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The Spy Who Loved Me. (1977) Lewis Gilbert

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31,494 次观看 • 3 个月前 •via X (Twitter)

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"Keeping the British end up, sir.” - Roger Moore (James Bond, The Spy Who Loved Me, 1977)

"Keeping the British end up, sir.” - Roger Moore (James Bond, The Spy Who Loved Me, 1977)

Vinnie Sullivan

31,050 次观看 • 3 个月前

THE SPY WHO LOVED ME had its world premiere today in 1977. What’s your standout moment?

THE SPY WHO LOVED ME had its world premiere today in 1977. What’s your standout moment?

James Bond

66,587 次观看 • 1 年前

John Barry completely restructured the iconic James Bond theme for the soundtrack of The Spy Who Loved Me. He had just listened to Isaac Hayes' Shaft and it shows. This track is called Bond 77 John Barry | The Spy Who Loved Me | 1977.

John Barry completely restructured the iconic James Bond theme for the soundtrack of The Spy Who Loved Me. He had just listened to Isaac Hayes' Shaft and it shows. This track is called Bond 77 John Barry | The Spy Who Loved Me | 1977.

Don Winslow

156,434 次观看 • 9 个月前

When the mission goes underwater, only James Bond has a car that's ready for it. 🎬 The Spy Who Loved Me (1977)

When the mission goes underwater, only James Bond has a car that's ready for it. 🎬 The Spy Who Loved Me (1977)

osita

242,234 次观看 • 1 个月前

ROGER MOORE in 1977 on why in his opinion James Bond movies should be like THE SPY WHO LOVED ME — mostly entertaining romps.

ROGER MOORE in 1977 on why in his opinion James Bond movies should be like THE SPY WHO LOVED ME — mostly entertaining romps.

Michael Warburton

22,615 次观看 • 4 个月前

The Spy Who Loved Me 🔫♥️

The Spy Who Loved Me 🔫♥️

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51,155 次观看 • 7 天前

The opening of The Spy Who Loved Me (1977) is peak Bond. Roger Moore’s ski jump was real, performed by stuntman Rick Sylvester off Mount Asgard, making it one of cinema’s most iconic openings.

The opening of The Spy Who Loved Me (1977) is peak Bond. Roger Moore’s ski jump was real, performed by stuntman Rick Sylvester off Mount Asgard, making it one of cinema’s most iconic openings.

cinesthetic.

731,002 次观看 • 10 个月前

Back in 1977, Rick Sylvester skied off the edge of Mount Asgard and into the history books when he filmed the opening stunt for THE SPY WHO LOVED ME… But is it THE most iconic stunt in #JamesBond history?

Back in 1977, Rick Sylvester skied off the edge of Mount Asgard and into the history books when he filmed the opening stunt for THE SPY WHO LOVED ME… But is it THE most iconic stunt in #JamesBond history?

SpyHards - A Spy Movie Podcast

253,611 次观看 • 6 个月前

In The Spy Who Loved Me (1977), the Jaws fight scenes needed no tricks. Richard Kiel's 7'2" frame genuinely overpowered Roger Moore with his strength. When Bond kicks Jaws out the train window, the stuntman insisted on using real glass.

In The Spy Who Loved Me (1977), the Jaws fight scenes needed no tricks. Richard Kiel's 7'2" frame genuinely overpowered Roger Moore with his strength. When Bond kicks Jaws out the train window, the stuntman insisted on using real glass.

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62,668 次观看 • 8 天前

“Can you swim?” On this day in 1976, THE SPY WHO LOVED ME began shooting.

“Can you swim?” On this day in 1976, THE SPY WHO LOVED ME began shooting.

James Bond

83,862 次观看 • 10 个月前

James Bond: The Spy Who Loved Me (1977). The greatest ever James Bond opening sequence. Ski chase 🔻 Death-defying jump 🔻 Union Jack parachute triumphantly opens 🔻 James Bond theme tune 🔻 Carly Simon “Nobody Does It Better” Absolutely glorious. 🇬🇧

James Bond: The Spy Who Loved Me (1977). The greatest ever James Bond opening sequence. Ski chase 🔻 Death-defying jump 🔻 Union Jack parachute triumphantly opens 🔻 James Bond theme tune 🔻 Carly Simon “Nobody Does It Better” Absolutely glorious. 🇬🇧

James Melville 🚜

36,243 次观看 • 5 个月前

The Spy Who Loved Me (1977) was a massive financial savior for the Bond franchise. On a $14M budget, it grossed $185M worldwide. This huge return proved 007 was still a box office powerhouse after the franchise had seen a dip in the mid-70s.

The Spy Who Loved Me (1977) was a massive financial savior for the Bond franchise. On a $14M budget, it grossed $185M worldwide. This huge return proved 007 was still a box office powerhouse after the franchise had seen a dip in the mid-70s.

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81,456 次观看 • 5 个月前

The Spy Who Loved Me (1977) After this movie's release, demand for white Lotus Esprit cars surged to the point that customers were placed on a three-year waiting list. Non of them could drive underwater. The boy who points at the car on the beach is the son of Richard Kiel (Jaws)

The Spy Who Loved Me (1977) After this movie's release, demand for white Lotus Esprit cars surged to the point that customers were placed on a three-year waiting list. Non of them could drive underwater. The boy who points at the car on the beach is the son of Richard Kiel (Jaws)

The Sting

118,531 次观看 • 1 年前

In The Spy Who Loved Me (1977), no wires or effects were needed for Jaws lifting and slamming James Bond. Richard Kiel (7’2”) genuinely overpowered Roger Moore with his size and strength. When Bond kicks Jaws out the train window, stuntman insisted on using real glass.

In The Spy Who Loved Me (1977), no wires or effects were needed for Jaws lifting and slamming James Bond. Richard Kiel (7’2”) genuinely overpowered Roger Moore with his size and strength. When Bond kicks Jaws out the train window, stuntman insisted on using real glass.

Emir Han

192,194 次观看 • 4 个月前

The dam jump in The Spy Who Loved Me (1977) is still unbelievable, Rick Sylvester skiing off a 2,500-foot cliff and opening a parachute mid-fall. They even timed real explosions below him, a level of risk that would be nearly impossible to permit today.

The dam jump in The Spy Who Loved Me (1977) is still unbelievable, Rick Sylvester skiing off a 2,500-foot cliff and opening a parachute mid-fall. They even timed real explosions below him, a level of risk that would be nearly impossible to permit today.

cinesthetic.

39,558 次观看 • 4 个月前

Director Richard Donner shot THE OMEN (1976) in anamorphic widescreen at the urging of his DP Gilbert Taylor. George Lucas loved the look and hired Taylor for STAR WARS (1977). The visual DNA carries over.

Director Richard Donner shot THE OMEN (1976) in anamorphic widescreen at the urging of his DP Gilbert Taylor. George Lucas loved the look and hired Taylor for STAR WARS (1977). The visual DNA carries over.

Vashi Nedomansky, ACE

46,232 次观看 • 4 个月前