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The tools have really elevated AI Storytelling 👀🔥 This is LIVE BY SWORD Paying homage to action films of the '90s and early 2000s. John Woo was a huge inspiration when I was in film school. The slick cinematography, the slow-motion shots. The brutal action. We haven't seen many...

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Dave Clark

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13,862 views • 8 months ago •via X (Twitter)

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Wow. Kling 2.6 can help create actual dread 🤯🔥 Watch my latest AI super short THE TENANT Using the latest Kling model I was able to not only craft an atmosphere but also prompt specific background sound, ambience, dialogue and inflections. While not perfect, this is one of the first times where a single model was able to consistently produce in the tone I was trying to maintain. Images and consistent characters were created in Nano Banana Pro inside Adobe Firefly, and video is 2.6. This was edited in Premiere Pro. Additional sound from ElevenLabs and Envato.
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Wow. Kling 2.6 can help create actual dread 🤯🔥 Watch my latest AI super short THE TENANT Using the latest Kling model I was able to not only craft an atmosphere but also prompt specific background sound, ambience, dialogue and inflections. While not perfect, this is one of the first times where a single model was able to consistently produce in the tone I was trying to maintain. Images and consistent characters were created in Nano Banana Pro inside Adobe Firefly, and video is 2.6. This was edited in Premiere Pro. Additional sound from ElevenLabs and Envato.

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35,760 views • 8 months ago

Nano Banana Pro is easily one of the best AI tools out right now. It delivers consistent exteriors, interiors, and characters. There are plenty of great tools, but for image generation, editing, and commercial work (ads, mini-dramas, social media videos), this one has become essential to my workflow. Images: Nano Banana Pro Video: Veo 3.1 on Runway Seedance Pro 1.5 and Kling 2.6 Music: Suno SFX: Pixabay
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Nano Banana Pro is easily one of the best AI tools out right now. It delivers consistent exteriors, interiors, and characters. There are plenty of great tools, but for image generation, editing, and commercial work (ads, mini-dramas, social media videos), this one has become essential to my workflow. Images: Nano Banana Pro Video: Veo 3.1 on Runway Seedance Pro 1.5 and Kling 2.6 Music: Suno SFX: Pixabay

Everett World

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this whole video was made with AI and it only took me 15 minutes to make here were the tools used: > sora 2 pro > kling 2.6/2.5 > veo 3.1 >nano banana > elevenlabs >topaz upscale >capcut it's never been this easy to make realistic AI videos
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this whole video was made with AI and it only took me 15 minutes to make here were the tools used: > sora 2 pro > kling 2.6/2.5 > veo 3.1 >nano banana > elevenlabs >topaz upscale >capcut it's never been this easy to make realistic AI videos

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WOUNDS | AI Short Film In this short film WOUNDS, I wanted to see how far Kling AI 3.0 could really deliver raw human emotion. I pushed it hard, silence, tears, shaky moments, broken voices. And honestly… I’m kind of amazed by how much emotion it managed to hold in these shots. Now I’m curious, did you feel it too? Did the emotion come through for you while watching this scene? Tools used: Video Kling 3.0 Image Nano Banana Pro Adobe Firefly Image retouch Adobe Photoshop Editing Adobe Video Premiere 2026

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Kling 2.6 is out, so I tested its image-to-video capabilities. I first visited Higgsfield AI 🧩 and used Nano Banana Pro to generate images of several unique characters. Then I uploaded each image into Kling 2.6 on Higgsfield and converted them into videos one by one. I generated five videos, each 10 seconds long. The quality, expressions, dialogue delivery, and motion are solid. The voice still lacks realism. PS:) Like & Repost Overall, it's impressive. I combined all scenes into a single video. Watch it and share your thoughts...

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I finished a 2 minute 30 second short film using only AI tools inside invideo. I just structured storytelling, precise prompting, and relentless iteration and documented the entire process step by step. I used... - Seedance 1.5 Pro for video generation (Best overall) - Kling 2.6 and Kling 3 for advanced motion scenes - Nano Banana Pro for scene generation and editing - ChatGPT for crafting highly controlled cinematic prompts - Image-to-video methodology to maintain continuity If you’re serious about AI creative video creation, this might change how you approach it. Like, REPOST, and comment "Guide" and I'll DM you the complete step by step guide how to generated it. Watch the complete video here... . .

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I’ve always been a huge anime fan, especially Chainsaw Man. So I wanted to push my limits a bit and try creating a live-action version of Denji vs. Katana Man. Since anime fight scenes are known for their insane speed and intensity, translating that energy into live action became a challenge I genuinely enjoyed. This whole sequence was built using an image-to-video workflow with MiniMax Design (H3) 02 and Kling AI 2.5 Turbo, with the base images from Nano Banana Pro on Freepik (now Magnific) . Edited in CapCut Pro and upscaled with Topaz Labs for that final punch. Such a wild experiment, but honestly super fun to make. What do you think about the result?

Dinda Prasetyo

210,926 views • 9 months ago

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Video Model Comparison: Text to Video → Veo 3.1 → Sora 2 Pro → Kling 2.6 → Luma Ray3 → Wan 2.5 → Hailuo 2.3 → LTX-2 Pro → Seedance Pro Many of the new models automatically generate sound with video results including Veo 3.1, Sora 2 Pro, Kling 2.6, Wan 2.5, and LTX-2 Pro. I used Mirelo AI SFX and ElevenLabs to add sound to the others. I used the same prompt on each model 4x and chose the best result: Meteor Shower Panic Subject: [Father holding daughter's hand, looking up] Action: [Running through a suburban street, looking up as meteors streak across the sky, a small impact occurs nearby blowing wind and dust at them] Scene: [Suburban street, night, streetlights, burning trails in sky] Style: [Cinematic disaster, low angle tracking shot, high contrast, lens flares from meteors] Audio: Audio: sonic booms, wind rushing, car alarms triggered, shouting. Technical: [daytime, calm, sunny, happy] Which one is your favorite?

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Introducing "Mine Like A Chad" an entirely AI generated commercial for Tari Every single shot, every sound effect, the music, even the vfx are all AI generated. Breakdown of tools I used: Midjourney & Chat GPT - Image gen and Image editing Topaz Gigapixel - Image Upscale Kling, Luma & Higgsfield - Image to Video and VFX Eleven Labs - Sound Effects Udio - Music generation Davinci Resolve - Editing and Color Grade Huge shoutout to @RealJonahBlake and his Real agency for being amazing partners on this project and helping me out so much.

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I premiered my most realistic and cinematic AI short to date at the Bionic awards showcase at the Rich Mix Cinema, which you can watch below. Made with Freepik (now Magnific) using the latest tools: Google DeepMind Nano Banana Pro, Kling AI, Dreamina AI Seedream, 2.6 and Suno. It was great to meet and be screened alongside fellow creators like Salma, Anima Studios AI and Afro Futcha ( Diane ) who's work I've followed for a while. I am pleased that London is becoming a hub for in person meet ups for Generate AI creators. Thanks for Andy Gordon for hosting. Enjoy and an early happy Christmas AI Peeps! #Freepik24AIDays

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Watch California Monsters—My First Ever Google Veo 2 Full Film Trailer. This was mainly text-to-video. I handled the editing and sound design; Eleven Labs was used for voice, and Kling AI 1.6 was used for a few shots and lipsync parts. While not perfect, the tools advance every day, even during production, helping to produce insane results. One person created this over a weekend. Watch the full-length 4K pro res here: This was only possible with the power of Gen AI. The concept behind 'California Monsters' is a story I have always wanted to explore about what creatures might lurk in the fault lines that surround this beautiful state.

Dave Clark

89,963 views • 1 year ago

A year ago, I would NEVER have been able to create this AI COMMERCIAL. Shooting this on set and creating Fluffy with CGI would have cost a small fortune. If you're interesting in learning AI, go for it! If you're interested in commissioning a creative agency to make your next commercial with AI, go for it! This is the greatest technological revolution since the internet and the world is officially your oyster. Also, I've been pumped to enter this into Freepik (now Magnific)'s #Freepik24AIDays challenge. Freepik was and is a MASSIVE part of my workflow, so winning MILLIONS of credits or a LIFETIME sub would be a huge deal. Here's hoping, and thank you Freepik for putting this awesome campaign together! 👍 Team: Created by Jordan Daniel Chesney Co-Creator: David LaChance, Jr. Produced by JDC Entertainment Client: DoControl 👌 Tools: Images: Freepik (now Magnific), Midjourney, Flux & NB 🍌 Image Editing: Photoshop Beta Videos: Kling AI 2.1 & 2.5 Turbo Video Extension: Freepik (now Magnific) Kling + Veo 2 VFX: Qwen Wan Vace on fal + AE Upscalers: Magnific.ai & SeedVR2 Music & Foley: Epidemic Sound Post: After Effects (AE) Edit: Premiere Pro
1:00

A year ago, I would NEVER have been able to create this AI COMMERCIAL. Shooting this on set and creating Fluffy with CGI would have cost a small fortune. If you're interesting in learning AI, go for it! If you're interested in commissioning a creative agency to make your next commercial with AI, go for it! This is the greatest technological revolution since the internet and the world is officially your oyster. Also, I've been pumped to enter this into Freepik (now Magnific)'s #Freepik24AIDays challenge. Freepik was and is a MASSIVE part of my workflow, so winning MILLIONS of credits or a LIFETIME sub would be a huge deal. Here's hoping, and thank you Freepik for putting this awesome campaign together! 👍 Team: Created by Jordan Daniel Chesney Co-Creator: David LaChance, Jr. Produced by JDC Entertainment Client: DoControl 👌 Tools: Images: Freepik (now Magnific), Midjourney, Flux & NB 🍌 Image Editing: Photoshop Beta Videos: Kling AI 2.1 & 2.5 Turbo Video Extension: Freepik (now Magnific) Kling + Veo 2 VFX: Qwen Wan Vace on fal + AE Upscalers: Magnific.ai & SeedVR2 Music & Foley: Epidemic Sound Post: After Effects (AE) Edit: Premiere Pro

Jordan Daniel Chesney

66,693 views • 8 months ago

We just launched a tutorial showing how to make a professional-quality Commercial using AI. For this project, we created a consistent Product, character, and style using Nano Banana Pro Pro from Google DeepMind inside of Freepik , then we animated the images using Veo 3.1 inside of Google Flow. This is a perfect workflow for those wanting to create a high quality commercial using AI. Honestly, this project was so much fun. The real question is, who wants to buy one of these sweaters??? Check out the workflow here:
0:44

We just launched a tutorial showing how to make a professional-quality Commercial using AI. For this project, we created a consistent Product, character, and style using Nano Banana Pro Pro from Google DeepMind inside of Freepik , then we animated the images using Veo 3.1 inside of Google Flow. This is a perfect workflow for those wanting to create a high quality commercial using AI. Honestly, this project was so much fun. The real question is, who wants to buy one of these sweaters??? Check out the workflow here:

Curious Refuge

12,735 views • 7 months ago

Watch Battalion—My First Ever 5-Minute Gen AI Short Film. I had to upload it in two parts. This is part 1; part 2 is in the comments. I created this over a few weeks using 100% image-to-video and text-to-video Generative AI. While not perfect, the tools advance daily, even during production, helping to produce incredible results. This is my most in-depth and longest Gen AI narrative film project. It was created by one person. Watch the full-length 4K pro res here: Various tools helped me bring it to life, and it wouldn't have been possible without the power of AI. The story chronicles the 320th Barrage Balloon Batallion, the only unit to storm the beach during D-Day composed entirely of African American soldiers. They provided critical protection to the ships and soldiers below them from attacks by enemy aircraft. AI tools used: Kling AI Runway Luma Hailuo AI-MiniMax Hub Midjourney Magnific.ai OpenAI Stability AI udio FilmConvert Adobe Premiere Pro Adobe Photoshop Grok Comfyui, Live Portrait
2:22

Watch Battalion—My First Ever 5-Minute Gen AI Short Film. I had to upload it in two parts. This is part 1; part 2 is in the comments. I created this over a few weeks using 100% image-to-video and text-to-video Generative AI. While not perfect, the tools advance daily, even during production, helping to produce incredible results. This is my most in-depth and longest Gen AI narrative film project. It was created by one person. Watch the full-length 4K pro res here: Various tools helped me bring it to life, and it wouldn't have been possible without the power of AI. The story chronicles the 320th Barrage Balloon Batallion, the only unit to storm the beach during D-Day composed entirely of African American soldiers. They provided critical protection to the ships and soldiers below them from attacks by enemy aircraft. AI tools used: Kling AI Runway Luma Hailuo AI-MiniMax Hub Midjourney Magnific.ai OpenAI Stability AI udio FilmConvert Adobe Premiere Pro Adobe Photoshop Grok Comfyui, Live Portrait

Dave Clark

273,074 views • 1 year ago

BARRY 🍯 - Meet Barry, a bear hopelessly addicted to store bought honey. Once content with wild beehives, his taste buds now crave the processed sweetness from supermarket shelves. To get his fix, he repeatedly robs convenience stores. Arrested time and again, he somehow keeps getting released, only to strike again. Miraculously, the charges never stick. I guess being a bear has its perks. My end goal here was to use Kling 3.0 for the entire cinematic sequence, including lipsyncing and dialogue to see how it holds up. The video model has improved a great deal and this was a lot of fun to put together. Enjoy! I love telling all sorts of stories, even silly ones like this. P.S I'm starring in my own short film, I'm the one who is in prison with the bear. Tools For Creation: Image Generation: Nano Banana Pro Image To Video: Kling AI 3.0 Lipsync And Dialogue: Kling 3.0 Music: Elevenlabs & Suno Sound Effects: Artlist Video Editing: Capcut
4:03

BARRY 🍯 - Meet Barry, a bear hopelessly addicted to store bought honey. Once content with wild beehives, his taste buds now crave the processed sweetness from supermarket shelves. To get his fix, he repeatedly robs convenience stores. Arrested time and again, he somehow keeps getting released, only to strike again. Miraculously, the charges never stick. I guess being a bear has its perks. My end goal here was to use Kling 3.0 for the entire cinematic sequence, including lipsyncing and dialogue to see how it holds up. The video model has improved a great deal and this was a lot of fun to put together. Enjoy! I love telling all sorts of stories, even silly ones like this. P.S I'm starring in my own short film, I'm the one who is in prison with the bear. Tools For Creation: Image Generation: Nano Banana Pro Image To Video: Kling AI 3.0 Lipsync And Dialogue: Kling 3.0 Music: Elevenlabs & Suno Sound Effects: Artlist Video Editing: Capcut

Travis Davids

11,125 views • 6 months ago

BUZZ 🐝 A short sequence created using Nano Banana Pro and Grok imagine. I wanted to test Groks capabilities for action in motion. With Buzz leading the way, Tiny Timmy is having the absolute time of his life exploring the wondrous Flower Kingdom🌼 Tools for creation: - Nano Banana Pro was used to generate the base image and the additional camera angles. I wanted to personally see if I could just use 3 images so no 2x2 grid extraction technique for this but I did want to include each frame used so you can see how the sequence was combined. Grok Imagine was used for every sequence to bring it to life using image to video. - I did some post work in Capcut by adding some subtle bloom, radial motion blur and film grain as well. - I added additional sound effects by generating them using Elevenlabs and layering them (bee buzzing, flapping wings, wind and leaves rustling etc). The kids laughter was generated using Grok. The soundtrack was sourced from Artlist. It was fun testing this and putting it together just to see what Grok is capable of generating.
0:29

BUZZ 🐝 A short sequence created using Nano Banana Pro and Grok imagine. I wanted to test Groks capabilities for action in motion. With Buzz leading the way, Tiny Timmy is having the absolute time of his life exploring the wondrous Flower Kingdom🌼 Tools for creation: - Nano Banana Pro was used to generate the base image and the additional camera angles. I wanted to personally see if I could just use 3 images so no 2x2 grid extraction technique for this but I did want to include each frame used so you can see how the sequence was combined. Grok Imagine was used for every sequence to bring it to life using image to video. - I did some post work in Capcut by adding some subtle bloom, radial motion blur and film grain as well. - I added additional sound effects by generating them using Elevenlabs and layering them (bee buzzing, flapping wings, wind and leaves rustling etc). The kids laughter was generated using Grok. The soundtrack was sourced from Artlist. It was fun testing this and putting it together just to see what Grok is capable of generating.

Travis Davids

14,990 views • 7 months ago