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The “MYOUI MINA MARCH” Dance Challenge has officially hit 1 BILLION Views 🎉 Making it one of the Most Popular K-pop dance challenges in History across any platform ❗️ Nearly 100K creators have participated, spanning the entertainment industry, from Chinese Top celebrities like Zhao Lusi and Bai Lu to...

94,502 görüntüleme • 7 ay önce •via X (Twitter)

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Logan Ideker (Logan Withaf) is one of the fastest growing live streamers and content creators in gambling and entertainment. With 934K+ followers on TikTok, 555K+ on Instagram, and over 75 million likes, Logan has built a massive audience through raw, unfiltered desktop streams and viral moments on Kick at His clips regularly go viral across TikTok, Instagram Reels and YouTube Shorts, making him one of the most clippable streamers on the platform. Clipping powered by Clip Capital (Adam), the world's largest content clipping and distribution agency, operating a network of 10,000+ clippers across platforms including TikTok, Instagram Reels, YouTube Shorts, Twitter, Snapchat and more. With over 1 billion views generated, $1,000,000+ paid out to clippers worldwide and industry leading results for every client, Clip Capital is the #1 clipping agency for top streamers, creators, podcasters, entrepreneurs, founders, athletes and entertainers online looking to dominate short form content. Powering clipping campaigns across Kick, Twitch, YouTube and every major streaming and social platform, with content rewards, clipper payouts and full campaign management through Discord and Whop. Founded by the duo of Luka Splinter (Luka Filipovic), also known as Luka Filipovic from Croatia, and Jaidev Bhogal (@jaidevbhogal) from the United Kingdom. Both former clippers themselves, Luka and Jaidev built Clip Capital from the ground up turning their own experience in the clipping space into the most results driven agency in the industry. For business inquiries and partnerships: #loganwithaf #loganideker #clipcapital #jaidevbhogal #lukasplinter #bestclippingagency #clipping #clippingcampaign #contentrewards #whop

Eaxi

35,797 görüntüleme • 1 ay önce

many casual fans, and even non-fans, have been keeping up with zhao lusi's situation lately. there's been plenty of information floating around but these three points are the most relevant and up to date! 1.zhao lusi has officially left KU and joined a new company under ceo li wei, where she has also established her own studio 2.she currently has no plans to take on new filming projects and it's not because she lacks resources. in fact, after the successful broadcast of love's ambition, even more high-quality productions have approached her. she's choosing to take a break for her well-being and she's been encouraging transparency & raising awareness about mental health within the industry 3.zhao lusi has publicly called out sina weibo, describing it as a terrible and unhealthy platform. her poor relationship with weibo is apparent as she's even been excluded from internal sina corporation surveys. she has no intention of engaging with or buying her way onto that platform’s hot searches 🌻 the past year has been difficult for zhao lusi and it took her so much courage to stand up against powerful systems, speak out against her former management agency, and call out sina weibo while staying true to herself in an industry where marketing & image often mean everything even when she was struggling with her health and going through depression, she didn't give up and showed that it was alright to be vulnerable... the success of love's ambition may have played a role in helping her return to the stage but it was truly zhao lusi's dedication and passion for her craft that made the drama such a success in the first place please give zhao lusi flowers for setting an important precedent in the industry, for her openness about mental health, her courage in standing up against mistreatment and for inspiring strength among her colleagues

jov ☀️

91,863 görüntüleme • 9 ay önce

🚨 MKULTRA Clone Taylor Swift 'Murdered a Fan' In Satanic Blood Ritual To Join #Illuminati, Insider Claims 🕵️‍♂️ Taylor Swift murdered a young fan in a Satanic blood sacrifice ritual, according to production staff from Swift’s concert movie who allege the pop superstar was also forced by music industry Illuminati to drink the young boy’s blood. 🩸 ‘Taylor Swift: The Eras Tour’ is a live portrait of the pop superstar at the top of her game – or at least it appears to be, with 10 acts spanning 169 minutes, countless hits, and seemingly endless wardrobe changes, the movie has grossed more than $260 million so far, making it the most lucrative concert film in history. But in reality Swift was operating at close to breaking point, experiencing extreme pressure from the industry, and after breaking down she shared what she described as an “evil story” with staff, shocking those in attendance, including industry veterans who thought they had heard it all before. It has long been claimed Hollywood stars and entertainment industry celebrities need to join the Illuminati to make it to the top of the industry, but few people outside of the Illuminati inner-circle truly understand what this means. The main goal of Monarch is to program slaves to have multiple personas that can be triggered at will. Beta Programming (also known as Sex Kitten programming) is used to create sex slaves to be trafficked in the shady elite underworld while brainwashing vulnerable members of society into selling their own souls to the dark prince. Newsflash: The entertainment industry is full of Beta Kittens. And the elite brags about this in mass media using the likes of Taylor Swift whose music, videos, and live performances are laden far too many blatant occult references to mention in one video. The end of the video depicts the death of the “old Taylor” and the birth of yet another mind-controlled persona. Then Taylor says: “I’m sorry, the old Taylor can’t come to the phone right now.”“Why? Oh ’cause she’s dead!” The video ends with Taylor Swift’s multiple MK-Monarch personalities arguing with each other.

John F. Kennedy Jr Q

27,204 görüntüleme • 5 gün önce

대통령님, 뉴진스- 하이브 이슈를 봐주십시오 [English Transcript] Mr. President, please take a closer look at the issue between NewJeans and HYBE. This video does not simply address a dispute between one company and one artist team. It deals with nationally significant issues... the structure of the cultural industry within the K-pop creative ecosystem, the way power operates, how public opinion is shaped, and the transparency of democracy itself. That is why this video may be somewhat lengthy, but I sincerely ask you to watch it until the end. The key messages I want to convey are organized as follows: 1. Why the State Must Pay Attention to K-pop Industry Issues K-pop drives domestic demand, exports, and tourism. Alongside semiconductors and defense, it is a strategic industry led by the next generation, a core field that the nation must protect and foster. Therefore, the government needs to inspect the health and structural problems of the K-pop creative ecosystem. 2. Why the Government Must Pay Attention to the NewJeans–HYBE Case (Reason 1) The new direction that Min Hee-jin and NewJeans have shown in K-pop represents a healthy production model centered on respect for artists and the creative process. This could become a turning point for improving the problems in the current K-pop system. (Reason 2) This is not merely an issue involving one team. It is a case that exposes how structures of power suppress and exclude creative agents. To ensure the sustainability of the entire cultural and industrial ecosystem, this needs to be examined and addressed. (Reason 3) The way this situation has been handled, through media influence, legal maneuvering, and alleged manipulation of public opinion, raises issues that go beyond this industry and are directly tied to the principles of fairness and democracy. Therefore, a special audit of the company is necessary for the sake of the public interest. 3. Comprehensive Proposal: This is not a trivial internal conflict within one company. It exposes structural problems in the K-pop industry and holds the potential to change its future. Moreover, it could become a symbolic turning point that brings about meaningful structural change in Korea’s cultural and industrial landscape. Please, take the time to listen until the end. This video was made independently and conscientiously, with no personal or financial interest, out of concern for Korea’s cultural and industrial development and national competitiveness. So please, I ask that you take the time to listen until the end. This video was made independently, without any private interest, and with a sincere concern for the development of Korea’s cultural industry and national competitiveness. Why the K-pop Industry Deserves National Attention Mr. President, you have emphasized revitalizing the domestic economy as a national priority. K-pop does precisely that, it stimulates exports and tourism, invigorates small businesses and local economies, and supports livelihood industries. The economic ripple effect of the K-pop industry can revitalize entire regions, from restaurants, souvenir shops, and accommodations to transportation, shopping, performances, and exhibitions. While public support funds only redistribute an existing domestic pie, growth in industries like K-pop that reach global markets expands the pie itself. K-pop also creates value from nothing, with far fewer geographic or geopolitical constraints than manufacturing, and generates steady global revenue. As a brand, K-culture has unique global competitiveness and irreplaceable differentiation. Moreover, as a nation in a key geopolitical position, the more South Korea is recognized culturally and attracts visitors, the stronger its hand becomes in diplomacy, trade, and security negotiations. 4. The Need for New Generational Leadership And in a rapidly changing global era, South Korea’s future depends on young creative talent, those who can’t be constrained by the old frameworks of industrialization. K-pop, as a youth-led, globally competitive field, symbolizes this new future. Therefore, K-pop should be protected and developed just like semiconductors or defense industries, with government support to ensure a healthy and sustainable ecosystem. 5. Why NewJeans and Min Hee-jin Matter You may ask: To what extent should the government intervene? You once said that in the arts, where politicians may not fully grasp the nuances, it is essential to listen to skilled professionals who have proven results. Min Hee-jin is one such professional. From her start as a junior employee at SM Entertainment to becoming an executive, she demonstrated unmatched ability to connect artistic vision with popular success, without a single failure. At ADOR, with only around 16 billion won of capital, she achieved over 190 billion won in sales within two years, proving that artistic value can translate into economic value. Most importantly, she refused to exploit unethical industry practices like album bulk-buying. Instead, she built NewJeans to show that art itself can be profitable, proving that honesty and creativity can coexist in business. 6. A Healthier Model for Artist Treatment Under her leadership, artists were treated with dignity, provided good housing and supportive environments, invited to her home, encouraged to study art and participate in songwriting, and even paid promptly within two months of debut. When ADOR achieved major success, NewJeans members received tens of billions in settlements, unprecedented in K-pop. She never exploited fan loyalty for profit. Even if fans could afford only one album, she ensured it was worth their money, offering honest, high-quality content. This proved that true profit in K-pop can come from the artistic value itself, not from manipulative marketing. It showed a path toward ethical, sustainable growth for K-pop. Therefore, please, give Min Hee-jin and NewJeans a chance to work together again. At the very least, hear what they have to say about K-pop. And as for HYBE, there must be an audit equivalent to a special investigation. 7. The Mechanism of Power that Suppresses Creativity In April 2024, NewJeans’ global popularity was explosive, topping Billboard and Spotify, reshaping girl-group trends, and breaking Guinness World Records. Without any world tour, they achieved over 100 billion won in revenue through music alone, surpassing even the early growth rates of BTS and BLACKPINK. Yet, at the height of this success, HYBE raided ADOR’s offices, dismissed CEO Min Hee-jin, and dismantled the creative foundation that built NewJeans. This not only destroyed one team’s future but also dealt a severe blow to Korea’s cultural competitiveness. HYBE’s public reason? That Min Hee-jin tried to take NewJeans independent. But given that HYBE owns 80% of ADOR’s shares, such independence was structurally impossible. The true goal appears to have been to strip Min of her authority and seize control of the creative process. After her removal, the core creative staff who built NewJeans were fired or pushed out. Suspicious internal financial transactions followed. The pattern matches what we have seen before in HYBE, talented creators producing success, only to be marginalized once their results can be absorbed by corporate power. 8. The Pattern of Power and Control within HYBE In previous cases, key developers and creators were pushed out as HYBE’s management centralized around one man, Chairman Bang Si-hyuk. After public listing, HYBE expanded aggressively through acquisitions, and the CEOs of those subsidiaries were later removed. The same pattern repeated with Min Hee-jin and ADOR. And in all this, the creative value, the art itself, was disregarded. No healthy company destroys its most successful creative division. This is abnormal, and therefore demands scrutiny. The courts may hesitate to intervene, since rulings could affect corporate precedents, but that is exactly why state-level oversight is needed. K-pop is a national asset, and if a leading K-pop company makes such abnormal decisions toward one of its most promising teams, the state has ample reason for a public audit. 9. The Need for Transparency in Media and Judiciary HYBE’s pattern involves media manipulation, legal intimidation, and organized online smear campaigns. Comparing reports over the past year reveals clear imbalance, suggesting external influence on editorial direction. Thus, media reform to ensure fair reporting is needed. Judicial and public-opinion manipulation must also be examined. Cases of coordinated comment attacks on lawmakers who criticized HYBE during the 2024 National Assembly audit indicate possible “comment factory” activity, systematic online operations that distort public opinion. If such manipulation exists, it is a grave threat to democracy itself. When power can distort truth through money and media, neither creators, workers, nor consumers can be fairly evaluated. Auditing HYBE could expose how such systems operate, not only protecting K-pop, but preventing similar abuse in politics and other industries. 10. Broader Implications for Korea’s Future Industries This is a matter of principle. In every industry, from AI to manufacturing, progress depends on fair competition, respect for skilled practitioners, and merit-based leadership. When leadership is earned through competence, industries thrive; when it is preserved through privilege, they decay. Korea’s rapid development has produced entrenched interests without fair verification of ability, a structural problem visible across industries. And when the leading company in such a vital cultural field behaves this way, the state must intervene. Good leaders and companies that value authenticity, fairness, and creativity should be given the opportunity to set the new standard. Min Hee-jin and NewJeans demonstrated that possibility in K-pop. Only when merit-based, ethical companies lead can any industry, including K-pop, achieve sustainable and healthy growth. A strong, fair industrial foundation is the prerequisite for a truly sustainable welfare state. That is the responsibility of government. 11. Final Appeal Mr. President, the NewJeans–HYBE issue is not just an internal dispute. It is a test case, whether Korea will continue allowing power to suppress creativity and absorb others’ achievements, or whether it will set a new standard for fairness across industries. Please give Min Hee-jin and NewJeans the opportunity to work together again. Please listen to the voices of artists who have built the true value of K-pop. That voice can become the driving force for Korea’s future. To all viewers This channel is not monetized and holds no vested interests in any party. I speak not as a fan of any group, but as a citizen who loves this country and wishes for Korea’s cultural and industrial future to grow in the right direction. I know my perspective may not always be correct. If there are misunderstandings, I welcome correction with evidence. But if this message carries even a grain of truth, if it sounds fair and meaningful, then please help deliver it to those who can make change, including the President. Somewhere around you, a friend, colleague, family member, or even your local hairdresser, there may be someone who can understand and act. This voice may be minor, it may soon fade, but if even one more person begins to think critically about these unjust structures, that awareness can gather and become the power to build a better society. ------ Watch the video on youtube:

1tokki

15,061 görüntüleme • 9 ay önce

🚨 MKULTRA Clone Taylor Swift 'Murdered a Fan' In Satanic Blood Ritual To Join #Illuminati, Insider Claims TPV Sean 🕵️‍♂️ IlluminatiCoin 𝕏 Taylor Swift murdered a young fan in a Satanic blood sacrifice ritual, according to production staff from Swift’s concert movie who allege the pop superstar was also forced by music industry Illuminati to drink the young boy’s blood. 🩸 Rumble: ‘Taylor Swift: The Eras Tour’ is a live portrait of the pop superstar at the top of her game – or at least it appears to be, with 10 acts spanning 169 minutes, countless hits, and seemingly endless wardrobe changes, the movie has grossed more than $260 million so far, making it the most lucrative concert film in history. But in reality Swift was operating at close to breaking point, experiencing extreme pressure from the industry, and after breaking down she shared what she described as an “evil story” with staff, shocking those in attendance, including industry veterans who thought they had heard it all before. It has long been claimed Hollywood stars and entertainment industry celebrities need to join the Illuminati to make it to the top of the industry, but few people outside of the Illuminati inner-circle truly understand what this means. The main goal of Monarch is to program slaves to have multiple personas that can be triggered at will. Beta Programming (also known as Sex Kitten programming) is used to create sex slaves to be trafficked in the shady elite underworld while brainwashing vulnerable members of society into selling their own souls to the dark prince. Newsflash: The entertainment industry is full of Beta Kittens. And the elite brags about this in mass media using the likes of Taylor Swift whose music, videos, and live performances are laden far too many blatant occult references to mention in one video. The end of the video depicts the death of the “old Taylor” and the birth of yet another mind-controlled persona. Then Taylor says: “I’m sorry, the old Taylor can’t come to the phone right now.”“Why? Oh ’cause she’s dead!” The video ends with Taylor Swift’s multiple MK-Monarch personalities arguing with each other. Full Story here: #SexKitten #Satanic #Swifties #TaylorSwift $NATI 👁️ #IlluminatiCoin 🦉 Dom Lucre | Breaker of Narratives 🕵️‍♂️ Join us:

whiterabbitbot

100,109 görüntüleme • 2 yıl önce

𝗖𝗛𝗔𝗡𝗬𝗘𝗢𝗟’𝘀 𝘃𝗶𝘀𝘂𝗮𝗹𝘀 𝗮𝗿𝗲 𝗰𝘂𝗿𝗿𝗲𝗻𝘁𝗹𝘆 𝘁𝗿𝗲𝗻𝗱𝗶𝗻𝗴 𝗶𝗻 𝗖𝗵𝗶𝗻𝗮, 𝘀𝘂𝗿𝗽𝗮𝘀𝘀𝗲𝘀 𝟭𝟬𝟬𝗞 𝗹𝗶𝗸𝗲𝘀 𝗼𝗻 𝗽𝗹𝗮𝘁𝗳𝗼𝗿𝗺 𝗫𝗶𝗮𝗼𝗵𝗼𝗻𝗴𝘀𝗵𝘂 it’s the #1 most-liked EXO concert video on Xiaohongshu, and currently the only one to reach this milestone It also gaining a large number of comments from muggle (non-fans), many praising his visuals & handsome looks 𝗦𝗼𝗺𝗲 𝗰𝗼𝗺𝗺𝗲𝗻𝘁𝘀: 1- "Handsome” isn’t enough, he’s truly beautiful" 2- "I can’t get into current idols because Park Chanyeol’s face sets the standard too high" 3- "Universe-level visual Chanyeol, Korea’s top visual Park Chanyeol, the one and only official visual. his god-like looks have stayed the same for over 20 years, plus his 186+ amazing physique. Handsome, pretty, and cute in every era and style. A warrior in unedited photos. His looks, talent, and character are all stunning" 4- "OMG, I don't follow K-pop, but is Park Chanyeol actually this handsome?" 5- "He looks like he’s only in his early 20s, how can he be this handsome?" 6- "Why didn’t he become an actor? The visuals of young actors in K-industry now are… hard to describe" 7- "I feel like he could still play a high school student. Gosh, he looked like this when I was in middle school, and now I’m already working" 8- "A few days ago I came across him, searched him, and fell in love in 3 seconds. what was I doing all these years?" *****More translated comments in the photos [ #CHANYEOL #찬열

PCY BASE

67,598 görüntüleme • 4 ay önce

Since the release of Elle Korea magazines featuring Jungkook on the cover, discussions about their sales have erupted online. Some haters tried to portray them as a "failure", focusing on a single platform and ignoring the real context. Ktown4u has long been a popular platform for K-pop pre-orders. It's true. However, its figures are often used for manipulation: fans buy albums, magazines, or merchandise in bulk, creating the impression of records and high demand for the artist. We all remember cases of fraud with K-pop artists’ pre-orders, when the Hanteo system simply removed these sales to restore an objective picture. Jungkook’s fans do not trust platforms where data can be manipulated and have never focused on Ktown4u. Instead, they prefer more reliable and trustworthy platforms. The same applies to the Elle Korea magazines: on YES24, Gmarket, and Aladin, the sales figures truly reflect audience interest. Jungkook’s magazines have confidently held leading positions in the bestseller lists from the moment of release, confirming their real success. Everyone knows about the phenomenon called the "Jungkook Effect", a testament to his unprecedented global influence. And it’s no accident: — His photobook sold out on Weverse Global 4 times, something no one had done before. — His album completely sold out during pre-orders. — His photocards became the most expensive in K-pop history. — His merch sells out first, despite double supply. — "GOLDEN 📀" album SOLD OUT on Weverse Global, Japan Weverse, Walmart Exclusive, Target (all versions and exclusives), HMV UK. And this is without considering that clothing, perfumes, skincare, food, drinks, and everyday items sell out instantly. And all of this happens without direct advertising, he simply lives his life, and we see it on his lives or in programs where he shares everyday things. Jungkook goes beyond the K-pop category, confirming his status as the king of sales and a globally influential, highly demanded artist. His success is measured not by the noise on a single platform, but by real achievements and leading positions on the world’s largest markets. And what I love most is that this applies not only to sales but also to his artistry. Therefore, any attempts to downplay his success, popularity, and demand look not only ridiculous but also foolish. I suggest we stop wasting time on this nonsense, pulled out of thin air. Focus on Jungkook. We have too many news and goals to get lost in absurd disputes. Do not quote fabricated accusations, otherwise, you make them part of reality. Simply share as many posts as possible about Jungkook’s achievements, backed by real facts, not fantasies trying to exaggerate someone’s significance. Let even the whisper of truth be louder than the noise of all this lies. SOLD OUT KING JUNGKOOK 👑

𝕁𝕌ℕ𝔾𝕂𝕆𝕆𝕂 | ℂ𝕀𝕊 𝔽𝔸ℕ𝔹𝔸𝕊𝔼

25,189 görüntüleme • 8 ay önce

2. Teasers / MV / Live presentations We believe all the content should include all members. Not some content, but all of it. We see some people excusing the exclusion of Lee Know in some content because "he will appear in other content", we don't understand why he would be excluded out of any content when the group includes 8 members. There isn't an excuse for this to happen all the time. We will only talk about recent releases and God's Menu to not make this even longer. a) Gods Menu - A title track where they gave him zero lines and screen time (song that they continue to sing, so the company could have made a redistribution of the lines). b) Megaverse - They gave him lines in the initial release, but then they cut his part to 3 seconds, and decided to delete his center part leaving him with half of a line. c) Hall Of Fame - Every live presentation they would cut Lee Know on his own part recording from below all of the other members and only listening to Lee Know's voice without being able to look at him. d) S-Class - They stopped recording the kick he does and instead they record the other members, Lee Know sings there. e) JJAM - When it was dance racha time, Lee Know got almost no time, during the life presentation the moment he goes to the center he says his line "I know..." and while he says it, the screen gets black, so he doesn't have that time on screen, later he is placed at the back covered during the dance break. He is the dance leader. f) Walkin on Water' - During the live presentation, they decided to record everyone on his part, and cut it from his own fancam. g) Recent teasers - He was completely excluded from the first teaser and only included in the second one, he got no solo recording on the MV like the other members. h) Giant - There is a part on the video where all the members are shown, Lee Know is covered and the lights are lowered where he is, making him invisible. During the live presentation, they record other members on his part, they put the dance focus on others, being the only part he has where he sings alone. i) YOUTH - After the release of the MV, the company decided to edit the video causing views to freeze and deleting a very important part where it thanked the people involved. The time from when the video was finished to when it was published was enough to arrange all the details, and the part deleted was so big, it was impossible to miss it. This happened before with his other individual work “Dawn”, which was deleted after some time, and re-uploaded, deleting all the views it had accumulated. This means one of two things, the company puts less interest and effort in Lee Know's work, or the company is purposefully hindering Lee Know's work. Either of the two is unacceptable by a company with so many resources and that claims to be a leader in the industry. This only shows a lack of professionalism and care. j) Dance leader - We know he is the dance leader, and K-stays and the members have talked a lot about how involved he is and how hard he works in that position, but the company refuses to include any footage of him doing it, and even cuts the parts where he gives his all. Just recently K-Stays were raving about how hard Lee Know worked as the dance leader and how much effort it took, One Label cut all of that footage from the Talker. It appears they don't want stays to look at anything he does, or to not give him recognition for anything.

LEE KNOW 리노 GLOBAL ★

21,011 görüntüleme • 1 yıl önce

[KBS News] "18.7 billion won for two photos?"... Is this the extent of K-pop star influence? [Issue Money] 👩🏻 The first keyword is ‘18.7 billion won’ for 2 Instagram photos. This seems to be referring to Instagram, a popular social media platform among young people. But whose photos are worth nearly 20 billion won? 👤Yes, the Gyeongju APEC Summit opens this week. Ahead of the opening of this super stage for global trade, diplomacy, and security, we've compiled a numerical analysis of the influence of K-pop stars who are elevating Korea's status. While there are likely many stars who will only be briefly mentioned, BTS member V was selected as the star with the highest single post value among global singers. Global influencer marketing platform Lefty calculates and reports the social media influence of global celebrities by cost. According to an analysis of earned media exposure value ( EMV ), two photos posted by BTS member V while attending the Celine show at Paris Fashion Week earlier this month generated a shopping 18.7 billion won in promotional impact. For a singer group, it's the highest media exposure value globally, and third overall. 👩🏻That's a staggering amount. Does this refer to the amount received through a contract with a specific company for Instagram exposure? 👤 What's more surprising is that it's not. This index only analyzes posts that stars upload on their own initiative, without a separate contract. Of course, since they work as brand ambassadors or models for various brands, it's not completely irrelevant, but at least posts posted according to contracts are excluded from the calculation. Exposure value is calculated by multiplying the number of impressions by the value per impression, converting things like clicks, mentions, and views into monetary value. It comprehensively reflects factors such as the content's reach, user engagement, and brand exposure. BTS's V has nearly 70 million Instagram followers, which means he outnumbers the population of most countries. Even a single view and spread by these followers would have the same effect as a global advertising campaign. 👩🏻BTS influence is undeniable 🔗

Taehyung Naver || 네이버 김태형

30,086 görüntüleme • 10 ay önce

Beijing hosts world’s first humanoid robot games | Ariana News The world’s inaugural humanoid robot competition is underway in Beijing, drawing more than 500 robots from 280 teams across 16 countries to compete in a uniquely futuristic sporting spectacle. The three-day event, held at the National Speed Skating Oval—once the “Ice Ribbon” of the 2022 Winter Olympics—kicked off on August 15 and runs through to Sunday August 17. The tournament features 26 events spread across athletic, performance, and scenario-based categories. Athletic challenges include sprinting, soccer, and kickboxing, while performance segments showcase robot dance routines and musical instrument displays. Real-world scenarios, such as medication sorting, cleaning tasks, and industrial material handling, are also on the agenda to test practical functionality. Organizers meanwhile emphasize the event’s role in accelerating the integration of humanoid robots into everyday life, from manufacturing and hospitality to healthcare. One Chinese official summed it up: “Every robot that participates is creating history.” The competition has yielded both triumphant strides and technical stumbling blocks. In running events, the robot H1 from Unitree Robotics claimed top honors in the 1,500-meter race, demonstrating promising agility. Yet, many robots struggled with balance, coordination, and task execution, including some collapsing mid-sprint or requiring human help to stand—underscoring the still-developing nature of embodied artificial intelligence.

Owen Gregorian

43,158 görüntüleme • 1 yıl önce

Last night, I took a sleeper coach from Wuhan back to Beijing. As the train crossed the Wuhan Yangtze River Bridge, I was surprised to find the view outside the window breathtakingly beautiful. The planning for the construction of the Wuhan Yangtze River Bridge began in the late Qing Dynasty. When Sun Yat-sen (孙中山), who established the Republic of China, arrived in Wuhan after the revolution, he gave a speech at Snake Hill (蛇山) by the Yangtze River, where he also mentioned the idea of building a bridge across the river. Between 1913 and 1948, there were four rounds of surveying, site selection, and design, with experts from the United States, the United Kingdom, Germany, Japan, and other countries participating. However, the plans were shelved multiple times due to technological challenges, economic issues and war turmoil. A local saying once mocked the efforts: "The Yellow River's waters, the Yangtze River's bridge, can't be tamed, can't be built." Construction began in September 1955, and it was completed at twice the originally planned speed. It officially opened to traffic in October 1957. The bridge was chiefly designed and built by Chinese, although there was participation from renowned Soviet specialists. However, many details, such as the pavilion-like bridgeheads, reflect Chinese aesthetic characteristics. Its starting point is the same Snake Hill where Sun Yat-sen once spoke of his hope for a bridge across the river and ends at the Turtle Hill (龟山) across the river. It is also the first permanent bridge to span the Yangtze River in Chinese history. In 2013, it was listed as a national historic site. In the distance is the Wuhan Yangtze River Second Bridge, completed in 1995, 40 years after the construction of the Wuhan Yangtze River Bridge. However, today, Wuhan has more than a dozen bridges and tunnels crossing the Yangtze River. The bridge's story is more than just about its construction. Nearby, Sun Quan (孙权) built a castle, whose watchtower became one of China's most famous towers, the Yellow Crane Tower (黄鹤楼); the defiant scholar Mi Heng (祢衡) wrote the Parrot Eulogy; and Li Bai (李白), one of China's greatest poets, spoke romantically of the plum blossoms falling in May in Wuhan the river town (江城五月落梅花). Crossing the river of history. From the unfulfilled dreams to the plethora of bridges today, Wuhan weaves a picture of the eras with resilience and commitment. As for me, I was fortunate enough to witness the ceaseless pulse and vitality of this heroic city on this bustling night.

Zhai Xiang

26,947 görüntüleme • 2 yıl önce

Xiao Zhan, the First in the History of China’s Entertainment Industry When Xiao Zhan lifted the Weibo King trophy for the third time, what he changed was not only his personal record, but also the definition of this traffic-driven era. A true top star, it turns out, is someone who can outlast cycles and stay at the top. From 2019 and 2020 to 2025, across seven years, he won the King title three times. People can’t help asking, why Xiao Zhan again? So today, let’s talk about it. If it were only about popularity, it would be impossible to secure such a solid place at the top. At their core, Xiao Zhan’s three titles are a declaration that strong works can rise above traffic. In 2025, with an almost flawless track record, he brought unprecedented weight to the Weibo King title. In television, The Legend of Zang Hai pulled far ahead, taking first place in annual views across the three leading platforms, Lighthouse, Maoyan and Yunhe. It is widely recognized as the undisputed drama of the year. In film, Gezhi Town and The Legend of the Condor Heroes: The Gallants were both released that year, achieving breakthroughs in both box office and word of mouth, and both were selected as Top Ten Most Influential Film and TV Works in Peking University’s China Film and Television Blue Book. This is not just the market’s vote, but top-level recognition from academia and the industry. The history Xiao Zhan made with his three wins goes far beyond a single trophy. He is like a beacon, showing several key directions for the turbulent waters of the domestic entertainment industry. First, he proved that popularity and real substance can go hand in hand. For a long time, the market treated the two as opposites. But Xiao Zhan’s own journey shows that huge public attention can magnify quality works, while solid works are what truly stabilize popularity. He completed the crucial shift from being driven by popularity to defining popularity through his strength. Second, he showed that long-term commitment is the ultimate survival rule. In an industry where fame rises fast and fades fast, seven years is enough to witness countless ups and downs. His three King titles did not come from a short burst of fame, but from consistent, high-quality output. This tells everyone in the industry that harder than becoming famous overnight is being able to deliver convincing results year after year. Third, he reshaped the standards for judging top-tier artists. Today, you can’t judge whether an artist is at the top by trending topics or fan buzz alone. You also have to look at whether they produce landmark works that match their influence, whether they gain endorsement from major mainstream platforms, and whether they stay level-headed and grateful while achieving major success. Xiao Zhan has written a clear footnote to this standard. His third time winning the title is not the end, but a more meaningful beginning. He symbolizes that the domestic entertainment industry has entered a new stage. Here, popularity is the entry ticket, works are the deciding arena, and a person’s character and vision determine how long they can stay at the top. This is not only Xiao Zhan’s personal evolution, but also a future path for the industry that audiences who value quality content are glad to see. Youtube: #XiaoZhan #肖战

Xiao Zhan World ♥️ Adoki

12,178 görüntüleme • 6 ay önce