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"The Wizard of Oz” gets a high-tech transformation at Sphere Las Vegas, using cutting-edge AI to enhance the original film in stunning 16K detail. Grainy close-ups become crystal-clear and characters like Uncle Henry are digitally extended to fit the massive screen. It's the classic movie you know—reimagined with state-of-the-art...

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CBS Sunday Morning 🌞

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3,092,745 просмотров • 1 год назад •via X (Twitter)

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We're working with Sphere on a new AI technology partnership to help bring the groundbreaking The Wizard of Oz at Sphere to life using #generativeAI. Take a look; you're not in Kansas or Las Vegas anymore ↓
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We're working with Sphere on a new AI technology partnership to help bring the groundbreaking The Wizard of Oz at Sphere to life using #generativeAI. Take a look; you're not in Kansas or Las Vegas anymore ↓

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"The Wizard of Oz" has landed in Las Vegas, reimagined at Sphere in a stunning 16K immersive experience. With a screen larger than four football fields and next-level effects, the classic comes to life like never before. TCM host Ben Mankiewicz takes us behind the scenes—and speaks with Judy Garland’s daughter, Lorna Luft, about how her mother might have felt seeing it all.
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"The Wizard of Oz" has landed in Las Vegas, reimagined at Sphere in a stunning 16K immersive experience. With a screen larger than four football fields and next-level effects, the classic comes to life like never before. TCM host Ben Mankiewicz takes us behind the scenes—and speaks with Judy Garland’s daughter, Lorna Luft, about how her mother might have felt seeing it all.

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Wizard of Oz Debuts at The Sphere Las Vegas with technology never before seen to create a true 5D experience. You could smell, taste and feel the tornado in the wind they created. It was literal magic, #vegas #vegasstarfish #wizardofoz #sphere #travel
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Wizard of Oz Debuts at The Sphere Las Vegas with technology never before seen to create a true 5D experience. You could smell, taste and feel the tornado in the wind they created. It was literal magic, #vegas #vegasstarfish #wizardofoz #sphere #travel

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Here are the worst parts of the New Wizard of Oz show experience at Sphere Las Vegas. Though overall this is a fantastic version of a classic film, I wanted to give an honest review showcasing the good & the bad. #vegas #lasvegas #vegasstarfish #wizardofoz #sphere
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Here are the worst parts of the New Wizard of Oz show experience at Sphere Las Vegas. Though overall this is a fantastic version of a classic film, I wanted to give an honest review showcasing the good & the bad. #vegas #lasvegas #vegasstarfish #wizardofoz #sphere

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52,417 просмотров • 11 месяцев назад

“The Wizard of Oz” lands at Sphere in Las Vegas, and it’s nothing short of cinematic time travel. CEO Jim Dolan says the goal wasn’t to change the classic—but to immerse you in it. “It’s like going back to 1939 with super-resolution cameras.” The result? A breathtaking 16K experience that makes you feel like you’re on set with Dorothy and friends and we’ve got your first-look.
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“The Wizard of Oz” lands at Sphere in Las Vegas, and it’s nothing short of cinematic time travel. CEO Jim Dolan says the goal wasn’t to change the classic—but to immerse you in it. “It’s like going back to 1939 with super-resolution cameras.” The result? A breathtaking 16K experience that makes you feel like you’re on set with Dorothy and friends and we’ve got your first-look.

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The Sphere’s big bet on “The Wizard of Oz” is paying off. James Dolan licensed the classic 1939 film and spent ~$100m adapting it for the Sphere’s 160,000 sq foot LED screen. Since August 28, it’s making up to $2m a day (with a full-run target of $1B). About 4-5k people are paying $150-200 each per show and there are 2-3x shows a day. At the Sphere, films are much more lucrative than live acts because the venue can play them more often and the margins (70%) are higher than paying out pop stars (musicians get to keep most of the ticket sales while Sphere gets the F&B). The Sphere’s 2025 revenue is estimated at: ▫️$400m from films ▫️$200m from live concerts Editing of “The Wizard of Oz” included using AI to update scenes and cutting off ~30 minutes of run time (the viewing length is 70 minutes). The $2.3B venue also has 4D effects with the film (wind during tornado, falling apples, lots of fog, flames). Can “Wizard of Oz” actually hit $1B? For comparison, Darren Aronofsky’s “Postcard From Earth” has sold 4m+ tickets at ~$100 a pop (so, over $400m) since launching in October 2023. I’m very intrigued at what other old films could get The Sphere treatment and nominate “The Big Lebowski”. *** More from Lucas Shaw at Bloomberg:
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The Sphere’s big bet on “The Wizard of Oz” is paying off. James Dolan licensed the classic 1939 film and spent ~$100m adapting it for the Sphere’s 160,000 sq foot LED screen. Since August 28, it’s making up to $2m a day (with a full-run target of $1B). About 4-5k people are paying $150-200 each per show and there are 2-3x shows a day. At the Sphere, films are much more lucrative than live acts because the venue can play them more often and the margins (70%) are higher than paying out pop stars (musicians get to keep most of the ticket sales while Sphere gets the F&B). The Sphere’s 2025 revenue is estimated at: ▫️$400m from films ▫️$200m from live concerts Editing of “The Wizard of Oz” included using AI to update scenes and cutting off ~30 minutes of run time (the viewing length is 70 minutes). The $2.3B venue also has 4D effects with the film (wind during tornado, falling apples, lots of fog, flames). Can “Wizard of Oz” actually hit $1B? For comparison, Darren Aronofsky’s “Postcard From Earth” has sold 4m+ tickets at ~$100 a pop (so, over $400m) since launching in October 2023. I’m very intrigued at what other old films could get The Sphere treatment and nominate “The Big Lebowski”. *** More from Lucas Shaw at Bloomberg:

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James Dolan licensed “The Wizard of Oz” and spent $100m put it on the Sphere’s 160,000 sq foot LED screen. Since its release in August, the adapted 1939 classic film has made ~$300m (and sells $2m tickets a day). Sphere stock up 2x (to $4B) over the span and the playbook for global expansion is clear. Right now, ~5k people are paying $150-200 each per show and there are 2-3x shows a day. At the Sphere, films are much more lucrative than live acts because the venue can play them more often and the margins (70%) are higher than paying out pop stars (musicians get to keep most of the ticket sales while Sphere gets the F&B). Here is a breakdown of the Sphere’s $782m revenue in 2025: ▫️Films: 48% of total revenue ▫️Live Events: 24% ▫️F&B and Merchandise: 14% ▫️Sponsorship and Exosphere Ads: 14% Editing of “The Wizard of Oz” included using AI to update scenes and cutting off ~30 minutes of run time (the viewing length is 70 minutes). The $2.3B venue also has 4D effects with the film (wind during tornado, falling apples, lots of fog, flames). Dolan wants “Wizard of Oz” to hit $1B and its own pace by early 2027. For comparison, Darren Aronofsky’s “Postcard From Earth” has sold 4m+ tickets at ~$100 a pop (so, over $400m) since launching in October 2023. Find other IP. License building plans for mini-Spheres (5k seats, with planned locations in Maryland and Abu Dhabi). I’m very intrigued at what other old films could get The Sphere treatment and nominate “The Big Lebowski”.
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James Dolan licensed “The Wizard of Oz” and spent $100m put it on the Sphere’s 160,000 sq foot LED screen. Since its release in August, the adapted 1939 classic film has made ~$300m (and sells $2m tickets a day). Sphere stock up 2x (to $4B) over the span and the playbook for global expansion is clear. Right now, ~5k people are paying $150-200 each per show and there are 2-3x shows a day. At the Sphere, films are much more lucrative than live acts because the venue can play them more often and the margins (70%) are higher than paying out pop stars (musicians get to keep most of the ticket sales while Sphere gets the F&B). Here is a breakdown of the Sphere’s $782m revenue in 2025: ▫️Films: 48% of total revenue ▫️Live Events: 24% ▫️F&B and Merchandise: 14% ▫️Sponsorship and Exosphere Ads: 14% Editing of “The Wizard of Oz” included using AI to update scenes and cutting off ~30 minutes of run time (the viewing length is 70 minutes). The $2.3B venue also has 4D effects with the film (wind during tornado, falling apples, lots of fog, flames). Dolan wants “Wizard of Oz” to hit $1B and its own pace by early 2027. For comparison, Darren Aronofsky’s “Postcard From Earth” has sold 4m+ tickets at ~$100 a pop (so, over $400m) since launching in October 2023. Find other IP. License building plans for mini-Spheres (5k seats, with planned locations in Maryland and Abu Dhabi). I’m very intrigued at what other old films could get The Sphere treatment and nominate “The Big Lebowski”.

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Congratulations to the winners of the Third Annual #XOStudentDesignChallenge 👏 Eight Clark County-based students ranging from elementary school to college won the opportunity to have their Pi Day-themed artwork displayed on the Exosphere as part of a collaboration between Sphere, the Clark County School District (CCSD) and University of Nevada, Las Vegas (UNLV). In addition to having their work displayed on the Exosphere, winning CCSD high school and UNLV students received a $10,000 educational scholarship from Sphere. Winning CCSD elementary and middle school students earned a $10,000 donation from Sphere for their school’s art program to further art education in public schools, along with tickets for the entire school to attend The Wizard of Oz at Sphere or another Sphere Experience at a future date. See the full video:
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Congratulations to the winners of the Third Annual #XOStudentDesignChallenge 👏 Eight Clark County-based students ranging from elementary school to college won the opportunity to have their Pi Day-themed artwork displayed on the Exosphere as part of a collaboration between Sphere, the Clark County School District (CCSD) and University of Nevada, Las Vegas (UNLV). In addition to having their work displayed on the Exosphere, winning CCSD high school and UNLV students received a $10,000 educational scholarship from Sphere. Winning CCSD elementary and middle school students earned a $10,000 donation from Sphere for their school’s art program to further art education in public schools, along with tickets for the entire school to attend The Wizard of Oz at Sphere or another Sphere Experience at a future date. See the full video:

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MIND-BLOWING FACT: Old movies actually have HIGHER resolution than your iPhone photos. Wait... what? How do we get flawless 4K versions of movies like The Wizard of Oz (1939) or Back to the Future (1985) when 4K digital cameras didn't even exist until the 2000s? The secret lies in the physics of old school movie film. Unlike digital cameras, which capture images using a fixed grid of square pixels, classic movies were shot on physical plastic film coated in billions of microscopic, light-sensitive silver halide crystals. Because film is made of an organic, continuous layer of molecules rather than restricted grid boxes, it doesn't have a "fixed resolution" or pixel count. It has a natural, beautiful analog detail that can be zoomed into infinitely. To create a 4K remaster, technicians take the original physical film negatives and run them through high-tech laser scanning machines. The better our laser technology gets, the more hidden details we can pull right off that 90-year-old plastic! Here is the crazy part: Our smartphones are locked to whatever sensor they came with (like a fixed 12-megapixel grid). Fifty years from now, no one can "remaster" your current iPhone photos to look sharper because the pixels are set in stone. But old physical film? It holds an almost unlimited amount of data just waiting to be scanned at even higher resolutions in the future. So next time you're watching a crystal-clear 4K retro masterpiece, you're not looking at digital enhancement—you’re looking at technology that was fundamentally invented back in the 1870s! Do you prefer the pristine, ultra-sharp look of modern digital movies, or do you love the authentic texture and grain of classic physical film?
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MIND-BLOWING FACT: Old movies actually have HIGHER resolution than your iPhone photos. Wait... what? How do we get flawless 4K versions of movies like The Wizard of Oz (1939) or Back to the Future (1985) when 4K digital cameras didn't even exist until the 2000s? The secret lies in the physics of old school movie film. Unlike digital cameras, which capture images using a fixed grid of square pixels, classic movies were shot on physical plastic film coated in billions of microscopic, light-sensitive silver halide crystals. Because film is made of an organic, continuous layer of molecules rather than restricted grid boxes, it doesn't have a "fixed resolution" or pixel count. It has a natural, beautiful analog detail that can be zoomed into infinitely. To create a 4K remaster, technicians take the original physical film negatives and run them through high-tech laser scanning machines. The better our laser technology gets, the more hidden details we can pull right off that 90-year-old plastic! Here is the crazy part: Our smartphones are locked to whatever sensor they came with (like a fixed 12-megapixel grid). Fifty years from now, no one can "remaster" your current iPhone photos to look sharper because the pixels are set in stone. But old physical film? It holds an almost unlimited amount of data just waiting to be scanned at even higher resolutions in the future. So next time you're watching a crystal-clear 4K retro masterpiece, you're not looking at digital enhancement—you’re looking at technology that was fundamentally invented back in the 1870s! Do you prefer the pristine, ultra-sharp look of modern digital movies, or do you love the authentic texture and grain of classic physical film?

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Gainzy discusses the lore of popular trader Wizard of SoHo: "Wizard of Soho opens a newsletter in the bear, and nobody's opening a newsletter at that point. It's just Wizard of Soho and he gets a whole bunch of people in the newsletter and then he's able to monetize in the bull, right"

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