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The Revenant (2015) was shot almost entirely using natural light, with cinematographer Emmanuel Lubezki avoiding artificial lighting. The crew had only 1–2 hours daily to capture the perfect light at sunrise and sunset. It won three Oscars, including Best Cinematography.

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19,837 次观看 • 1 个月前 •via X (Twitter)

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THE REVENANT (2015) was shot almost entirely using natural light. Emmanuel Lubezki pushed the production into harsh real locations and carefully timed shoots around dawn and dusk, giving the film that brutally raw look.

THE REVENANT (2015) was shot almost entirely using natural light. Emmanuel Lubezki pushed the production into harsh real locations and carefully timed shoots around dawn and dusk, giving the film that brutally raw look.

cinesthetic.

41,980 次观看 • 23 天前

The Revenant (2015) is shot almost entirely in natural light. Lubezki’s long takes and harsh real locations make every scene feel raw, with some sequences captured at dawn and dusk for perfect lighting.

The Revenant (2015) is shot almost entirely in natural light. Lubezki’s long takes and harsh real locations make every scene feel raw, with some sequences captured at dawn and dusk for perfect lighting.

cinesthetic.

185,320 次观看 • 10 个月前

Emmanuel Lubezki is the only person ever to win 3 consecutive Oscars. He won the Oscar for Best Cinematography for Gravity in ‘14, Birdman in ‘15, and The Revenant in ‘16. He’s referred to has “Chivo” in the industry, meaning GOAT- a nickname Lubezki’s clearly earned.

Emmanuel Lubezki is the only person ever to win 3 consecutive Oscars. He won the Oscar for Best Cinematography for Gravity in ‘14, Birdman in ‘15, and The Revenant in ‘16. He’s referred to has “Chivo” in the industry, meaning GOAT- a nickname Lubezki’s clearly earned.

Cinema Tweets

1,551,603 次观看 • 1 年前

DAYS OF HEAVEN (1978) owes much of its dreamlike look to Néstor Almendros shooting almost entirely with natural light. He pushed the crew to film during the brief “magic hour” after sunset, often limiting each day to just 20 minutes of usable light.

DAYS OF HEAVEN (1978) owes much of its dreamlike look to Néstor Almendros shooting almost entirely with natural light. He pushed the crew to film during the brief “magic hour” after sunset, often limiting each day to just 20 minutes of usable light.

cinesthetic.

15,411 次观看 • 23 天前

Christopher Nolan shot Batman Begins (2005) entirely on 35mm film, and has refused to use digital cameras ever since. He told American Cinematographer magazine, “Film is the best way to capture the texture & gravity of light.”

Christopher Nolan shot Batman Begins (2005) entirely on 35mm film, and has refused to use digital cameras ever since. He told American Cinematographer magazine, “Film is the best way to capture the texture & gravity of light.”

cinesthetic.

132,481 次观看 • 8 个月前

I’d rephrase it like this: Christopher Nolan shot BATMAN BEGINS (2005) entirely on 35mm film and has never embraced digital cameras for his features. As he told American Cinematographer, “Film is the best way to capture the texture & gravity of light.”

I’d rephrase it like this: Christopher Nolan shot BATMAN BEGINS (2005) entirely on 35mm film and has never embraced digital cameras for his features. As he told American Cinematographer, “Film is the best way to capture the texture & gravity of light.”

cinesthetic.

120,530 次观看 • 1 个月前

Barry Lyndon (1975) won four Oscars, including Best Cinematography and Best Art Direction, yet it somehow lost Best Picture to One Flew Over the Cuckoo's Nest. That's one of the strongest Best Picture lineups the Academy has ever had.

Barry Lyndon (1975) won four Oscars, including Best Cinematography and Best Art Direction, yet it somehow lost Best Picture to One Flew Over the Cuckoo's Nest. That's one of the strongest Best Picture lineups the Academy has ever had.

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Out of the three RT effects, RTGI is by far the most impactful and the only one worth enabling. it gives interiors more depth by adding better ambient shading the game’s rasterized lighting fails to provide. It also adds more accurate color bleeding and local light bounces on surfaces that are occluded from direct sunlight, this is more noticeable indoors or outdoors during sunrise and sunset, but these benefits only apply to indirect Sun/Sky lighting. artificial lighting receive a more subtle improvement, limited mostly to improved ambient shadowing rather than proper indirect bounce lighting. #DyingLightTheBeast

Out of the three RT effects, RTGI is by far the most impactful and the only one worth enabling. it gives interiors more depth by adding better ambient shading the game’s rasterized lighting fails to provide. It also adds more accurate color bleeding and local light bounces on surfaces that are occluded from direct sunlight, this is more noticeable indoors or outdoors during sunrise and sunset, but these benefits only apply to indirect Sun/Sky lighting. artificial lighting receive a more subtle improvement, limited mostly to improved ambient shadowing rather than proper indirect bounce lighting. #DyingLightTheBeast

BenchmarKing

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Today in Rock History April 30, 2011 Foo Fighters’ Wasting Light peaked at #1 on the US 200 album chart. Wasting Light was recorded entirely in Dave Grohl’s garage using analog tape and produced by Butch Vig. It was the first Foo Fighters album to feature the full classic lineup with Pat Smear back on guitar.

Today in Rock History April 30, 2011 Foo Fighters’ Wasting Light peaked at #1 on the US 200 album chart. Wasting Light was recorded entirely in Dave Grohl’s garage using analog tape and produced by Butch Vig. It was the first Foo Fighters album to feature the full classic lineup with Pat Smear back on guitar.

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12,229 次观看 • 4 个月前

Unpopular opinion but staring into the sunrise and sunset is not bad for your eyes. I used to have terrible eyesight and I needed glasses just to see and correct my eyes but now I have perfect vision and I believe the thing that helped me the most is sun gazing. This means around 10 to 15 minutes before sunset and 10 to 15 minutes after sunrise, looking directly into the sun. The mainstream medical doctors and media will tell you that it's absolutely dangerous, but it has done nothing but good for my eyesight. This is because when you stare at the sun, you are exposing yourself to natural light, which most of us are extremely deficient in. The best thing you could possibly do is also ground as you look into the sunrise or sunset to get all of the benefits from grounding as well. it almost seems like the media was wrong once again.

Unpopular opinion but staring into the sunrise and sunset is not bad for your eyes. I used to have terrible eyesight and I needed glasses just to see and correct my eyes but now I have perfect vision and I believe the thing that helped me the most is sun gazing. This means around 10 to 15 minutes before sunset and 10 to 15 minutes after sunrise, looking directly into the sun. The mainstream medical doctors and media will tell you that it's absolutely dangerous, but it has done nothing but good for my eyesight. This is because when you stare at the sun, you are exposing yourself to natural light, which most of us are extremely deficient in. The best thing you could possibly do is also ground as you look into the sunrise or sunset to get all of the benefits from grounding as well. it almost seems like the media was wrong once again.

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Video: Epic Universe lighting tests. Including the new rays of light in the Constellation Fountain. Which can sparkle, and flow! Rays debuted in May 22 show. Team with programming gear arrived about 10:39pm May 21 in 2 hatchback cars. Set up near Meteor Astropub. Left at sunrise.

Video: Epic Universe lighting tests. Including the new rays of light in the Constellation Fountain. Which can sparkle, and flow! Rays debuted in May 22 show. Team with programming gear arrived about 10:39pm May 21 in 2 hatchback cars. Set up near Meteor Astropub. Left at sunrise.

bioreconstruct

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How lighting works in Simulon Using a professional on-set VFX kit, we showcase our unique Image Based Lighting system. Simulon employs ML to create a 360° HDRI from just one LDR shot, aligning it perfectly with scene data. Our virtual camera replicates the physical camera’s response to light, syncing seamlessly with the HDR info. Notice how the dynamic exposure changes on the virtual VFX kit closely match the real one. Bonus: At the end of the video I place a 3D Dragon in the scene and make a capture, this capture is then rendered in the cloud to produce a photorealistic VFX video 🐉 More on the capture and render process in upcoming videos!

How lighting works in Simulon Using a professional on-set VFX kit, we showcase our unique Image Based Lighting system. Simulon employs ML to create a 360° HDRI from just one LDR shot, aligning it perfectly with scene data. Our virtual camera replicates the physical camera’s response to light, syncing seamlessly with the HDR info. Notice how the dynamic exposure changes on the virtual VFX kit closely match the real one. Bonus: At the end of the video I place a 3D Dragon in the scene and make a capture, this capture is then rendered in the cloud to produce a photorealistic VFX video 🐉 More on the capture and render process in upcoming videos!

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It's wild what you can one-shot with Gemini 3 and Nano Banana Pro in AIS. Here's an app to relight an image: > Use a 3D environment with a bust of a person and a light source, I should be able to move the light source around to cast shadows in different ways, add multiple light sources, etc. Then I should be able to capture the scene, pass it alongside an input image to Nano Banana Pro to change the lighting on an input

It's wild what you can one-shot with Gemini 3 and Nano Banana Pro in AIS. Here's an app to relight an image: > Use a 3D environment with a bust of a person and a light source, I should be able to move the light source around to cast shadows in different ways, add multiple light sources, etc. Then I should be able to capture the scene, pass it alongside an input image to Nano Banana Pro to change the lighting on an input

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In Heat, the scene with Robert De Niro and Amy Brenneman looking out over the Los Angeles skyline, is one of the most beautiful shots in all of crime cinema. However, it was also incredibly difficult to pull off in 1995, before the introduction of digital cinematography Heat was shot on Kodak EXR 500T 5298, a fast tungsten-balanced film stock designed for low-light photography. This allowed cinematographer Dante Spinotti to shoot night scenes without blasting the actors with harsh movie lights. Instead, he could rely on softer, more naturalistic light sources, while still allowing the audience to see deep into the darkness of nighttime Los Angeles. That stock was ideal for the terrace scene between De Niro and Brenneman. It could capture the soft light spilling from De Niro’s house onto their faces, keeping the scene intimate and natural. But there was still a problem: they were working on film. Once they exposed correctly for the actors, the background of Los Angeles’ skyline disappeared into darkness. Michael Mann wanted to preserve the brilliance of the cityscape, and the way it reflected off the night clouds, while still maintaining that soft, romantic glow on the actors. So Spinotti came up with a clever solution. He shot the background separately using Panavision Primo lenses opened all the way to T2, meaning the aperture was set extremely wide so the lens could take in as much light as possible. First, he shot the night sky at 4 frames per second. Because the camera was running much slower than normal, each frame was exposed for longer, giving the film more time to absorb the faint light in the sky. Then he shot the skyline separately at 12 frames per second. This gave the lights more brightness and clarity. He also pushed the film one stop. In simple terms, he shot the film as if it needed less light than it actually did, then had the lab develop it longer to bring the brightness back up. This made the city lights register far more strongly, while the darker parts of the image fell deeper into black - creating what Spinotti described as a glowing “ocean of lights.” They then shot the scene on location with a greenscreen placed behind or, in some setups, in front of the actors. What you’re seeing in the final shot is three separate film elements - the sky, the city lights, and the actors - all exposed differently, at different frame rates, then combined through digital compositing into a single image. The result is strangely beautiful. De Niro and Brenneman seem almost suspended in mid-air, floating above the city lights, giving the moment an almost abstract, dreamlike quality - one that perfectly complements the overall tone of the scene.

In Heat, the scene with Robert De Niro and Amy Brenneman looking out over the Los Angeles skyline, is one of the most beautiful shots in all of crime cinema. However, it was also incredibly difficult to pull off in 1995, before the introduction of digital cinematography Heat was shot on Kodak EXR 500T 5298, a fast tungsten-balanced film stock designed for low-light photography. This allowed cinematographer Dante Spinotti to shoot night scenes without blasting the actors with harsh movie lights. Instead, he could rely on softer, more naturalistic light sources, while still allowing the audience to see deep into the darkness of nighttime Los Angeles. That stock was ideal for the terrace scene between De Niro and Brenneman. It could capture the soft light spilling from De Niro’s house onto their faces, keeping the scene intimate and natural. But there was still a problem: they were working on film. Once they exposed correctly for the actors, the background of Los Angeles’ skyline disappeared into darkness. Michael Mann wanted to preserve the brilliance of the cityscape, and the way it reflected off the night clouds, while still maintaining that soft, romantic glow on the actors. So Spinotti came up with a clever solution. He shot the background separately using Panavision Primo lenses opened all the way to T2, meaning the aperture was set extremely wide so the lens could take in as much light as possible. First, he shot the night sky at 4 frames per second. Because the camera was running much slower than normal, each frame was exposed for longer, giving the film more time to absorb the faint light in the sky. Then he shot the skyline separately at 12 frames per second. This gave the lights more brightness and clarity. He also pushed the film one stop. In simple terms, he shot the film as if it needed less light than it actually did, then had the lab develop it longer to bring the brightness back up. This made the city lights register far more strongly, while the darker parts of the image fell deeper into black - creating what Spinotti described as a glowing “ocean of lights.” They then shot the scene on location with a greenscreen placed behind or, in some setups, in front of the actors. What you’re seeing in the final shot is three separate film elements - the sky, the city lights, and the actors - all exposed differently, at different frame rates, then combined through digital compositing into a single image. The result is strangely beautiful. De Niro and Brenneman seem almost suspended in mid-air, floating above the city lights, giving the moment an almost abstract, dreamlike quality - one that perfectly complements the overall tone of the scene.

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#Today On February 22 1998, .Madonna's "Ray Of Light" (Studio Album) was released. Ray of Light was met with universal acclaim upon its release and is often considered Madonna's magnum opus. The album entered the US Billboard 200 at number two, with the biggest first-week sales by a female artist at the time. It also peaked at number one in 17 countries, including Australia, Canada, Germany, Italy, Spain and on the United Kingdom Albums Chart, and charted within the top-five in most musical markets. Worldwide, Ray of Light has sold over 16 million copies and is one of the best-selling albums by women. Ray of Light won four Grammy Awards from a total of six nominations at the 41st Annual Grammy Awards.

#Today On February 22 1998, .Madonna's "Ray Of Light" (Studio Album) was released. Ray of Light was met with universal acclaim upon its release and is often considered Madonna's magnum opus. The album entered the US Billboard 200 at number two, with the biggest first-week sales by a female artist at the time. It also peaked at number one in 17 countries, including Australia, Canada, Germany, Italy, Spain and on the United Kingdom Albums Chart, and charted within the top-five in most musical markets. Worldwide, Ray of Light has sold over 16 million copies and is one of the best-selling albums by women. Ray of Light won four Grammy Awards from a total of six nominations at the 41st Annual Grammy Awards.

Madonna Records

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🚨#WATCH: Hundreds of people gathered, excited to witness the joy of a tree lighting, only for it to turn out to be the most disappointing Christmas tree lighting ever. 📌#Lexington | #NorthCarolina Watch as hundreds of people gathered with excitement to witness the annual town Lexington, North Carolina, town tree lighting only for it to become the most disappointing Christmas tree lighting ever. A video captured the moment when the crowd at the Lexington Tree Lighting Ceremony began the countdown, expecting a dazzling display, only to see a few strings of lights illuminate around the tree. Confusion and groans spread through the crowd, with some initially thinking it was a joke or a tease before realizing it was the actual lighting. Despite the disappointment, many laughed light-heartedly at the situation. The good news is that the town later rescheduled the tree lighting for later in the week and fixed the issue.

🚨#WATCH: Hundreds of people gathered, excited to witness the joy of a tree lighting, only for it to turn out to be the most disappointing Christmas tree lighting ever. 📌#Lexington | #NorthCarolina Watch as hundreds of people gathered with excitement to witness the annual town Lexington, North Carolina, town tree lighting only for it to become the most disappointing Christmas tree lighting ever. A video captured the moment when the crowd at the Lexington Tree Lighting Ceremony began the countdown, expecting a dazzling display, only to see a few strings of lights illuminate around the tree. Confusion and groans spread through the crowd, with some initially thinking it was a joke or a tease before realizing it was the actual lighting. Despite the disappointment, many laughed light-heartedly at the situation. The good news is that the town later rescheduled the tree lighting for later in the week and fixed the issue.

R A W S A L E R T S

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Two and a half weeks of sunrise, grounding, and early nights, and most of the liver lesions had shrunk. Maria Menounos had already dealt with a pancreatic neuroendocrine tumor. New scans then showed multiple lesions on her liver. Doctors wanted to biopsy them for possible cancer. Instead she flew to the equator in the Dominican Republic, woke at sunrise every day, grounded barefoot, moved, meditated, spent hours outside, watched the sunset, and slept 11 hours a night. When she returned the lesions had almost all reduced in size. The doctors decided it was not cancer. She calls it proof that environment can matter more than we think. A personal experiment, not a prescription.

Two and a half weeks of sunrise, grounding, and early nights, and most of the liver lesions had shrunk. Maria Menounos had already dealt with a pancreatic neuroendocrine tumor. New scans then showed multiple lesions on her liver. Doctors wanted to biopsy them for possible cancer. Instead she flew to the equator in the Dominican Republic, woke at sunrise every day, grounded barefoot, moved, meditated, spent hours outside, watched the sunset, and slept 11 hours a night. When she returned the lesions had almost all reduced in size. The doctors decided it was not cancer. She calls it proof that environment can matter more than we think. A personal experiment, not a prescription.

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Cyclists know how it feels to sit at a red light and watch drivers sail through without a care in the world. This was yesterday. You can almost hear the conversation he’s having with himself.

Cyclists know how it feels to sit at a red light and watch drivers sail through without a care in the world. This was yesterday. You can almost hear the conversation he’s having with himself.

Jeremy Vine | Here, on Tiktok, Insta & Facebook

382,785 次观看 • 2 年前