正在加载视频...

视频加载失败

The future encounter between Mark Grayson and Immortal is a quiet but deeply unsettling moment. Mark travels into the future with one goal—to kill Immortal and stop a dark timeline from continuing—but what he finds is far from the powerful leader he once knew. The world around them feels...

19,955 次观看 • 4 个月前 •via X (Twitter)

0 条评论

暂无评论

原始帖子的评论将显示在这里

相关视频

Bilbo Baggins: When a Life Is Stretched to Its Limit There is a line spoken by Bilbo Baggins in The Lord of the Rings that has stayed with me: “I’m old, Gandalf. I know I don’t look it, but I’m beginning to feel it in my heart. I feel thin, sort of stretched, like butter that has been scraped over too much bread.” At first, this might sound like nothing more than the complaint of someone who has lived too long. But what caught my attention was not that Bilbo says he is old. It is the way he describes that feeling: “I feel thin.” He does not say that he is in pain. He says that he is being stretched. And from there, I began to see this line as an image of a being carrying a burden greater than the scope of an ordinary life. This is my personal interpretation. Tolkien does not directly present a concept of “capacity” or “the elasticity of a life” in the way I am using those ideas here. I am simply taking Bilbo’s own image of “butter and bread” and using it to look more deeply into the feeling he is describing. Too Much Bread and Too Little Butter If I had to imagine that feeling through another image, I would think of a balloon. When it is in its natural state, it has a certain shape. As the pressure increases, it begins to stretch. It has not burst. But it is no longer in its original state. And I think Bilbo is much the same. He has possessed the Ring for sixty years. Yet what is remarkable is that, after all that time, Bilbo is still Bilbo. He still loves the Shire, loves Bag End, cares about Frodo, writes books, smokes, and talks with Gandalf. The Ring has affected him, but it has not completely taken over who he is. That is why I do not think Bilbo’s endurance should simply be understood as: “He was so strong that the Ring could not affect him.” Quite the opposite. The words “I feel thin, sort of stretched...” show that he has already begun to feel that pressure from within. And this is where the image of “butter and bread” becomes especially interesting. The piece of bread does not necessarily have to be understood as the Ring itself. In the way I see it, it is something broader. It is the entire scope of what Bilbo is carrying: the passing years, his unusual existence, the pressure of the Ring, and everything that comes with it. The butter, meanwhile, is Bilbo himself. A finite being with finite capacity. A little butter is enough for a reasonably sized piece of bread. But when it has to be spread across a piece of bread that is too large, it has to become thinner. And that is what I feel in Bilbo. It is not that he suddenly becomes weak. It is that the same being is having to stretch itself to accommodate a burden that has grown beyond the boundaries of an ordinary life. “Stretched” Does Not Mean Destroyed This is the part I find most important. Bilbo is still alive. He is still himself. He still has things he loves and still has the ability to experience the world around him. But something has appeared within him that perhaps was not there before: He feels that he is being stretched too thin. So, being “stretched” does not mean that Bilbo has been destroyed. It shows that he is still enduring, but that his endurance has begun to leave a mark. Being able to endure does not mean being unaffected. A person can endure something for a very long time and still become tired. Someone can continue living almost normally while inwardly feeling that they are being stretched too thin. Bilbo is in precisely that state. And perhaps that is why his next words feel so natural: “I need a holiday, a very long holiday...” I like the way Bilbo says this. He does not try to prove that he can endure more. He simply realizes that he needs to leave. To me, this is a remarkable form of awareness. Bilbo does not wait until he has completely lost himself before recognizing the problem. He realizes that he is being stretched. And from that realization, he wants to step away from the circumstances creating that pressure. Recognizing Your Limit Is Also a Form of Strength If we continue with the image of the balloon, Bilbo has enough elasticity to withstand that pressure for decades. But that elasticity is not infinite. The more it is stretched, the farther it moves from its original state. And what catches my attention most is that Bilbo is still aware enough to recognize this. From this perspective, I see Bilbo’s decision to leave in a different way. He does not leave because he has failed. He leaves because he has recognized his limit. To me, this is much more meaningful than simply saying that Bilbo is “strong” because he was able to possess the Ring for so long. A being can be remarkably resilient and still have limits. And being able to recognize those limits is not weakness. It is awareness. Bilbo does not say: “I can endure more.” He says, in a very different way: “I need a holiday.” Perhaps that simplicity is exactly what makes the line so thought-provoking. He does not need to prove how strong he is. He only needs to be honest about what he is feeling. Why Is the Image of the “Butter” So Sad? That is also why I find Bilbo’s image of the butter so sad. Bilbo is still there. He has not disappeared. He has not been destroyed. But he feels as though he has been spread too thin. The image does not describe a moment of collapse. It describes a process. The burden creates pressure. The pressure forces Bilbo to adapt. That prolonged adaptation makes him feel increasingly stretched. And eventually, he realizes that he cannot continue that way forever. That is what makes the words “I feel thin” so important. “Thin” is not a declaration of weakness. It is a sign that a being has been pulled away from its natural state for too long. And recognizing that opens a choice for Bilbo: To leave. It makes me see Bilbo differently: “Bilbo is not a being that cannot be stretched; he is a being that has endured pressure for a very long time, yet remained aware enough to recognize that his capacity to stretch is not infinite.” And perhaps that is what I like most about this line. Strength is not always about enduring more. Sometimes, strength is knowing that you have endured enough.

🎼🌺Music Love♥️

15,190 次观看 • 23 天前

Andrei Tarkovsky on Ingmar Bergman's Shame (1968): "Let us look at Bergman's Shame. The film doesn't contain a single 'actor's piece' for the performer to 'give away' the director's purpose, to play the conception of the persona, his attitude to it, to assess it in relation to the overall idea; and the latter is entirely hidden within the dynamic of the characters' lives, at one with it. The people in the film are crushed by circumstances; they act only in accordance with their situation, to which they themselves are subordinate; they make no attempt to proffer us any idea, any perspective on what is happening, or to draw any conclusion. All of that is left to the film as a whole, to the director's vision. And how superbly it is accomplished! You cannot say in simple terms who amongst them is good or bad. I could never say that von Sydow is a bad man. They are all partly good and partly bad, each in his own way. No judgements are passed, because there is no hint of tendentiousness in any of the actors, and the circumstances of the film are used by the director to explore the human possibilities which they test, and not for a moment in order to illustrate a thesis. Max von Sydow's character is developed with masterly power. He is a very good man; a musician; kind and sensitive. It turns out that he is a coward. But by no means every bold man is a good human being, and cowards are not always scoundrels. Of course, he is weak and irresolute. His wife is far stronger than he, so much so that she can overcome her fear. The hero lacks that strength. He is tormented by his own weakness, vulnerability, lack of resilience; he tries to hide, to cower in a corner, not to see and not to hear; and he does this like a child, naively and with complete sincerity. But when circumstances nevertheless force him to defend himself, he instantly turns into a scoundrel. He loses all that was best in him; but the drama and absurdity of his situation is that as he is now he becomes necessary to his wife, who, in her turn, looks to him for protection and succour instead of despising him as she always had. When he beats her about the face and says 'Get out!' she goes crawling after him. There is something here of the age-old idea of passive good and active evil; but its expression is immensely complex. At the beginning of the film the hero cannot even kill a chicken, but as soon as he has found a way of defending himself he becomes a cruel cynic. He has something of Hamlet: my view is that the Prince of Denmark perishes not as a result of the duel, when he dies physically, but immediately after the 'rat' scene, when he understands how irreversible are those laws of life which have forced him, a man of humanity and intellect, to act like the inferior people who inhabit Elsinore. Von Sydow is now a sinister character, afraid of nothing: he kills; will not raise a finger to save his fellows; pursues only his own interests. The point is that you have to be a person of great integrity to feel fear in the face of the foul necessity to kill and humiliate. And by shedding that fear and apparently acquiring courage, a person in fact loses his spiritual strength and intellectual honesty and parts from his innocence. War is the obvious catalyst for the cruel, anti-human elements in people. Bergman uses the war in this film exactly as he uses the heroine's illness in Through a Glass Darkly: to explore his view of man." — "Sculpting in Time" by Andrei Tarkovsky (translated by Kitty Hunter-Blair, 1987)

RadiantFilm

27,723 次观看 • 7 个月前

Gavin Newsom is not a politician; he is a pathological con artist who has turned the governance of California into a personal criminal enterprise so brazen it makes the mob look like amateurs. He is a public menace... The greasy hair, the fake smile that never reaches his dead, soulless eyes, and that smug, voice dripping with condescension. He is the physical embodiment of everything rotting America from within. While he lectures the rest of the nation on morality from his ivory tower, he is actually running a racketeering ring that would make Al Capone blush. He is a parasite of the highest order, feeding on the misery of a state he has systematically destroyed, turning California into a third-world wasteland of tent cities, open-air drug markets, and violent crime, all while he sips million-dollar wine in his Napa Valley estate. He is a fraud, a liar, and a thief, and his entire career is a testament to the fact that the American Left is nothing more than a syndicate of criminals protecting their own. The depth of his corruption is staggering, even by the low standards of modern politics. His former chief of staff, Dana Williamson, a woman he placed in the second-highest position in the state, was recently exposed as a felon who siphoned hundreds of thousands of dollars from campaign funds for personal luxuries. She bought Chanel bags, took private jets, and installed luxury home improvements while claiming it was campaign business. And Newsom wants us to believe he knew nothing? That he was just too busy "governing" to notice his right-hand man running a million-dollar fraud ring out of his office? It is a lie. He either knew and participated, making him a co-conspirator, or he was so incompetent he allowed it to happen, making him unfit for any position of trust. There is no middle ground. He is either a criminal or a fool, and given his track record, he is likely both. He is a man who has built a career on the backs of the vulnerable, using their suffering as a backdrop for his own enrichment. But the rot goes deeper than just his staff; it is embedded in his very DNA and extends directly to his household. Newsom has weaponized his position as Governor to create a pay-to-play scheme that is nothing short of treasonous. Through a loophole known as "behested payments," he has funneled millions of dollars from special interests directly to non-profits run by his wife, Jennifer Siebel Newsom. We are talking about millions from casino operators, utility monopolies, and healthcare giants who are simultaneously lobbying his office for favors. It is a classic extortion racket: give money to the First Family or expect nothing but hostility from the state. They call it charity; it is bribery, plain and simple. They call it philanthropy; it is a laundering scheme designed to hide the fact that he is selling the state of California to the highest bidder. He is a pimp for special interests, selling out the people he swore to protect for a handful of silver. His entire administration is a hive of scum and villainy, a testament to his belief that the law does not apply to him. He appointed Tom Girardi, a known embeeler and predator of the vulnerable, to his judicial selection committee. He placed Melahat Rafiei, a woman convicted of attempting to bribe public officials, on a state board. These are not mistakes; they are features of his regime. He rewards loyalty with public office and punishes dissent with the full force of the state. He is a man who has no regard for the rule of law, no respect for the people of California, and no shame in his relentless pursuit of power and wealth. He is a monster who has destroyed a once-great state, turning it into a nightmare of crime, poverty, and despair, all while he lives like a king. He is the enemy of the people, a traitor to his oath, and a danger to our society. The evidence is overwhelming, the pattern is clear, and the time for accountability is now. Federal investigators are closing in, subpoenas have been served, and the walls of his criminal empire are crumbling. He is scrambling, hiring high-priced lawyers and issuing denials, but the truth is out. He is a fraud, and his entire career is a lie. He is a man who has stolen from the poor to give to the rich, who has sacrificed the safety of children for political gain, and who has betrayed the trust of every single person who ever voted for him. He is a disgrace to humanity, a blight on our nation, and a symbol of everything that is wrong with the modern world. He must be stopped, he must be prosecuted, and he must be put behind bars where he belongs. Let us be clear: Gavin Newsom is not a public servant. He is a public menace. He is a man who has used his position to enrich himself and his family at the expense of the people he was elected to serve. He is a criminal who has evaded justice for too long, but his time is up. The people of California deserve better. The people of America deserve better. We must demand his immediate resignation, his full prosecution, and his permanent removal from public life. He is a cancer on our society, and we must cut him out before he spreads his disease any further. He is a liar, a thief, and a traitor, and he must be held accountable for his crimes. The world is watching. The era of Gavin Newsom is over, and good riddance to him. He is a reminder of what happens when we allow evil to go unchecked, and we must never let it happen again.

Saggezza Eterna

72,963 次观看 • 1 个月前

"The Betrayal at Falkirk" – Mel Gibson does not film a hero confronting betrayal. He films the one thing betrayal cannot take from a man. Many people remember the Battle of Falkirk for the moment William Wallace tears the helmet from a masked knight. Beneath it is Robert the Bruce. The man in whom Wallace had placed his greatest hope. It is the most devastating betrayal in Braveheart. Yet what makes this one of the film's defining moments is not the betrayal itself. It is Wallace's response. He does not strike. He does not condemn. He says nothing. He simply looks at Robert. Then he collapses. That is the true center of the scene. Mel Gibson could have ended this moment with rage. With vengeance. With a hero delivering justice to a traitor. Instead, he strips all of that away. He leaves only two men facing one another. One has betrayed the cause they once shared. The other has watched his greatest hope fall apart before his eyes. At that moment, the most important battle is no longer being fought on the battlefield. It is being fought within the human heart. What brings Wallace to his knees is not a sword. It is the truth. Not simply that he has lost an ally, but that the man he believed could one day carry Scotland's future has chosen another path. Mel Gibson never turns Wallace into a hero who feels no pain. He allows him to be devastated. But he also shows something that never falls. Betrayal may break Wallace's heart. It cannot break his character. It cannot turn him into a man consumed by vengeance. It cannot make him abandon the very principles for which he has fought. Wallace's body collapses. His character does not. That is also the moment Robert the Bruce begins to change. Mel Gibson does not transform him through a speech. Nor simply because Wallace spares his life. Robert changes because, for the first time, he encounters a man whose character cannot be bent by circumstance. All his life, Robert has been taught to measure every decision by power, advantage, and political necessity. Wallace reveals another possibility. That there are people who refuse to let circumstances decide who they are. They let their character decide instead. Wallace does not persuade Robert with words. He forces him to confront a far more difficult question: What kind of man do I want to become? That is why Robert ultimately becomes the man who fulfills the dream Wallace never lives to see. Not because Wallace leaves him a crown. But because he leaves him something far greater. A standard. The example of a man who could lose everything without losing himself. Perhaps that is why Mel Gibson does not end the Falkirk sequence with victory. He ends it with a man brought to his knees. Because sometimes adversity is not there to reveal how strong a person is. It is there to reveal what within them cannot be taken away. And in the end, it is precisely that which cannot be taken away that possesses the power to transform another human being— and, ultimately, to change the course of history. Name movie: Braveheart (1995)

Love Classical Music and Movies 🎺🎻💖🎥🎬

71,288 次观看 • 1 个月前

Many people tagged me in a viral video of this American man, who has been widely referred to as the "Mzungu Chokoraa," claiming that he had been abandoned and was living on the streets. After I shared the video, his wife reached out to me and requested that I visit him to understand the true situation. This evening, I met him and his family, and I learned that he is not homeless. He is a married man, a father of five children, and has been living with his family in Texas, USA. According to his family, he has bipolar disorder, and his condition became worse after the passing of his mother. He is currently under medical care and takes prescribed medication. The family explained that during some episodes of his illness, he may leave home and wander the streets. This has led many people to believe that he is homeless, which is not true. They also shared that he has a passion for recycling and environmental conservation, which is why he is sometimes seen collecting recyclable materials or around dumpsites. I would like to clarify to the general public that this man is not homeless. He has a loving family that cares deeply for him. When you see him on the streets, please do not judge or discriminate against him. Instead, treat him with dignity, kindness, and respect, knowing that he is living with a mental health condition. The family has also appealed to the public not to buy him alcohol or give him weed, as both can interfere with his prescribed medication and may seriously affect his health. Let us replace stigma with understanding and compassion. Mental health conditions can affect anyone, and those living with them deserve our support, respect, and humanity.

Geoffrey Mosiria

132,491 次观看 • 1 个月前