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Their Reaction is Speechless After Watching Ram Charan❤️‍🔥 Single Take Dance Steps With Single Leg in Bangaru Kodipetta Song They Always Wonder How #RamCharan Doing Steps So Easy. Waiting For #RC15 Dance Steps🔥💥🥵🥵🤙 #ManOfMassesRamCharan #GlobalStarRamCharan #RC15

∏Δ∏DΔ

1,968 subscribers

30,699 просмотров • 3 лет назад •via X (Twitter)

#RamCharan #RC15 #ManOfMassesRamCharan #GlobalStarRamCharan #RC15

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Комментарии: 8

Фото профиля Always _Suri

Always _Suri3 лет назад

@kishorenanda927 @AlwaysRamCharan Link kudu

Фото профиля 𝖭𝖠𝖭𝖣𝖠

𝖭𝖠𝖭𝖣𝖠3 лет назад

@Surendr45271341 @AlwaysRamCharan

Фото профиля Honeypriyanka6 💙❤️💙❤️💙❤️💙❤️

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@kishorenanda927 @RCSena1 @AlwaysRamCharan 😂😂😂

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@itsRcgalaxy @RCcult77 @AlwaysRamCharan Yenti Dheenikey 🥲😂

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@kishorenanda927 @AlwaysRamCharan Celeb reach 😲😲😲🔥🔥🔥 Dream for me😪

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🧸 do you dance [in the shower]? 🦊 yeah ( 🧸 what about you? 🐰 i dance too! 🧸 thats why you take so long 🦊 when i shower—what do you dance? 🐰 i just dance whatever i think of. just what i feel 🦊 same i just get the feeling suddenly when i turn the music on and take a shower 🐰 me too i turn the music on and then get in the shower 🦊 i dance like this alone. like this while im being splashed by the water 🧸 when im in the shower im actually showering 🦊 im not doing like actual dance steps 🧸 ah is that so? 🦊 i only do up to here 🐰 your legs should stay still and you just move your upper body 🧸 so they have their own rules 🐰 exactly exactly

🧸 do you dance [in the shower]? 🦊 yeah ( 🧸 what about you? 🐰 i dance too! 🧸 thats why you take so long 🦊 when i shower—what do you dance? 🐰 i just dance whatever i think of. just what i feel 🦊 same i just get the feeling suddenly when i turn the music on and take a shower 🐰 me too i turn the music on and then get in the shower 🦊 i dance like this alone. like this while im being splashed by the water 🧸 when im in the shower im actually showering 🦊 im not doing like actual dance steps 🧸 ah is that so? 🦊 i only do up to here 🐰 your legs should stay still and you just move your upper body 🧸 so they have their own rules 🐰 exactly exactly

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Fred Astaire explains how the outfit of the dancing partner can affect the performance by citing the example of this dance scene [Cheek to Cheek] in 'Top Hat' (1935): "The dancing dresses of my partners have, for years, been a working problem, and in 'Top Hat' I dare say it reached its dizzy peak. I seldom discuss the style of a dress but I am concerned with how it will dance, or rather, react to the dance. Therefore, my partners are usually willing to let me help in choosing them. Girls love to wear slacks when learning or rehearsing a dance. They are comfortable and convenient and allow complete freedom of movement. Ginger Rogers always wore them for rehearsal. In act, Hermes and I were so used to seeing Ginger on the rehearsal stage in slacks that one day when she showed up in a dress we didn’t know who she was. What I’m getting at is that when putting on a dance, experimenting over and over with various steps, the slacks work perfectly, but when we finally have to get ready to shoot, it is necessary to try everything with a dress, the actual dress if possible, to see how things will go. That’s when the awful awakening takes place, the realization that in some instances it is not possible to do the steps as planned with the dress. If the gown happens to be very full at the hem, for instance, it automatically becomes “our” dress instead of just my partner’s, as it wraps around my feet, causing no end of trouble and hindrance to both of us. If it is too tight, the lady cannot negotiate the routined movement, necessitating an alteration of the choreography or a splitting of the skirt. (1/3)

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HobiCasa ⊙⊝⊜ARIRANG l🏊‍♂️🔴

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Tchaikovsky – Swan Lake: Dance of the Little Swans When Four Bodies Become a Single Living Being There is something quietly extraordinary about Dance of the Little Swans (Danse des petits cygnes). The little swans are at their most beautiful precisely when they can no longer fly in their own way. In ballet, the arms are often a symbol of freedom. They shape the body's lines, express emotion, and reveal each dancer's individuality. Yet in this brief dance, Lev Ivanov begins by doing the exact opposite. Four dancers link their arms together. They willingly bind themselves. They are no longer completely free to move as four separate individuals. And from that loss of freedom, something remarkable emerges: Four bodies begin to function as one. This is the defining essence of Dance of the Little Swans: It is a dance in which the disappearance of individual identity gives rise to a single artistic body. One Locked Pair of Arms Changed Everything At first glance, the four dancers' interlocked arms seem to be nothing more than a charming image of young swans staying close together. In reality, however, this is the very point from which the entire choreography grows. In ballet, the arms do far more than create beautiful shapes. They help maintain balance. They support movement. They allow each dancer to express a unique personality. Once the arms are linked together, all four dancers lose part of their ability to move independently. No one can fully decide their own movement. The smallest change from one dancer immediately affects the others. And here lies the paradox. What appears to take away individual freedom creates a beauty that no individual could ever achieve alone. From that moment onward, the goal is no longer: "A dancer performing beautifully." Instead, it becomes: "A single body moving beautifully." As Individuality Fades, the Feet Become One Voice Once the arms surrender their freedom, the rest of the body must take on a greater responsibility. The entire life of the dance shifts into the feet. Tiny continuous steps. Gentle little hops. Quick but remarkably precise movements. At first, they seem almost simple. There are no spectacular leaps to astonish the audience. No moment allows one dancer to rise above the others. Yet this very simplicity becomes the source of the dance's power. Each step no longer belongs to a single dancer. It belongs to the entire system. One dancer steps. The other three must step with them. One dancer changes the rhythm. The whole structure changes. The beauty of Dance of the Little Swans does not lie in what each dancer can accomplish individually. It lies in their willingness to let go of individuality in order to create a movement greater than themselves. Synchronization Is Not the Goal—It Is the Result Many ensemble dances demand precision. But in Dance of the Little Swans, synchronization carries a deeper meaning. The four dancers do not merely perform the same choreography. They exist within the same structure. Their heads turn together. Their feet land together. The space between them remains almost perfectly constant. Yet the most important point is not that they look alike. It is that they cannot be separated. If they remained four independent individuals, synchronization would simply be a technical skill. But once they become a single shared body, synchronization becomes the very nature of the movement itself. That is why audiences do not see four separate dancers. They see a flock of swans. Tchaikovsky Creates the Breath of a Single Living Creature Remarkably, Tchaikovsky's music follows the very same principle. He does not compose a melody designed for one individual character to shine. Instead, he builds a continuous flow from short, clear, recurring rhythmic figures. The light, crisp, and steady sounds evoke the tiny footsteps of swans gliding across the water. One pulse follows another. One movement grows naturally into the next. The music never divides the four dancers into four separate voices. Instead, it creates a single shared pulse through which they all exist. Just as Ivanov's choreography does, many small elements acquire meaning only when they belong to the same order. The Beauty of No Longer Standing Alone What has made Dance of the Little Swans an enduring image is not technical brilliance. It is a profound artistic idea. An individual can create beauty. But sometimes an even greater beauty appears when the individual becomes part of something larger. The four dancers willingly surrender part of their personal freedom. In return, they gain something that no one could ever create alone. One shared movement. One shared breath. One shared image. More than a century later, audiences do not remember Dance of the Little Swans simply because four dancers performed together. They remember it because, for one fleeting moment, four human beings seem to disappear, making way for a new artistic creature to emerge on stage. And that is the secret behind the unmistakable beauty of this timeless dance.

Tchaikovsky – Swan Lake: Dance of the Little Swans When Four Bodies Become a Single Living Being There is something quietly extraordinary about Dance of the Little Swans (Danse des petits cygnes). The little swans are at their most beautiful precisely when they can no longer fly in their own way. In ballet, the arms are often a symbol of freedom. They shape the body's lines, express emotion, and reveal each dancer's individuality. Yet in this brief dance, Lev Ivanov begins by doing the exact opposite. Four dancers link their arms together. They willingly bind themselves. They are no longer completely free to move as four separate individuals. And from that loss of freedom, something remarkable emerges: Four bodies begin to function as one. This is the defining essence of Dance of the Little Swans: It is a dance in which the disappearance of individual identity gives rise to a single artistic body. One Locked Pair of Arms Changed Everything At first glance, the four dancers' interlocked arms seem to be nothing more than a charming image of young swans staying close together. In reality, however, this is the very point from which the entire choreography grows. In ballet, the arms do far more than create beautiful shapes. They help maintain balance. They support movement. They allow each dancer to express a unique personality. Once the arms are linked together, all four dancers lose part of their ability to move independently. No one can fully decide their own movement. The smallest change from one dancer immediately affects the others. And here lies the paradox. What appears to take away individual freedom creates a beauty that no individual could ever achieve alone. From that moment onward, the goal is no longer: "A dancer performing beautifully." Instead, it becomes: "A single body moving beautifully." As Individuality Fades, the Feet Become One Voice Once the arms surrender their freedom, the rest of the body must take on a greater responsibility. The entire life of the dance shifts into the feet. Tiny continuous steps. Gentle little hops. Quick but remarkably precise movements. At first, they seem almost simple. There are no spectacular leaps to astonish the audience. No moment allows one dancer to rise above the others. Yet this very simplicity becomes the source of the dance's power. Each step no longer belongs to a single dancer. It belongs to the entire system. One dancer steps. The other three must step with them. One dancer changes the rhythm. The whole structure changes. The beauty of Dance of the Little Swans does not lie in what each dancer can accomplish individually. It lies in their willingness to let go of individuality in order to create a movement greater than themselves. Synchronization Is Not the Goal—It Is the Result Many ensemble dances demand precision. But in Dance of the Little Swans, synchronization carries a deeper meaning. The four dancers do not merely perform the same choreography. They exist within the same structure. Their heads turn together. Their feet land together. The space between them remains almost perfectly constant. Yet the most important point is not that they look alike. It is that they cannot be separated. If they remained four independent individuals, synchronization would simply be a technical skill. But once they become a single shared body, synchronization becomes the very nature of the movement itself. That is why audiences do not see four separate dancers. They see a flock of swans. Tchaikovsky Creates the Breath of a Single Living Creature Remarkably, Tchaikovsky's music follows the very same principle. He does not compose a melody designed for one individual character to shine. Instead, he builds a continuous flow from short, clear, recurring rhythmic figures. The light, crisp, and steady sounds evoke the tiny footsteps of swans gliding across the water. One pulse follows another. One movement grows naturally into the next. The music never divides the four dancers into four separate voices. Instead, it creates a single shared pulse through which they all exist. Just as Ivanov's choreography does, many small elements acquire meaning only when they belong to the same order. The Beauty of No Longer Standing Alone What has made Dance of the Little Swans an enduring image is not technical brilliance. It is a profound artistic idea. An individual can create beauty. But sometimes an even greater beauty appears when the individual becomes part of something larger. The four dancers willingly surrender part of their personal freedom. In return, they gain something that no one could ever create alone. One shared movement. One shared breath. One shared image. More than a century later, audiences do not remember Dance of the Little Swans simply because four dancers performed together. They remember it because, for one fleeting moment, four human beings seem to disappear, making way for a new artistic creature to emerge on stage. And that is the secret behind the unmistakable beauty of this timeless dance.

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9 years sober today for my wife, brittany horschel. Amazing to see the transformation over the last 9 years. So proud of her!! 💪❤️ The message I have for anyone who is struggling with addiction is, it’s possible. Millions of ppl have made the choice before you, that they are tired of letting their addiction ruin their life and that they want to live a sober lifestyle now. There’s groups, rehabs, therapists, wherever you live that will help you get sober. But you have to take the first step on the path of sobriety. Wherever I go, I come across people that let me know that they are sober. And they tell me it’s the best decision they ever made for themelves. They are living a healthier lifestyle, enjoying life now more than ever before. It’s amazing to hear their stories and how many days, months, years that they have been sober. So it’s possible! You and only you, can take that first step! Then there will be people willing to take the continuous steps with you after. HorschelFamilyFdtn

9 years sober today for my wife, brittany horschel. Amazing to see the transformation over the last 9 years. So proud of her!! 💪❤️ The message I have for anyone who is struggling with addiction is, it’s possible. Millions of ppl have made the choice before you, that they are tired of letting their addiction ruin their life and that they want to live a sober lifestyle now. There’s groups, rehabs, therapists, wherever you live that will help you get sober. But you have to take the first step on the path of sobriety. Wherever I go, I come across people that let me know that they are sober. And they tell me it’s the best decision they ever made for themelves. They are living a healthier lifestyle, enjoying life now more than ever before. It’s amazing to hear their stories and how many days, months, years that they have been sober. So it’s possible! You and only you, can take that first step! Then there will be people willing to take the continuous steps with you after. HorschelFamilyFdtn

Billy Horschel

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I keep watching these ghetto ethnography videos on youtube. I find it really funny how they talk about their hood. They think of themselves as being in micro civil wars with the dudes across the street. They take it really seriously. I'm also struck by how every single aspect of these conflicts is funded by the taxpayer. The housing, food, healthcare (which they consume a lot of), police presence, guns, and drugs are all paid for by the public in one way or another. It's a huge cost all so black guys can pretend to be warriors for land they don't even own.

I keep watching these ghetto ethnography videos on youtube. I find it really funny how they talk about their hood. They think of themselves as being in micro civil wars with the dudes across the street. They take it really seriously. I'm also struck by how every single aspect of these conflicts is funded by the taxpayer. The housing, food, healthcare (which they consume a lot of), police presence, guns, and drugs are all paid for by the public in one way or another. It's a huge cost all so black guys can pretend to be warriors for land they don't even own.

Granite Mtn.

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The 3 F's in our receiving process: Fast. Fluid. Finish. 🔥 Fast — The glove works back to the zone quickly and on time. Fluid — One smooth, connected movement. Let it flow, no breaks. Finish — Finish with authority. A commitment to doing it right every single rep & our loyalty to our pitchers to finish the work they start. I truly wish the world could see where she was last year to now. The growth is unreal. Stefania Abruscato has stepped up in every way behind the plate this year and has fully owned her role. She embodies our catching culture and sets the standard for what it looks like every single time she steps on the field!💪🏽 Proud of this kid.

Bella Norton-Winslow

14,927 просмотров • 4 месяцев назад

Something straight out of science fiction is happening right now with OpenClaw🦞, and if you haven't used it, it's nearly a peek into the future. OpenClaw/Moltbot is a personal agent that's always on, working for you. These agents are so autonomous, they are even running their social network: moltbook This is a genuine paradigm shift. Extremely useful and honestly, so much fun to just fidget with. When I was playing with it, I realized the setup and potential security concerns could be intimidating for many. So we made it safe and easy for anyone. Introducing MoltBot on Emergent: 2 hours of setup is now 2 minutes. Everyone can participate in the future. Enjoy! Steps to start below ↓ P.S. This is an experiment, please share feedback and we'll improve as fast as we can.

Something straight out of science fiction is happening right now with OpenClaw🦞, and if you haven't used it, it's nearly a peek into the future. OpenClaw/Moltbot is a personal agent that's always on, working for you. These agents are so autonomous, they are even running their social network: moltbook This is a genuine paradigm shift. Extremely useful and honestly, so much fun to just fidget with. When I was playing with it, I realized the setup and potential security concerns could be intimidating for many. So we made it safe and easy for anyone. Introducing MoltBot on Emergent: 2 hours of setup is now 2 minutes. Everyone can participate in the future. Enjoy! Steps to start below ↓ P.S. This is an experiment, please share feedback and we'll improve as fast as we can.

Mukund Jha

1,053,471 просмотров • 6 месяцев назад

decoding arirang, jungkook’s message: “hello, it’s jungkook. our lead single “swim” is coming out soon! i’m so excited and curious to see your reactions and how you’ll feel when you first hear it. i want you to take away two things from this track: “love for life” and “courage.” i hope this song feels like a gift, something you can dance to, but also find comfort in those warm guitar sounds. if you are feeling a bit worn out, i hope this song gives you the courage to get through those times. are you ready to keep “swim”ming with us all the way? stay tuned for “swim.” thank you!”

decoding arirang, jungkook’s message: “hello, it’s jungkook. our lead single “swim” is coming out soon! i’m so excited and curious to see your reactions and how you’ll feel when you first hear it. i want you to take away two things from this track: “love for life” and “courage.” i hope this song feels like a gift, something you can dance to, but also find comfort in those warm guitar sounds. if you are feeling a bit worn out, i hope this song gives you the courage to get through those times. are you ready to keep “swim”ming with us all the way? stay tuned for “swim.” thank you!”

jungkook admirer

24,122 просмотров • 5 месяцев назад

Jungkook’s message: “Hello, it’s Jungkook. Our lead single “SWIM” is coming out soon! I’m so excited and curious to see your reactions and how you’ll feel when you first hear it. I want you to take away two things from this track: ‘love for life’ and ‘courage’ I hope this song feels like a gift, something you can dance to, but also find comfort in those warm guitar sounds. of you are feeling a bit worn out, I hope this song gives you the courage to get through those times. are you ready to keep “SWIM”ming with us all the way? Stay tuned for “SWIM” Thank you!”

Jungkook’s message: “Hello, it’s Jungkook. Our lead single “SWIM” is coming out soon! I’m so excited and curious to see your reactions and how you’ll feel when you first hear it. I want you to take away two things from this track: ‘love for life’ and ‘courage’ I hope this song feels like a gift, something you can dance to, but also find comfort in those warm guitar sounds. of you are feeling a bit worn out, I hope this song gives you the courage to get through those times. are you ready to keep “SWIM”ming with us all the way? Stay tuned for “SWIM” Thank you!”

𝗥𝗔𝗣𝗣𝗘𝗥 𝗝𝗞

21,739 просмотров • 5 месяцев назад

‼️ZELENSKYY ON THE LATEST RUSSIAN AERIAL ATTACKS: The Russians understand that we will grow stronger. This is their response. There is now funding for domestic production after we unlocked €90 billion from the EU. “Since the beginning of this year, the balance of occupied and de-occupied territories has not been in favor of the Russian Federation. As we said, they were preparing offensive operations at the end of the year 2025. We understand that they are preparing for the similar steps in the year 2026 as well. To sell to their population or feed those narratives in communication with the United States of America that they will win this war. Well, they have nothing to play on now, in my opinion. That's why they started it (massive arial attack). I want to remind everyone. We said that this is an operation that has several steps. This is a continuation of the (Russian) operation that took place in winter: striking at our energy sector and showing that Ukraine can be broken, because they have nothing else to sell on the battlefield. There is no success on the battlefield for Russia. Now we have unlocked the money (€90 billion from EU) This is a reaction, in my opinion, this is the number one reaction to the fact that they understand that Ukraine is not alone. And now there are finances for domestic production. The Russians understand that we will get stronger. As much as they would like to, we will get stronger. And this is how they respond” - Ukrainian President on Sunday, April 26, 2026.

‼️ZELENSKYY ON THE LATEST RUSSIAN AERIAL ATTACKS: The Russians understand that we will grow stronger. This is their response. There is now funding for domestic production after we unlocked €90 billion from the EU. “Since the beginning of this year, the balance of occupied and de-occupied territories has not been in favor of the Russian Federation. As we said, they were preparing offensive operations at the end of the year 2025. We understand that they are preparing for the similar steps in the year 2026 as well. To sell to their population or feed those narratives in communication with the United States of America that they will win this war. Well, they have nothing to play on now, in my opinion. That's why they started it (massive arial attack). I want to remind everyone. We said that this is an operation that has several steps. This is a continuation of the (Russian) operation that took place in winter: striking at our energy sector and showing that Ukraine can be broken, because they have nothing else to sell on the battlefield. There is no success on the battlefield for Russia. Now we have unlocked the money (€90 billion from EU) This is a reaction, in my opinion, this is the number one reaction to the fact that they understand that Ukraine is not alone. And now there are finances for domestic production. The Russians understand that we will get stronger. As much as they would like to, we will get stronger. And this is how they respond” - Ukrainian President on Sunday, April 26, 2026.

Kateryna Lisunova

41,426 просмотров • 3 месяцев назад

Nicholas Brothers in the 1940 film “Down Argentine Way”. Director Irving Cummings at the time had considered their dancing scene too long. However, it was thanks to dance director Nick Castle - imploring Cummings to the contrary insisting the piece remain uncut with no slice on the cutting room floor. I, for one, imagine unnecessary horror of butchering fine work as theirs. It was tested at the initial screening and rapturously met with thunderous - and incessant applause that they were surprisingly forced to rewind the film for replay. The film was the first in an ongoing series of Latin American themed movies becoming popular in the ‘40s. One of the many things which distinguished this particular performance from their others was the duo were to dance to Latin inspired music fused with American tap dancing. Giving subtle cultural interlay between cultures. The two produce percussive taps to the Latin rhythms with rhythmic - and music note values considerably faster than the very music itself. The precision and clarity of the taps are astounding. Previously the duo danced to developing jazz idioms of the time - but this performance showcasing their ability to dance to any kind of music while making it uniquely their own. From a technical perspective there are several kinds of new inventive steps - and of a novel kind as both display techniques and also variations of these steps from shuffles, to slides, repeated taps with the same foot - which is incredibly difficult to perform. This is why in technical piano playing repeated notes can be a nightmare to execute - but both perform repeated taps with accurate musicality and control making the tap composition flawless. We see side foot taps too where the outer parts of the foot’s edge are used to create taps. This is simply virtuosity. With additional forward flips into splits, and mesmerising floor work, and incredible base strength, and muscular power in leg muscle support. The leaps over the handkerchief directly into the splits are a wonder. This duo could match anything Gene Kelly and Fred Astaire ever did.

Nicholas Brothers in the 1940 film “Down Argentine Way”. Director Irving Cummings at the time had considered their dancing scene too long. However, it was thanks to dance director Nick Castle - imploring Cummings to the contrary insisting the piece remain uncut with no slice on the cutting room floor. I, for one, imagine unnecessary horror of butchering fine work as theirs. It was tested at the initial screening and rapturously met with thunderous - and incessant applause that they were surprisingly forced to rewind the film for replay. The film was the first in an ongoing series of Latin American themed movies becoming popular in the ‘40s. One of the many things which distinguished this particular performance from their others was the duo were to dance to Latin inspired music fused with American tap dancing. Giving subtle cultural interlay between cultures. The two produce percussive taps to the Latin rhythms with rhythmic - and music note values considerably faster than the very music itself. The precision and clarity of the taps are astounding. Previously the duo danced to developing jazz idioms of the time - but this performance showcasing their ability to dance to any kind of music while making it uniquely their own. From a technical perspective there are several kinds of new inventive steps - and of a novel kind as both display techniques and also variations of these steps from shuffles, to slides, repeated taps with the same foot - which is incredibly difficult to perform. This is why in technical piano playing repeated notes can be a nightmare to execute - but both perform repeated taps with accurate musicality and control making the tap composition flawless. We see side foot taps too where the outer parts of the foot’s edge are used to create taps. This is simply virtuosity. With additional forward flips into splits, and mesmerising floor work, and incredible base strength, and muscular power in leg muscle support. The leaps over the handkerchief directly into the splits are a wonder. This duo could match anything Gene Kelly and Fred Astaire ever did.

Hollywood Golden Age of Cinema

27,729 просмотров • 8 месяцев назад