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There’s something about a midnight motorcycle POV that just hits differently. Getting a real camera anywhere near a bike moving at this speed would be a whole production on its own, so I decided to build the shot in Dreamina instead. The updated Dreamina AI Web experience brings their... show more

Buba Koda

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81,743 просмотров • 1 день назад •via X (Twitter)

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This feels less like ""AI image generation"" and more like actually directing a shot. Turns out GPT-6 Astra + Dreamina Seedance 2.5 is an actual pipeline. I started with a real photo and used GPT-6 Astra + Blender to recreate it as a clay-style scene. Then I used Seedance 2. 5 to figure out the movement and camera motion. The last step happens in Dreamina - turning that clay animation into a live-action result. The separation of structure → motion → final look is what makes this workflow interesting. #Dreamina #DreaminaPartner

This feels less like ""AI image generation"" and more like actually directing a shot. Turns out GPT-6 Astra + Dreamina Seedance 2.5 is an actual pipeline. I started with a real photo and used GPT-6 Astra + Blender to recreate it as a clay-style scene. Then I used Seedance 2. 5 to figure out the movement and camera motion. The last step happens in Dreamina - turning that clay animation into a live-action result. The separation of structure → motion → final look is what makes this workflow interesting. #Dreamina #DreaminaPartner

Enzo Sanchez | IA

56,485 просмотров • 13 дней назад

Been playing with a different approach to AI commercials. Turns out GPT-6 Astra + Dreamina Seedance 2.5 is an actual pipeline. Instead of asking AI to generate the final video in one shot, I broke the process into stages: 1. Photo → Clay: GPT-6 Astra + Blender 2. Clay → Motion: Seedance 2. 5 3. Motion → Live Action: Dreamina The clay stage gives you a much clearer visual foundation, while Seedance handles the movement before Dreamina brings the shot back to a realistic finish. Feels much closer to an actual production workflow. #Dreamina #DreaminaPartner

Been playing with a different approach to AI commercials. Turns out GPT-6 Astra + Dreamina Seedance 2.5 is an actual pipeline. Instead of asking AI to generate the final video in one shot, I broke the process into stages: 1. Photo → Clay: GPT-6 Astra + Blender 2. Clay → Motion: Seedance 2. 5 3. Motion → Live Action: Dreamina The clay stage gives you a much clearer visual foundation, while Seedance handles the movement before Dreamina brings the shot back to a realistic finish. Feels much closer to an actual production workflow. #Dreamina #DreaminaPartner

Shabnam Parveen

57,398 просмотров • 13 дней назад

This is a NeRF (Neural Radiance Field) and it's one of the coolest pieces of AI tech out there. To generate this scene, I shot a video on my iPhone, then uploaded to Luma Luma turned it into a NeRF, and then I directed the camera in their editor to create this shot. Don't sleep on NeRFs.

This is a NeRF (Neural Radiance Field) and it's one of the coolest pieces of AI tech out there. To generate this scene, I shot a video on my iPhone, then uploaded to Luma Luma turned it into a NeRF, and then I directed the camera in their editor to create this shot. Don't sleep on NeRFs.

Nick St. Pierre

1,026,518 просмотров • 3 лет назад

🚀 Officially launched by ByteDance's official product Dreamina: Dreamina Seedance 2.0 mini! Delivers on-par performance with Dreamina Seedance 2.0, but at a lower cost and faster speed! This might be one of the best value releases we've seen in AI video generation this year. 👇

🚀 Officially launched by ByteDance's official product Dreamina: Dreamina Seedance 2.0 mini! Delivers on-par performance with Dreamina Seedance 2.0, but at a lower cost and faster speed! This might be one of the best value releases we've seen in AI video generation this year. 👇

Kuria | AI

28,546 просмотров • 3 месяцев назад

1/ We've all been aware of the hype surrounding Dreamina Seedance 2.0, and I finally got early access to the tool. And wow, I'm blown away. This is by far the best. It is starting to make AI video feel less like "generate a clip" and more like "direct a scene." What stood out to me is the level of control: camera motion, pacing, visual consistency, and the ability to build from multiple references inside one workflow. Some of the prompt directions that feel especially strong: - a busy modern city square during daytime. Suddenly, time freezes completely - a single continuous camera movement through a natural landscape that transitions through all four seasons in one shot - an underwater bioluminescent city waking up at dawn The big shift is this: One Prompt, Viral Remade. Edit Videos as Easy as Editing Photos. Dreamina Seedance 2.0 feels like a real step toward AI-native directing rather than just AI generation. Here are some examples 🧵:

1/ We've all been aware of the hype surrounding Dreamina Seedance 2.0, and I finally got early access to the tool. And wow, I'm blown away. This is by far the best. It is starting to make AI video feel less like "generate a clip" and more like "direct a scene." What stood out to me is the level of control: camera motion, pacing, visual consistency, and the ability to build from multiple references inside one workflow. Some of the prompt directions that feel especially strong: - a busy modern city square during daytime. Suddenly, time freezes completely - a single continuous camera movement through a natural landscape that transitions through all four seasons in one shot - an underwater bioluminescent city waking up at dawn The big shift is this: One Prompt, Viral Remade. Edit Videos as Easy as Editing Photos. Dreamina Seedance 2.0 feels like a real step toward AI-native directing rather than just AI generation. Here are some examples 🧵:

Chubby♨️

76,622 просмотров • 6 месяцев назад

📖THE BEST SEEDANCE 2.0 WORKFLOW STARTS INSIDE CHATGPT IMAGE 2 One creator can now go from storyboard to cinematic short film without a camera, actors, or a production crew Most creators use Seedance 2.0 as a video generator. The real power comes from combining ChatGPT Image 2 + Seedance 2.0 into a production pipeline. Here’s the workflow: 1.Create a story idea in ChatGPT. 2.Generate a shot-by-shot storyboard. 3. Build character sheets to lock consistency. 4.Generate every scene in ChatGPT Image 2. 5.Define camera movements and actions. 6.Animate each shot in Seedance 2.0. 7.Stitch the clips together into a finished short film. Why this works: • Consistent characters across scenes • Better storytelling • Precise camera control • Faster iteration • Professional-looking results • One person can do the work of an entire production team Use cases: ⁃Viral AI shorts ⁃YouTube animations ⁃Brand commercials ⁃Educational content ⁃Story-driven ads ⁃Social media content The future of AI video isn’t prompting. It’s building production pipelines. 📥Tomorrow I am sharing a workflow that almost nobody is using but absolutely should be. 🔖 The full breakdown from setup to final export is waiting in the pinned article.

Zentrix⌚️

50,553 просмотров • 3 месяцев назад

A single impressive AI video is a demo. A real production workflow needs much more: Enough references to define the creative direction. Enough duration to complete the shot. Enough control to revise what doesn’t work. Dreamina has unveiled the world-first global launch of Dreamina Seedance 2.5, with early access already live on Dreamina and US availability expected roughly one week later. With up to 50 multimodal references, 30-second single-generation video, and the lowest-cost access to the full Seedance family, Dreamina is the most cost-effective place to move from “generate something interesting” to “build something usable.”

A single impressive AI video is a demo. A real production workflow needs much more: Enough references to define the creative direction. Enough duration to complete the shot. Enough control to revise what doesn’t work. Dreamina has unveiled the world-first global launch of Dreamina Seedance 2.5, with early access already live on Dreamina and US availability expected roughly one week later. With up to 50 multimodal references, 30-second single-generation video, and the lowest-cost access to the full Seedance family, Dreamina is the most cost-effective place to move from “generate something interesting” to “build something usable.”

D-Coder

39,817 просмотров • 1 месяц назад

If you’re feeling lost, build something. Build a business. Build your body. Build a real skill. Build anything that forces you to learn and pulls your focus forward. Don’t waste time trying to pick the perfect thing. Don’t sit around worrying about how tough it’ll be. Just start moving. The right path has a way of finding you once you’re in motion. 💯💖🪄

If you’re feeling lost, build something. Build a business. Build your body. Build a real skill. Build anything that forces you to learn and pulls your focus forward. Don’t waste time trying to pick the perfect thing. Don’t sit around worrying about how tough it’ll be. Just start moving. The right path has a way of finding you once you’re in motion. 💯💖🪄

Lord of Sugar 💖🪄

38,709 просмотров • 5 месяцев назад

it starts with a simple clay model, then things get interesting turns out GPT-6 Astra + Dreamina Seedance 2.5 is an actual pipeline Astra codes the geometry → Blender → Clay Renderer Plugin → final render on Dreamina the Dreamina Clay Renderer Plugin takes the Blender clay model directly into Dreamina in one click. The camera and layout stay locked, so there’s no need to rebuild the shot before rendering with Seedance 2.5 and you get the same Seedance model and quality without paying extra just for the pipeline ready to try it? 👇 #Dreamina #DreaminaPartner

it starts with a simple clay model, then things get interesting turns out GPT-6 Astra + Dreamina Seedance 2.5 is an actual pipeline Astra codes the geometry → Blender → Clay Renderer Plugin → final render on Dreamina the Dreamina Clay Renderer Plugin takes the Blender clay model directly into Dreamina in one click. The camera and layout stay locked, so there’s no need to rebuild the shot before rendering with Seedance 2.5 and you get the same Seedance model and quality without paying extra just for the pipeline ready to try it? 👇 #Dreamina #DreaminaPartner

MAX

127,553 просмотров • 16 дней назад

Kling 3.0 Prompt: Shot 1: A medium shot of a stylish woman standing next to a motorcycle in Istanbul, with the iconic Galata Tower visible in the background. The camera slowly zooms in on her face. She looks directly at the camera, smiles, and says: "Hey! You have to see this shop I found, come with me." Shot 2: A tracking shot following the woman from behind as she walks away from the motorcycle and enters a nearby cozy shop. The shop is filled with shelves of colorful plush toys and bright lights. Shot 3: Inside the shop, a medium close-up of the woman holding a cute colorful plush toy. She hugs the toy tightly, looks at it with adoration, and says: "Oh my god, I love this one! It is so fluffy and cute."

Kling 3.0 Prompt: Shot 1: A medium shot of a stylish woman standing next to a motorcycle in Istanbul, with the iconic Galata Tower visible in the background. The camera slowly zooms in on her face. She looks directly at the camera, smiles, and says: "Hey! You have to see this shop I found, come with me." Shot 2: A tracking shot following the woman from behind as she walks away from the motorcycle and enters a nearby cozy shop. The shop is filled with shelves of colorful plush toys and bright lights. Shot 3: Inside the shop, a medium close-up of the woman holding a cute colorful plush toy. She hugs the toy tightly, looks at it with adoration, and says: "Oh my god, I love this one! It is so fluffy and cute."

Ozan Sihay

14,270 просмотров • 7 месяцев назад

Here's a good example of how you can use Seedance 2 to edit videos. In the opening shot of the Thriller movie clip I posted last night, I had a generation that was perfect, with the exception of a man entering the scene at the end, and running past the woman. Didn't want that! So, I uploaded the video into Seedance 2's Omnireference on Dreamina AI and used the following prompt, which worked like a charm! The "EDIT THE VIDEO - remove the man in the white shirt who enters the scene at 00:07 seconds. The woman in the yellow dress is the only character we should see in this scene. Maintain all other details." Before (left) and After (right).

Here's a good example of how you can use Seedance 2 to edit videos. In the opening shot of the Thriller movie clip I posted last night, I had a generation that was perfect, with the exception of a man entering the scene at the end, and running past the woman. Didn't want that! So, I uploaded the video into Seedance 2's Omnireference on Dreamina AI and used the following prompt, which worked like a charm! The "EDIT THE VIDEO - remove the man in the white shirt who enters the scene at 00:07 seconds. The woman in the yellow dress is the only character we should see in this scene. Maintain all other details." Before (left) and After (right).

Christopher Gwinn | Grindhouse Glitch

44,259 просмотров • 5 месяцев назад

If you’ve been following me on other platforms you’ll know I showed how in sports the way to go viral isn’t telling the truth, or awesome breakdowns, to truly get clicks the fast way, you cater to people’s hate and constant want to be correct. This isn’t a shot at Jay, but this is the perfect example and I’ve proven this over on all forms of social media. U don’t build trust with ur audience or many things that can be monetized, but in terms of building a platform that u can sell later, this is a strategy that social media is built on

If you’ve been following me on other platforms you’ll know I showed how in sports the way to go viral isn’t telling the truth, or awesome breakdowns, to truly get clicks the fast way, you cater to people’s hate and constant want to be correct. This isn’t a shot at Jay, but this is the perfect example and I’ve proven this over on all forms of social media. U don’t build trust with ur audience or many things that can be monetized, but in terms of building a platform that u can sell later, this is a strategy that social media is built on

Ten000Hours

96,509 просмотров • 3 месяцев назад

I know this is geeky even by my standards, but indulge me. I present a comparison of ride quality - one video was taken at 125mph on the ECML and the other at 186mph on a purpose-built high speed line in France. Like all sophisticated folk, I use the medium of wine. Go figure.

I know this is geeky even by my standards, but indulge me. I present a comparison of ride quality - one video was taken at 125mph on the ECML and the other at 186mph on a purpose-built high speed line in France. Like all sophisticated folk, I use the medium of wine. Go figure.

Capt. Osbert Twinge, Bt. KCB.

165,642 просмотров • 2 лет назад

The video of a young woman being sexually harassed by an elderly man at a mall in #Bengaluru went viral on social media following which the #BengaluruPolice began a probe. The video shows the accused man deliberately touching the back of the woman at the games zone in the crowded mall. The video shows the man after the deliberate misbehaviour moving on to another place. The victim had not protested after the misconduct. The video was uploaded on an Instagram account and went viral on social media. The uploader had stated the incident had taken place at the famous #LuluMall. “Recorded this incident today evening around 6.30 p.m. in #LuluMallFunturaBengaluru. This man in the video was doing such a thing to the random women and girls around here. "First when I saw him in a very crowded area, I felt suspicious about him and followed him recording the video. Then I got this. Went to security and complained about this, then we came in search of him but we missed. So informed the mall management and security, they said they’ll try to find that person and take action. Shame on such people,” the whistleblower stated. The jurisdictional #Magadi Road police have taken the video and started the preliminary probe.

The video of a young woman being sexually harassed by an elderly man at a mall in #Bengaluru went viral on social media following which the #BengaluruPolice began a probe. The video shows the accused man deliberately touching the back of the woman at the games zone in the crowded mall. The video shows the man after the deliberate misbehaviour moving on to another place. The victim had not protested after the misconduct. The video was uploaded on an Instagram account and went viral on social media. The uploader had stated the incident had taken place at the famous #LuluMall. “Recorded this incident today evening around 6.30 p.m. in #LuluMallFunturaBengaluru. This man in the video was doing such a thing to the random women and girls around here. "First when I saw him in a very crowded area, I felt suspicious about him and followed him recording the video. Then I got this. Went to security and complained about this, then we came in search of him but we missed. So informed the mall management and security, they said they’ll try to find that person and take action. Shame on such people,” the whistleblower stated. The jurisdictional #Magadi Road police have taken the video and started the preliminary probe.

Hate Detector 🔍

49,436 просмотров • 2 лет назад

The problem with AI video: it rebuilds your scene instead of finishing it. I built a workflow where that doesn't happen. GPT-6 Astra writes the geometry → Blender shapes the scene → Dreamina's Clay Renderer Plugin sends the clay model into Dreamina in one click → Seedance 2.5 renders the final look. My camera and layout come out exactly where I put them. Nothing drifts, nothing gets rebuilt. And with 2.5 and 2.0 priced the way they are, I can run five versions instead of betting on one. Try it yourself. #Dreamina #DreaminaPartner

The problem with AI video: it rebuilds your scene instead of finishing it. I built a workflow where that doesn't happen. GPT-6 Astra writes the geometry → Blender shapes the scene → Dreamina's Clay Renderer Plugin sends the clay model into Dreamina in one click → Seedance 2.5 renders the final look. My camera and layout come out exactly where I put them. Nothing drifts, nothing gets rebuilt. And with 2.5 and 2.0 priced the way they are, I can run five versions instead of betting on one. Try it yourself. #Dreamina #DreaminaPartner

Jaynit Makwana

58,092 просмотров • 15 дней назад

how to prompt undetectable ai shots while designing a running scene, first think about these 3 basic questions: how does the camera move? what is it looking at? where does it stop? a good motion prompt is really just a timeline it needs to follow real-world physics, and it needs to carry story at the same time 1. start with the narrative goal of the shot camera movement is not just movement it is the storytelling so before writing the prompt, define what the shot is trying to do for example, in a 15-second one take, the goal could be: follow the female lead laterally while she runs, to build speed and tension then briefly reveal the people chasing her then let the camera hesitate for a moment and find her again that small “lose and recapture” moment adds spatial depth and makes the chase feel more intense 2. build a clear space for the camera to work in if the space is vague, the shot gets messy very fast i like breaking the scene into layers so the model knows where everything belongs foreground: passing objects, environmental motion main subject layer: the woman running midground: cafe tables, pedestrians, the people chasing her background: the vanishing point of the street, and the entrance to the pedestrian area once the space is clear, the camera has a stage to move through 3. describe motion like a physical process a good moving shot has to respect inertia if the movement feels weightless or too perfect, it instantly feels fake so instead of using broad words, describe a chain of actions the camera can actually perform what accelerates what slows down when it adjusts when it slightly overshoots when it catches itself again that little bit of imperfection is usually what makes it feel real 4. use focus as part of the storytelling in a one take, focus is one of the best ways to guide attention you can design moments where focus shifts with intention for example: focus briefly drifts from the chasers’ faces, passes beyond them, lands on the woman in the distance, then quickly pulls back again it feels like a small mistake, but that’s exactly why it works it simulates a camera operator re-evaluating the subject in the middle of a fast-moving shot that kind of temporary focus loss and recovery adds a lot of immediacy and documentary feeling 5. build the sound space with the camera sound should move with the shot when the camera turns toward the chasers, the woman’s breathing should fall deeper into the sound field, while the chasers’ footsteps and breathing move to the center when the camera finds the woman again, her breath becomes the main sound again that shift in audio perspective helps the scene feel much more immersive it’s not just about what we see it’s also about where we feel the scene from 6. use negative constraints to stop common ai mistakes this part matters a lot i usually add clear “don’ts” at the end to stop the model from breaking the shot for example: no cuts no teleporting zooms no sliding characters no body fusion no floating props the travel bag must keep believable weight and inertia these negative constraints act like guardrails they help keep the result inside a believable physical world for me, the core of a strong motion prompt is simple: organize space, camera, focus, action, and sound into one executable timeline that’s really the difference instead of prompting a vague feeling, you’re designing a physical process and that’s usually what helps ai generate a moving shot that feels coherent, grounded, and full of tension

how to prompt undetectable ai shots while designing a running scene, first think about these 3 basic questions: how does the camera move? what is it looking at? where does it stop? a good motion prompt is really just a timeline it needs to follow real-world physics, and it needs to carry story at the same time 1. start with the narrative goal of the shot camera movement is not just movement it is the storytelling so before writing the prompt, define what the shot is trying to do for example, in a 15-second one take, the goal could be: follow the female lead laterally while she runs, to build speed and tension then briefly reveal the people chasing her then let the camera hesitate for a moment and find her again that small “lose and recapture” moment adds spatial depth and makes the chase feel more intense 2. build a clear space for the camera to work in if the space is vague, the shot gets messy very fast i like breaking the scene into layers so the model knows where everything belongs foreground: passing objects, environmental motion main subject layer: the woman running midground: cafe tables, pedestrians, the people chasing her background: the vanishing point of the street, and the entrance to the pedestrian area once the space is clear, the camera has a stage to move through 3. describe motion like a physical process a good moving shot has to respect inertia if the movement feels weightless or too perfect, it instantly feels fake so instead of using broad words, describe a chain of actions the camera can actually perform what accelerates what slows down when it adjusts when it slightly overshoots when it catches itself again that little bit of imperfection is usually what makes it feel real 4. use focus as part of the storytelling in a one take, focus is one of the best ways to guide attention you can design moments where focus shifts with intention for example: focus briefly drifts from the chasers’ faces, passes beyond them, lands on the woman in the distance, then quickly pulls back again it feels like a small mistake, but that’s exactly why it works it simulates a camera operator re-evaluating the subject in the middle of a fast-moving shot that kind of temporary focus loss and recovery adds a lot of immediacy and documentary feeling 5. build the sound space with the camera sound should move with the shot when the camera turns toward the chasers, the woman’s breathing should fall deeper into the sound field, while the chasers’ footsteps and breathing move to the center when the camera finds the woman again, her breath becomes the main sound again that shift in audio perspective helps the scene feel much more immersive it’s not just about what we see it’s also about where we feel the scene from 6. use negative constraints to stop common ai mistakes this part matters a lot i usually add clear “don’ts” at the end to stop the model from breaking the shot for example: no cuts no teleporting zooms no sliding characters no body fusion no floating props the travel bag must keep believable weight and inertia these negative constraints act like guardrails they help keep the result inside a believable physical world for me, the core of a strong motion prompt is simple: organize space, camera, focus, action, and sound into one executable timeline that’s really the difference instead of prompting a vague feeling, you’re designing a physical process and that’s usually what helps ai generate a moving shot that feels coherent, grounded, and full of tension

el.cine

14,644 просмотров • 1 месяц назад

Optimus Prime transformation playblast from Transformers Rise of the Beasts. This was the most complex Optimus Prime transformation shot on the film, with a lot of moving parts and generally a lot slower movement than his other transformations. I remember seeing the first iterations of this animation during production. As a huge Transformers fan, it was super exciting to see something as complex as this be worked on by our animators. I modelled the head, face, and battlemask for Optimus Prime. Playblast by MPC.

Optimus Prime transformation playblast from Transformers Rise of the Beasts. This was the most complex Optimus Prime transformation shot on the film, with a lot of moving parts and generally a lot slower movement than his other transformations. I remember seeing the first iterations of this animation during production. As a huge Transformers fan, it was super exciting to see something as complex as this be worked on by our animators. I modelled the head, face, and battlemask for Optimus Prime. Playblast by MPC.

Rassoul Edji

52,562 просмотров • 1 год назад

The reason why Tesla hasn’t built a motorcycle is bc as a teenager at the age of 17, Elon was hit by a truck while riding a road bike and nearly died. This near-death experience shaped his view ever since. “Never happening, as we can’t make motorcycles safe… I was hit by a truck & almost died on one when I was 17.” Motorcyclist deaths are ~29x higher per mile than cars and Tesla aims to build the safest vehicles on the road that save lives and street bikes don’t fit into that equation.

The reason why Tesla hasn’t built a motorcycle is bc as a teenager at the age of 17, Elon was hit by a truck while riding a road bike and nearly died. This near-death experience shaped his view ever since. “Never happening, as we can’t make motorcycles safe… I was hit by a truck & almost died on one when I was 17.” Motorcyclist deaths are ~29x higher per mile than cars and Tesla aims to build the safest vehicles on the road that save lives and street bikes don’t fit into that equation.

Teslaconomics

46,898 просмотров • 6 месяцев назад

The whole trend of trying to stand out on social media and getting that perfect aesthetic shot has once again ended in a tragedy 26 year old Pooja Sahni from Punjab reportedly fell nearly 400 metres into a gorge on the Tungnath trek while trying to take a selfie , just look at this point zero chances of survival !

The whole trend of trying to stand out on social media and getting that perfect aesthetic shot has once again ended in a tragedy 26 year old Pooja Sahni from Punjab reportedly fell nearly 400 metres into a gorge on the Tungnath trek while trying to take a selfie , just look at this point zero chances of survival !

Nikhil saini

76,082 просмотров • 3 дней назад