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There’s none so blind as those who will not see. You can place 100% solid evidence in front of certain people and, because it doesn’t fit their own narrative or world view, they simply refuse to accept it. Extreme types won’t even look at it. When I told journalist... show more
70,352 просмотров • 1 год назад •via X (Twitter)
Комментарии: 10

And where are the missing messages from the “leaked” WhatsApp conversations? Messages from April 2020 when Hancock was putting in that extra Midazolam order.

FROM THE EDITORS: A Shroud for Our Skeptical Times Reports about recent scientific findings that appear to support the authenticity of the Shroud of Turin garnered widespread coverage in secular media outlets last month. But none of those media accounts delved into this central question: Assuming the image visible on the fabric of the shroud really is that of the Crucified Christ — supernaturally imprinted there by Jesus himself, as he lay in the tomb between his crucifixion on Good Friday and his resurrection on the first Easter Sunday — why did the Son of God choose to leave behind this scientifically verifiable evidence of his death on the cross? The answer could be that even though the physical sciences would not develop for another 2,000 years to the point where they could conclusively authenticate the shroud, Jesus already knew that a day was coming when this kind of evidence would be the only way to confirm his resurrected reality to many of the souls who live in the rationalistic and materialistic cultures of today. Recent media accounts centered on a pair of findings. The first involves research, initially published in 2022, that indicates the shroud is indeed around 2,000 years old and not merely a few hundred years old, as suggested by research conducted in 1988 using a less reliable method of dating the cloth’s age. That 1988 research was seized upon by skeptics as definitive proof that the shroud was a medieval forgery — even though by that time other scientific evidence, unrelated to the cloth’s dating, persuasively pointed toward the conclusion that the shroud is indeed Jesus’ burial cloth. Perhaps the most powerful evidence is the origin of the image imprinted there: According to researchers, it was caused by an inexplicable, superintense burst of ultraviolet radiation. The second finding is based on new research into the stains visible on the shroud, in places where it would have come into touch with Christ’s wounded head and body. This research concluded these markings are indeed bloodstains. More remarkably, detailed analysis of the bloodstains’ composition disclosed the presence of particular compounds that correspond closely with how the body of Jesus would have reacted to the grievous injuries that were inflicted on him, according to the biblical account of his passion. As always, shroud skeptics have rushed to debunk this new research, attempting to indirectly sidestep the latest findings by citing earlier and less sophisticated experiments that didn’t appear to support the shroud’s authenticity. It’s not the purpose of this editorial to delve further into the specifics of this debate. And it should be noted that the Church itself has never offered a definitive judgement about the shroud’s authenticity, preferring instead to invite more scientific investigations into this still-unsettled question. But it’s also worth noting that in our increasingly irreligious age, a multitude of people can accept only the judgment of the physical sciences, and not merely when it comes to judging the shroud’s authenticity. They look to the natural sciences as the highest authority regarding every aspect of human existence. It should also be pointed out that the people who most passionately insist the shroud is a fraud, no matter what evidence to the contrary comes forward, are completely unscientific themselves. They operate from the premise that science has already proved the nonexistence of God and that, therefore, all supernatural claims about the burial cloth must be bunk. Yet in reality the physical sciences don’t address the existence of God at all. They investigate the mechanics of our created universe, not the mechanism by which it was created in the first place. In earlier eras, scientific evidence was neither available nor required by the majority of people to believe in the truth of physical miracles like the image imprinted on the shroud; to believe in the deeper truth that God is responsible for these miracles; and to believe in the deepest truth of all about Jesus — that the Son of God walked on our Earth 2,000 years ago and suffered and died here on our behalf, for the salvation of our eternal souls. But that doesn’t mean that these previous generations had no good evidence of miracles. Not at all. As G.K. Chesterton pointed out in his 1908 “spiritual autobiography” Orthodoxy, there has always been abundant historical evidence that miracles occur; it’s only our own skeptical era that refuses to accept that kind of evidence as valid. Perhaps this is why, in the case of the shroud, so much scientific evidence now is emerging to support the centuries-old belief that it is the actual burial cloth of humanity’s Lord and Savior. Perhaps Jesus himself is gently saying to these skeptics of today, “I realize that, due to the crippled collective lack of faith that afflicts you, you are simply unable to accept any other kind of evidence. Please then take a look at these research findings, delivered via the science that you worship in place of me, and allow them to open your eyes to the Way and the Truth of eternal Life.” #ShroudOfTurin

So true!

‘I’m never going to look into that’ That tells us all exactly what kind of journalist she is. One who looks the other way when it suits. People like her should be ashamed

People like that are incapable of feeling shame.

@IsabelOakeshott, before you form an opinion, why can't you look at the evidence for the deliberate midazolom and morphine deaths in hospitals and care homes? Surely, as a journalist, you can review the information? Or, are you suffering from cognitive dissonance?

Yep and then went on to do that excruciating ‘interview’ with her mate Hancock where they talked about cryptocurrency and nothing about his role in the scamdemic. Sees herself as a freedom warrior too like Brewer and Pearson 🤯

Pearson blocked me. No idea why.

There’s a line these types of legacy ‘journalists’ don’t cross. They don’t want to appear too radical & confrontational, and push ‘wacky’ ideas. They just seek to remain just behind that line, in order to maintain a certain level of access to politicians so they can continue.

Sadly, Bev Turner @beverleyturner wouldn’t help me either.
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[EP.2] After watching the second episode, many people said they couldn’t understand the ending where Nanno takes the initiative to lift her skirt, revealing underwear with a name on it and letting the three voyeurs see. Some people think this didn’t punish the three boys at all. So what does this ending actually mean? #เด็กใหม่TheResetEP2 #GirlFromNowhereTheReset First, it completely tears apart the hypocritical pleasure of voyeurism. The biggest thrill of voyeurism is not what is actually seen, but the feeling of secretly watching without being caught, controlling someone else’s privacy and satisfying one’s own dark desires. But in the end, Nanno openly shows it to them. When she lets them look directly, the entire thrill of voyeurism disappears instantly. As Nanno says at the end, “You’re being sneaky, filthy and wretched, isn’t it because you want to see? I’ll show it to you directly. Let’s see if you still enjoy it.” Second, it is a complete reversal of power. The boys think that because they are secretly filming, they hold the upper hand. But Nanno shifts the situation from “you are secretly watching” to “I am showing it willingly.” She controls their gaze, their shame, and their reaction. She is not catering to them but humiliating them, exposing their cowardice and ugliness, their inability to be open, only daring to hide in the dark. Third, it is the harshest satire on the culture of the gaze. In real life, girls who are secretly filmed often feel ashamed and afraid, while voyeurs feel smug and safe. Nanno completely reverses this logic. She is not ashamed, they are. She is not afraid, they are. She is not filthy, they are. Her final act of lifting her skirt is not frivolity but a sharp counterattack. Nanno is not seducing anyone and she is not compromising. Instead, she is telling every voyeur that their desires, their voyeurism, and their darkness are worthless in front of her, even laughable and disgusting. The things they tried to see secretly are shown openly, yet they are the ones who no longer dare to look because they themselves know how filthy they are. In the end, Nanno’s action does not only punish the three boys in the story. It also punishes those in real life who are dark, sleazy, and afraid of the light while still believing they are in the right. And finally, when you watched the second episode, did you also find yourself hoping to see Nanno’s “KITTY”? If so, Nanno’s final act punishes the viewers in front of the screen just the same. (cr. bingbingjiangdianying)
alimiaomiaomiao💛🪽
1,227,087 просмотров • 4 месяцев назад
