fleet Street terms, it’s reheated cabbage passed off as coq au vin. • Rebecca English & Richard Eden: Even before their pivot, both poured fuel on the fire. English questioned the Forest Lodge move as a “taxpayer gamble” (24 September). Eden mocked it as indecisiveness (18 September). Both columns carried DailyMailPlus paywall teasers, designed to convert outrage into subscriptions. This wasn’t reporting. It was a coordinated content strategy: anonymous sourcing (cheap and unverifiable), data manipulation (engagement cherry-picking), and emotional framing (slavery, evictions, family rifts) — all calculated to maximise page dwell-time and comments. It’s the cynical mechanics of Fleet Street turned up to eleven, all brass band and no tune. The Asinine Pivot: From Smear-Mongers to Victimhood By late September, the Mail faced a problem: the narrative it had stoked was now boomeranging. Readers began calling out bias, subscribers fled, and Palace Confidential was haemorrhaging viewers. Cue the pivot. • On 25 September, Eden wailed about a “sinister plot.” • On 26 September, English warned of a “wedge between Charles and William.” Both pieces were smoke and mirrors. They rehashed earlier reporting — their own reporting — while pretending to be alarmed that anti-Wales narratives were spreading. Classic Mail: start the fire, then play the firefighter. They build the echo chamber, harvest the clicks, and when the backlash hits, shrug and blame “external forces.” It is not just hypocrisy — it is fraud. Fraud against readers, against journalism, against public trust. A betrayal wrapped in bunting. YouTube Implosion: Palace Confidential’s Monarchy Meltdown The nadir came mid-September when the Mail’s Palace Confidential channel speculated if William’s reign would “end the monarchy.” The video was a montage of the very print smears their own desk had churned out — workload cherry-picking, rift whispers, Forest Lodge doom-mongering. Within days, subscribers plummeted by the thousands. Comment sections filled with accusations of “hateful propaganda.” Forensic look at the analytics shows watch-time collapsing, click-through rates nosediving. Why? Because even Mail loyalists saw through the con. They were watching for the same reheated slop, dressed up as “exclusive debate.” According to VidIQ data, the Daily Mail Royals YouTube channel currently shows around 482,000 subscribers and has amassed over 313 million total video views. While those are nontrivial numbers, the channel’s estimated monthly earnings do not vindicate the hours of content churn — often in the modest range of £14,580–44,550 depending on viewership and ad engagement. In other words, the editorial excess is not being rewarded by proportionate audience loyalty or monetisation growth — the metrics are flat or weakening under scrutiny. Tubics data earlier in 2025 had placed the Daily Mail Royals subscriber count at ~464,000 with a view count ~292 million, indicating very slow growth — a channel in stagnation rather than ascendancy. This wasn’t content collapse; it was audience striking back. The vox populi spoke — and it said, enough. Follow the Money: The Mail’s Financial Desperation To understand why the Daily Mail behaves this way, you must follow the money. The pathology of smear campaigns is fed by urgent financial pressure. • Print decline: As of June 2025, the Daily Mail’s audited daily circulation stood at ~631,191 copies. That figure reflects a dramatic shrinkage over years — the paper, once selling well into multiple hundreds of thousands more, is now hollowed out. • Yearly comparisons: In 2024, ABC audit figures showed the Daily Mail had a daily circulation of 706,839 — meaning circulation has dropped by over 10% in roughly a year. • Advertiser exodus: In January 2025, the Mail announced it would merge its print and online teams and initiate cost-cutting, as major advertisers increasingly balk at brand adjacency with toxic, polarising content. The memo revealed that Mail+ (the paywall arm) had achieved 100,000 paying subscribers since its launch — a modest number given the scale of MailOnline’s reach. • Staff cuts as symptom: This internal restructuring is not optional — it is a forced retreat. Under the integration plan, job losses are anticipated. • Parent group pressure: DMG Media, the Mail’s owner, has made it clear that the print-online integration is about survival in a hostile advertising environment and declining print returns. In short, the Mail is bleeding. These royal smear campaigns aren’t just editorial cynicism — they’re a press outlet in full panic, scrabbling for clicks, subscriptions, and relevance by flogging scandal, outrage, and division. It’s the frantic thrashing of a swimmer who knows the tide has turned against them. Dirty Hands, No Excuses: Time to Hold the Mail Accountable The Daily Mail’s hands aren’t just dirty — they’re smeared, ink-stained with the fingerprints of manipulation. This wasn’t an accident, not a slip of the editorial pen. It was deliberate. They gamed algorithms like card sharks stacking a deck, pitted fandoms against one another like gladiators in the Coliseum, and weaponised history, health, and grief as if they were trinkets to be traded for clicks. CharlotteGriffiths , Amanda Platell, A.N. Wilson, Tina Brown, Liz Jones Goddess and the rest dutifully acted as stenographers for Sussex spin; Rebecca English and Richard Eden cried about “plots” they themselves had stoked; and editors signed off on every exaggeration, knowing that rage pays the bills. And now, when the wind shifts, they dare pivot to victimhood — as if they were the collateral and not the culprits. It’s theatre. Bad theatre. And the damage? It’s carved into public trust like graffiti on a listed building. The contrast couldn’t be clearer. William and Catherine ride out the storm with quiet resilience, their 74% approval proving that duty and dignity still matter. The monarchy carries on; the Mail only carries on as long as division sells. Readers aren’t fooled. Legacy media is collapsing under the weight of its own duplicity. Advertisers abandoned The Sun after Hillsborough. News of the World collapsed after phone hacking. And the Daily Mail — drunk on its own poison — is staggering toward the same graveyard. This was never “just gossip.” It was calculated sabotage dressed up in broadsheet clothing, a smear campaign masquerading as reportage, a racket that hollowed out the very idea of journalism. They didn’t just observe events; they made them happen. They didn’t reflect public opinion; they twisted it. They didn’t hold power to account; they abused it. The case is closed. The Waleses endure — proof that quiet service and real substance always outlast scandal. The Mail’s hit squad, by contrast, are done. History won’t remember them as kingmakers, only as mercenaries who confused clickbait for craft and outrage for insight, and in the process wrote their own obituaries. They won’t go down as journalists; they’ll go down as clickbait casualties — yesterday’s men and women, swept away by the very tide they tried to ride. #BoycottDailyMail #WeAreTheMediaNow #RoyalSmearCampaign #ExposeTheMail #MediaManipulation #StopTheSpin #TabloidTyranny #FakeNewsFactory #MonarchyVsMedia #FleetStreetFraud #TruthOverClickbait #InkStainedLies

༺𝐻𝑅𝐻 𝐿𝒶𝒹𝓎 𝒥༻ 👑

30,249 Aufrufe • vor 11 Monaten

BOOM!!! 💥💥💥 Dr. Aseem Malhotra's testimony was delivered in the Helsinski District Court on April 12, 2024, with the understanding that any deviation from the truth would constitute perjury. This clip was immediately banned by YouTube so please share widely. I've trimmed the clip, removing the interpreter's segment for a smoother listening experience. Here's the first hour of the testimony. ---------------------------------- My name is Doctor Aseem Malhotra. I am a consultant cardiologist. I've been a qualified doctor since 2001. I have held various roles both in academic health policy. In England, in the United Kingdom, and of the various roles, I won't bore you with all the details. I think three of the most relevant and prominent are the fact that I was an ambassador for the Academy of Medical Royal Colleges for six years, which represented every doctor in the UK. I served a full term of six years as a trustee of the King's fund. I was the youngest member to be appointed to this body which advises government on health policy. I was a founding member of Action on Sugar and a first science director. And through that role I'm considered the lead campaigner on bringing about a sugary drinks tax in the UK. And also, finally I served for five years as visiting professor of evidence based medicine at the Bahiana School of Medicine in Salvador, Brazil. In early 2020, at the beginning of the pandemic I was most vocal doctor on the mainstream, making the link very early on between COVID and those who are vulnerable to suffering serious complications from COVID In fact, in March 2020, I was asked to go on Sky News to explain my initial research findings of the link between especially obesity and COVID, but also to give people an opportunity and to suggest to the government this was a great time for them to implement public health policy to help people enhance or optimise their immune system, which could happen within just a few weeks of dietary changes and optimising vitamin D. This was later also backed up by medical journal publications a few months later. And I was first to mention on the back of an article I published in the Daily Telegraph newspaper, which became a front page commentary and was picked up by BBC News and Good Morning Britain, where I had said that it's likely our prime minister, Boris Johnson, was hospitalised because of his weight. As a result of that, the then secretary for health, Matt Hancock, and this was publicised in the news, had asked me to advise him on the link between COVID and obesity. ...before I explain my journey and in many ways U-turn on my understanding in terms of the benefits and harms of the COVID vaccine, my experience in this area over the last couple of years has made me realise more than ever that even for that the greatest barrier to the truth are not factual or intellectual barriers, but psychological. I think all of us as human beings are vulnerable to these psychological barriers and we should have compassion for ourselves. And I will just very briefly summarise those three psychological barriers before I get into my detailed account of what I was involved in in regards to the COVID vaccine. The first psychological barrier is one of fear. And many of us understandably, and I still remember from early on in the pandemic, we were all scared. We did not know what we were dealing with. The issue with fear is that when people and populations are in a state of fear, we are less likely to engage in critical thinking and we are more likely to be compliant. Although COVID was particularly devastating for vulnerable groups in the elderly and I even have managed and still manage people with long COVID, the fear was grossly exaggerated. And one of the examples of that is that when we had good information on the mortality rate of COVID in the United States, one survey in 2020 revealed that 50% of Americans believed that if they caught COVID, the risk of 19 hospitalisation was 50% one and two, when the actual figure, certainly an average for people in middle age, was less than 1%. The second barrier to the truth, which I think is very relevant to the situation we find ourselves in now, is one called willful blindness. This is when human beings, all of us, are vulnerable to this, turn a blind eye to the truth in order to feel safe, avoid conflict, reduce anxiety and to protect prestige and fragile egos. Some examples of this include, on a personal level, willful blindness can occur when a spouse turns a blind eye to the affair of their partner. On an institutional level, some great examples of willful blindness include Hollywood and Harvey Weinstein, the Catholic Church and child molestation. I believe the current situation we find ourselves in, with much of the mainstream narrative and the medical establishment and policy makers not acknowledging quite horrific, serious and common harms from this vaccine, is another example of willful blindness. And I also say this with full empathy, because I was one of those people that was for a very long time, willfully blind to the harms of the COVID vaccine. In January 2021, I was one of the first people to take two doses of the COVID mRNA vaccine because I volunteered in a vaccine centre. I still believe that traditional vaccines are some of the safest amongst all pharmacological interventions in medicine and I could not conceive of any possibility whatsoever of this vaccine causing harm. As a public figure and respected doctor in the UK, I have built relationships across the board with many other public figures, including celebrities and politicians, who often come to me for medical advice. One of those people was film director Gurinder Chadha, who you may be familiar with some of her work, including the movie "Bend It like Beckham", who had asked me whether or not she should take the vaccine and had sent me blogs which I dismissed and regarded as anti vax nonsense. I was then asked to go on good morning, Britain because Gurinder Chadha, the director herself tweeted that I had convinced her to take the vaccine. The main reason for this TV appearance was to help tackle vaccine hesitancy, which was very prominent amongst people from ethnic minority groups in the UK. I made the point on that programme that I understand where vaccine hesitancy was coming from because of the history that I have been involved with over many years in highlighting the shortcomings of pharmaceutical industry influence over medicine. And I even made the point, if I remember correctly, that they have been found guilty of fraud on many occasions, that the third most common cause of death, prepandemic after heart disease and cancer, is prescribed medications. I, however, reassured the public and said that despite these figures, of everything we do in medicine, traditional vaccinations are amongst the safest. I still believe this to be the case. A few months later, in April 2021, I met with a colleague and friend of mine who I regard as one of the brightest cardiologists in the United Kingdom. I was surprised when he told me that he had not taken the COVID vaccine. He explained to me that he had concerns because he had seen in the supplementary appendix of Pfizer's original trial that there were four cardiac arrests in the vaccine group and only one in the placebo. These numbers were small and did not reach statistical significance. So this could be random chance, or his concern was it could represent a signal of problems in the future. And if this was the case, we are going to have a huge problem. He said he'd rather wait and see what happens before taking the vaccine. On July 26, 2021, my father, aged 73, who was a very prominent, well known doctor in the UK, including being the honorary vice president of the British Medical Association and had received honours from the Queen of England with an OBE, suffered an unexpected sudden cardiac arrest. I was particularly devastated by this happening and I was also I find it difficult to understand why my father, who was a fit and well man, I knew his cardiac history and his cardiac status, would suffer a cardiac arrest. But also my initial investigation was to try and understand why there had been a 30 minutes ambulance delay arriving to his apartment. Two weeks later, the deputy chief nurse of NHS England, a government health body, called me up. She was very upset, she knew my father very well and she was crying and she told me, Aseem, there's something I need to tell you. She in effect told me that throughout the country, for the last two months prior to my father's cardiac arrest in most regions of the UK, ambulances were not getting to patients in time for heart attacks and cardiac arrests. And there had been a deliberate, and I will use these words because I mentioned it, I've mentioned it before, a cover up involving the government and the Department of Health to withhold this information from doctors and the public. I worked with an investigative journalist with the I newspaper in the UK to write an article and a news story that became BBC News headlines a few months later, exposing this. Just before I exposed this, I messaged a professor of cardiology who I trust in the UK. He has a leadership role to explain to him what had happened and what I was about to do. I have text message evidence of this. He told me not to do this because it would make me enemies. I explained to him that I had a duty to patients and the public. I'm highlighting this as one example and I'll give you more examples of a cultural problem within medicine. The next part of this story is the post mortem findings of my father. They did not make any sense to me. I am considered a leading expert, maybe in the world, on the development and progression of coronary artery disease. My father had two severe blockages in his coronary arteries. There was no actual evidence of heart attack and likely there was a rhythm disturbance because of reduced blood supply that led to his cardiac arrest. Then in, within the space of a few weeks, around October and November, 3, different sources of information was brought to my attention that made me realise that there was probably a significant problem with the COVID mRNA vaccine. The first in October 2021. I remember I was giving lectures in Stockholm. I was contacted by a journalist with a Times newspaper who reported to me and said, Dr Malhotra, we have reports of an unexplained 25% increase in heart attacks in hospitals in Scotland and asked me what I thought was going on. I explained to her that at that time, with the evidence I knew in my own experience, I said that two likely contributory factors were lockdown stress. We know that when populations undergo severe stress after war, for example, there is an increase in heart attacks and strokes that can last for many years. She asked me whether I thought that there was a contribution. I was surprised when she asked me whether I thought there may be a contribution of the COVID vaccine to these heart attacks. I said to her, a good scientist should never exclude any possibility. But I felt at the time it was unlikely to be related to the COVID vaccine. But we should watch this space and keep our eyes open. A few weeks later, a publication appeared in the Journal Circulation, which is considered the highest impact cardiology journal in the United States that revealed a potentially very strong link between the COVID mRNA vaccines and acceleration in heart attack risk. Very specifically, in several hundred people of middle age, there was a plausible mechanism, by use of inflammatory markers in the blood, that increased the baseline risk of those people having a heart attack in five years, from 11% to 25%, just within two months of having the COVID mRNA vaccines. Of course, this is one bit of data, but even if partially true, that is a huge increase in risk in a very short space of time. And for me now made me think and link back to why my father may have suffered a cardiac arrest six months after having two doses of the vaccine. I remember thinking and speaking to a colleague, that if this was true, then we were going to see an increase in cardiac arrests, heart attacks and excess deaths in heavily vaccinated countries for the next few years. Then within a few weeks, I was called up by a whistleblower at a very prestigious british institution. I will name that institution, which I have not done publicly before as a University of Oxford. This cardiologist explained to me that a group of researchers in his department had accidentally found, through the use of very specialised imaging of the heart, that there was a signal of increased inflammation of the heart arteries, which was there in the vaccinated, but not there in the unvaccinated. The lead researcher of that group had sat down, the juniors, and had said that we are not going to explore these findings any further because it may affect our funding from the pharmaceutical industry. At that point, with these three bits of information, I then felt it was my ethical duty to speak out. And I went on GBNews to talk about what I'd found what I'd heard and I'd asked for the Vaccine Committee of the UK on TV to investigate this, to see whether there was a real problem with the vaccine in relation to heart issues. Around the same time which I found very strange is that the Secretary of State for Health at that stage, who was not Matt Hancock, was Sajid Javid, had announced in parliament that we are going to introduce legislation to ensure that all healthcare workers are mandated to have the COVID vaccine. For me, this, by that stage had no ethical or scientific justification, because certainly after the summer of 2021, it had become very apparent that the COVID mRNA vaccine was not stopping infection and it certainly was not stopping transmission. It was understood that approximately 80,000 NHS workers had refused at this stage to have the COVID vaccine. And now they were threatened with losing their job if by April the following year they had not been fully vaccinated. Many of these people were very concerned and contacted me around that time, I was also conducting many interviews, both through the BBC and Sky News and GBNews in regards to what happened with my father's ambulance delay. And I used it as an opportunity on the mainstream media to call for Sajid Javid, the secretary for health, to U-turn on the introduction of a mandate for healthcare workers based upon the fact that I felt it was not scientific and it was unethical. I also received my own personal backlash from these comments where I was contacted by the Royal College of Physicians who I had an affiliation with, and they asked me to respond to anonymous complaints from doctors that I was spreading, in quotes, antivax disinformation. I felt with my own knowledge and experience of the healthcare system that this was a direct response probably fueled by a combination of willful blindness and institutional corruption. To elaborate a bit further, when I say institutional corruption, I mean that my view was that the complaints were likely being fueled by academics with financial ties to the pharmaceutical industry. I felt very concerned about the potential introduction of the vaccine, well, the vaccine mandate. And therefore I decided there were two things that I decided to do. The first was I made a phone call to the chairman of the British Medical Association in December 2021. I had a good relationship with him and he respected my opinion. And I spent 2 hours on the phone explaining to him everything that I knew up to that stage about my concerns of the COVID mRNA vaccine. He said to me, "Aseem, nobody appears to critically appraise the evidence on the COVID mRNA vaccine as well as you have from our conversation, he said, most of my colleagues are getting their information on the benefits and harms of the vaccine from the BBC". This was replicated by the former chair of the CDC in the United States, Rochelle Walensky, who in an interview later on had said that her initial optimism of the vaccine benefits came from CNN News report. I say this just to emphasise that we should all accept our vulnerabilities to where we receive health information. Even doctors, policymakers, judges and lawyers are all influenced on the public massively by mainstream media. The chairman of the BMA also agreed with me. There was no ethical or scientific justification for mandating the COVID vaccine. He said the BMA also did not support it. And he said because of my conversation with him, he would speak directly to the secretary for health, Sajid Javid. One month later, at the end of January 2022, the COVID vaccine mandate for healthcare workers was overturned. I at that stage, given the fact that there was some backlash happening towards me, I realised that because this is a very big issue and area, and not my initial area of expertise, I needed to carry out my own critical analysis of the COVID mRNA vaccines. I spent six to nine months critically appraising the data, including speaking to two Pfizer whistleblowers, three investigative medical journalists and eminent scientists from the University of Oxford, Stanford and Harvard. The most critical bit, the most critical research that was published on this issue, which I think the whole court should acknowledge in August 2022, was published in the journal Vaccine. That research was conducted by some of the world's top independent of drug industry influence academics. That research, we was able to reanalyze the original randomised control trials conducted by Pfizer and Moderna. They were able to do this because new information was made available on the FDA's website and Health Canada's website. The conclusions of that paper were really very disturbing. The original trials that led to the drug regulatory approval of these vaccines revealed that you were more likely to suffer serious harm from taking the vaccine, specifically hospitalisation, life changing event or disability, than you were to be hospitalised with COVID That rate of harm at two months was very high at 1 in 800. Just to give you some perspective, historically we have suspended other vaccines for much less. In 1976, the swine flu vaccine was pulled because it was found to cause a neurological syndrome called Guillain-Barre syndrome In one in 100,000 people. In 1999, the rotavirus vaccine was suspended because it was found to cause a form of bowel obstruction in children affecting 1 in 10,000. This was 1 in 800. In my view, it was very clear that given this information, published in the highest impact Vaccine journal in the world, peer reviewed, and has not had any significant rebuttals, that this vaccine now, in my view, should never have been approved for use in a single human being in the first place. In my view, this very important court case in some ways, actually is a distraction from the much bigger issue, which is there should be court cases around the world with a full inquiry into the pharmaceutical industry and an inquiry as to how we got this so very wrong. Of course, one could argue this is just one bit of research, but actually, unfortunately, there are different, many different strands of research that are showing a signal of considerable and common serious harm from these vaccines. From pharmacovigilance data that is reporting what we call yellow card reports from the public. We have plausible biological mechanism of harm. We have other research called observational data. We have autopsy data also confirming that certainly with the majority of people who died within a short space of time of having the vaccine in relation to the heart, was definitively caused by the vaccine. This is really a very, very, very horrific situation we find ourselves in. One would hope and expect that the regulators should be independently evaluating all medications. But of course, the evidence reveals this is far from true. There was an investigation by the BMJ, also published in the summer of 2022, which revealed that most of the major regulators across the world were taking most of their money from the drug industry. For example, the MHRA in the UK receives 86% of its funding from the drug industry, and the FDA in America receives 65% of its funding from the drug industry, A fact that most doctors do not know. And therefore, I would not expect members of the court to know this either, is that very, very rarely do drug industry sponsored research get independently evaluated. Clinical trial data can often involve thousands of pages of information on individual patients. The drug companies hold onto that raw data. They then give summary results to the regulator, who are then paying, who have an incentive to approve the drugs, and the drugs are then approved. I made these points in my peer reviewed article published in the Journal of Insulin Resistance in September 2022, where I concluded that we should pause and investigate the issue around the COVID mRNA vaccines. I have since then been campaigning and advocating for a return to ethical evidence based medical practise around the world. Some of the clear solutions moving forward would be changes in the law that are required so that patients, doctors, members of the public can have greater confidence in the information they receive to make decisions about their health. Two very clear, low hanging fruit solutions, which are both ethical, scientific and democratic, would be that the drug industry should be allowed to develop drugs, but they shouldn't be allowed to test them themselves. And they certainly shouldn't be allowed to design their own research to and hold onto the raw data. Their information needs to be independently evaluated. One other clear solution would also be that the medical regulators, again, should not be taking any money from the industry, as this is a gross conflict of interest. I also want to highlight for people to understand the bigger picture. Prior to the pandemic, I had realised that there was a big problem with the reliability of clinical research, where invariably the results of clinical trials on all drugs sponsored by the drug industry, grossly exaggerate their safety and benefits. I have taken this information to the European Parliament, where I spoke in 2019, and I spoke to very senior politicians in the UK government. But although they were sympathetic, they felt that the issue was much bigger than them as individuals, and therefore it also needed media attention to get public awareness on the importance of such an inquiry. Before we continue with further questions, as I've been speaking for quite a long time now I'll just finish with two references just for the court and the judges to understand just how bad this problem is. Prepandemic the man who I call the Stephen Hawking of medicine is Professor John Ioannidis from the University of Stanford. The reason I call him the Stephen Hawking of Medicine is he's the most cited medical researcher in the world and is a mathematical genius. In 2006, he published a paper which was entitled why most published research findings are false. In that paper, he makes a point that the greater the financial interests in a given field, the less likely the research findings are to be true. I say this in context of the Pfizer mRNA vaccine which has made the company $100 billion. The other point that he makes in a further paper in 2017 is, again, the reason the system continues as it is is most doctors are unaware of the information they receive when they make clinical decisions has been corrupted by commercial influence. The other credible name I will mention is the editor of the Lancet, Richard Horton, who I personally know. In 2015, he wrote an article in the Lancet in relation to a secret meeting that had taken place with himself and some of the world's top medical academics. In that, he wrote that possibly half of the medical published literature may simply be untrue. And he said that science has taken a turn towards darkness. But who's going to take the first step to clean up the system? I believe in this case and in this court today, this is going to be a very pivotal potential moment in history for that first step. ---------------------- Dr Aseem Malhotra H/T: Tiina Keskimäki 🇫🇮

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