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🚀 The Segment Anything Model (SAM) has been upgraded to SAM2, featuring an efficient image encoder for segmenting images and videos. But does SAM2 outperform SAM1 in medical image and video segmentation? We're thrilled to present our paper "Segment Anything in Medical Images and Videos: Benchmark and Deployment"! We...

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Bo Wang

30,653 subscribers

178,579 просмотров • 2 лет назад •via X (Twitter)

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Комментарии: 10

Фото профиля SkalskiP
SkalskiP2 лет назад

So cool to see a new wave of papers using SAM2!

Фото профиля parm
parm2 лет назад

I cannot get over the left video (bottom left)

Фото профиля Tanishq Mathew Abraham, Ph.D.
Tanishq Mathew Abraham, Ph.D.2 лет назад

great work, congrats to all the authors involved...

Фото профиля parm
parm2 лет назад

WOAH!

Фото профиля parm
parm2 лет назад

@iScienceLuvr !!! Time to nerd out on this

Фото профиля Degui Zhi
Degui Zhi2 лет назад

Wow! You are so fast!

Фото профиля Faizan Cheema
Faizan Cheema2 лет назад

this is beautiful 😊 makes me excited for the future

Фото профиля Krish Dasgupta
Krish Dasgupta2 лет назад

That’s so quick ! Amazing. @ryancarson check this out. Was telling about this the other day.

Фото профиля Shakuntala Baichoo
Shakuntala Baichoo2 лет назад

Proud to be part of this incredible lab pushing the boundaries of AI and health! Amazing work and inspiring team!

Фото профиля Hamza Mahdi
Hamza Mahdi2 лет назад

Excited to try it out!

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🎉 The best way to start the week is to find out that our MedSAM is finally published today in Nature Communications! **Segment anything in medical images** Paper: arXiv: Data & Code: MedSAM is the first promotable foundation model for medical image segmentation. **Highlights**: ⭐ Before its formal publication, we have received 220 citations and 1400+ GitHub stars 🙏🙏❤️‍🔥❤️‍🔥❤️‍🔥 📊 We curated a large-scale medical image dataset with 1,570,263 image-mask pairs, covering 10 imaging modalities and over 30 cancer types. 🚀 Built on top of SAM (AI at Meta ) with transfer learning, we have significantly enhanced its segmentation performance of medical images. 📈 Comprehensive evaluations of 86 internal validation tasks and 60 external validation tasks demonstrate its better accuracy and robustness than modality-wise specialist models. **What is Next? --- Clinical Translation!!** 🍕Our next goal is to make the model deployable on laptops (CPUs) or other edge devices without reliance on GPUs. We have distilled a lightweight model, LiteMedSAM, offering a speed boost of 10x while maintaining accuracy. Plus, we have integrated it into the 3D Slicer plugin, providing an efficient tool for medical image segmentation. 🌐 To further promote developments in this field, we organize a competition on #CVPR2026: Segment Anything in Medical Images on Laptop! An out-of-the-box baseline has been released to reduce the entry barriers. Welcome to join us to push the boundary further: 🙏 Massive thanks to MetaAI AI at Meta for their open-source project SAM and many reviewers/users for their invaluable feedback. A huge shoutout to my postdoc Jun Ma (JunMa) for his leadership on this project!! UHN AI Hub Vector Institute Peter Munk Cardiac Centre AI Department of Laboratory Medicine & Pathobiology U of T Department of Computer Science University of Toronto University Health Network Brad Wouters 🇨🇦 Barry Rubin MD, PhD, FRCSC Shaf Keshavjee
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🎉 The best way to start the week is to find out that our MedSAM is finally published today in Nature Communications! **Segment anything in medical images** Paper: arXiv: Data & Code: MedSAM is the first promotable foundation model for medical image segmentation. **Highlights**: ⭐ Before its formal publication, we have received 220 citations and 1400+ GitHub stars 🙏🙏❤️‍🔥❤️‍🔥❤️‍🔥 📊 We curated a large-scale medical image dataset with 1,570,263 image-mask pairs, covering 10 imaging modalities and over 30 cancer types. 🚀 Built on top of SAM (AI at Meta ) with transfer learning, we have significantly enhanced its segmentation performance of medical images. 📈 Comprehensive evaluations of 86 internal validation tasks and 60 external validation tasks demonstrate its better accuracy and robustness than modality-wise specialist models. **What is Next? --- Clinical Translation!!** 🍕Our next goal is to make the model deployable on laptops (CPUs) or other edge devices without reliance on GPUs. We have distilled a lightweight model, LiteMedSAM, offering a speed boost of 10x while maintaining accuracy. Plus, we have integrated it into the 3D Slicer plugin, providing an efficient tool for medical image segmentation. 🌐 To further promote developments in this field, we organize a competition on #CVPR2026: Segment Anything in Medical Images on Laptop! An out-of-the-box baseline has been released to reduce the entry barriers. Welcome to join us to push the boundary further: 🙏 Massive thanks to MetaAI AI at Meta for their open-source project SAM and many reviewers/users for their invaluable feedback. A huge shoutout to my postdoc Jun Ma (JunMa) for his leadership on this project!! UHN AI Hub Vector Institute Peter Munk Cardiac Centre AI Department of Laboratory Medicine & Pathobiology U of T Department of Computer Science University of Toronto University Health Network Brad Wouters 🇨🇦 Barry Rubin MD, PhD, FRCSC Shaf Keshavjee

Bo Wang

140,229 просмотров • 2 лет назад

Exciting news! Our MedSAM is featured in Computer Vision News! 🎉🎉🎉🙌 Check it out: We are not stopping at papers and aiming to take integration to the next level by incorporating MedSAM with 3D Slicer, a top-tier medical imaging viewer. 🏥 **Segment Anything in Medical Images!** Read the paper here: Get your hands on the code: Explore MedSAM@3Dslice: Huge shoutout to the lead contributor, Jun Ma (JunMa), and a big thank you to Reza Asakereh for his invaluable contributions to MedSAMSlicer! 👏 #MedSAM #MedicalImaging
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Exciting news! Our MedSAM is featured in Computer Vision News! 🎉🎉🎉🙌 Check it out: We are not stopping at papers and aiming to take integration to the next level by incorporating MedSAM with 3D Slicer, a top-tier medical imaging viewer. 🏥 **Segment Anything in Medical Images!** Read the paper here: Get your hands on the code: Explore MedSAM@3Dslice: Huge shoutout to the lead contributor, Jun Ma (JunMa), and a big thank you to Reza Asakereh for his invaluable contributions to MedSAMSlicer! 👏 #MedSAM #MedicalImaging

Bo Wang

19,527 просмотров • 2 лет назад

LLaVA-3D A Simple yet Effective Pathway to Empowering LMMs with 3D-awareness Recent advancements in Large Multimodal Models (LMMs) have greatly enhanced their proficiency in 2D visual understanding tasks, enabling them to effectively process and understand images and videos. However, the development of LMMs with 3D-awareness for 3D scene understanding has been hindered by the lack of large-scale 3D vision-language datasets and powerful 3D encoders. In this paper, we introduce a simple yet effective framework called LLaVA-3D. Leveraging the strong 2D understanding priors from LLaVA, our LLaVA-3D efficiently adapts LLaVA for 3D scene understanding without compromising 2D understanding capabilities. To achieve this, we employ a simple yet effective representation, 3D Patch, which connects 2D CLIP patch features with their corresponding positions in 3D space. By integrating the 3D Patches into 2D LMMs and employing joint 2D and 3D vision-language instruction tuning, we establish a unified architecture for both 2D image understanding and 3D scene understanding. Experimental results show that LLaVA-3D converges 3.5x faster than existing 3D LMMs when trained on 3D vision-language datasets. Moreover, LLaVA-3D not only achieves state-of-the-art performance across various 3D tasks but also maintains comparable 2D image understanding and vision-language conversation capabilities with LLaVA.
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LLaVA-3D A Simple yet Effective Pathway to Empowering LMMs with 3D-awareness Recent advancements in Large Multimodal Models (LMMs) have greatly enhanced their proficiency in 2D visual understanding tasks, enabling them to effectively process and understand images and videos. However, the development of LMMs with 3D-awareness for 3D scene understanding has been hindered by the lack of large-scale 3D vision-language datasets and powerful 3D encoders. In this paper, we introduce a simple yet effective framework called LLaVA-3D. Leveraging the strong 2D understanding priors from LLaVA, our LLaVA-3D efficiently adapts LLaVA for 3D scene understanding without compromising 2D understanding capabilities. To achieve this, we employ a simple yet effective representation, 3D Patch, which connects 2D CLIP patch features with their corresponding positions in 3D space. By integrating the 3D Patches into 2D LMMs and employing joint 2D and 3D vision-language instruction tuning, we establish a unified architecture for both 2D image understanding and 3D scene understanding. Experimental results show that LLaVA-3D converges 3.5x faster than existing 3D LMMs when trained on 3D vision-language datasets. Moreover, LLaVA-3D not only achieves state-of-the-art performance across various 3D tasks but also maintains comparable 2D image understanding and vision-language conversation capabilities with LLaVA.

AK

41,747 просмотров • 1 год назад

📢📢 𝐏𝐞𝐫𝐜𝐇𝐞𝐚𝐝: 𝐏𝐞𝐫𝐜𝐞𝐩𝐭𝐮𝐚𝐥 𝐇𝐞𝐚𝐝 𝐌𝐨𝐝𝐞𝐥 𝐟𝐨𝐫 𝐒𝐢𝐧𝐠𝐥𝐞-𝐈𝐦𝐚𝐠𝐞 𝟑𝐃 𝐇𝐞𝐚𝐝 𝐑𝐞𝐜𝐨𝐧𝐬𝐭𝐫𝐮𝐜𝐭𝐢𝐨𝐧 & 𝐄𝐝𝐢𝐭𝐢𝐧𝐠📢📢 PercHead reconstructs realistic 3D heads from a single image and enables disentangled 3D editing via geometric controls and style inputs from images or text. At its core is a generalized 3D head decoder trained with perceptual supervision from DINOv2 and SAM 2.1. We find that our new perceptual loss formulation improves reconstruction fidelity compared to commonly-used methods such as LPIPS. Our trained reconstruction model is able to generate 3D-consistent heads from a single input image. Even with challenging side-view inputs, the model robustly infers missing regions for a coherent, high-fidelity output. In addition, our architecture seamlessly adapts to downstream tasks: by swapping the encoder, we can transform the model into a disentangled 3D editing pipeline. In this scenario, we can control geometry through - potentially hand-drawn - segmentation maps, and condition style via image or text prompt. We also provide an interactive GUI to enable the exploration of our editing pipeline. 🌍 📽️ Great work by Antonio Oroz and Tobias Kirschstein
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📢📢 𝐏𝐞𝐫𝐜𝐇𝐞𝐚𝐝: 𝐏𝐞𝐫𝐜𝐞𝐩𝐭𝐮𝐚𝐥 𝐇𝐞𝐚𝐝 𝐌𝐨𝐝𝐞𝐥 𝐟𝐨𝐫 𝐒𝐢𝐧𝐠𝐥𝐞-𝐈𝐦𝐚𝐠𝐞 𝟑𝐃 𝐇𝐞𝐚𝐝 𝐑𝐞𝐜𝐨𝐧𝐬𝐭𝐫𝐮𝐜𝐭𝐢𝐨𝐧 & 𝐄𝐝𝐢𝐭𝐢𝐧𝐠📢📢 PercHead reconstructs realistic 3D heads from a single image and enables disentangled 3D editing via geometric controls and style inputs from images or text. At its core is a generalized 3D head decoder trained with perceptual supervision from DINOv2 and SAM 2.1. We find that our new perceptual loss formulation improves reconstruction fidelity compared to commonly-used methods such as LPIPS. Our trained reconstruction model is able to generate 3D-consistent heads from a single input image. Even with challenging side-view inputs, the model robustly infers missing regions for a coherent, high-fidelity output. In addition, our architecture seamlessly adapts to downstream tasks: by swapping the encoder, we can transform the model into a disentangled 3D editing pipeline. In this scenario, we can control geometry through - potentially hand-drawn - segmentation maps, and condition style via image or text prompt. We also provide an interactive GUI to enable the exploration of our editing pipeline. 🌍 📽️ Great work by Antonio Oroz and Tobias Kirschstein

Matthias Niessner

18,903 просмотров • 10 месяцев назад

Collaborative Score Distillation for Consistent Visual Synthesis paper page: Generative priors of large-scale text-to-image diffusion models enable a wide range of new generation and editing applications on diverse visual modalities. However, when adapting these priors to complex visual modalities, often represented as multiple images (e.g., video), achieving consistency across a set of images is challenging. In this paper, we address this challenge with a novel method, Collaborative Score Distillation (CSD). CSD is based on the Stein Variational Gradient Descent (SVGD). Specifically, we propose to consider multiple samples as "particles" in the SVGD update and combine their score functions to distill generative priors over a set of images synchronously. Thus, CSD facilitates seamless integration of information across 2D images, leading to a consistent visual synthesis across multiple samples. We show the effectiveness of CSD in a variety of tasks, encompassing the visual editing of panorama images, videos, and 3D scenes. Our results underline the competency of CSD as a versatile method for enhancing inter-sample consistency, thereby broadening the applicability of text-to-image diffusion models.
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Collaborative Score Distillation for Consistent Visual Synthesis paper page: Generative priors of large-scale text-to-image diffusion models enable a wide range of new generation and editing applications on diverse visual modalities. However, when adapting these priors to complex visual modalities, often represented as multiple images (e.g., video), achieving consistency across a set of images is challenging. In this paper, we address this challenge with a novel method, Collaborative Score Distillation (CSD). CSD is based on the Stein Variational Gradient Descent (SVGD). Specifically, we propose to consider multiple samples as "particles" in the SVGD update and combine their score functions to distill generative priors over a set of images synchronously. Thus, CSD facilitates seamless integration of information across 2D images, leading to a consistent visual synthesis across multiple samples. We show the effectiveness of CSD in a variety of tasks, encompassing the visual editing of panorama images, videos, and 3D scenes. Our results underline the competency of CSD as a versatile method for enhancing inter-sample consistency, thereby broadening the applicability of text-to-image diffusion models.

AK

33,513 просмотров • 3 лет назад

📢📢 𝐀𝐯𝐚𝐭𝟑𝐫 📢📢 Avat3r creates high-quality 3D head avatars from just a few input images in a single forward pass with a new dynamic 3DGS reconstruction model. Video: Project: Our core idea is to make Gaussian Reconstruction Models animatable. We find that a simple cross-attention to an expression code sequence is already sufficient to model complex facial expressions. We then incorporate position maps from DUSt3R and feature maps from Sapiens to facilitate the prediction task. While DUSt3R's position maps act as a pixel-aligned initialization for the Gaussians' positions, the Sapiens feature maps help the cross-view transformer to match corresponding image tokens in the 4 input images. One major challenge in creating a 3D head avatar from smartphone images comes from inconsistent facial expressions when the subject could not remain perfectly static during the capture. We eliminate this static requirement by simply showing our model input images with different facial expressions during training. This technique makes our model robust to inconsistent input images later on. Finally, we show that despite the model has been trained with 4 input images, one can even create a 3D head avatar when only a single image is available. To achieve this, we employ a pre-trained 3D GAN to lift the single image to 3D and then render the 4 input images for our model. This allows us to create 3D head avatars from single images and even highly out-of-distribution examples like AI generated faces, paintings or statues. Great work by Tobias Kirschstein from his internship at Meta with Javier Romero, Artem Sevastopolsky, and Shunsuke Saito
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📢📢 𝐀𝐯𝐚𝐭𝟑𝐫 📢📢 Avat3r creates high-quality 3D head avatars from just a few input images in a single forward pass with a new dynamic 3DGS reconstruction model. Video: Project: Our core idea is to make Gaussian Reconstruction Models animatable. We find that a simple cross-attention to an expression code sequence is already sufficient to model complex facial expressions. We then incorporate position maps from DUSt3R and feature maps from Sapiens to facilitate the prediction task. While DUSt3R's position maps act as a pixel-aligned initialization for the Gaussians' positions, the Sapiens feature maps help the cross-view transformer to match corresponding image tokens in the 4 input images. One major challenge in creating a 3D head avatar from smartphone images comes from inconsistent facial expressions when the subject could not remain perfectly static during the capture. We eliminate this static requirement by simply showing our model input images with different facial expressions during training. This technique makes our model robust to inconsistent input images later on. Finally, we show that despite the model has been trained with 4 input images, one can even create a 3D head avatar when only a single image is available. To achieve this, we employ a pre-trained 3D GAN to lift the single image to 3D and then render the 4 input images for our model. This allows us to create 3D head avatars from single images and even highly out-of-distribution examples like AI generated faces, paintings or statues. Great work by Tobias Kirschstein from his internship at Meta with Javier Romero, Artem Sevastopolsky, and Shunsuke Saito

Matthias Niessner

74,818 просмотров • 1 год назад

Tested this concepting workflow. ▶️ Converting a level design image to a 3D asset gallery image ▶️ re-generating segmented subjects into separate high quality images. ▶️ using these images to generate the 3D meshes. First time using 'for loops' in ComfyUI, works great and the prompts are updated for every segment. I used the Nano Banana 2 API node in ComfyUI to generate the final high quality images. Those SAM3 nodes are crazy btw, just set some points and it creates a mask! For the 3D model generation I used the new Tripo Smart Mesh tool, which is fast! The output is not perfect yet. I think in a lot of cases not production ready right now but that depends on the input image and the goal as well. For pre-production / concepting phase it's perfect and for far distance meshes it’s fine. I’m sure these tools keep improving, curious what we can work with in 3-6 months. Minimal cleanup and scaling in Blender and tested the meshes in UEFN / Unreal Engine. After creating the ComfyUI workflow it took less than an hour to do everything.
1:28

Tested this concepting workflow. ▶️ Converting a level design image to a 3D asset gallery image ▶️ re-generating segmented subjects into separate high quality images. ▶️ using these images to generate the 3D meshes. First time using 'for loops' in ComfyUI, works great and the prompts are updated for every segment. I used the Nano Banana 2 API node in ComfyUI to generate the final high quality images. Those SAM3 nodes are crazy btw, just set some points and it creates a mask! For the 3D model generation I used the new Tripo Smart Mesh tool, which is fast! The output is not perfect yet. I think in a lot of cases not production ready right now but that depends on the input image and the goal as well. For pre-production / concepting phase it's perfect and for far distance meshes it’s fine. I’m sure these tools keep improving, curious what we can work with in 3-6 months. Minimal cleanup and scaling in Blender and tested the meshes in UEFN / Unreal Engine. After creating the ComfyUI workflow it took less than an hour to do everything.

Jerome | InsaneUnreal

17,461 просмотров • 6 месяцев назад

Code and data are now online for CameraHMR, our state-of-the-art parametric 3D human pose and shape (HPS) estimation method that will appear at hashtag#3DV2025. There are 4 key contributions that make it so accurate and robust: 1. To get accurate 3D shape and pose as well as good alignment to image features, you need to know the focal length of the camera. To solve this, we train HumanFOV to compute the field of view. 2. We introduce CameraHMR, which integrates HumanFOV into HMR2.0 to exploit the estimated focal length. 3. To get accurate pseudo ground truth (pGT) training data, we compute the focal length for images in 4DHumans dataset and modify SMPLify to take this into account. 4. But SMPLify only uses sparse 2D keypoints, which do not capture body shape. So we train a dense surface keypoint detector, DenseKP, on BEDLAM and run it on 4DHumans, resulting in improved body shape. The resulting method is CamSMPLify. We iterate training CameraHMR and running CamSMPLify on the training set initialized with CameraHMR. This results in much improved pGT for 4DHumans and a SOTA single-image HMR method.
4:38

Code and data are now online for CameraHMR, our state-of-the-art parametric 3D human pose and shape (HPS) estimation method that will appear at hashtag#3DV2025. There are 4 key contributions that make it so accurate and robust: 1. To get accurate 3D shape and pose as well as good alignment to image features, you need to know the focal length of the camera. To solve this, we train HumanFOV to compute the field of view. 2. We introduce CameraHMR, which integrates HumanFOV into HMR2.0 to exploit the estimated focal length. 3. To get accurate pseudo ground truth (pGT) training data, we compute the focal length for images in 4DHumans dataset and modify SMPLify to take this into account. 4. But SMPLify only uses sparse 2D keypoints, which do not capture body shape. So we train a dense surface keypoint detector, DenseKP, on BEDLAM and run it on 4DHumans, resulting in improved body shape. The resulting method is CamSMPLify. We iterate training CameraHMR and running CamSMPLify on the training set initialized with CameraHMR. This results in much improved pGT for 4DHumans and a SOTA single-image HMR method.

Michael Black

21,696 просмотров • 1 год назад

This is probably the most complex workflow I’ve ever built, only with open-source tools. It took my 4 days. It takes four inputs: author, title, and style; and generates a full visual animated story in one click in ComfyUI . I worked on it for four days. There are still some bugs, but here’s the first preview. Here’s a quick breakdown: - The four inputs are sent to LLMs with precise instructions to generate: first, prompts for images and image modifications; second, prompts for animations; third, prompts for generating music. - All voices are generated from the text and timed precisely, as they determine the length of each animation segment. - The first image and video are generated to serve as the title, but also as the guide for all other images created for the video. - Titles and subtitles are also added automatically in Comfy. - I also developed a lot of custom nodes for minor frame calculations, mostly to match audio and video. - The full system is a large loop that, for each line of text, generates an image and then a video from that image. The loop was the hardest part to build in this workflow, so it can process either a 20-second video or a 2-minute video with the same input. - There are multiple combinations of LLMs that try to understand the text in the best way to provide the best prompts for images and video. - The final video is assembled entirely within ComfyUI. - The music is generated based on the LLM output and matches the exact timing of the full animation. - Done! For reference, this workflow uses a lot of models and only works on an RTX 6000 Pro with plenty of RAM. My goal is not to replace humans, as I’ll try to explain later, this workflow is highly controlled and can be adapted or reworked at any point by real artists! My aim was to create a tool that can animate text in one go, allowing the AI some freedom while keeping a strict flow. I don’t know yet how I’ll share this workflow with people, I still need to polish it properly, but maybe through Patreon. Anyway, I hope you enjoy my research, and let’s always keep pushing further! :)
0:55

This is probably the most complex workflow I’ve ever built, only with open-source tools. It took my 4 days. It takes four inputs: author, title, and style; and generates a full visual animated story in one click in ComfyUI . I worked on it for four days. There are still some bugs, but here’s the first preview. Here’s a quick breakdown: - The four inputs are sent to LLMs with precise instructions to generate: first, prompts for images and image modifications; second, prompts for animations; third, prompts for generating music. - All voices are generated from the text and timed precisely, as they determine the length of each animation segment. - The first image and video are generated to serve as the title, but also as the guide for all other images created for the video. - Titles and subtitles are also added automatically in Comfy. - I also developed a lot of custom nodes for minor frame calculations, mostly to match audio and video. - The full system is a large loop that, for each line of text, generates an image and then a video from that image. The loop was the hardest part to build in this workflow, so it can process either a 20-second video or a 2-minute video with the same input. - There are multiple combinations of LLMs that try to understand the text in the best way to provide the best prompts for images and video. - The final video is assembled entirely within ComfyUI. - The music is generated based on the LLM output and matches the exact timing of the full animation. - Done! For reference, this workflow uses a lot of models and only works on an RTX 6000 Pro with plenty of RAM. My goal is not to replace humans, as I’ll try to explain later, this workflow is highly controlled and can be adapted or reworked at any point by real artists! My aim was to create a tool that can animate text in one go, allowing the AI some freedom while keeping a strict flow. I don’t know yet how I’ll share this workflow with people, I still need to polish it properly, but maybe through Patreon. Anyway, I hope you enjoy my research, and let’s always keep pushing further! :)

Lovis Odin

58,841 просмотров • 1 год назад

TokenFlow: Consistent Diffusion Features for Consistent Video Editing paper page: The generative AI revolution has recently expanded to videos. Nevertheless, current state-of-the-art video models are still lagging behind image models in terms of visual quality and user control over the generated content. In this work, we present a framework that harnesses the power of a text-to-image diffusion model for the task of text-driven video editing. Specifically, given a source video and a target text-prompt, our method generates a high-quality video that adheres to the target text, while preserving the spatial layout and motion of the input video. Our method is based on a key observation that consistency in the edited video can be obtained by enforcing consistency in the diffusion feature space. We achieve this by explicitly propagating diffusion features based on inter-frame correspondences, readily available in the model. Thus, our framework does not require any training or fine-tuning, and can work in conjunction with any off-the-shelf text-to-image editing method. We demonstrate state-of-the-art editing results on a variety of real-world videos.
0:36

TokenFlow: Consistent Diffusion Features for Consistent Video Editing paper page: The generative AI revolution has recently expanded to videos. Nevertheless, current state-of-the-art video models are still lagging behind image models in terms of visual quality and user control over the generated content. In this work, we present a framework that harnesses the power of a text-to-image diffusion model for the task of text-driven video editing. Specifically, given a source video and a target text-prompt, our method generates a high-quality video that adheres to the target text, while preserving the spatial layout and motion of the input video. Our method is based on a key observation that consistency in the edited video can be obtained by enforcing consistency in the diffusion feature space. We achieve this by explicitly propagating diffusion features based on inter-frame correspondences, readily available in the model. Thus, our framework does not require any training or fine-tuning, and can work in conjunction with any off-the-shelf text-to-image editing method. We demonstrate state-of-the-art editing results on a variety of real-world videos.

AK

143,469 просмотров • 3 лет назад

As I promised yesterday, I'll briefly explain LoRA training and share a workflow I made so you can do it quickly. First, let me answer a very common question: 'Why train LoRAs when we have such advanced models?' Even though we have incredibly advanced models now (like NBP), we still can't always get them to do specific things we want. Simplest example: the spritesheet LoRA I made the other day. I generated 1000 images with Nano Banana and only 100 were what I wanted. The LoRA I trained using those 100 images gives me nearly 100% consistent results. Second point is cost and speed. With LoRA, we can cut costs by 4-5x. And while doing that, we're generating 4-5x faster. How many images do you need for a good LoRA? This depends on your LoRA's complexity. For example, when I training the spritesheet LoRA, even though I used 100 images, I didn't include buildings in the training data, so this LoRA doesn't work for buildings. So think about your LoRA's use cases and add examples for as many use cases as possible to improve quality. What are paired images and how to train LoRAs for image-editing? When training LoRAs for image editing on fal, we call each edit example paired images - one with _start suffix, one with _end suffix. For example, if you're training a background remove LoRA, the unedited original photo will be your '_start' image. The image with background removed will be the '_end' image. Simply put: images we want to edit or use as reference get _start, target images we want to achieve get '_end'. Important: save both images with the same name. Like image332_start.jpg and image332_end.jpg. This way the system knows which images pair together. What about training LoRAs for models with multiple image inputs? Same logic. We still use _start and _end suffixes, but with one difference. Since there are multiple input images, we can number them: _start, _start1, _start2. Example: start images, 1st image = Woman portrait (image35_start.jpg) 2nd image = Glasses photo (image35_start1.jpg) 3rd image = Hat photo (image35_start2.jpg) Output image = portrait of woman wearing glasses and hat (image35_end.jpg) Can we do more detailed captioning? Yes. Similarly, you can improve training quality by creating a txt file for each set with the caption inside. Example: create image35.txt and write: 'Recreate the image by putting the glasses from the second image and the hat from the third image on the woman in the first image.' What are Steps? How many should I use? What's Learning Rate? Steps determines how many times the model sees and processes your training data (your images). Each step, the model learns a bit more. But as steps increase, so does the risk of overfitting. So there's no real default. But for a simpler LoRA with 20 paired images, 1000 steps is ideal. Here's a metaphor for the Steps and Learning Rate relationship: Imagine you have a balloon. Our goal is to inflate it to the optimal size. Steps = How many times we blow into the balloon Learning rate = How hard we blow each time If we blow too softly, we need to blow many more times. If we blow too hard, we risk popping it quickly and can't reach optimal size. Of course training won't explode, but it won't work as intended because it wasn't trained optimally. Training's done, now what? Once training's complete, you'll have a safetensors file. Every model you train on fal has a LoRA inference endpoint. In that inference, add your safetensors file link to the LoRA url input, and you can use your LoRA. Thanks for the read! The workflow in the video: If I forgot anything, let me know in the replies.
1:06

As I promised yesterday, I'll briefly explain LoRA training and share a workflow I made so you can do it quickly. First, let me answer a very common question: 'Why train LoRAs when we have such advanced models?' Even though we have incredibly advanced models now (like NBP), we still can't always get them to do specific things we want. Simplest example: the spritesheet LoRA I made the other day. I generated 1000 images with Nano Banana and only 100 were what I wanted. The LoRA I trained using those 100 images gives me nearly 100% consistent results. Second point is cost and speed. With LoRA, we can cut costs by 4-5x. And while doing that, we're generating 4-5x faster. How many images do you need for a good LoRA? This depends on your LoRA's complexity. For example, when I training the spritesheet LoRA, even though I used 100 images, I didn't include buildings in the training data, so this LoRA doesn't work for buildings. So think about your LoRA's use cases and add examples for as many use cases as possible to improve quality. What are paired images and how to train LoRAs for image-editing? When training LoRAs for image editing on fal, we call each edit example paired images - one with _start suffix, one with _end suffix. For example, if you're training a background remove LoRA, the unedited original photo will be your '_start' image. The image with background removed will be the '_end' image. Simply put: images we want to edit or use as reference get _start, target images we want to achieve get '_end'. Important: save both images with the same name. Like image332_start.jpg and image332_end.jpg. This way the system knows which images pair together. What about training LoRAs for models with multiple image inputs? Same logic. We still use _start and _end suffixes, but with one difference. Since there are multiple input images, we can number them: _start, _start1, _start2. Example: start images, 1st image = Woman portrait (image35_start.jpg) 2nd image = Glasses photo (image35_start1.jpg) 3rd image = Hat photo (image35_start2.jpg) Output image = portrait of woman wearing glasses and hat (image35_end.jpg) Can we do more detailed captioning? Yes. Similarly, you can improve training quality by creating a txt file for each set with the caption inside. Example: create image35.txt and write: 'Recreate the image by putting the glasses from the second image and the hat from the third image on the woman in the first image.' What are Steps? How many should I use? What's Learning Rate? Steps determines how many times the model sees and processes your training data (your images). Each step, the model learns a bit more. But as steps increase, so does the risk of overfitting. So there's no real default. But for a simpler LoRA with 20 paired images, 1000 steps is ideal. Here's a metaphor for the Steps and Learning Rate relationship: Imagine you have a balloon. Our goal is to inflate it to the optimal size. Steps = How many times we blow into the balloon Learning rate = How hard we blow each time If we blow too softly, we need to blow many more times. If we blow too hard, we risk popping it quickly and can't reach optimal size. Of course training won't explode, but it won't work as intended because it wasn't trained optimally. Training's done, now what? Once training's complete, you'll have a safetensors file. Every model you train on fal has a LoRA inference endpoint. In that inference, add your safetensors file link to the LoRA url input, and you can use your LoRA. Thanks for the read! The workflow in the video: If I forgot anything, let me know in the replies.

ilker

15,192 просмотров • 7 месяцев назад

We’re shipping two major updates to streamline your creative workflow, allowing you to generate high-speed images with one model and then instantly animate them with the other—all at a fraction of the cost 🍌⚡️ 1️⃣ Introducing Nano Banana 2 Lite: Our fastest and most cost-efficient Gemini Image model yet delivers text-to-image outputs in under 4 seconds. Now available via the Gemini API and Google AI Studio, and rolling out soon across @NotebookLM, Google Flow, Google Gemini, Stitch by Google, Google Search and Google Photos. 2️⃣ Gemini Omni Flash in Public Preview: Our natively multimodal model for cost-efficient video generation and conversational editing. Now available via the Gemini API, Google AI Studio, and Gemini Enterprise Agent Platform so you can integrate the model into your workflow. While exciting on their own, the real magic happens when you build using these models together. Watch how our interior design demo integrates Nano Banana 2 Lite and Omni to instantly reimagine any space. Upload a photo, swipe through tailored design concepts, and see Omni bring the details to life in cinematic motion. Try out the demo app in AI Studio:
0:27

We’re shipping two major updates to streamline your creative workflow, allowing you to generate high-speed images with one model and then instantly animate them with the other—all at a fraction of the cost 🍌⚡️ 1️⃣ Introducing Nano Banana 2 Lite: Our fastest and most cost-efficient Gemini Image model yet delivers text-to-image outputs in under 4 seconds. Now available via the Gemini API and Google AI Studio, and rolling out soon across @NotebookLM, Google Flow, Google Gemini, Stitch by Google, Google Search and Google Photos. 2️⃣ Gemini Omni Flash in Public Preview: Our natively multimodal model for cost-efficient video generation and conversational editing. Now available via the Gemini API, Google AI Studio, and Gemini Enterprise Agent Platform so you can integrate the model into your workflow. While exciting on their own, the real magic happens when you build using these models together. Watch how our interior design demo integrates Nano Banana 2 Lite and Omni to instantly reimagine any space. Upload a photo, swipe through tailored design concepts, and see Omni bring the details to life in cinematic motion. Try out the demo app in AI Studio:

Google AI

129,340 просмотров • 2 месяцев назад

You don't need to be a 3D artist to start building 3D websites anymore 💛 Built this cool 3D jet drone website in Three.js using Claude Opus 5 and Tripo 🔜 gamescom in < 1 hour. A lot of people still think AI is great for generating code, but not for building something that actually feels polished and interactive or "complex". But it has been changing super fast these days. The model you see here is only 946KB, compressed from its original 13.6MB size automatically by Claude without losing any quality. This kind of intelligence has been developed in many other AI tools for anything related to 3D (except GPT 5.6 sol lol). You just have to describe what you want and they handle everything "engineerly" (that's not even a word but okay :D) Anyway, also you don't really have to learn anything about 3D modeling to create these models. All you need is a good image and put it in Tripo. For this case, i generated model using "smart mesh" feature that generated a cleaner low-poly topology and edge flow. That helps keep your actual 3D asset even more lightweight. Earlier, with HD model feature, my model size with 8k texture was around 60-70MB but with Smart Mesh, it's around 13-16MB with 8k texture applied separately. Of course, this isn't something I knew from the beginning. All I did was "try" out different features and see what happens. Live: Code: Design:
0:27

You don't need to be a 3D artist to start building 3D websites anymore 💛 Built this cool 3D jet drone website in Three.js using Claude Opus 5 and Tripo 🔜 gamescom in < 1 hour. A lot of people still think AI is great for generating code, but not for building something that actually feels polished and interactive or "complex". But it has been changing super fast these days. The model you see here is only 946KB, compressed from its original 13.6MB size automatically by Claude without losing any quality. This kind of intelligence has been developed in many other AI tools for anything related to 3D (except GPT 5.6 sol lol). You just have to describe what you want and they handle everything "engineerly" (that's not even a word but okay :D) Anyway, also you don't really have to learn anything about 3D modeling to create these models. All you need is a good image and put it in Tripo. For this case, i generated model using "smart mesh" feature that generated a cleaner low-poly topology and edge flow. That helps keep your actual 3D asset even more lightweight. Earlier, with HD model feature, my model size with 8k texture was around 60-70MB but with Smart Mesh, it's around 13-16MB with 8k texture applied separately. Of course, this isn't something I knew from the beginning. All I did was "try" out different features and see what happens. Live: Code: Design:

The Bugged Dev

49,863 просмотров • 1 месяц назад

Google presents Still-Moving Customized Video Generation without Customized Video Data Customizing text-to-image (T2I) models has seen tremendous progress recently, particularly in areas such as personalization, stylization, and conditional generation. However, expanding this progress to video generation is still in its infancy, primarily due to the lack of customized video data. In this work, we introduce Still-Moving, a novel generic framework for customizing a text-to-video (T2V) model, without requiring any customized video data. The framework applies to the prominent T2V design where the video model is built over a text-to-image (T2I) model (e.g., via inflation). We assume access to a customized version of the T2I model, trained only on still image data (e.g., using DreamBooth or StyleDrop). Naively plugging in the weights of the customized T2I model into the T2V model often leads to significant artifacts or insufficient adherence to the customization data. To overcome this issue, we train lightweight Spatial Adapters that adjust the features produced by the injected T2I layers. Importantly, our adapters are trained on "frozen videos" (i.e., repeated images), constructed from image samples generated by the customized T2I model. This training is facilitated by a novel Motion Adapter module, which allows us to train on such static videos while preserving the motion prior of the video model. At test time, we remove the Motion Adapter modules and leave in only the trained Spatial Adapters. This restores the motion prior of the T2V model while adhering to the spatial prior of the customized T2I model. We demonstrate the effectiveness of our approach on diverse tasks including personalized, stylized, and conditional generation. In all evaluated scenarios, our method seamlessly integrates the spatial prior of the customized T2I model with a motion prior supplied by the T2V model.
1:43

Google presents Still-Moving Customized Video Generation without Customized Video Data Customizing text-to-image (T2I) models has seen tremendous progress recently, particularly in areas such as personalization, stylization, and conditional generation. However, expanding this progress to video generation is still in its infancy, primarily due to the lack of customized video data. In this work, we introduce Still-Moving, a novel generic framework for customizing a text-to-video (T2V) model, without requiring any customized video data. The framework applies to the prominent T2V design where the video model is built over a text-to-image (T2I) model (e.g., via inflation). We assume access to a customized version of the T2I model, trained only on still image data (e.g., using DreamBooth or StyleDrop). Naively plugging in the weights of the customized T2I model into the T2V model often leads to significant artifacts or insufficient adherence to the customization data. To overcome this issue, we train lightweight Spatial Adapters that adjust the features produced by the injected T2I layers. Importantly, our adapters are trained on "frozen videos" (i.e., repeated images), constructed from image samples generated by the customized T2I model. This training is facilitated by a novel Motion Adapter module, which allows us to train on such static videos while preserving the motion prior of the video model. At test time, we remove the Motion Adapter modules and leave in only the trained Spatial Adapters. This restores the motion prior of the T2V model while adhering to the spatial prior of the customized T2I model. We demonstrate the effectiveness of our approach on diverse tasks including personalized, stylized, and conditional generation. In all evaluated scenarios, our method seamlessly integrates the spatial prior of the customized T2I model with a motion prior supplied by the T2V model.

AK

40,486 просмотров • 2 лет назад

Want to create an avatar from a single image? FlexAvatar is a transformer model that creates full 360°, high-quality, and expressive 3D head avatar from just a single portrait image in minutes. Real-time Demo: FlexAvatar's lightweight architecture allows both animation and rendering in real-time, enabling interactive user experiences. To create a new 3D head avatar, only one image is required, e.g., from a webcam. The final avatar is ready after 2 minutes. Architecture: Under the hood, FlexAvatar adopts a transformer-based encoder-decoder design. The encoder maps the input image onto a latent avatar space, while the decoder produces 3D Gaussian attribute maps by incorporating the animation signal via cross-attention. The model learns all facial animations directly from the data without relying on pre-built 3D face models. This equips the avatars with realistic facial expressions. The internal avatar latent space can be conveniently used to integrate additional observations of a person via fitting. This enables use-cases where more than one image of a person is available, e.g., from a phone scan of the person. We train jointly on 2D monocular videos and multi-view data. However, in monocular videos, the animation signal leaks the target viewpoint, causing the model to produce incomplete 3D heads. We call this phenomenon entanglement of driving signal and target viewpoint. To prevent entanglement, we introduce bias sinks. These are learnable tokens that indicate whether a training sample stems from a monocular or a multi-view dataset. During training, the model learns to produce incomplete 3D heads only when the monocular token is present. During inference, FlexAvatar then always uses the multi-view token for which the model has learned to produce complete 3D heads. This simple design allows to combine the generalizability from monocular data with the quality of multi-view data. FlexAvatar summary: - Input: Single-image, phone scan, or monocular video - Output: Full 360° head avatar - Expressive animations - Real-time rendering and animation - Generalization to any portrait - Create a new avatar in 2 minutes - Use bias sinks to combine 2D and 3D data 🏠 🌍 🎥 Great work by Tobias Kirschstein and Simon Giebenhain!
0:30

Want to create an avatar from a single image? FlexAvatar is a transformer model that creates full 360°, high-quality, and expressive 3D head avatar from just a single portrait image in minutes. Real-time Demo: FlexAvatar's lightweight architecture allows both animation and rendering in real-time, enabling interactive user experiences. To create a new 3D head avatar, only one image is required, e.g., from a webcam. The final avatar is ready after 2 minutes. Architecture: Under the hood, FlexAvatar adopts a transformer-based encoder-decoder design. The encoder maps the input image onto a latent avatar space, while the decoder produces 3D Gaussian attribute maps by incorporating the animation signal via cross-attention. The model learns all facial animations directly from the data without relying on pre-built 3D face models. This equips the avatars with realistic facial expressions. The internal avatar latent space can be conveniently used to integrate additional observations of a person via fitting. This enables use-cases where more than one image of a person is available, e.g., from a phone scan of the person. We train jointly on 2D monocular videos and multi-view data. However, in monocular videos, the animation signal leaks the target viewpoint, causing the model to produce incomplete 3D heads. We call this phenomenon entanglement of driving signal and target viewpoint. To prevent entanglement, we introduce bias sinks. These are learnable tokens that indicate whether a training sample stems from a monocular or a multi-view dataset. During training, the model learns to produce incomplete 3D heads only when the monocular token is present. During inference, FlexAvatar then always uses the multi-view token for which the model has learned to produce complete 3D heads. This simple design allows to combine the generalizability from monocular data with the quality of multi-view data. FlexAvatar summary: - Input: Single-image, phone scan, or monocular video - Output: Full 360° head avatar - Expressive animations - Real-time rendering and animation - Generalization to any portrait - Create a new avatar in 2 minutes - Use bias sinks to combine 2D and 3D data 🏠 🌍 🎥 Great work by Tobias Kirschstein and Simon Giebenhain!

Matthias Niessner

96,334 просмотров • 9 месяцев назад

In our research lab, we are building “real-time dreaming” - the ability to generate fully playable video worlds prompted from any text or image. Our real-time, action conditioned world model (currently running internally at 16fps at 832x480p) is trained on a combination of data, including proprietary Roblox 3D avatar/world interaction data. World models are different from multiplayer engines in that they store state and memory in video latents. Roblox is multiplayer, and we are actively researching optimal ways to simultaneously store state for thousands of players, and keep them in sync with their environment. Our world model leverages database technology which stores all user interactions on Roblox in a vector format that can be used to re-render video and interaction from any camera angle. We see several immediate uses for our Roblox world model. We will use it side-by-side text, image and video prompts as a way to launch auto-generation of immersive worlds. In Roblox Studio, a creator could walk around and use prompts to “paint” a world and then convert it into a 3D representation or direct to Roblox native as a way for many people to play simultaneously. All of this comes alive as we explore the notion of a “Dream Theater” - where one user is dreaming, while others watch and prompt them. 2/4
1:17

In our research lab, we are building “real-time dreaming” - the ability to generate fully playable video worlds prompted from any text or image. Our real-time, action conditioned world model (currently running internally at 16fps at 832x480p) is trained on a combination of data, including proprietary Roblox 3D avatar/world interaction data. World models are different from multiplayer engines in that they store state and memory in video latents. Roblox is multiplayer, and we are actively researching optimal ways to simultaneously store state for thousands of players, and keep them in sync with their environment. Our world model leverages database technology which stores all user interactions on Roblox in a vector format that can be used to re-render video and interaction from any camera angle. We see several immediate uses for our Roblox world model. We will use it side-by-side text, image and video prompts as a way to launch auto-generation of immersive worlds. In Roblox Studio, a creator could walk around and use prompts to “paint” a world and then convert it into a 3D representation or direct to Roblox native as a way for many people to play simultaneously. All of this comes alive as we explore the notion of a “Dream Theater” - where one user is dreaming, while others watch and prompt them. 2/4

Roblox

4,407,793 просмотров • 7 месяцев назад

Google DeepMind just dropped 'Genie', an AI that can generate interactive video games. This is a huge deal. Genie is trained on 200,000 hours of unsupervised public internet gaming videos and can generate video games from a single prompt or image. But here's what's insane: Despite not being trained on action or text annotations, the foundation model can determine who the main character is and enable a user to control that character in the generated world. It does this through its Latent Action Model, Video Tokenizer, and Dynamics Model (will go more in-depth on this in tomorrow's newsletter for those interested). And for those asking, yes, it's research-only and not publicly available (here come the Google memes), and it does come with some limitations, like only currently creating games at 1FPS. But this is the worst AI will ever be. Anyone will be able to create their own entirely imagined virtual worlds soon, and that's a wild sentence to say out loud.
0:27

Google DeepMind just dropped 'Genie', an AI that can generate interactive video games. This is a huge deal. Genie is trained on 200,000 hours of unsupervised public internet gaming videos and can generate video games from a single prompt or image. But here's what's insane: Despite not being trained on action or text annotations, the foundation model can determine who the main character is and enable a user to control that character in the generated world. It does this through its Latent Action Model, Video Tokenizer, and Dynamics Model (will go more in-depth on this in tomorrow's newsletter for those interested). And for those asking, yes, it's research-only and not publicly available (here come the Google memes), and it does come with some limitations, like only currently creating games at 1FPS. But this is the worst AI will ever be. Anyone will be able to create their own entirely imagined virtual worlds soon, and that's a wild sentence to say out loud.

Rowan Cheung

3,377,911 просмотров • 2 лет назад

This is how you build the next generation of AI applications. You need an idea, a good model architecture, and a great harness. That's what MUZIM did. It's an app that runs local multimodal and vision models offline to parse and index your images, videos, and documents frame by frame. • Super fast on-device processing • On-device video & image understanding • You can also bring your API keys for heavy reasoning • Your data stays where it is / nothing goes to the cloud You can do a couple of things with this: 1. Vibe searching for whatever you remember in photos or raw video clips. The app will jump straight to the exact frame and timestamp of the video. This is search as it should be. 2. Use local-running agents to perform tasks on your files. I show a couple of examples in my video. You can check it out here: Thanks to the MUZIM by OpenSoul team for showing me the tool and partnering with me on this post.
6:30

This is how you build the next generation of AI applications. You need an idea, a good model architecture, and a great harness. That's what MUZIM did. It's an app that runs local multimodal and vision models offline to parse and index your images, videos, and documents frame by frame. • Super fast on-device processing • On-device video & image understanding • You can also bring your API keys for heavy reasoning • Your data stays where it is / nothing goes to the cloud You can do a couple of things with this: 1. Vibe searching for whatever you remember in photos or raw video clips. The app will jump straight to the exact frame and timestamp of the video. This is search as it should be. 2. Use local-running agents to perform tasks on your files. I show a couple of examples in my video. You can check it out here: Thanks to the MUZIM by OpenSoul team for showing me the tool and partnering with me on this post.

Santiago

65,953 просмотров • 29 дней назад

It still blows my mind that we can create promo videos for brands in 1 hour. I recently worked with an upcoming fabric brand to integrate AI into their processes. Feeling confident in the tools, I thought, "Why not draft up a promo video with them?" I selected a few images from their website, generated more to fit the theme, and ran them through Image-2-Video in Runway. One hour later, we had a promo video. 🤯 A year ago, something like this would have never occurred due to the logistics and resources needed to do such a project. Now, they can put 3 creatives on a project like this, create multiple videos, and run test ads on socials to see which performs best. All in a matter of hours and days.
0:39

It still blows my mind that we can create promo videos for brands in 1 hour. I recently worked with an upcoming fabric brand to integrate AI into their processes. Feeling confident in the tools, I thought, "Why not draft up a promo video with them?" I selected a few images from their website, generated more to fit the theme, and ran them through Image-2-Video in Runway. One hour later, we had a promo video. 🤯 A year ago, something like this would have never occurred due to the logistics and resources needed to do such a project. Now, they can put 3 creatives on a project like this, create multiple videos, and run test ads on socials to see which performs best. All in a matter of hours and days.

Nicolas Neubert

153,391 просмотров • 2 лет назад