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There’s dynamic drumming, and then there’s playing with absolute, effortless class. 🥁✨ That radiant, contagious smile from the drummer is what keeps me hitting reply over and over again! It’s not just her incredible sense of rhythm and timing that got me hooked; it’s the pure charisma and warmth...

15,711 просмотров • 8 дней назад •via X (Twitter)

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I just finished watching the first episodes of No Tail to Tell on Netflix, and honestly, it already feels like the wildest rom com fantasy ride of the season. From its first moments, you can tell this isn’t your typical love story. It’s a blend of folklore, modern life, and chaotic fate that hooks you quickly and keeps you curious. At the center of it all is Eun‑ho (played by Kim Hye‑yoon), a 900 year old gumiho, a nine tailed fox being who has lived for centuries and absolutely refuses to become human. She’s mischievous, sharp tongued, self serving, and emotionally guarded, having spent her long existence gaming the balance between good and bad deeds so she never loses her immortality. She’s a gumiho I have always wanted, with bite, sass, and style. Then fate and literal chaos intervene. A strange accident involving Kang Si‑yeol (Lomon), a world class soccer star known for his confidence, discipline, and narcissism, flips everything on its head. One moment, Eun‑ho is untouchable, powerful, and detached. The next moment, she’s losing her mystical edge and becoming human without warning. I mean, she spent centuries avoiding this. The show balances humor, mythology, and emotional chaos. Eun‑ho’s reactions to human flaws, especially her first encounters with Si‑yeol’s fame, ego, and everyday life, are equal parts hilarious and insightful. Her ability to bend situations to her will in her gumiho state is contrasted brilliantly with how lost and confused she becomes as a human. Episode 1 closes with a surprising twist. It’s a visual and emotional jolt that sets the tone for the entire series: this isn’t just fantasy, it’s fantasy that feels grounded and heartfelt. I have a mix of excitement and intrigue. I’m already loving the push and pull. Even though it’s early, No Tail to Tell already balances fantasy and real emotion in a way that feels promising. There’s wonder, there’s chaos, there’s humor, and there’s the sense that both leads will challenge each other’s long held beliefs. If the first episode is anything to go by, this will be one of those series that gives you the laughs, the myths, and the heart pulling moments. #NoTailtoTell

EdoQueen🌹

32,915 просмотров • 7 месяцев назад

Michael Mann on the pivotal scene in Heat when Ashley Judd’s character Charlene chooses to warn Chris instead of giving him up to the police - despite knowing what it’s going to cost her: “In this scene, I confess I’m stunned with how wonderful Ashley Judd is; the expressions on her face as she processes all her options and what she has to do - and then she waves them off. She’s established early in the film as a practical, emotionally mature adult trying to put together a small family. And those are her values. They are family values. She knows that she ought to cooperate with the police and she ought to let Chris (Val Kilmer) fall. That would protect her child, and no instinct is more profound or powerful than the maternal instinct she has right there. And she’s set up for us to expect that she will do exactly that- even though the anguish would be intense, she would give up Chris to protect the family unit that remains. But when she goes to do that on the porch, she sees him and can’t help herself. She’s in love with the guy. You can see her face processing those choices, the endearment she feels for him, and then she does the irrational act and waves them off. In that moment, we see a look on Ashley’s face, we see a sense of what her future is going to be — which is going to be grim. And it’s there again when she closes her eyes as Drucker tells Vincent that the man was not Chris. But of course - it was. And then this is the final moment of Ashley Judd/Charlene Shiherlis in the film: an awareness of the separation from her man, an awareness of what her future holds for her. And with Chris, there’s a parallel moment of realization.” From the director’s commentary track off the Heat Blu-ray

Gangster Cinema Central

92,728 просмотров • 2 месяцев назад

Former Fox News host Geraldo Rivera: “By focusing on the censorship aspect and the First Amendment aspect, it’s losing sight of what should be the lead and that’s that Jimmy Kimmel owes the family of Charlie Kirk and his wife Erika, two small children, an apology. You know, you know, what’s he saying? That if you’re if you’re a member of MAGA and Charlie is a friend of MAG, of MAGA, then he had it coming. It’s just — it’s — it’s in some ways — it’s very — it’s — extremely — extremely insensitive. The country is in a country is in a very tough spot right now. Everyone is walking on eggshells. The First Amendment is not a license to incite hatred and, you know, I think that we can think that we can start the discussion once Jimmy Kimmel apologizes, then they can talk about the business aspects and whether or not he gets whether or not he gets back on the schedule and so forth, but there’s got to there’s got to be a recognition that a terrible thing has happened here, and that millions of Americans are grievously hurt by what happened. You know, there is a — Charlie Kirk was beloved by many. And to just trample over it. He’s not even buried yet for goodness sake. And to make fun of the flags at half staff and so forth. I just half staff and so forth. I just think that we’ve got to look at it with a — with a notion that the country has to be healed, that we have to work to bring people together, that we need to respect each other. You know, we don’t have to agree, but we have to respect. And I think that, you know, the audience has deserted him for a good reason.”

Curtis Houck

825,225 просмотров • 11 месяцев назад