Video wird geladen...

Video konnte nicht geladen werden

Zur Startseite

The podrace sequence in The Phantom Menace (1999) is a masterclass in visual effects, sound editing, and sound design. It turns pure speed into spectacle and remains one of the most immersive action set pieces in the saga.

TheCinesthetic's profile picture

cinesthetic.

1,612,901 subscribers

52,523 Aufrufe • vor 7 Monaten •via X (Twitter)

KunstWissenschaft & Technologie
LIVE

Anya Rossi• Live Now

Private livecam show

0 Kommentare

Keine Kommentare verfügbar

Kommentare vom Original-Post werden hier angezeigt

Ähnliche Videos

In this episode of THR ‘Close Up’, the creative team behind the Apple TV's blockbuster F1 Movie reveals how they crafted sound, speed and spectacle into an immersive experience that places the audience in the driver’s seat.
1:43

In this episode of THR ‘Close Up’, the creative team behind the Apple TV's blockbuster F1 Movie reveals how they crafted sound, speed and spectacle into an immersive experience that places the audience in the driver’s seat.

The Hollywood Reporter

22,665 Aufrufe • vor 6 Monaten

💥 The truck chase sequence in Terminator 2: Judgment Day (1991) stands as one of the most masterfully executed action set pieces in cinema.
4:57

💥 The truck chase sequence in Terminator 2: Judgment Day (1991) stands as one of the most masterfully executed action set pieces in cinema.

CineHub

234,404 Aufrufe • vor 3 Monaten

The Batman is a full sensory experience. Moody, immersive, and drenched in atmosphere. From the sound design to the striking visuals, it pulls you into Gotham like never before.
2:15

The Batman is a full sensory experience. Moody, immersive, and drenched in atmosphere. From the sound design to the striking visuals, it pulls you into Gotham like never before.

cinesthetic.

168,564 Aufrufe • vor 1 Jahr

The “Promontory” sequence in The Last of the Mohicans (1992) is a masterclass in visual storytelling.
9:23

The “Promontory” sequence in The Last of the Mohicans (1992) is a masterclass in visual storytelling.

cinesthetic.

203,804 Aufrufe • vor 1 Jahr

Editing timeline for the Polymarket x UFC video. By far the most complex sound design I have ever done. 38 seconds long and +150 sound effects.
0:37

Editing timeline for the Polymarket x UFC video. By far the most complex sound design I have ever done. 38 seconds long and +150 sound effects.

Talley

46,227 Aufrufe • vor 7 Monaten

The bullet time sequence in THE MATRIX (1999) still feels like the future. More than 25 years later, it remains one of the most groundbreaking moments in cinema, and it still gives you goosebumps.
2:19

The bullet time sequence in THE MATRIX (1999) still feels like the future. More than 25 years later, it remains one of the most groundbreaking moments in cinema, and it still gives you goosebumps.

cinesthetic.

44,380 Aufrufe • vor 14 Tagen

Still one of the most thrilling action set pieces in the entire MCU. The pacing, the tension, the wingsuit physics—pure cinema. 🎬✈️
6:46

Still one of the most thrilling action set pieces in the entire MCU. The pacing, the tension, the wingsuit physics—pure cinema. 🎬✈️

GODWIN

26,132 Aufrufe • vor 24 Tagen

The hobbling scene in Misery (1990) is still one of the most brutal, stomach-dropping moments in cinema. No gore needed, just Kathy Bates’ calm voice, a block of wood, and the sound design doing the rest. Pure psychological torture on film.
2:19

The hobbling scene in Misery (1990) is still one of the most brutal, stomach-dropping moments in cinema. No gore needed, just Kathy Bates’ calm voice, a block of wood, and the sound design doing the rest. Pure psychological torture on film.

cinesthetic.

113,620 Aufrufe • vor 7 Monaten

Flow (2024) just goes all in on visual storytelling, no dialogue, just sound, movement, and pure momentum carrying the whole film, and the fact it’s built in Blender makes how smooth and immersive it feels even crazier.
0:40

Flow (2024) just goes all in on visual storytelling, no dialogue, just sound, movement, and pure momentum carrying the whole film, and the fact it’s built in Blender makes how smooth and immersive it feels even crazier.

cinesthetic.

31,257 Aufrufe • vor 2 Monaten

Guy Ritchie’s forest chase scene in Sherlock Holmes: A Game of Shadows is a masterclass in slow motion, tension, and sound design. Pure cinematic adrenaline.
2:47

Guy Ritchie’s forest chase scene in Sherlock Holmes: A Game of Shadows is a masterclass in slow motion, tension, and sound design. Pure cinematic adrenaline.

cinesthetic.

621,851 Aufrufe • vor 1 Jahr

“Strangers Like Me” in TARZAN (1999) is Phil Collins at full power. The song takes a simple montage of Tarzan discovering the human world and turns it into one of the most exhilarating sequences in Disney animation.
0:38

“Strangers Like Me” in TARZAN (1999) is Phil Collins at full power. The song takes a simple montage of Tarzan discovering the human world and turns it into one of the most exhilarating sequences in Disney animation.

cinesthetic.

21,852 Aufrufe • vor 1 Monat

Speak No Evil (2022) is one of the most quietly horrifying films of the last decade. It starts as social discomfort and ends in pure nightmare. A masterclass in tension and restraint.
0:47

Speak No Evil (2022) is one of the most quietly horrifying films of the last decade. It starts as social discomfort and ends in pure nightmare. A masterclass in tension and restraint.

cinesthetic.

149,001 Aufrufe • vor 8 Monaten

Once Upon a Time in the West (1968) is a masterclass in slow-burn revenge. Sergio Leone turns silence and stares into poetry, building to one of the most satisfying payoffs in film history.
2:10

Once Upon a Time in the West (1968) is a masterclass in slow-burn revenge. Sergio Leone turns silence and stares into poetry, building to one of the most satisfying payoffs in film history.

cinesthetic.

26,992 Aufrufe • vor 1 Jahr

the sound of the spin jojo sound design is back in business
1:06

the sound of the spin jojo sound design is back in business

Soundman

315,299 Aufrufe • vor 3 Monaten

The bigman. A weapon of mass destruction. Made in blender. Comped in after effects. Music / Sound design in blender.
0:20

The bigman. A weapon of mass destruction. Made in blender. Comped in after effects. Music / Sound design in blender.

Conor Kehelly

71,125 Aufrufe • vor 5 Monaten

The arrival of the gargantuan ships in INDEPENDENCE DAY is still one of the best effects sequences of the 90s. Great miniature work and CGI, real location shooting, tons of extras, a terrific David Arnold score and some incredible sound design.
1:54

The arrival of the gargantuan ships in INDEPENDENCE DAY is still one of the best effects sequences of the 90s. Great miniature work and CGI, real location shooting, tons of extras, a terrific David Arnold score and some incredible sound design.

All Things Movies

16,831 Aufrufe • vor 4 Monaten

The Wilhelm scream is one of the most famous stock sound effects in cinema history, having appeared in over 400 films, television shows, and video games. It is a distinctive, high-pitched "AAAAOURHH!” It’s also one of the most infamous inside jokes in movie history. There is even an award-winning documentary about it. 👉
0:56

The Wilhelm scream is one of the most famous stock sound effects in cinema history, having appeared in over 400 films, television shows, and video games. It is a distinctive, high-pitched "AAAAOURHH!” It’s also one of the most infamous inside jokes in movie history. There is even an award-winning documentary about it. 👉

truthache

690,935 Aufrufe • vor 6 Monaten

One of my favourite sound effects is the one the Germans used for Paks and sometimes tank guns in their WW2 films
1:15

One of my favourite sound effects is the one the Germans used for Paks and sometimes tank guns in their WW2 films

Chung-Tzu

94,308 Aufrufe • vor 1 Monat

This fight is so good man, the sound design in SAO is one of the best in the industry
3:41

This fight is so good man, the sound design in SAO is one of the best in the industry

Willow 🎭

342,500 Aufrufe • vor 1 Jahr

FaZe Clan X Nike Promo One of my favorite projects i worked on this year with the beasts FUTHARK STUDIOS , I had so much fun making direction/editing/graphics in this Sound design: Immersive Sound
0:25

FaZe Clan X Nike Promo One of my favorite projects i worked on this year with the beasts FUTHARK STUDIOS , I had so much fun making direction/editing/graphics in this Sound design: Immersive Sound

Khalid

28,618 Aufrufe • vor 2 Jahren