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The marvelous glow that was naturally Marilyn Monroe was so stunning wrapped up in the perfect polka-dot dress by Travilla in "The Seven Year Itch".. Inside the dress were tiny weights sewn so it would cling to her body and the result was pure perfection. This dress remains one... show more

Noirchick In Old Hollywood

161,697 subscribers

32,201 views • 4 days ago •via X (Twitter)

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9 Comments

James4 days ago

a hand of applause for the gloves- a staple in Marilyn’s style One of my favorites- “I feel so silly”

Josie Turner3 days ago

Marilyn's dress from The Prince and the Showgirl - so beautiful, but inert without her.

RegularGuy4 days ago

One wouldn’t think Marilyn would need assistance getting a dress to cling to her.

Russ Ludwig3 days ago

🥰

rrlse3 days ago

Heaven is having a wife that looks like that.

Chris Plamondon3 days ago

♥️😍...😘💋

Sarah T3 days ago

Ain't nothin' like the real thing!🤩😍😊

Engel3 days ago

She lit up every film she appeared in. Such a beautiful woman with great comedic timing.

Luna Vie4 days ago

Travilla sewed weights into that hem so the dress would cling — the most quoted image of her is engineering pretending to be an accident.

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Marilyn Monroe's skirt-blowing scene in the movie The Seven Year Itch (1955) was not just an ordinary cinematic segment, but became one of the greatest pop culture milestones of the 20th century. Even though many later generations do not even know the name of the film, they instantly recognize the image of the glamorous blonde holding down her billowing white dress. This moment turned an ordinary dress into a "star" and elevated Marilyn Monroe from a famous actress to an immortal icon in the public mind. The ivory halter dress, created by designer William Travilla, was voted by Cancer Research UK as the most iconic celebrity fashion moment of all time. In 2011, this original dress was auctioned for a record-breaking $4.6 million (excluding commission fees). To this day, the image of Marilyn Monroe's billowing white dress continues to be constantly recreated, parodied, and featured heavily in modern artwork, films, and advertising campaigns.

Marilyn Monroe's skirt-blowing scene in the movie The Seven Year Itch (1955) was not just an ordinary cinematic segment, but became one of the greatest pop culture milestones of the 20th century. Even though many later generations do not even know the name of the film, they instantly recognize the image of the glamorous blonde holding down her billowing white dress. This moment turned an ordinary dress into a "star" and elevated Marilyn Monroe from a famous actress to an immortal icon in the public mind. The ivory halter dress, created by designer William Travilla, was voted by Cancer Research UK as the most iconic celebrity fashion moment of all time. In 2011, this original dress was auctioned for a record-breaking $4.6 million (excluding commission fees). To this day, the image of Marilyn Monroe's billowing white dress continues to be constantly recreated, parodied, and featured heavily in modern artwork, films, and advertising campaigns.

𝗖𝗹𝗮𝘀𝘀𝗶𝗰𝗮𝗹 𝗠𝗲𝗹𝗼𝗱𝗶𝗲𝘀

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Every outfit Marilyn Monroe as Lorelei Lee wore in the 1953 musical comedy “Gentlemen Prefer Blondes”. Designed by William Travilla, this movie would give us one of the most iconic Marilyn looks of all time, the pink “Diamonds Are a Girl’s Best Friend” dress.👀

Every outfit Marilyn Monroe as Lorelei Lee wore in the 1953 musical comedy “Gentlemen Prefer Blondes”. Designed by William Travilla, this movie would give us one of the most iconic Marilyn looks of all time, the pink “Diamonds Are a Girl’s Best Friend” dress.👀

Hollywood Golden Age of Cinema

72,858 views • 9 months ago

Marilyn Monroe in one of the most iconic pop culture images of the 20th century in the form of Monroe standing on a subway grate as her white dress is blown upwards by a passing train in Billy Wilder's classic romcom, The Seven Year Itch (1955). • This footage of Monroe's dress billowing over a subway grate was shot at two locations: first on location outside the Trans-Lux 52nd Street Theatre (then located at 586 Lexington Avenue in Manhattan), then on a sound stage. Elements of both eventually made their way into the finished film, despite the often-held belief that the original on-location footage's sound had been rendered useless by the overexcited crowd present during filming in New York. • Marilyn Monroe's iconic white dress, designed by William Travilla (known professionally as Travilla), set a record when it was auctioned for $4.6 million in June 2011 (rising to $5.5 million after taxes and fees were included), quintupling the previous record for a movie costume ($923,000 for Audrey Hepburn's “little black dress” from Breakfast at Tiffany's (1961) (Hubert de Givenchy ― Principal Wardrobe for Audrey Hepburn; Edith Head ― Costume Supervisor). • Billy Wilder preferred shooting in black and white, but Marilyn Monroe's contract with Fox called for all of her movies to be shot in colour. Monroe always thought that she looked far more attractive and glamorous in color than in black and white.

Marilyn Monroe in one of the most iconic pop culture images of the 20th century in the form of Monroe standing on a subway grate as her white dress is blown upwards by a passing train in Billy Wilder's classic romcom, The Seven Year Itch (1955). • This footage of Monroe's dress billowing over a subway grate was shot at two locations: first on location outside the Trans-Lux 52nd Street Theatre (then located at 586 Lexington Avenue in Manhattan), then on a sound stage. Elements of both eventually made their way into the finished film, despite the often-held belief that the original on-location footage's sound had been rendered useless by the overexcited crowd present during filming in New York. • Marilyn Monroe's iconic white dress, designed by William Travilla (known professionally as Travilla), set a record when it was auctioned for $4.6 million in June 2011 (rising to $5.5 million after taxes and fees were included), quintupling the previous record for a movie costume ($923,000 for Audrey Hepburn's “little black dress” from Breakfast at Tiffany's (1961) (Hubert de Givenchy ― Principal Wardrobe for Audrey Hepburn; Edith Head ― Costume Supervisor). • Billy Wilder preferred shooting in black and white, but Marilyn Monroe's contract with Fox called for all of her movies to be shot in colour. Monroe always thought that she looked far more attractive and glamorous in color than in black and white.

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Catherine, The Princess of Wales was spotted in polka dot dress looking stunning 💕 She has joined The King and Queen at St James’s Palace in honour of the 125th anniversary of Cancer Research UK. 🎥 Rebecca English

Catherine, The Princess of Wales was spotted in polka dot dress looking stunning 💕 She has joined The King and Queen at St James’s Palace in honour of the 125th anniversary of Cancer Research UK. 🎥 Rebecca English

Hanz

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The emerald-green dress which Keira Knightley wore in "Atonement" (2007) was named as "greatest film costume ever" by InStyle Magazine. Joe Wright had asked costume designer Jacqueline Durran to create a “memorable” dress for the library scene. According to Wright, Durran deliberately kept the seam down the middle of the skirt open, which would normally be sewn shut in a dress design for "easy access" in this scene. Durran said, "Wright knew that he wanted movement in the skirt. He liked the idea of it being bare-backed. But really, apart from that, there was very little instruction—direct instruction—from him about what the dress should be like. He wanted it as showstopping as we could make it, and that it should be green" Rather than just making 1 green dress, the costume team actually produced multiple versions of the dress due to its fragility—with Knightley auctioning off the one from her collection for charity in 2009. It went under the hammer for $35,000, with an LA Times article at the time noting that “someday the dress could be right up there” with Audrey Hepburn’s costume in "Breakfast at Tiffany's" (1961) , or Marilyn Monroe’s white halterneck dress in "The Seven Year Itch" (1955). ("The Story Behind Keira Knightley’s Emerald-Green Slip Dress From Atonement", Emily Chan, Vogue, 2025 and IMDb) P.S: On this day, 19 years ago, "Atonement" (2007) premiered at the Malmö Filmdagar, Sweden.

The emerald-green dress which Keira Knightley wore in "Atonement" (2007) was named as "greatest film costume ever" by InStyle Magazine. Joe Wright had asked costume designer Jacqueline Durran to create a “memorable” dress for the library scene. According to Wright, Durran deliberately kept the seam down the middle of the skirt open, which would normally be sewn shut in a dress design for "easy access" in this scene. Durran said, "Wright knew that he wanted movement in the skirt. He liked the idea of it being bare-backed. But really, apart from that, there was very little instruction—direct instruction—from him about what the dress should be like. He wanted it as showstopping as we could make it, and that it should be green" Rather than just making 1 green dress, the costume team actually produced multiple versions of the dress due to its fragility—with Knightley auctioning off the one from her collection for charity in 2009. It went under the hammer for $35,000, with an LA Times article at the time noting that “someday the dress could be right up there” with Audrey Hepburn’s costume in "Breakfast at Tiffany's" (1961) , or Marilyn Monroe’s white halterneck dress in "The Seven Year Itch" (1955). ("The Story Behind Keira Knightley’s Emerald-Green Slip Dress From Atonement", Emily Chan, Vogue, 2025 and IMDb) P.S: On this day, 19 years ago, "Atonement" (2007) premiered at the Malmö Filmdagar, Sweden.

DepressedBergman

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Pastor Adeboye talks about the testimony of someone that was involved in a fire accident and his body was burn£d but the dress he wore was not touched by fire because he(P Adeboye) had waved his hands on the dress one time and the dress has become specially anointed🧎🏻‍♂️‍➡️

Pastor Adeboye talks about the testimony of someone that was involved in a fire accident and his body was burn£d but the dress he wore was not touched by fire because he(P Adeboye) had waved his hands on the dress one time and the dress has become specially anointed🧎🏻‍♂️‍➡️

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This morning Michael painter was kind enough to post this picture (and others) of Rachel Riley wearing this tight, snug, revealing checkered dress. I thought you might enjoy seeing the video I have of her wearing the same dress. The dress is tight in all the right places.

This morning Michael painter was kind enough to post this picture (and others) of Rachel Riley wearing this tight, snug, revealing checkered dress. I thought you might enjoy seeing the video I have of her wearing the same dress. The dress is tight in all the right places.

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Jennifer Lopez reveals she physically broke the early internet so badly that Google was forced to invent Google Images just to handle her "At the time, the internet didn't have the ability... Google did not have the ability to show images, it was only text." "And because of the demand, people were typing in that they wanted to see Jennifer Lopez's dress..." "Google created an images section!" "Google Images was created because of me in that dress."

Jennifer Lopez reveals she physically broke the early internet so badly that Google was forced to invent Google Images just to handle her "At the time, the internet didn't have the ability... Google did not have the ability to show images, it was only text." "And because of the demand, people were typing in that they wanted to see Jennifer Lopez's dress..." "Google created an images section!" "Google Images was created because of me in that dress."

Nichole

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Marilyn Monroe performing “Diamonds Are a Girl's Best Friend” in Gentlemen Prefer Blondes (1953), directed by Howard Hawks. • For the “Diamonds Are a Girl's Best Friend” musical number, Marilyn Monroe was originally going to be dressed in nothing but bands of black velvet and masses of rhinestones, creating the illusion of a woman-sized diamond necklace. However, this design was deemed too revealing and vetoed by the studio in favour of the now-iconic pink dress. • Choreographer Jack Cole was adamant that Lorelei Lee (Marilyn Monroe) should be the only blonde apparent in the production number “Diamonds Are a Girl's Best Friend”. The showgirls on the chandeliers are all brunettes or redheads, and the men flanking Monroe are all grayed at the temples. Rather than forcing the ladies of the ensemble to dye their hair, Cole affixed black netting around all of their faces that attached to their flowered headdresses in back, so that all of them appeared dark-haired on screen.

Marilyn Monroe performing “Diamonds Are a Girl's Best Friend” in Gentlemen Prefer Blondes (1953), directed by Howard Hawks. • For the “Diamonds Are a Girl's Best Friend” musical number, Marilyn Monroe was originally going to be dressed in nothing but bands of black velvet and masses of rhinestones, creating the illusion of a woman-sized diamond necklace. However, this design was deemed too revealing and vetoed by the studio in favour of the now-iconic pink dress. • Choreographer Jack Cole was adamant that Lorelei Lee (Marilyn Monroe) should be the only blonde apparent in the production number “Diamonds Are a Girl's Best Friend”. The showgirls on the chandeliers are all brunettes or redheads, and the men flanking Monroe are all grayed at the temples. Rather than forcing the ladies of the ensemble to dye their hair, Cole affixed black netting around all of their faces that attached to their flowered headdresses in back, so that all of them appeared dark-haired on screen.

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30,157 views • 1 month ago

In Remembrance of Marilyn Monroe on her 100th Birthday Born | June 1, 1926 in Los Angeles, California, USA Probably the most celebrated of all actresses, Marilyn Monroe was born Norma Jeane Mortenson on June 1, 1926, in the charity ward of the Los Angeles General Hospital. Her mother, Gladys Pearl (Monroe), was born in Piedras Negras, Coahuila, Mexico, to American parents from Indiana and Missouri, and was a film-cutter at Consolidated Film Industries. Marilyn's biological father has been established through DNA testing as Charles Stanley Gifford, who had been born in Newport, Rhode Island, to a family with deep roots in the state. Marilyn grew up not knowing for sure who her father really was. Gladys gave Norma Jeane the name of Baker. Poverty was a constant companion to Gladys and Norma. Gladys, who was extremely attractive and later worked for R.K.O. Studios, suffered from mental illness and was in and out of mental institutions for the rest of her life, and because of that Norma Jeane spent time in foster homes. When she was nine, she was placed in an orphanage where she was to stay for the next two years. Upon being released from the orphanage, she went to yet another foster home. In 1942, at sixteen years old, Norma Jeane married twenty-one-year-old aircraft plant worker James Dougherty. The marriage lasted only four years, and they divorced in 1946. By this time, Marilyn began to model swimsuits and bleached her hair blonde. Various shots made their way into the public eye, where some were eventually seen by R.K.O. Pictures head Howard Hughes. He offered Marilyn a screen test, but an agent suggested that 20th Century-Fox would be the better choice for her, since it was a much bigger and more prestigious studio. She was signed to a contract at $125 per week for a six-month period and that was increased by $25 per week at the end of that time when her contract was lengthened. Her first film was in 1947 with a bit part in The Shocking Miss Pilgrim (1947). Her next production was not much better, a bit in the forgettable Scudda Hoo! Scudda Hay! (1948). Two of the three brief scenes in which she appeared wound up on the cutting room floor. Later that same year, she was given a somewhat better role as Evie in Dangerous Years (1947). However, Fox declined to renew her contract, so she went back to modeling and acting school. Columbia Pictures then picked her up to play Peggy Martin in Ladies of the Chorus (1948), where she sang three numbers. Notices from the critics were favorable for her, if not the film, but Columbia dropped her. Once again Marilyn returned to modeling. In 1949, she appeared in United Artists' Love Happy (1949). It was also that same year she posed nude for the now famous calendar shot which was later to appear in Playboy magazine in 1953 and further boost her career. She would be the first centerfold in that magazine's long and illustrious history. The next year proved to be a good year for Marilyn. She appeared in five films, but the good news was that she received very good notices for her roles in two of them, The Asphalt Jungle (1950) from MGM and All About Eve (1950) from Fox. Even though both roles were basically not much more than bit parts, movie fans remembered her dizzy but very sexy blonde performance. In 1951, Marilyn got a fairly sizable role in Love Nest (1951). The public was now getting to know her and liked what it saw. She had an intoxicating quality of volcanic sexuality wrapped in an aura of almost childlike innocence. In 1952, Marilyn appeared in Don't Bother to Knock (1952), in which she played a somewhat mentally unbalanced babysitter. Critics didn't particularly care for her work in this picture, but she made a much more favorable impression later in the year in Monkey Business (1952), where she was seen for the first time as a platinum blonde, a look that became her trademark. The next year, she appeared in Gentlemen Prefer Blondes (1953) as Lorelei Lee. It was also the same year she began dating the baseball great Joe DiMaggio. Marilyn was now a genuine box-office drawing card. Later, she appeared with Betty Grable, Lauren Bacall, and Rory Calhoun in How to Marry a Millionaire (1953). Although her co-stars got the rave reviews, it was the sight of Marilyn that really excited the audience, especially the male members. On Thursday, January 14th, 1954, Marilyn wed DiMaggio, then proceeded to film There's No Business Like Show Business (1954). That was quickly followed by The Seven Year Itch (1955), which showcased her considerable comedic talent and contained what is arguably one of the most memorable moments in cinema history: Marilyn standing above a subway grating and the wind from a passing subway blowing her white dress up. By October 1954, Marilyn announced her divorce from DiMaggio (though the divorce was not finalised until October 31, 1955). In 1955, she was suspended by Fox for not reporting for work on How to Be Very, Very Popular (1955). It was her second suspension, the first being for not reporting for the production of The Girl in the Red Velvet Swing (1955). Both roles went to others. Her work was slowing down, due to her habit of being continually late to the set, her illnesses (whether real or imagined) and generally being unwilling to cooperate with her producers, directors, and fellow actors. However in Bus Stop (1956), Marilyn finally showed critics that she could play a straight dramatic role. It was also the same year she married playwright Arthur Miller. (They divorced January 20, 1961.) In 1957, Marilyn flew to Britain to film The Prince and the Showgirl (1957), which proved less than impressive critically and financially. It made money, but many critics panned it for being slow-moving. After a year off in 1958, Marilyn returned to the screen the next year for the delightful comedy, Some Like It Hot (1959) with Tony Curtis and Jack Lemmon. The film was an absolute smash hit, with Curtis and Lemmon pretending to be females in an all-girl band, so they can get work. This was to be Marilyn's only film for the year. In 1960, Marilyn appeared in George Cukor's Let's Make Love (1960) with Tony Randall and Yves Montand. Again, while it made money, it was critically panned as stodgy and slow-moving. The following year, Marilyn made what was to be her final film, The Misfits (1961), which also proved to be the final film for the legendary Clark Gable, who died later that year of a heart attack. The film was popular with critics and the public alike. In 1962, Marilyn was chosen to star in Fox's Something's Got to Give (1962). Again, her absenteeism caused delay after delay in production, resulting in her being fired from the production in June of that year. It looked as though her career was finished. Studios just didn't want to take a chance on her because it would cost them thousands of dollars in delays. She was only 36 years old. Marilyn remains a pop culture icon, with the American Film Institute ranking her as the sixth-greatest female screen legend from the Golden Age of Hollywood. Marilyn acted in only thirty films, but her legendary status and mysticism will remain with film history for ever.

In Remembrance of Marilyn Monroe on her 100th Birthday Born | June 1, 1926 in Los Angeles, California, USA Probably the most celebrated of all actresses, Marilyn Monroe was born Norma Jeane Mortenson on June 1, 1926, in the charity ward of the Los Angeles General Hospital. Her mother, Gladys Pearl (Monroe), was born in Piedras Negras, Coahuila, Mexico, to American parents from Indiana and Missouri, and was a film-cutter at Consolidated Film Industries. Marilyn's biological father has been established through DNA testing as Charles Stanley Gifford, who had been born in Newport, Rhode Island, to a family with deep roots in the state. Marilyn grew up not knowing for sure who her father really was. Gladys gave Norma Jeane the name of Baker. Poverty was a constant companion to Gladys and Norma. Gladys, who was extremely attractive and later worked for R.K.O. Studios, suffered from mental illness and was in and out of mental institutions for the rest of her life, and because of that Norma Jeane spent time in foster homes. When she was nine, she was placed in an orphanage where she was to stay for the next two years. Upon being released from the orphanage, she went to yet another foster home. In 1942, at sixteen years old, Norma Jeane married twenty-one-year-old aircraft plant worker James Dougherty. The marriage lasted only four years, and they divorced in 1946. By this time, Marilyn began to model swimsuits and bleached her hair blonde. Various shots made their way into the public eye, where some were eventually seen by R.K.O. Pictures head Howard Hughes. He offered Marilyn a screen test, but an agent suggested that 20th Century-Fox would be the better choice for her, since it was a much bigger and more prestigious studio. She was signed to a contract at $125 per week for a six-month period and that was increased by $25 per week at the end of that time when her contract was lengthened. Her first film was in 1947 with a bit part in The Shocking Miss Pilgrim (1947). Her next production was not much better, a bit in the forgettable Scudda Hoo! Scudda Hay! (1948). Two of the three brief scenes in which she appeared wound up on the cutting room floor. Later that same year, she was given a somewhat better role as Evie in Dangerous Years (1947). However, Fox declined to renew her contract, so she went back to modeling and acting school. Columbia Pictures then picked her up to play Peggy Martin in Ladies of the Chorus (1948), where she sang three numbers. Notices from the critics were favorable for her, if not the film, but Columbia dropped her. Once again Marilyn returned to modeling. In 1949, she appeared in United Artists' Love Happy (1949). It was also that same year she posed nude for the now famous calendar shot which was later to appear in Playboy magazine in 1953 and further boost her career. She would be the first centerfold in that magazine's long and illustrious history. The next year proved to be a good year for Marilyn. She appeared in five films, but the good news was that she received very good notices for her roles in two of them, The Asphalt Jungle (1950) from MGM and All About Eve (1950) from Fox. Even though both roles were basically not much more than bit parts, movie fans remembered her dizzy but very sexy blonde performance. In 1951, Marilyn got a fairly sizable role in Love Nest (1951). The public was now getting to know her and liked what it saw. She had an intoxicating quality of volcanic sexuality wrapped in an aura of almost childlike innocence. In 1952, Marilyn appeared in Don't Bother to Knock (1952), in which she played a somewhat mentally unbalanced babysitter. Critics didn't particularly care for her work in this picture, but she made a much more favorable impression later in the year in Monkey Business (1952), where she was seen for the first time as a platinum blonde, a look that became her trademark. The next year, she appeared in Gentlemen Prefer Blondes (1953) as Lorelei Lee. It was also the same year she began dating the baseball great Joe DiMaggio. Marilyn was now a genuine box-office drawing card. Later, she appeared with Betty Grable, Lauren Bacall, and Rory Calhoun in How to Marry a Millionaire (1953). Although her co-stars got the rave reviews, it was the sight of Marilyn that really excited the audience, especially the male members. On Thursday, January 14th, 1954, Marilyn wed DiMaggio, then proceeded to film There's No Business Like Show Business (1954). That was quickly followed by The Seven Year Itch (1955), which showcased her considerable comedic talent and contained what is arguably one of the most memorable moments in cinema history: Marilyn standing above a subway grating and the wind from a passing subway blowing her white dress up. By October 1954, Marilyn announced her divorce from DiMaggio (though the divorce was not finalised until October 31, 1955). In 1955, she was suspended by Fox for not reporting for work on How to Be Very, Very Popular (1955). It was her second suspension, the first being for not reporting for the production of The Girl in the Red Velvet Swing (1955). Both roles went to others. Her work was slowing down, due to her habit of being continually late to the set, her illnesses (whether real or imagined) and generally being unwilling to cooperate with her producers, directors, and fellow actors. However in Bus Stop (1956), Marilyn finally showed critics that she could play a straight dramatic role. It was also the same year she married playwright Arthur Miller. (They divorced January 20, 1961.) In 1957, Marilyn flew to Britain to film The Prince and the Showgirl (1957), which proved less than impressive critically and financially. It made money, but many critics panned it for being slow-moving. After a year off in 1958, Marilyn returned to the screen the next year for the delightful comedy, Some Like It Hot (1959) with Tony Curtis and Jack Lemmon. The film was an absolute smash hit, with Curtis and Lemmon pretending to be females in an all-girl band, so they can get work. This was to be Marilyn's only film for the year. In 1960, Marilyn appeared in George Cukor's Let's Make Love (1960) with Tony Randall and Yves Montand. Again, while it made money, it was critically panned as stodgy and slow-moving. The following year, Marilyn made what was to be her final film, The Misfits (1961), which also proved to be the final film for the legendary Clark Gable, who died later that year of a heart attack. The film was popular with critics and the public alike. In 1962, Marilyn was chosen to star in Fox's Something's Got to Give (1962). Again, her absenteeism caused delay after delay in production, resulting in her being fired from the production in June of that year. It looked as though her career was finished. Studios just didn't want to take a chance on her because it would cost them thousands of dollars in delays. She was only 36 years old. Marilyn remains a pop culture icon, with the American Film Institute ranking her as the sixth-greatest female screen legend from the Golden Age of Hollywood. Marilyn acted in only thirty films, but her legendary status and mysticism will remain with film history for ever.

Hollywood Golden Age of cinema

35,552 views • 4 months ago

I ranked all the best (Top25) GlamBOTS of 2025 - colewalliser Top #1 - #LISA (LLOUD) Cole: Back to Glambot of all time… All right, here we go. This is it. Do you know who it is? There was one person that was missing from this list that just did an incredible glambot. And i think this is a little bit of a balance of like great personality, gorgeous look, good vibe in the conversation, just did really, really well on social as well, but that's not it. That's not the reason. Like I'm not picking this because it did well on social. Picking this because it's one of my favorites. And it was actually hard to pick between the two cuz we shot twice this past year. The number one best Glambot of the entire year was the The Emmys Glambot of #LISA…. This was incredible. She was so sweet. We did two takes, the dress was amazing. The look was amazing, yeah the second one was so fun cuz it was like a serious look. She cracked a little smile…. I don’t know what to say. Also, i mean, the OSCARS (with LISA) was also incredible. The oscars one was one my favorites up until she did the Emmys. The Oscars one was incredible. I love like the suit look. She was so cool and she was down to do more than one. I loved it so much. But the one that reigns supreme is the Emmys this year with Lisa in the nunber one spot. 🔗 🔗

I ranked all the best (Top25) GlamBOTS of 2025 - colewalliser Top #1 - #LISA (LLOUD) Cole: Back to Glambot of all time… All right, here we go. This is it. Do you know who it is? There was one person that was missing from this list that just did an incredible glambot. And i think this is a little bit of a balance of like great personality, gorgeous look, good vibe in the conversation, just did really, really well on social as well, but that's not it. That's not the reason. Like I'm not picking this because it did well on social. Picking this because it's one of my favorites. And it was actually hard to pick between the two cuz we shot twice this past year. The number one best Glambot of the entire year was the The Emmys Glambot of #LISA…. This was incredible. She was so sweet. We did two takes, the dress was amazing. The look was amazing, yeah the second one was so fun cuz it was like a serious look. She cracked a little smile…. I don’t know what to say. Also, i mean, the OSCARS (with LISA) was also incredible. The oscars one was one my favorites up until she did the Emmys. The Oscars one was incredible. I love like the suit look. She was so cool and she was down to do more than one. I loved it so much. But the one that reigns supreme is the Emmys this year with Lisa in the nunber one spot. 🔗 🔗

LALICE UPDATES

520,144 views • 9 months ago

This woman showed up to her own brother’s wedding in this pretty pink floral dress, excited to celebrate with family. But right after the ceremony one of the bridesmaids pulled her aside and said she had to change or leave because there was “too much white” in her dress. I know there’s a longstanding tradition that guests should avoid wearing white to weddings out of respect for the bride, and maybe picking a dress with zero white would have been the safest move. That being said, this is clearly a soft pink floral dress. It doesn’t come across as bridal at all. I’m curious… do you think this dress was too white to wear to a wedding? And I can’t help wondering how her brother and the rest of the family felt about her being asked to leave on such a joyful day. In the end, she chose the high road — she left peacefully and even took some flowers with her on the way out 😭

This woman showed up to her own brother’s wedding in this pretty pink floral dress, excited to celebrate with family. But right after the ceremony one of the bridesmaids pulled her aside and said she had to change or leave because there was “too much white” in her dress. I know there’s a longstanding tradition that guests should avoid wearing white to weddings out of respect for the bride, and maybe picking a dress with zero white would have been the safest move. That being said, this is clearly a soft pink floral dress. It doesn’t come across as bridal at all. I’m curious… do you think this dress was too white to wear to a wedding? And I can’t help wondering how her brother and the rest of the family felt about her being asked to leave on such a joyful day. In the end, she chose the high road — she left peacefully and even took some flowers with her on the way out 😭

End3of6Days9 (Helen) 🇺🇸

79,861 views • 4 months ago

In 1956, Marilyn Monroe and Arthur Miller were married in a traditional Jewish ceremony—just two days after their civil wedding. The ceremony took place at the home of Miller’s literary agent, Kay Brown—a converted farmhouse in Waccabuc, near Katonah, in Westchester County, New York. Marilyn was walked down the aisle by her acting coach and mentor, Lee Strasberg. Among the guests were Miller’s children and parents, his brother Kermit Miller, sister Joan Copeland, cousin Morty Miller, as well as close friends including the Greenes, the Rostens, the Strasbergs, screenwriter George Axelrod, Marilyn’s publicist Jay Kanter, and designer John Moore. Marilyn’s wedding dress was created by John Moore, while the veil was provided by Amy Greene, who soaked it in coffee to give it a soft beige tint that matched the dress.

In 1956, Marilyn Monroe and Arthur Miller were married in a traditional Jewish ceremony—just two days after their civil wedding. The ceremony took place at the home of Miller’s literary agent, Kay Brown—a converted farmhouse in Waccabuc, near Katonah, in Westchester County, New York. Marilyn was walked down the aisle by her acting coach and mentor, Lee Strasberg. Among the guests were Miller’s children and parents, his brother Kermit Miller, sister Joan Copeland, cousin Morty Miller, as well as close friends including the Greenes, the Rostens, the Strasbergs, screenwriter George Axelrod, Marilyn’s publicist Jay Kanter, and designer John Moore. Marilyn’s wedding dress was created by John Moore, while the veil was provided by Amy Greene, who soaked it in coffee to give it a soft beige tint that matched the dress.

CineHub

197,367 views • 4 months ago

Marilyn Monroe as Lorelei Lee performing “Diamonds Are a Girl's Best Friend” in “Gentlemen Prefer Blondes” (1953), directed by Howard Hawks. For the “Diamonds Are a Girl's Best Friend” musical number, Marilyn Monroe was originally going to be dressed in nothing but bands of black velvet and masses of rhinestones, creating the illusion of a woman-sized diamond necklace. However, this design was deemed too revealing and vetoed by the studio in favour of the now-iconic pink dress.

Marilyn Monroe as Lorelei Lee performing “Diamonds Are a Girl's Best Friend” in “Gentlemen Prefer Blondes” (1953), directed by Howard Hawks. For the “Diamonds Are a Girl's Best Friend” musical number, Marilyn Monroe was originally going to be dressed in nothing but bands of black velvet and masses of rhinestones, creating the illusion of a woman-sized diamond necklace. However, this design was deemed too revealing and vetoed by the studio in favour of the now-iconic pink dress.

HGA | Hollywood Golden Age

32,602 views • 8 months ago

#PrincessDiana’s Revenge Dress is going up for auction at Sotheby’s-here’s a closer look at it. Diana wore this dress only one time, 29 June 1984 to the Serpentine Gallery in Kensington Gardens. It was the same night that Charles’ interview with Jonathan Dimbleby aired where Charles confessed to adultery. The dress, designed by Christina Stambolian, is a black crepe silk with ruching and a chiffon train. Diana had purchased it in 1991 for £900 (£2,149 in 2026) but hadn’t worn it because she felt it was “too daring”. That went out the window on that night 🤣 It was sold at auction before Diana’s death in June 1997 at the Christie’s auction in NYC where she sold 79 of her dresses for charity at #PrinceWilliam’s suggestion. The dress sold for £39,098 (£93,360 in 2026) to a Scottish couple. The dress goes back up for auction in Dec.

#PrincessDiana’s Revenge Dress is going up for auction at Sotheby’s-here’s a closer look at it. Diana wore this dress only one time, 29 June 1984 to the Serpentine Gallery in Kensington Gardens. It was the same night that Charles’ interview with Jonathan Dimbleby aired where Charles confessed to adultery. The dress, designed by Christina Stambolian, is a black crepe silk with ruching and a chiffon train. Diana had purchased it in 1991 for £900 (£2,149 in 2026) but hadn’t worn it because she felt it was “too daring”. That went out the window on that night 🤣 It was sold at auction before Diana’s death in June 1997 at the Christie’s auction in NYC where she sold 79 of her dresses for charity at #PrinceWilliam’s suggestion. The dress sold for £39,098 (£93,360 in 2026) to a Scottish couple. The dress goes back up for auction in Dec.

Princess CarParkle 👑

25,933 views • 17 days ago

Blondie - Heart of Glass Debbie Harry was so lovely and effortlessly attractive in a simple dress. The tempo and the singing voice, made in heaven...

Blondie - Heart of Glass Debbie Harry was so lovely and effortlessly attractive in a simple dress. The tempo and the singing voice, made in heaven...

JukeBox

10,838 views • 7 months ago

This was the first dress a tailor made for me .. I wanted to support her brand genuinely , she gave me the dress 1 Week to my brother’s wedding … after crying so much . With swollen eyes …I went to another designers space . And they made my dress in 4 days ..

Yay Toon Day

46,217 views • 9 days ago

Hearing Erika Jayne say that some “random designer” designed her dress, no designer should EVER dress her. I wouldn’t work with her. She would have to go to Forever 21 when it was all said and done. That was so rude! #RHOBH #valdrinsahiti Erika’s actually the RANDOM client.

Hearing Erika Jayne say that some “random designer” designed her dress, no designer should EVER dress her. I wouldn’t work with her. She would have to go to Forever 21 when it was all said and done. That was so rude! #RHOBH #valdrinsahiti Erika’s actually the RANDOM client.

𝑀𝚛𝚜. 𝒮𝚊𝚗𝚍𝚛𝚒𝚜𝚜 🐉🍉⚔️

671,675 views • 1 year ago