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#TheNewAvengers, 1976 Computer-animated opening titles, produced by the groundbreaking Video Animation (based at Imperial College London). 4K source this time. Absolutely gorgeous. 😍 CD version of Laurie Johnson theme.

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11,314 görüntüleme • 6 ay önce •via X (Twitter)

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"Tangle & Whisper: New Roads" Issue #1 Animated Cover!!! As part of the build-up for Issue #2, and used for the opening of our panel at #SonicRevolution, this amazing animation was done by my friend Michael States Looping version below.
1:36

"Tangle & Whisper: New Roads" Issue #1 Animated Cover!!! As part of the build-up for Issue #2, and used for the opening of our panel at #SonicRevolution, this amazing animation was done by my friend Michael States Looping version below.

AvaArctic

699,432 görüntüleme • 3 yıl önce

Produced by Paramount as a response to Disney’s Snow White, Gulliver’s Travels (1939) was the studio’s first animated feature. Based on Jonathan Swift’s novel, this Fleischer Studio film, used 'rotoscoping', a new animation technique developed by Max Fleischer. The process involves tracing live-action footage frame-by-frame; Sam Parker, the actor who performed the voice of Gulliver, also modeled as the character's live-action reference. Gulliver was a success at the box office and earned two Oscar nominations.
0:45

Produced by Paramount as a response to Disney’s Snow White, Gulliver’s Travels (1939) was the studio’s first animated feature. Based on Jonathan Swift’s novel, this Fleischer Studio film, used 'rotoscoping', a new animation technique developed by Max Fleischer. The process involves tracing live-action footage frame-by-frame; Sam Parker, the actor who performed the voice of Gulliver, also modeled as the character's live-action reference. Gulliver was a success at the box office and earned two Oscar nominations.

old toons

104,713 görüntüleme • 8 ay önce

There has been a lot of interest in the first BIP-110 signaling block produced by Barefoot Mining earlier today. Some of you might enjoy knowing that it was mined at one of our "wild horse" sites. It's an off-grid site powered directly from a stranded natural gas well. I certainly have nothing against grid-based mining but I find it somewhat poetic that this block was produced in the wild. To me this type of site fully embodies the spirit of Bitcoin. Check out this drone video of the site - ironically it being shot right at the time the block was produced.
3:36

There has been a lot of interest in the first BIP-110 signaling block produced by Barefoot Mining earlier today. Some of you might enjoy knowing that it was mined at one of our "wild horse" sites. It's an off-grid site powered directly from a stranded natural gas well. I certainly have nothing against grid-based mining but I find it somewhat poetic that this block was produced in the wild. To me this type of site fully embodies the spirit of Bitcoin. Check out this drone video of the site - ironically it being shot right at the time the block was produced.

Bob Burnett

38,947 görüntüleme • 6 ay önce

High school: a storied time of innocence, awakening, exploring one’s self, and the budding of desires. The first theatrical feature film produced and distributed by pioneering hardcore video distributor VCX, famed director Anthony Spinelli’s (SexWorld, Nothing to Hide) breezy and nostalgic look at teenage lust, HIGH SCHOOL MEMORIES, fuses the tenderness of romance with the raw animalism of long-repressed desires. This carnal classic finally arrives on Blu-ray, restored in 4K from its original camera negative—snag the limited edition spot gloss slipcover (designed by Robert Sammelin) at 🏈
1:00

High school: a storied time of innocence, awakening, exploring one’s self, and the budding of desires. The first theatrical feature film produced and distributed by pioneering hardcore video distributor VCX, famed director Anthony Spinelli’s (SexWorld, Nothing to Hide) breezy and nostalgic look at teenage lust, HIGH SCHOOL MEMORIES, fuses the tenderness of romance with the raw animalism of long-repressed desires. This carnal classic finally arrives on Blu-ray, restored in 4K from its original camera negative—snag the limited edition spot gloss slipcover (designed by Robert Sammelin) at 🏈

MelusineX

45,713 görüntüleme • 6 ay önce

Henry Mancini performing “The Pink Panther Theme” with Tubby Hayes on saxophone on Best Of Both Worlds on October 4th 1964. “The Pink Panther Theme” is a jazz composition by Henry Mancini written as the theme for the 1963 film The Pink Panther and subsequently nominated for the Academy Award for Best Original Score at the 37th Academy Awards but lost to the Sherman Brothers for Mary Poppins. The eponymous cartoon character created for the film's opening credits by David DePatie and Friz Freleng was animated in time to the tune. The tenor saxophone solo was played by Plas Johnson. In his autobiography “Did They Mention the Music?”, Mancini talked about how he composed the theme music: “I told [the animators] that I would give them a tempo they could animate to, so that any time there were striking motions, someone getting hit, I could score to it.” “[The animators] finished the sequence and I looked at it. All the accents in the music were timed to the actions on the screen.” “I had a specific saxophone player in mind — Plas Johnson. I nearly always precast my players and write for them and around them, and Plas had the sound and the style I wanted.”
1:54

Henry Mancini performing “The Pink Panther Theme” with Tubby Hayes on saxophone on Best Of Both Worlds on October 4th 1964. “The Pink Panther Theme” is a jazz composition by Henry Mancini written as the theme for the 1963 film The Pink Panther and subsequently nominated for the Academy Award for Best Original Score at the 37th Academy Awards but lost to the Sherman Brothers for Mary Poppins. The eponymous cartoon character created for the film's opening credits by David DePatie and Friz Freleng was animated in time to the tune. The tenor saxophone solo was played by Plas Johnson. In his autobiography “Did They Mention the Music?”, Mancini talked about how he composed the theme music: “I told [the animators] that I would give them a tempo they could animate to, so that any time there were striking motions, someone getting hit, I could score to it.” “[The animators] finished the sequence and I looked at it. All the accents in the music were timed to the actions on the screen.” “I had a specific saxophone player in mind — Plas Johnson. I nearly always precast my players and write for them and around them, and Plas had the sound and the style I wanted.”

Hollywood Golden Age of Cinema

18,137 görüntüleme • 6 ay önce

“Jailbreak” was written and recorded by AC/DC in 1976 for the Australian version of Dirty Deeds Done Dirt Cheap. With Bon Scott’s raw, narrative-driven vocal, the song tells the story of a prisoner who makes a desperate escape only to be shot in the back. Because it was left off the international edition of the album, the track remained relatively unknown outside Australia for years. It finally reached a wider audience in 1984 with the release of the ’74 Jailbreak EP. The song’s visual history is equally unique. In July 1976, while in London, the band filmed a promotional performance at the Wimbledon Theatre. Combined with street footage from a Countdown interview in Covent Garden, this material stayed largely unseen for nearly five decades until AC/DC officially released a remastered HD version in 2024. On stage the song continued to evolve. The most celebrated later version came in 1991 at Donington, where Brian Johnson turned it into a long, explosive live showcase. From an Australia-only album track to a rediscovered 1976 clip and a live classic, “Jailbreak” has had one of the most unusual and rewarding trajectories in AC/DC’s catalog.
2:31

“Jailbreak” was written and recorded by AC/DC in 1976 for the Australian version of Dirty Deeds Done Dirt Cheap. With Bon Scott’s raw, narrative-driven vocal, the song tells the story of a prisoner who makes a desperate escape only to be shot in the back. Because it was left off the international edition of the album, the track remained relatively unknown outside Australia for years. It finally reached a wider audience in 1984 with the release of the ’74 Jailbreak EP. The song’s visual history is equally unique. In July 1976, while in London, the band filmed a promotional performance at the Wimbledon Theatre. Combined with street footage from a Countdown interview in Covent Garden, this material stayed largely unseen for nearly five decades until AC/DC officially released a remastered HD version in 2024. On stage the song continued to evolve. The most celebrated later version came in 1991 at Donington, where Brian Johnson turned it into a long, explosive live showcase. From an Australia-only album track to a rediscovered 1976 clip and a live classic, “Jailbreak” has had one of the most unusual and rewarding trajectories in AC/DC’s catalog.

MP10

56,874 görüntüleme • 14 gün önce

The extras packed 4K UHD / Blu-ray disc for The Running Man Movie is out TODAY. It's loaded with 2 HOURS of extra material - just the way you like it. As another sneak peak at the goodies, here's a commercial using all of the amazing 'HARDEST HITS' sequences put together by our stunt team. The use of 'Ode To Joy' is a little nod to the 1988 TV spot of 'Die Hard'. It was cut together by our amazing additional editor Jerry Ramsbottom and, yes, that IS the voice of James Austin Johnson at the end.* Enjoy this and so many other goodies on the disc. If you already bought and watched them - let me know what you loved. London, I'll see you at @picturehousecentral tomorrow night at 7pm for a special Q&A for 'The Running Man'. (*NB - At one point we had this TV spot open the movie before the studio logos. Ultimately we went back to the original opening from the script, but it was fun to see it with a few audiences like this.)
0:27

The extras packed 4K UHD / Blu-ray disc for The Running Man Movie is out TODAY. It's loaded with 2 HOURS of extra material - just the way you like it. As another sneak peak at the goodies, here's a commercial using all of the amazing 'HARDEST HITS' sequences put together by our stunt team. The use of 'Ode To Joy' is a little nod to the 1988 TV spot of 'Die Hard'. It was cut together by our amazing additional editor Jerry Ramsbottom and, yes, that IS the voice of James Austin Johnson at the end.* Enjoy this and so many other goodies on the disc. If you already bought and watched them - let me know what you loved. London, I'll see you at @picturehousecentral tomorrow night at 7pm for a special Q&A for 'The Running Man'. (*NB - At one point we had this TV spot open the movie before the studio logos. Ultimately we went back to the original opening from the script, but it was fun to see it with a few audiences like this.)

edgarwright

23,189 görüntüleme • 6 ay önce

“The people shall be the bearer of sovereignty and the sole source of power in Ukraine.” — Constitution of Ukraine Today, Ukraine marks 30 years since adopting its modern Constitution. Following the restoration of independence in 1991, the Constitution was adopted by the Verkhovna Rada on June 28, 1996. At the same time, Ukraine’s constitutional tradition is much older. The Constitution of Pylyp Orlyk, written on April 5, 1710, in Bender (present-day Moldova) by Hetman Pylyp Orlyk and the Cossacks of the Zaporizhian Host, is considered one of Europe’s earliest constitutional documents and Ukraine’s first constitution. On August 11, 2021, the original document was returned to Ukraine from Sweden, where it had been preserved for centuries after Orlyk and his allies went into exile following the Battle of Poltava. A few principles from Ukraine’s modern Constitution remain especially meaningful today: • Ukraine is a sovereign and independent, democratic, social, law-based state. • Ukraine’s territory is indivisible and inviolable. • The people are the sole source of power in Ukraine. VIDEO: A conservator at the National Archives of Sweden pages through the Latin-language version of one of the two surviving copies of Pylyp Orlyk’s Constitution. PHOTOS: The first page of the Bender Constitution (Latin-language version) and the version written in Old Ukrainian.
0:32

“The people shall be the bearer of sovereignty and the sole source of power in Ukraine.” — Constitution of Ukraine Today, Ukraine marks 30 years since adopting its modern Constitution. Following the restoration of independence in 1991, the Constitution was adopted by the Verkhovna Rada on June 28, 1996. At the same time, Ukraine’s constitutional tradition is much older. The Constitution of Pylyp Orlyk, written on April 5, 1710, in Bender (present-day Moldova) by Hetman Pylyp Orlyk and the Cossacks of the Zaporizhian Host, is considered one of Europe’s earliest constitutional documents and Ukraine’s first constitution. On August 11, 2021, the original document was returned to Ukraine from Sweden, where it had been preserved for centuries after Orlyk and his allies went into exile following the Battle of Poltava. A few principles from Ukraine’s modern Constitution remain especially meaningful today: • Ukraine is a sovereign and independent, democratic, social, law-based state. • Ukraine’s territory is indivisible and inviolable. • The people are the sole source of power in Ukraine. VIDEO: A conservator at the National Archives of Sweden pages through the Latin-language version of one of the two surviving copies of Pylyp Orlyk’s Constitution. PHOTOS: The first page of the Bender Constitution (Latin-language version) and the version written in Old Ukrainian.

Kateryna Lisunova

14,279 görüntüleme • 2 ay önce

I keep hearing the same story from Blake Neff, Andrew Kolvet, and Jack Posobiec about the "bombshell" video shown on the final day of the Tyler Robinson preliminary hearing. So I pulled the video apart frame by frame. My conclusion: the public narrative about what this video supposedly shows doesn't match what I see. ❌ It's not a magically enhanced 4K video. ❌ You cannot clearly see a rifle. ❌ You do not see a shot fired. ❌ You do not see a muzzle flash. ❌ You do not see recoil. ❌ There is no audio. What you do see is a zoomed-in version of an already low-quality surveillance video. The individual climbs the railing, runs, lies down for a period of time, and then runs away at approximately 12:23:30. That's it. Watch the video yourself and decide whether the claims being made about this footage are supported by what is actually on the screen. Receipts matter. Video attached.
7:39

I keep hearing the same story from Blake Neff, Andrew Kolvet, and Jack Posobiec about the "bombshell" video shown on the final day of the Tyler Robinson preliminary hearing. So I pulled the video apart frame by frame. My conclusion: the public narrative about what this video supposedly shows doesn't match what I see. ❌ It's not a magically enhanced 4K video. ❌ You cannot clearly see a rifle. ❌ You do not see a shot fired. ❌ You do not see a muzzle flash. ❌ You do not see recoil. ❌ There is no audio. What you do see is a zoomed-in version of an already low-quality surveillance video. The individual climbs the railing, runs, lies down for a period of time, and then runs away at approximately 12:23:30. That's it. Watch the video yourself and decide whether the claims being made about this footage are supported by what is actually on the screen. Receipts matter. Video attached.

The Black Line Brief

20,185 görüntüleme • 2 ay önce

🫶🫶😍“Be My Baby” is a 1963 pop classic by The Ronettes, one of the most influential girl groups of the 1960s. Produced by Phil Spector, the song is famous for its instantly recognizable drum intro by Hal Blaine and Spector’s groundbreaking “Wall of Sound” production style. Sung by lead vocalist Ronnie Spector, the song’s emotional directness and youthful longing helped define the sound of early rock and pop, influencing countless artists from The Beach Boys to The Ramones. The Ronettes, formed in New York, consisted of Ronnie, Estelle Bennett, and Nedra Talley. They became icons of the 1960s music scene with their bold image, powerful vocals, and string of hits recorded at Spector’s Philles Records. “Be My Baby” remains their most enduring song, widely regarded as one of the greatest pop recordings of all time and a timeless symbol of romance, nostalgia, and classic American pop music. [Be My Baby, The Ronettes, Dirty Dancing opening scene, iconic drum intro, Phil Spector production, Wall of Sound, 1960s pop classic, romantic nostalgia, vintage love song, classic movie soundtrack, retro pop culture moment, timeless hit] #BeMyBaby #TheRonettes #DirtyDancing #ClassicSong #60sMusic
1:37

🫶🫶😍“Be My Baby” is a 1963 pop classic by The Ronettes, one of the most influential girl groups of the 1960s. Produced by Phil Spector, the song is famous for its instantly recognizable drum intro by Hal Blaine and Spector’s groundbreaking “Wall of Sound” production style. Sung by lead vocalist Ronnie Spector, the song’s emotional directness and youthful longing helped define the sound of early rock and pop, influencing countless artists from The Beach Boys to The Ramones. The Ronettes, formed in New York, consisted of Ronnie, Estelle Bennett, and Nedra Talley. They became icons of the 1960s music scene with their bold image, powerful vocals, and string of hits recorded at Spector’s Philles Records. “Be My Baby” remains their most enduring song, widely regarded as one of the greatest pop recordings of all time and a timeless symbol of romance, nostalgia, and classic American pop music. [Be My Baby, The Ronettes, Dirty Dancing opening scene, iconic drum intro, Phil Spector production, Wall of Sound, 1960s pop classic, romantic nostalgia, vintage love song, classic movie soundtrack, retro pop culture moment, timeless hit] #BeMyBaby #TheRonettes #DirtyDancing #ClassicSong #60sMusic

🎵💖Loves classical music🎻🎹

18,061 görüntüleme • 8 ay önce

Introducing my new project : Bird Stories it is dropping monday at OpenSea at 2 PM EST. This is a collection about my first passion as a child: Bird watching. Observing birds was my first way of learning to recognize shapes, colors, and movements. The influence of this passion remains, shaping the way I observe and create. I could say it was my first encounter with animation. The pixelated style recalls the video games of my childhood, a visual language tied to the same era in which this passion was born. It also represents the partial loss of detail in these memories, where forms become simplified and fragments replace what time has erased. This collection is about what was left behind and what continues to evolve through art. This is a generative collection in which every possible animations for each bird has been animated frame by frame by me. All the animations are then mixed to create 400 unique editions. Each edition is a 16/9 animated loop
0:24

Introducing my new project : Bird Stories it is dropping monday at OpenSea at 2 PM EST. This is a collection about my first passion as a child: Bird watching. Observing birds was my first way of learning to recognize shapes, colors, and movements. The influence of this passion remains, shaping the way I observe and create. I could say it was my first encounter with animation. The pixelated style recalls the video games of my childhood, a visual language tied to the same era in which this passion was born. It also represents the partial loss of detail in these memories, where forms become simplified and fragments replace what time has erased. This collection is about what was left behind and what continues to evolve through art. This is a generative collection in which every possible animations for each bird has been animated frame by frame by me. All the animations are then mixed to create 400 unique editions. Each edition is a 16/9 animated loop

Petio

20,477 görüntüleme • 7 ay önce

Reviewing the MH370 Satellite Video with Ian Carroll The description says "Received: March 12th, 2014, Source: Protected." RegicideAnon made a Twitter account on May 22nd, three days after it was published and said, "please spread this video before it's pulled." We're looking at a cropped screen recording from a remote terminal Citrix session based on the mouse we see come from off the screen in the top right. The drone is cropped out at the top. We see satellite designation NROL-22 in the bottom left which is the first launch of the Space Based Infrared System in 2006. The coordinates are the real location of the plane in the Nicobar Islands as determined by the telemetry data published May 28th, 2014. French father Ghyslain Wattrelos was told by 'Mr. B,' "the Americans know full well what happened, because there were two American AWACS that were monitoring the area at the time the plane disappeared." I've never seen any hoax videos consistent with this many real world details before.
3:01

Reviewing the MH370 Satellite Video with Ian Carroll The description says "Received: March 12th, 2014, Source: Protected." RegicideAnon made a Twitter account on May 22nd, three days after it was published and said, "please spread this video before it's pulled." We're looking at a cropped screen recording from a remote terminal Citrix session based on the mouse we see come from off the screen in the top right. The drone is cropped out at the top. We see satellite designation NROL-22 in the bottom left which is the first launch of the Space Based Infrared System in 2006. The coordinates are the real location of the plane in the Nicobar Islands as determined by the telemetry data published May 28th, 2014. French father Ghyslain Wattrelos was told by 'Mr. B,' "the Americans know full well what happened, because there were two American AWACS that were monitoring the area at the time the plane disappeared." I've never seen any hoax videos consistent with this many real world details before.

Ashton Forbes

287,286 görüntüleme • 2 yıl önce

The Three Little Pigs (1933) with the original Jewish audio (min 6:12) Three Little Pigs (1933) vs. Three Little Pigs (1948) 1. The original 1933 short Produced by Walt Disney during the Great Depression. The Big Bad Wolf appears disguised as a Jewish street vendor, with: stereotypical "Yiddish" accent false nose hat and clothes typical of the anti-Semitic caricature of the time It went almost unnoticed at the time, but already in the 1930s, some Jewish associations protested. 2. The modified 1948 version After World War II, with sensitivity toward anti-Semitism having completely changed, Disney decided to edit the incriminating scene. What changed: The wolf no longer has a Yiddish accent. The Jewish street vendor's disguise was redesigned: he became a simple, generic clerk. The original line was redubbed. The rest of the short remains identical. Disney didn't publicize the change much, but since then, all versions distributed to the public (theatrical, TV, VHS, DVD, streaming) have been based on the 1948 version. It's one of the first documented cases of retroactive self-censorship in the history of American animation. The excuse? HOLOCAUST HOAX
8:28

The Three Little Pigs (1933) with the original Jewish audio (min 6:12) Three Little Pigs (1933) vs. Three Little Pigs (1948) 1. The original 1933 short Produced by Walt Disney during the Great Depression. The Big Bad Wolf appears disguised as a Jewish street vendor, with: stereotypical "Yiddish" accent false nose hat and clothes typical of the anti-Semitic caricature of the time It went almost unnoticed at the time, but already in the 1930s, some Jewish associations protested. 2. The modified 1948 version After World War II, with sensitivity toward anti-Semitism having completely changed, Disney decided to edit the incriminating scene. What changed: The wolf no longer has a Yiddish accent. The Jewish street vendor's disguise was redesigned: he became a simple, generic clerk. The original line was redubbed. The rest of the short remains identical. Disney didn't publicize the change much, but since then, all versions distributed to the public (theatrical, TV, VHS, DVD, streaming) have been based on the 1948 version. It's one of the first documented cases of retroactive self-censorship in the history of American animation. The excuse? HOLOCAUST HOAX

Edelweiss

33,701 görüntüleme • 6 ay önce

The #PowerRangersPreservationProject Presents The :60s Wild Force Instrumental Theme! Sourced from our digitized batch of Final Air copies, we’re kicking off 2025 with this opening credits instrumental primed for convention karaoke — including both the instrumental and SFX tracks, leaving the endearingly hokey overlaid sound effects intact. This is Version 2.1 of the Wild Force Opening Credits, which includes Merrick and elements from the latter half of the season, as well as the third version of Alyson Kiperman’s Cast Credit Card — a response to audience testing in an attempt to make Taylor appear softer and more accessible. Full proper instrumental versions of PR themes are difficult to find, as they lacked official releases and were always truncated to the :30s versions for official usage [over the end credits]. Though the SFX are still intact, this clip ensures Wild Force can be checked off the full instrumental season theme wish list. Wild Access! Worth nothing — this discovery could have been completely overlooked had we not been carefully reviewing what seemed to be an otherwise benign VHS copy; which we hope helps shed some light on the time it can take to properly review these assets once they’ve been digitized to make sure we don’t miss anything. Sponsored by M⚡️M Patreon Supporters like Morphin Master MintBari. Support our preservation efforts at the 🔗 in bio. Digitization & Archival by Power Rangers Media Info. #MorphinMuseum Exhibit 0778 ⚡️ Series: #PowerRangers Wild Force Episode: The Master's Last Stand Year: 2002
1:00

The #PowerRangersPreservationProject Presents The :60s Wild Force Instrumental Theme! Sourced from our digitized batch of Final Air copies, we’re kicking off 2025 with this opening credits instrumental primed for convention karaoke — including both the instrumental and SFX tracks, leaving the endearingly hokey overlaid sound effects intact. This is Version 2.1 of the Wild Force Opening Credits, which includes Merrick and elements from the latter half of the season, as well as the third version of Alyson Kiperman’s Cast Credit Card — a response to audience testing in an attempt to make Taylor appear softer and more accessible. Full proper instrumental versions of PR themes are difficult to find, as they lacked official releases and were always truncated to the :30s versions for official usage [over the end credits]. Though the SFX are still intact, this clip ensures Wild Force can be checked off the full instrumental season theme wish list. Wild Access! Worth nothing — this discovery could have been completely overlooked had we not been carefully reviewing what seemed to be an otherwise benign VHS copy; which we hope helps shed some light on the time it can take to properly review these assets once they’ve been digitized to make sure we don’t miss anything. Sponsored by M⚡️M Patreon Supporters like Morphin Master MintBari. Support our preservation efforts at the 🔗 in bio. Digitization & Archival by Power Rangers Media Info. #MorphinMuseum Exhibit 0778 ⚡️ Series: #PowerRangers Wild Force Episode: The Master's Last Stand Year: 2002

The Morphin ⚡️ Museum

26,255 görüntüleme • 1 yıl önce

LIFE ON MARS? 45 IS 50 - WATCH 4K UPGRADE “To the seat with the clearest view...” With the many celebrations posted today, you’ve no doubt noticed that 22nd June 2023 marks the 50th anniversary of the Life On Mars? single. The song was originally released on the Hunky Dory album at the tail end of 1971 and by the following year Bowie had answered his own question by finding some Spiders on the Red Planet. According to music press reports from the time, the single was issued due to the overwhelming positive audience response to the song during the current 1973 tour. Ironic then that Bowie didn’t perform it at Hammersmith on 3rd July when the single had entered the top five of the official UK charts. Meanwhile, feast your eyes on this 4k upgrade of the Mick Rock directed promotional video over on YouTube: A word of warning for those of you used to the oversaturated previous versions of the video, you’re in for a bit of a shock. This upgrade has finally been colour corrected to something approaching reality. Those of you who saw the Life On Mars? suit at the David Bowie Is exhibition will recognise that this version is a far more accurate representation of the original colouring. And just for fun, we’ve also synced the video to the audio of the Life On Mars? Original Ending Version from Divine Symmetry. For a more in-depth appreciation of the track, Alan York’s piece from November 2021: LIFE ON MARS?: HOW DAVID BOWIE CREATED AN OUT-OF-THIS-WORLD CLASSIC, is still well worth a read: #BowieLOM #BowieLOM50 #BowieMickRock
0:23

LIFE ON MARS? 45 IS 50 - WATCH 4K UPGRADE “To the seat with the clearest view...” With the many celebrations posted today, you’ve no doubt noticed that 22nd June 2023 marks the 50th anniversary of the Life On Mars? single. The song was originally released on the Hunky Dory album at the tail end of 1971 and by the following year Bowie had answered his own question by finding some Spiders on the Red Planet. According to music press reports from the time, the single was issued due to the overwhelming positive audience response to the song during the current 1973 tour. Ironic then that Bowie didn’t perform it at Hammersmith on 3rd July when the single had entered the top five of the official UK charts. Meanwhile, feast your eyes on this 4k upgrade of the Mick Rock directed promotional video over on YouTube: A word of warning for those of you used to the oversaturated previous versions of the video, you’re in for a bit of a shock. This upgrade has finally been colour corrected to something approaching reality. Those of you who saw the Life On Mars? suit at the David Bowie Is exhibition will recognise that this version is a far more accurate representation of the original colouring. And just for fun, we’ve also synced the video to the audio of the Life On Mars? Original Ending Version from Divine Symmetry. For a more in-depth appreciation of the track, Alan York’s piece from November 2021: LIFE ON MARS?: HOW DAVID BOWIE CREATED AN OUT-OF-THIS-WORLD CLASSIC, is still well worth a read: #BowieLOM #BowieLOM50 #BowieMickRock

David Bowie Official

101,212 görüntüleme • 3 yıl önce

The Niceaunties AI Video Grant At Fellowship, we believe in creating an environment for experimentation and the development of ideas. That is why, when niceaunties proposed a grant program for mentorship and the creation of AI videos, we immediately said yes. The program will help support six artists, to create a Solo Show for the Fellowship Daily program. The commitment is to produce 8 new videos based on a theme proposed by Niceaunties. This will be an open call for all the Daily Artists and the AI video community at large. Everyone is welcome to reply/submit a video for consideration. Each grantee will receive a total of 2ETH provided by Niceaunties and Fellowship, as well as mentorship from Niceaunties and alejandro cartagena. We encourage artists applying to consider this grant as a space of critical feedback and of experimentation. Artists are encouraged to be open to new ideas and to explore alternative ways of how to think of their practice. These funds and curatorial support are there to open up time for the creators to engage and create a space ideal for critical feedback. We believe that developing an artistic voice comes from experimentation and confrontation of ideas. All 8 pieces produced during the month will be auctioned on the daily . xyz site as a one-day Solo Show. All proceeds of the sales will go to the artists. We are looking for creators who want to expand their ideas and take their art to the next level. We thank Niceaunties for their passion and commitment to AI art and the art community. This is the open call post. Please follow, retweet and reply/submit a video for consideration. You have until Friday the 5th of July to submit the work. 📅 The theme for this month is CONNECTIONS. Good luck everyone!
0:44

The Niceaunties AI Video Grant At Fellowship, we believe in creating an environment for experimentation and the development of ideas. That is why, when niceaunties proposed a grant program for mentorship and the creation of AI videos, we immediately said yes. The program will help support six artists, to create a Solo Show for the Fellowship Daily program. The commitment is to produce 8 new videos based on a theme proposed by Niceaunties. This will be an open call for all the Daily Artists and the AI video community at large. Everyone is welcome to reply/submit a video for consideration. Each grantee will receive a total of 2ETH provided by Niceaunties and Fellowship, as well as mentorship from Niceaunties and alejandro cartagena. We encourage artists applying to consider this grant as a space of critical feedback and of experimentation. Artists are encouraged to be open to new ideas and to explore alternative ways of how to think of their practice. These funds and curatorial support are there to open up time for the creators to engage and create a space ideal for critical feedback. We believe that developing an artistic voice comes from experimentation and confrontation of ideas. All 8 pieces produced during the month will be auctioned on the daily . xyz site as a one-day Solo Show. All proceeds of the sales will go to the artists. We are looking for creators who want to expand their ideas and take their art to the next level. We thank Niceaunties for their passion and commitment to AI art and the art community. This is the open call post. Please follow, retweet and reply/submit a video for consideration. You have until Friday the 5th of July to submit the work. 📅 The theme for this month is CONNECTIONS. Good luck everyone!

The Daily Program

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